Episode 20

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:00:07. > :00:12.Hello, it's Friday and this is It Takes Two. On my sofa and raring to

:00:13. > :00:17.go last week they slowed it down. Tomorrow it's full speed ahead.

:00:18. > :00:20.Princess Fiona and her Prince Charming Anton.

:00:21. > :00:26.So handsome. I'll have a pep talk with Sophie and Brendan and Patrick

:00:27. > :00:32.and Anya up in Elstree. The fabulous Friday panel are DJ

:00:33. > :00:39.Scott Mills. Diversity's Ashley Banjo and an Annika Rice. This is It

:00:40. > :01:26.Takes Two! From London, this is Strictly, It

:01:27. > :01:31.Takes Two. Please welcome your host, Zoe Ball.

:01:32. > :01:40.Hello and welcome to It Takes Two. Hurray, it's Friday and just 23

:01:41. > :01:43.hours, 58 minutes and 27 seconds until Saturday's next showdown.

:01:44. > :01:49.After last week, we can't even begin to guess who might be in trouble. On

:01:50. > :01:54.Saturday, Fiona and Anton performed a romantic rumba. The judges were

:01:55. > :02:02.left bent out of shape! First of all, here is their weekend story.

:02:03. > :02:10.The packaging were very enticing and promising at the beginning, but

:02:11. > :02:16.there are a few seriousish ues with balancing and your hip. The hip

:02:17. > :02:21.action was very stiff. You did a bizarre jump out of the floor spin.

:02:22. > :02:27.It lacked a bit of rhythm. You do lose focus and I don't want you to

:02:28. > :02:34.show us that you are making any mistakes.

:02:35. > :02:39.I get out there and just go to bits. I thought you were magnificent. I

:02:40. > :02:44.don't want to let you down. You won't let me down.

:02:45. > :02:49.We all need one of those cuddles! Fiona and Anton!

:02:50. > :02:53.It's wonderful when you say she's magnificent, you make her feel

:02:54. > :02:59.better. It's beautiful. On Saturday night, you looked absolutely

:03:00. > :03:05.stunning. Vicky brought your dress in last week and it was vamped up.

:03:06. > :03:10.You looked gorgeous. Does your confidence grow when it comes to the

:03:11. > :03:13.costumes? Definitely. As soon as they put you in the gowns and lots

:03:14. > :03:18.of hair and lashes, it's like being a different person. Transformation

:03:19. > :03:21.works so well. Anton, we loved your rumba on Saturday night. Fiona said

:03:22. > :03:29.one little thing. Len said there were a few more things. Who was

:03:30. > :03:33.right? Depends who you are asking. Just looking to make sure she's on

:03:34. > :03:42.the right leg. That was a big mistake at the end. Once you got

:03:43. > :03:48.going, you were fine. Beautiful. You've always had a soft spot for

:03:49. > :03:54.Len. Yes. And he was quite hard on you on Saturday. Was that difficult

:03:55. > :03:58.to take? Hugely painful. But I love him even more now. Because I like it

:03:59. > :04:02.when they're mean. Don't we all! I know, it's a terrible thing. It's

:04:03. > :04:06.the way of the world. I have to admit that everything that all the

:04:07. > :04:09.judges said was absolutely spot on and aisle taken it on board and this

:04:10. > :04:15.week it's different. A different week. We'll move on from that. With

:04:16. > :04:21.when you finished in the bottom two, were you frightened about the DDO,

:04:22. > :04:25.the dreaded dance off? I was convinced we were going to dance

:04:26. > :04:28.again and I was excited about the prospect because I thought, at least

:04:29. > :04:31.this time I might get it right. Of course they left us until the last

:04:32. > :04:36.minute and my little heart was beating so fast. But we didn't have

:04:37. > :04:41.to dance again sos it was brilliant. Yes, safe. They love you. Craig was

:04:42. > :04:48.talking about no connection between the two of you. I know! Anton, what

:04:49. > :04:54.did you make of that? I don't know. How can he deny the connection here!

:04:55. > :04:58.? Put him down... You said nobody had ever said that

:04:59. > :05:02.about you? Nobody has ever said that about me dancing with my partners.

:05:03. > :05:06.When you are dancing, you concentrate so much on the routine

:05:07. > :05:11.and trying to get through and trying not to do it wrong that you do lose

:05:12. > :05:16.sometimes a bit of connection as a couple. It's just because you are

:05:17. > :05:19.concentrating on the steps. But maybe other than that I don't really

:05:20. > :05:24.know. This week is entirely different. It's a whole new thing.

:05:25. > :05:28.I've seen you in training. In ballroom you are like that, it's

:05:29. > :05:32.like you can't look at him. I know. It's very confusing, the whole

:05:33. > :05:34.thing. Obviously vest very terrifying on the floor on a

:05:35. > :05:41.Saturday night, but also in the training room, you can be a bit of a

:05:42. > :05:47.chicken, Fiona. This is good. Oh, no. I have a whole farm yard of

:05:48. > :05:57.impressions. Want to see it? Not just a chicken, oh, no, a poach lent

:05:58. > :06:03.chicken. Want to see it? Yes. My chicken impression is well-known

:06:04. > :06:13.in our village. This is my impression of a very wet otter.

