:00:14. > :00:20.To Thursday's It Takes Two. A record breaking show tonight. No
:00:20. > :00:25.word of a lie, from from their skirt strippingly good tango at the
:00:25. > :00:33.weekend it's Lisa and Robin! We will have an exclusive first peak
:00:33. > :00:39.at the costumes. Tonight is the grand finale of the Pro Challenge,
:00:39. > :00:45.can anyone beat the Boag. If they can it will be either Pasha, Flavia
:00:45. > :00:55.and Artem join us. This is It Takes Two. What you talking about
:00:55. > :01:31.
:01:31. > :01:37.Live from Television Centre. Please welcome your host, Ballabriggs.
:01:37. > :01:41.It's Thursday, the Strictly -- Zoe Ball. It's Thursday and the semi-
:01:41. > :01:43.finals are looming. Let's see how our couples are getting on with
:01:43. > :01:48.our couples are getting on with their first dances. The American
:01:49. > :01:55.smooth is a dream come true for me. It has mine and Robin's name all
:01:55. > :01:58.over it. There's three lifts. How many are we doing? Zero. Because
:01:58. > :02:02.I'm slightly rotund, we have to go away from the lifts otherwise Robin
:02:02. > :02:07.will pass out, bless him. A lot of people use lifts to create the wow
:02:07. > :02:14.factor in their dance. We're going to yaet a wow factor without lifts.
:02:14. > :02:18.That means that our steps have to be completely bob on. One, close,
:02:18. > :02:25.head. I want to work on my arms and get my feet completely correct. We
:02:25. > :02:31.have to make it wow. I feel like I'm a bit confused in the tango.
:02:31. > :02:35.is quite a full-on routine, foot work, sink paigs, head flicks.
:02:35. > :02:40.don't know whether my head should be doing a sharp right or left.
:02:41. > :02:47.Don't look at me, go there. James said he's leading me and I should
:02:47. > :02:54.just follow him. Who's lead sning I'm not very good at following.
:02:54. > :03:00.I've put a bum spin in. I find it difficult and it hurts my bottom.
:03:00. > :03:05.When Denise tries to stand up, she's not using her legs enough.
:03:05. > :03:10.But I'm sure she can cope with it. Foxtrot is the beautiful dance to
:03:10. > :03:14.do. It's probably one of the hardest of the ballroom dances. It
:03:14. > :03:24.looks really soft and delicate, but in fact there's a lot going on.
:03:24. > :03:25.
:03:25. > :03:30.Quick, quick, slow. Heel, toe, toe... That-da-da-da. I struggle to
:03:30. > :03:36.learn one dance a week and try to make it good. Now we've got two.
:03:36. > :03:40.It's stressful. This is scary. not -- don't be scared. It's just
:03:40. > :03:45.foxtrot. He doesn't need to be scared. He just needs to enjoy the
:03:45. > :03:49.dancing. This week we are dancing the
:03:49. > :03:52.Argentine tango. It's technically really challenging. Everything have
:03:52. > :03:57.to be so precise. There's no room for error.
:03:57. > :04:02.I need room in your legs. It's really hard! We've had a few issues
:04:02. > :04:10.when it comes to getting our legs crossed. There's loads of leg wraps.
:04:10. > :04:15.It's easily that we get tangled up. It is more of a tangle than a tango.
:04:15. > :04:19.Vincent is panicking a bit. Stop getting stressed. I get worried
:04:19. > :04:24.because the Argentine tango is one of my favourite dances. I need to
:04:24. > :04:29.make sure there's no room for mistake. This week we're dancing
:04:29. > :04:35.the American smooth. I find it hard to learn one dance, so to learn two
:04:35. > :04:40.is hurting my head a little bit. I've forgotten. The biggest
:04:40. > :04:45.challenge this week would be keeping our energy up. I do have a
:04:45. > :04:52.tendency to say I can't do things. It's difficult for me just to do
:04:52. > :04:57.this. Just do it again. Pasha reminds me there is no such
:04:57. > :05:06.word as "can't". The American smooth is a lovely dance. Right now
:05:06. > :05:10.I think my brain is overload. know how she feels. We'll see how
:05:10. > :05:12.they're getting on with the second dance later on. Last week, we
:05:12. > :05:17.launched the It Takes Two Pro Challenge to see who could set a
:05:17. > :05:21.brand new world record for the most number of kick ball changes in 30
:05:21. > :05:31.seconds. Please welcome our final contenders - Artem, Flavia and
:05:31. > :05:34.
