Episode 49

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:00:14. > :00:20.To Thursday's It Takes Two. A record breaking show tonight. No

:00:20. > :00:25.word of a lie, from from their skirt strippingly good tango at the

:00:25. > :00:33.weekend it's Lisa and Robin! We will have an exclusive first peak

:00:33. > :00:39.at the costumes. Tonight is the grand finale of the Pro Challenge,

:00:39. > :00:45.can anyone beat the Boag. If they can it will be either Pasha, Flavia

:00:45. > :00:55.and Artem join us. This is It Takes Two. What you talking about

:00:55. > :01:31.

:01:31. > :01:37.Live from Television Centre. Please welcome your host, Ballabriggs.

:01:37. > :01:41.It's Thursday, the Strictly -- Zoe Ball. It's Thursday and the semi-

:01:41. > :01:43.finals are looming. Let's see how our couples are getting on with

:01:43. > :01:48.our couples are getting on with their first dances. The American

:01:49. > :01:55.smooth is a dream come true for me. It has mine and Robin's name all

:01:55. > :01:58.over it. There's three lifts. How many are we doing? Zero. Because

:01:58. > :02:02.I'm slightly rotund, we have to go away from the lifts otherwise Robin

:02:02. > :02:07.will pass out, bless him. A lot of people use lifts to create the wow

:02:07. > :02:14.factor in their dance. We're going to yaet a wow factor without lifts.

:02:14. > :02:18.That means that our steps have to be completely bob on. One, close,

:02:18. > :02:25.head. I want to work on my arms and get my feet completely correct. We

:02:25. > :02:31.have to make it wow. I feel like I'm a bit confused in the tango.

:02:31. > :02:35.is quite a full-on routine, foot work, sink paigs, head flicks.

:02:35. > :02:40.don't know whether my head should be doing a sharp right or left.

:02:41. > :02:47.Don't look at me, go there. James said he's leading me and I should

:02:47. > :02:54.just follow him. Who's lead sning I'm not very good at following.

:02:54. > :03:00.I've put a bum spin in. I find it difficult and it hurts my bottom.

:03:00. > :03:05.When Denise tries to stand up, she's not using her legs enough.

:03:05. > :03:10.But I'm sure she can cope with it. Foxtrot is the beautiful dance to

:03:10. > :03:14.do. It's probably one of the hardest of the ballroom dances. It

:03:14. > :03:24.looks really soft and delicate, but in fact there's a lot going on.

:03:24. > :03:25.

:03:25. > :03:30.Quick, quick, slow. Heel, toe, toe... That-da-da-da. I struggle to

:03:30. > :03:36.learn one dance a week and try to make it good. Now we've got two.

:03:36. > :03:40.It's stressful. This is scary. not -- don't be scared. It's just

:03:40. > :03:45.foxtrot. He doesn't need to be scared. He just needs to enjoy the

:03:45. > :03:49.dancing. This week we are dancing the

:03:49. > :03:52.Argentine tango. It's technically really challenging. Everything have

:03:52. > :03:57.to be so precise. There's no room for error.

:03:57. > :04:02.I need room in your legs. It's really hard! We've had a few issues

:04:02. > :04:10.when it comes to getting our legs crossed. There's loads of leg wraps.

:04:10. > :04:15.It's easily that we get tangled up. It is more of a tangle than a tango.

:04:15. > :04:19.Vincent is panicking a bit. Stop getting stressed. I get worried

:04:19. > :04:24.because the Argentine tango is one of my favourite dances. I need to

:04:24. > :04:29.make sure there's no room for mistake. This week we're dancing

:04:29. > :04:35.the American smooth. I find it hard to learn one dance, so to learn two

:04:35. > :04:40.is hurting my head a little bit. I've forgotten. The biggest

:04:40. > :04:45.challenge this week would be keeping our energy up. I do have a

:04:45. > :04:52.tendency to say I can't do things. It's difficult for me just to do

