:00:07. > :00:12.Welcome to It Takes Two. It is Tuesday. What a glittering line-up
:00:12. > :00:20.I have for you tonight. They have survived their second dance off.
:00:20. > :00:24.Michael and Natalie are here! I loved their rumba. We always get
:00:24. > :00:29.a thrill when they are on the show. Lisa and Robin are here.
:00:29. > :00:36.This lady is a demon when it comes to choreography. Here to spread the
:00:36. > :00:46.word, Karen Hardy. And is that a tulle illusion? No, it is our next
:00:46. > :01:15.
:01:15. > :01:23.guest, Mr Julien Macdonald. This is Strictly It Takes Two.
:01:23. > :01:28.Please welcome your host, Zoe Basle. -- Ball.
:01:28. > :01:34.Hello and welcome to It Takes Two. So, after the highs of last week,
:01:34. > :01:38.Michael and in thely fell back down to earth on Saturday, -- Michael
:01:38. > :01:42.and Natalie fell back down to earth on Saturday. They found themselves
:01:42. > :01:46.in the dance-off. Here is what happened. It is the man's job to
:01:46. > :01:49.lead the dance and indicate to the woman how to respond. I didn't feel
:01:49. > :01:56.that happened. Virtually none of the men lead any of the girls
:01:56. > :02:04.because they don't know how to. your information... They can't
:02:04. > :02:09.improvise. I think it's the carpark afterwards.
:02:09. > :02:19.! My problem, a look of painful concentration on your face. That
:02:19. > :02:22.
:02:22. > :02:26.wasn't sexy it. Looked like you You do have to lead as the man in
:02:26. > :02:31.this dance. It was because of the mistakes, that probably I didn't
:02:31. > :02:36.lead. I think the competition is getting tougher. The judges have to
:02:36. > :02:43.be tough. Time to find out who is in and who is out. Michael and
:02:43. > :02:47.Natalie. Michael and Natalie. Michael and Natalie. Please welcome
:02:47. > :02:52.Michael and Natalie. APPLAUSE
:02:52. > :02:55.Now, listen, the week before, a standing ovation. A finale at
:02:56. > :02:59.Wembley, amazing. This week the dance off. What a difference a week
:02:59. > :03:03.makes. Has it knocked your confidence? It hasn't. I think the
:03:03. > :03:07.show is so good this year because you have the opportunity to do the
:03:08. > :03:11.dance again. We did make a couple of mistakes in the show on Saturday.
:03:11. > :03:15.Just one. But that's enough. We shouldn't have admitted to it,
:03:15. > :03:19.maybe. I shouldn't. Have I'm sorry. We were pleased with the dance off.
:03:19. > :03:23.I think in all the circumstances of the show, I really thought that was
:03:23. > :03:28.our best dance so far in the whole series, the dance off performance.
:03:29. > :03:31.You just felt it in your belly. Craig was here and he was raving
:03:31. > :03:34.about how brilliant that performance was. It must be
:03:35. > :03:39.something when all the judges unanimously save you. That's nice.
:03:39. > :03:48.We were just happy with ourselves for putting into a good performance.
:03:48. > :03:53.We were focused. We went downstairs to practise and came up and
:03:53. > :03:57.delivered. Well done. Thank you. The judges blown away by your lifts.
:03:57. > :04:00.They are kind of becoming your signature, you and your amazing
:04:00. > :04:04.lifts. She is trust-worthy. My shoulder has taken a battering over
:04:04. > :04:08.the last three weeks. But when you have a partner who throws yourself
:04:08. > :04:13.into the lift it, makes your job easier. There is no hesitation. I
:04:13. > :04:18.bend my knees down and I get into a position and away she goes. And I
:04:18. > :04:23.hope. You must really trust him, now, Natalie. Or are you just good
:04:23. > :04:27.at acting? A bit of both. No, I trust Michael with my life. You
:04:27. > :04:33.have dropped me a couple of times. I don't mind. I find it fun.
:04:33. > :04:37.know you have made a dancer out of Michael, but for everyone who
:04:37. > :04:47.wonders how, here is a simple step- by-step guide of how she did it.