:05:34. > :05:38.Pasha! A rose between two thorns. Anyone
:05:38. > :05:44.would have thought that you practised that. Artem, welcome back.
:05:44. > :05:49.We've missed you. Thank you. are the reigning champion from last
:05:49. > :05:54.year with the boat foing yoz. Did it come near as close as the glory
:05:54. > :05:59.of lifting the Glitterball trophy? Of course, it's Guinness World
:05:59. > :06:03.Record. You're the best in the world almost. Have you got your
:06:03. > :06:07.certificate where someone can see? Yes near the TV. Whenever I look at
:06:07. > :06:11.TV I can see the certificate. a world record holder. We can
:06:11. > :06:18.imagine you wanted to make it two out of two, two years running, but
:06:18. > :06:28.it didn't quite go according to plan. Let's have a look.
:06:28. > :06:34.I'm the current Pro Challenge holder for the most boat foing yoz.
:06:34. > :06:40.-- botafogos. Hi Artem. Our reigning champion, all set for the
:06:40. > :06:45.kick ball change Pro Challenge? quite. Bit of a problem going on, I
:06:45. > :06:49.had a surgery on my knee and it's still playing up on me. So I'm
:06:49. > :06:52.going to disappoint rch, but I'm not going to be able to take the
:06:52. > :06:56.challenge. Can't you use the other leg? That would be unfair, I would
:06:56. > :07:00.set myself for failure and I don't do failures. That's a real shame
:07:00. > :07:04.not to see you do this challenge. You've made the right decision and
:07:04. > :07:08.you've got to look after your injury. We completely understand.
:07:08. > :07:11.Thank you very much. Thank you for having me. Take care.
:07:11. > :07:15.I am quite disappointed. I was looking forward to the challenge.
:07:15. > :07:21.But at the end of the day, I have to really look after myself and try
:07:21. > :07:28.to make sure that I'm well fit for next year and you know, next
:07:28. > :07:35.challenge possibly come across. Oscar goes to... Me. And what
:07:35. > :07:39.lovely cleevage. Ready to hand on your crown? Yeah? Am I ready to
:07:39. > :07:43.give to someone else? Do I have a choice? No, you don't I'm afraid.
:07:43. > :07:49.It means only two contenders left in the competition. Pasha, Flavia,
:07:49. > :07:54.how nervous are you? We've got sweaty hands. Well one of us!
:07:54. > :07:58.nice! First of all then, let's remind ourselves how the
:07:58. > :08:06.leaderboard stands at the moment. At the bottom the gorgeous Jonjo
:08:06. > :08:14.Heuerman with 33. They were perfect, but a little slow. -- Karin Hauer.
:08:14. > :08:19.At the top Erin Bog. Pasha you're first. Good luck. 30 seconds
:08:19. > :08:25.shouldn't be a problem. I'm quite confident stamina wise I'll be all
:08:25. > :08:29.right. World record would certainly be a great thing to have.
:08:29. > :08:33.Welcome Pasha. Thank you. Are you going to feel the burn? I hope I do,
:08:33. > :08:37.because if I'm not it means I'm not going fast enough. We want you to
:08:37. > :08:44.go as fast as you possibly can. You've got. It Pasha, take to the
:08:44. > :08:54.floor. Adjudicator ready? Ready. Richard,
:08:54. > :09:21.
