:00:13. > :00:18.Hello and welcome to It Takes Two. What a right tasty treat I've got
:00:18. > :00:22.for you on my sofa tonight. They didn't split the judges with their
:00:22. > :00:25.marvellous Samba at the weekend. It's Lisa and Robin. We'll have a
:00:25. > :00:28.sneaky peak at the costumes for this weekend and of course, because
:00:28. > :00:32.it's Thursday, you will be able to see your favourites in the training
:00:32. > :00:36.room, see how they are getting on with their weekend dances. And
:00:36. > :00:39.fresh from his success, Children In Need last time, we loved him, he's
:00:39. > :00:49.our stats man, Russell granth is here!
:00:49. > :01:21.
:01:21. > :01:28.-- Grant. Here is Pudsey. Let's go, Live from Television Centre, this
:01:28. > :01:31.is Strictly: It Takes Two. Please welcome your host, Zoe Ball.
:01:31. > :01:36.Hello! Welcome to Thursday and another weekend of dance floor
:01:36. > :01:42.delights draw ever closer. Let's see how our celebrities are getting
:01:42. > :01:47.on in training. This week, we are dancing the paso
:01:47. > :01:53.doble, a very masculine and macho dance. You want to do the paso
:01:53. > :01:57.doble, huh? I brought in a cape because you can use a cape in it.
:01:57. > :02:03.It's a very dramatic and powerful dance. It's about me challenging
:02:03. > :02:06.her, taking control of the situation an being forceful. Don't
:02:06. > :02:11.make it nice. It's really a man's dance. You have to portray the part
:02:11. > :02:16.of a fight. We haven't got there yet but we are getting there. Do it
:02:16. > :02:20.in a macho way. This week, I've got to try and step it up and get in
:02:20. > :02:24.some more hours. I have to listen to Flavia a bit more and get the
:02:24. > :02:29.wow factor across. There's a lot of hard work left to do, but I feel
:02:29. > :02:36.like when Saturday comes, I should be ready.
:02:36. > :02:42.This week, we are dancing the tango. It is a very passionate dance. It
:02:42. > :02:47.has got to be intense. Turn and just push me through... We are
:02:47. > :02:55.still trying to find that jealous Kimberley because she's too sweet
:02:55. > :02:59.for this dance. It's just trying to obviously keep serious all the time.
:02:59. > :03:05.If we look at each other the wrong way, we just start laughing and
:03:05. > :03:13.it's not meant to be funny. The two things the judges will definitely
:03:13. > :03:22.look for in tango is precision and character. Look away... You
:03:22. > :03:27.definitely cannot make any mistakes. This week, we are dancing the
:03:27. > :03:31.charleston. It's got a lot of content. To get the real, real,
:03:31. > :03:34.real pernickety technical stuff right, that can be difficult.
:03:34. > :03:42.definitely about technique. We are going to be working our butts off
:03:42. > :03:48.because we want this week to be perfect. Three very tricky tricks
:03:48. > :03:52.and they're quite dangerous if you don't get them right. Won't want to
:03:52. > :03:56.get dropped. I don't think Nicky's going to drop me. It's OK. It's not
:03:56. > :04:04.OK, landing on your head is not OK. He's afraid to let go of me, he
:04:04. > :04:08.feels like I'm going to fall to my death which hopefully I won't.
:04:08. > :04:12.thing about the charleston is there's a lot to think about, to be
:04:12. > :04:19.honest, but we are getting there. This week, we are performing the
:04:19. > :04:25.rumba. It's sexy and slow. Lisa Riley, sexy and slow - have a word!
:04:25. > :04:32.It's a controlled dance with lots of technique. Did you start on the
:04:32. > :04:36.right not? Yes. I don't think you did. I did, I did. I think I did.)
