:00:10. > :00:15.Stkpwhrts Tuesday, welcome to It Takes Two. -- it's Tuesday. They
:00:15. > :00:21.were in the dreaded dance-off at the weekend. Let's give them a big
:00:21. > :00:27.cheer. Denise and James are here. Aussie pride is at stake tonight as
:00:27. > :00:34.she takes on the Pro Challenge. Please welcome, Natalie Legs Lowe.
:00:34. > :00:38.And look at these two, they have 5,000 sequins stitched on to their
:00:38. > :00:48.outfits between them. Here to talk choreography and costumes, it's
:00:48. > :01:16.
:01:16. > :01:24.Karen Hardy and Julien MacDonald. This is Strictly, It Takes Two,
:01:24. > :01:28.please welcome your host, Zoe Ball. Hello and welcome to It Takes Two.
:01:28. > :01:35.I will be chatting to the saved couple Denise and James in a moment.
:01:35. > :01:40.But first, here is a reminder of their performance. The jive part of
:01:40. > :01:44.it I thought was incredible. Your kicks and flicks are be a shrultly
:01:44. > :01:54.fantastic. Really brilliant. -- absolutely. I thought the quickstep
:01:54. > :01:55.
:01:55. > :01:59.had go and the jive had show. It was a proper fusion. Eye-popping
:01:59. > :02:03.explosive jive. Morphing beautifully into a lively and
:02:03. > :02:09.cheerful quickstep. Except for that moment. You know, these things
:02:09. > :02:15.happen. Eight. Nine. Nine. Nine. would like to say going from
:02:15. > :02:21.ballroom to Latin was seamless, but... I've never, ever worked with
:02:21. > :02:26.someone that works so hard. You put in so much effort. Only one couple
:02:26. > :02:33.will dance again next week. Judges? Denise and James. Denise and James.
:02:33. > :02:38.Denise and James. Please welcome Denise and James.
:02:38. > :02:43.Oh, bless you both. Congratulations on getting through to the semi-
:02:43. > :02:46.final. That's the best bit. Not the easiest of weekends for you.
:02:47. > :02:50.Amazing performance and shocker of being in the bottom two. Someone
:02:50. > :02:55.had to be in it. We had a feeling early on in the show when we were
:02:55. > :03:00.slipping down the leaderboard. We expected it, really. We were
:03:00. > :03:05.prepared, weren't we? You went on first. Incredible performance. Then
:03:05. > :03:08.they start falling, tens, tens. You were starting to worry, then,
:03:08. > :03:11.James? We were in the bottom half of the leaderboard. Everyone knows
:03:11. > :03:15.if you are in that middle bracket people don't necessarily vote as
:03:15. > :03:20.much for you. We were practising after the live show and we were
:03:20. > :03:24.ready for it, let's put it that way. Can I also just say that I think
:03:24. > :03:28.obviously we were devastated that Nicky left as well. He is such a
:03:28. > :03:34.wonderful guy. And Karen. I would like to say for the record that
:03:34. > :03:39.Craig was wrong about him. He gave him a fie. He was better than that.
:03:39. > :03:44.-- five. He did an amazing performance. A lot of people agree.
:03:44. > :03:48.I can see how visibly upset you were. It is a an upsetting thing
:03:48. > :03:52.when it is like - oh my goodness, we have to dance again for our
:03:52. > :03:55.lives. Was it nice to be saved but then lose a friend? It is a
:03:55. > :04:00.difficult situation. We have been together for so long. We form
:04:00. > :04:03.friendships. There is a bond there. I love Nicky and Karen. As much as
:04:03. > :04:06.we were relieved and pleased at the same time I was sad for them. You
:04:06. > :04:10.can't really good too excited but of course we are really happy to be
:04:10. > :04:14.in the semi-final. Also it's sad knowing that you put in all this
:04:14. > :04:17.time and effort. Admittedly someone has to be in the bottom two. But
:04:17. > :04:21.you kind of know when you are there that the public haven't necessarily
:04:21. > :04:26.picked up the phone and voted for you as much as other people. It is
:04:26. > :04:29.sad to know that. It feels like rejection, doesn't it? That no-one
:04:29. > :04:33.loves you. People hate us. We know you are hugely competitive.