:09:21. > :09:25.Well done Pasha. You lost a little bit of time thring, throughout.
:09:25. > :09:29.got a bit conscious about where do I place my foots. That's what it is.
:09:29. > :09:33.I think it's the repetitive nature of it. But you did extremely well.
:09:33. > :09:37.Congratulations. Thank you very much. It's hard to say if I'm going
:09:37. > :09:43.to have a record. I tried to do my best. That's all I can do. Let's
:09:43. > :09:47.hope everybody else is slower than APPLAUSE
:09:47. > :09:52.Well done, Pasha. Flavia, didn't even break a sweat. Do you think
:09:52. > :09:58.you can top that? That looks pretty fast to me. Then everyone I've seen
:09:58. > :10:02.looks pretty fast. Let's have a look, good luck Flavia. Oh, no.
:10:02. > :10:08.I was really happy last year, I came second but disappointed as
:10:08. > :10:11.well because I was this close. I think it's time within of the girls
:10:11. > :10:17.won this Guinness World Records. I'm going to go for it. Welcome.
:10:17. > :10:22.How are you feeling about it? excited. Ready to create a world
:10:22. > :10:26.record, darling? I think so. I'll give it a good go. Nice to see a
:10:26. > :10:36.lady win. Hopefully. Take to the floor. For the record, three, two,
:10:36. > :11:05.
:11:05. > :11:11.Harder than you think, isn't it? It's confusing. Yeah I thought you
:11:11. > :11:16.did very, very well to keep the momentum going. What due think?
:11:16. > :11:19.Very good, really springy and flicky. Due a really good job.
:11:19. > :11:23.Fantastic work. To do it for 30 seconds is actually quite a long
:11:23. > :11:27.time. You get to a point where you lose the rhythm a little bit. I
:11:27. > :11:31.gave it a good shot. If I end up on top, that would be amazing. If not,
:11:31. > :11:35.I'm hoping that one of the girls does.
:11:35. > :11:40.APPLAUSE We are quite literally on the edge
:11:40. > :11:48.of our seats here. Right, here we go guys. I can reveal, at this
:11:48. > :11:55.point you both beat Erin's score of 71. So it's good. Erin is like that,
:11:55. > :11:58.drat. One of you got 73, one of you got 76. It is that close. Are we
:11:58. > :12:08.ready? Envelope please with the results. They haven't even told me.
:12:08. > :12:20.
:12:20. > :12:29.I'm so excited about this. The Flavia!
:12:29. > :12:33.CHEERING Congratulations. One for the ladies.
:12:33. > :12:38.Welcome Justine to present you with your certificate.
:12:38. > :12:42.APPLAUSE Welcome to the show. Were you
:12:42. > :12:46.impressed with their efforts? we were very impressed. It was a
:12:46. > :12:49.high standard of competition. it really was. Do you want to give
:12:49. > :12:52.Flavia her important certificate. The handing over of the certificate
:12:52. > :12:58.everybody! APPLAUSE
:12:58. > :13:04.On behalf of the world record I would like to congratulate you on
:13:04. > :13:07.your new record. You're officially amazing, flafya. Where -- Flavia.
:13:07. > :13:12.Where will it hang? I have to think of a nice place where I can sit
:13:12. > :13:17.every day. It's a good one, with the TV right next to it. Thanks to
:13:17. > :13:22.all the pros. It was brilliant competition. Let's hear it for
:13:22. > :13:26.Artem, Pasha and our new world champion, Flavia. A little treat
:13:26. > :13:30.for you now, one for the ladies - making our couples look fabulous at
:13:30. > :13:34.the weekend is about more than ruffles and godets. Of course they
:13:34. > :13:42.help. We caught up with Strictly hair and make up designer, Lisa
:13:42. > :13:45.Armstrong, to get the Lowdown. I'm afrpl Armstrong, the hair and
:13:45. > :13:50.make up -- Lisa Armstrong the hair and make up designer for Strictly.
