:00:12. > :00:17.Hello and welcome to Wednesday's bumper-packed edition of It Takes
:00:17. > :00:24.Two. On the sofa tonight and ready for their close-up, Jr.ry and Anton.
:00:24. > :00:29.Also, getting ready to rumba, it's Victoria and Brendan.
:00:29. > :00:32.And he has hips and boy can he use them! Sid and Ola are here.
:00:32. > :00:39.And where would we be on a Wednesday without him and his magic
:00:39. > :00:49.wand? Ian Waite is here! What a wand!
:00:49. > :01:18.
:01:18. > :01:24.Live from Television Centre, this is Strictly It tp takes Two. Please
:01:24. > :01:29.welcome your host, zo Ball. -- Zoe Ballment
:01:29. > :01:34.It's a long way down there! Hello and welcome to Wednesday's It Takes
:01:34. > :01:38.Two. It's Hollywood week and today we'll get our very first glimpse of
:01:38. > :01:42.our celebs' All-Star performances. I cannot wait. Hoping to be a box
:01:43. > :01:52.office smash with my first guests Sid and Ola. Here is a recap of how
:01:52. > :01:58.they did in the salsa. It was like, it's hot and spicy,
:01:58. > :02:03.it's from Kingston Jamaica, this was more Kingston upon Thames!
:02:03. > :02:07.performance was very high but you couldn't disguise the lack of
:02:07. > :02:12.technique. I was so confident watching you do all those lifts
:02:12. > :02:22.with her. Haphazard, hit and miss. On the good and bright side, I
:02:22. > :02:28.loved the routine. There is a lot of good in there. Six. Six. Five.
:02:28. > :02:33.Don't be disapointed with yourself. No, I did lose steps, it was live
:02:33. > :02:40.TV. That's what happens. All the comments were fair.
:02:40. > :02:44.It's Owen and ollafplt all right, Sid!
:02:45. > :02:48.-- Ola. Were you disappointed with the results then? No, I was quite
:02:48. > :02:54.happy because, most importantly, all I was worried about was the
:02:54. > :02:59.lifts and the hand stand. They went brilliantly? I screamed at the end
:02:59. > :03:03.because I felt relief. In the results show, your names were
:03:03. > :03:10.called out quite near the end. How anxious were you that it was dance-
:03:10. > :03:16.off time? They made us sweat. hands were wringing.
:03:16. > :03:20.Did they go pruney? She said "Don't touch me!" Your salsa was full-on.
:03:20. > :03:27.There was a lot of squealing going on in the ballroom household when
:03:27. > :03:33.we watched this. Did you enjoy yourself? Loved it. Look at that!
:03:33. > :03:37.Come on! You went too fast I think is what they said. You certainly
:03:38. > :03:47.made an impression on one of the judges. Look at this. This is very
:03:48. > :04:05.
:04:05. > :04:10.Sometimes he goes "I'm happy with this" or "I'm not so sure", but the
:04:10. > :04:14.judges loved it generally but thought you perhaps ran out of
:04:14. > :04:20.energy, Craig said haphazard. Ola, how do you think the performance
:04:20. > :04:27.well? Well, I think he gave 150%. The steps and the timing went off a
:04:27. > :04:29.bit, but... But I'm not very good at makes excuses but it's different
:04:30. > :04:35.when you are in the studio. The atmosphere is electric, very loud
:04:35. > :04:39.and, you know, you are rehearsing all week to the original. I'm not
:04:40. > :04:46.making excuses. Legs are like jelly before you go out. Exactly.
:04:46. > :04:55.You got carried aawa the crowd, like "Come on!" I thought you were
:04:55. > :05:02.going to whip your shirt off. Doreen said: She reckons you should
:05:02. > :05:06.have had a higher score. Adored by Dor, you see. Bruno nicknamed you
:05:06. > :05:16.Sid Vicious, but it's not the first time he's made an appearance, he's
:05:16. > :05:18.
