:00:12. > :00:20.What a weekend it was and on the show we have the first couple to be
:00:20. > :00:25.eliminated from the series and sadly it's my dad and Iveta. Also,
:00:25. > :00:30.we have the twinkley-eyed Mr Nicky Byrne and Miss Carr Rennes Hauer
:00:30. > :00:35.and gracing us with his presence it's the king of the put-down Mr
:00:35. > :00:45.Craig RH. Are you in a good mood, darling? Yes, darling. It's Monday
:00:45. > :01:09.
:01:09. > :01:12.and it's Strictly Come Dancing: It Takes Two. Live from Television
:01:12. > :01:22.Centre, this is Strictly Come Dancing: It Takes Two. Please
:01:22. > :01:25.welcome your host, Zoe Ball. APPLAUSE
:01:25. > :01:29.Hello and welcome, with the return of the dreaded dance-off. You could
:01:29. > :01:32.have cut the tension with a sequin- handled knife had you been so
:01:32. > :01:41.inclined. In case you missed any of the action, here are all the
:01:41. > :01:45.Strictly headlines. Good evening. Here is the news. It was kisses not
:01:45. > :01:55.kicks for Craig this weekend as he awarded his first fab-u-lous of the
:01:55. > :02:06.
:02:06. > :02:09.series to Denise and James. Fab-u- lous! No tongues, Bruce! We were
:02:09. > :02:13.only two shows in, but already Sir Brucie has chosen his favourite
:02:13. > :02:23.couple. I'm sure it had nothing to do with the fact they were
:02:23. > :02:23.
:02:23. > :02:25.wheeleding an axe. -- whieling an axe. You're going to be my
:02:25. > :02:31.favourites. APPLAUSE
:02:31. > :02:38.You were lovely. Go on, off you go. Sorry. That's it, get him. Possibly
:02:38. > :02:42.the most unconvincing axe I've ever seen. Despite borrowing Mary
:02:42. > :02:49.Berry's blouse from The Great British Bake Off, Richard Arnold
:02:49. > :02:57.failed to impress and was nearly sent home. This is not the Richard
:02:57. > :03:01.I want to see. You're a better dancer an just camping it all up.
:03:02. > :03:11.What you didn't see on Saturday night was James jarred on
:03:11. > :03:18.challenging Nicky Byrne to a battle of the pecs! We're on. Turn around.
:03:18. > :03:23.You're like a little boy. Weighing in at - what weight am I? 11 stone
:03:23. > :03:27.two. What are you? I say, that's where the Strictly headlines come
:03:27. > :03:37.in. Thank you. If that wasn't enough then take a look at our
:03:37. > :03:42.
:03:42. > :03:47.exclusive behind-the-scenes footage from this weekend. Sorry, dad.
:03:47. > :03:54.morning. First day of the real competition. Here we go. Big, big
:03:54. > :03:59.day. I'm so excited. I get to do the salsa and the hump. I'm ready,
:03:59. > :04:04.I think! Slightly nervous. It's like arriving for a match. Last
:04:04. > :04:14.week it was like an April tieser. Now the Dane-off. Shut up. This is
:04:14. > :04:15.
:04:15. > :04:20.the weekend to remember. I don't know if I should watch everyone
:04:20. > :04:28.because I get really nervous. trying to be positive. The routine
:04:28. > :04:34.will come to my brain. Are you trying to steal my partner? Bring
:04:34. > :04:38.it on, darling. Do you want to take it outside?. Yes, let's. I thought
:04:38. > :04:48.you'd never ask. I love it when they fight over me. The only thing
:04:48. > :04:50.
:04:50. > :04:54.that's missing is a lift. Was that a waltz? It's a foxtrot. I'm doing
:04:54. > :04:59.the waltz, so it's nice to look at the competition and they are
:04:59. > :05:09.blooming good. I've been watching Sid's salsa. Very sexy. Let's hope
:05:09. > :05:15.he can do that on the live show. have ten minutes to show time, team.
:05:15. > :05:18.Tonight, the nerves are miles worse. I don't know why. My stomach is
:05:18. > :05:22.like a washing machine. I need to nail it to get myself up the
:05:22. > :05:29.leaderboard, because at the moment I'm at the bottom, baby. Please let
:05:29. > :05:33.me get through. It's far more tense this week. I'm so nervous.