:04:33. > :04:41.Everyone on the show is. But we never thought you'd try to outdo
:04:41. > :04:51.each other in the pain game. Oh, no. No pain no, gain.
:04:51. > :04:56.The pain game. Denise Van Outen verse s shimmy Jimmy. Are you
:04:56. > :05:03.ready? Been ready. Three, two, one, fight.
:05:03. > :05:13.Don't do that. I hardly touched you. One, two... It's going to hurt.
:05:13. > :05:33.
:05:33. > :05:38.Oh, sorry. Now my ankle is killing me. My nose.
:05:38. > :05:46.I'll try and go for something else then.
:05:46. > :05:53.I hit my nose on your bum. Shimmy Jimmy wins.
:05:53. > :05:58.So good. It is so good. The guys in your Ed it team are brilliant.
:05:58. > :06:04.have never had so many bruises. -- edit team. I'm surprised you have
:06:04. > :06:09.ankles that work. New week, new challenge. Let's forget last week.
:06:09. > :06:15.This week, semi-finals. Two dances. Which are you doing? Rumba and
:06:15. > :06:18.tango. I was just hoping she remembered. Early days. How is it
:06:18. > :06:24.going? Is there one you are preferring at the moment? We have
:06:24. > :06:28.only done one. We haven't finished that yet. We have started on the
:06:28. > :06:32.rumba. I thought a little bit outside the box. Trying to get
:06:33. > :06:38.Craig back on-side. We have gone more emotive. It is not a
:06:38. > :06:42.traditional rumba that you will see. It is more story-telling. We like
:06:42. > :06:46.story-telling. It could be very beautiful but... I don't want it
:06:46. > :06:52.hear that. It could be one of those ones when you finish that people
:06:53. > :06:58.go... Lovely. A slow moment. tumbleweed moment. How are you
:06:58. > :07:03.going to keep Denise's spirits up? She's training with me. All she
:07:03. > :07:08.needs. I don't know about that. are you going to keep your spirits
:07:08. > :07:13.up?! Is it tricky to have two dances. But they were fused, now
:07:13. > :07:21.you have two whole big dances. is tricky. It takes me at least
:07:21. > :07:26.three days to learn one dance. We have to learn two. It takes me
:07:27. > :07:31.three days to choreograph. So that's six days. Times two. If we
:07:31. > :07:36.have 12 days, we're OK this week. We are so close now. Semi-finals
:07:36. > :07:39.this weekend. What would it mean to you, Denise to get to the final?
:07:39. > :07:44.I would love to be in the final. It is the icing on the cake. What you
:07:44. > :07:48.work for the whole time you are putting the hours in, in training.
:07:48. > :07:55.It's amazing. I would love to get there for James it. Would be
:07:55. > :07:59.amazing. I'd love to get there for me, too. Never mind her. Good luck
:07:59. > :08:05.for this week. You are brilliant. Denise and James.
:08:05. > :08:10.Dance fusion meant it was buy-one- get-one-free on choreography this
:08:10. > :08:20.weekend. Always worth every penny is our very own Karen Hardy. Thanks.
:08:20. > :08:28.
:08:28. > :08:37.In your face! Please welcome Karen Hardy.
:08:37. > :08:42.Don't do your Shimmy Jimmy at me. massive six tens. Who thought the
:08:42. > :08:48.dance fusion would be such a success. I think what was exciting,
:08:48. > :08:51.it challenged the professionals. It's the first time anyone had this
:08:51. > :08:56.idea on the show. They were thinking - mine is going to be the
:08:56. > :09:00.best fusion. I love it when the professionals lift their game.