:05:18. > :05:28.always in the training room. Check this out. Arc... Ouch. (he belchs)
:05:28. > :05:31.
:05:31. > :05:41.argh... Argh Argh...
:05:41. > :05:44.
:05:45. > :05:54.Argh Argh. Yeah. Argh.... LAUGHTER.
:05:54. > :06:00.Ouch. Wait until you see what I have to
:06:00. > :06:04.put up with! She's not smiled all week. Because of the tango? Yes,
:06:04. > :06:07.you see you are not supposed to smile on tango. I know, I'm not
:06:07. > :06:11.supposed to look at you. Are you getting the intensity, Sid?
:06:11. > :06:20.doesn't matter what I say, it's obviously not going to be right,
:06:20. > :06:24.but I thought today went well but ol what said "Shocking". -- Ola
:06:24. > :06:29.said "Shocking ". It went well. He wants to go for a lunch break you
:06:29. > :06:32.see if I say it's good. She cracks the whip and you need it! With the
:06:33. > :06:37.tango, it's intense, the actor in you, are you bringing out that
:06:37. > :06:42.character, is this easy for you? I've got to be a rock star as well.
:06:42. > :06:48.Please tell me you are going to be stripped to the waist and wearing
:06:48. > :06:53.leather. Yes! A rock star tango, yes, Hollywood, not a holiday one.
:06:53. > :06:58.I wish it was a holiday, I need one. Is this a Rock Of Ages? That's
:06:58. > :07:03.right, yes. Oh, my lord, this sounds great. Are we going to see
:07:03. > :07:08.any more one-armed acrobatics? I'm doing a back somersault into
:07:08. > :07:13.the splits this week. Yes, exactly what we need... Not really. Hoping
:07:13. > :07:20.for good scores? I'm hoping it will be good. Good luck, can't wait.
:07:20. > :07:22.Crack that whip, Ola. Can't wait. Ola and Sid!
:07:22. > :07:24.APPLAUSE Time to find out how our
:07:24. > :07:29.celebrities are coping with the pressure of Hollywood week. Who
:07:29. > :07:39.will be a hit and who will go straight to DVD? Only one man can
:07:39. > :07:45.
:07:45. > :07:51.The delectible Mr Ian Waite, ladies and gentlemen.
:07:51. > :07:54.Our first elimination is out of the way, sadly it was my dad! Bless him,
:07:54. > :07:58.he's fine. Let's crack on. We'll talk about
:07:59. > :08:03.the girls first. Dani and Vincent, groovy salsa from our little minx
:08:03. > :08:07.last week and back to the Latin, how is she shaping up in the
:08:07. > :08:13.foxtrot? Nice heel turn together with the feet. Toes were in the air,
:08:13. > :08:17.I would like to see that more flat. I wanted to talk about, if I stop
:08:17. > :08:22.it here, look! Out comes the wand! Oooo...
:08:22. > :08:25.Look at the lovely lines that she's making. Look at that. Beautiful.
:08:25. > :08:31.She's complimenting Vincent. But she doesn't just stop there. Watch
:08:31. > :08:35.this. She goes on to do another gorgeous line. Not one but two
:08:35. > :08:39.lines? Yes, another gorgeous line. Sorry to draw on your face, Dani.
:08:39. > :08:44.She'll forgive you. Another gorgeous line. Watch this. What is
:08:44. > :08:50.that step called there when you do that? Sort of an Eros. Nice, thank
:08:50. > :08:55.you! Type of. Type of, say that and you can never go wrong! The fourth
:08:55. > :08:59.one. Four lines! And they're all good! Shall we give her a crown
:08:59. > :09:05.because Dani's been a very good girl I would say. Very good, Dani.
