:00:12. > :00:16.Good evening ladies and gentlemen, have I got a great Wednesday line-
:00:16. > :00:21.up. Three gorgeous couples. Essex' answer to ginger Roger, Denise van
:00:21. > :00:27.outen and James. We have the Polly Pockets, Dani and Vincent are here.
:00:28. > :00:32.And, of course, it is, bring your dad to work day, my dad, Johnny
:00:32. > :00:37.Ball and Iveta are here. And we have the new girl, she is here, our
:00:37. > :00:43.new judge, Darcey bus bus until the house. And if that was not enough,
:00:43. > :00:53.Ian Waite is back with his Waite's Wednesday Warm Up. Hello darling.
:00:53. > :01:27.
:01:27. > :01:31.This is Strictly It Takes Two. Give Hello and welcome to It Takes Two.
:01:31. > :01:35.Tonight's show is literally bursting very Strictly seams. Let's
:01:35. > :01:42.crack on with the first guests. They have style with a spliel.
:01:42. > :01:45.Denise and James. -- a smile Welcome to It Takes Two. Very
:01:45. > :01:49.excited. Lovely to have you here. Top of the leaderboard on Friday.
:01:49. > :01:54.How exciting was the whole night for you? It was amazing but I was
:01:54. > :01:58.so nervous just before we started. Underneath my dress my legs were
:01:58. > :02:05.shaking. I had a dry mouth and my palms were all sweaty. It is a
:02:05. > :02:09.pressure thing. Fear. But I do enjoy it. It is nice to do it in
:02:09. > :02:13.front of the audience and get on to the dancefloor. And when they
:02:13. > :02:20.clapped, did you think - I must have got that right. I was
:02:20. > :02:24.petrified to be honest. We had dry mouths. More so than years before?
:02:24. > :02:28.Yes, the expectation that Denise was going to be amazing and putting
:02:28. > :02:33.the choreography together and hoping it was going to go well. For
:02:33. > :02:40.myself as well, thinking - please don't forget your steps. A lot of
:02:40. > :02:45.love. One from west London says DVV one to watch, great waltz, James
:02:45. > :02:50.gets hotter every year. I like her already. You are looking slim. How
:02:50. > :02:56.is he as a teacher? Very strict, really bossy but he is a good
:02:57. > :03:02.teacher. Ahhhh. He works me really hard. You probably need a firm hand
:03:02. > :03:07.though, don't you? I like a firm hand, I do, Zoe, yes. You have been
:03:07. > :03:13.known to muck about and have a will have. I suppose he thoos keep new
:03:13. > :03:18.check. I suppose so. -- he has to keep you in check. I suppose so. Do
:03:18. > :03:22.I mess about? Yes, you do. She can't stand still for more than two
:03:22. > :03:26.seconds. In the waltz it was hard. This week is easier. The fact I can
:03:26. > :03:30.jump about is lovely And the fact that she gets tired, straight after
:03:30. > :03:34.the jive she can't speak. It is brilliant. We noticed, watching
:03:34. > :03:39.back at the footage that perhaps James hadn't been your first
:03:39. > :03:43.choice... No. He wasn't. Of teacher. Look at this. When I signed up to
:03:43. > :03:47.Strictly I thought tfs going to be fun, then I got James. -- I thought
:03:47. > :03:54.it was going to be fun. Then I got James. I wish I had been Brendan.
:03:54. > :04:00.know I'm the best. Brendan is better. Victoria is so lucky.
:04:00. > :04:02.Victoria is so lucky. I would like to massage Brendan. You have never
:04:02. > :04:06.won it, have? You Brendan has. you want a cuddle? If it was
:04:06. > :04:10.Brendan, I would be sat like this cuddling. I wanted someone who, you
:04:10. > :04:16.know, knows what winning is about? So did I. I actually think I'm
:04:16. > :04:21.going to go home later tonight and dry a little bit.
:04:21. > :04:26.We got you a little pressie, your own Brendan cushion. I will be
:04:26. > :04:34.sleeping with that tonight. Let's hope Lee doesn't mind. Let's ask
:04:34. > :04:39.you James, you had a bonk on the conk on Friday in rehearsal. Hola
:04:39. > :04:43.hit your nose. Is it broken? I went to the doctors on Monday. I pushed
:04:44. > :04:50.the back on Friday myself but they said it is not quite in place so I
:04:50. > :04:55.need to go to a special get it rebroke and reset. Is it painful?
