:00:27. > :00:36.PROBLEM WITH SOUND Kimberley and Pasha are here.
:00:36. > :00:41.And just exactly how much is he and Erin are here.
:00:41. > :00:46.We'll have a peak at what some of our couples will be wearing this
:00:46. > :00:56.weekend and we look inside the training room. So much to do. Trot
:00:56. > :00:56.
:00:56. > :01:45.Apology for the loss of subtitles for 48 seconds
:01:45. > :01:49.on. Now some Strictly breaking news. How good was that! An update now on
:01:49. > :01:59.Aliona's injury. You will remember two weeks ago whilst rehearsing
:01:59. > :02:06.
:02:06. > :02:16.first dance together, she suffered someone else. We have a linkup now
:02:16. > :02:19.
:02:19. > :02:29.for the latest. The latest is the doctor's told me
:02:29. > :02:33.
:02:33. > :02:43.to rest for four weeks and in four four weeks, hurray! When you come
:02:43. > :02:49.
:02:49. > :02:59.now, but the doctors say for the rest and then I can be brand-new
:02:59. > :03:12.
:03:12. > :03:22.You are going to take part in the excited to be a part of that
:03:22. > :03:31.
:03:31. > :03:39.Saturday we'll see a pick and mix with the couples tackling a jive,
:03:39. > :03:49.foxtrot, Viennese waltz, cha-cha- the first of the boys are getting
:03:49. > :03:56.
:03:56. > :04:02.We are doing the foxtrot this week with as much patience as she's got.
:04:02. > :04:11.yourself. Beautiful. Johnny is so involved in the dance and he helps
:04:11. > :04:21.me with the choreographing, which I love it, it helps he. -- helps me.
:04:21. > :04:24.
:04:24. > :04:30.Johnny Ball choreographing it on the cha-cha. It's all about
:04:30. > :04:35.enjoying yourself, smiling, having a laugh. Then I can't get it right!
:04:35. > :04:45.I forgot it! Argh... I feel under pressure because Nicky is not
:04:45. > :04:46.
:04:46. > :04:51.picking up the steps. of the room so it was nice for him
:04:51. > :05:01.to walk back in and work hard because that's the only Nicky I
:05:01. > :05:03.
:05:03. > :05:13.You head-butt me. Straight seven. Hands, cha-cha-cha. The Viennese
:05:13. > :05:15.
:05:15. > :05:25.hard core, hard core! The first big man. Dancing with me is too
:05:25. > :05:25.
:05:25. > :06:14.Apology for the loss of subtitles for 48 seconds
:06:14. > :06:20.challenge is my knees. You are only Len said your cha-cha-cha was the
:06:20. > :06:23.thrilled? Absolutely, yes, he's a stylish man, we have been chatting
:06:23. > :06:33.backstage and he's been making me feel confident about my height. He
:06:33. > :06:41.
:06:41. > :06:51.about the height difference later on. A viewer says, I didn't expect
:06:51. > :06:53.
:06:53. > :07:03.Colin to be so sexy. Did you in protest. I've been getting some
:07:03. > :07:03.
:07:03. > :07:13.people. elements in your cha-cha he could
:07:13. > :07:19.
:07:19. > :07:29.bits. What did you make of that? arms and ballroom frame and also
:07:29. > :07:37.
:07:37. > :07:44.It's a James Brown song after all, far to being a little bit like a
:07:44. > :07:48.often find myself on the floor of my gym with my thumb in my mouth
:07:48. > :07:58.curled up in a ball like a baby. have something special for you. We
:07:58. > :08:23.
:08:23. > :08:33.Gabalabagababa... It's a ball, it's a baby with a
:08:33. > :08:41.
:08:41. > :08:50.corner for his punishment. Really cute. Bless you. I know you
:08:50. > :08:54.should never ask a lady, but do you look good, ladies and gentlemen!?
:08:54. > :09:01.50 years old. Not as young as some of the others in the competition.
