:00:11. > :00:16.Hello, it's Friday, this is It Takes Two, we have a veritable pick
:00:16. > :00:21.and mix for you. Tomorrow, they tango, Kimberley and Pasha are
:00:21. > :00:25.here! Nice head turns, I like it! If you
:00:25. > :00:31.are very good this evening, I'll take you next door and you can have
:00:31. > :00:40.a peek at Lewis and Flavia's pass sew. If that's not whet your
:00:40. > :00:50.appetite, these four gentleman certainly will -- Paso. I can't
:00:50. > :01:17.
:01:17. > :01:26.believe it, it's only Il Divo. This Live from Television Centre, this
:01:26. > :01:31.is Strictly it take twos. Please welcome your host, Zoe ball!
:01:31. > :01:35.-- It Takes Two. Please welcome your host, Zoe Ball. It's Friday
:01:35. > :01:39.and in just 24 hours, 8 minutes and 25 seconds, our remaining eight
:01:39. > :01:45.couples will be dancing for survival once more. I'll be
:01:45. > :01:53.chatting to Kimberley and Pasha in a moment, but first a reminder of
:01:53. > :01:57.their saucy Samba. Yes! I love it when you flash it
:01:57. > :02:04.and flaunt it! Hotter to the point of fusion...
:02:04. > :02:10.Kimberley, nice Samba rolls and isolations. You can certainly shake
:02:10. > :02:20.that Touche! If you're in the dance-off tomorrow
:02:20. > :02:25.night, I'll pick on my walnuts, I tell you. Fabulous!
:02:26. > :02:31.Eight.... Better than that. Nine! Our highest score so far. Amazing
:02:31. > :02:37.progress. I can't believe Len said he'd pick at his walnuts! What does
:02:37. > :02:44.that mean?! They brought the house down. It was carnival style. Kim
:02:44. > :02:48.and Pasha! Congratulations, that was an
:02:48. > :02:53.incredible performance last Saturday. You were working it!
:02:53. > :02:58.was trying. How much fun us it for you? So much fun. The crowd were
:02:58. > :03:03.absolutely amazing. As soon as they started dancing, you could feel the
:03:03. > :03:07.energy. It lifts you? Yes it's a hard dance, I was so out of breath
:03:07. > :03:11.in the rehearsals. Can I just say, you looked incredible in that
:03:11. > :03:20.outfit, you look sod stunning. Thank you. He looked all right, you
:03:20. > :03:25.know. I tried with the shirt. He wouldn't take it off all. Tease him
:03:25. > :03:29.a little bit, you know! Another joint highest score for you. Two
:03:29. > :03:34.weeks in a row is that? It's really good because we are even Stevens
:03:34. > :03:39.with the Latin and the ballroom so that's good. Some way to two from
:03:39. > :03:42.there, yes. Yes, somewhere to go. You have gone higher each week. The
:03:42. > :03:47.last couple standing just before they announced that Nicky and Karen
:03:47. > :03:52.were in the bottom two, how horrible was that, did you think
:03:52. > :03:57.you were in the bottom two again? Yes, I so thought we'd be in the
:03:57. > :04:01.bottom two and I was literally squeezing poor Pasha's hand. I was
:04:01. > :04:04.trying to mentally prepare myself, I was thinking, how does the dance
:04:04. > :04:11.start and anyway, we didn't need to, it was good. We would have loved to
:04:11. > :04:14.have seen it again. Thank goodness. Karen commended you for your
:04:14. > :04:22.complex choreography, particular think Samba rolls. He is good but
:04:22. > :04:27.let's not tell him to his face, it will go to his head. (he's very
:04:27. > :04:31.good) Why are Samba rolls so hard? It's a lot of things mixed up in
:04:31. > :04:37.one step, you have to work together with your partner, the knees should
:04:37. > :04:42.be soft, have perfect timing and look and turn your head. But she
:04:42. > :04:46.did it perfectly. She did it great, yes. I could lfn to you talking
:04:46. > :04:50.about Samba rolls all night -- I could listen to you. You were
:04:50. > :04:55.multi-tasking, not only did you have to do that, but your day job
:04:55. > :04:58.on The Sunday Show with the girls. How was it? It was a full-on
:04:58. > :05:01.weekend for me but it was amazing and it was nice to bring the two
:05:01. > :05:07.worlds together because obviously I'm rehearsing all the time so I'm
:05:07. > :05:12.not getting to see girls, so it was nice. Are they enjoying watching
:05:12. > :05:17.you on the show and are they voting, more importantly? Definitely voting
:05:17. > :05:22.and really enjoying it. They are really encouraging me actually.