:04:55. > :04:59.Not now. Any sympathy from Denise None whatsoever. Said "man up."
:04:59. > :05:04.Let's talk about the jive. You are saying it is speedy and fast.
:05:04. > :05:08.really fast. It is exhausting. My feet are killing me. I have so many
:05:08. > :05:13.aches and pains. Why was your tongue out? My concentration face
:05:13. > :05:17.snoosm your cartwheel was better than mine. Nice cartwheel. When we
:05:17. > :05:22.do it, we do it all the way through, I'm exhausted. She doesn't speak,
:05:22. > :05:27.it is lovely. Have you got any little tricks?
:05:27. > :05:31.did, we had a trick. It was going to be awesome at the beginning,
:05:31. > :05:36.never been seen on Strictly, but it doesn't work. We took it out.
:05:36. > :05:40.That's why it has never been seen. I got the giggles and it ruined it
:05:40. > :05:46.every time. Good luck. We are loving your partnership.
:05:46. > :05:53.Take your pillow home. Denise and James.
:05:53. > :05:59.Over the last few months there has been a 6'4" shape hole in my
:05:59. > :06:09.Wednesday afternoons. Back by popular demand with his new and
:06:09. > :06:10.
:06:10. > :06:16.improved telestrator machine, Mr He is back, Mr Ian Waite.
:06:16. > :06:19.Darling. Mwa, mwa. You missed me? Of course. You could sound more
:06:19. > :06:22.convincing. Brilliant shows at the weekend. Everybody did brilliantly.
:06:22. > :06:26.Let's see how they are doing this week. We will start at the top of
:06:26. > :06:29.the leaderboard with Lisa and Robin. They are doing the Vienese waltz,
:06:29. > :06:33.how will this compare to cha-cha- cha? I think pretty well. They are
:06:33. > :06:37.doing a lot in the beginning, solo, which she is good at. I have
:06:37. > :06:45.stopped it here because, as you can see, I am going to take my lovely
:06:45. > :06:48.wand out, look at that. Look, I say, Ian's magic wand. A new addition.
:06:48. > :06:53.At the moment they are square, that will make it difficult. I would
:06:53. > :06:58.like her to get over Robin's right- handside a little bit then that's
:06:58. > :07:02.his centre line and she gets over on to his right side it'll make
:07:02. > :07:09.things easier. She will be able to move around him better. Later on
:07:09. > :07:13.when they are dancing, it'll improve when they do that. Jerry
:07:13. > :07:19.and Anton, she is so glorious, how is her foxtrot? I think she
:07:19. > :07:25.surprised a lot of people, certainly myself. Her cha-cha is so
:07:25. > :07:29.much better than expecting. They are dancing a lot of ballroom steps.
:07:29. > :07:36.Anton's speciality. I have stopped it here, as you can see her posture.
:07:36. > :07:40.She is in a prm nad position and if I can take you. Take me, please. --
:07:40. > :07:44.-- promenade position. Her head needs to stretch out, look at
:07:44. > :07:48.camera 3, you can see that stretching from the waist and out
:07:49. > :07:52.in promenade position. OK, OK, lovely.! Like that. At the moment
:07:52. > :07:56.she is very square and almost leaning into him. Victoria and
:07:56. > :08:00.Brendan, she had a bit of a mishap on the first show. She is doing a
:08:00. > :08:04.foxtrot. How is she going to do? think she will get over her nerves.
:08:05. > :08:10.She is in his arms and fell much more comfortable. I do think that
:08:10. > :08:17.somewhere here, let's have a little look at it. What treasure do you
:08:17. > :08:20.have now? I'm going to do this, I'm going to zoom that as you can see.
:08:20. > :08:30.going to zoom that as you can see. Look. Now she is slightly poking
:08:30. > :08:35.her chin forward. It is because she has let her backside slip back.