:09:05. > :09:10.Kevin sent have one too? Yes. give him one too. Jerry and Anton
:09:10. > :09:18.are dog the quickstep. Very foxy foxtrot. How is our sexy Texan
:09:18. > :09:23.going to do in this? Anton's given her some complicated footwork. It's
:09:23. > :09:27.quickstep and they are quick steps. I want to stop it here. We don't
:09:27. > :09:30.have to zoom in because the camera is so close. I'm going to do lady
:09:30. > :09:36.now. I'll do the man. It's like being at
:09:36. > :09:41.convent school again. Where I do I go? A watch it! Where do I go?
:09:41. > :09:46.stay there. Jerry... I'm being manly. Jerry's a bit in like this,
:09:46. > :09:53.she needs to get her hips under. Ooh, I like it when he does that.
:09:53. > :10:00.I'm taller than you. You can still feel his arm. Got that, Jerry?
:10:00. > :10:05.Private lesson later! Anton will love that! Kimberley and Pasha.
:10:05. > :10:10.Last week she did a beautiful foxtrot. How is her transition to
:10:10. > :10:16.this one? She's a great dancer, I don't feel we've seen the best of
:10:16. > :10:21.her yet. I wanted to emphasise this area here. I didn't want to do that.
:10:21. > :10:27.I'll do that again. We are going to highlight that area. See the hips.
:10:27. > :10:33.She's opened up her hips. She needs to close the hips to her partner so
:10:33. > :10:37.that she's not opening the hips. As soon as she opens her hips, she
:10:37. > :10:41.opens her side. You have got to keep your hips to your partner?
:10:41. > :10:45.facing each other and looking in that direction. Beautiful! Denise
:10:45. > :10:49.and James, top of the class for Denise last week with incredible
:10:49. > :10:54.jives. She's back in ballroom and foxtrot. Look at the footwork. It's
:10:54. > :10:59.good isn't it? Very, very good heel turn. They've highlighted the
:10:59. > :11:02.footwork which is very handy for these guys because she's got
:11:02. > :11:07.impeccable footwork. We come up here and you can see the hold.
:11:07. > :11:10.Sometimes I feel she comes in. Again it's the same scenario as
:11:10. > :11:14.Jerry, all the women have the same problem, the celebrities, it's very
:11:14. > :11:19.difficult. They've got to tuck their hips underneath and then
:11:19. > :11:23.extend from the waist out. You also I think are quite scared and get
:11:23. > :11:28.quite tense. You are worrying about your footwork that it's hard to
:11:28. > :11:32.worry about your shoulders and head as well. Lisa and Robin, luscious
:11:32. > :11:38.Lisa, we loved her jive, more Latin from her, cha-cha-cha? As you can
:11:38. > :11:41.see at the beginning, lots of gesticulations, very much like the
:11:41. > :11:45.cha-cha-cha. I thought they could have had more cha-cha-cha steps in
:11:45. > :11:53.there to show how good she is, because they are doing more jive
:11:53. > :11:58.steps 234 this routine -- in this routine. We are following you...
:11:58. > :12:04.Which is good! Really good! The only thing I have an issue was is
:12:04. > :12:10.she's wearing her boots. Is it the colour?! It's the colour - she
:12:10. > :12:14.needs to wear dance shoes and get on the balls of her feet. She's
:12:15. > :12:19.flat-footed. Lift up the bum?! lift up the bottom and up on your
:12:19. > :12:22.toes. I just love making you do that. You carry on. Fern and Artem,
:12:22. > :12:26.discussing how sexy Fern is last night with my hubby actually
:12:26. > :12:30.because she's looking so good. Doing the charleston, always a
:12:30. > :12:36.crowd pleaser, how does she look? Fantastic. This is a dance made for
:12:36. > :12:42.her really. I've stopped it here. I wanted to show you the sin con isty
:12:42. > :12:45.between them. Look at the lovely synchronised legs, everything. They
:12:45. > :12:49.look very matched. It's very important on side by side positions
:12:49. > :12:53.and charleston is full of those. Good, good, good. Fern, well done.
:12:53. > :12:57.Thank you Ian, that's the girls done.