:05:22. > :05:27.Tango for you this week. Lots of head turns, lots of flicks. A
:05:27. > :05:31.little birdie tells me you keep laughing in practise. She's off
:05:31. > :05:36.again. It's very serious and you can't keep that serious the whole
:05:36. > :05:42.time. I do love it but then... not? When you look at me so serious,
:05:42. > :05:48.it just makes me laugh. You are supposed to be in character. Is it
:05:48. > :05:53.when he was trying to be the scary wolf? Yes. Give us your scary face.
:05:53. > :05:57.It's doing it for me. Is there a story in your routine? We always
:05:57. > :06:02.love a story? There is a story. It's like a couple who has a little
:06:02. > :06:07.argument and she's trying to run away with another man. Trying... I
:06:07. > :06:14.don't know who it's going to be yet, maybe Bruno or Len, I haven't
:06:14. > :06:20.worked it out. You see, now she has choices! Last year you did very
:06:20. > :06:23.well with Chelsee with this dance, can you get up this week? We'd love
:06:24. > :06:28.to move a little bit with our scores but we are going to go for
:06:28. > :06:34.it tomorrow night, we real hi love this dance. It will be a really
:06:34. > :06:39.good dance. If she can keep serious. It will be scary on the night so
:06:39. > :06:42.she will be serious. It was your birthday on Tuesday, happy birthday
:06:42. > :06:47.to Kimberley for Tuesday. We thought about it, what can we give
:06:47. > :06:54.a girl who has everything. We struggled a bit then came up with
:06:54. > :06:58.an idea - Ting - take a look. wondered how it would feel to have
:06:58. > :07:06.your body wrapped in luxurious fleece? Want to be the envy of all
:07:06. > :07:11.your friends at sleepovers. You need the Kakha, a new range from
:07:11. > :07:18.Kasha and Kimberley. The Kasha comes in a wide range of colours,
:07:18. > :07:22.pink, cerise, that minute go. The innovative design features six pink
:07:22. > :07:28.buttons and a hi-tech in-built gripping system on the feet which
:07:28. > :07:34.means you can Samba without slipping. The Kasha, perfect for
:07:34. > :07:41.snuggles, snoozing and popping out for a pint of milk. Non-refundable,
:07:41. > :07:45.terms and conditions apply... Bless you! He's such a good sport.
:07:45. > :07:50.Look. Here you go. Here is your very own. We hope you are going to
:07:50. > :07:55.wear that when you go off on tour. Beautiful. I'll wear it all the
:07:55. > :08:01.time, it looks socomfy. You hurt your knee and have had a dodgy hip
:08:01. > :08:06.this week? Yes, it's fine. I had three sessions of physio this week
:08:06. > :08:11.and it's feeling loads better. are becoming a real dancer. I am.
:08:11. > :08:16.And also you met the Queen this week? I met the Queen, yes. It was
:08:16. > :08:20.amazing actually. Is she a fan of the show? I didn't ask her but I
:08:21. > :08:27.know that Charles watches it so you never know, maybe she does.
:08:27. > :08:31.she's watching this even, evening ma'am and Phillip. She looked very
:08:31. > :08:36.Strictly-ifyed actually. Good luck this weekend, serious faces, don't
:08:36. > :08:40.forget. Perfect. You are going to be brilliant. Give it up for
:08:40. > :08:50.Kimberley and Pasha. APPLAUSE
:08:50. > :08:52.
:08:52. > :09:01.Last week, wiggle the pig for -- we are putting our trust into the mass
:09:01. > :09:05.gas ka lemur, where are you all? -- Madagascan lemur. # I like to move
:09:05. > :09:10.it move it # I like to move it move it
:09:10. > :09:20.# You like to move it # I like to move it, move it
:09:20. > :09:20.
:09:20. > :09:23.# I like to move it # Physicality, physicality,
:09:23. > :09:33.physicality # I like to move it, move it
:09:33. > :09:39.
:09:39. > :09:47.# You like to, move it!... # So what did you make of that?