:04:52. > :04:57.this. Just do it again. Pasha reminds me there is no such

:04:57. > :05:06.word as "can't". The American smooth is a lovely dance. Right now

:05:06. > :05:10.I think my brain is overload. know how she feels. We'll see how

:05:10. > :05:12.they're getting on with the second dance later on. Last week, we

:05:12. > :05:17.launched the It Takes Two Pro Challenge to see who could set a

:05:17. > :05:21.brand new world record for the most number of kick ball changes in 30

:05:21. > :05:31.seconds. Please welcome our final contenders - Artem, Flavia and

:05:31. > :05:34.

:05:34. > :05:38.Pasha! A rose between two thorns. Anyone

:05:38. > :05:44.would have thought that you practised that. Artem, welcome back.

:05:44. > :05:49.We've missed you. Thank you. are the reigning champion from last

:05:49. > :05:54.year with the boat foing yoz. Did it come near as close as the glory

:05:54. > :05:59.of lifting the Glitterball trophy? Of course, it's Guinness World

:05:59. > :06:03.Record. You're the best in the world almost. Have you got your

:06:03. > :06:07.certificate where someone can see? Yes near the TV. Whenever I look at

:06:07. > :06:11.TV I can see the certificate. a world record holder. We can

:06:11. > :06:18.imagine you wanted to make it two out of two, two years running, but

:06:18. > :06:28.it didn't quite go according to plan. Let's have a look.

:06:28. > :06:34.I'm the current Pro Challenge holder for the most boat foing yoz.

:06:34. > :06:40.-- botafogos. Hi Artem. Our reigning champion, all set for the

:06:40. > :06:45.kick ball change Pro Challenge? quite. Bit of a problem going on, I

:06:45. > :06:49.had a surgery on my knee and it's still playing up on me. So I'm

:06:49. > :06:52.going to disappoint rch, but I'm not going to be able to take the

:06:52. > :06:56.challenge. Can't you use the other leg? That would be unfair, I would

:06:56. > :07:00.set myself for failure and I don't do failures. That's a real shame

:07:00. > :07:04.not to see you do this challenge. You've made the right decision and

:07:04. > :07:08.you've got to look after your injury. We completely understand.

:07:08. > :07:11.Thank you very much. Thank you for having me. Take care.

:07:11. > :07:15.I am quite disappointed. I was looking forward to the challenge.

:07:15. > :07:21.But at the end of the day, I have to really look after myself and try

:07:21. > :07:28.to make sure that I'm well fit for next year and you know, next

:07:28. > :07:35.challenge possibly come across. Oscar goes to... Me. And what

:07:35. > :07:39.lovely cleevage. Ready to hand on your crown? Yeah? Am I ready to

:07:39. > :07:43.give to someone else? Do I have a choice? No, you don't I'm afraid.

:07:43. > :07:49.It means only two contenders left in the competition. Pasha, Flavia,

:07:49. > :07:54.how nervous are you? We've got sweaty hands. Well one of us!

:07:54. > :07:58.nice! First of all then, let's remind ourselves how the

:07:58. > :08:06.leaderboard stands at the moment. At the bottom the gorgeous Jonjo

:08:06. > :08:14.Heuerman with 33. They were perfect, but a little slow. -- Karin Hauer.

:08:14. > :08:19.At the top Erin Bog. Pasha you're first. Good luck. 30 seconds

:08:19. > :08:25.shouldn't be a problem. I'm quite confident stamina wise I'll be all

:08:25. > :08:29.right. World record would certainly be a great thing to have.

:08:29. > :08:33.Welcome Pasha. Thank you. Are you going to feel the burn? I hope I do,

:08:33. > :08:37.because if I'm not it means I'm not going fast enough. We want you to

:08:37. > :08:44.go as fast as you possibly can. You've got. It Pasha, take to the

:08:44. > :08:54.floor. Adjudicator ready? Ready. Richard,

:08:54. > :09:21.