:05:33. > :05:38.Everybody knows that tomorrow night someone is going home. Fingers
:05:38. > :05:41.crossed it's not us. It will get worse week after week. You see your
:05:41. > :05:45.mates going home and you don't get to see them again, so it's sad
:05:45. > :05:51.really, but it's down to the public now and the judges, so it's out of
:05:51. > :05:54.our hands. We are live in five. It's going to be a great show
:05:54. > :06:04.tonight. Thank you very much. Straight to the studio, guys, thank
:06:04. > :06:13.
:06:13. > :06:16.We have to choose out of what happens on that night, that's why
:06:17. > :06:22.poor Jonny had to go. It's sad, because he did a really great dance
:06:22. > :06:26.and when it came to the dance-off it wasn't so good. That's one of
:06:26. > :06:30.the most difficult things I've had to do in my life and then when
:06:30. > :06:35.you're through the sense of relief because you are seeing someone you
:06:35. > :06:44.care about go. That's showbiz. Goodness, gracious me. That's the
:06:44. > :06:46.way Strictly Come Dancing is. Get used to it. Oh, the brutal truth.
:06:46. > :06:53.He may be the first celebrity to leave the competition, but he's
:06:53. > :06:58.definitely a winner in my eyes. Please welcome my dad, Jonny, and
:06:58. > :07:02.his partner Iveta. APPLAUSE
:07:02. > :07:04.Daddy, we do have the tissues should they be needed. It's always
:07:04. > :07:08.horrible to be the first couple to leave the competition. How
:07:08. > :07:10.disappointed were you? The cards didn't seem to fall right from the
:07:11. > :07:16.three weeks right through. All kinds of things went wrong. We
:07:16. > :07:20.didn't have a lot of time and the second week was lovely. Fourth from
:07:20. > :07:23.the bottom seemed to be safe and suddenly I'm in the dance-off and
:07:23. > :07:28.still I thought I could have run that. That run was the worst I ever
:07:28. > :07:33.did it. I don't think I ever did it in practice. When we did the
:07:33. > :07:39.foxtrot and the Fred astair kick and I turned it on and I looked to
:07:39. > :07:45.wink at Darcy and I saw Craig and I winked at him. I think it made me
:07:45. > :07:49.laugh. Did it throw you? Yeah. And the dance, we suddenly realised our
:07:49. > :07:53.top half wasn't bad, but something different was happening down there
:07:53. > :08:01.and the judges see that and they had no alternative from then on and
:08:01. > :08:06.I turned to DI, mum in the audience and she looked and I knew at that
:08:06. > :08:13.moment. How did the dance go on the night. Lots of people were texting
:08:13. > :08:18.and tweeting saying your performance made them dewy-eyed.
:08:18. > :08:22.Were you happy? Jonny did a really good job. You look so handsome dad.
:08:22. > :08:26.He was and smiling. I have got through the series without a sequin.
:08:26. > :08:32.Is that a report? This is the first time I've had an open-necked shirt
:08:33. > :08:38.in the whole series. What has been going on. We can sort it out. You
:08:38. > :08:42.got fives from all the judges. come you get five from Craig and
:08:42. > :08:49.the others don't, as they do with all the rest, go up? How did that
:08:49. > :08:55.happen? How did you feel going into the dance-off? You are up against
:08:55. > :09:00.Richard who I know you're fond of? Absolutely. Of all of us we are the
:09:00. > :09:05.two gagsters back stage, him more than me, but he's lovely and I said
:09:05. > :09:10.of all the people I don't want to go it's him really. That's why I
:09:10. > :09:15.ducked and dived to give him a dance. What a gentleman he is! I
:09:15. > :09:22.tell you what, we've had so many lovely messages. Gina said, "If I
:09:22. > :09:26.can move like that at Jonny's age I will be happy." And Jenny said, "He
:09:26. > :09:31.brought sophistication to Strictly." There you go. See. Lots
:09:31. > :09:36.of people loving your relationship. Are you going to miss Iveta?
:09:36. > :09:40.Terribly. I really am. She is so - you know, for somebody to be so
:09:40. > :09:45.charming and warm and supportive and then turn the screw when it's
:09:45. > :09:52.needed she is just a master, so had we gone on a bit further I know I
:09:52. > :09:56.would have improved. Do you think? Yes. We had a really cool idea for
:09:56. > :10:06.next week. Ball family Christmas, that's coming out. Well done, dad.
:10:06. > :10:11.Here are your best bits. Your Strictly partner is Aliona. I have
:10:11. > :10:21.a soft spot because she's a great teacher. Dancing comes naturally to
:10:21. > :10:23.
