:00:13. > :00:19.Welcome to Tuesday's It Takes Two. The judges saved them rightfully so
:00:19. > :00:23.at the weekend, Nicky and Karen are here! APPLAUSE AND CHEERING They
:00:23. > :00:27.are still hopping with excitement after their brilliant jive,
:00:27. > :00:32.Kimberley and Pasha are here! APPLAUSE AND CHEERING And she knows
:00:33. > :00:42.a thing or two about choreography, she's also exquisite, Karen Hardy
:00:43. > :00:43.
:00:43. > :00:49.is here. And he is covered in 40,000 crystals, and red velvet, my,
:00:49. > :00:59.my! It's not actually velvet, but it is Julian McDonald.
:00:59. > :01:35.
:01:35. > :01:38.This is Strictly: It Takes Two. Please welcome your host, Zoe Ball.
:01:38. > :01:41.APPLAUSE AND CHEERING Hello and welcome to It Takes Two,
:01:41. > :01:46.this weekend Nicky and Karen were a little shaken but not stirred when
:01:46. > :01:52.they found themselves in the dance- off again. Here's a reminder of why
:01:52. > :01:56.the judges thought they deserved to dance another day.
:01:56. > :02:01.The intensity was perfect. All the way through that's what you need in
:02:01. > :02:07.an Argentina tango. It needed more fluid movement but I loved all the
:02:07. > :02:16.lifts and that crisp. It was too aggressive and stompy, like a
:02:16. > :02:20.little boy not getting his way and throwing a tantrum. I am happy, you
:02:20. > :02:23.know, it's a difficult dance to do, it really is. Look, you wear your
:02:23. > :02:28.heart on your sleeve out there. The relief of getting around the dance
:02:28. > :02:33.floor is immense. We are troopers. That's what we are going to keep
:02:33. > :02:38.doing, trooping our way through hopefully to the final. We will
:02:38. > :02:43.fine out which of you will be back to dance again next week. Nicky and
:02:43. > :02:47.Karen. Nicky and Karen. Nicky and Karen. Please welcome Nicky and
:02:47. > :02:54.Karen! APPLAUSE AND CHEERING
:02:54. > :02:58.Hello! Hello you two. Can I just say that you were awesomeness ten-
:02:58. > :03:03.field on Saturday. We thought you were brilliant in our house. Rewell
:03:03. > :03:07.did -- we really did. Was it thrilling out there on the floor?
:03:07. > :03:13.It really was. We worked so hard all week. The choreography was
:03:13. > :03:17.brilliant. You are playing James Bond, what guy doesn't want that?
:03:17. > :03:21.Felt a million dollars and went for it. You always feel at the end of a
:03:22. > :03:26.dance a good instinct and I thought, yes, we have nailed that. Went up
:03:26. > :03:30.to the judges, and we didn't! you did with the audience, that's
:03:30. > :03:35.the thing. Sometimes you think what were the judges seeing? It's so
:03:35. > :03:39.confusing. Was it brilliant for you out there, Karen. It was fantastic.
:03:39. > :03:44.Seriously, I thought I was dancing with my my professional dancer.
:03:44. > :03:49.Yeah, right! The way he was leading. She's building you back up. The way
:03:49. > :03:54.he was leading me was unbelievable. I let him take over and amazing. I
:03:54. > :03:58.am so proud of you. Bottom two and you have to go up against your best
:03:58. > :04:03.mate on the show. How was that? doesn't get any worse really. I
:04:03. > :04:06.think it's so tight now that if you are in the bottom two you are at
:04:06. > :04:10.risk. I knew that as soon as I saw the scores from everybody else.
:04:10. > :04:15.Then you are up against Vaughan and it was his shirt that put him in
:04:15. > :04:20.the bottom two, as well! It was horrible, but what can do you?
:04:20. > :04:24.That's the nature of the show. We still -- he is still talking to me
:04:24. > :04:29.and I have bragging rights. Do you think that he was undermarked?