:09:00. > :09:07.Let's start with Denise and James. A shocker they were in the bottom
:09:07. > :09:10.two. Len made the comment the flicks in the quickstep were a bit
:09:10. > :09:15.too jive-ified. Jive-ified is interesting. How nit-picking the
:09:15. > :09:19.judges are getting. It is about the technique. Remember all those weeks
:09:19. > :09:23.ago I said get the technique right early and the foundations of the
:09:23. > :09:28.support is there for you. Here we go, we are nearing the end. As we
:09:28. > :09:32.go into the jive, these are the pendulum I can kicks we are after.
:09:32. > :09:38.We know she got caught in the dress, so we will ignore that. I want to
:09:39. > :09:40.demonstrate, a little bit. How we go. OK, let's see it. When we are
:09:40. > :09:46.go. OK, let's see it. When we are looking at a jive flick they are
:09:46. > :09:53.sharp. We have the knees working. It's got the real Latino freedom
:09:53. > :10:00.about it. When we do the quickstep flicks, they are much lighter and
:10:00. > :10:06.freeer and softer What happened with this dance, it was so fast.
:10:06. > :10:09.James was clever in the sense in that he chose a wow dance. Of the
:10:09. > :10:14.five ballroom, you have the quickstep, the wow. Of the five
:10:14. > :10:17.Latin they are the jive, they are always danced last because they
:10:17. > :10:20.always danced last because they have big impact. He saw those two
:10:20. > :10:25.and put them together and went for the wow effect. But fast music,
:10:25. > :10:29.lots of choreography. I think 2 just lost a little bit of sparkle,
:10:29. > :10:34.of the entertainment factor, for me. However the quality and content in
:10:34. > :10:40.there was incredible. She is doing amazing. Kimberley and Pasha a
:10:40. > :10:44.different weekend for them. Four tens. And they have the accolade of
:10:44. > :10:47.the highest scored dance of the series. Did they deserve it?
:10:47. > :10:52.Incredible. We were saying last week, if they were going to break
:10:52. > :10:56.the 34, it had to be a dance with a lot of gambles in it. Tain had to
:10:56. > :10:59.absolutely come out and whack us all. -- and it had. I think they
:10:59. > :11:04.are listening to us on Tuesday. That's what we got. Talking about
:11:04. > :11:08.the fusion. This is what I want to show you. Look at the tango. I have
:11:08. > :11:09.slowed it down. Straight up out into the cha-cha-cha. Another demo
:11:09. > :11:16.into the cha-cha-cha. Another demo here. This is really interesting.
:11:16. > :11:19.You are spoiling us. Let's imagine the tango. So she has to be in the
:11:19. > :11:25.closed hold position. She has to be right down in the knees. She has
:11:25. > :11:31.her body contact. She has to get the head the way up, strong
:11:31. > :11:35.stacatto action and within one step, come right the way up, straight
:11:35. > :11:39.legs, hip actions, the Cuban movement in the body. That fusion
:11:39. > :11:44.they put in was seamless. And so they put in was seamless. And so
:11:44. > :11:49.clever. Well done. Dani and Vincent and their Charleston and quickstep.
:11:49. > :11:54.Darcey was saying Dani has improved in technique and they got the tens.
:11:54. > :12:01.Well-deserved? Welcome the dehave a, she's on the dancefloor. I
:12:01. > :12:04.absolutely loved this dance. -- d diva. Look at the steps I have cued
:12:04. > :12:07.up. Their quick ste. The difficulty of that movement and into the
:12:07. > :12:12.Charleston, the twisting of the feet and what I love, she's
:12:12. > :12:16.bringing her own feeling, her own emotion to it. So for me, it's pure
:12:16. > :12:20.dancing we are seeing now. It's not a numbers gi. It's not this is the
:12:20. > :12:24.choreography, this is the timing -- a numbers game. She is actually
:12:24. > :12:29.bringing this dance alive for me. I thought worthy of maybe one more
:12:29. > :12:34.ten. Of another ten, we wanted for Dani. That was said by lots of fans.
