:00:07. > :00:13.Hello and welcome to Tuesday's It Takes Two. A soap star who got the
:00:13. > :00:19.judges in a bit of a lather, it's Natalie and her partner Artem. A
:00:19. > :00:29.golf legend getting into the swing. Natalie and her partner Artem. A
:00:29. > :00:39.And a Dragon and her partner, Robin. Topping it off, Karen Hardy is back.
:00:39. > :01:22.This is Strictly: It Takes Two. . From London, this is Strictly: It
:01:22. > :01:30.Takes Two. Please welcome your host Zoe Ball.
:01:30. > :01:34.Hello and welcome to It Takes Two. It's only Tuesday and our couples
:01:34. > :01:37.are already back training hard for their next dance. This time they
:01:38. > :01:41.have that added burden of knowing the first elimination is looming. I
:01:41. > :01:49.will be seeing if the pressure is getting to Natalie and Artem. First
:01:49. > :01:53.a reminder of how they brought some Russian flair to Borehamwood. You
:01:53. > :01:58.are going to go far, be careful with your foot placement on the cha-cha.
:01:58. > :02:05.I can't wait to see what you will bring out next, it's brilliant. You
:02:05. > :02:13.were a brilliant dancer and so far our frontrunner.
:02:13. > :02:22.Yeah! That was absolutely terrifying and amazing all at the same time.
:02:22. > :02:27.There was a standing ovation after that. I know, that was pretty
:02:27. > :02:36.mind-blowing. The support was just electrifying. Please welcome Natalie
:02:36. > :02:40.and Artem. Oh, Natalie, welcome to the show. Lovely to have you here.
:02:40. > :02:44.Second place on the leader board in the first week. Craig called you a
:02:44. > :02:48.frontrunner, you must have been thrilled. I think I was more
:02:49. > :02:52.intimidated because it's quite a tall statement for week one, you
:02:52. > :02:56.know. It means we have a lot to live up to now. I know. You wanted them
:02:57. > :03:03.to go yeah, you could be all right. You have that label now, better do
:03:03. > :03:08.good. But the judges did mention about hip action. A lot of people
:03:08. > :03:12.don't know you have had a couple of injuries. How much has that affected
:03:12. > :03:18.- had an impact on training? None, I can't blame that at all! You could
:03:18. > :03:27.have gone with that! But I am going to be... My injuries are a different
:03:27. > :03:30.story! No, I think it was just so wild on the night and you are so
:03:30. > :03:34.overwhelmed and shocked and disorientated by the lights and the
:03:34. > :03:38.audience that a lot of technique flew out the window. You are allowed
:03:38. > :03:43.that on the first one. Was it nice to have Russian influence on the
:03:43. > :03:47.show on Saturday? I think I am forgetting something today. What
:03:47. > :03:56.could it be? My costume! Was that all your idea? Should I be honest
:03:56. > :04:01.with you? Absolutely. Is that what you wear at home? All the time,
:04:01. > :04:08.shopping, at home. If you see me on the street, that's the costume. We
:04:08. > :04:12.have to mention the tan. Did they double dip you this weekend? I don't
:04:12. > :04:18.know what was wrong with it. Normally it's never that dark. For
:04:18. > :04:24.some reason that day I looked at myself and thought oh, bless you. We
:04:24. > :04:31.kept... A double take. Your teeth are so white. A contrast. The one
:04:31. > :04:35.coating next time. That end move you did, so ambitious. What was your
:04:35. > :04:41.reaction when he first told you he wanted to do that? Running away. It
:04:41. > :04:46.must be wonderful for you to have the confidence in Natalie's ability
:04:46. > :04:52.to make her do tricky things? Absolutely. It's a blessing. Thank
:04:52. > :04:55.you for trusting me. Yeah. At the moment! Hopefully it lasts. Early
:04:55. > :05:00.you for trusting me. Yeah. At the days yet, it can all change! The
:05:00. > :05:06.good thing about Natalie is she can definitely handle him. Look at this.