:13:50. > :13:55.My role is create the hair and make up designs for every single person
:13:55. > :13:59.on the dance floor every week. The concept for the hair and make up
:13:59. > :14:03.comes from the whole overall look. We look at the style of dance. We
:14:03. > :14:09.look at music and we look at costume. We then have to marry it
:14:09. > :14:14.all together so it works as an image for that individual person.
:14:14. > :14:17.The typical hair and make up look for a ballroom dance would normally
:14:17. > :14:22.be clean, very beautiful. Hair would normally be up, so you could
:14:23. > :14:26.see the dancer's neck line and the make up, glass Russ, classically
:14:27. > :14:32.beautiful and really fresh -- glamorous. A class Iqbalroom look
:14:32. > :14:37.would be Dani in the Viennese waltz, a soft up-do, beautiful, pretty
:14:37. > :14:42.make up and a nice colour on the lip. Latin dances are more fun,
:14:42. > :14:46.high energy, so we have down hair, curls, bright colours on the eyes,
:14:46. > :14:50.bright lipstick, that's where all the shimer and sparkle comes into
:14:50. > :14:56.it. A classic Latin would be deknees in the jive. It's a 1950s
:14:56. > :14:59.style dance. You want to see the hair bouncing with the movement of
:14:59. > :15:05.the dance. The costume does affect where we go down the hair and make
:15:05. > :15:09.up line. With Kimberly's tango, our dress designer concept came through
:15:09. > :15:14.and it was a white dress. The day of the show it turned into a royal
:15:14. > :15:18.blue dress. So we then had to rework our design. Then we colour
:15:18. > :15:22.matched the plalate of the lip to her -- palate of the lip to her
:15:22. > :15:26.dress. The hair was different too because of the strongness of the
:15:26. > :15:29.blue we needed a strong style, lift the hair up almost like a
:15:29. > :15:37.fascinator and she could hide behind that and with the eyes and
:15:37. > :15:40.the head turning, she could look great strength that dance needed.
:15:40. > :15:46.Whilst we're applying the make up you see the person transform into
:15:46. > :15:50.that character. On the Hollywood week we turned Nicki into the Mask.
:15:50. > :15:55.It's important that the audience out there can still associate that
:15:55. > :15:58.that is still Nicki. We had to do lots of shading, accentuating his
:15:58. > :16:06.eyes, features. You could see that was Nicki, but he was playing the
:16:06. > :16:09.character of the Mask. We not only look after people's
:16:09. > :16:15.faces, we have to look after their bodies as well. Because they've
:16:15. > :16:19.been training all week and they're being thrown around they get
:16:19. > :16:23.bruises. In the bres run, it's bruise watch. Normally the girls
:16:23. > :16:27.have quite a few of them. It's not only just about the hair and make
:16:27. > :16:31.up, it's about making friendships and having people trust your about
:16:31. > :16:34.to make them look amazing. They're the one that's are going out there
:16:34. > :16:37.and literally you're there to calm them down. You're the last person
:16:37. > :16:46.they see before they hit that dance floor. It's such a nice
:16:47. > :16:49.relationship to have. Love her, love her! Thank you Lisa. She's
:16:49. > :16:55.brilliant. Another brilliant lady and very much part of this family,
:16:55. > :17:01.it's Vicky Gill. APPLAUSE
:17:01. > :17:04.Love her. Can you feel that love? Last weekend, bit of a mishap with
:17:04. > :17:07.Denise's dress, juftd a little one. Does that happen a lot?
:17:08. > :17:12.anything's going to happen it will be the skirt hem. However I think
:17:12. > :17:17.it was because we were fusing the two dances, the hem was slightly
:17:17. > :17:22.longer than a normal Latin skirt would be. In the dressingroom she -
:17:22. > :17:26.- in the dress run she coped well, but in the live show a mishap.