:12:34. > :12:38.Louis and Flavia and their tango and rum BA how well did Louis coach
:12:38. > :12:43.with fusing those two dancing together? -- rumba. You could see
:12:43. > :12:49.it was interesting. You could see it was definitely the rumba and
:12:49. > :12:52.tango. What caught my eye is Flavia took the gamble of using the rumba.
:12:52. > :12:56.In the past the celebrity men's have looked terrible. Look at the
:12:56. > :13:01.basic. Look at the hip action and the connection between the two of
:13:01. > :13:06.them. The softening of his body action. It was absolutely first
:13:06. > :13:11.class. That was check-forward walks. You know celebrities in the past,
:13:11. > :13:16.men doing rumbas, it's... When you hear of a man doing the rumba, you
:13:16. > :13:22.say - don't make me watch it. a gamble in the quarter-finals to
:13:22. > :13:27.take a shre dance. James took the - - slow dance. James took the quick
:13:27. > :13:32.ones. She went slow. That can expose technique and timing. Rumba
:13:32. > :13:36.has four beats and only three steps. Really hard. The quality of his
:13:36. > :13:41.dancing was superb. And the change into the lovely tang yes action we
:13:41. > :13:45.had. Absolutely brilliant. -- tango action. So exciting. They are so
:13:45. > :13:49.brilliant. Lisa and Robin. Len said it was predictable. Craig said her
:13:49. > :13:55.topline was failing her. What did you make of the fusion? The fusion?
:13:55. > :13:59.It was deaf fitly the fusion. Robin, a -- definitely a fusion. Robin
:13:59. > :14:03.knows what his job is, it is to hide her weaknesses and push the
:14:03. > :14:07.strength forward. What did he do? The big costume change and big
:14:07. > :14:11.smile. It really hit home that that beautiful smile and the energy that
:14:11. > :14:16.she brings to the floor was her selling point. There are weaknesses
:14:16. > :14:20.still in there. The technique, we've got - there was bits of
:14:20. > :14:24.gapping. I have chosen a clip here. It's still falling apart and
:14:24. > :14:27.bouncey. She needs to be more down in the knees but overall she's
:14:27. > :14:32.still bringing us the entertainment on a Saturday night. My coach said
:14:32. > :14:36.to me one day - it's not all about the technique girl, get out and
:14:36. > :14:39.perform and make people happy. I think that's what she is doing
:14:39. > :14:43.every Saturday. She's connecting with their hearts. At the end of
:14:43. > :14:48.the day it's down to everybody at home. She did make a lot of
:14:48. > :14:51.mistakes but she was very clever in the way she covered it up. Other
:14:51. > :14:55.celebrities that made that many mistakes, everybody at hem said
:14:55. > :15:00.goodbye. But they love leasia. It'll be so exciting this weekend.
:15:00. > :15:06.I don't want any of them to go. -- love Lisa.
:15:06. > :15:11.Thank you very much, Karen. Time now to get to know our pro dancers
:15:11. > :15:17.better as they reveal some more of their deepest, darkest secretary
:15:17. > :15:25.reets I'm Natalie Lowe. Robin Windsor. Erin Boag. I have...
:15:25. > :15:30.confession to make. Before I started Strictly I was a
:15:30. > :15:33.beauty therapist for 12 years. The first pedicure I ever gave was on
:15:33. > :15:40.my fatherment he pretty much couldn't walk for a week afterwards.
:15:40. > :15:43.So, I decided to hang that up and start dancing.
:15:43. > :15:48.Every week, without fail, Thursday morning, I have to be at the
:15:49. > :15:53.hairdressers. Haircut, shave, eyebrows, tint.