:04:47. > :04:51.
:04:51. > :05:01.Switch on. Elbow.
:05:01. > :05:07.
:05:07. > :05:17.I need a kebab. One, two, drive, pivot, drive,
:05:17. > :05:27.
:05:28. > :05:34.So, you have survived two dance offs. Do you no longer fear them
:05:34. > :05:37.now, Michael? You'd rather not be in them, to be honest. But I think
:05:37. > :05:43.when you've done two, you kind of get a buzz of energy that you know
:05:43. > :05:48.you have to deliver a good dance. If we are in that position again,
:05:48. > :05:53.you refocus. The captain speaks. And away you go. It is like sport,
:05:53. > :05:58.you get taken into the training room. Yes. How would she do with a
:05:58. > :06:05.room full of cricketers? I think she'd quite like that. Next dance
:06:05. > :06:12.for you two is - focus, please. knows me too well. The next dance
:06:12. > :06:17.is the samba. Come on. A bit of shimmying. I'm excited. A lot of
:06:17. > :06:21.people fear. Sorry, I interrupted you. Carry on. A lot of people fear
:06:21. > :06:25.it. We have so much fun in our dancing, our Latin and you really
:06:25. > :06:31.like to let go. I think that's what the public love about Michael, he
:06:31. > :06:35.apolice himself. The good thing is he has improved on his Latin scores.
:06:35. > :06:40.I'm talking about him like he is not here. I think this could be one
:06:40. > :06:44.of our best-scoring dances. I have a nice feeling. It has a good vibe.
:06:44. > :06:48.A little bit of the audience getting involved at the start. Get
:06:48. > :06:51.ready. The competition is getting really fierce now. Dancers are
:06:52. > :06:56.amazing. I mean, how much do you want to creep up the leaderboard?
:06:56. > :07:00.It would be great to be near the top of the leaderboard. You know at
:07:00. > :07:05.this stage the only way you are going to be at the top is to
:07:05. > :07:09.produce a wow performance. All week you are training hard to arrive on
:07:09. > :07:14.Saturday to go... Wow... Produce something. Let's hope the samba is
:07:14. > :07:19.that for you. Michael and Natalie, good luck.
:07:19. > :07:23.With the end of the competition ever-closer, how are you couples
:07:23. > :07:33.upping their game with their choreography? Here to offer her
:07:33. > :07:41.
:07:41. > :07:46.expert opinion, thank goodness, Please welcome Karen Hardy.
:07:46. > :07:51.APPLAUSE Eight couples at the weekend. Much
:07:51. > :07:55.to discuss. Let's start with Dani and Vincent and their samba. The
:07:55. > :07:59.highest-scoring samba of the series. What made it so good? I think with
:07:59. > :08:03.this package it was the GM bells that were taken during the
:08:03. > :08:06.performance. -- the gambles. We have seen with previous sambas,
:08:06. > :08:11.basic content. Sure enough they have put the basic in and it is
:08:11. > :08:15.very, very nice. I liked the gamble of the Beyonce steps. I loved them.
:08:15. > :08:19.It could have gone either way. But the commitment and the relationship
:08:19. > :08:25.between these two is first class. So when they are delivering steps
:08:25. > :08:29.like this, it is fantastic. What I have to bring up though is the
:08:29. > :08:34.Corta Jaca. What is... Everybody this season is dancing it. What is
:08:35. > :08:40.it? I'm going to show you. Very, very quick li, it goes, slow, quick,
:08:40. > :08:45.quick, quick, quick, quick, quick, quick, quick.
:08:45. > :08:53.As simple as that. Everybody is doing it. It has a cheeky, sassy
:08:53. > :08:57.feel and it is a basic, traditional step. I will be doing it in the
:08:57. > :09:01.bathroom later. Lisa and Robin. The judges agreed it was understated.
:09:01. > :09:06.Not exciting enough. Where do you they they were going wrong, if it
:09:06. > :09:11.went wrong at all? Technically I loved it. Beautiful straight legs
:09:11. > :09:17.and movement across the floor. It lacked lustre. I couldn't connect.