:05:06. > :05:12.And step and step. He wants to work hard and so do I. He might have met
:05:12. > :05:19.his match. I think she wants to work harder than me. Lucky me. Here's
:05:19. > :05:27.where you start paying in sweat. One more time? Yeah, lots more times.
:05:27. > :05:40.It's really hot. Again, again, again! Again, Artem. There's no
:05:40. > :05:49.relaxing. I am going to have a heart attack. Winner! He is going to have
:05:49. > :05:53.a lie down. In a dark room. You could be the end of him. You have
:05:53. > :05:58.the waltz this weekend. Nice change of pace. Very much so. I have heard
:05:58. > :06:03.you have taken to it like a duck to water. It's difficult to contrast
:06:03. > :06:05.between such a fast-paced dance and to go to something that's controlled
:06:05. > :06:10.and everything is against everything you have been taught so far. Also I
:06:10. > :06:14.think against all my instincts, all the turning out and going to the
:06:14. > :06:16.knees, it's nothing that I know. I am struggling a bit at the moment.
:06:16. > :06:22.He is nodding. He looks quietly am struggling a bit at the moment.
:06:22. > :06:26.confident. Obviously you have to follow Abbey's incredible waltz.
:06:26. > :06:31.Does that add pressure to you? I don't think so. Only in the sense of
:06:31. > :06:34.I don't believe in comparing yourself to anybody else, everybody
:06:34. > :06:39.has different qualities. Except this is a dance competition. Well, I am
:06:39. > :06:46.not thinking about that yet. It's all too much to take in. I want to
:06:46. > :06:52.enjoy our moment on the stage. It's about putting the work into what we
:06:52. > :06:59.do. Their waltz was absolutely beautiful. I couldn't do what they
:06:59. > :07:04.do. I can open do what we can do. Yeah. He agrees. Good luck this
:07:04. > :07:10.weekend. Loving your partnership. Natalie and Artem! With an epic 15
:07:10. > :07:15.couples performing this weekend we were treated to a feast of dancing.
:07:15. > :07:22.Here to give us choreograph food for thought is Karen Hardy.
:07:23. > :07:29.Here to give us choreograph food for -- choreography.
:07:29. > :07:36.With all new titles, welcome back to It Takes Two. I really missed you.
:07:36. > :07:41.So good to see you and we are off. It Takes Two. I really missed you.
:07:41. > :07:47.We are. How impressed were you with all the couples overall? Absolutely
:07:47. > :07:57.Fabulous. What an awry from classical, to hilarious, to ovly
:07:57. > :08:05.intense. Full awry of celebrities. Let's start with Julien and Janette.
:08:05. > :08:10.You have a creative man here, give him a vision and he will take it to
:08:10. > :08:14.the extreme. That's what happened on the night. Nerves definitely kicked
:08:14. > :08:20.in there. He needs to settle down, deliver the goods, not at such an
:08:20. > :08:22.extreme level. He will be gorgeous, has a great body and mind. He will
:08:22. > :08:29.be stunning. He was like an has a great body and mind. He will
:08:29. > :08:32.overexcited puppy. Rachel and Pasha and their waltz. Someone said it was
:08:32. > :08:36.too careful, would you agree? Look at the arms there. I wanted to pick
:08:36. > :08:42.up on straightaway. If we were going to dance that, we would want to
:08:42. > :08:49.overexaggerate it. That message has to go through the TV to everybody at
:08:49. > :08:54.home. It was sort of a bit of a woof of an arm. That's an official term
:08:54. > :08:58.you will find! One extreme to the other there. We find that it's more
:08:58. > :09:02.difficult to boost someone than it is to calm them down. Pasha is going
:09:02. > :09:11.to have to do a lot of work there. is to calm them down. Pasha is going
:09:11. > :09:17.Choreography beautiful. Fiona and Anton. Did we see a lot of tango
:09:17. > :09:22.steps? There was a lot. Look at this. The drag and she's going to go
:09:22. > :09:26.to wonderful twisting actions. I am secretly excited about this.