:15:54. > :15:58.Once, quite a long time back, Anton wasn't very nice to me, so I bought
:15:58. > :16:02.him a chest-wax experience. I went in with him on the day and sat down
:16:03. > :16:11.beside him on the chair. As he lay down he turned to me and said - is
:16:11. > :16:15.this going to hurt? I went - not at all. She smothered the wax on, put
:16:15. > :16:19.the cloth on, and she pulled it. He hit the ceiling. It was one of the
:16:19. > :16:24.best days of my life. Erin Boag is still standing strong at the top of
:16:24. > :16:34.our Pro Challenge leaderboard. Can our next contender knock her off?
:16:34. > :16:37.Please welcome Natalie Lowe. Hello, legs. Oh, I get a kiss. I love you.
:16:38. > :16:42.Look at those legs. Nice to have them back. Last year you were
:16:42. > :16:46.eighth in the Pro Challenge. Don't remind me. Sorry about that. How
:16:46. > :16:52.nervous were you about this one? was just wanting to do really well,
:16:52. > :16:57.I guess. Kickball changes, you know, not too difficult. But I'm not too
:16:57. > :17:02.sure. Did you do any training? not really. I just went out there
:17:02. > :17:08.and thought I'd give it all I've got. I have been doing kickball
:17:08. > :17:15.changes my whole life. You could be good at them. Do you think you can
:17:15. > :17:19.knock Erin Boag off the top spot? 71? No way. It's not possible. No
:17:20. > :17:25.way I could get that. Let's take a look and see if you can do it.
:17:25. > :17:29.doing everything I can to get to the top of the Pro leaderboard. I'm
:17:29. > :17:33.hoping it'll be enough. Looking forward to it. Doing loads of
:17:33. > :17:39.practice, ready to go. Hello. Do you think you are going to do well?
:17:39. > :17:49.I'm going to win it. That's the spirit. Go for it, darling.
:17:49. > :18:16.
:18:16. > :18:20.Five, four, three, two, one, spot. Lovely, well done. That was clean.
:18:20. > :18:25.It was efficient. It was fast. Technically they looked great. You
:18:25. > :18:29.used your upper body as well, which I think helped. I think you did
:18:29. > :18:32.very well. That was formidable, darling, Natalie, thank you so very
:18:32. > :18:37.much. Please leave the floor. you. I think I might have been a
:18:38. > :18:41.little bit too careful with it. Too precise. Too technical. I actually
:18:41. > :18:48.want to do it again. I think I could have been a bit faster than
:18:48. > :18:54.what I was. Craig said you were formidable. You
:18:54. > :18:57.make me laugh - did you do any practice? No. Then you were like,
:18:57. > :19:03."I've been practising." Maybe a little bit. I knew that would
:19:03. > :19:07.happen. Was it harder than you thought it would be? The 15 second
:19:07. > :19:11.afterwards I was getting tired. I thought I'd come home and do it as
:19:11. > :19:17.strong as I o could. It was difficult. My legs were numb
:19:17. > :19:23.afterwards. How many kickball changes do you think you managed in
:19:23. > :19:27.30 seconds? 60? 65. No, 6 0. I don't know. Come on then. They have
:19:27. > :19:37.been counted and verified, Natalie Lowe. I can reveal that you
:19:37. > :19:49.
:19:49. > :19:53.perform... 58 kickbull changes. Oh, I said about 60. Let's look at
:19:54. > :19:59.the leaderboard then. You did better than Karen Hauer with her 33.
:19:59. > :20:04.Lovely Karen, she just took her time. But it does seem there is no
:20:04. > :20:12.touching Boag up the top there. She is way ahead. Is there anyone you
:20:12. > :20:17.think can do better than Erin? Vincent or Flavia. I hope Erin wins.
:20:18. > :20:21.Can we have a bullroom challenge next year? -- ballroom. I'll put it
:20:21. > :20:28.to the producers. Lovely to see you as always.