:08:36. > :08:39.Don't let your bum slip, ladies. she tucks under she will be able to
:08:39. > :08:43.get get her head and chin up. many things to remember. Kimberley
:08:43. > :08:47.and Pasha, great opening to the show. This week it is ballroom,
:08:47. > :08:51.foxtrot for Kimberley. What do you think. How is it? For me she is a
:08:51. > :08:57.very talented girl. As you can see, straight away, she is in the right
:08:57. > :09:03.position on Paddy Ashdownia. Very pleased with that. -- on Pasha.
:09:03. > :09:08.What I would like to point out, Waite's weekly whinge. Yet again,
:09:08. > :09:12.Pasha's partner. I would like to see her in normal shoes. It will
:09:12. > :09:15.help her practice her proper footwork and master the technique.
:09:15. > :09:21.It is a much better idea. These don't support your feet enough.
:09:21. > :09:27.Ballroom shoes in the ballroom. Personally... I know they are
:09:27. > :09:30.comfortable. Other than that, she is great. Colin and Kristina, he
:09:30. > :09:35.was great wasn't he? Another surprise for everybody, I think.
:09:35. > :09:40.What I love about Colin is he has this wonderful, wonderful, if I can
:09:40. > :09:46.just point that out, he has a wonderful line through his back and
:09:46. > :09:51.neck. He has a very long neck, 6'4" of him. The same height as me. He
:09:51. > :10:00.has his shoulders down, his chin up, a lovely long neck, look at that.
:10:00. > :10:06.He looks brilliant. Let's give him a little crown. King Colin.
:10:06. > :10:10.Looking good. And Fern and Artem. How was Fern looking? She is also
:10:10. > :10:14.doing the Vienese waltz? Also, I think she had an attack the nerves
:10:14. > :10:20.last week. I think that restricted her. I think she will be much
:10:20. > :10:23.better in this dance. Look at that lovely line. Lovely hands. She
:10:23. > :10:28.produces lovely lines. I think she is the cat that's got the cream.
:10:28. > :10:31.She is smiling, and loving it. could you not be happy with Artem?
:10:31. > :10:37.Hopefully her love for the dance and Strictly will shine through.
:10:37. > :10:41.That's the ballroom. You will be back for the Latin. I will. I love
:10:41. > :10:45.see youing again, Ian Waite, everybody.
:10:45. > :10:53.She first twirld on to our screens as a guest judge but this year she
:10:53. > :10:59.is back for good. -- twirled. Let's take a look at what Darcey Bussell
:10:59. > :11:03.is always en point. You are now a fully-fledged judge of Strictly
:11:03. > :11:07.Come Dancing. I'm the new kid on the block. I'm probably most famous
:11:07. > :11:13.for being a classical ballerina. I did come to the royal Ballet School
:11:13. > :11:16.at the age of 13. I just really wanted to be on stage. I loved
:11:17. > :11:22.every minute of it and became very passionate about my dancing. I have
:11:23. > :11:27.done all the big classics and quite a lot of other bits.
:11:27. > :11:30.To be part of the Strictly team is a little dream come true. To be on
:11:30. > :11:35.the other side and actually be the critique is a lot of fun, actually
:11:35. > :11:41.and I think I'm going to enjoy it. I think a lot of the celebrities
:11:41. > :11:43.are going to show some real amazing dancing this time. And I am so
:11:43. > :11:49.excited! Oh, we are a little bit excited too.
:11:49. > :11:57.As you can see, when it comes to dancing, she has set the bar pretty
:11:57. > :12:05.high. Please welcome, Darcey Bussell.
:12:05. > :12:07.The Hustle for the Bussell. Welcome to It Takes Two. How has your
:12:07. > :12:10.to It Takes Two. How has your to It Takes Two. How has your
:12:10. > :12:15.experience been so far? Very exciting, buzzing, nerve-wracking.
:12:15. > :12:19.Were you scared first show? I was as scared as the celebrities on the
:12:19. > :12:23.dancefloor. I'm not surprised. Were the boys welcoming? They are really
:12:24. > :12:27.looking after me. I have been spoilt rotten. Good. At my need all
:12:27. > :12:33.the time. They are always going, "Are you OK?" I like the fact that
:12:33. > :12:38.the judges have been re-arranged, broken up, Len and Craig, I think
:12:38. > :12:41.she is quite happy he doesn't have to sit next to Craig. It was an
:12:41. > :12:44.incredible weekend who. Stood out for you, performance-wise? A will
:12:44. > :12:51.the actually. There is a lot of talent. They will keep improving.