:09:26. > :09:31.Everyone at home is going to love this partnership because this lady
:09:31. > :09:38.can dance. That pelvic floor of hearse I think is rather strong.
:09:38. > :09:43.Anton is going to have to keep up with Fiona actually. It makes a
:09:43. > :09:49.change. About time. Vanessa and James. D'Arcy said this dance didn't
:09:49. > :09:55.suit her. Do you think she was right? Look, here, we have this
:09:55. > :09:58.moment of gorgeous indeed and -- gorgeousness and then we are just
:09:58. > :10:02.standing and plodding. I hate to put it. Most importantly, I would like -
:10:02. > :10:08.I am going to stand up for one moment, it's early on. Come on.
:10:08. > :10:13.Right. Try this at home, ladies and gentlemen. When one is exposing
:10:13. > :10:18.one's legs we must keep knees and ankles together. What we tend to see
:10:19. > :10:25.is we have these high heels, legs get open and this is where a lot of
:10:25. > :10:33.lady celebrities, not a nice loo Knees, ankles, especially if we are
:10:33. > :10:38.next to Bruce and Tess, please. Keep your legs together. Perfect.
:10:38. > :10:42.Something boys might not teach you. Great, we will remember that. Sophie
:10:42. > :10:46.and Brendan and the waltz. Judges loved this. Why was it impressive?
:10:46. > :10:51.It's beautiful. For the first time for a very long time Brendan was not
:10:51. > :10:55.carrying. Look at the brushing of those feet. That got completely
:10:55. > :11:00.overlooked. That tells me she's on her feet. Doing her own steps. She
:11:00. > :11:03.can move. He's going to be a very happy bunny. He will be. Happy
:11:03. > :11:08.can move. He's going to be a very Brendan makes us all happy. Ashley
:11:08. > :11:12.and Ola. It was a difficult routine that the judges didn't pick up. They
:11:12. > :11:18.said the hip work wasn't great. Should he have been given more
:11:18. > :11:23.credit? It was a red herring. Ola spinning around. He was really
:11:23. > :11:28.rather stiff. What we need to do, get those hips moving. I am going to
:11:28. > :11:35.have to get up one more time. You know what, I havants in my -- I have
:11:35. > :11:40.ants in my pants tonight. The hip and knee are family. When you
:11:40. > :11:44.release the hip you can release the knee. If you lock your knees you
:11:44. > :11:50.can't release your hips. If you bend your knees, you can't release the
:11:50. > :11:56.hips. So, hip and knee are family. Do you like that? I like that one.
:11:56. > :12:01.We need a little bit of hip and knee release from all of them that are
:12:01. > :12:06.doing the straight-legged dances. Ben and Kristina. Some judges
:12:06. > :12:12.commented he lost timing. Where did he go wrong? The song was really
:12:12. > :12:16.difficult. It's a song with cross rhythms. He is following her all
:12:16. > :12:23.around the place because there wasn't a strong beat for him to pick
:12:23. > :12:27.up on. That said, being a mad rugby fan myself, he better sort himself
:12:27. > :12:31.out otherwise I will be sending some of his boys down there. He needs to
:12:31. > :12:35.- we have seen it with the sports boys before. They start off quietly.
:12:35. > :12:40.He needs to feel his feet on the ground. He needs to throw a few arms
:12:40. > :12:49.out. Once he has got that we know mojo is going to kick in. He will be
:12:49. > :12:54.brilliant. Robin and Deborah. Where did she go wrong and how does she
:12:54. > :12:57.recover? She doesn't want to let anybody know she might have gone
:12:57. > :13:02.wrong. A mistake there, but look straight back up with the head.