:04:29. > :04:34.Just putting it out there. I do, definitely. I respect the judges
:04:34. > :04:41.100%. But definitely undermarked. You are not alone. We have had so
:04:41. > :04:45.many messages in. Jonathan says, so undermarked, it's a travesty!
:04:46. > :04:51.Judges have lost the plot! That's another one. We loved you
:04:51. > :04:57.being bond. Interested to know which Bond you were being, were you
:04:57. > :05:05.Daniel Craig? A Connery or Dalton? I always liked him. I was a bit of
:05:05. > :05:10.them all. Where was the Roger Moore. James Blond! It was good. Brilliant.
:05:11. > :05:17.On Saturday, we saw how proud Karen was. She got emotional. How does
:05:17. > :05:21.that make you feel? Yeah, I only saw that just before we danced. It
:05:21. > :05:27.was like, oh, wow, I must be doing something right. You are. Nobody
:05:27. > :05:32.wants to let their pro partners down. We are nine, ten weeks in,
:05:32. > :05:36.working seven days a week to get it right and it was to have - wobbled
:05:36. > :05:42.a few times with the judges so we tried our best, working harder and
:05:43. > :05:47.harder and we really felt Saturday was great and it wasn't. It was! It
:05:47. > :05:50.was! We are not going to give up, that's the thing. Don't give
:05:50. > :05:56.newspaper the words of Kate Bush. We saw how proud you were of him on
:05:57. > :06:06.Saturday. We saw how emotional you got. We reckon perhaps your first
:06:06. > :06:16.passion will always be your first love. Play the ball. I can kick
:06:16. > :06:20.
:06:20. > :06:25.some good balls. You used to play football? Uh-uh. Brilliant! Call me
:06:25. > :06:32.Maradona. Roy Keane, nice to meet you. I have
:06:32. > :06:39.never heard of Roy Keane. Is it King? Ref, come on!
:06:39. > :06:44.Roy Keane equalises. Get in! Come on Ireland. I don't even know
:06:44. > :06:49.Westlife, how am I going to know a footballer? Keano! He was always
:06:49. > :06:56.one of my heros. Have you met him? I have met him, he is a great guy
:06:56. > :07:02.and my dog is called Keano, after Roy. New challenge this week,
:07:02. > :07:07.dance-fusion. Which two styles have to you bring together? We mixed up,
:07:07. > :07:13.originally we mixed up four styles. We are back to two. Which are they?
:07:13. > :07:18.American smooth and samba. Samba. With your American smooth what will
:07:19. > :07:25.be the basis because it can be quick-step, foxtrot. Foxtrot. It
:07:25. > :07:29.will have elements of foxtrot. is it going? Terrible! Our eyes are
:07:29. > :07:34.fusing because my eyes are crossing. Which are you going to start with?
:07:34. > :07:38.Samba because samba traditionally for a guy, celeb guy, is horrible.
:07:38. > :07:43.Not great. It's not and you just have to work hard and do your best.
:07:43. > :07:48.But it's horrible. How worried are you after last week to go in and do
:07:48. > :07:51.something like the samba? I don't know if I am worried any more. I
:07:51. > :07:54.don't know anything any more, when I think it's brilliant, it's
:07:54. > :07:57.terrible. So maybe if it's terrible it will be brilliant. Exactly. What
:07:57. > :08:01.you think is terrible, is in fact, brilliant. You think you can bounce
:08:01. > :08:05.back this week? Look, we have to. We have to. You got to go for it.
:08:06. > :08:10.The positive thing is that the semifinal is one step away and the
:08:10. > :08:14.final is one step after that. So you can't lie down now. Last week
:08:14. > :08:17.is gone. Let's keep fighting. We want it badly, come on F we want to
:08:17. > :08:23.stay in the competition we need people to vote and help us and the
:08:23. > :08:29.judges, as well. That's fighting talk, make t-shirts and goen to a
:08:29. > :08:32.rally! -- go on a rally! Good luck. APPLAUSE AND CHEERING
:08:32. > :08:38.Thank you. Saturday night Louis and Flavia reminded the judges they are
:08:38. > :08:48.contenders in this competition. Time to find out which couples got
:08:48. > :08:56.