:12:51. > :13:01.There is the obvious, obviously, Denise and James. Louis. Yes we saw.
:13:01. > :13:02.
:13:02. > :13:07.I quite liked Louis and Flavia. saw that. Well, who wouldn't. Now I
:13:07. > :13:15.am distracted. When we want to throw you, we will just say
:13:15. > :13:18."Louis." Well you have danced with Ian on the launch show, how was
:13:18. > :13:22.that, to take to the Strictly dancefloor? Well you always have
:13:22. > :13:25.nerves. Actually it is pretty strange if you don't have nerves
:13:25. > :13:29.getting on that dancefloor but it is extraordinary, you have
:13:29. > :13:34.cameramen and lights flashing in your face, to concentrate just on
:13:34. > :13:38.the dancing, I was quite scared. I had not done anything for a long
:13:38. > :13:41.time. I had been injured last year and all these things, so I was
:13:41. > :13:46.terrified. So you do know exactly how the contestants are feeling.
:13:46. > :13:50.I do. How different is ballroom to ballet, from what you can see?
:13:50. > :13:56.obviously you use a lot of different muscles, I wouldn't dance
:13:57. > :14:00.in heels for a start but generally it is quite fanatical. The ballroom
:14:00. > :14:07.and Latin, the same details that we look for in ballet, the finishing
:14:07. > :14:10.of the fingers, all those details, where your eyes are looking, head
:14:10. > :14:14.inclined, and all those angles and how your partner each other
:14:14. > :14:18.especially is very important. I mean they do a lot of lifts.
:14:18. > :14:24.course they do. What should our contestants be doing to impress you
:14:24. > :14:28.as the new judge? What are you looking for? I sort of want them to
:14:28. > :14:31.fall in love with it. I want it feel something from here. It is all
:14:31. > :14:35.very well doing the steps and getting the technique right but
:14:35. > :14:39.there has to be a feeling for me. It has to be an all-around package,
:14:39. > :14:43.that they fall in love with the dance. Lots of love from the
:14:43. > :14:48.viewers to watched the show at the weekend. Paula from Norwich says,
:14:48. > :14:53."Loving Darcey, graeted addition to the panel and loves -- great
:14:53. > :14:58.addition to the panel. She loves the fact you give
:14:58. > :15:02.positive dance. Is that a thing do you? Well first time around, it is
:15:02. > :15:05.stuep I had to criticise them. You want them to come back week. To
:15:05. > :15:10.criticise them straight away is wrong, I want to give them tips,
:15:10. > :15:15.something to go away and feel they have got hold of it and feel better.
:15:15. > :15:20.Which dances are you looking forward to the most? I love an
:15:20. > :15:25.Argentine tango, and a salsa. this weekend. That will be fun.
:15:25. > :15:29.are loving having you. Pop in whenever you dancey. Darcey Bussell.
:15:29. > :15:39.Now they might be small but my next couple left a huge impression on
:15:39. > :15:39.
:15:39. > :15:43.Saturday night with their rather elegant waltz. Take a look.
:15:43. > :15:48.Dani smile, enjoy the occasion, you are a pretty girl. You've got it
:15:48. > :15:51.all, you just have to use it correctly.
:15:51. > :15:57.I loved that leg thing when you were on one leg. I thought it was
:15:57. > :16:02.very nice, lovely moment, well done to you.
:16:02. > :16:07.Exactly. Forget about being a Polly Pocket. Dance is about creating an
:16:07. > :16:11.illusion, you did that. We did good. I have done it better,
:16:11. > :16:16.though. It's OK, then we will be even better next week.
:16:16. > :16:22.Yes, after a fantastic first dance she certainly knows how to smile
:16:22. > :16:27.now. She has something to smile Bwelcome Dani and Vincent, Team
:16:27. > :16:31.Smurf. Where has Team Smurf come from, need I even ask? I invented
:16:31. > :16:35.it. We are so little, everything looks so big to us, we look like
:16:35. > :16:41.little smurves, we get lost. One day I couldn't find her, she was
:16:41. > :16:48.hiding behind my shoes. Bless you. We have bought you something,
:16:48. > :16:56.little hats, Papa smurve, that's for you.