:09:17. > :09:19.I have chosen this part. We call it a hockey stick. She is going to do
:09:19. > :09:25.the walks. She is lost already. Nothing there. It should have been
:09:25. > :09:32.a reach out, and a throw in. Bring him to your breast. Bouncing - you
:09:32. > :09:37.know, I want you, yes, oh. different episode. Can we get the
:09:37. > :09:43.doctor, please. I know what you mean You have to connect with it.
:09:43. > :09:47.We are so used to the - wow. Think of her at Wembley. We need to put
:09:47. > :09:51.that one to bed and look forward to what is coming up next.
:09:51. > :09:55.quickstep. Louis and Flavia and their paso doble. The audience
:09:55. > :10:02.loved it. The judges not so much. How could he have added a bit more
:10:02. > :10:07.byte? -- bite? It is a bit of a slap to our Olympian again. Too
:10:07. > :10:11.much now is relying on Flavia to bring great choreography. It is no
:10:11. > :10:14.more about the great choreography. With four weeks left, it is about
:10:14. > :10:19.him bringing his known mojo to the game. This is purely going through
:10:19. > :10:23.the shapes. OK, so he looks like - I've got a bit of this, you know.
:10:23. > :10:28.What we are looking for, there are things he could have dance. I will
:10:28. > :10:34.do another demonstration. Please, do. We have to get this boy dancing.
:10:34. > :10:39.Something like a ya. A whoosh up the party. And the rib cage. You
:10:39. > :10:44.can't be dancing everything with this movement and lift the nose.
:10:44. > :10:48.The chest should lower in and it should expand out and lower in and
:10:48. > :10:52.expand. Is that what Craig meant about the arching? Well the arching
:10:52. > :10:58.comes because of the shaping of the body. It's just simply that he is
:10:58. > :11:02.just doing barely enough. Nicky and Karen and their Charleston. They
:11:02. > :11:06.finally broke through this week, thank goodness. Bruno called it
:11:07. > :11:10.imaginative, fresh, brilliant. What made it so special? First, first,
:11:10. > :11:14.first class. It's when you bring the full package it the game.
:11:14. > :11:20.That's what I love. You have great choreography and costuming. The
:11:20. > :11:24.chemistry between the two of them. The timings, it all came together
:11:24. > :11:30.and puff, there it went. Look at the relationship between them and
:11:30. > :11:34.there it is.! That's not something I'm sure he does every day. He will
:11:34. > :11:40.now. Morning kids! I loved the characters and the commitment to
:11:40. > :11:45.this dance. When we were talking before about the journey and
:11:45. > :11:48.improvement, what I'm loving from Nicky, is I'm seeing him getting
:11:48. > :11:52.better every week. He was absolutely bullied at the beginning
:11:52. > :11:58.but still standing strong. Kimberley and Pasha and their tango.
:11:58. > :12:02.Lots of praise from the judges. Len felt she lost her hold it. Went in
:12:02. > :12:07.and out. Explain more. A beautiful tangyo. I have to say for me up
:12:07. > :12:11.there as one of the best. -- a beautiful tango. I'm glad you said
:12:11. > :12:17.that. Absolutely first class. She has a wobble going on here, but it
:12:17. > :12:20.is such a small problem. Look what I picked up on here. Her head
:12:20. > :12:24.actions. With watch this. Whack, whack, whack. Really strong. The
:12:24. > :12:28.only way you are able to do that is if your core is really strong. That
:12:28. > :12:33.tells me from her feet, up through her body, up through her spine she
:12:33. > :12:37.is really strong. All is happening is we are getting a little bit of
:12:37. > :12:41.wobbling going on. She needs to set that in. It would be worth giving
:12:41. > :12:45.Pasha a little bit of weight in the arms to set that frame in, rather
:12:45. > :12:49.than trying to keep right and not be heavy on your partner and then
:12:49. > :12:56.we are getting the wobbling around. The tango in itself, first class.
