:00:00. > :00:11.Welcome to Strictly Come Dancing: It Takes Two. It is Monday and what a
:00:12. > :00:16.topnotch weekend it was. It was time to check into the heartbreak hotel.
:00:17. > :00:19.We don't want her to go. It is Vanessa and James. The second couple
:00:20. > :00:25.to leave the competition. They were showered with compliments for their
:00:26. > :00:29.fantastic foxtrot and Patrick and Anya are here tonight. We don't want
:00:30. > :00:33.to be right. It is Craig Revel Horwood!
:00:34. > :01:20.Cheeky. This is Strictly Come Dancing: It Takes Two.
:01:21. > :01:27.This is Strictly Come Dancing: It Takes Two. Please welcome your host,
:01:28. > :01:30.Zoe Ball. APPLAUSE
:01:31. > :01:35.Hello and welcome. Just a casual saunter as it is Monday. This
:01:36. > :01:40.weekend it was, of course, love week and it didn't disappoint. In case
:01:41. > :01:46.you missed any of it, here are the Strictly headlines.
:01:47. > :01:49.Good evening. Here is the news, thank you. Natalie and Artem bent
:01:50. > :01:54.over backwards and forwards and even side ways. I say delivering the
:01:55. > :02:01.dance of the night with a remarkable rumba. It brought a tear to Artem's
:02:02. > :02:04.eye. Expressive, meaningful. Beautiful in
:02:05. > :02:13.perpetual motion. Love. Love. Love. You are actually
:02:14. > :02:25.welling up, aren't you? The Terminator is about to cry! The
:02:26. > :02:34.swinging 60 inspired jive nearly had the judges swinging for each other!
:02:35. > :02:39.You could have given it a bit... Oh come on, Craig, for God's sake. It
:02:40. > :02:45.is only my opinion. The girl worked so hard.
:02:46. > :02:48.APPLAUSE I say, they took the bull by the
:02:49. > :02:56.horns and proved he would do anything to impress the judges, but
:02:57. > :03:04.they trampled over his efforts. Nasty. The conviction, my love, I
:03:05. > :03:06.nearly cried, but... LAUGHTER
:03:07. > :03:09.It was like you were smelling some bad cheese.
:03:10. > :03:17.You are not the judges' champion, but you are the peoples' champion.
:03:18. > :03:22.Awesome. She might have been dancing to Abba, but Vanessa had her SOS
:03:23. > :03:28.moment in rehearsals. We danced the first one and Vanessa
:03:29. > :03:34.seemed to get a few of the steps wrong and had a costume malfunction.
:03:35. > :03:39.My knickers were falling down and it was putting me off. I thought they
:03:40. > :03:47.were going to be around my ankles. I said that was much better and she
:03:48. > :03:52.said "Yes, I took my knickers off." Vanessa, you saucy minx. That would
:03:53. > :03:57.have got the votes! Oh dear. Nice pants! If all that has
:03:58. > :04:06.not give you enough of your Strictly fix took a look at our footage from
:04:07. > :04:14.behind the scenes. Hello. Hello. Ola, take my bags
:04:15. > :04:16.upstairs. It is love week. There will be a lot of love from the
:04:17. > :04:24.judges. Ah, can you smell that? Is that love
:04:25. > :04:29.in the air or is it just plain fear? It is love week. Oh, it is love
:04:30. > :04:35.week. Everyone is all smiley. I am in a good mood. Eye' ready for
:04:36. > :04:39.it. Let's hope it is not my last one! I have just seen Natalie and
:04:40. > :04:51.Artem's unbelievable rumba. Talk about love week. I feel absolutely
:04:52. > :04:56.over heating as a result! We need more aggression, really.
:04:57. > :05:00.I have got to practise my sexy. Sexy didn't work last week. This week it
:05:01. > :05:03.has got to be sexy. It is working now.
:05:04. > :05:22.It is love week and I have to see how many kisses I can get before the
:05:23. > :05:36.show goes live tonight. Artem kissed the boy!
:05:37. > :05:45.You can't go oooh! Your wife is right next to me.
:05:46. > :05:52.The things I have done to prepare tor today is roll out of bed into a
:05:53. > :06:01.car. My hair and make-up and have a bacon buttie.