:16:56. > :17:01.-- Papa Smurf. Are there advantages to being small
:17:01. > :17:05.in ballroom and Latin, would you say? Shall I answer that. Yes.
:17:05. > :17:09.way we have positives and neglecttives. Obviously we have to
:17:09. > :17:12.work harder because everything looks too far away from us. I can't
:17:12. > :17:17.take him seriously. It is much harder at some points but we can
:17:17. > :17:22.work on speed, I think speed is going to be the most important
:17:22. > :17:27.thing for us when we can beat taller people, normal people.
:17:27. > :17:31.normal folk. Bruno says he wants to you smile more. You must have bang
:17:31. > :17:35.terrified, it was the first time. So scared. The most terrified I
:17:35. > :17:40.have ever been. I agree I will definitely smile more and enjoy it
:17:40. > :17:45.more. I think I will do it this week. No, I know I will. I like the
:17:45. > :17:49.postiflt. Lots of the pros were shouting harsh, harsh, after you
:17:50. > :17:53.got your scores and the audience were joining in. Do you feel you
:17:53. > :17:57.were undermarked? I watched it back a couple of times, just because I
:17:57. > :18:01.will have myself too much. That's the only reason, really. I thought
:18:01. > :18:06.maybe we could have done a good better. I would rather be
:18:06. > :18:11.undermarked than overmarked. I have done it better in rehearsals so it
:18:11. > :18:17.was frustrating. You never know how the nerves are going to get to you.
:18:17. > :18:21.It really Zmy knees were knocking together. -- -- it really did.
:18:21. > :18:26.would like to tell you it gets easier it, doesn't. We are
:18:26. > :18:33.concerned you are losing it, because you seem to be going to
:18:33. > :18:37.serious extremes to get Dani's attention in training. These are
:18:37. > :18:43.comiegs so much pain, they have become my approximate enemy, but
:18:43. > :18:48.don't worry, I willdy feet them. -- These are causing me so much pain.
:18:48. > :18:53.I look amazing. Oh, you do look amazing. He does have the best
:18:53. > :18:58.pants. I get to see them every day, they are always fabulous. You get
:18:58. > :19:03.to see them every day So you do, everybody gets to see them. We will
:19:03. > :19:07.have a pant montage. How is your relationship? What is he like as a
:19:07. > :19:10.teacher? The best partner I could ask for. He is laid back, hilarious,
:19:11. > :19:16.an amazing teacher as well. I definitely have the best partner.
:19:16. > :19:20.How are you finding the salsa this week? It's so fast, so fast but I'm
:19:20. > :19:25.loving it. It is a bit more up my street. I'm loving the song and I
:19:25. > :19:30.get to be a bit more funky. Is it GBing to sizzling, Vincent?
:19:30. > :19:34.Hopefully, -- is it going to be? Hopefully this suits more her
:19:34. > :19:40.personality. I think from now on, we would love to go up, instead of
:19:40. > :19:46.down, if we can. Up the leaderboard. I haven't been up there. Be in the
:19:46. > :19:51.middle and creep up and do tada. Without anyone noticing. What is
:19:51. > :19:56.the hardest thing to master, Dani are you finding? Is there anything
:19:56. > :20:01.you are struggling with? Everything I think. My feet kind of do as they
:20:01. > :20:05.are told but it is getting the technique better and performance-
:20:05. > :20:09.wise and enjoying it more and everything really, and it is so
:20:09. > :20:14.fast to try to not lose track of where we are. Good luck. Try to
:20:14. > :20:19.keep your trousers on. It will be hard. Looking forward it seeing you
:20:19. > :20:24.on Saturday, Dani and Vincent you.
:20:24. > :20:34.Now I'm afraid I can't wait any longer, it is time for part deux of
:20:34. > :20:41.
:20:41. > :20:45.He Ian Waite, he and his long legs are back.
:20:45. > :20:49.Let's talk Latin, Nicky and Karen are doing the cha-cha-cha this week.