:10:23. > :10:31.him. I think I'm doing very well for my age. OK, hold on. I can't
:10:31. > :10:36.possibly perform on the first show. Hello. My name is Iveta and I will
:10:36. > :10:42.be filling in until Aliona gets better. He will show all the young
:10:42. > :10:46.guys what he can do. Great energy. There's a lot of people of a
:10:46. > :10:55.similar age to you who would like to be able to get out and move like
:10:55. > :11:03.that. Well done. I sleep like this, standing up in the wardrobe. I have
:11:03. > :11:08.a feeling you're going to look really good this Saturday. You got
:11:08. > :11:12.all the moves. Believe in your yourself. Really, really decent
:11:12. > :11:18.effort. It's decision time. The couple with the most votes from the
:11:18. > :11:26.judges will stay in the competition. Richard and Erin. Richard and Erin.
:11:26. > :11:30.Richard and Erin. He's such a lovely man. It's so sad. What hey
:11:30. > :11:34.has done is amazing and he should be so proud. I'm really proud of
:11:34. > :11:44.you. You did an amazing job. I believe I have found a friend for
:11:44. > :11:47.
:11:47. > :11:54.life and this is not a goo buy and I love you. You've been so
:11:54. > :12:03.wonderful to him. I hope we'll see you on Strictly again. One point on
:12:03. > :12:08.age. Louis and Danny when they are three times as old they will be
:12:08. > :12:12.five years younger than I am. Always with the maths. You said you
:12:12. > :12:17.are gutted because we won't get to see your six-pack but we have
:12:17. > :12:21.managed to get a photograph of it. Here my dad's six-pack. Look at
:12:21. > :12:26.this. It's incredible. Thank you to Gavin Henson. Sid might sue me for
:12:26. > :12:29.that. Dad, it's been an absolute pleasure. We are gutted that you're
:12:29. > :12:34.leaving. Your kids and grand kids are very proud of you. My dad,
:12:34. > :12:37.Johnny Ball and his dance partner, Iveta.
:12:37. > :12:45.APPLAUSE Do you consider yourself an oracle
:12:45. > :12:55.of all things Strictly? If you did, we thought we could put you to the
:12:55. > :12:56.
:12:56. > :13:03.test in our quiz, strictly true or Strictly baloney. Hello you experts.
:13:03. > :13:09.I'm here to test your Strictly knowledge. In series five John
:13:09. > :13:19.Barnes performed the first-ever Strictly one-armed lift. Is this
:13:19. > :13:19.
:13:20. > :13:28.true or baloney? I won't do an accent. We'll show you later the
:13:28. > :13:37.answer. At the weekend we learnt that Mr Craig receive elhor wood is
:13:37. > :13:43.a keen gardener, so -- receive receive receive is a keen -- we
:13:43. > :13:48.learnt that Craig is a keen gardener so let's give him a bunch
:13:48. > :13:52.of flowers. You look dishy tonight. Well, thank you very much. I've had
:13:52. > :13:58.too many Cheries. It's always hard to see people leave the competition,
:13:58. > :14:01.isn't it? Careful how you answer, but did the public make the right
:14:01. > :14:05.decision? I think so and it goes down to popularity, I suppose for
:14:05. > :14:11.people at home and who they want to see go through the competition.
:14:11. > :14:16.Then of course it's on the dance for us. We have just got to be
:14:16. > :14:20.honest and poor daddy didn't do well, darling, did he? No, I think
:14:20. > :14:26.he did very well in the competition. I think he did. I gave him a five.
:14:26. > :14:31.From you, that's good. He was great and fantastic, but in the dance-off
:14:31. > :14:37.he made too many errors. We'll talk about Richard and Erin. Why was he
:14:37. > :14:43.safe? What was good? Well, he kept time. He didn't go as wrong. He
:14:43. > :14:47.went wrong at the end, but he had a lot more high content and there
:14:47. > :14:52.were a lot more steps that he had to achieve and I thought in the end
:14:52. > :14:57.he deserved it. Fantastic. Can you see - how will he stay out of the
:14:57. > :15:01.bottom two next week? He'll have to bribe people, I suppose! This early
:15:01. > :15:05.in the competition. Thousands of people who might be watching this
:15:05. > :15:09.show can phone in and hopefully save him. I don't like his chances.
:15:09. > :15:17.Once you've seen the people in the bottom you realise they all need
:15:17. > :15:23.support so it may change. Lewis and Flavia and their Viennese waltz.