:09:47. > :09:52.knows. A very scientific approach. Do the little dance again. Come on.
:09:52. > :09:59.Just for me that was! You are not supposed to tell. Next I'll be on
:09:59. > :10:08.the Strictly set chatting to Lewis and Flavia. But first here are some
:10:08. > :10:13.of the people getting things off their chest. Flavia. Haue re.
:10:13. > :10:17.have a confession to make. Before every performance, I have to
:10:17. > :10:22.have a 25 minute nap. This could be anywhere, it could be on a busy
:10:22. > :10:28.street, in a car park, on a sofa, on the floor in a corridor, but I
:10:28. > :10:35.have to have 25 minutes' sleep and I can sleep anywhere. Before I
:10:35. > :10:40.dance, I have to, have to, have to use a special oil on my shoes and I
:10:40. > :10:46.have to brush them. I have an obsession with odd numbers. Every
:10:46. > :10:53.number in my life has to be odd. For example, I have a tattoo of a
:10:53. > :11:03.seven on my left wrist. My dance bracelets have to be an odd number.
:11:03. > :11:03.
:11:03. > :11:08.Also when I set up my alarm, it has to be at 7.53. So I'm an odd person.
:11:08. > :11:11.It's not real. Hello! We are in the big studio. It's Friday which, by
:11:11. > :11:15.now you will have realised, is the first time our celebrities get to
:11:15. > :11:21.dance on the big floor which is scary, speaking from experience.
:11:21. > :11:31.All the other celebs are watching. We have a sneaky peek of Lewis and
:11:31. > :11:56.
:11:56. > :12:02.APPLAUSE Looking good! Come here you two
:12:02. > :12:07.lovelys. I say, that's looking amazing. It's looking amazing.
:12:07. > :12:12.Thank you. How are you both? Good. Recovered. We are going to talk
:12:12. > :12:16.about the paso in a minute, but firstly Wembley looked absolutely
:12:16. > :12:21.amazing your routine out on the floor. How was it to dance in front
:12:21. > :12:26.of 6,000 people? It was scary, a brilliant experience. Wembley was
:12:26. > :12:29.so massive, the atmosphere was so alive in there, but very nerve-
:12:29. > :12:33.racking. Were you more nervous? was probably as nervous there as I
:12:33. > :12:37.was at the Olympic Games. You, young lady causing controversy on
:12:37. > :12:40.Strictly Come Dancing. Every week. Who knew the quickstep was not the
:12:40. > :12:44.foundation for a normal American smooth? It's not, but we like to be
:12:44. > :12:48.different, don't we? Some people said you took a gamble. What do you
:12:48. > :12:51.feel about that? I thought Wembley, big floor, perfect for the
:12:51. > :12:56.quickstep, add some lifts in, you know, it will be a great
:12:56. > :13:00.opportunity to do that dance on such a big floor. So why not?!
:13:00. > :13:04.it was fantastic. You've had so much support of people loving the
:13:04. > :13:12.fact you took a risk there. Josephine says, I thought the
:13:12. > :13:16.routine was fantastic, it pushed boundary, great to see something
:13:16. > :13:21.different. Craig was on your side for once, was that a surprise?
:13:21. > :13:25.Shock. I wasn't expecting what he said to come out of his mouth. I
:13:25. > :13:29.was preparing myself for the worst but it was nice. Yes. What did you
:13:29. > :13:34.make of Darcey's tacky tricks comment? Bit bizarre really. I
:13:34. > :13:38.don't know how you can call a skill like that tacky. We were dancing
:13:38. > :13:42.also at that point in the music, to very modern rap-like music almost.
:13:42. > :13:47.I thought it was perfect. It's different. We are in Wembley so if
:13:47. > :13:54.ever I'm going to show off Lewis's talent and ability it's at Wembley
:13:54. > :14:00.in front of 6,000 people. Gymnastics would normally take
:14:00. > :14:04.place in a place like that. Was it fun? It was. Strictly isn't the
:14:04. > :14:08.type of place where you can show breakdancing but there's a time and
:14:08. > :14:11.a place and that was it. We have been clever at using his skills at
:14:11. > :14:14.the right time without it being overloaded and I thought, Wembley,
:14:14. > :14:19.people want to see that and we had a bright little moment in the music
:14:19. > :14:24.to do it. And we loved it. You have said it's a scary experience. I
:14:24. > :14:34.know how that feels going out there in front of all these people. You
:14:34. > :14:40.