:04:36. > :04:39.I didn't) This is about me leading Lisa around the dance floor. I a
:04:39. > :04:45.lady should never do anything unless I give her the indication to
:04:45. > :04:48.do it. There's been an inyew since we started with me leading, I've
:04:48. > :04:53.heard it all the time and I don't know what I'm doing. I'm a control
:04:53. > :05:00.freak and I like leading. Letting him lead this week. Miracles do
:05:00. > :05:04.come true. It's about him pulling me towards him. This week Robin
:05:04. > :05:09.Windsor can be the leader. I'll let him - this once!
:05:09. > :05:15.Just the once, mind. We'll catch up with the others later. Joining me
:05:15. > :05:18.now, it's Lisa and Robin. Congratulations on your brilliant
:05:18. > :05:21.and very moving performance on Saturday at Wembley. You looked
:05:21. > :05:25.like you were having the time of your lives out there? It was, it
:05:25. > :05:29.was amazing, yes. I've never ever had an experience like that in my
:05:29. > :05:34.life and I want to bottle it and sell it to my friend because it's
:05:34. > :05:39.that brilliant. It was. Everybody across the country is talking about
:05:39. > :05:43.your splits. Split-gate. Yes, I know. It was completely awesome.
:05:43. > :05:48.That moment will go down in Strictly history as one of our
:05:48. > :05:57.favourites. There she goes! Did you realise that it would cause such a
:05:57. > :06:02.huge reaction? It was amazing? You know what, I knew Lisa could do
:06:02. > :06:06.the splits. When we got to Wembley, I thought, this is the time to do
:06:06. > :06:10.it and the reaction and the reception was just incredible. I
:06:10. > :06:13.mean, they would not stop clapping. Poor Bruce couldn't get a word in
:06:13. > :06:16.edgeways, the audience was that... It was the fact that they wouldn't
:06:16. > :06:22.stop and then I could just imagine my dad and brother being there in
:06:22. > :06:27.the audience and I just took over me completely and I cried like a
:06:27. > :06:33.saddo. The tears came. We had so many messages from people. Annie
:06:33. > :06:41.said, when Lisa cried, Robin cried, I cried. There was a little tear.
:06:41. > :06:45.Yes, there was, yes. I cried twice this series now.
:06:45. > :06:50.These two put their heart and soul into everything they do, she says.
:06:50. > :06:55.Your dad was in the audience. Did he love it? Yes, he was crying from
:06:55. > :06:58.start to finish then at the bar it was like, dad you can stop crying
:06:58. > :07:04.now. He was dead proud and everywhere my dad goes people are
:07:04. > :07:10.talking about us. As he had T- shirts made up for the whole
:07:10. > :07:15.community yet? No, but Bury Football Club are wearing my T-
:07:15. > :07:21.shirt for football. I did the splits on the Strictly tour 43
:07:21. > :07:25.times and I now have a dicky hip. Did it hurt by the way? Not at the
:07:25. > :07:29.time. In rehearsal I was going, I'm going to slide and hope for the
:07:29. > :07:36.best and let the shoes do it. In the dress rehearsal, I didn't
:07:36. > :07:41.really go for it, did I, and on the night, bang! Yeah, I was fine, then
:07:41. > :07:45.when it got to Lewis and Flavia's dance, I was like, this is a bit
:07:45. > :07:49.sore. And in the morning, bless you. I loved the fact that people were
:07:49. > :07:54.so taken aback by it and you got your highest joint score, two weeks
:07:54. > :07:57.in a row 32, Robin's very please. Still mid table though which is
:07:57. > :08:01.frustrating. Is the competition getting harder to get up the top
:08:01. > :08:07.there, is everyone getting better? Everyone's improving at such a fast
:08:07. > :08:11.rate. You've got to get at least 32, 33, 34 to be up the top of the
:08:11. > :08:15.table there somewhere. You've got to go out and perform an absolutely
:08:15. > :08:19.incredible dance. Fingers crossed we kind of do that this week.