:13:02. > :13:07.Absolutely first-class. A little birdie told me she's excited to get
:13:07. > :13:10.into the Latin. I am excited to see that. It was the registering of
:13:10. > :13:13.what's going on in the mind didn't get to the feet quick enough. We
:13:13. > :13:17.have to hold on for next week. She's ready and loving it. Don't you go
:13:17. > :13:23.anywhere young lady. We will be back to speak with Karen about the rest
:13:23. > :13:28.of the gang. For now, Karen Hardy! My next guest was all prepared for
:13:28. > :13:35.his tee-off on Friday but the judges deemed his waltz below par. Here is
:13:35. > :13:41.a reminder of how Tony and Aliona got on. Sentimental, romantic,
:13:41. > :13:49.floaty and soft. I didn't see much of that. It was littered with
:13:50. > :13:53.mistakes. A disaster, I would say. Come back the confident Tony and
:13:53. > :14:00.show us many moves that I know you have up your sleeve.
:14:00. > :14:06.It was the nerves that got me in the end. I got out of the sequence. Then
:14:06. > :14:10.it was very difficult. Hopefully we will get it better next week and
:14:10. > :14:18.it was very difficult. Hopefully we move on. Oh! Let's hope that result
:14:18. > :14:25.hasn't driven a wedge between them. Please welcome Tony and Aliona.
:14:25. > :14:31.Welcome guys. Can I say it was such a sweet performance that you did.
:14:31. > :14:39.How much did you enjoy yourself? I loved the dress rehearsal. I got it
:14:39. > :14:45.right. The satisfaction in there, in the work is getting it right. I
:14:45. > :14:50.misstepped early on when it really mattered. I suppose I was half back
:14:50. > :14:52.there and half really where I should have been. It was a lovely number. I
:14:52. > :15:00.have to say that. My choreographer, have been. It was a lovely number. I
:15:00. > :15:06.my boss here did a great job. Did you think the judges were a little
:15:06. > :15:11.harsh? Craig gave him a two. I know, yet I think we were definitely on
:15:11. > :15:16.the score, the number was so sweet. Tony was such a gentleman in the
:15:16. > :15:20.dance. I think the whole nation actually noticed his beautiful hand
:15:20. > :15:26.movements and his perfect lines and the footwork was great. Yes, he wept
:15:26. > :15:34.wrong a couple of times. A couple of hiccups, he calls them brain farts.
:15:34. > :15:39.So many other couples and that's OK, it's week one. Everyone is nervous.
:15:39. > :15:42.If you go wrong doesn't mean you danced bad. Take that to heart
:15:42. > :15:48.there. Lots of messages of support for you online. Charlotte said, Tony
:15:48. > :15:54.did very well for a man of his age. He was dignified and should feel
:15:54. > :15:59.proud. Yeah, I mean that's nice, too. Obviously the key to this is
:15:59. > :16:04.that I am limited with the time I can - I can't put seven hours a day
:16:04. > :16:08.in like some of these kids. These whipper snappers! You are the oldest
:16:08. > :16:13.contestant on the show. There is always a broad range of ages. You
:16:13. > :16:17.are 69. You will not be able to do something perhaps a 22-year-old
:16:17. > :16:21.could. Four hours a day of this, which for me who's led a quiet
:16:21. > :16:23.could. Four hours a day of this, lifestyle for the last ten or 15
:16:23. > :16:30.years essentially, is - four hours lifestyle for the last ten or 15
:16:30. > :16:35.is tough. They're very intense four hours. I don't give Tony any breaks.
:16:35. > :16:42.Don't mess with her. Occasional water break. That's about two
:16:42. > :16:50.minutes. He works really hard. Again it's the word I once - again it's a
:16:50. > :16:55.word I want struck from the dictionary. Again, again! Sometimes
:16:55. > :16:59.it can be a balancing act. I thought I had good balance. Hold it. Hold
:16:59. > :17:15.it. Hold it. I just lost balance. I had good balance. Hold it. Hold
:17:15. > :17:23.Looking there. Up, up, up. Hold it. I need bigger feet. I need a pair of
:17:23. > :17:33.boots. Divers boots. One of those safety bars. Stay up. Don't go
:17:33. > :17:40.anywhere yet. I am stuck. Balance is hard. Can I have a drink of water?