:14:40. > :14:44.compared it to starring in your own It feels like being in a report
:14:44. > :14:50.report film, you are trying to run away and you are not getting
:14:50. > :14:56.anywhere. Come on, Lewis. Help me. She's relentless. She doesn't stop.
:14:56. > :15:06.It's like the Blair witch project. Leave me alone. Help. Stop watching
:15:06. > :15:14.me. Shhhh... Whoa. Down. Do you feel bad? What
:15:14. > :15:21.about? Making nice people in pain. I will always die at the end.
:15:21. > :15:26.I'm worried about anything, it's getting out alive.
:15:26. > :15:28.Terrifying it is the whole experience. Paso this weeks, a real
:15:28. > :15:38.fiery dance. Is it good to have something you can get your teeth
:15:38. > :15:39.
:15:39. > :15:46.into? Yes, it's a macho dance. You caught a bit there where I said I
:15:46. > :15:50.always die at the end. Nice cakework skills, doing well. We had
:15:50. > :15:56.a competition didn't we? Between the two of you? Yes, he's better
:15:56. > :16:01.than me at that. Who is coming out on top so far? We'll see. He says
:16:01. > :16:03.he's better than me though. have amazing music this week,
:16:03. > :16:07.Michael Jackson. Have you noticed he's working harder because he love
:16:07. > :16:12.this is record? It's been really difficult playing the song and
:16:12. > :16:22.making him do a paso and not dance like Michael Jackson. Glad you've
:16:22. > :16:26.
:16:26. > :16:34.got some Jacko moves, can we see Oh, yes. Shamon! Woo... Watch him
:16:34. > :16:39.go! Very good. Very good. Flavia, your turn? That's not in the paso,
:16:39. > :16:46.no. You can't incorporate Jacko into paso can you? I'm sure she can
:16:46. > :16:49.if she worked hard enough, go on! It's getting near orthe final and
:16:49. > :16:54.tougher and it feels like anybody could be in the bottom two. How
:16:54. > :16:59.much would you love to get to the final now? I would love that for me
:16:59. > :17:07.and Flav. The competition's hotting up. We need to put in a moonwalk to
:17:07. > :17:12.get into the final. No, maybe next week. Good luck. It will be amazing.
:17:12. > :17:19.Lewis and Flavia! And so, we go from 14 couples down
:17:19. > :17:23.to eight and it's getting harder and harder to say goodbye.
:17:23. > :17:26.As the weeks go on, you start saying goodbye to your friends who
:17:26. > :17:33.leave the competition and it gets tougher and tougher. You don't want
:17:33. > :17:38.people to leave, but we all know that this is what the show is about
:17:38. > :17:42.and that at any time it could be any of us. The hardest thing about
:17:42. > :17:46.your friends leaving the show is that when we come back at the
:17:46. > :17:50.weekend they're not there and we all lean on each other and root for
:17:50. > :17:54.each other. I don't like that. Everybody brings different qualitys
:17:54. > :17:58.to the group. When somebody leaves, part of the jigsaw is missing.
:17:58. > :18:03.hard to say goodbye to a couple every week. As the competition's
:18:03. > :18:09.going on, we are becoming one big happy family. People that leave the
:18:09. > :18:12.competition early, they feel they've got so much more to give.
:18:12. > :18:16.Everybody cried on that dance floor. That family environment is there
:18:16. > :18:23.and nobody wants to say gie and it's getting harder and harder --
:18:23. > :18:26.say goodbye. Watching the eliminated couples' last dance is
:18:26. > :18:28.so emotional because you are having a moment between themselves knowing
:18:28. > :18:32.they are never going to dance together again and hopefully they
:18:32. > :18:37.know we are all there with them. It's like a slap in the face to
:18:37. > :18:42.make you realise that anyone can leave. It's sad, you know, then you
:18:42. > :18:50.go down and join them and you commiserate with them. It's not a
:18:50. > :18:56.nice feeling to say goodbye. It's getting emotional! Time now
:18:56. > :19:00.though to welcome perhaps the most international Friday panel we have
:19:00. > :19:05.ever had. Four very talented handsome young men from four
:19:05. > :19:15.different countrys who've sold sold over 26 million albums worldwide.
:19:15. > :19:20.