:12:57. > :13:00.We'll discuss the boys in a moment. On Saturday, the judges were left
:13:00. > :13:09.wanting more from Jerry and Anton. They'll join me in a moment, but
:13:09. > :13:14.here is a reminder of how they did at the weekend oofplt -- weekend.
:13:14. > :13:20.Anton, Jerry's stuck on you! Like velcro she was stuck on you.
:13:20. > :13:25.start with this beautiful posture but you do lose it very early on.
:13:25. > :13:30.The last time I saw posture like that was this summer in my garden
:13:30. > :13:39.on a praying mantis. I liked the content and the mix of steps. Your
:13:39. > :13:45.problem is you are too vertical. loved it! I thought it went really,
:13:45. > :13:50.really well. We didn't make any mistakes. None at all. Come on!
:13:50. > :13:54.Maybe I need to work on this backbend thing!
:13:54. > :13:57.That is its technical term. Putting the fox into foxtrot, Jerry and
:13:57. > :14:01.Anton! APPLAUSE
:14:01. > :14:05.You looked beautiful. This backbend thing, what is the official term
:14:05. > :14:09.for it? It will do! Makes more sense than Ian Waite. Bless him.
:14:09. > :14:15.Are you going to have a word with him afterwards? Yes. 18 points in
:14:15. > :14:21.the first week and last week. Happy with the scores? Consistent. No, I
:14:21. > :14:28.think it was unfair. Did you want more, frankly? Definitely.
:14:28. > :14:33.You see, if you said that to Len, surely... We didn't make any feet
:14:33. > :14:39.mistakes. I was disappointed. posture exI think it takes 10,000
:14:39. > :14:45.hours to perfect. Exactly. Where are you up to at the moment?
:14:45. > :14:51.42... To go, that is. To go, oh! More movement from week one, but
:14:51. > :14:54.the judges still not sated. What sit do you think they are
:14:54. > :14:58.expecting? What will make them happy? I don't know, I can't deny
:14:58. > :15:01.that I don't know what they are after. Bruno said something like, I
:15:01. > :15:06.want more or something, I don't know what he wants more of. We did
:15:06. > :15:12.a lot of steps. That was a superb foxtrot. I thought Jerry danced it
:15:12. > :15:15.beautifully. Fall-aways and pivots, everything you want from start to
:15:15. > :15:19.finish, so in that regard I don't know what he's after. Also, I
:15:19. > :15:26.thought Jerry danced the dance, wonderfully. It's Strictly Come
:15:26. > :15:31.Dancing and I thought they could have given her more, sort of, marks
:15:31. > :15:37.essentially for that. Yeah! More credit for that because the posture
:15:37. > :15:41.is all right, it's only one element. I know you've got other questions
:15:41. > :15:48.you want to ask! This week, we are working on the posture. We are
:15:48. > :15:54.working on it. A lot. Was not doing any steps at all. 20 hours of
:15:54. > :15:58.posture. We are just going to walk! Craig said you were like a praying
:15:58. > :16:02.mantis and Bruno mentioned velcro. Do you want more constructive
:16:02. > :16:07.criticism? I don't know what they are talking about. No. I would
:16:07. > :16:11.rather they didn't speak. I would be happy with that. All these
:16:11. > :16:17.ladies in the audience they were all like waving at Anton saying
:16:17. > :16:24.hell loaf. I felt like an access si. -- accessory. I felt like he was
:16:24. > :16:28.the start of the show, I felt like I was his feather boa constrictor.
:16:28. > :16:31.It was like groupie days with the Rolling Stones, I had to mark my
:16:31. > :16:37.territory! There you are. Have you ever been
:16:37. > :16:40.compared to that? Never, never! Safe to say. That's the most
:16:40. > :16:46.rock'n'roll I've ever felt in my life. Craig doesn't mince his words
:16:46. > :16:53.but were absolutely loving the language of Miss Jerry Hall. Thank
:16:53. > :17:03.you. I'm just not naturally fast. I'm more of a Marvin Gaye kind of
:17:03. > :17:04.