:09:21. > :09:25.Well done Pasha. You lost a little bit of time thring, throughout.

:09:25. > :09:29.got a bit conscious about where do I place my foots. That's what it is.

:09:29. > :09:33.I think it's the repetitive nature of it. But you did extremely well.

:09:33. > :09:37.Congratulations. Thank you very much. It's hard to say if I'm going

:09:37. > :09:43.to have a record. I tried to do my best. That's all I can do. Let's

:09:43. > :09:47.hope everybody else is slower than APPLAUSE

:09:47. > :09:52.Well done, Pasha. Flavia, didn't even break a sweat. Do you think

:09:52. > :09:58.you can top that? That looks pretty fast to me. Then everyone I've seen

:09:58. > :10:02.looks pretty fast. Let's have a look, good luck Flavia. Oh, no.

:10:02. > :10:08.I was really happy last year, I came second but disappointed as

:10:08. > :10:11.well because I was this close. I think it's time within of the girls

:10:11. > :10:17.won this Guinness World Records. I'm going to go for it. Welcome.

:10:17. > :10:22.How are you feeling about it? excited. Ready to create a world

:10:22. > :10:26.record, darling? I think so. I'll give it a good go. Nice to see a

:10:26. > :10:36.lady win. Hopefully. Take to the floor. For the record, three, two,

:10:36. > :11:05.

:11:05. > :11:11.Harder than you think, isn't it? It's confusing. Yeah I thought you

:11:11. > :11:16.did very, very well to keep the momentum going. What due think?

:11:16. > :11:19.Very good, really springy and flicky. Due a really good job.

:11:19. > :11:23.Fantastic work. To do it for 30 seconds is actually quite a long

:11:23. > :11:27.time. You get to a point where you lose the rhythm a little bit. I

:11:27. > :11:31.gave it a good shot. If I end up on top, that would be amazing. If not,

:11:31. > :11:35.I'm hoping that one of the girls does.

:11:35. > :11:40.APPLAUSE We are quite literally on the edge

:11:40. > :11:48.of our seats here. Right, here we go guys. I can reveal, at this

:11:48. > :11:55.point you both beat Erin's score of 71. So it's good. Erin is like that,

:11:55. > :11:58.drat. One of you got 73, one of you got 76. It is that close. Are we

:11:58. > :12:08.ready? Envelope please with the results. They haven't even told me.

:12:08. > :12:20.

:12:20. > :12:29.I'm so excited about this. The Flavia!

:12:29. > :12:33.CHEERING Congratulations. One for the ladies.

:12:33. > :12:38.Welcome Justine to present you with your certificate.

:12:38. > :12:42.APPLAUSE Welcome to the show. Were you

:12:42. > :12:46.impressed with their efforts? we were very impressed. It was a

:12:46. > :12:49.high standard of competition. it really was. Do you want to give

:12:49. > :12:52.Flavia her important certificate. The handing over of the certificate

:12:52. > :12:58.everybody! APPLAUSE

:12:58. > :13:04.On behalf of the world record I would like to congratulate you on

:13:04. > :13:07.your new record. You're officially amazing, flafya. Where -- Flavia.

:13:07. > :13:12.Where will it hang? I have to think of a nice place where I can sit

:13:12. > :13:17.every day. It's a good one, with the TV right next to it. Thanks to

:13:17. > :13:22.all the pros. It was brilliant competition. Let's hear it for

:13:22. > :13:26.Artem, Pasha and our new world champion, Flavia. A little treat

:13:26. > :13:30.for you now, one for the ladies - making our couples look fabulous at

:13:30. > :13:34.the weekend is about more than ruffles and godets. Of course they

:13:34. > :13:42.help. We caught up with Strictly hair and make up designer, Lisa

:13:42. > :13:45.Armstrong, to get the Lowdown. I'm afrpl Armstrong, the hair and

:13:45. > :13:50.make up -- Lisa Armstrong the hair and make up designer for Strictly.