:19:20. > :19:23.It's the incredible Il Divo. Enchente... I don't know why I'm
:19:23. > :19:28.courtesying. Welcome to the show. You are bringing out your greatest
:19:28. > :19:33.hits album. One wof the sons you performed on the show last year,
:19:33. > :19:43.shall we have a look. It was Wembley last year -- one of the
:19:43. > :19:50.
:19:50. > :19:57.songs you performed on the show APPLAUSE
:19:57. > :20:01.That was a very long note you held there! When you have such a huge
:20:01. > :20:05.back catalogue, how do you choose what goes on the greatst hits, is
:20:05. > :20:10.there a scrap that goes on amongst you? No, but it gets difficult to
:20:10. > :20:13.make a choice. We have chosen the stuff we know that the audience
:20:13. > :20:18.enjoy the most from the live shows, then we have a few suggestions,
:20:18. > :20:24.that's why we recorded a few new tracks as well. A few treats for us
:20:24. > :20:27.as well. Like it. You are a massive fan of Strictly aren't you? I love
:20:27. > :20:31.the discipline of it and the challenge. Is there a particular
:20:31. > :20:34.dance that you like as your favourite? Something I really loved
:20:34. > :20:39.watching lately because we were in Beunos Aires in South America
:20:39. > :20:44.touring and we just finished actually and went to see some tango
:20:44. > :20:48.and I thought that was absolutely amazing, the coordination, it's so
:20:48. > :20:51.central, I mean I think it's just a beautiful dance. Michael is
:20:51. > :20:55.performing on the show tomorrow night. We'll have a look at that.
:20:56. > :21:00.David, would you be on Strictly, would you ever be a contestant on
:21:00. > :21:04.that kind of show? Before I answer that question,, a little birdie's
:21:04. > :21:14.told me that today is a very special day for you. Oh, right,
:21:14. > :21:30.
:21:30. > :21:40.yeah. So we have a bit of a treat THEY ALL SING HAPPY BIRTHDAY TO ZOE
:21:40. > :21:45.
:21:45. > :21:52.Thank you. Il Divo and Iain Waite. My goodness, I can't continue.
:21:52. > :21:56.Thank you. You stay here. didn't think you'd get away with
:21:56. > :22:02.the fact that it was your burt day today, did you? We've got a couple
:22:02. > :22:08.of special messages for you. Thank you, I love you lot. I love you,
:22:08. > :22:12.you are gorgeous, have a great, great day. One question, where's
:22:12. > :22:17.our cake? Come on. I was going to wrap myself up but I couldn't find
:22:17. > :22:23.big enough paper. I'm going to dedicate my dance this week to you.
:22:23. > :22:28.I just found out how old you are. I can't believe it. Really?! Happy
:22:28. > :22:37.birthday zorbgs see you hopefully next week, present on the way --
:22:37. > :22:43.Zoe. Have a wicked birthday. Happy birthday Zoe. Who's Zoe? Cheeky.
:22:43. > :22:46.I'm going now darling. Don't go, Il Divo are here. Thank you, Iain
:22:46. > :22:49.Waite. Have a seat gentlemen. That's
:22:49. > :22:54.thrown me but how exciting, that's possibly the most exciting thing
:22:54. > :22:58.that's ever happened to me. Let's talk about the dances this week.
:22:58. > :23:03.The Argentine tango we were talking about - I can't concentrate now.
:23:03. > :23:13.Mieblg is doing that dance tomorrow. -- Michael is dog that in training
:23:13. > :23:13.
:23:13. > :23:18.tomorrow. Do you think he's going to be good? I think yes, yes.
:23:18. > :23:24.Sebastien, you seen nit Beunos Aires, is this looking good?
:23:24. > :23:29.Amazing. Not her, him?! Sorry. It's always something that surprises me,
:23:29. > :23:33.the kicking, you know. The little flicks, yes. You'd better know how
:23:33. > :23:42.to control that thing. Especially for the gentlemen I would imagine.
:23:42. > :23:46.The music they are dancing to is this. The good Argentine music.
:23:46. > :23:52.It's like what Pasha says before, it's the challenge and then, if you
:23:52. > :23:57.lift that out that,'s the song that needs kicks at the beginning.
:23:57. > :24:05.Victoria and Brendan are doing a paso and they're doing it...
:24:05. > :24:11.Actually they are doing a salsa so Robbie Williams, just testing there.