:20:49. > :20:54.How is he looking snfpblg much more relaxed in this style which is
:20:54. > :20:59.great. -- How is he looking? think it is probably because Karen
:20:59. > :21:03.is more relaxed in this style. So he is looking more relaxed. What I
:21:03. > :21:08.would like to point out is here. He has his arms down. I would like him
:21:08. > :21:11.to get his arms out At any point, there is a lot of places in the
:21:11. > :21:17.routine where he was dancing with Karen and then he just dropped the
:21:17. > :21:26.other arm. He needs to get it out. Where does it go, side ways? Side
:21:26. > :21:30.ways, up, wherever. Make a decision. Michael and Natalie are doing the
:21:30. > :21:34.jive. What do you reckon? We have a side view, they are practising in
:21:34. > :21:39.the mirror, it isn't the greatest view, it shows up the problems he
:21:39. > :21:43.has with his jive. An unfortunate position we leave him in there.
:21:43. > :21:49.lovely bottom, though, Michael. I can just point that out, you see.
:21:49. > :21:54.He needs to dance on the balls of his feet all the time which will
:21:54. > :21:58.pitch his weight forward and pick up his backside and pick up
:21:58. > :22:02.underneath so you can pick up the knees. All right, Michael, watching
:22:02. > :22:07.this. It is too flat. Last week they were telling him to tuck it in.
:22:07. > :22:11.This week, he has to get it up. is a different dance, different
:22:11. > :22:16.posture. Sid and hola are doing the salsa. I'm looking forward to
:22:16. > :22:26.seeing Sid shimmy. He has a great personality for this dance. He is
:22:26. > :22:30.very cheeky chapy, hola chops, she has another cheeky man, Ola chops.
:22:30. > :22:34.For me he is going in and out, one minute he is getting it and then
:22:34. > :22:39.next minute not so good. He needs to work on consistency. This is
:22:39. > :22:43.Tuesday, he has probably refined it more by now. Richard and Erin, last
:22:43. > :22:50.week the judges said they wanted Richard it camp it up. Has he
:22:50. > :22:55.camped it up? All I can say, Zoe, if you think rustle grant is camp,
:22:55. > :22:59.wait to see you this cha-cha. It is the campest thing you will ever see.
:22:59. > :23:06.All I can see is look at that wonderful world of technology we
:23:06. > :23:12.have and look, if I draw in here, he has his lovely hand there.
:23:12. > :23:16.have you drawn there? A little squirrel. He needs to stretch his
:23:16. > :23:21.arms out and finish off his lines but apart from that it's looking
:23:21. > :23:25.very camp. I think camp is good. This is Strictly Come Dancing
:23:25. > :23:29.foregoodness sake. Ian will you come back next week? Of course.
:23:29. > :23:33.good to have him back. Ian Waite. I love him. A quick maths equation,
:23:33. > :23:43.what do you get if you add a World Champion in ten different styles in
:23:43. > :23:49.ballroom to a 74-year-old TV personality? You get this. Johnny I
:23:49. > :23:55.think you have failed the MOT. mouth was moving ten to the dozen
:23:55. > :24:00.throughout and was very distracting. Johnny, great energy. You surprised
:24:00. > :24:04.me. It was beautiful. There is a lot of people of a
:24:04. > :24:12.similar age to you, would like to be able to get out and move like
:24:12. > :24:16.that. Well done. I was singing the lyrics to keep me
:24:16. > :24:21.on the beat. It will be difficult for me to zip my mouth. It was good.
:24:21. > :24:25.Our goal was to have fun and we definitely had fun.
:24:25. > :24:32.Oh, I have been looking forward to this, please welcome, Johnny Ball,
:24:32. > :24:37.my dad and his dance partner, Iveta. Hello. Give me two. Before we talk
:24:37. > :24:40.to Iveta, I have been told to tell you, I'm not allowed to give you
:24:40. > :24:44.preferential treatment. Neither do I require it. Therefore the
:24:44. > :24:48.increase in my pocket money is not going to work. You can put that
:24:48. > :24:56.away. Eye investigate ta, welcome to It Takes Two. You are here
:24:56. > :25:02.because of course dad's original -- Iveta, welcome to It Takes Two.