:12:56. > :13:00.loved it when she looked at him and he looked awane then she looked
:13:00. > :13:05.away. -- looked away and then she looked away.
:13:05. > :13:10.Denise and James. Impressive. The judges were impressed with the
:13:10. > :13:14.lifts. How tricky were they? flawlessness and acrascy. Amazing.
:13:14. > :13:18.We are talking about what makes a finalist. Somebody like Denise
:13:18. > :13:22.starts off as a front-runner. Everybody was - she can dance and d
:13:22. > :13:26.this. I spoke last week saying, don't be afraid about that. You
:13:26. > :13:31.have got to really stay out in front. If we look here - I'll slow
:13:31. > :13:35.it down - the big turn up there. She has to maintain her own balance.
:13:35. > :13:42.James has nothing to do. He national insuranceiates. She has to
:13:42. > :13:46.do the work. -- he innational insuranceiates.
:13:46. > :13:51.Then she has to bring herself back down. She is lifting her game which
:13:51. > :13:54.is what this competition is all Bwe know she was a front-runner but she
:13:54. > :14:01.is doing things like that which are difficult. She will earn respect,
:14:01. > :14:07.the more we get work lick that from her. -- like that. Michael and
:14:07. > :14:11.Natalie, the judges said not his best week and he wasn't leading
:14:12. > :14:16.enough. The Argentine tango, it is all about the unpredictable, the
:14:16. > :14:20.improvisation, never-knowing. It means you are really sensitive and
:14:20. > :14:24.alert and the lady is literally under your spell. You know, she
:14:24. > :14:28.should be doing everything. What tended to happen with this, it sort
:14:28. > :14:33.of got - here actually with the flicks, it was a little bit lost.
:14:33. > :14:38.Then we had a mistake and it didn't get into the Gaucho man on the
:14:38. > :14:43.dancefloor. So, as much as I really love Michael and what he is doing
:14:43. > :14:48.it, did tend to fall into a show dance for me. I think, sad li, he
:14:48. > :14:51.looked like the lucky drooling dog who has the bone. -- sadly. It is
:14:51. > :14:55.important for him to stand his ground and be positive and stay in
:14:55. > :15:01.control of the dancefloor. Because when he does that, he is simply
:15:01. > :15:08.incredible. OK. Who is on the red button with you this week, Miss
:15:09. > :15:13.Hardy? I have the wonderful Ann Widdecombe joining me. Oh, how we
:15:13. > :15:18.love Widde, but we love you more. Karen Hardy, everybody.
:15:18. > :15:23.After a great week at Wembley, Lisa and Robin found themselves back in
:15:23. > :15:26.the Strictly studio, ready to rumba. Here is a reminder of what happened.
:15:26. > :15:30.I thought it was slightly tempestuous and a little bit
:15:30. > :15:38.aggressive. I liked some of the detail. I liked
:15:38. > :15:48.the forward walks that you did at the start. It was nice. It was tidy.
:15:48. > :15:49.
:15:50. > :15:55.Surprisingly understated. This It wasn't the best, which was fine.
:15:55. > :15:59.We got good scores. If Darcey doesn't think it is my
:15:59. > :16:03.dance. That's her judgment. I tried my hardest? Probably the
:16:03. > :16:08.most technically correct dance you have done. So if we can put that
:16:08. > :16:17.technique into a fast dance, we're on the money. Yes.
:16:17. > :16:21.Please welcome Lisa and Robin. You two make me laugh. You cheeky
:16:21. > :16:26.ones. The judges said it wasn't your best dance. We all loved it.
:16:26. > :16:30.Did you enjoy it? I loved it. I was genuinely so proud of the dance.