:17:26. > :17:30.was an amazing dress. This week two dances for our couples. What
:17:30. > :17:34.challenges has this presented you with? A bit more pressure. They're
:17:34. > :17:37.all eeinger to make the final, so lots more embellishment and
:17:37. > :17:43.attention to detail for each of them to make sure it's what they
:17:43. > :17:47.want and they feel great. It's a big show, semi-final. Let's start
:17:47. > :17:52.with Kimberly. She's doing the American smooth as one of her
:17:52. > :17:58.dances. To Peggy Lee Fever, nice, saucy. Her frock looks amazing.
:17:58. > :18:03.Talk us through it. What we want to achieve was an hourglass shape.
:18:03. > :18:06.There's a nude body under it with lots of cystals on. There's a sheer
:18:07. > :18:12.mesh overdress which is crystaled from the bust line down and over
:18:12. > :18:19.the hips. It's sexy, slinky, smooth. I'm sure Kimberly will be amazing.
:18:19. > :18:24.Can I point something out to you, this is Kimberly's belt. I can just
:18:24. > :18:32.get it around my thigh. That is how tiny she is. It's amazing. Special
:18:32. > :18:36.request from Lisa this week? asked for tange reen. Has a
:18:36. > :18:41.celebrity ever asked for tangerine before? Never. They often run away
:18:41. > :18:46.from it. That's why I love Lisa. Talk us through it. This is for her
:18:46. > :18:50.salsa. We've got lots of fringe. Julienne will be happy. Lots of
:18:50. > :18:54.single thread fringe that's individually applied. We have a
:18:54. > :19:00.sheer lace which is running over the top part of the body. We've cut
:19:00. > :19:05.through to try and block the dress. This is a solid fabric then back to
:19:05. > :19:11.a lace at the bottom. Lots of fringe, sparkles, movement. Great
:19:11. > :19:15.for sexy hips. Dani is going for pastels. This is for the American
:19:15. > :19:21.smooth. This is a pretty dress for her. We always have to be careful
:19:21. > :19:31.with the skirt lengths. Normally her ballroom length would be about
:19:31. > :19:35.89 centimetres. This week it's 75. The hem lines are up and down.
:19:35. > :19:44.we fit tomorrow we will decide whether it needs to be shortder or
:19:44. > :19:46.longer. -- shorter or longer. the mystery dress. Are you ready?
:19:46. > :19:50.CHEERING It's beautiful. What can you tell
:19:50. > :19:54.us about the lady wearing this snfrpbgts the person wearing this
:19:54. > :19:57.dress hopefully won't get her heel caught this week. It might be a
:19:57. > :20:02.rumba dress. White, perfect. Well done. You're doing an amazing job.
:20:02. > :20:08.Thank you. Only one more week. know. It's going to be sad. Back to
:20:08. > :20:14.the training rooms. We are dancing the charleston this
:20:14. > :20:19.week which I am extremely excited about. Charleston is quite tricky
:20:19. > :20:25.but a fun dance. In this routine we have a lot of lifts. One in
:20:25. > :20:30.particular seems to keep getting more difficult as the days go by.
:20:30. > :20:35.When we're doing lifts, the main thing is the trust between the
:20:35. > :20:41.partners. Pasha had an idea to do a little cart wheel trick. Then we
:20:41. > :20:46.added the second one, now he wapbgts to do three. If we can pull
:20:46. > :20:50.off the cart wheel trip it will be a show stopper. Our rumba is very
:20:50. > :20:54.romantic. I really do have to draw on all my acting skills because I
:20:54. > :21:00.have to pretend I'm in love with James. Rumba is a very difficult
:21:00. > :21:06.dance, because it's so slow. The most important thing is she has to
:21:06. > :21:12.actually connect with the dance, with myself and with the music.
:21:12. > :21:17.There was no connection. All right! I thought connection meant look in
:21:17. > :21:21.each other's eyes. But my arms of sloppy. There we go. I really have
:21:21. > :21:31.to use the emotion to get it across what a lovely, romantic dance this
:21:31. > :21:33.