:08:56. > :09:01.Please welcome our very own choreography goddess, Karen Hardy!
:09:01. > :09:05.APPLAUSE AND CHEERING They love you tonight. I am liking
:09:05. > :09:09.that. Three weeks to the final, Karen, can you believe it? I have
:09:09. > :09:13.to get a proper job and everything. Let's start off with our saved
:09:13. > :09:18.couple, Nicky and Karen. Did they deserve to be in the bottom two?
:09:18. > :09:22.Len Len was talking it was too much ballroom, not enough Argentine,
:09:22. > :09:26.tango? Do you agree? What was important with me in this dance, I
:09:26. > :09:33.was disturbed and I did fall slightly against Len for once,
:09:33. > :09:39.because I have chosen the bit here where it looks tangoy and the
:09:39. > :09:46.assertiveness in the upper body, but what wasn't picked up on, - you
:09:46. > :09:51.see how well he has picked up. Look at the beautiful footwork. Sharp
:09:51. > :09:55.and strong. This dance is all about what's going on downstairs and it
:09:55. > :09:59.was overtalked about upstairs. I would have liked them to have
:09:59. > :10:04.praised him and yes, undermarked. It was very good what was going on
:10:04. > :10:08.downstairs. Incredible number. really feel you needed to get that
:10:08. > :10:11.off your chest. Lisa and Robin. Did this routine bring you sunshine?
:10:11. > :10:15.Lots of talk again about Lisa's personality. What about the
:10:15. > :10:19.dancing? Yes, and that's the key word, if I analyse it and we are
:10:19. > :10:22.going to look here at the piece that I have chosen. One of the key
:10:22. > :10:25.things about ballroom is gapping. It's gapping all the way through
:10:25. > :10:29.this. You know, being in the top six now that shouldn't be there.
:10:29. > :10:34.The shoulders are all lifting up all the time. It looks confusion of
:10:34. > :10:40.what the steps are and looked hassled. These looked as though
:10:40. > :10:44.they're going to go wrong and she starts jumping on-the-spot. If I
:10:44. > :10:47.looked at the quality of the dancing on this it didn't appeal to
:10:47. > :10:50.me. Lisa's inspiration and personality and we say in the
:10:50. > :10:54.history books, a champion will always shine and show themselves.
:10:54. > :10:59.But it can't be through razzmatazz, it's got to be through quality of
:10:59. > :11:03.dance. I love that. We say in the history books! Brilliant. Denise
:11:03. > :11:08.and James and the salsa. A moment for everybody, James blanked. That
:11:08. > :11:12.never happens. Did you think Denise managed to style it out
:11:12. > :11:15.brilliantly? She coped brilliantly. You can see where it all goes wrong.
:11:15. > :11:23.I have chosen the place here. They're doing the salsa. Basic
:11:23. > :11:26.steps and it just shows that, oh, my God, I am going to make this
:11:26. > :11:29.work. The recovery is brilliant T proved the amount of hours they're
:11:29. > :11:33.training. It's clearly coming through. You can have a lot of
:11:33. > :11:36.people that talk the talk, but it's on occasions like this where it
:11:36. > :11:42.proves whether they're actually doing the homework. That just
:11:42. > :11:46.showed to me her confidence, and her ability to carry on. That could
:11:46. > :11:50.have been meltdown TV and they worked together as a strong team.