:16:30. > :16:35.Because we can't keep coming out every week doing big funky fast
:16:35. > :16:38.ones. We wanted to make it very - you know, it was slow, I was acting
:16:38. > :16:43.and we did have a story. It was just such a shame they didn't pick
:16:43. > :16:47.up on it. You can't win them all, like I said at the weekend. Does it
:16:47. > :16:52.leave you a bit deflated when the judges came out with the comments
:16:52. > :16:56.they did? How do you pick yourself up? I think everyone knew by my
:16:56. > :17:00.face on Saturday. Then they got more and more negative as they went
:17:00. > :17:04.down the panel. But, I have put that to bed and onwards and upwards
:17:04. > :17:08.for the next week now. I think it is when we went up to Tess's area
:17:08. > :17:12.all the other celebs and pros were so gorgeous, prpblt they? They were
:17:12. > :17:17.like - we felt the story. -- weren't they? They said they really
:17:17. > :17:22.enjoyed it. They liked it and everyone at home liked it, I think.
:17:22. > :17:29.And the audience. Len said it wasn't exciting. Surely the rumba
:17:29. > :17:35.isn't an excite willing dance. do they expect, backslips? It was a
:17:35. > :17:39.toned down dance. Everyone is acostumed to outside running around
:17:39. > :17:44.with jazz hands. For me, like I said, it was technically the best
:17:44. > :17:52.dance you have done for me. I was really proud for me. We had a great
:17:52. > :17:57.time, even with my lovely Evita moment. Even when I poked you in
:17:57. > :18:01.the eye. We had really worked. Like your stats said last week. We had
:18:01. > :18:05.the most hours. And the leading thing. I didn't lead you once.
:18:05. > :18:09.have been banging on about it. You didn't lead, and they didn't
:18:09. > :18:13.mention it. No news is good news as far as that is concerned. We did a
:18:13. > :18:17.good job there. We have been watching your training and we know
:18:17. > :18:23.Lisa Riley you have a secret weapon you could unleash on the judges
:18:23. > :18:28.next week, if you choose to. Prepare yourself for this. In 2012
:18:28. > :18:35.one of the most shocking and disturbing incidents befell the
:18:35. > :18:45.Strictly dancers. Lisa Riley unleashed her tongue. Feeding off
:18:45. > :18:53.
:18:53. > :19:03.her, energy. No-one was safe from Ordered by her OverLord. Next one.
:19:03. > :19:15.
:19:15. > :19:21.Let's try that again, shall we? It Takes Two productions presents -
:19:22. > :19:27.the tongue. Yes, absolutely bonkers. Lizzie
:19:27. > :19:33.says, "Keep your chin up, Lisa, move on back to your bouncey
:19:33. > :19:36.energetic dances next week." What is your next dance? We have the
:19:36. > :19:43.quickstep. If people want fun, fabulous, camp and happy, that's
:19:43. > :19:46.what they are going to get. Good. Has it been fun being back in the
:19:46. > :19:49.studio? I'm loving the quickstep. It is so fast. I feel like a
:19:49. > :19:53.trotting horse, running everywhere. Obviously that's what people want
:19:53. > :19:57.to see us do. We have something very special for the end. Have you?
:19:57. > :20:02.Just tell me, they won't be listening. Are you looking forward
:20:02. > :20:06.to the speed of the thing? I mean how are you keeping up? Is it fast?
:20:06. > :20:10.It really is. Obviously the foot work is intricate as well. We
:20:10. > :20:14.trained on Monday and the day went quite well, didn't it? For a Monday.
:20:14. > :20:18.We got most of the routine done, which is a first. Normally it takes
:20:18. > :20:21.a good couple of days. Monday, it was just like that. Thursday might
:20:21. > :20:26.be a different story. You have trained her so well. So you have
:20:26. > :20:30.been in the 20s, back to the 30s, score-wise, please. Would that be
:20:30. > :20:34.good? Nice comments would be good. Because we have been to Wembley and
:20:34. > :20:39.it was so like, wow. Now we have had a little dip. Hopefully we can
:20:39. > :20:41.get back up there. There are so many strong dancers in the
:20:41. > :20:45.competition. How do you think you are ranking in there amongst
:20:45. > :20:49.everybody? I don't know. As long as I go out there, every Saturday, and
:20:49. > :20:54.know I have tried really hard and I make myself proud, then I'm really
:20:54. > :20:56.happy. She is making you proud. know, with the standard of the
:20:56. > :20:59.competition, every single competitor left has something
:20:59. > :21:03.really special about their quality of dancing. I think if you could
:21:03. > :21:07.put all of those into one dancer, we'd have something absolutely
:21:07. > :21:12.incredible. It's like finding all the little bits and putting them
:21:12. > :21:15.all into one. Lisa is doing me so proud. I can't wait it see your
:21:16. > :21:19.special ending of your quickstep. Good luck. We love you. Lisa and
:21:19. > :21:23.Robin. Thank you.
