:00:08. > :00:13.Hello and welcome to It Takes Two. It's Monday! Another great weekend
:00:14. > :00:18.of dance to discuss. Tissues at the ready, everybody. Time for them to
:00:19. > :00:22.go. Julian and Janette are here to say their goodbyes.
:00:23. > :00:26.They waltzed their way to the highest score yet, it's Dave and
:00:27. > :00:32.Karen. And Saturday's even niece waltz proved to be an angel delight
:00:33. > :00:39.for Ashley and Ola. Her here! This is strictly It Takes Two, let's have
:00:40. > :01:15.fun! -- they are here!
:01:16. > :01:28.Live from London, this is strictly It Takes Two. Please welcome your
:01:29. > :01:32.host, Zoe Ball. Hello and welcome to It Takes Two.
:01:33. > :01:37.Nice weekend? ! Buzzy show with three couples opt sofa. No Craig,
:01:38. > :01:41.bless him, of course! He's taking time off for his hip operation. You
:01:42. > :01:46.could pretend you care! Get well soon, Craig, see you back here next
:01:47. > :01:51.week. Another action-packed weekend full of waltzing, wafting and wigs.
:01:52. > :01:56.In case you missed any of it, here are the Strictly headlines:
:01:57. > :02:01.Good evening. Thank you! Here is the news. After a
:02:02. > :02:06.difficult week, disrupted by injury, Natalie bounced back with a
:02:07. > :02:11.performance that saw her quickstep to joint first in the leaderboard.
:02:12. > :02:15.Flash! Can't believe you delivered a dance of this standard in such a
:02:16. > :02:20.short time. I loved the fusion of quickstep and
:02:21. > :02:25.jazz. I thought that was done immaculately well. There is no
:02:26. > :02:34.stopping you darling. Stunning. Thank you.
:02:35. > :02:44.Another standing ovation for Mark and Iveta bringing a bit of street
:02:45. > :02:51.dance to Strictly. I can't believe the audience, I have
:02:52. > :02:54.to say. I mean, it was all very flat-footed and stompy.
:02:55. > :03:01.The cha-cha-cha that you actually did was danced, I'm afraid, very
:03:02. > :03:11.badly. Boo hiss. From hip-hop to hip-on,
:03:12. > :03:16.Rachel's dig came out about his hip-op, much to Bruno's delight.
:03:17. > :03:19.Won't Y jigging tomorrow when they take your hip off!
:03:20. > :03:35.CHEERING AND APPLAUSE Tonioli, we love ya. It seems Artem
:03:36. > :03:39.did catch Kevin's impression of him on last week's It Takes Two and he's
:03:40. > :03:46.not very happy. Artem, leave him, it was a joke. It
:03:47. > :03:51.was just a joke. I'm sorry. Look, say you're sorry. Don't smile now
:03:52. > :03:55.the camera's on, you were aggressive a second ago. . Leave him alone,
:03:56. > :04:02.he's smaller than you. Are you OK, Kevin? I'll be OK. I'm just a little
:04:03. > :04:05.bit... No, no, leave him. See, look, the camera comes on, he's all nice
:04:06. > :04:10.again. Really in real life, he's the
:04:11. > :04:17.boss... Are you all right? See you in a bit. Come this way. Stay away
:04:18. > :04:22.from him. Those were the Strictly headlines: I
:04:23. > :04:25.thank you. More gossip from the weekend and all
:04:26. > :04:31.the action from behind-the-scenes just for you.
:04:32. > :04:36.Good morning. Thrilled to be here after a crazy
:04:37. > :04:43.week and nothing's going to stop me tonight. James, are you excited? Oh,
:04:44. > :04:53.really excited... He's out. Looking for a job! Ready for a bit of Bucks
:04:54. > :04:59.Fizz? Yeah. Here we go. There is a buzz when the live music
:05:00. > :05:04.goes, it's show time and this is the one chance. I think everybody's in
:05:05. > :05:11.for a nice treat from Dave today. He's taking me out on a date,
:05:12. > :05:15.shhh... I like a bit of hip-hop so it will be nice to have a ball. Here
:05:16. > :05:21.she is. Isn't he brilliant? He's the best. I rip off my pants, Deborah's
:05:22. > :05:25.skirt, good job it's only a minute and a half otherwise we wouldn't
:05:26. > :05:30.have any clothes left. I sometimes wonder why I'm here. Because you are
:05:31. > :05:34.fabulous and the shows loves you. I mean the nerves and everything. I
:05:35. > :05:41.think, I want to go home. Susannah is a hot mom. I just wanna be hot
:05:42. > :05:51.like her. I wanna be a mom too, but. Hot. She's a hot mom. Sounds great.