:20:28. > :20:37.! Thank you. This weekend was an absolute smorgasbord of top designs,
:20:37. > :20:45.fringes, ruffles and sequins glalor. Galore. Of course this all got one
:20:45. > :20:50.man very excited, indeed. # The look of love #
:20:50. > :20:57.Please welcome the ultra-glam Julien MacDonald.
:20:57. > :21:00.Hello, gorgeous man. Can I just say the double sequins greatly
:21:00. > :21:05.appreciated tonight. You have topped yourself with outfits.
:21:05. > :21:09.That's amazing. Is that your own? 25,000 sequins.
:21:09. > :21:13.You are hysterical. Did you enjoy the dance fusion this weekend?
:21:13. > :21:19.loved it. Full of my favourite things. It was. Which we will
:21:19. > :21:24.discuss at length. Who are your must-see top three this week? Who
:21:24. > :21:28.is at the number three spot? Number three is Dani. Looking gorgeous in
:21:28. > :21:33.her flapper dress. Why did you love this look on her so much? Well,
:21:33. > :21:38.what an incredible transformation of a young girl. She's so energetic,
:21:38. > :21:42.full of life. She looked strictly glamorous. And she looked confident
:21:42. > :21:46.in it. I love the fact as the series goes on, there is less and
:21:46. > :21:51.less of the outfits. Fringing, dare I say, one of your favourites this
:21:51. > :21:55.season. Tell us more. Well this is paneled fringes. This is an
:21:55. > :22:02.exclusive. It is panels of fringes. It is eight panels and eight metres
:22:02. > :22:06.of fringes put on to this tiny little skirt. Very, technical.
:22:06. > :22:10.a great effect there, as well. What about the crystal work? Lay the
:22:10. > :22:16.facts down for me. Well in this tiny little slither of a dress,
:22:16. > :22:22.there is not much a dress there, there is over 5,000 geometric
:22:22. > :22:26.crystals. Now, what out for geometric designs - I am being
:22:26. > :22:31.serious, in fashion - it is going to be big for next season. Note
:22:31. > :22:35.taken. Who is your number two this week? My number two look of the
:22:35. > :22:40.week is the fabulous Denise. A round of applause there for
:22:40. > :22:44.Denise, gorgeous. Amazing dress, so unusual. What stood out for you?
:22:44. > :22:50.was surprised to see Denise look so grown-up. Normally she wears
:22:50. > :22:55.fringes, crystals, bows. All your favourites. All my favourites
:22:55. > :23:00.things. I love the '40s feel, very film-star and Hollywood.
:23:00. > :23:07.reminded me of Doris Day. Impressive skirt. Tell me about the
:23:07. > :23:11.detail. How do they create that volume? There are ro two raspberry
:23:11. > :23:16.petty could the, and underneath, apart from the gorgeous black
:23:16. > :23:21.knickers is a secret fabric called crinoline. It is a stiff fabric
:23:21. > :23:26.that makes that skirt stick right out. You mugs have been excited --
:23:26. > :23:30.you must have been excited because there are ruffles in the petit coat.
:23:30. > :23:35.Apparently over eight metres. knows all this. He measures it
:23:35. > :23:40.himself. The top lay he were and crystal work. Is that some kind of
:23:40. > :23:44.lace work? It is very much a kind of a spider, circular motive of
:23:44. > :23:50.crystal lace work. Lace is a very in-fashion fabric especially for
:23:50. > :23:55.the Christmas period, which we are in. Happy Christmas, by the way.
:23:55. > :24:00.And there is over 5,500 gold crystals encrusted on to this
:24:00. > :24:08.spaghetti of lace. He spat at me a little bit as he was saying that.
:24:08. > :24:12.There were so many Ss. Who is your top spot? Top of the leaderboard,
:24:12. > :24:17.of course, Miss Kimberley Walsh. She looked so hot. Wherch she got
:24:17. > :24:25.four tens, I cried. -- when she got. She looked so hot. Well, why don't
:24:25. > :24:34.I like it? It's got fringes. It's got crystals, it's got panels, and
:24:34. > :24:37.colour and she is definitely ten out of ten. She got 50 this weekend.