:09:01. > :09:08.Are you taking it all in your taking it all in my lunch. That is
:09:08. > :09:15.a long lunch! I walk up in the I walk down the stairs more
:09:15. > :09:22.gingerly and I expect Louis Smith really toning up. For all those 50-
:09:22. > :09:32.as old as you feel, as they say, and I'm not going to elaborate more.
:09:32. > :09:33.
:09:33. > :09:43.it well. How is the Viennese waltz looking? Hopefully OK. We worked
:09:43. > :09:44.
:09:44. > :09:54.two of you. It's also about, not just the technique of the dance but
:09:54. > :09:55.
:09:55. > :10:01.what we work on. I fall in love her. Considering you're tall, your
:10:02. > :10:11.neck line is good? I heard that and so thank you, Ian. I appreciate
:10:12. > :10:19.
:10:19. > :10:25.adore you, Colin and Kristina. This week exI'm dancing the
:10:25. > :10:35.Viennese waltz. My main challenge is to turn Lisa into a lady. Shut
:10:35. > :10:43.
:10:43. > :10:53.up. I love you. I have quite a task Emu? It's a challenge and I love a
:10:53. > :10:57.
:10:57. > :11:07.way because I want to be a Princess. nice posh frock on, that might help
:11:07. > :11:14.
:11:14. > :11:23.it's extremely fast. Too tired. You exhausted, it's hard work. I want
:11:23. > :11:33.spin, spin... Where are you going? I don't know. James likes me to
:11:33. > :11:36.
:11:36. > :11:42.spin. Pivot, pivot, pivot, I go. this. I can't spin any more, I feel
:11:42. > :11:52.We are getting readied for foxtrot. It's completely new style and new
:11:52. > :11:58.
:11:58. > :12:02.Why are you looking over there? time to get my head around it.
:12:02. > :12:07.position. Don't do anything. can't take any more. Struggling
:12:07. > :12:14.with brain space at the moment. Right footsteps up. I learn one bit,
:12:14. > :12:23.other bit goes tout window. How can I have forgot that already?! There
:12:23. > :12:28.is definitely an element of panic have just had some news in that
:12:28. > :12:31.lovely Denise Van Outen has suffered whiplash doing her jive so
:12:31. > :12:35.Denise, I hope you are all right, darling, because I know she had a
:12:35. > :12:45.sore neck already. More on that story in the show tomorrow. For now,
:12:45. > :12:50.
:12:50. > :12:56.to the Kimble. Please welcome You have a nickname already, is it
:12:56. > :13:06.going to stick? I like a nickname. I have such a long name and always
:13:06. > :13:09.
:13:09. > :13:19.end up being called something. Kimble. A nickname for Pasha yet?
:13:19. > :13:20.
:13:20. > :13:25.Let's talk about the show. 28 point, second on the leaderboard for your
:13:25. > :13:29.cha-cha-cha. Were you absolutely delighted? We were. I was, were
:13:29. > :13:39.you? We didn't even know what happened at first. We were in a
:13:39. > :13:43.
:13:43. > :13:51.scores it was kind of like oh, I scores so I was really happy.
:13:52. > :13:57.good or bad? I thought it was good but I couldn't put my finger on
:13:57. > :14:00.what it meant. It is good, fantastic. The judges haven't been
:14:01. > :14:04.that happy on the Friday night show, they've been harsh on the couples,
:14:04. > :14:13.did that make you nervous on Saturday night going out first?
:14:13. > :14:17.because I was saying to Pasha, it's would be easy on everyone. We had
:14:17. > :14:27.to go first. It was like, what are they going to say about our dance,
:14:27. > :14:28.
:14:28. > :14:36.I don't want to go there. You would bad moods I think. Pasha, how is
:14:36. > :14:46.Kimberley? I want to call you Kimble now? Just call her Kimberley
:14:46. > :14:49.
:14:49. > :14:53.student? Can I tell you the truth? likes to work, she works hard, she
:14:53. > :15:03.had blisters but ignores them, she goes through the dance again and
:15:03. > :15:05.
:15:05. > :15:12.tomorrow and she'll be like, no, I want to do it again. I like that.