:06:02. > :06:04.I never had so much hair! There is a little carnival happening with my
:06:05. > :06:08.eye lids. I think I know why they called it
:06:09. > :06:14.the quickstep. It is very quick and there is a lot of steps. It was a
:06:15. > :06:22.hint. Mind you, there is no foxes in the foxtrot.
:06:23. > :06:35.This week, love is all around. Stop pouting in front of the camera. Love
:06:36. > :06:40.is in the air. Love is in the air. Love is in the air.
:06:41. > :06:47.Come on. Come on. Here we are in the place they call the final touch-up
:06:48. > :06:58.room. All preparing and ready for love.
:06:59. > :07:16.Guys, nine minutes. I'm nervous. Nerves.
:07:17. > :07:22.Let's get in the zone, ladies. Focus. Here we go again. It doesn't
:07:23. > :07:25.get any easier. APPLAUSE
:07:26. > :07:30.Live from the Strictly ballroom, it is a night of love songs on Strictly
:07:31. > :07:36.Come Dancing. They laid it on the line with a very
:07:37. > :07:41.fiery tango, but we had to kiss them goodbye. Please welcome Vanessa and
:07:42. > :07:44.James to the show. APPLAUSE
:07:45. > :07:48.I am so sorry that it had to be you. We had so many e-mails and messages
:07:49. > :07:54.online in support of you. People loved you. Thank you very much, we
:07:55. > :07:57.are very sad... What about me? He is upset.
:07:58. > :08:00.They don't mind you. They love him and I love him and we are very, very
:08:01. > :08:08.upset indeed. How was your last tango? Not good
:08:09. > :08:12.enough. Not that good because we got kicked off. What do you think went
:08:13. > :08:15.wrong, James? Did anything go wrong? What could you have done
:08:16. > :08:19.differently? Nothing actually and that's something which I think
:08:20. > :08:24.Vanessa can be very proud. Each week, she went out and she improved.
:08:25. > :08:28.There were a little of hiccups, but you did a fantastic performance.
:08:29. > :08:31.That's the first one, not the second one because she didn't put her leg
:08:32. > :08:36.behind on the first one. Oh, we will never forget that. You
:08:37. > :08:40.did say you were worried about the tango going into last week's show.
:08:41. > :08:44.Did you feel there might be trouble ahead? I thought we were going to be
:08:45. > :08:47.safe because I thought she did a brilliant job and your acting at the
:08:48. > :08:52.beginning when you scared the girls... I did a growl as well.
:08:53. > :09:03.We can see more of the growl. Listen to this. It is incredible.
:09:04. > :09:09.You can't say she didn't go for it. She gave it her all. She worked as
:09:10. > :09:14.hard as she could. You did me proud and you did yourself proud. The
:09:15. > :09:28.waltz was the highlight, wasn't it? It was so con tiggious.
:09:29. > :09:39.Vanessa has been working. It was very smooth and soft and contigious
:09:40. > :09:44.means very close. Ates, " I love Vanessa. I thought
:09:45. > :09:49.she was the best." Jemma says, " I was sad to see them go. Vanessa was
:09:50. > :09:54.really improving." At the beginning I could barely stand still and I had
:09:55. > :09:58.a good old bash at the tango. I thought, I felt like I was dancing.
:09:59. > :10:03.Maybe I didn't look as if I was, but I felt like I was and actual ly, it
:10:04. > :10:07.was a lovely feeling. I really did enjoy it.
:10:08. > :10:12.We are going to miss each other. I am trying to be grown-up and not to
:10:13. > :10:18.be too upset. You are furious though. I am not
:10:19. > :10:21.furious, I am sad. You do about seven radio shows, did
:10:22. > :10:26.you have enough time for training? Did you think you could have more
:10:27. > :10:31.time for training? We did five hours a day. Eight hours coming in and you
:10:32. > :10:34.gave me 100%. We didn't take long lunch breaks and things like that.
:10:35. > :10:38.We worked hard, well we had to because you struggled to pick the
:10:39. > :10:41.steps up and that's what the people maybe didn't see. I don't know. But
:10:42. > :10:46.I think you did fantastic. We left on a high.