:21:23. > :21:26.CHEERING AND APPLAUSE So, another beautiful selection of
:21:27. > :21:32.dresss on the dancefloor this weekend. Who better to talk us
:21:32. > :21:34.through them, than It Takes Two's very own Glambassador, Mr Julien
:21:34. > :21:37.Macdonald. # You don't have to take your
:21:37. > :21:47.clothes off # To have a good time
:21:47. > :21:47.
:21:47. > :21:52.# Oh, no... # Please welcome, Julien Macdonald.
:21:52. > :21:56.We have new music every week. We are spoiling you.
:21:56. > :22:00.Beautiful frocks this weekend. We must say. Does it impress you that
:22:00. > :22:03.they keep bringing them out? They keep getting better and better?
:22:04. > :22:07.Bolder, brighter, more sparkles, more ruffles, even adimister
:22:07. > :22:11.fringes. Fringes. It was all about the
:22:11. > :22:16.fringes. We will get to those. As ever, you have picked your top
:22:16. > :22:21.favourites. Who is your number three this week? The incredible
:22:21. > :22:26.Dani. Oh, there she is. Fringing, here we go. You absolutely loved
:22:26. > :22:32.the colour. Why did this work for Dani so well? She reminded me of
:22:32. > :22:38.one of those tropical drinks you get on holiday, like a Tequila
:22:38. > :22:43.sunrice. What if in particular did you love? Colours in fashion. The
:22:43. > :22:48.yellow and orange, the melange of the colours with the crystals was
:22:48. > :22:53.very, very special. Very special, Mr Bond. Of course, fringing,
:22:53. > :23:00.perfect for a bit of booty shaking and her being a Beyonce. It was a
:23:00. > :23:04.beon say song she was dancing to. This is a Beyonce dress. There are
:23:04. > :23:09.four metres of fringing on the dress. It has been hand taken off
:23:09. > :23:14.the band and hand placed on to the dress. Over 4,500 individual
:23:14. > :23:19.mixtures of orange and yellow fringing on a tiny minuscule dress.
:23:19. > :23:24.I love the fact that supposedly there is someone counting that as
:23:24. > :23:28.they are sticking. You can imagine them going, I've lost count - stop.
:23:28. > :23:33.The dress was incredibly flattering. How does the cut compliment her
:23:33. > :23:37.shape? Dani has lost a lot of weight over the weeks. But this
:23:37. > :23:41.dress was flattering. It has a corset inside which makes her waist
:23:41. > :23:45.tiny. It is the balance between the tiny waist and all the fringes
:23:45. > :23:49.which makes her look very glamorous. Not a look I'm imagining we could
:23:49. > :23:53.all carry off! Who is your number two this week? Professional dancer,
:23:53. > :23:57.Karen. Oh, I loved this outfit. Her
:23:57. > :24:04.Charleston outfit. What made it such a success? I love the colour,
:24:04. > :24:08.the crystals and she reminded me of a very modern-day Josephine Baker.
:24:08. > :24:16.Perfect. Tell me about the crystal detail, then? Well over 4,000
:24:16. > :24:19.crystals on this tiny dress. And then there are 400 class milk-
:24:19. > :24:25.coloured beads. Those beads are incredibly heavy. They weight the
:24:25. > :24:30.dress down. But she makes it look so effortless and light. And it all
:24:31. > :24:35.flies around, Charleston styley. Like it, like it. Who is at the top
:24:35. > :24:40.spot then? The top spot this week, the glm Russ Kimberley Walsh.