:17:40. > :17:45.Brilliant. Stay with me. Next weekend you are doing the
:17:45. > :17:48.Charleston, how is it going? Well, I thought the waltz was difficult, you
:17:48. > :17:56.know. We are into it, let's put it thought the waltz was difficult, you
:17:56. > :18:01.that way. It's a bouncy number. I just want to get it right, like
:18:01. > :18:09.always. You will this time. Last week Tony was telling me how
:18:09. > :18:12.fast-faced the waltz was. Now to Charleston, hold tight everybody,
:18:12. > :18:18.could be an interesting week. Good luck. I am sure it will be great
:18:18. > :18:23.fun. Lovely to have you on the show. Now this year we are making it even
:18:23. > :18:25.easier for you to keep your favourite couple dancing. We are
:18:25. > :18:28.easier for you to keep your giving you the chance to vote for
:18:28. > :18:37.free online and it starts from this weekend. All you have to do is head
:18:37. > :18:46.to our website and register your details. For fun we would thought
:18:46. > :18:52.the -- we thought we would start the ball rolling. Voting for this
:18:53. > :18:56.question closing at midnight on Thursday. We will reveal the results
:18:56. > :19:01.on Friday's show. It's just for fun. We are not really going to make them
:19:01. > :19:03.do it. It's time to revisit the weekend's performances, with the
:19:03. > :19:22.second round of choreography corner. I love those titles. Welcome back
:19:22. > :19:30.Karen Hardy. You love them. Let's start off with Abbey and Aljaz.
:19:30. > :19:34.Highest score of the weekend. It was beautiful. Why was it impressive? It
:19:34. > :19:38.was exquisite. What we were saying earlier, the belief in each other.
:19:38. > :19:41.This is week one. This could have been a final dance. Beautiful. It
:19:41. > :19:46.was the movement across the floor and what I picked up there was the
:19:46. > :19:49.way she can change direction so easy. We try week one is push our
:19:49. > :19:57.celebrities forward and hope they keep going. Oh, no, change, change,
:19:57. > :20:01.around we go. Exquisite. Pure glamour and beauty. Proper gasps
:20:01. > :20:08.there were from our household. Natalie and Artem. Second on the
:20:08. > :20:12.leader board. Craig said she was one of the frontrunners. Does she
:20:12. > :20:16.deserve that and why? Not only her dancing, her personality. Everything
:20:16. > :20:21.is beautiful. I have chosen a step, something I want her to start
:20:21. > :20:24.working on. She's performing like a dancer but her back is too stiff.
:20:24. > :20:28.Earlier on in the choreography she did all these movements where she
:20:28. > :20:30.was moving it around. She's got to get that movement through the body
:20:30. > :20:34.and the legs. We don't want it get that movement through the body
:20:34. > :20:38.looking too stiff. Dave and Karen and their cha-cha-cha. Boy, did he
:20:39. > :20:42.go for it. Was there enough cha-cha for you? There was a lot of
:20:42. > :20:47.something. I was laughing so much. I want to pick up here. Five, six,
:20:47. > :20:52.seven, eight. Then he goes, no, I will do cha-cha. Two, three. No, I
:20:52. > :20:59.shouldn't be doing that. I am off time. So I will sing. We had
:20:59. > :21:04.everything. Steps, hair, counts of eight. Cha-cha. And singing, as
:21:04. > :21:07.well. I was laughing so much I couldn't even look at the
:21:07. > :21:11.choreography. It was first-class entertainment. I don't think Karen
:21:11. > :21:16.even saw that coming. We are going to love seeing him here for a while.