:21:33. > :21:37.This week we've got the jive, which is very energetic. It's a fun dance
:21:37. > :21:43.to do. It's the semi-final so you want to give it your all. It could
:21:43. > :21:48.be the last time that we get to perform. It's non-stop. There's so
:21:49. > :21:53.much going on. One, two, three, four, five, six. We could do it
:21:53. > :21:57.twice. We always try to do good technique. This week it's exactly
:21:57. > :22:00.the same thing. It's very tiring and you need the same energy from
:22:00. > :22:04.start to finish. With the jive if it's done the way we want to do it,
:22:04. > :22:09.people are going to love it, want to be on their feet and join in.
:22:09. > :22:13.That's the party vibe we want to get across. This week, we are
:22:13. > :22:18.dancing the elegant and glamorous American smooth. The pressure is on
:22:19. > :22:23.trying to do two dances. It should be impossible. We're turning the
:22:23. > :22:27.American smooth into the American Spin. That's so spiny. Doing the
:22:27. > :22:35.lifts is so disorientating. We're spinning constantly. I have no idea
:22:35. > :22:40.whether I'm coming or going. I'm so dizzy. Vincent's also feeling a bit
:22:40. > :22:45.dizzy during the lifts and I have no idea why because his feet are on
:22:45. > :22:50.the floor. I'm going to give it everything I've got otherwise these
:22:50. > :22:56.two dances will not happen. This week we have the salsa. It's camp.
:22:56. > :23:05.It's exuberant and so much fun. It's the perfect dance for her.
:23:05. > :23:09.worried about standing on my own feet. I keep standing on my big toe.
:23:09. > :23:14.Things we might struggle with is speed. It's quite fast. There's
:23:14. > :23:19.lots of arms and intricate choreography. As long as Lisa can
:23:19. > :23:23.pick it up and do it in the right order, we're onto something special.
:23:23. > :23:28.We have to get two dances done and it's scary. If we don't, we're
:23:28. > :23:35.going home and we're not going to get in the final.
:23:35. > :23:41.Time now for the dynamic duo, Lisa and Robin.
:23:41. > :23:46.It's getting so exciting now. Did you enjoy fusion week? I did. A
:23:46. > :23:50.little bit. But I was honest with myself and I made a mistake. I was,
:23:50. > :23:55.I felt terrible on Robin. It's the first time, you know when you burst
:23:55. > :23:59.through the doors, my head was down, which is so not me and I must have
:24:00. > :24:04.said sorry about 80 billion times. Len said there was a terrible
:24:04. > :24:07.incident. We were all thinking, was it really that bad. What happened?
:24:07. > :24:15.The tango bit I was proud of actually. My hold was better and
:24:15. > :24:18.Darcey picked up on. That when we got into the cha-cha, we had arm
:24:18. > :24:23.slices things, they became like cheese slices rather than arm
:24:23. > :24:29.slices because they were rubbish. I was rubbish. Look how sparkly my
:24:29. > :24:35.shirt is. Oh, yes, we loved the Bucks Fizz reveal moment. Whose
:24:35. > :24:39.idea was that? Of course, Robin. The thing was second from the
:24:39. > :24:44.bottom on the leaderboard you weren't in the dance-off. The
:24:44. > :24:48.public saved you. That must feel special. People are so supportive
:24:48. > :24:51.everywhere, when we go for coffee and stuff. It's really lovely. You
:24:51. > :24:55.could see, I was crying on the Results Show because I was like,
:24:55. > :24:58.we're going home. Thanks to the public we got to stay. The semi-
:24:58. > :25:02.finals this weekend, one thing is sure, the judges are in agreement
:25:02. > :25:05.that your level of performance is always second to none. Seems that
:25:06. > :25:15.the soap training has never left her.
:25:16. > :25:25.
:25:25. > :25:33.You are horrible. I've told you ten times. Dofpbt look at me like that.