:10:47. > :10:51.Enjoy your Strictly story. This must be quite short.
:10:52. > :10:56.Stop it, Jordan. Vanessa the professional, taking you
:10:57. > :10:59.on is James! APPLAUSE
:11:00. > :11:05.James is an incredible teacher. He is extremely patient and he tried to
:11:06. > :11:14.find the best way to teach me. It is almost there. Vanessa is definitely
:11:15. > :11:19.not a natural dancer. I am like a London bus. She is a worker. You are
:11:20. > :11:25.outside your comfort zone. Well done to you, Vanessa. There was too much
:11:26. > :11:30.acting and not enough dancing. I'm squeezed into a girdle I can hardly
:11:31. > :11:34.breathe it is so tight and I have to pretend not to be impressed when
:11:35. > :11:38.James Jordan sticks his chest out! You can start at the bottom and work
:11:39. > :11:44.our way up. That's our plan, isn't it? I think maybe the ballroom is
:11:45. > :11:49.going to suit Vanessa more than the Latin. Oh yes, someone is improving!
:11:50. > :11:53.A few seconds and it works, it is really, really lovely. I didn't
:11:54. > :11:59.realise that dance could take you over quite so dramatically.
:12:00. > :12:04.I thought it was heartfelt and poignant. You express the emotion,
:12:05. > :12:14.the romance, a huge difference from last week. Well done. I want to get
:12:15. > :12:18.myself into a place where the tango is my dance. I want to be tango. I
:12:19. > :12:29.don't want to be tangoed. The couple I would like to save is
:12:30. > :12:33.Julien and Janette. It has been a pleasure to teach you. You gave me
:12:34. > :12:36.moments of pure bliss and I will never forget you and I can't thank
:12:37. > :12:43.you enough. You did yourself proud and you did
:12:44. > :12:48.me proud. I say that you did say a couple of
:12:49. > :12:52.weeks ago how you would love to learn to dance with Ben, have you
:12:53. > :12:58.achieved that? Can you show him a few moves now maybe for the wedding?
:12:59. > :13:00.I think we can. I don't think we will venture into the realms of the
:13:01. > :13:05.tango. Leave that behind. Who is your top
:13:06. > :13:10.tip, Vanessa as you stand aside, who do you want to see go on and do
:13:11. > :13:19.well? I love Abbey and I hope they go to the top, but Ola and Ashley
:13:20. > :13:26.are phenomenal. I don't know why he got his chest out last week! You are
:13:27. > :13:29.a classy girl. We loved having you on the show. Thank you for having
:13:30. > :13:35.me. We adore you too. It is Vanessa and
:13:36. > :13:39.James. I never want to say goodbye to
:13:40. > :13:45.anyone. Craig Revel Horwood will be here to chat about what floated his
:13:46. > :13:48.love boat at the weekend, we want to test your Strictly knowledge. Can
:13:49. > :14:22.you guess who this is? Look closely. Oh, cuff him! Time to look over the
:14:23. > :14:25.weekend's dances with a man who was only too happy to break a few
:14:26. > :14:34.hearts. Please welcome Craig Revel Horwood.
:14:35. > :14:39.You look gorgeous. You look like you are going on a cruise in that
:14:40. > :14:44.jacket. Oddly I am tomorrow, darling. Lucky you. Let's talk about
:14:45. > :14:47.the weekend. Such high scores this weekend. It is only week three and
:14:48. > :14:53.not just one or two couple doing well, but loads of couples doing
:14:54. > :14:57.well. A strong line-up this year. It really is. There is chalk and cheese
:14:58. > :15:01.in all of it. There is not many people sitting in the middle. We
:15:02. > :15:06.have a lot of extraordinary dancing which is sensational to watch and it
:15:07. > :15:11.has got me very excited. Indeed. Do you think that the public
:15:12. > :15:16.made the right decision this weekend? Yes, we are always sad to
:15:17. > :15:20.see people go and Vanessa was a card really on the show and she was
:15:21. > :15:24.always quite verbal which I actually appreciated, you know... You loved
:15:25. > :15:29.it really, didn't you? Of course, I do. Of course, I do. We will miss
:15:30. > :15:32.her terribly, but we have to make a decision and at the end of the day,
:15:33. > :15:43.that was our decision. Well, let's talk about Julien and Jeanette. Why
:15:44. > :15:47.do you think they were saved? For energy and content and he really
:15:48. > :15:53.went for it and I thought it was the hair! Better. That's all. That's all
:15:54. > :15:57.it came down to? It was really, really close and I don't know who
:15:58. > :16:05.any of the other judges are going to be, you know, voting for in that.