:05:52. > :05:56.We've got nothing to do. I think James is enjoying his new job. Got
:05:57. > :06:03.to give him something to do while he's not doing anything in show
:06:04. > :06:08.days. The I like it. Suits him. I love getting pampered, hair and
:06:09. > :06:15.make-up. It's great. Isn't Jamie a genius. That's luke megahair!
:06:16. > :06:21.-- like megahair. I'm a cute bank robber!
:06:22. > :06:24.I went to Miami in two hours. I'm actually quite nervous and I know
:06:25. > :06:27.that I'm the first person dancing tonight. I'm quite scared about
:06:28. > :06:42.that. I don't want to be I just wish I wasn't wearing my own
:06:43. > :06:46.clothes. I wish they'd supply me with a costume. I love the dress
:06:47. > :06:51.Tess. I love your dress more. Sorry, that's my happy face. Before
:06:52. > :06:55.I get on, I'll be absolutely petrified, so I need all the support
:06:56. > :07:00.of everybody. Week four! Now it's time we got some
:07:01. > :07:05.decent dancing coming out here! Argh... Should be out of their
:07:06. > :07:09.shells now they should be used to thes dance floor, no worries, the
:07:10. > :07:14.nerves shouldn't be there. The nerves, nah, they don't get any
:07:15. > :07:23.easier, in fact it gets worse. Mwah... Good luck, everyone. Good
:07:24. > :07:32.luck. Good luck... Faye minutes to live, guys, five
:07:33. > :07:42.minutes to live. Here we go. Higham here, I'm here.
:07:43. > :07:44.-- I'm here. Show time. Exciting. Live from the Strictly ballroom,
:07:45. > :07:56.this is Strictly Come Dancing. Absolutely loving little James.
:07:57. > :08:01.We'll always find you a job, darling. Third time unlucky as the
:08:02. > :08:05.dance-off finally got the better of team sparkle, welcome Julian and
:08:06. > :08:10.Janette. You were a lovely the two. Drat and
:08:11. > :08:16.commiserations on your exit last night. How are you feeling about it
:08:17. > :08:21.all today? Devastated. I've been crying night and day. My Mondays
:08:22. > :08:28.have never been the same. What did you do today? I didn't wake up until
:08:29. > :08:32.2 o'clock. No sore feet. Did you miss Janette this afternoon? I did
:08:33. > :08:39.miss Janette. I've got a big poster of her above my bed and on my fridge
:08:40. > :08:45.door. There's pictures of Janette everywhere, smile and energy in the
:08:46. > :08:48.house. You will never stop doing that. You have drilled it into him.
:08:49. > :08:53.There is a lot of people watching who're very upset that you have gone
:08:54. > :08:57.out, including Julie from Bristol who's having to console her
:08:58. > :09:02.seven-year-old son who's very sad because Julian reminds him of her
:09:03. > :09:07.old hamster because Julian was always so happy and so was Pickles.
:09:08. > :09:12.Have you ever been come pureed to a hamster before, or is this a first?
:09:13. > :09:17.That's an exclusive. Being compared to a lot of things, I have been, but
:09:18. > :09:21.not a hamster. He's going to miss you. It was your highest score of
:09:22. > :09:25.the competition so far, a great 23, which was brilliant for you guys.
:09:26. > :09:31.Dartscy said your best performance. Having been in the bolt develop
:09:32. > :09:36.previously, were you expecting that again or were you hoping this time
:09:37. > :09:42.it could be different -- having been in the bottom two previously. We
:09:43. > :09:48.just laughed, if you watch it back, we are going, OK, here we go again.