:24:37. > :24:42.Vicy was saying, in wardrobe, it was one of the dresss that has
:24:42. > :24:52.taken the longest to make. Give us some more details? The front
:24:52. > :24:59.section of the dress is glass beads, over 1 thousand little beads,
:24:59. > :25:04.thread on to a little fringe. Each one done by the hands of angels.
:25:04. > :25:09.Proper angels. Look at the crystal work, again, 2dom 500 crystals.
:25:09. > :25:14.love the shoulders, the way it is angled at the back. -- 2,500
:25:14. > :25:18.crystals. An unusual hemline on the skirt. How does it stay in shape?
:25:18. > :25:27.It is a special fashion hemline, short at the front, long at the
:25:27. > :25:32.back. This little skirt is made out of four panels and four godets.
:25:32. > :25:38.They are back. We know what it is, it is a triangular into the fabric
:25:38. > :25:45.to create volume. You notice you are the only one saying that. But
:25:45. > :25:49.she did look so hot there. She zshe just looked so sexy, red devilish
:25:49. > :25:54.and definitely my favourite dress of the season. Someone else caught
:25:54. > :26:02.your eye on night, though. Who was your guilty pleasure of week?
:26:02. > :26:11.this guy gets better and better and better. Look at Louis. He is doing
:26:11. > :26:17.the Swazwhy, e. Is that a velvet waistcoat? Yes, with a blue. Hang
:26:17. > :26:25.on. Look at the pelvic thrust. Wouldn't you want to wake up on
:26:25. > :26:29.Christmas day with Louis wrapped up in bows and godets. A personal
:26:29. > :26:32.choice. Look at the guns. I'm not looking. But you have been
:26:33. > :26:39.spreading Strictly joy again. Our favourite part of the show. We have
:26:39. > :26:44.had a firefighter a plumber and zoo keeper, whose life have you added
:26:44. > :26:54.magic to this week? The Strictly fashion magic has been added to
:26:54. > :26:56.
:26:56. > :27:00.Chris, from Swansea, who is a My I'm Chris Hughes. Originally
:27:01. > :27:06.from Swansea. Now working in a butcher shop in London. I've had a
:27:06. > :27:12.word with Julien MacDonald. He has offered to lend me a Strictly come
:27:12. > :27:17.dancing outfit. Let's see if it Liffens up my shop and my day. I
:27:17. > :27:22.feel fabulous. What do you think Buttercup.
:27:22. > :27:26.How do I look? Your regular attire. It's good for your posture. You are
:27:27. > :27:33.aware of it. It makes you hold your tummy in, instead of being like
:27:33. > :27:40.this all the time. Wiggle your leggings and arms at the same time.
:27:40. > :27:48.# It's not unusual... # Just dancing on my own, darling.
:27:48. > :27:54.Can you lift me. I'll try. Ready? That's very good. Marks out of ten,
:27:54. > :28:00.my dear? Nine. Thank you so much. I've seen better. Liar. If you are
:28:00. > :28:05.ever looking for a dancing partner, you know where to come. Chris is
:28:05. > :28:14.already all show. This definitely made his day. You need some fake
:28:14. > :28:19.tan. You like? Really nice. I've had a wonderful
:28:19. > :28:23.day today. So have the customers. The only bad part is having to give
:28:23. > :28:28.the outfit back. I'm sure I can have a word with management to see
:28:28. > :28:34.what they can do. Come on, Chris. He is such a turn. Isn't he
:28:34. > :28:38.fantastic. What a great sport. Can you put me aside a couple of Shanks
:28:39. > :28:44.and chops? I will go to his butchers. Thank you for spreading
:28:44. > :28:50.costume drama into our show this week again. Semi-finals next week.
:28:50. > :28:56.Can't wait to see you. Thank you very much to all my guests tonight.