:11:50. > :11:57.Fantastic. Louis and Flavia. Len said it had both quantity of steps
:11:57. > :12:03.and quality of movement. He got his first two 10s. Len picked up on the
:12:03. > :12:08.movement. The tricks for him, you know, - but look at the amount of
:12:08. > :12:12.power. The ability to move. That said, I am a little bit in Craig's
:12:12. > :12:18.corner on this. There was something missing. I feel with a Charleston
:12:18. > :12:22.it shouldn't be moving that much. Now that we can't fault. Brilliant.
:12:22. > :12:27.Future gymnast. We know he is going to do that. I was looking for a
:12:27. > :12:31.tighter, more compact performance. However, he brought his mojo back
:12:31. > :12:40.and got the enthusiasm and he might have that bite in the teeth to stay
:12:40. > :12:45.in. Come on, Louis. Dani and Vincent and the Viennese waltz. A
:12:45. > :12:49.little bit of Audrey Hepburn. very interesting this. I loved the
:12:49. > :12:53.introduction of this chory. He brought in steps -- choreography.
:12:53. > :12:58.He brought in steps from a quick- step. Heel turns he brought in.
:12:58. > :13:01.saw her do two. Even I noticed that. And that little step there, very
:13:01. > :13:08.quick. What I loved about it is he used the music to bring in that
:13:08. > :13:11.sort of choreography. However, however, you know, it's a strong
:13:11. > :13:16.competition, the Viennese waltz should power around the dance floor.
:13:16. > :13:20.It's one of our power dances. It lost a lot of enthusiasm and
:13:20. > :13:23.delivery for me. Kimberley and Pasha and their jive. Hrodz of
:13:23. > :13:27.praise for her -- loads of praise for her. How difficult is that for
:13:27. > :13:32.celebrities to master? That shows overall the weeks how they really
:13:32. > :13:35.getting in tune with each other. Sin cross isity comes down to
:13:35. > :13:39.musicality. They're on the right beat together, which is brilliant.
:13:39. > :13:43.The piece I have chosen here is not necessarily the side by side, but
:13:44. > :13:49.if you look here, can you see how in tune they are with each other?
:13:49. > :13:52.Backing each other. That's how in tune they are which is brilliant.
:13:52. > :13:56.This is the difficult step I love, because it's not only the twisting
:13:56. > :14:04.of the legs that's in tune, but it's also the twisting of the body.
:14:04. > :14:08.I will, as I did last year, I demoed this last year, I am a year
:14:08. > :14:18.older. I will get my walking stick out. This is a great step. The
:14:18. > :14:18.
:14:18. > :14:21.first thing that's happening with You are pulling the knee up at the
:14:21. > :14:25.same time. Kimberley and Pasha have to make sure the kicking is the
:14:25. > :14:30.same and make sure that the lifting of the knee is at the same height,
:14:30. > :14:39.Pasha will have more energy and he will lift higher, but at the same
:14:39. > :14:45.time they have to be twisting the Don't ask me to do it next year.
:14:45. > :14:49.will be trying that later on. You are, as always, a goddess. Karen
:14:49. > :14:52.Hardy! APPLAUSE AND CHEERING On Saturday night Kimberley and
:14:52. > :15:00.Pasha got the party started with a jive as we were talking about. They
:15:00. > :15:04.bounced around the floor with perfect synchronicity. Here is how
:15:04. > :15:11.well they did. I thought you did a great job because the jive isn't
:15:11. > :15:17.easy. But overall, well done. Nice job. Great energy. Great timing.
:15:17. > :15:20.Side to side kicks and flicks were excellent. Kimberley, you certainly
:15:20. > :15:26.matched Pasha's energy level. You looked like a professional. Keeping
:15:26. > :15:36.up with him is hard. Side by side it was excellent. You did a
:15:36. > :15:40.
:15:40. > :15:48.We got to the end of the jive! We got the party started, I think.