:15:12. > :15:22.We do know, we have evidence, that you are definitely taking
:15:22. > :15:48.
:15:48. > :15:57.everything on board in the training thought that was hilarious, I've
:15:57. > :16:05.Any little niggles you have, we'll bring them all out, don't you worry.
:16:05. > :16:14.not, are you like it? I love, love, love the dance but I'm finding it
:16:14. > :16:24.days. You had three weeks to learn weeks, that would be good. What are
:16:24. > :16:24.
:16:24. > :16:30.just remembering what I'm doing. We it today. With ran it without
:16:30. > :16:39.messing it up for the first time. That's good though. Don't worry
:16:40. > :16:49.about it. We think you are amazing, APPLAUSE
:16:50. > :16:58.
:16:58. > :17:08.foxtrot. It's very graceful, it's very fluid. It has to do with sin
:17:08. > :17:09.
:17:09. > :17:19.con isty of your timing and your body being together --
:17:19. > :17:21.
:17:21. > :17:31.what are you doing? You have to No-one said it would be easy.
:17:31. > :17:36.
:17:36. > :17:41.will look lovely. We are doing the be good. Artem takes the training
:17:41. > :17:46.very seriously. Bend your knee. Get down. One more time. Do it again.
:17:46. > :17:51.It's taken me a little while to get the motor up to speed. Sorry, I
:17:51. > :17:59.don't know whey was doing. OK. said drop your elbows. What are you
:17:59. > :18:06.doing? Look where you are going. doesn't do them right. Oh...
:18:06. > :18:16.right pay part from me, and if I get it wrong, it's my fault.
:18:16. > :18:26.This week, I'm doing the foxtrot It can be very magical. Brendan's
:18:26. > :18:33.
:18:33. > :18:39.One of my biggest struggles is to make Victoria believe in herself.
:18:39. > :18:49.She'll never think she's good enough even though I know she is.
:18:49. > :18:56.
:18:56. > :19:00.dance, full of energy and it's all struggling a little bit with our
:19:00. > :19:03.fitness during this dance, we spend more time on the floor than we do
:19:03. > :19:08.actually dancing. It's like the speediest salsa you will ever see
:19:08. > :19:18.in your life. That's why it's so exhausting. Tough love...
:19:18. > :19:22.
:19:22. > :19:30.able to get through it on the night. Mama mf mia. What happened?!
:19:30. > :19:39.welcome back our wardrobe wonder So this week, five dancerss being
:19:39. > :19:49.hideously complicated? Extremely busy. A bit to do. You do get to
:19:49. > :19:51.
:19:51. > :19:56.she's a goddess. Were you excited But nothing to be afraid of, she's
:19:56. > :19:59.funny, brilliant, gorgeous. laid back? Yes. She's doing a
:19:59. > :20:08.foxtrot this week? She is. This is what we've got in store for her.
:20:08. > :20:18.We've got a black lace overdress underneath in blue. She looks
:20:18. > :20:32.
:20:32. > :20:42.traditional. Oo, you didn't hear Dani is dog the salsa. I imagine
:20:42. > :20:45.
:20:45. > :20:48.I'm working with Tracy Beaker. the house. Her outfit is, you know,
:20:48. > :20:52.we've tried to make it older because we've slashed through the
:20:52. > :20:57.corset detail but essentially the dress is cute and fun. So Darcey
:20:57. > :21:00.has been showing her appreciation for Lewis's frame. He's got a tiny
:21:00. > :21:06.waste and big shoulders. Is he difficult to dress? No. When he
:21:06. > :21:10.came in for his meet and greet, he obviously with a body like his. You
:21:10. > :21:20.have to be careful with the break point on his short sleeves. What is
:21:20. > :21:25.
:21:25. > :21:32.we make sure we are making the most Mystery unveil on the ironing board.
:21:32. > :21:38.Let us guess who will be wearing this at the weekend? Kristina.
:21:38. > :21:48.No. Anton someone said. He'd look about the owner of this dress?
:21:48. > :22:07.