:16:06. > :16:19.You really don't know? No. No. No. I really do not know.
:16:20. > :16:37.Mark and Iveta. I picked up on his hands. Armography has made it to the
:16:38. > :16:41.dictionary! Spatulaistic is next! When Ashley was doing it and he was
:16:42. > :16:45.doing it like that, you said there was too much. You are so picky. You
:16:46. > :16:48.can't be too girlie, but it was his wrists that were broken. You don't
:16:49. > :16:53.want to break the wrists because you want to extend the line.
:16:54. > :17:01.Fussy. Fussy. Fussy. That's the way it is. Susanna and Kevin. The
:17:02. > :17:08.wonderful thing about Susanna she can do the high energy dances and
:17:09. > :17:12.the jive. She has lovely flow and she is getting into the dancing, I
:17:13. > :17:16.think, and she is beautiful to watch and I think it is because she loves
:17:17. > :17:21.it so much and that just comes through and permeates the stage
:17:22. > :17:39.which I love. I love the way you say permeates.
:17:40. > :17:43.Abbey and Ali. She was heavy on the drunky sailor things. I wanted it to
:17:44. > :17:51.be sharper and more frenetic actually.
:17:52. > :17:55.OK, more frenetic? Yes. It is wonderful to see Fiona
:17:56. > :18:00.increasing her scores every week. She really is improving? It is
:18:01. > :18:06.wonderful to see Anton doing proper steps and he is master of waltz and
:18:07. > :18:08.ballroom. It is just, I am loving seeing him dance again. I really,
:18:09. > :18:15.really am. They are doing brilliantly. Let's go
:18:16. > :18:20.to Dave and Karen and his paso doble. You said dreadful. You gave
:18:21. > :18:23.him a two. You have never given him higher than a three. When are you
:18:24. > :18:27.going to give Dave a break, Craig? Well, when he stops doing that,
:18:28. > :18:32.number one, darling and stops treating the cape like a dish cloth!
:18:33. > :18:38.I can understand the audience. The people at home must be loving it,
:18:39. > :18:44.you know. It is his energy. He gives it his all? Absolutely, but I have
:18:45. > :18:48.got to judge from a dance prospective and unfortunately it was
:18:49. > :18:55.very stompy. It was very clumsy. His stance and his apels.
:18:56. > :18:59.OK, we get the point. Thank you. I will shut him up. Thank you, Craig.
:19:00. > :19:04.APPLAUSE We will talk about the others later
:19:05. > :19:09.on. On Saturday night, Patrick and Anya served up a stylish foxtrot. I
:19:10. > :19:15.will chat to them in a moment. Here is a reminder of their performance.
:19:16. > :19:20.We have got panache and class to this. Very nice.
:19:21. > :19:23.You messed it up a little bit. You have to drive through the dance. If
:19:24. > :19:28.you make a mistake, it doesn't matter. Keep going. You need to
:19:29. > :19:32.start thinking about adding swing and sway, but you are style. You
:19:33. > :19:41.really are. Style with a smile. Lovely. Well done.
:19:42. > :19:44.Six. He seven. Seven. Seven. APPLAUSE
:19:45. > :19:48.Not bad. Not bad. Not bad. You nailed it. There was a little
:19:49. > :19:56.hiccup with the step, but in the end, you know, we got through it
:19:57. > :20:01.really. So beautifully under stated. Please
:20:02. > :20:04.welcome Patrick and Anya. Hello swanky pants. Congratulations.
:20:05. > :20:08.Another corker. Last week you were saying you were finding the foxtrot
:20:09. > :20:13.really difficult. It certainly didn't show out there on the floor.
:20:14. > :20:18.Did you enjoy it I had a little hiccup, not during the rehearsals.