:15:48. > :15:58.sure. You want to do another jive next week? No! Please welcome
:15:58. > :16:02.Kimberley and Pasha! APPLAUSE AND CHEERING
:16:02. > :16:06.You were smashing on Saturday night. You really were. Did you love it
:16:06. > :16:10.out there? We did actually. We had a really good time. I was really
:16:10. > :16:14.nervous but we managed to get the energy out in the kicks and flicks,
:16:14. > :16:20.which was good. We were kicking a lot. A lot of kicking and the
:16:20. > :16:27.judges did point out brilliant side by side. We did work on that a lot.
:16:27. > :16:29.Joint second. 34. Do you feel like you are in Groundhog Day? 34 is an
:16:29. > :16:33.amazing score and there are different dances every week so
:16:33. > :16:40.actually we feel like we are doing well to stay the same level. People
:16:40. > :16:44.go up and down. Bye! We are exactly the same every dance! We will try
:16:44. > :16:49.to take it to the next level. work so hard every week and this is
:16:49. > :16:57.going to be no different. We are going to go for it and just see if
:16:57. > :17:03.we can just pip up a little bit. The good thing is Craig is very
:17:03. > :17:09.pernickety and he gave you a nine. Our first nine from Craig. I was
:17:09. > :17:12.surprised. The judges did argue that the travel through the legs
:17:12. > :17:18.bit could have been slicker. Was that a trick that was tricky in
:17:18. > :17:24.training? It's a hard trick to do, isn't it? It is a hard trick to do.
:17:24. > :17:28.It works, sometimes it doesn't. training it always actually worked.
:17:28. > :17:32.That part of the trick always worked. Later we had problems. But
:17:32. > :17:36.the first one one nerve went wrong. Because it's a live show and
:17:36. > :17:40.anything can happen, and unfortunately,... It was me. I am
:17:40. > :17:45.sorry. You did great. It's OK. Bigger things happened. James
:17:45. > :17:50.Jordan went wrong! That's what everyone will remember. Sorry,
:17:50. > :17:53.James. He is going to get me. Joint on the leader board with Dani and
:17:53. > :17:57.Vincent. Is it healthy rivalry going on between the two teams
:17:57. > :18:01.there? It is actually. With me and Dani we are always joking because
:18:01. > :18:08.we have been the same so many weeks and she left for a little while and
:18:08. > :18:12.then she was, we're back! always wanted to jive. Did it it
:18:12. > :18:17.live up to expectations? It did, I loved the jive but it was so hard
:18:17. > :18:23.work. I don't think I realised how much energy you need for the jive,
:18:23. > :18:32.especially jiving with this guy. used that t-shirt every day.
:18:32. > :18:37.paid off. Goodness me. Pasha, when did you meet Jive Bunny, by the
:18:37. > :18:40.way? He is from Rotherham. It was a long story, I was touring in the UK
:18:40. > :18:48.and in this bar he was there. We start arguing about jive and almost
:18:48. > :18:51.fought and we end up to be best of friends. I love Jive Bunny. I love
:18:51. > :18:55.him, it's official. Three weeks until Christmas. If you are
:18:55. > :19:05.centringling -- struggling with your list for Father Christmas,
:19:05. > :19:21.
:19:21. > :19:31.You have even started talking Yorkshire? Speak better now. I
:19:31. > :19:46.
:19:46. > :19:50.APPLAUSE Such a good sport. We do work as
:19:50. > :19:57.well into looks like we just mess around. I love it. You are going
:19:57. > :20:06.crackers. This week it's fusion. Yes! Confusion for many. You are
:20:06. > :20:11.doing a tango and cha-cha-cha. came up with a new dance style.
:20:11. > :20:17.dance on the street, it's chango. This week anyway. How is this
:20:17. > :20:21.fusion thing? How beautifully do they knit together? It depends on
:20:21. > :20:27.the song and in this song they leave together quite nicely. The
:20:27. > :20:37.only problem is tango is dramatic and cha-cha is happy. What do you
:20:37. > :20:42.do? Like a face that works for both. Angry but with a slight... One One
:20:42. > :20:47.raised eyebrow. You recently tangoed and you were brilliant.