:13:50. > :13:55.My role is create the hair and make up designs for every single person

:13:55. > :13:59.on the dance floor every week. The concept for the hair and make up

:13:59. > :14:03.comes from the whole overall look. We look at the style of dance. We

:14:03. > :14:09.look at music and we look at costume. We then have to marry it

:14:09. > :14:14.all together so it works as an image for that individual person.

:14:14. > :14:17.The typical hair and make up look for a ballroom dance would normally

:14:17. > :14:22.be clean, very beautiful. Hair would normally be up, so you could

:14:23. > :14:26.see the dancer's neck line and the make up, glass Russ, classically

:14:27. > :14:32.beautiful and really fresh -- glamorous. A class Iqbalroom look

:14:32. > :14:37.would be Dani in the Viennese waltz, a soft up-do, beautiful, pretty

:14:37. > :14:42.make up and a nice colour on the lip. Latin dances are more fun,

:14:42. > :14:46.high energy, so we have down hair, curls, bright colours on the eyes,

:14:46. > :14:50.bright lipstick, that's where all the shimer and sparkle comes into

:14:50. > :14:56.it. A classic Latin would be deknees in the jive. It's a 1950s

:14:56. > :14:59.style dance. You want to see the hair bouncing with the movement of

:14:59. > :15:05.the dance. The costume does affect where we go down the hair and make

:15:05. > :15:09.up line. With Kimberly's tango, our dress designer concept came through

:15:09. > :15:14.and it was a white dress. The day of the show it turned into a royal

:15:14. > :15:18.blue dress. So we then had to rework our design. Then we colour

:15:18. > :15:22.matched the plalate of the lip to her -- palate of the lip to her

:15:22. > :15:26.dress. The hair was different too because of the strongness of the

:15:26. > :15:29.blue we needed a strong style, lift the hair up almost like a

:15:29. > :15:37.fascinator and she could hide behind that and with the eyes and

:15:37. > :15:40.the head turning, she could look great strength that dance needed.

:15:40. > :15:46.Whilst we're applying the make up you see the person transform into

:15:46. > :15:50.that character. On the Hollywood week we turned Nicki into the Mask.

:15:50. > :15:55.It's important that the audience out there can still associate that

:15:55. > :15:58.that is still Nicki. We had to do lots of shading, accentuating his

:15:58. > :16:06.eyes, features. You could see that was Nicki, but he was playing the

:16:06. > :16:09.character of the Mask. We not only look after people's

:16:09. > :16:15.faces, we have to look after their bodies as well. Because they've

:16:15. > :16:19.been training all week and they're being thrown around they get

:16:19. > :16:23.bruises. In the bres run, it's bruise watch. Normally the girls

:16:23. > :16:27.have quite a few of them. It's not only just about the hair and make

:16:27. > :16:31.up, it's about making friendships and having people trust your about

:16:31. > :16:34.to make them look amazing. They're the one that's are going out there

:16:34. > :16:37.and literally you're there to calm them down. You're the last person

:16:37. > :16:46.they see before they hit that dance floor. It's such a nice

:16:47. > :16:49.relationship to have. Love her, love her! Thank you Lisa. She's

:16:49. > :16:55.brilliant. Another brilliant lady and very much part of this family,

:16:55. > :17:01.it's Vicky Gill. APPLAUSE

:17:01. > :17:04.Love her. Can you feel that love? Last weekend, bit of a mishap with

:17:04. > :17:07.Denise's dress, juftd a little one. Does that happen a lot?

:17:08. > :17:12.anything's going to happen it will be the skirt hem. However I think

:17:12. > :17:17.it was because we were fusing the two dances, the hem was slightly

:17:17. > :17:22.longer than a normal Latin skirt would be. In the dressingroom she -

:17:22. > :17:26.- in the dress run she coped well, but in the live show a mishap.