:24:40. > :24:44.hear it for her. -- the glamorous. She looked stunning. Not the kind
:24:44. > :24:49.of thing she has worn before. Very different. She reminded me of an
:24:49. > :24:54.old Hollywood star. Very grown up. Very sophisticated. Her hair up. It
:24:54. > :24:59.is nice it see her looking different. I liked the hair up.
:24:59. > :25:04.That was a different look. When we talked to the designer Vicy on
:25:04. > :25:08.Thursday., she told us this dress was going to be white. What
:25:08. > :25:13.changed? Apparently she watched her in rehearsal and she felt the dress
:25:13. > :25:16.she was going to wear didn't go with the dance. Last-minute Vicy
:25:16. > :25:20.changed the dress and Kimberley was given this blue creation.
:25:21. > :25:26.Apparently she does it all the time. You make a dress and then you just
:25:27. > :25:31.go - change the colour. Can she safe it and use it for another
:25:31. > :25:37.dance? You will have to ask her. Tell us about the detailing in the
:25:37. > :25:44.dress. The hemline got you excited. It was a special hemline. These are
:25:44. > :25:52.panels of two kinds of fabric, it's stretch crepe and jor jet. A
:25:52. > :25:58.combination of things that are heavy and light. The cut-out, the
:25:58. > :26:03.crystals and Zoe, there's 6,000 Bermuda crystals on this dress.
:26:03. > :26:07.thought you were going to say 6,000 bemused. No, Bermuda.
:26:07. > :26:11.Stunning. Could this be an inspiration for all the ladies
:26:11. > :26:14.going to Christmas parties? I think so. People ask me - what is the
:26:14. > :26:21.colour of the seelgs? Well one of the colours of this season is -
:26:21. > :26:30.blue. -- colour of the season? Entrend again. I love that. People
:26:30. > :26:35.stop you in the street - Julien, what is the colour of the season.
:26:35. > :26:39.Yes. We all know you are a fan of the Strictly frock in the real
:26:39. > :26:43.world and you have been at it again. Yes, this week we have the gorgeous
:26:43. > :26:52.Alison from Manchester wearing Lisa's Viennese waltz dress.
:26:52. > :26:56.Let's have a look. I'm Alison. I'm a busy mum from
:26:56. > :27:02.Manchester. Today Julien has arranged for me to borrow Lisa's
:27:02. > :27:05.dress. Let's see how we get on. Oh, well, afeel amazing. Glamorous and
:27:05. > :27:09.glittery. I have never felt so glamorous in all my life. Now I
:27:10. > :27:13.have to get on with the chores. I love wearing thiss doing the house
:27:13. > :27:17.work. It's made it so much more enjoyable. I have to be really
:27:17. > :27:27.careful. Because this is the bleach. If you are going to clean the loo,
:27:27. > :27:30.
:27:30. > :27:38.you might as well do it in sequins. I bet Lisa Riley didn't have to put
:27:38. > :27:42.her own rubbish out! My house work has been a dream
:27:42. > :27:51.today. It is much more fun in the dress. Very swishy. It does get in
:27:51. > :27:59.the way a bit, but really good fun. I'm just off to pick my son Conor
:27:59. > :28:05.up from school. Hi Conor. What do you think?
:28:05. > :28:10.I don't know what to say, really, mum. Are you going to dance with
:28:10. > :28:13.me? Well, that's the end of my Strictly
:28:13. > :28:18.day. I've had an absolutely brilliant day. Do I really have to
:28:18. > :28:24.give the dress back? Can I not keep it? Can I please just keep it?
:28:24. > :28:30.Don't be mean. Go on, Lisa doesn't want it. She has already worn it.
:28:30. > :28:34.Give it back. And you wonder why I'm embarrassed about you. I love
:28:34. > :28:37.that from Conor, slightly embarrassed by his mum turning up.
:28:37. > :28:41.She wore it well. She looked incredible. There were 10,000
:28:41. > :28:45.crystals on that dress. Thank you very much Alison and thank you,
:28:45. > :28:50.Julien. APPLAUSE
:28:50. > :28:54.Thank you to all my bests. Tomorrow I will be talking to Kimberley and