:22:07. > :22:14.out. Call on my running stitch, You can do two full on ones. This
:22:14. > :22:24.is all about quick feet, bouncing movement. It's fast. That's quick.
:22:24. > :22:32.
:22:32. > :22:42.If I miss a beat, it all goes out This week, we are doing the
:22:42. > :22:48.
:22:48. > :22:51.be in love like puppies. There has to be an air of romance. I need to
:22:51. > :23:01.loosen up. This is going to be tough. It's really difficult for
:23:01. > :23:10.do it, bring it out of him. Even softer. He's got to let go and
:23:10. > :23:20.done. This week, we are attempting the
:23:20. > :23:22.
:23:22. > :23:30.I am. You know, I'm 40 years old, Wipe the sweat off my head. I think
:23:30. > :23:35.Sid is finding the salsa a little lot going on in the routine. Thee
:23:35. > :23:45.lifts, knee slides, shimmying, hip action. One, two, three. You are
:23:45. > :23:50.
:23:50. > :24:00.sohopefully I'll get it. It's going New dance this week is the cha-cha.
:24:00. > :24:12.
:24:12. > :24:22.It's fun, bubbly. It's going to which I suppose is natural when you
:24:22. > :24:31.
:24:31. > :24:38.are doing your smash potato. We are He's a dancer. Tricky dicky himself,
:24:38. > :24:44.Richard Arnold and his dance APPLAUSE
:24:44. > :24:54.Glorious twosome. Great comments on Saturday. Woo. We've all been
:24:54. > :24:54.
:24:54. > :25:01.footwork he's ever seen. That's a compliment for you, my love. You
:25:02. > :25:11.put yourself in front of the judges when you got a compliment from Len
:25:11. > :25:15.veteran from breakfast television. That was one comment I got
:25:15. > :25:25.backstage but not from the judges. Not from the judges?! I was trying
:25:25. > :25:27.
:25:27. > :25:37.eyed. I thought it was romantic. I gotten over it now. Craig used his
:25:37. > :25:37.
:25:37. > :25:41.when you hear comments luke that, I was sweating like Judith Chalmers
:25:41. > :25:46.without a passport. It was only when I watched it back I got that.
:25:46. > :25:55.the stuff of legend as far as Strictly is concerned. We have been
:25:55. > :25:59.working on it, haven't we? We have. French manicure? Yes. Bruno and
:25:59. > :26:07.Darcey said they wanted him to camp it up a bit, but would that have
:26:08. > :26:12.been appropriate in a waltz? waltz, not on purpose. I think
:26:12. > :26:16.Bruno was expecting a camp fest. In the whole ten series we've done,
:26:16. > :26:22.there's never been a hugely camp waltz at all. Now we are doing a
:26:22. > :26:32.flamboyant, fun and bubbly. So of course you are going to see a
:26:32. > :26:33.
:26:33. > :26:41.I'm excited. Colin smoulders when like a damp wick, there's not a lot
:26:41. > :26:48.of Latin pouring through my veins. Leave in yourself. There is a
:26:49. > :26:58.hands-on approach from Richard in If you will, we have evidence.
:26:59. > :27:02.
:27:02. > :27:12.I've ever known. I thought Anton Du Beke was tactile, Richard's like
:27:12. > :27:24.
:27:24. > :27:34.He's like one of those suckers that woman needs a Richard Arnold around
:27:34. > :27:49.
:27:49. > :27:59.little embarrassing. It's not it? It was a rebirth for Colin, you
:27:59. > :27:59.
:27:59. > :28:03.know, in that room it's like, cha-cha-cha, are you camping it up?
:28:03. > :28:10.There is not a row of tents long enough, does that answer your
:28:10. > :28:20.question? We are going to be dad would do at a wedding after a
:28:20. > :28:30.
:28:30. > :28:36.ballroom to Latin? He's doing great. It will be fantastic. It could be
:28:36. > :28:40.perhaps that you will break the ITV morning curse, who knows. None of
:28:40. > :28:48.them are speaking to me any more, they've gotten very bitter. Good