:17:26. > :17:30.was an amazing dress. This week two dances for our couples. What

:17:30. > :17:34.challenges has this presented you with? A bit more pressure. They're

:17:34. > :17:37.all eeinger to make the final, so lots more embellishment and

:17:37. > :17:43.attention to detail for each of them to make sure it's what they

:17:43. > :17:47.want and they feel great. It's a big show, semi-final. Let's start

:17:47. > :17:52.with Kimberly. She's doing the American smooth as one of her

:17:52. > :17:58.dances. To Peggy Lee Fever, nice, saucy. Her frock looks amazing.

:17:58. > :18:03.Talk us through it. What we want to achieve was an hourglass shape.

:18:03. > :18:06.There's a nude body under it with lots of cystals on. There's a sheer

:18:07. > :18:12.mesh overdress which is crystaled from the bust line down and over

:18:12. > :18:19.the hips. It's sexy, slinky, smooth. I'm sure Kimberly will be amazing.

:18:19. > :18:24.Can I point something out to you, this is Kimberly's belt. I can just

:18:24. > :18:32.get it around my thigh. That is how tiny she is. It's amazing. Special

:18:32. > :18:36.request from Lisa this week? asked for tange reen. Has a

:18:36. > :18:41.celebrity ever asked for tangerine before? Never. They often run away

:18:41. > :18:46.from it. That's why I love Lisa. Talk us through it. This is for her

:18:46. > :18:50.salsa. We've got lots of fringe. Julienne will be happy. Lots of

:18:50. > :18:54.single thread fringe that's individually applied. We have a

:18:54. > :19:00.sheer lace which is running over the top part of the body. We've cut

:19:00. > :19:05.through to try and block the dress. This is a solid fabric then back to

:19:05. > :19:11.a lace at the bottom. Lots of fringe, sparkles, movement. Great

:19:11. > :19:15.for sexy hips. Dani is going for pastels. This is for the American

:19:15. > :19:21.smooth. This is a pretty dress for her. We always have to be careful

:19:21. > :19:31.with the skirt lengths. Normally her ballroom length would be about

:19:31. > :19:35.89 centimetres. This week it's 75. The hem lines are up and down.

:19:35. > :19:44.we fit tomorrow we will decide whether it needs to be shortder or

:19:44. > :19:46.longer. -- shorter or longer. the mystery dress. Are you ready?

:19:46. > :19:50.CHEERING It's beautiful. What can you tell

:19:50. > :19:54.us about the lady wearing this snfrpbgts the person wearing this

:19:54. > :19:57.dress hopefully won't get her heel caught this week. It might be a

:19:57. > :20:02.rumba dress. White, perfect. Well done. You're doing an amazing job.

:20:02. > :20:08.Thank you. Only one more week. know. It's going to be sad. Back to

:20:08. > :20:14.the training rooms. We are dancing the charleston this

:20:14. > :20:19.week which I am extremely excited about. Charleston is quite tricky

:20:19. > :20:25.but a fun dance. In this routine we have a lot of lifts. One in

:20:25. > :20:30.particular seems to keep getting more difficult as the days go by.

:20:30. > :20:35.When we're doing lifts, the main thing is the trust between the

:20:35. > :20:41.partners. Pasha had an idea to do a little cart wheel trick. Then we

:20:41. > :20:46.added the second one, now he wapbgts to do three. If we can pull

:20:46. > :20:50.off the cart wheel trip it will be a show stopper. Our rumba is very

:20:50. > :20:54.romantic. I really do have to draw on all my acting skills because I

:20:54. > :21:00.have to pretend I'm in love with James. Rumba is a very difficult

:21:00. > :21:06.dance, because it's so slow. The most important thing is she has to

:21:06. > :21:12.actually connect with the dance, with myself and with the music.

:21:12. > :21:17.There was no connection. All right! I thought connection meant look in

:21:17. > :21:21.each other's eyes. But my arms of sloppy. There we go. I really have

:21:21. > :21:31.to use the emotion to get it across what a lovely, romantic dance this

:21:31. > :21:33.