:20:47. > :20:53.did love it so I am excited to do it again. Any tricks this week? Are
:20:54. > :20:59.you going to do cartwheels? trick. Each dance or just in the
:20:59. > :21:04.whole dance? The whole dance. you practised anything? We tried
:21:04. > :21:07.something did. Does it involve a crash mat? I hope it doesn't need a
:21:07. > :21:12.crash mat. I am hoping I will be able to master this one. It starts
:21:12. > :21:18.in the beginning of the song and she gets down towards the end.
:21:18. > :21:24.down as in dances gets down? From the lift. OK, yeah. Quite a long
:21:24. > :21:28.lift. I am not quite sure how I am going to manoeuvre yet. It sounds
:21:28. > :21:31.brilliant. OK so we only have a couple of weeks to the final.
:21:32. > :21:37.There's been blood and sweat and tears on the dance floor. No murder
:21:37. > :21:41.yet, but I wouldn't put it past some of the pros! There has been
:21:41. > :21:45.blood, sweat and tears at some point on this journey. We would
:21:45. > :21:48.absolutely love to get into the semifinal. But everybody's amazing.
:21:48. > :21:55.We are going to have to go out there and Saturday and do our best.
:21:55. > :22:02.Give it up for Kimberley and Pasha! APPLAUSE AND CHEERING
:22:02. > :22:09.On the dance floor this weekend saw a Strictly kaleidoscope of colours
:22:09. > :22:17.and a man casting his beady eye over the outfits was Julian
:22:17. > :22:27.McDonald. # Can I dress you up in my love
:22:27. > :22:29.# All over, all over. # Please welcome Julian McDonald.
:22:29. > :22:37.APPLAUSE AND CHEERING All for you, darling. What did you think of the
:22:37. > :22:45.frocks this weekend? They blew me away. There was fringes, ruffles,
:22:45. > :22:49.over 20,000 cryst alals -- crystals, I loved it! Who is in the number
:22:50. > :22:59.three spot this week? The gorgeous, amazing Lisa. Tell us about the
:23:00. > :23:02.
:23:02. > :23:05.skirt. It's actually a vertical panel with a flair at the bottom.
:23:06. > :23:10.These panels are very long but they help Lisa to look even taller and
:23:10. > :23:15.even more gorgeous than what she actually is. It's cut in a very
:23:15. > :23:19.special way. This is an empire line which is a cut here underneath the
:23:19. > :23:23.bust which drops to the floor. If you are a slightly larger lady,
:23:23. > :23:28.these cover a multitude of sins. love that. Tell us about the
:23:28. > :23:32.detailing of the top half of the dress. The top part of Lisa's dress
:23:33. > :23:36.is another great shape, especially if you have a big bust. The thing
:23:36. > :23:46.is this cross your heart bust just holds you up in the right places,
:23:46. > :23:47.
:23:47. > :23:53.obviously with Lisa's dress this is another amazing concoction of lace.
:23:53. > :23:58.It's covered in multifaceted crystals. Over 3,000 crystals.
:23:58. > :24:02.Counted them as they were put on by hand! She looked awesome. Who is
:24:02. > :24:06.number two this weekend? My number two of this week, one of my
:24:06. > :24:11.favourites, Natalie. I might have known you would have chosen this.
:24:11. > :24:17.She was doing the samba. What stood out for you in this outfit? There's
:24:17. > :24:21.actually half a dress. She lost half the dress on the way to the
:24:21. > :24:25.floor! Where is the dress? I like the sheer fun of it. It's Strictly,
:24:25. > :24:34.it's fun, it's camp, it's fringes, it's crystals, it's everything that
:24:34. > :24:39.we love! Well done, Julian. Here we have - you have a fringe, who would
:24:39. > :24:42.thought that would work? I didn't known know it existed. They've cut
:24:42. > :24:51.the fringe on the bias, going down one side which makes the fringes
:24:51. > :24:55.fall in a different direction. It actually disects the body. It's
:24:55. > :25:01.totally unwearable and fun! Who is the top spot this week? The top
:25:01. > :25:06.spot is the lady in red, Flavia. am happy about that. She always
:25:06. > :25:16.looks gorgeous. We love Flavia. Why particularly this frock?