:21:16. > :21:21.Tony and Aliona. Joint bottom of the leader board. Do you think he was
:21:21. > :21:27.judged harshly for week one? He was. Beautiful arm extensions. He
:21:27. > :21:32.mastered the one-two-three of the waltz. A gentleman. He would have
:21:32. > :21:34.lost marks because there were too many errors. Master the
:21:34. > :21:41.lost marks because there were too choreography, nail the timing. You
:21:41. > :21:46.will stay above the fives. Mark and Iveta. A dramatic dance. Mark was
:21:46. > :21:50.such a hit. Did he capture that? He did. I am shocked with here is the
:21:50. > :21:55.amount of great tango steps he carried out. The twisting here. Even
:21:55. > :21:59.heel leads early on. I didn't expect that from a man of his stature.
:21:59. > :22:05.Beautiful. He also brought the acting to the dance floor, that was
:22:05. > :22:08.fabulous. For me, I think - I don't even know who they're going to knock
:22:08. > :22:14.fabulous. For me, I think - I don't out of this, it's going to be very
:22:14. > :22:19.tight. Kevin and Susanna, first time a jive in week one. A tricky dance.
:22:19. > :22:25.Did it have enough energy and drive? It had energy for about five people.
:22:25. > :22:29.And with style and great taste. Fantastic choreography. We have
:22:29. > :22:33.twisting and shaking. We even have presentation and performance. So
:22:33. > :22:35.confident. I have to say I put it out there on the radio, she was
:22:35. > :22:39.confident. I have to say I put it going to be a good one because one
:22:39. > :22:45.important thing, she listens. Her job in the news is to listen to
:22:45. > :22:48.detail. That's exactly what she does and what I would stress to all
:22:48. > :22:52.celebrities, listen to your professionals and they will make you
:22:52. > :23:00.perform like stars. That's what she did. Well done. Patrick and Anya and
:23:00. > :23:06.their jive. Another energetic one. How could he have improved on his
:23:06. > :23:11.technique? Upstairs absolutely brilliant. A very handsome man. Has
:23:11. > :23:19.all the acting. Downstairs very flat-footed. He was even cheating on
:23:19. > :23:23.the chassis How? You miss a step out. It's hard. A jive in week one,
:23:23. > :23:28.that was really hard. He will be very happy that's out of the way.
:23:28. > :23:31.But we want to make sure that the technique - the building blocks of
:23:31. > :23:36.great performances, the technique. The building blocks. He must make
:23:36. > :23:40.sure he understands the technique of each dance. Overall, well done. We
:23:40. > :23:49.got through them all. So glad to have you back.
:23:49. > :23:53.Despite all the money, money, money, Deborah and Robin discovered the
:23:53. > :24:00.judges weren't willing to invest top marks with their tango. I thought it
:24:00. > :24:04.was a good pitch from the Dragon. I liked your attitude. You gave it
:24:04. > :24:09.plenty of snap, crackle and pop. Great attack and attitude from the
:24:09. > :24:17.beginning. You messed it up in the middle. You do in your frame, have
:24:17. > :24:27.to pull up from your waist. Don't sink into Robin. It's hard not to
:24:27. > :24:33.sink Robin. -- not to sink into Robin. I loved it. It all went so
:24:33. > :24:39.quick. I told you, enjoy that minute-and-a-half, it's over before
:24:39. > :24:46.you know it. Here's to next week! Please welcome Deborah and Robin.