:09:49. > :09:51.Like what can we do at that point. Yes. The judges saved you a couple
:09:52. > :09:55.of weeks before, so was there a part of you that thought, we could still
:09:56. > :09:59.do this in the dance-off? It was weird because last week I found it
:10:00. > :10:04.incredibly difficult. It really gets to you being in the dance-off. It's
:10:05. > :10:07.disheartening, so you want to put everything in and I did and I
:10:08. > :10:12.thought, look, forget about last week, get on with it. I practiced so
:10:13. > :10:17.much. He did. He did. Were you pleased with his progress? Very
:10:18. > :10:22.pleased. He rehearsed more than any other celebrity really. Only second
:10:23. > :10:31.to Natalie and Artem? Yes. Let's enjoy your Strictly story.
:10:32. > :10:35.Julian, the professional of who is your perfect fit is Janette. Janette
:10:36. > :10:45.threw me all the way into the dance and I loved that. I have a big, big
:10:46. > :10:50.task and you will be great. I'm the worst dancer in the world. No you
:10:51. > :11:00.are not. I can't dance. . It was more like Woman's Weekly. I love the
:11:01. > :11:10.joy on your face. Woo... Tango is macho. It's kind of everything...
:11:11. > :11:14.That I'm not. That you are not. I look like My Little Pony. This is
:11:15. > :11:18.scary. Jay I just hope that they say
:11:19. > :11:26.something nice about his actual dancing. The posture I'm afraid is
:11:27. > :11:30.ghastly. Didn't quite work out the way it should have. Came out with
:11:31. > :11:37.conviction. You have improved. Thank you.
:11:38. > :11:40.You went out there and you were strong and involved and that's what
:11:41. > :11:47.I want. Yeah! I would like to say that Julian I
:11:48. > :11:51.want to save you. Julian. I think the jive suits
:11:52. > :11:56.Julian because it's a fun, happy dance and Julian is all those
:11:57. > :12:00.things. It's fast, full of energy and you've got to smile and be
:12:01. > :12:07.happy, so I love it! I just want to show everybody, I can jive!
:12:08. > :12:12.Certainly brought the energy and love-in to your Juve. That's your
:12:13. > :12:21.best dance to date. Thank you, Len!
:12:22. > :12:32.Woo! Yeah! The best week yet. Yes. Judges, who are you going to save?
:12:33. > :12:38.Julian and Janette. Julian and Janette. Julian and Janette.
:12:39. > :12:42.I'm going to teach Julian how to properly shimmy. Shake it to the
:12:43. > :12:48.right. This is a dance with lots of timing. Things which look easy and
:12:49. > :12:52.never are. You think he's going to do really
:12:53. > :12:56.well in the salsa because he's got a nice natural little funny groove
:12:57. > :13:01.going on. Don't laugh. I'm laughing because it's good!
:13:02. > :13:07.It was a little bit wild and whacky. Needed a bit more control. You threw
:13:08. > :13:11.yourself into it. You always do everything you can. I love it. I
:13:12. > :13:16.just find it so difficult. Reach Elle and Pasha and Julian and
:13:17. > :13:22.Janette. This is it. Judges, who would you like to save? Rachel and
:13:23. > :13:26.Pasha. Rachel and Pasha. Rachel and Pasha, I have to say.
:13:27. > :13:30.Julian, I couldn't be prouder of you, you went Reich this and like
:13:31. > :13:35.this and like this and like this and that's all that I could expect from
:13:36. > :13:38.anyone, so love you! Thank you so much for dealing with this small
:13:39. > :13:46.bundle of fun and I love you and friends for ever!
:13:47. > :13:50.CHEERING AND APPLAUSE Friends for life. Iveta ease very
:13:51. > :13:54.words. Are you going to keep up the dancing? Are you gutted you didn't
:13:55. > :14:02.get to do the American smooth and be Fred Astaire? I did think that could
:14:03. > :14:06.have been my best! Are you going to be incorporating any Strictly into
:14:07. > :14:12.your next collection? There might be a lot of ruffles, French, crystals,
:14:13. > :14:17.you name it. Who would you like to see go on and win this competition
:14:18. > :14:22.of all the friends you have made? I've always thought it's a battle of
:14:23. > :14:26.the girls, the girl power, you know. They are good. The Girls are
:14:27. > :14:28.definitely the strongest in the competition, but in striingtly you
:14:29. > :14:32.never know, sometimes the best dancers don't necessarily always win
:14:33. > :14:37.-- Strictly. It's who the public like, so the characters. You are not
:14:38. > :14:51.giving me an answer. Who do you want to win? I'm going for abbey.