:25:16. > :25:17.
:25:17. > :25:23.reminded me of one of my famous favourite Hollywood icons, Liza
:25:23. > :25:27.Minnelli in Cab receipt. Cabaret. Have you met her? She's
:25:27. > :25:31.brilliant. This dress is hot to trot, obviously. I am wearing the
:25:31. > :25:36.colour of the season, red. Christmas is coming up. Red is a
:25:36. > :25:46.perfect Christmas colour. Obviously, on Flavia we see the red in maximum
:25:46. > :25:48.
:25:48. > :25:56.potential. It's absolutely covered in over 6,5 -- 6,500 cryst als.
:25:56. > :26:03.It's -- crystals. Over four metres of fringe. Not normal fringe, this
:26:03. > :26:06.was teamed with a weight to the fringe. We have crystal, fringe, we
:26:06. > :26:11.have Flavia! Why shouldn't it be the top this week? Thank you very
:26:11. > :26:14.much indeed. My goodness. Weighted fringe. I have learned a term there.
:26:14. > :26:17.Brilliant. Now you have not only been looking at our professionals
:26:17. > :26:23.and our celebrities dancing, you have also made someone's dreams
:26:24. > :26:29.come true this week, Julian. Tell me more. We have a very, very
:26:29. > :26:34.special firefighter. Her name is Sam. She is wearing one of my
:26:34. > :26:42.favourite outfits from this season. I loved this outfit so much. It's
:26:42. > :26:49.her paso doble outfit. Take it away, Sam.
:26:49. > :26:54.I am Samantha and I am a female firefighter. Good afternoon.
:26:54. > :27:00.I wear this on a day-to-day basis, but I like to add more glamour to
:27:00. > :27:05.my day. Wow!
:27:05. > :27:13.That's glamorous. Let's see if this dress fits the job. It's stretchy
:27:13. > :27:19.enough to move around, a nice slit in the front. The leggings are
:27:19. > :27:24.really nice. Hello! Oh, my God! You look superb. You are fit for
:27:24. > :27:28.purpose for the job now. Honestly, you look fabulous. Really nice.
:27:28. > :27:32.Thank you. Every start of shift it's important we check all the
:27:32. > :27:39.equipments and the appliance. Let's see if this dress makes it more
:27:39. > :27:46.sparkly and fun. Daily routine, we make sure all the equipment is
:27:46. > :27:51.there and everything is working. They don't quite go, do they? We go
:27:51. > :27:57.out training, which would create pretend scenarios of incident and
:27:57. > :28:04.deal with them how we would. My colleagues rarely see me dressed
:28:04. > :28:08.up. I bet it was a shock for them. So, guys, what do you think?
:28:08. > :28:12.Although I love Victoria Pendleton's dress, I don't quite
:28:12. > :28:16.think it's fire retardant. Now it's the end of the shift and although I
:28:16. > :28:22.have not been able to keep Victoria's dress, I still managed
:28:22. > :28:26.to keep a little bit of sparkle. APPLAUSE AND CHEERING Sam, and we
:28:26. > :28:30.would like to thank Sam's bosses for giving her a project day which
:28:31. > :28:36.meant she wasn't on duty when we filmed this. She looked gorgeous.
:28:36. > :28:43.Thank you so much Julian. See you next week. Oh, look! It's Flavia's
:28:44. > :28:47.hat! Bless you, you look like an extra from Miss Marple. I love it.
:28:47. > :28:51.Thank you to all my guests tonight. Tomorrow I will be talking to our