:21:33. > :21:37.This week we've got the jive, which is very energetic. It's a fun dance

:21:37. > :21:43.to do. It's the semi-final so you want to give it your all. It could

:21:43. > :21:48.be the last time that we get to perform. It's non-stop. There's so

:21:49. > :21:53.much going on. One, two, three, four, five, six. We could do it

:21:53. > :21:57.twice. We always try to do good technique. This week it's exactly

:21:57. > :22:00.the same thing. It's very tiring and you need the same energy from

:22:00. > :22:04.start to finish. With the jive if it's done the way we want to do it,

:22:04. > :22:09.people are going to love it, want to be on their feet and join in.

:22:09. > :22:13.That's the party vibe we want to get across. This week, we are

:22:13. > :22:18.dancing the elegant and glamorous American smooth. The pressure is on

:22:19. > :22:23.trying to do two dances. It should be impossible. We're turning the

:22:23. > :22:27.American smooth into the American Spin. That's so spiny. Doing the

:22:27. > :22:35.lifts is so disorientating. We're spinning constantly. I have no idea

:22:35. > :22:40.whether I'm coming or going. I'm so dizzy. Vincent's also feeling a bit

:22:40. > :22:45.dizzy during the lifts and I have no idea why because his feet are on

:22:45. > :22:50.the floor. I'm going to give it everything I've got otherwise these

:22:50. > :22:56.two dances will not happen. This week we have the salsa. It's camp.

:22:56. > :23:05.It's exuberant and so much fun. It's the perfect dance for her.

:23:05. > :23:09.worried about standing on my own feet. I keep standing on my big toe.

:23:09. > :23:14.Things we might struggle with is speed. It's quite fast. There's

:23:14. > :23:19.lots of arms and intricate choreography. As long as Lisa can

:23:19. > :23:23.pick it up and do it in the right order, we're onto something special.

:23:23. > :23:28.We have to get two dances done and it's scary. If we don't, we're

:23:28. > :23:35.going home and we're not going to get in the final.

:23:35. > :23:41.Time now for the dynamic duo, Lisa and Robin.

:23:41. > :23:46.It's getting so exciting now. Did you enjoy fusion week? I did. A

:23:46. > :23:50.little bit. But I was honest with myself and I made a mistake. I was,

:23:50. > :23:55.I felt terrible on Robin. It's the first time, you know when you burst

:23:55. > :23:59.through the doors, my head was down, which is so not me and I must have

:24:00. > :24:04.said sorry about 80 billion times. Len said there was a terrible

:24:04. > :24:07.incident. We were all thinking, was it really that bad. What happened?

:24:07. > :24:15.The tango bit I was proud of actually. My hold was better and

:24:15. > :24:18.Darcey picked up on. That when we got into the cha-cha, we had arm

:24:18. > :24:23.slices things, they became like cheese slices rather than arm

:24:23. > :24:29.slices because they were rubbish. I was rubbish. Look how sparkly my

:24:29. > :24:35.shirt is. Oh, yes, we loved the Bucks Fizz reveal moment. Whose

:24:35. > :24:39.idea was that? Of course, Robin. The thing was second from the

:24:39. > :24:44.bottom on the leaderboard you weren't in the dance-off. The

:24:44. > :24:48.public saved you. That must feel special. People are so supportive

:24:48. > :24:51.everywhere, when we go for coffee and stuff. It's really lovely. You

:24:51. > :24:55.could see, I was crying on the Results Show because I was like,

:24:55. > :24:58.we're going home. Thanks to the public we got to stay. The semi-

:24:58. > :25:02.finals this weekend, one thing is sure, the judges are in agreement

:25:02. > :25:05.that your level of performance is always second to none. Seems that

:25:06. > :25:15.the soap training has never left her.

:25:16. > :25:25.

:25:25. > :25:33.You are horrible. I've told you ten times. Dofpbt look at me like that.