:14:52. > :14:56.That thank you so much for coming to see us, Julian and Janette. So on
:14:57. > :15:00.Saturday night, Dave titivated himself up a treat and delivered his
:15:01. > :15:05.best performance yet. I'll be chatting to him and his partner
:15:06. > :15:08.Karen in a bit. First, a reminder of their waltz.
:15:09. > :15:12.You do swrub up very well, almost unrecognisable. There is a ray of
:15:13. > :15:16.hope on the horizon. What I love about you, you try your
:15:17. > :15:26.hardest every time. It's nice to see the serious Dave. I
:15:27. > :15:36.really enjoyed that. I would say that was your personal best.
:15:37. > :15:43.Yeah! Yeah! Yeah! Yes! I'm not the greatest dancer, but Karen brings
:15:44. > :15:50.out the best in me, plus we have a blooming good time, don't we? Yeah.
:15:51. > :15:54.You get lots of hugs today. Please give it up for Dave and
:15:55. > :15:58.Karen. I think we loved your dance, we
:15:59. > :16:04.loved your look, but especially we loved the way the two of you leaped
:16:05. > :16:08.for joy when you got 23, it was so exciting, Dave. How much did it mean
:16:09. > :16:15.to you? A lot really because, you know, at times when a lot of
:16:16. > :16:20.enthusiasm has been in me, I've been maybe lacking in accuracy, but I've
:16:21. > :16:27.always tried to dance seriously and this time it felt it went all right.
:16:28. > :16:31.The first thing when we stop I do is say "was that all right? " It did
:16:32. > :16:34.feel all right and it's nice to have that ratified by the judges. We set
:16:35. > :16:42.ourselves a target, if we'd have got 20, we'd have been happy. 23, whack
:16:43. > :16:49.of the net -- back of the net. Everybody at home loves Dave. Andy
:16:50. > :16:53.at Clacton said, fez being there for entertainment, keep at it, Dave, you
:16:54. > :17:05.could win this. Could do you have go on to one this?
:17:06. > :17:10.Yes, we can. Did it feel particularly good for you out there,
:17:11. > :17:14.Karen? It was fantastic. We had a lovely stair and actually, when he
:17:15. > :17:17.came in knocking, I felt I was going out on a date and when he stood
:17:18. > :17:22.there with the flowers, I took the flowers and I smelt them and I saw
:17:23. > :17:27.his little face looking at me, it really just melting my heart and I
:17:28. > :17:29.had a fantastic date, thank you so much.
:17:30. > :17:33.You see! Has she called you back yet? No, she hasn't phoned, rang,
:17:34. > :17:36.texted. Leave it until Wednesday then text
:17:37. > :17:42.her Bam! You were talking about the fact that
:17:43. > :17:49.there's always been a comedy element, slightly. Not intentional,
:17:50. > :17:53.no. The doble was meant to be serious and I'm trying to slay a
:17:54. > :18:01.bull. Was it nice to play it straight? It was lovely. With that
:18:02. > :18:06.look, I felt I was Stephen Seagal with the hair and everything. I was
:18:07. > :18:12.the man. I had more make-up on than Quentin Crisp and I felt great!
:18:13. > :18:16.Karen, Darcey said maybe a ballet class would help with Dave's
:18:17. > :18:20.posture. Is that something that we are going to make happen this week?
:18:21. > :18:25.We are going to try to stretch him out like a turkey, so I'm going to
:18:26. > :18:32.get the wings fully expanded and I'm going to get you flying, baby. Karen
:18:33. > :18:39.has a plan. It's not ballet but it's something that's maybe a bit New
:18:40. > :18:44.York and a bit neaveau for me. We are all taking guesses now!
:18:45. > :18:48.Darcey was a huge fan of the make-over. Also this week you have
:18:49. > :18:51.got to do salsa, so we are thinking salsa man and we are wondering if
:18:52. > :18:57.you might need some new looks to try out this weekend for salsa man. This
:18:58. > :19:07.is obviously new hair for you, Dave. You can try it.
:19:08. > :19:11.What do we reckon? Salsa? Uno, dos, tres...
:19:12. > :19:17.You can try that one, maybe. Also, Karen, we don't want to leave you
:19:18. > :19:24.out, so we have you a Hairy Biker beard. Are you talking to me. It's
:19:25. > :19:33.more taxi driver than salsa. It is. Look at that! How is the salsa
:19:34. > :19:43.going, by the way? Let us see the hips. So it's da-da-da-da... And
:19:44. > :19:45.it's like that, you see. The rotation.