:15:23. > :15:27.You didn't get to speak. I really liked it. Seven is quite a high
:15:27. > :15:33.score. The reason why it wasn't worth an eight is because he was a
:15:33. > :15:39.little bit skipy and he goes up and down. Too much rise and fall. You
:15:39. > :15:44.have to remain - you can't go up and down, but remain smooth. Your
:15:44. > :15:49.knees go up and down, but your head doesn't? There is a slight rise and
:15:49. > :15:55.fall. Picky, but this is how we get perfection. Denise and James and
:15:55. > :15:59.their jive. She was incredible. was fantastic. Her timing was
:15:59. > :16:04.exceptional. She was just brilliant to watch. I absolutely loved it and
:16:04. > :16:10.I think because this dance is a little quirky and she has that
:16:10. > :16:13.quirkiness to her, just naturally, so all that stuff, all the jive and
:16:13. > :16:20.swing dance, I thought was just brilliant. It suited her
:16:20. > :16:27.personality and suited her body. It was good. Perfect. I think you need
:16:27. > :16:31.some words for this. Shabizi, you can have that. Work on it. Michael
:16:31. > :16:36.and Natalie, from one extreme to the other. You said it was the
:16:36. > :16:42.oddest jive you've ever seen in ten series? It is. It's frantic,
:16:42. > :16:45.darling. What is wrong? He has the energy? What is missing is it's too
:16:45. > :16:52.all over the shop and stompy and the timing he was out of time. It
:16:52. > :16:56.was off time. It just looked like a really sort of dad dance. He is a
:16:56. > :17:01.dad. When they're drunk and they get up and they think their
:17:01. > :17:04.fabulous. Can he turn it around next week? I hope so. We have seen
:17:04. > :17:10.some good dancing from him. This particular dance was difficult and
:17:10. > :17:15.didn't suit him. Move on. I think it's the lowest score in jive ever.
:17:15. > :17:18.Oh, dear. Victoria and Brendan and their foxtrot. I think the whole
:17:18. > :17:22.nation was holding their breath when VP went on to the floor,
:17:22. > :17:26.because we didn't want her to mess up again. I know. I was delighted
:17:26. > :17:30.he remembered it, which was great and actually she had a bit of grace
:17:30. > :17:35.and some style. She cannot turn, however. This is one of her biggest
:17:35. > :17:40.problems and also getting back into hold, she is not releasing her arm
:17:40. > :17:47.fast enough. Therefore, she is catching it inside the frame and
:17:47. > :17:53.it's awkward. The first thing she has to do is learn to turn.
:17:53. > :17:58.Photothere to VP in her homework. Kimberley and Pasha's foxtrot. I
:17:58. > :18:03.thought it was absolutely gorgeous. I'm a bit of a fan of Pasha, but I
:18:03. > :18:08.can't stop watching Kimberley. are beautiful to watch together.
:18:08. > :18:14.Absolutely the music choice was good. She looks magnificent. I
:18:14. > :18:17.don't know why Len is going on a Kimberley rage. It's very odd. I'm
:18:17. > :18:22.finding that particular side of Len this series and particularly with
:18:22. > :18:28.Kimberley, because she is great. You did mention the chin. She was
:18:28. > :18:33.doing a bit of a Keira Knightley, darling. Very strong jaw line. She
:18:33. > :18:37.is is overworking it. She was desperate to get to the left.
:18:37. > :18:44.so difficult. You put your chin out more, but beautiful. Other than
:18:44. > :18:50.that, I loved it. Colin and Kristina. What were you liking
:18:50. > :18:55.about this and not? I was liking that he was working to the flick of
:18:55. > :18:59.the rest, that double hideous flick that really was most annoying. He
:18:59. > :19:03.was dancing to his height. That was the great thing. When you say that,
:19:03. > :19:09.what do you mean? If you are tall and you are dancing with someone
:19:09. > :19:15.short, you - the boy still needs to dance to his night, you don't stoop
:19:15. > :19:18.over or bending your knees more. It's difficult, because there's a
:19:18. > :19:23.big difference. That shouldn't make a difference at all. He's doing
:19:23. > :19:32.well. And you used the word vexation, which I had to look up,
:19:32. > :19:36.but I loved it. You are worrying about she is leading him. It looks
:19:37. > :19:42.like she is grabbing and pushing him into the hold. Really, it
:19:42. > :19:48.should be a little gentler than that. That's the only thing. She is
:19:48. > :19:54.great. She is absolutely great. And what a nice surprise. They are one
:19:54. > :20:02.of those partnerships that may be one of the favourites. Jerry and
:20:02. > :20:10.Anton. You did say he was like Mr Byrnes from the Simpsons. I was
:20:11. > :20:18.trying to think of the hunch-over gaupg scenario. You can't say a
:20:19. > :20:23.woman looks like a preying mantis. Then open the frame and do I -- a
:20:23. > :20:28.little more work on it. Isn't that difficult because she is so tall?