:17:04. > :17:14.girl. Oh, he's so charming, like girl. Oh, he's so charming, like
:17:14. > :17:18.butter dripping off a hot corn. Ooh. Just ride me with a tight rein....
:17:18. > :17:28.I've got a weird memory which is bad at short-term and good at long-
:17:28. > :17:37.term. If you are looking for a good stallion, you don't want to look in
:17:37. > :17:42.the donkey corral... the donkey corral...
:17:42. > :17:51.So good! We are going to give you that on VHS to take home! How is
:17:51. > :18:01.the quickstep going? It's lovely. Joyful and fun. A bit of a Mrs
:18:01. > :18:06.
:18:06. > :18:11.Robinson theme? Yes, he's my Benjamin. Uh -hu. Do you mind her
:18:11. > :18:15.taking charge? No, I profr it I don't know what I'm doing so she
:18:15. > :18:20.might as well take charge -- I prefer it. It's quite nice, it's a
:18:20. > :18:23.lovely little play on the theme. Yes. And being all see ductive.
:18:23. > :18:28.Lovely music. Great music. The thing with the thing and the light
:18:28. > :18:31.and the thing and... Don't give away too much! We got a little
:18:31. > :18:38.bedroom scene. On Strictly Come Dancing! It's going to be glorious.
:18:38. > :18:42.Good luck to both of you. Jerry and Anton!
:18:42. > :18:52.APPLAUSE It's time now to concentrate on the
:18:52. > :18:59.
:19:00. > :19:07.boys in the second instalment of Let's just discuss my favourite
:19:07. > :19:12.subject, the boys! Ian's back! Sid and Ola and the tango? Yes. How is
:19:12. > :19:17.my new favourite Mr Owen doing? Apart from overreacting earlier on,
:19:17. > :19:21.he's doing well. Low in the base and struggling a little with his
:19:21. > :19:25.Viennese crosses. But I just wanted to emphasise the faces after they
:19:26. > :19:29.danced that. See that? Look at the huffing and puffing going on after
:19:29. > :19:33.they danced. It's exhausting though. I was told by him today that it's
:19:33. > :19:39.gone well. He's sorted out his Viennese crosses so I'm very
:19:39. > :19:43.pleased about that, Sid. And it's only Wednesday. Good. Come on!
:19:43. > :19:49.Colin and Christina. Colin's working on a film in Canada, so
:19:49. > :19:56.this was just them walking through the tango on Wednesday. Just one
:19:56. > :20:03.day. I wonder what film he's dog. Is it the Goonies or Snakes on a
:20:03. > :20:07.Plane?! Answers on a postcard! fax! Dancing the Argentine tango,
:20:07. > :20:12.so I'm sure it will be dramatic. Exciting. The first one of the
:20:12. > :20:15.series. Stand back, ladies and gentlemen! I'll emphasise his leg
:20:15. > :20:19.there. I would like him to stretch that out and point that toe. He has
:20:19. > :20:24.a few places like that. I know her only walking through it, but that
:20:24. > :20:28.will help tremendously, especially the fact that it's tango.
:20:28. > :20:32.Richard and Erin. He's back in the ball rooment, you see, he's great
:20:32. > :20:38.there. How is he looking in his quickstep? Not letting the camp
:20:38. > :20:45.hands nigh away with him. Erin is a fantastic teacher. Says he! Just
:20:45. > :20:50.kidding! Lovely charleston steps there which he did very well. Just
:20:50. > :20:56.emphasising his line there, his shoulder line, which isn't so great.