:25:33. > :25:37.I'm not looking at anything. Ouch. Hey. Will you be my date? No. I so

:25:37. > :25:47.wish I got Artem. That's a horrible thing you made me feel guilty.

:25:47. > :25:48.

:25:48. > :25:54.Artem. You need me, don't you? know who you really want.

:25:54. > :25:59.sleeping with the husband of my best friend. Neighbour's dog.

:25:59. > :26:03.I'm also fathered my sister-in- law's... Cat. I don't know who's

:26:03. > :26:13.who. Where have you been in the world? I was away for ten years. I

:26:13. > :26:15.

:26:15. > :26:19.know who Carol is. She's my wife. His wife!! That one's very

:26:19. > :26:24.unbelievable. I love it. Semi- finals is upon us. Two dances, how

:26:24. > :26:28.tough has it been this week? This week has been really tough. Quite a

:26:28. > :26:34.few tears this week. Is that just Robin? It's been a tough week.

:26:34. > :26:37.Learning two dances is honestly an absolute nightmare. But we've done

:26:37. > :26:40.it and they're almost ready to go. The good thing is we love to go out

:26:40. > :26:45.and do one dance every week, so much so we almost wish we could do

:26:45. > :26:50.it again. This week we get to do two any way. Hopefully not a third.

:26:50. > :26:52.Fingers crossed. You got the American smooth. Ian was praising

:26:53. > :26:57.your lines yesterday saying they are beautiful. You have possibly

:26:57. > :27:04.the tune of the weekend. I'm so jealous. This is from Chicago.

:27:04. > :27:09.# All that jazz # Queen of the jazz hands. How is it

:27:09. > :27:13.coming along? I love the smooth. Out of the two I adore it. It's

:27:13. > :27:18.musical theatre. I adore the song. You're allowed lifts, but you're

:27:18. > :27:22.not doing lifts. Have you got any tricks or stunts in replace of

:27:22. > :27:32.lifts? They're all going into the salsa. Saving them up. I'm fearing

:27:32. > :27:40.for my life at the moment. Bless you. Let's hear your music.

:27:40. > :27:43.# Oooh, make you want to dance # Modern Romance. I've heard a birdie

:27:43. > :27:47.tells me there's something in the salsa you might be having trouble

:27:47. > :27:52.with. Yes there's something going on sholdering. We're doing it our

:27:52. > :27:56.way. The Lisa and Robin way. non-conformist way. We love that. I

:27:57. > :27:59.like it. We are intrigued. You have, in of the past weeks, peaked at

:27:59. > :28:03.eight, some of the others are getting continues there. Can you

:28:03. > :28:07.catch them up or are you not worried about that? We have got the

:28:07. > :28:10.public support which is lovely. We have not got a nine or ten. Who

:28:10. > :28:16.knows, maybe this weekend is the weekend we might. If ever we're

:28:16. > :28:19.going to do one, it's this weekend. Come on. Keep the faith. How

:28:19. > :28:24.confident can you be at this point, the two of you, that you could get

:28:24. > :28:28.to the final? It would be amazing, more than anything. It would be a

:28:28. > :28:33.dream come true. From start to finish, it's been incredible. It's

:28:33. > :28:38.all thanks to this guy. Robin, how far has Lisa come in this

:28:38. > :28:41.competition? Heeps and heeps and bounds. Week upon week, she just

:28:41. > :28:46.excels and goes out there. Every single person cannot love her.

:28:46. > :28:51.She's just amazing. To come this far in the competition and have to

:28:51. > :28:56.go home this weekend, it would be such a shame to be almost there. We

:28:56. > :29:00.are almost there. I just want to cross that line and make it to the

:29:00. > :29:05.final. Oh, that was beautiful. We need the glitter box tissues. Good

:29:05. > :29:12.luck to the two of you this weekend. Thank you. Can't wait for the salsa

:29:12. > :29:17.trick. Give it up for Lisa and Robin! That's it for today.