:20:28. > :20:36.No length of bone, darling. I love it when that term comes out every
:20:36. > :20:41.year. Dani and Vincent and their salsa. What did you think? That
:20:41. > :20:47.just looks awful. Let's face it, it's not a pretty lift anyway. I
:20:47. > :20:51.hate that dismount actually. This is just a personal choice, but as a
:20:51. > :20:56.judge I think I'm allowed to have at least some personal choices in
:20:56. > :21:01.the choreography and stuff like that. I like it or I don't. I
:21:01. > :21:07.didn't. He could have done some wonderful lifts. Why put that in?
:21:07. > :21:13.Awful. The rest of it. But apart from that, I think he loved it.
:21:13. > :21:18.Nicky and Karen. She has been getting -- he has been getting a
:21:18. > :21:24.hard time. What was missing for you? Why didn't you like it? Flat-
:21:24. > :21:30.footed, number one. There was more, as they say, boy bandish-type
:21:30. > :21:35.dancing in it. Know - Does it not lend itself to that? It does, but
:21:35. > :21:40.there wasn't enough content in it. That's basically what everyone was
:21:40. > :21:46.complaining about. I like him. All those lovely Westlife fans, I do
:21:46. > :21:50.like them and I think he's gorgeous, but he's not much cop as a dancer
:21:50. > :21:55.just yet. He's still in the competition. He has time to improve.
:21:55. > :22:02.Slowlyy slowlyy, catchy monkey. Thank you darling, you are glorious.
:22:02. > :22:07.APPLAUSE Check the shoes. Shoe check. At the
:22:07. > :22:12.weekend Nicky's dancing was compared to a Take That video in
:22:12. > :22:15.1995, so that's not the greatest day for him, but I said to Nicky,
:22:15. > :22:20.babe, never forget, have a little patience, it will be your time to
:22:20. > :22:24.shine, go with me on this. Whatever you do, you will eventually relight
:22:24. > :22:27.the judges' fire. I could have sung it. Maybe I should. If you missed
:22:27. > :22:34.it all the the weekend take a look at this. There was confidence.
:22:34. > :22:39.There was attitude, which was great. But sadly for me l wasn't enough
:22:39. > :22:44.cha-cha. You --, there wasn't enough cha-cha. You were going for
:22:44. > :22:52.it. There was a twinkle in your eyes. For me it was like a zum ba
:22:52. > :23:01.exercise class. -- zumba exercise clar. There was very little to rave
:23:01. > :23:05.about there. This week we were hoping to really come back with
:23:05. > :23:14.thunder and we didn't really pull it off. It's an absolute disaster
:23:14. > :23:19.to be honest. Don't lose faith. Please welcome Nicky and Karen.
:23:19. > :23:23.APPLAUSE It's so tough. You build yourself
:23:23. > :23:26.up and you have a week like that. You did tweet after the show on
:23:26. > :23:30.Saturday that you'd had a problem hearing the clicks at the top of
:23:30. > :23:33.the song, so your timing was all off. Tell me what happened?
:23:33. > :23:37.Basically, what I meant by a disaster, we had the routine down
:23:37. > :23:43.so well and we worked so hard and it was great and there was a lot of
:23:43. > :23:48.content in there, but you can see me pause there. The song was queued
:23:48. > :23:53.and those eight clicks at the start for me, but there was choreography
:23:53. > :23:58.and I had a spin and a bit of a Jackson move, so because I couldn't
:23:58. > :24:03.hear the clicks or the applause I was catching my tail. I was making
:24:03. > :24:06.it up as I was going along. When we got to the judges, they can see -
:24:06. > :24:11.on television it didn't look too bad, but the judges are seeing it
:24:11. > :24:15.all and I knew the marks were going to be very low and when I say a
:24:15. > :24:19.disaster, it was more why couldn't I? If I had just waited a few
:24:20. > :24:28.seconds to hear the clicks, but it's too technical and move on.