:20:56. > :21:01.What is wrong with it exactly? see, what he does is, if I can show
:21:01. > :21:05.you? Please demonstrate. He has his shoulders up, so I would like him
:21:05. > :21:10.to bring his shoulders down. He drops that right elbow so he needs
:21:10. > :21:14.to lift that right elbow like that. OK. Nice. A lovely look at your bum
:21:14. > :21:20.there. Louis and Flavia are doing the salsa, a number from Dirty
:21:20. > :21:25.Dancing, there may be lifts, fingers crossed. How are the lip
:21:25. > :21:33.hips and his flat feet? It's salsa, so you can use your feet how you
:21:34. > :21:40.like, but he's loosening up. The main area with Louis is his waist.
:21:40. > :21:47.Yes. Is the middle area. What is wrong with it? Salsa is very
:21:47. > :21:54.rhythmical and you need to create all the moving. Show us. Like that?
:21:54. > :21:57.Yes, he needs to relax his hips and just, you know... Also I think it
:21:57. > :22:02.will bring his personality out as well because he's very guarded.
:22:02. > :22:07.Maybe he's a bit shy. Michael and Natalie from the jive of the
:22:07. > :22:14.weekend which I personally loved. Stop laughing, madam! To the cha-
:22:15. > :22:18.cha-cha. How is he looking? Bless! I know how hard they work because
:22:18. > :22:22.Natalie's my professional dance partner and he's really putting in
:22:22. > :22:25.the hours. It's a shame, but he probably doesn't have...
:22:25. > :22:29.LAUGHTER He doesn't have the natural talent as some of the
:22:29. > :22:33.others which is a shame. But he's learning? Yes and he's working
:22:33. > :22:38.really hard and he'll progress. Just pointing out his hands. He
:22:38. > :22:41.needs to keep them facing the familiar and his thumbs down. Don't
:22:41. > :22:48.want no spatula hands. Looks like he's bowling a maiden over. Do you
:22:48. > :22:52.know what that means? I have no idea. Exactly! Nicky, two tough
:22:52. > :22:56.weeks, he's doing the quickstep. Is he going to win the judges over
:22:56. > :23:01.this time? No. Time for a change? No. He keeps losing his frame, he
:23:01. > :23:05.needs to pick up his elbows and maintain a frame and look elegant.
:23:05. > :23:10.He is stomping through the steps. He has an amazing physique so
:23:10. > :23:18.there's no reason why he can't be a brilliant dancer. I have faith. You
:23:18. > :23:21.watch and wait. Thank you very much, darling, as always. Ian Waite!
:23:21. > :23:27.APPLAUSE My next guest received a lot of compliments from their
:23:27. > :23:37.foxtrot last week. Here is how Victoria and Brendan turned it all
:23:37. > :23:45.around on Saturday. Clean, classy and confident. A
:23:45. > :23:51.fantastic improvement on last week. You remembered it so that's a very
:23:51. > :24:01.good start. Victoria is back in the race! Well done, my darling.
:24:01. > :24:06.nerves have gone. It's wonderful to see. You are beautiful.
:24:06. > :24:11.For Darcey to say it was beautiful is a huge compliment. You are a
:24:11. > :24:15.little ballroom girl. Yes, maybe one day.
:24:15. > :24:19.Please welcome Queen Victoria and her Knight in shining armour,
:24:19. > :24:23.Brendan! Get you, girl, look at that. Ten
:24:23. > :24:30.points up on your first week! You must have been absolutely thrilled?