:08:19. > :08:23.Because Len did say he wants Lisa to finesse all the technical bits
:08:23. > :08:28.and the footwork and everything. Yes. How is all that going this
:08:28. > :08:32.week? We've had quite an intense week of rehearsal. Mainly it's
:08:32. > :08:36.about leading and following, it's about time that I really did become
:08:36. > :08:40.the man in this partnership and please make Lisa follow, but we've
:08:40. > :08:43.been working on that, timing and footwork, which has been the
:08:43. > :08:48.biggest challenge for us both to get together this week. I've
:08:48. > :08:53.realised that I do not own a pelvis. Robin does and I don't. The rumba's
:08:53. > :08:56.all about the fact that Lisa has no pelvis. You left it on the floor at
:08:56. > :09:02.Wembley last week. There has been an issue with the judges saying
:09:02. > :09:07.about the leading. We saw it in your training. Is Lisa letting you
:09:07. > :09:11.led? Today has she been letting you lead? Yes. I have! It's going
:09:11. > :09:16.really well and Lisa's looking at me and I'm going, did you feel that
:09:16. > :09:21.and she's going yes. When she lets me lead, it's brilliant so I hope
:09:21. > :09:24.on the night the nerves don't take over and I kind of end up following
:09:24. > :09:29.Lisa's own steps. On the night I seize up and get really tense and
:09:29. > :09:32.that doesn't help with the whole leading thing. I know exactly what
:09:32. > :09:37.you mean because your arms tense up because you're scare sod naturally
:09:37. > :09:43.you do pull. And she's really strong. These can only do so much.
:09:43. > :09:49.You are doing the rumba as well. It's a slow dance, it's a romantic
:09:49. > :09:55.dance. Are you enjoying it? I get to touch Windsor up all day, so
:09:55. > :09:58.yeah. Sounds like a parlour game, Touch up Windsor! Yes. If we can
:09:58. > :10:02.get the severe emotion there, it will work because we are not going
:10:02. > :10:05.to come out every week and do the splits and jazzy things, we want to
:10:05. > :10:08.do different things. The rumba's all about the count and you have
:10:08. > :10:15.been gettings mixed up with the count of the beat and counting
:10:15. > :10:20.sheep - have a look! This is a new language of no vocals.
:10:20. > :10:29.Lovely. Argh... Going through the steps this morning, Robin was going,
:10:29. > :10:38.one, two, three, fooouuuurrrr! Argh... Sounds like a sheep noise
:10:38. > :10:46.baaaa. Baaa. Maaa. Two sheep in love. Should that be our back
:10:46. > :10:53.story? You've just been sheered. Ouch, you can't see what she's
:10:53. > :10:57.doing. The sheep is biting. Baaaa... Argh... Mmm. This is the dance of
:10:57. > :11:04.love, yet because it's me and you, we've done to it the dance of farm
:11:04. > :11:10.yard animals. Baaaa... It is brilliant. I have a little
:11:10. > :11:16.gift for you as well, Robin. Julia McDonald was admiring your vest
:11:16. > :11:21.work -- Julian. He hopes you will war it in the training room.
:11:21. > :11:25.promise I will, thank you Julian. Four weeks from now, how much do
:11:25. > :11:29.you want to be there, Lisa, in the final? I would absolutely love to
:11:29. > :11:32.be there. You all right there? all tangled. It would mean the
:11:32. > :11:36.world but we have a lot of competition. Tell you what, if he
:11:37. > :11:41.wears that vest, no trouble. Lisa and Robin!
:11:41. > :11:47.Beautiful! Always - look at the left nipple which is out. Ever
:11:47. > :11:53.wondered what the origins of your favourite dances are? Pay attention,
:11:53. > :11:58.Karen and Iain are here to explain. The charleston we know today became
:11:58. > :12:07.popular in the 20s of America. Hence the decor. And of course,
:12:07. > :12:11.with the girls of the time, the flappers... (wolf whistle) They got
:12:11. > :12:16.their name because apparently we looked like birds flapping wings
:12:16. > :12:20.when we danced. See what they mean. Actually, Iain, these moves were
:12:20. > :12:25.key to the charleston. Hands and arms play a big part and they
:12:25. > :12:32.should move in opposite directions to the feet. It's thought the key
:12:32. > :12:38.moves we know today were based upon those devised for the 1923 musical
:12:38. > :12:48.called running wild. The dance became an instant hit and by 1926
:12:48. > :12:54.