:20:19. > :20:24.The rehearsals went really well, but, I don't know, I... What are you
:20:25. > :20:32.talking about? What are you talking about? No. Bruno did pick up on a
:20:33. > :20:37.little twist of feet. Did you see what happened? I didn't feel it when
:20:38. > :20:40.I was dancing. I had no idea. I remember coming off from the dance
:20:41. > :20:46.floor and it was like what happened? I had no idea what they were talking
:20:47. > :20:52.about. You see I knew. Don't say! Yes, I saw something was
:20:53. > :20:58.going on. I think it is the panic in the eyes. It is like help me. Sound
:20:59. > :21:02.scores, Anya. How pleased are you with your boy? He is keeping the
:21:03. > :21:08.scores up? We are consistent. He got a seven in a jive at least we are
:21:09. > :21:14.going to get him back or more. Hopefully more.
:21:15. > :21:17.She wants the scores to go up. Are you Strictly's Mr Style? The judges
:21:18. > :21:22.are obsessed with your style on Saturday. They love you. Well, I
:21:23. > :21:26.don't know, in the end I accept what they say basically. They know
:21:27. > :21:33.dancing. If they feel I have got a little bit of style, great.
:21:34. > :21:38.Is he a gentleman in the training room, Anya? I am imagining he is?
:21:39. > :21:43.Absolutely. A lot of fun. Also we have a really great time. He comes
:21:44. > :21:47.in focussed. He has onetectedic schedule. It is a bit tight
:21:48. > :21:55.sometimes. Are you filming Casualty for 20
:21:56. > :22:02.hours and you have four hours left? It is a bit tight.
:22:03. > :22:15.You say you are Mr Style... I didn't say that! We watched you in the
:22:16. > :22:34.training room and we noticed you are Mr Collapse!
:22:35. > :22:44.Oh man. It is out. You need a crash mat
:22:45. > :22:50.strapped to your back at all times. This week, for you, Patrick, it is
:22:51. > :22:54.the cha-cha-cha. You like so far? So far we have had a little taste and
:22:55. > :22:59.yeah, hopefully. It should suit. It is going to be very exciting. I'm
:23:00. > :23:07.super excited. It is back-to-back, two weeks
:23:08. > :23:11.back-to-back we had a Bond dance. Ian Waite noticed that you are good
:23:12. > :23:18.out there on your own dancing. Is this showing in training? He has got
:23:19. > :23:23.some groove and some rhythm so we just need to channel it.
:23:24. > :23:29.Latin hips. Would you mind giving us the demonstration? No. No. No.
:23:30. > :23:33.APPLAUSE Come on, love. Come on.
:23:34. > :23:39.APPLAUSE I knew it! I knew it! I know it is
:23:40. > :23:44.only Monday, ladies and gentlemen. This could be a good week. I mean do
:23:45. > :23:50.you like the Latin, Patrick? Do you like the Latin a freer style? Yeah.
:23:51. > :23:53.Yeah. The ridged stuff I find most difficult is holding the frame and
:23:54. > :23:56.getting the core right, but all the other stuff that you can flow and
:23:57. > :24:00.for me, I would like to get into that more.
:24:01. > :24:07.Carry that on and you will be fine. You get my vote! It is Patrick and
:24:08. > :24:11.Anya. We teased you with a former Strictly
:24:12. > :24:21.celebrity. It is time to find out if you guessed who it was correctly.
:24:22. > :24:38.N-2009, I was the third celeb to be voted out. Hello. Hello. It is me,
:24:39. > :24:44.Rav Wilding. Well done to you eagle eyed people.
:24:45. > :24:48.That was Rav Wilding. It is time to talk about the rest of the weekend's
:24:49. > :24:52.dances. Please welcome back Craig Revel Horwood.
:24:53. > :24:57.APPLAUSE Let's talk about Ashley and Ola.