:24:30. > :24:34.I was, I was so happy. Just to get through the routine and not make a
:24:34. > :24:37.complete disaster of it except the turn at the beginning which was
:24:37. > :24:40.slightly wobbly. I was really pleased. You were talking about how
:24:40. > :24:43.nervous you were before you went out with you cha-cha-cha. Were you
:24:44. > :24:47.any less nervous this week knowing you were going to be in hold or
:24:47. > :24:51.equally as terrified? When you are in hold, it gives you a lot more
:24:51. > :24:58.confidence. It's good to know that Brendan was guiding me around so I
:24:58. > :25:02.can't go too wrong, if I just keep hold of him, so yes, definitely
:25:02. > :25:06.helped. The funny thing about that, they get a new lease of life that,
:25:06. > :25:10.security brings them ahive and they don't need the security but they
:25:10. > :25:16.like the opportunity to do it because they can. Very good. Norman
:25:16. > :25:19.and I call that the Norman revrs Brian psychology. Len said clean,
:25:19. > :25:23.classy, confident, Bruno said you are back in the race. Have you
:25:23. > :25:27.started to believe in yourself as the dancer now? No, not yet. We are
:25:27. > :25:32.working on that? Please go through another week and maybe I'll start
:25:32. > :25:37.to, but not yet. I'll ask you that question again next week! Brendan,
:25:37. > :25:41.you are described as the Knight in shining armour again. You always
:25:41. > :25:44.come to the ladies' rescue? It's nice to be known as someone who's
:25:44. > :25:48.nice to his partners. I don't know where this reputation came from,
:25:48. > :25:55.maybe last year with Lulu, I don't know. I love working with this girl,
:25:55. > :26:03.I've got on with 70-80% of my partners. Let's not mention any
:26:03. > :26:07.names! Yes, one thing I have to say, Victoria's foxtrot on Saturday blew
:26:07. > :26:10.me away. Very few foxtrots on Strictly have strode out, if that's
:26:10. > :26:15.the right word, but you have got to have a lot of distance between your
:26:15. > :26:18.feet and drive out of your foot. This girl managed it in bucket-
:26:18. > :26:23.loads. Most people tip around the floor and that's not foxtrot to me.
:26:23. > :26:26.I finished the dance thinking, what a blooming star! You see! Well said,
:26:26. > :26:30.Brendan. It's not always you who's the
:26:30. > :26:40.Knight in shining armour. She's not always the dam sell in distress.
:26:40. > :26:43.
:26:44. > :26:51.Some times the roles are reversed. Check o this out. -- check this out.
:26:51. > :26:57.Ola would never be able to lift me. How much do you weigh? About 80
:26:57. > :27:01.kilos. So seriously strong. Not even breaking a sweat. I reckon she
:27:01. > :27:06.could do double if not treble. week James and Brendan! You are
:27:06. > :27:09.doing the rumba this week. It's a sexy dance, it's romantic.
:27:09. > :27:12.Notoriously trickyment how are you finding it? I couldn't stop
:27:12. > :27:15.laughing on the first day of training. I'm going to confess, I
:27:15. > :27:20.felt like a silly schoolgirl because it's a little bit
:27:20. > :27:23.embarrassing at times, but it's gone really well, it's gone well
:27:23. > :27:26.today, I'm really happy and looking forward to us actually. It's
:27:26. > :27:31.difficult because of the slowness meaning you have to have a lot of
:27:31. > :27:35.control. Anything that's not controlled ora bit sloppy gets seen
:27:35. > :27:39.right from the start and we've got it and if we can get the
:27:39. > :27:43.connection... The good news is, I love this girl to bits so it's not
:27:43. > :27:47.hard to portray this look into each other's eyes. If you don't like
:27:47. > :27:54.someone very much, don't look into their eyes. Pretend they are
:27:54. > :27:59.someone else. We've all done it. We know that Brendan puts you through
:28:00. > :28:05.your paces, so we thought we might reverse that. Come with me. Sounds
:28:05. > :28:11.good. We have this expensive piece of technology here. Brendan. Ie I'm
:28:11. > :28:17.changing me boots here. How many hours of cycling would wow do a
:28:17. > :28:26.day? Hundreds. Hundreds of hours in a 24-hour day, wow!
:28:26. > :28:31.LAUGHTER Give him a hard time and imagine he needs training for Rio.
:28:31. > :28:37.Ready, Brendan? The show is about to fun Nish, come on. With haven't
:28:37. > :28:41.got all day! What t she'd he's going to get up to is incredible.
:28:41. > :28:47.Harder, harder! Looks painful. That is it for today. Thanks to all my
:28:47. > :28:52.guests. Keep going! Join me tomorrow when Denise and James,