:12:54. > :13:00.it was THE dance of choice in all The music of the era kept the dance
:13:00. > :13:05.fast and energetic, usually dancing between 200 and 300 beats per
:13:05. > :13:09.minute. That's quick! The signature move is called the J-bird and is
:13:09. > :13:16.all about twisty feet. As the dancer takes the step forward and
:13:16. > :13:21.back, their feet literally twist. Funny faces, silly walks and even a
:13:21. > :13:26.cheeky slap around the bottom were incorporated into the routine.
:13:26. > :13:30.Although speak easy regulars loved watching the flappers perform, the
:13:30. > :13:36.more conservative Americans blamed them for the demise of moral
:13:36. > :13:43.standards. Who, me?! Yes, you. The charleston was banned from many
:13:43. > :13:48.dance halls in the 1920s, but remained popular in the more
:13:48. > :13:52.salacious underground bars. Today, however, it's a firm favourite and
:13:52. > :13:58.the best thing about the charleston is that it can be danced in groups,
:13:58. > :14:06.in pairs or even on your own. So there's no excuse for not having a
:14:06. > :14:13.go! Argh... Time now to speak to a goddess, she
:14:13. > :14:16.is THE goddess of wardrobe. Vicky! Congratulations on Wembley, it was
:14:16. > :14:20.awesome! I particularly loved Natalie's outfit. I wanted to try
:14:20. > :14:23.it on but everyone was looking so I couldn't try. Have you recovered
:14:23. > :14:28.yet? I don't think I'll ever recover from Wembley, it was
:14:28. > :14:31.massive. But great fun, really enjoyed it and, in tend, it all
:14:31. > :14:36.looked great. Superb. Just think, there's only four weeks left.
:14:36. > :14:42.know. Makes me really sad. This Saturday then, I hear Kimberley
:14:42. > :14:49.will be a vision in white? She's doing tango this week. We wouldn't
:14:49. > :14:53.ordinarily have a white dress for tango but it's When Doves Cry...
:14:53. > :14:59.Prince! Yes, so we have had a strength running through the
:14:59. > :15:08.costume and she needs to look woufl. In the crop top, it's business-like
:15:08. > :15:12.-- powerful. We have satin running down the shirt, the collar, lots of
:15:12. > :15:17.crystalling under the bust line. You can see the crystals there.
:15:17. > :15:21.They are never far away. That looks absolutely stunning. Crop tops have
:15:21. > :15:24.been really popular this year with the girls. Why is that? I love them
:15:24. > :15:30.but I'm probably being a bit soft and saying OK then because they
:15:30. > :15:35.love them too. If we can wear them, we'd have them, wouldn't we?! I
:15:35. > :15:38.probably can't now... Let's talk about Lisa. She's doing a rumba to
:15:38. > :15:43.Barbara Streisand, one of my favourites. Tell me about her
:15:43. > :15:46.outfit, looks like she's got a wing? She has. We thought about her
:15:46. > :15:51.being the movie star this week so we've chosen red because it's
:15:51. > :15:56.powerful and she's not worn red up to now. She looks good in bold
:15:56. > :16:02.colours Lisa, doesn't she? That's right. We have inserted a jor jet
:16:02. > :16:07.wing to give her some confidence in the rumba dance. It's all the sort
:16:07. > :16:12.of swafty arm movements isn't it? Yes, I don't think we have seen
:16:12. > :16:16.rumba yet in the show. I think one of the boys had one. Thanks Matt,
:16:16. > :16:21.the producer, yes! This is the material? Yes, this will be in the
:16:21. > :16:27.left side. Nice and soft. Nicky did a rumba didn't he? Yes, he did,
:16:27. > :16:32.sorry. A bit of lace over the top? Over the right sleeve, there's lots
:16:32. > :16:36.of crystals. Is she flashing any flesh because it's a sexy dance?