:25:33. > :25:37.I'm not looking at anything. Ouch. Hey. Will you be my date? No. I so
:25:37. > :25:47.wish I got Artem. That's a horrible thing you made me feel guilty.
:25:47. > :25:48.
:25:48. > :25:54.Artem. You need me, don't you? know who you really want.
:25:54. > :25:59.sleeping with the husband of my best friend. Neighbour's dog.
:25:59. > :26:03.I'm also fathered my sister-in- law's... Cat. I don't know who's
:26:03. > :26:13.who. Where have you been in the world? I was away for ten years. I
:26:13. > :26:15.
:26:15. > :26:19.know who Carol is. She's my wife. His wife!! That one's very
:26:19. > :26:24.unbelievable. I love it. Semi- finals is upon us. Two dances, how
:26:24. > :26:28.tough has it been this week? This week has been really tough. Quite a
:26:28. > :26:34.few tears this week. Is that just Robin? It's been a tough week.
:26:34. > :26:37.Learning two dances is honestly an absolute nightmare. But we've done
:26:37. > :26:40.it and they're almost ready to go. The good thing is we love to go out
:26:40. > :26:45.and do one dance every week, so much so we almost wish we could do
:26:45. > :26:50.it again. This week we get to do two any way. Hopefully not a third.
:26:50. > :26:52.Fingers crossed. You got the American smooth. Ian was praising
:26:53. > :26:57.your lines yesterday saying they are beautiful. You have possibly
:26:57. > :27:04.the tune of the weekend. I'm so jealous. This is from Chicago.
:27:04. > :27:09.# All that jazz # Queen of the jazz hands. How is it
:27:09. > :27:13.coming along? I love the smooth. Out of the two I adore it. It's
:27:13. > :27:18.musical theatre. I adore the song. You're allowed lifts, but you're
:27:18. > :27:22.not doing lifts. Have you got any tricks or stunts in replace of
:27:22. > :27:32.lifts? They're all going into the salsa. Saving them up. I'm fearing
:27:32. > :27:40.for my life at the moment. Bless you. Let's hear your music.
:27:40. > :27:43.# Oooh, make you want to dance # Modern Romance. I've heard a birdie
:27:43. > :27:47.tells me there's something in the salsa you might be having trouble
:27:47. > :27:52.with. Yes there's something going on sholdering. We're doing it our
:27:52. > :27:56.way. The Lisa and Robin way. non-conformist way. We love that. I
:27:57. > :27:59.like it. We are intrigued. You have, in of the past weeks, peaked at
:27:59. > :28:03.eight, some of the others are getting continues there. Can you
:28:03. > :28:07.catch them up or are you not worried about that? We have got the
:28:07. > :28:10.public support which is lovely. We have not got a nine or ten. Who
:28:10. > :28:16.knows, maybe this weekend is the weekend we might. If ever we're
:28:16. > :28:19.going to do one, it's this weekend. Come on. Keep the faith. How
:28:19. > :28:24.confident can you be at this point, the two of you, that you could get
:28:24. > :28:28.to the final? It would be amazing, more than anything. It would be a
:28:28. > :28:33.dream come true. From start to finish, it's been incredible. It's
:28:33. > :28:38.all thanks to this guy. Robin, how far has Lisa come in this
:28:38. > :28:41.competition? Heeps and heeps and bounds. Week upon week, she just
:28:41. > :28:46.excels and goes out there. Every single person cannot love her.
:28:46. > :28:51.She's just amazing. To come this far in the competition and have to
:28:51. > :28:56.go home this weekend, it would be such a shame to be almost there. We
:28:56. > :29:00.are almost there. I just want to cross that line and make it to the
:29:00. > :29:05.final. Oh, that was beautiful. We need the glitter box tissues. Good
:29:05. > :29:12.luck to the two of you this weekend. Thank you. Can't wait for the salsa
:29:12. > :29:17.trick. Give it up for Lisa and Robin! That's it for today.