:19:46. > :19:52.Getting the rotation and movement going on there. I'm going to be like
:19:53. > :19:56.a chilli on a grizzle. -- griddle. You have got to go in there on
:19:57. > :20:00.Mondays and start all over again. Is it confusing? No, I love it. Karen
:20:01. > :20:04.puts in such a lot of work on a Sunday, a lot of it hoping that we
:20:05. > :20:08.are going to have a Monday and I come into a plan and I can tell from
:20:09. > :20:13.the look in her eye whether she's happy or not or excited. This week,
:20:14. > :20:16.her eyes were wide, the teeth were flashing and salsa, it's Latin,
:20:17. > :20:20.isn't it! She's going to love it. We look forward to seeing you on New
:20:21. > :20:25.York whatever it is that you get up to and good luck with those hips,
:20:26. > :20:28.that was a nice bit of movement there. Thank you very much, Dave and
:20:29. > :20:34.Karen. You got a proper "whoop"! It's not
:20:35. > :20:39.all dancing for Dave here, last week, Karen let him have an hour off
:20:40. > :20:43.to have a rest. It was a bit mean for us to drop round for a snoop.
:20:44. > :20:51.I'm sorry,-day, no rest for the wicked.
:20:52. > :21:00.Hello. Nice of you to pop by. Anyway, come aboard.
:21:01. > :21:05.Well, welcome to my home and when I'm doing Strictly. It was built in
:21:06. > :21:08.2008 and it's moored on the Thames. This is the Whole House. She's a
:21:09. > :21:14.fully functioning little ship really.
:21:15. > :21:19.This is my wife's hat. Unfortunately, she can't be with us
:21:20. > :21:26.today, she's the Captain of the ship and she's the only one that can park
:21:27. > :21:33.it! My binoculars, washing line. My man over board line. Responsible
:21:34. > :21:37.skipper. This is the master cabin.
:21:38. > :21:43.Come in. And this is me after the end of a
:21:44. > :22:00.hard day's dancing. I just lie here and think of dancing, cog cooing
:22:01. > :22:05.choreography and dancing. I love having my satellite system. I can
:22:06. > :22:12.receive up to 15 different shopping channels and it's great because they
:22:13. > :22:16.deliver to the river bank. Our last port of call is the engine
:22:17. > :22:26.room. I've got a bit of a guilty secret.
:22:27. > :22:34.That's my shrine to Craig. Write come to pray -- where I come
:22:35. > :22:41.to pray for better scores. Craig we love you, Craig we love you, we want
:22:42. > :22:46.a ten, we want a ten, well a six would do. Look, no point in having a
:22:47. > :22:47.boat if you can't go out on a jolly. These are my mates, James and Dave.
:22:48. > :23:20.So, shall we, boys? All right-day. They won't turn off.
:23:21. > :23:32.My windscreen wiper's stuck on. Never mind.
:23:33. > :23:42.Is It's been lovely having you round. But you know, enough's
:23:43. > :23:49.enough, clear off. Let's hear it for Da and his very
:23:50. > :23:51.nice boat! APPLAUSE
:23:52. > :23:54.Len felt Ashley and Ola's performance had romance and
:23:55. > :23:59.elegance. Ashley's beautiful extended lines were praised. Brucie
:24:00. > :24:03.didn't like the shirt. Here is a reminder of their Viennese waltz.
:24:04. > :24:10.It had romance, elegance and there was a style to it.
:24:11. > :24:19.Just needed a bit more gusto to it. A bit more.
:24:20. > :24:38.A bit more oomph. Just push yourself a bit hard, drive
:24:39. > :24:47.through. Go for it. If I get another chance, I'll nail it, I promise.
:24:48. > :24:51.Please welcome Ashley and Ola. You two look gorgeous tonight.
:24:52. > :24:55.Matching outfits and everything. Loved the whirly waltz on Saturday,
:24:56. > :25:01.it was amazing. How was it for you out on the floor Ashley? I really
:25:02. > :25:04.enjoyed it. It's a slower dance so the training is a bit easier, but I
:25:05. > :25:08.don't know, it was a strange one because I felt like I got everything
:25:09. > :25:15.right, I sort of agreed with the comments that I was a bit stiff. The
:25:16. > :25:18.posture was lovely. The footwork was lovely.