:16:37. > :16:41.is. Lovely Lisa's great pins will pop out through the number. There's
:16:41. > :16:46.a split running up the left side. Nice. From time to time you will
:16:46. > :16:50.see her. A little flash, a little tease - I like it. On to Victoria,
:16:50. > :16:54.I've heard you are doing something very new for her? We are really
:16:54. > :17:01.because the professional dancers often like lots of weight in their
:17:01. > :17:10.skirts. Why is that? It gives them more whip action during their dance.
:17:10. > :17:15.Like Latin numbers to get the swooshing? Yes. That's it. Victoria
:17:15. > :17:21.will like what it does in the routine. Strips of pink beadings
:17:21. > :17:25.running from the hem to the hip line and we've got another crop top
:17:25. > :17:30.so we can reveal her. Flavia and Victoria have the best abs so
:17:30. > :17:36.they've got to get them out. This is the stuff you used on Dani?
:17:36. > :17:41.What is it called again? It's a ribbon beading, so lots of clear
:17:41. > :17:49.beads and then with an iridescent pink sequin on the end. Beautiful.
:17:49. > :17:52.Can we see who is mystery frock owner this week then?! Woo! Skimpy
:17:52. > :17:57.isn't it? What can you tell us about who will be wearing this
:17:57. > :18:02.then? The lovely lady who wear this is often has a bit of pink in her
:18:02. > :18:05.costumes. This week it's Samba, so carnival colours. She's going to
:18:05. > :18:09.look amazing and she's dancing to Beyonce and will look brilliant.
:18:09. > :18:14.You are doing an amazing job and just think, four more weeks, we are
:18:14. > :18:17.going to miss her. It's Vicky! OK, now it's time to go back to the
:18:17. > :18:23.training room. Right, do you want to make me a crop top. Look, if I
:18:23. > :18:27.show you this, do you reckon I could wear one and carry it off...
:18:27. > :18:33.You could This week we are doing the Samba. A really difficult dance.
:18:33. > :18:38.I feel like an idiot. I'm making this look hard. The Samba is fast
:18:39. > :18:43.and furious. The hardest part is to include the bouncing action.
:18:43. > :18:47.you are doing the bouncing wrong. didn't realise it was so technical.
:18:47. > :18:51.I'm getting confused as to what leg is supposed to be doing what. There
:18:51. > :19:00.is a lot of things to think about and a lot of hip action. I don't
:19:00. > :19:07.think my body does that. It's weird... Too hard? You don't make
:19:07. > :19:11.anything easy. Even sint wants the Samba to be -- Vincent wants the
:19:11. > :19:15.Samba to be perfect and he wants a ten. It's a bit early for that but
:19:15. > :19:19.you never know, we could pull it off. This week we are dancing the
:19:19. > :19:23.Argentinian tango. It's very understated, it's more about the
:19:23. > :19:30.intensity and the energy between male and female so we have to do a
:19:30. > :19:33.lot of role-playing. You need to put me down like I'm worth $10
:19:33. > :19:35.billion. It's about trying to sell yourself to your partner that you
:19:35. > :19:39.want her. For a Sheffield lad, that's quite difficult, so
:19:40. > :19:47.throughout the week, I'm going to have to try and get the acting.
:19:47. > :19:50.Don't take your hand off me. He's had a few injuries so far kicking
:19:50. > :19:54.his shins. Argh... It will be down to me and Natalie to produce this
:19:54. > :20:00.dance in a sexy fashion so everyone watching at home can see the story
:20:00. > :20:06.we are trying to create. Feeling it? Got it, yes. It's got to be hot.