:24:46. > :24:51.It's so much fun watching it all back. Great performance on Saturday
:24:52. > :24:56.night. A great score. 24. Were you pleased? I mean, I had - I couldn't
:24:56. > :25:00.have dreamt of 24. Although actually, of course I have had him
:25:00. > :25:05.teaching me for days, of course I was going to get 24. How nervous
:25:05. > :25:11.were you before the performance? We know you as being very confident. I
:25:11. > :25:13.could say I was probably more terrified than I have ever been in
:25:13. > :25:16.could say I was probably more my life. I was going over in my
:25:16. > :25:21.brain, I am terrified, I am terrified. And then put your left
:25:21. > :25:24.foot forward. Terrified. We get just as nervous as professionals,
:25:24. > :25:28.especially on the first live show. You don't know what your partner is
:25:28. > :25:31.going to do. It's the first time I have had Deborah in that live show
:25:31. > :25:36.experience. She could have done anything, fallen apart, could have
:25:36. > :25:41.just stopped. I was thinking about running away. Your fans thought you
:25:41. > :25:44.were great. Loads of messages. I thought Deborah did brilliantly and
:25:44. > :25:51.looked lovely. What a classy lady. How lovely. I will take that. Darcey
:25:51. > :25:58.said you had great attack. How did How lovely. I will take that. Darcey
:25:58. > :26:07.Robin help with the tango persona? Robin said to me, you need to
:26:07. > :26:12.channel... I said I don't understand channelling and I can't act. We had
:26:12. > :26:19.some fun. Did we have fun? I had a lot of fun. Not sure about Deborah.
:26:19. > :26:25.It did work. The face, you had a great tango face. Once I got into
:26:25. > :26:30.the dance I heard this Robin's voice saying keep that, keep that attack.
:26:30. > :26:35.It worked. A tango first week, that's got to be difficult for a
:26:35. > :26:40.celebrity. It's a tricky dance. Were you worried? A little bit. At the
:26:40. > :26:46.same time, the dance would be suited to Deborah. I didn't really know her
:26:46. > :26:50.too well then. I saw Deborah as this kind of ice-Queen from Dragons Den.
:26:50. > :26:54.As we have all seen, she's wonderful and everybody's fallen in love with
:26:54. > :27:00.her. You are being a sweetie. Look at this. I really do like that
:27:00. > :27:09.dress. It's lovely, isn't it? Love that! I love you for that.
:27:09. > :27:13.# Isn't she lovely... You did your homework too, that's great. Good,
:27:13. > :27:15.good, good. Marvellous! That felt so lovely for me to dance with you at
:27:15. > :27:21.that point. You really feel the lovely for me to dance with you at
:27:21. > :27:27.groove. Great! That was brilliant. Great. I don't often give a
:27:27. > :27:36.brilliant, that was brilliant. Chuffed. You are chuffed, I am
:27:36. > :27:47.chuffed. Fabulous. Oh! He's - I love it. You are going
:27:47. > :27:51.to blush now. Are you seeing any of Deborah's no-nonsense attitude? A
:27:51. > :27:55.little bit. Deborah's where she is today in her private life and career
:27:55. > :27:58.because of how much hard work and determination and enthusiasm,
:27:58. > :28:03.everything she's put into it over the years and she's bringing that to
:28:03. > :28:06.the dance floor and training room. I have never known anybody work so
:28:06. > :28:11.hard and couldn't ask for any more. You are up at 4.00 am, looking at
:28:11. > :28:17.notes I have been banned to the spare room because my husband says,
:28:17. > :28:22.my feet are twitching. From the tango to the cha-cha-cha. Quite a
:28:22. > :28:27.different style to the tango. How are you finding it? I love the
:28:27. > :28:33.cha-cha-cha. I love it. Doesn't mean I am good, it means that I love it.
:28:33. > :28:37.The tango, I felt like I was dancing to instruction. The cha-cha I feel
:28:37. > :28:41.like I am dancing. Wow. You are out there on your own, feel confident?
:28:42. > :28:47.Oh, a problem there because when he leaves me, it's like can we take
:28:47. > :28:55.that step out? Can I do that can you -- can I do that with you. Lovely
:28:56. > :29:00.partnership. That's it for today. A big thank you
:29:00. > :29:12.to all my guests. Tomorrow I will be joined by Kevin a and Susanna and
:29:12. > :29:13.Brendan and Sophie. See you tomorrow, good