:24:58. > :25:02.Adorable Ashley. He was awesome. You said his hips were filth and you
:25:03. > :25:06.loved it. What else did he do right? Well, I really like his energy. I
:25:07. > :25:11.like the fact that he through himself into this dance. He had no
:25:12. > :25:16.inhibition. And that's what made it great. I think he is doing really,
:25:17. > :25:20.reallying, really well. He was. It made you want to get up
:25:21. > :25:24.and join in? Absolutely. I liked the slow start and it
:25:25. > :25:29.speeded up. Patrick and Anya, you were saying he needed to add more
:25:30. > :25:34.swing and sway? Yeah, he needs more shaping to his top line really and
:25:35. > :25:37.there was a little bit of gapping as well, but these are minor points
:25:38. > :25:42.that he is going to be able to improve easily. And to be honest,
:25:43. > :25:47.there really are two men in this competition and he is one of them.
:25:48. > :25:53.Oh, he will be well chuffed with that. Let's talk about Ben and
:25:54. > :25:57.Kristina. Ben's highest score to date, 28 and with a rumba? Well, the
:25:58. > :26:02.man is there to support the lady and to show her off. He did some hips
:26:03. > :26:05.which I was delighteded with -- delighted with and I can see in the
:26:06. > :26:09.expression in his face and when he was coming over to the judges' desk,
:26:10. > :26:14.I thought he knows that went rather well. I can only really encourage
:26:15. > :26:19.that hip action, darling. Of course. I love it because you can
:26:20. > :26:24.see it in the professionals, Kristina looked really happy with
:26:25. > :26:30.him. Natalie and Artem, Natalie, goodness me, this girl can't lose.
:26:31. > :26:34.You said, I love, love, love it. You only gave a nine. Why wasn't it a
:26:35. > :26:39.ten? Well, it could have done with more hip action, but just on, you
:26:40. > :26:46.know, her waltz really and that was the only thing and apparently there
:26:47. > :26:48.was some ercation with her foot placement as well, dud I didn't see
:26:49. > :26:53.it. -- but I didn't see it, but Len and
:26:54. > :26:59.Bruno did. Deborah and Robin. My heart danced
:27:00. > :27:02.watching her. How well did she perform it? Well, I thought she
:27:03. > :27:08.performed it very well actually and she is very watchable, you know. And
:27:09. > :27:12.another person that is actually loving it and when you love dance
:27:13. > :27:17.that much, you will dance it so much better. This Charleston piece is
:27:18. > :27:21.difficult because if you go off on the wrong foot, you will be smashing
:27:22. > :27:26.legs and it is difficult. She got that right? But she needs to
:27:27. > :27:29.lift up more and her head further left.
:27:30. > :27:35.But she can take that on board. Sophie and Brendan, their samba. Not
:27:36. > :27:39.as high as the Charleston, but still brilliant. You only gave her a
:27:40. > :27:43.seven. What did you want to see? Well, she looked at times a little
:27:44. > :27:47.awkward if I am to be honest, but she is attempting some really
:27:48. > :27:52.difficult stuff and I went on, well I thought she could do with a little
:27:53. > :27:56.bit more double bounce action. That was the only thing I thought was
:27:57. > :27:59.missing and sometimes that looked laboured rather than smooth.
:28:00. > :28:06.I am sat in the background going like this. That's obviously a double
:28:07. > :28:11.bounce. I will demonstrate one's hip. Quickly, let's talk about
:28:12. > :28:17.Rachel and Pasha. What you said last week, she was like a slug in salt.
:28:18. > :28:23.This week, you said a bit plonky? Yes, when I say plonky, I mean it
:28:24. > :28:26.means flat footed and you are landing too heavily. I love her. She
:28:27. > :28:30.is a delight actually. And is she improving? She is and
:28:31. > :28:34.that's what is great. You really, in the dance like that, you really have
:28:35. > :28:39.to light your face up because that's where the focus is. As much as it is
:28:40. > :28:41.in the body, you have got to get your face in gear!
:28:42. > :28:44.Thank you very much. your face in gear!
:28:45. > :28:47.Thank you Craig, good luck with your hip operation. We will see him in a
:28:48. > :28:51.couple of weeks. Craig Revel Horwood. That's all we
:28:52. > :28:59.have time for today. A big thank you to all my guests, tomorrow I will be
:29:00. > :29:01.joined by the ones that got away. Don't miss it. Good night.
:29:02. > :29:03.Thank you.