:20:06. > :20:10.Argh... This week, I'm dancing the salsa. I
:20:10. > :20:13.love the Latin dances, they have a party vibe about them. It's really
:20:13. > :20:20.hard to have that feel to the dance if you're still thinking, oh, no,
:20:20. > :20:26.where are my feet going. I need it clear in my head what order my feet
:20:26. > :20:30.are going in. Victoria struggles and is hard on herself. I feel
:20:30. > :20:39.self-conscious. There's no changing that, it's part of her psyche, but
:20:39. > :20:43.I think it's stopping her from feeling confident and she's
:20:43. > :20:48.insecure. If you are trying to fake fit your face, it's never going to
:20:48. > :20:52.come across. You have to sell it. Step. There is an element of
:20:52. > :20:55.performance and I really struggle with that. I hope it comes soon,
:20:55. > :20:58.otherwise I'm going to be going home.
:20:58. > :21:01.This week, we are dancing the American smooth. It's really
:21:01. > :21:06.challenging and I am nervous as to whether or not I'll be able to
:21:06. > :21:10.remember everything because there's so much in it.
:21:10. > :21:15.I'm concerned ability simple things like running backwards and then
:21:15. > :21:18.stopping -- concerned about simple things. She can't do it. You look
:21:18. > :21:24.so awkward. Are you serious? James is pushing me to the limit. He's
:21:24. > :21:27.actually doing a lift in our routine that's potentially very
:21:27. > :21:32.dangerous. I want to live on the edge a little bit where I may be
:21:32. > :21:38.pushing her a little bit too far, choreographically that she's
:21:38. > :21:43.struggling to get it. Lift your arms off. I'm nervous about it
:21:43. > :21:49.because it could go really horribly wrong. Why am I so dizzy? Because
:21:49. > :21:52.you are from Essex! He may have made a triumphant
:21:52. > :21:59.return to the Strictly dance war last week for a Children In Need
:21:59. > :22:09.special, but for us trbgs all about the stats on It Takes Two -- for us,
:22:09. > :22:10.
:22:10. > :22:13.it's all about the stats. Please welcome Russell Grant!
:22:14. > :22:19.Thank you. Russell, Russell, congratulations
:22:19. > :22:24.on winning the trophy at Children In Need. You are the people's
:22:24. > :22:28.champion! Thank you. Thank you, people. Thank you. Was it
:22:28. > :22:32.wonderful? Lovely to dance with Flavia again and to actually win
:22:32. > :22:39.something doing the Samba which, as you know, I've got the T-shirt and
:22:39. > :22:44.it fits, it says "I am Samba". Let's talk about some stats.
:22:44. > :22:49.Training room this week, how are contestants doing? Up to the end of
:22:49. > :22:54.play yesterday, we have Lisa on top with 24 hours, never ever far
:22:54. > :23:00.behind. Always in the top somewhere. Michael Vaughan with 21 and a half.
:23:00. > :23:04.OK. The other end? To the bottom, we have Kimberley Walsh, 12. That's
:23:04. > :23:09.exactly half of Lisa. Is that because she's just really good or
:23:09. > :23:14.busy dog her day job - who knows! What about in total then? Here we
:23:14. > :23:17.go again, up until the end of training last niect, he's out there
:23:17. > :23:22.in front still -- last night, he's out there in front still, Michael
:23:22. > :23:27.Vaughan. Good boy. It's paying off. Look at the fabulous finale on
:23:27. > :23:31.Saturday. I was crying behind that red button!
:23:31. > :23:38.LAUGHTER And Denise here, 26 1 and we do have to say once again, up
:23:38. > :23:43.until the end of play last night, because otherwise she gets irate.