:24:28. > :24:32.Next week. It's so last week. How was your confidence before? He was
:24:32. > :24:36.feeling great. We had rehearsals going well and the dress run was
:24:36. > :24:40.fantastic and everything was going great and then that happened. Then
:24:40. > :24:45.it was like no! He was thinking about it the whole time and there
:24:45. > :24:50.was a point I had to hold on to his face and say, "Look at me." Just
:24:50. > :24:54.breathe. I've been there. I know how you feel. Last week it was the
:24:54. > :24:58.illegal lift and this week not enough cha-cha-cha. Did you agree?
:24:58. > :25:01.I thought there was plenty of cha- cha. I mean, I just - I missed it
:25:01. > :25:06.at the start because of what happened. The steps were for me to
:25:06. > :25:10.turn and do a move and jump and then there was quite a bit of cha-
:25:10. > :25:14.cha before Karen joined me, but because I had lost the counts and I
:25:14. > :25:17.was trying to catch my tail that cha-cha went out the window. That
:25:17. > :25:21.was the bit where the judges would are seen cha-cha from the off and
:25:21. > :25:25.it didn't happen. In the routine there was lots, but what they saw
:25:25. > :25:30.on the night there wasn't, because of what happened. Don't lose heart,
:25:30. > :25:36.because you have had lots of messages. Steph says, "What's more
:25:36. > :25:43.challenging for you, performing in concert, saving goals or resisting
:25:43. > :25:46.the urge to thump Craig in the face?" Being on Strictly is amazing.
:25:46. > :25:50.But it's tough and I'm petrified. I can't describe it to you. This week
:25:50. > :25:55.my confidence is lifted and I was so confident and then as soon as
:25:55. > :25:58.they mentioned my name and I missed the clicks and I thought, oh no.
:25:58. > :26:04.The judges marked us correctly it week because of everything that
:26:04. > :26:09.happened, but I'm not going to moan. I need to take them out for dinner.
:26:09. > :26:14.Charm them. Do the judges' comments help you or confuse you? Is it
:26:15. > :26:19.constructive or how do you find it? Did you even hear? Last week I knew
:26:19. > :26:24.I was going to be sacked. Week one I thought the waltz was quite OK.
:26:24. > :26:30.We did do an illegal lift and we were criticised so we took that
:26:30. > :26:35.away and going into the cha-cha we had it down. We had it so down. I
:26:35. > :26:39.can show you the rehearsals on my phone. It was a disaster and as
:26:39. > :26:44.Craig said I feel like what Craig has said, like people haven't seen
:26:44. > :26:48.me dance, so I could go out of this competition. I need to get it right.
:26:48. > :26:54.You do put in the hours. You have been working very hard, but we
:26:54. > :27:01.notice that you like to take a break. Look at this. It's got to be
:27:01. > :27:06.lunchtime. Let's take a five-minute break. I'm not taking no five-
:27:06. > :27:13.minute break. Come on. No sitting down. I wanted a break. It's nearly
:27:13. > :27:19.lunch? OK, remember we are talking about yesterday. No, come on.
:27:19. > :27:26.us five minutes. I'm wrecked. A bite of an apple. Is that what you
:27:26. > :27:36.call a break? I need a break. was a breather. Come on. When you
:27:36. > :27:36.
:27:36. > :27:42.need lunch - Well, you ain't going to get none. Help!! Take a break.
:27:42. > :27:46.don't want to take a break. It's working. It's working with you.
:27:46. > :27:50.This week, Hollywood, quickstep. You liking it? Loving it. Who
:27:50. > :27:54.doesn't love Hollywood? It's time to get our actors' hats on. Good
:27:54. > :28:00.luck with it. Keep the faith, though, because I think you'll be
:28:00. > :28:10.brilliant. Nicky and Karen. Earlier on we tested you on your knowledge.
:28:10. > :28:14.Want to see how you did. Here's the answer. I've asked you in series
:28:14. > :28:21.five John Barnes performed the first-ever Strictly one-armed lift.
:28:21. > :28:27.I bet that got you thinking. It's Strictly baloney. It was Kenny
:28:27. > :28:35.Logan who lifted his partner Ola with one arm doing their American
:28:35. > :28:41.Smooth. Join me next time for another Strictly True or Strictly
:28:41. > :28:47.Baloney, with me the one and only, Bruno Tonioli. Just for you. I love
:28:47. > :28:51.him. Did you get it right? Did you know who it was. You can try that
:28:51. > :28:55.move, though. I think he's the strongest man I've ever seen. I've
:28:55. > :28:59.played football with him. Good luck. We'll have more throughout the