:25:02. > :25:12.Thank you so much for coming all the way from New York. Aliona is
:25:12. > :25:17.injured.! How are you finding it so far? Search so nice. The BBC is the
:25:17. > :25:23.most organised company I have ever worked for. Headlines. The dancers
:25:24. > :25:28.are all so nice and welcoming and celebrities and Johnny is the best,
:25:28. > :25:33.so... Thank you. I'm having the best time. Dad, how was Saturday
:25:33. > :25:37.night for you? Well nobody knows that I met her. We met on the
:25:37. > :25:40.Tuesday afternoon. Dance the Tuesday afternoon. On the Wednesday,
:25:40. > :25:45.on the Thursday after studio rehearsal, they said - can you
:25:45. > :25:49.change the first quarter of your routine. We did that on fri. We
:25:49. > :25:57.rehearsed a new section and put that in on the Saturday with a new
:25:57. > :26:01.dancer. Well done. Not easy. learns quick. So that kind of added
:26:01. > :26:08.to the nerves. Is he behaving himself Iveta in the training room?
:26:08. > :26:18.Does he do as he is told? I feel like Johnny trusts me. He is
:26:18. > :26:24.listening and he is working his Butt off.
:26:24. > :26:29.It is an American slang. I wondered what she was going to say. He is
:26:29. > :26:32.amazing. How do you feel the dance went for you? I was so really
:26:32. > :26:36.uptight, if you like about the first section that I didn't have
:26:36. > :26:40.nerves, I knew I had to get it right. So it is crazy, isn't it, I
:26:40. > :26:46.didn't have nerves because I was so scared of getting it wrong, that's
:26:46. > :26:51.the oddest thing. It sounds very odd. We got through it. When I look
:26:51. > :26:55.back, I could have done better, and I think perhaps this time we'll do
:26:55. > :27:00.better. How did you feel with the judges' comments? Craig was a bit
:27:00. > :27:03.harsh but Len praised your energy and agility. Are you surprised?
:27:03. > :27:06.Well after the praise I was surprised at the scores, I thought
:27:06. > :27:10.they would be a bit more generous but we will take that. Now the only
:27:10. > :27:16.way is up, because we are very near the bottom. One waive looking at it.
:27:16. > :27:20.How are you getting on this week? You have come from the cha-cha-cha
:27:20. > :27:24.to the foxtrot. Iveta, how is he doing? He is doing very well. I
:27:24. > :27:28.think he is a gentleman inside of him and we just need to bring that
:27:28. > :27:34.side out from the beginning until the end of the dance. I think it
:27:34. > :27:38.suits his personality. And he is doing very well. She is looking
:27:38. > :27:43.foxy and I'm trotting behind. gld you did that joke and not the
:27:43. > :27:46.one you told me about earlier. -- I'm glad. Have you any tricks up
:27:46. > :27:50.your sleeves and let's talk about the miming, you can't mime the
:27:50. > :27:55.words. In that your mouth was going there. Why don't you tape it
:27:55. > :27:59.have done it. We tried it it. Works. I don't have to mime this one, I
:27:59. > :28:03.like this one. A pleasant smie. It is OK. But there is only one --
:28:03. > :28:07.plesant act smile. There is one hint I give you. We do one bit and
:28:07. > :28:11.every time we do it, we have to do it in a different part of the floor,
:28:11. > :28:14.because we are boring a hole. So there you are, you have that to
:28:14. > :28:17.look forward to. This weekend is the first time anyone will be
:28:18. > :28:23.eliminated. Now you were joint, what was it second to bottom. Does
:28:23. > :28:26.this make you nervous because the bottom two will go into the dance-
:28:26. > :28:29.off? I think, as I said we had a lot of problems with the fist one
:28:29. > :28:35.with change of partners and everything. So I was amazed I got
:28:35. > :28:39.there and got through it. I think it's much cooler now, I'm - I think,
:28:39. > :28:43.will we be better? From the time I have been in England I have got the
:28:43. > :28:49.feeling that Johnny is really loved by English people so I really count
:28:49. > :28:55.on the fans and I believe his fans will not put him into the bottom
:28:55. > :29:00.two stkwhr. Oh she's got proper faith in you. I know and I have
:29:00. > :29:06.faith in her. Keep mouth closed and you will be fine. Can I just say
:29:06. > :29:11.I'm really proud of you. I love my dad. Thank you very much to all the
:29:11. > :29:15.guests today. My dad and Iveta. Lovely to have you. Behave yourself.
:29:15. > :29:23.That's it for today. Join me again tomorrow when I will be joined by