:23:43. > :23:51.You don't want an irate Van Outen. She's a very good girl. To the
:23:51. > :23:54.bottom? It's Dani, 18 1 and a half. But have you noticed how from top-
:23:54. > :23:59.to-bottom it's getting closer with a lot more going on with commitment,
:23:59. > :24:02.training and getting it right. all want to win badly. What
:24:02. > :24:06.interesting facts have you uncovered for us this week? This
:24:06. > :24:11.week I've looked for the perfect ten because at Wembley we got the
:24:11. > :24:15.first tens of the whole series so far. Well deserved. Went to Denise
:24:15. > :24:19.Van Outen of course. So how many tens have you been awarded in
:24:19. > :24:26.Strictly history? Right, the number of tens awarded throughout the
:24:26. > :24:33.whole of Strictly history, here we go, get ready is it that? It's not,
:24:33. > :24:36.it's more, it's more, it's 288! That is a lot of tens. OK, which
:24:36. > :24:41.judges have got the ten paddle out the most? I think I might know the
:24:41. > :24:47.answer to this? Well, here we go. You would expect at the bottom to
:24:47. > :24:53.be our Darcey because she made a guest appearance. And she's only
:24:53. > :25:01.just joined the show. Seven tens. You would expect Craig with a low
:25:01. > :25:06.number. Such a miser with the tens. Len, look, cheery Len, 74. How many
:25:06. > :25:16.sevens haez given though, that's the point -- sevens has he given
:25:16. > :25:17.
:25:17. > :25:23.though, that's the point - Seveeen. Tonioli 93. Has it been evenly
:25:23. > :25:30.spread throughout all the series? No, not really, because if we look
:25:30. > :25:35.at series one, only one. Who got that? Natasha Kaplinsky for her
:25:35. > :25:39.Samba with Brendan Cole. Yes, lovely chemistry between those two.
:25:39. > :25:45.For a whole series though, do me a favour, as Len would say! Let's
:25:45. > :25:51.move up the pole. We are going up the pole here. There we go. It's
:25:51. > :25:59.going to get higher. Look at that, series six, a good one, Tom Chamber,
:25:59. > :26:05.Rachel Stephens, Rachel Snowdon. The next one is when Chris Hollins
:26:05. > :26:10.won. We go up again. What about my year? 57. That was a good year.
:26:10. > :26:15.very good year. Of course this year? A measly three. So which
:26:15. > :26:22.celebrities have scored the most tens? We thought as it's about tens,
:26:22. > :26:32.shall we do a top ten? Yes, please. We've done it. In tenth position,
:26:32. > :26:37.
:26:37. > :26:45.Ali, then Jason, Pamela, Chelsee, then Alesha. Now, wouldn't you
:26:45. > :26:55.notice that that, looking at that, none of these won. Our winner was
:26:55. > :27:00.
:27:00. > :27:06.Alesha Dixon with 19 tens. Now the top five. Kara went on to win with
:27:06. > :27:15.Artem and they're still together. Isn't that gorge? Yes. And Harry
:27:15. > :27:20.and Rachel. But who was top ten. Rachel never won. I know! Ricky
:27:20. > :27:25.whittle is top of the tens. He'll be well happy with that. I notice
:27:25. > :27:32.that I'm not in there? No, darling, but don't worry, because you were
:27:32. > :27:40.14th so you could have made it. You scored seven tens and here is the
:27:41. > :27:47.big news, the most of anyone in series three! Thanks! Hurray.
:27:47. > :27:51.Gill's not in there either, Jill Halfpenny. Who got the earliest ten,
:27:51. > :28:00.this week it took until week seven. Who got the earliest ten?
:28:00. > :28:04.everiest ever ten award was week three in series four by Louisa
:28:04. > :28:09.Lytton. She was awarded a ten by Bruno for her jive. Do you want to
:28:09. > :28:14.see a bit of it? Let's have a little look, yes, please. There she
:28:14. > :28:18.goes. She's dancing, look at her with Vincent there. I didn't
:28:18. > :28:24.recognise him. So young. That's what seven years in the show has
:28:24. > :28:29.done to him. Well done, the Lyttons, they beat us in Family Fortunes so
:28:29. > :28:34.I don't like to talk about them. Which show won the most tens?
:28:34. > :28:40.Vinchen Zoe at Wembley did? quickstep with Dani. What do you
:28:40. > :28:45.think? It's the quick zep -- Vincenzo.
:28:45. > :28:52.-- quickstep. I think that performance gives you a ten,