:25:19. > :25:25.What are you talking about, look at that? ! I know. You wowed the judges
:25:26. > :25:29.week on week. On Saturday, you seemed to come in for a bit of
:25:30. > :25:35.critique, were you prepared for that, or was ate shocker? I don't
:25:36. > :25:48.know because I don't know where I my head was at. I got stiff. I got a
:25:49. > :25:53.compliment, then it was taken away. Did you agree with what the judges
:25:54. > :25:57.said? Jay we do work on the arms. Ashley's not the most natural dancer
:25:58. > :26:02.and we do work on the arms all the time, don't we? We do, don't we ask?
:26:03. > :26:09.! Don't we! It's not there quite, but I was happy with the whole
:26:10. > :26:14.performance. His footwork was lovely, the Foreign Secretary Earl
:26:15. > :26:20.was lovely. The posture was lovely. Then you got a battering, then you
:26:21. > :26:29.go up and they give you 31, the same score as your samba gosh gosh --
:26:30. > :26:32.fleckerl. We can take the negative comments and work on them for next
:26:33. > :26:38.time. Slightly surprising to have that and get the nice score. He's
:26:39. > :26:43.been keeping something from you, Ola. We thought we might show you a
:26:44. > :26:47.little something special. Love this. While we are waiting for Ola to come
:26:48. > :26:52.back, this is my alarm clock, the only thing that gets me out of bed
:26:53. > :27:01.in the morning. It's so beautiful. Really beautiful.
:27:02. > :27:09.# Somewhere beyond the sea # Somewhere waiting for me #
:27:10. > :27:14.What are you doing? Just practising the new dance, the new song, it's
:27:15. > :27:21.all good. Right, let's do it again then. Yes, Miss!
:27:22. > :27:27.Oh, Ola Jordan. I'm so embarrassed. It calms me down. Before we go in, I
:27:28. > :27:32.say, sing to me. Do, I do, but I'm so bad. I can see why James Jordan
:27:33. > :27:39.has fell so deeply in love with you. This week it's the jive, the judges
:27:40. > :27:43.want more oomph. The jive is perfect to give it some welly? We are going
:27:44. > :27:48.to go for it. The rue tenant is full on, the song is full on, we are
:27:49. > :27:55.going to work hard, yeah! Come on, Ashley, yes. Argh... How are your
:27:56. > :28:00.flicks and kicks? It's full on and I'm like a stick unsect/daddy long
:28:01. > :28:08.legs when I dance anyway so it's going to be fun. It's going to be
:28:09. > :28:11.brilliant. Patrick and Ben are getting good scores as well. Is
:28:12. > :28:15.there a nice bit of healthy competition between the boys perhaps
:28:16. > :28:18.now? I'm not just saying it, but I don't see any competition with
:28:19. > :28:22.anybody, you are in competition with yourself because you can only do as
:28:23. > :28:26.well as you can and it's not like I say, you have done well, I'm going
:28:27. > :28:30.to do better, and each week you start again and it doesn't get
:28:31. > :28:33.easier. It's nice on the leaderboard but to me it means absolutely
:28:34. > :28:37.nothing. You support each other, I like that. Brucie was going on about
:28:38. > :28:42.your vest. We were all a bit confused. He kept on picking my
:28:43. > :28:48.shirt going "your vest" and I felt like saying, Sir Bruce, it's a
:28:49. > :28:54.shirt. Don't argue with Bruce, he's a Sir!
:28:55. > :28:58.Will we like your outfit for the jive, have you seen it yet? There is
:28:59. > :29:03.no sure, the chest is out, you know, we need to stay in this competition
:29:04. > :29:09.-- there is no shirt. I love the fact you know nothing
:29:10. > :29:12.about this! She knows. What? ! Good luck this weekend, I'm sure it will
:29:13. > :29:17.be brilliant. Ashley and Ola. That is it for today. Thanks to all
:29:18. > :29:22.my guests. I'm back tomorrow at 6 opinions 30 with Rachel and Pasha
:29:23. > :29:27.and Ben and Kristina, plus the welcome return of some old friends
:29:28. > :29:32.and Vincent and Flavia and has Lee Lowe join me. Bye!