:24:11. > :24:15.# No self-esteem and vertigo # She thinks she's made of
:24:15. > :24:19.candy..." You are twitching your nose. I don't feel flare. They got
:24:19. > :24:28.the moves going on, but I'm wondering if the track will suit
:24:28. > :24:32.them. OK. Let's talk about Lewis and Flavia who're doing a paso to
:24:32. > :24:37.Michael Jackson, Dirty Diana. It's a very macho masculine dance. You
:24:37. > :24:41.should know all about the paso? It's difficult to dance the paso
:24:41. > :24:49.with a Michael Jackson song for sure but yes, they do it amazingly
:24:49. > :24:54.well. Can you see him as a Mata Dor? Yes, I can, yes.
:24:54. > :24:58.You have to stick your bum in apparently, that's what they've
:24:58. > :25:02.told us. Lisa and Robin are doing the dance of love rumba, gentlemen.
:25:02. > :25:06.They are doing it to a track of a good friend of yours, Barbara
:25:06. > :25:10.Streisand. I saw you in LA with her, it was amazing, I sobbed the whole
:25:10. > :25:17.way through it. Does this suit the dance of love do you think,
:25:17. > :25:21.Sebastien? Looks quite... Very short to judge! A bit longer on the
:25:21. > :25:27.night! So far very good. I would love to see more of it. I know. You
:25:27. > :25:31.will tomorrow night 6.30, BBC One. Denise and James are doing an
:25:31. > :25:38.American smooth. They got the first tens of the series last week,
:25:38. > :25:43.dancing to Eva Cassidy's version of Imagine. What do you think? Is this
:25:43. > :25:48.a lovely romantic dance, how's she doing for you there? Very
:25:48. > :25:58.beautifully. Yes, the song is... I don't particularly like it, but...
:25:58. > :25:59.
:25:59. > :26:04.This is good, I like you saying what you feel, gentlemen. Sorry
:26:04. > :26:10.scram -- sorry!. Do you prefer the John Lennon track? Yes.
:26:10. > :26:19.Now this track, how can you not do jazz hands to this? The charleston,
:26:19. > :26:24.lots of fun. How is Nicky doing? Amazing. He's got good swivel.
:26:24. > :26:34.in the rhythm, I think he'll be doing well tomorrow. Do you know
:26:34. > :26:34.
:26:34. > :26:38.Westlife? Yes. Tour buddies, what goes on on tour stays on tour. Dani
:26:38. > :26:43.and Vincent will be doing Beyonce tomorrow, all the single ladies.
:26:43. > :26:47.This is going to be a goody. It will be a goody. Carlos, what do
:26:47. > :26:52.you make of this? She's the dark horse of the competition, a lot of
:26:52. > :26:58.people are saying? She has a lot of great movement in the body, yes,
:26:58. > :27:01.she's shaking it well, the body. She'll be very chuffed with that.
:27:01. > :27:06.And Kimberley and Pasha who were just on the show are dancing the
:27:06. > :27:09.tango. David, she's been a consistent performer, never been
:27:09. > :27:14.top of the leaderboard. Do you think looking at her tango that
:27:14. > :27:21.this could be her week, David? has a lot of attitude going on and
:27:21. > :27:26.I think you need that in the tango, you need to have that passion show
:27:26. > :27:29.up and it's a quote by Bernstein who said "When the passion is too
:27:29. > :27:34.much for speaking you have to sing, when the passion is too much for
:27:34. > :27:38.singing you gotta dance" and you can see it right there. On that
:27:38. > :27:48.note, we should end the show on a quote so special, but they're all
:27:48. > :28:11.
:28:11. > :28:13.the dances this week, I would like a name from you as to who you think
:28:14. > :28:16.will lift the glitterball in four weeks' time. Seb, who is the winner
:28:16. > :28:18.for you? Nicky. David? You Know, It's Tough To Say, I Can't Really
:28:18. > :28:20.At This Point Judge... Carlos? Kimberley. Thank you, Carlos. And
:28:20. > :28:23.Uss? Denise. Thank you so much for joining us.
:28:23. > :28:25.There's cake! Join us at 6.40 on BBC wufpblt on Monday I'll be
:28:25. > :28:35.talking to the next cup toll leave the competition -- BBC One. There's
:28:35. > :28:36.