:06:14. > :06:18.She's coming out of the water. LAUGHTER

:06:19. > :06:25.They're really good, aren't they? I can do a lion. Roar! I can do a

:06:26. > :06:29.dolphin but I need to be in water do do that. How many dolphins do you

:06:30. > :06:40.have on a farm then? My chicken's the best. The greatest impression

:06:41. > :06:44.known to man. Clearly balmy. I think this whole

:06:45. > :06:49.show's gone to your head. This week you are going from the slowest and

:06:50. > :06:54.the rumba to one of the quickest, the quickstep. How are your energy

:06:55. > :06:57.levels? I'm loving the quickstep. Energy's come right up. I feel

:06:58. > :07:06.really quite positive about this dance. I mean, I'm just really,

:07:07. > :07:14.really loving it. Good. You have an amazing tune. My little feet are

:07:15. > :07:21.going like that. You love Sweet Chariot as well don't you? Yes. What

:07:22. > :07:25.is she bringing to the quick step? How pleased are you with her? Has

:07:26. > :07:29.she surprised you? We've had a great week this week. We have talked about

:07:30. > :07:34.having turned the Corner this week. I think we have because we've

:07:35. > :07:38.stumbled upon something during rehearsals. It's been great because

:07:39. > :07:43.we got personality coming out all oaf the place and it's tremendous.

:07:44. > :07:50.I'm thrilled really. I just sit back and watch her go and don't hardly

:07:51. > :07:54.get involved, if I'm honest. I'm so excited for Saturday night for me,

:07:55. > :07:58.but mostly for fill owe that because she can go out and go "wow, look at

:07:59. > :08:02.me, I'm going to give it some". Isn't that great that he has so much

:08:03. > :08:08.confidence in you? It's great that you believe in me so much. Yes.

:08:09. > :08:14.There is news that Erin Boag is having a baby. Surely now you will

:08:15. > :08:20.be known as uncle Anton. Have you been knitting and is she doing OK?

:08:21. > :08:25.She's being sick, only six times yesterday. But she's thrilled, her

:08:26. > :08:30.and Peter, they are absolutely thrill and it's tremendous news. We

:08:31. > :08:34.are so excited. We are so excited! The Royal "we".

:08:35. > :08:38.Thank you so much and good luck with the quickstep tomorrow, you will be

:08:39. > :08:42.gorgeous, I can tell. Anton and Fiona!

:08:43. > :08:48.Look at us, we are connecting! They are. Get off her. As is the

:08:49. > :08:52.norm on Friday, I made my way to Elstree to check in on rehearsals.

:08:53. > :08:56.I'm out with Sophie, Brendan, Patrick and Anya and here is what

:08:57. > :09:00.happened. Take it away. Here I am. So it's Friday and we are

:09:01. > :09:05.in the big studio. It's very exciting. This is the first time

:09:06. > :09:09.they get to rehearse. This is where you come to realise you've forgotten

:09:10. > :09:13.the whole thing. Patrick and Anya. Before we talk about the glory of

:09:14. > :09:17.last weekend, because it was an amazing performance. Thank you. We

:09:18. > :09:21.got bad news. You haven't had the greatest week. As you can see on his

:09:22. > :09:29.hand. You have sustained an injury. What can you tell me about it? An

:09:30. > :09:35.inflamed dorsal. Horrible. That's not good? No. We were training,

:09:36. > :09:41.there was roler skating in it as well. As you do! I'm a very

:09:42. > :09:48.experienced skater, of course. Are you, right? You always fall

:09:49. > :09:52.backwards? This time it wasn't on purpose. I thought it was fine, you

:09:53. > :09:55.know. We carried on our training for the next couple of hours and by the

:09:56. > :10:00.end of the night it was really stiff. By the morning, it was

:10:01. > :10:10.incredibly stiff. OK. That's when I went into work and saw a medical

:10:11. > :10:15.adviser and they said, you need to get that looked at. I love that, you

:10:16. > :10:20.work on Casualty and there was a medical adviser? ! Yes. You have

:10:21. > :10:25.been doing lots of lifts in the salsa. How much will this affect

:10:26. > :10:29.that? It's the most upsetting thing because he worked so hard, we spent

:10:30. > :10:33.a lot of time doing this incredible pushing boundaries with lifts and

:10:34. > :10:39.stuff and unfortunately, we had to rethink everything. So it's a

:10:40. > :10:44.simplified salsa? Yes. Fingers crossed, are you going to be able to

:10:45. > :10:55.dance? At the minute it's seeming like I will But it will go down to

:10:56. > :11:06.the wire? Yes. Can you touch his hand? It's still sore and tender.

:11:07. > :11:09.All that arm-ography! We are still in the progress of changing things.

:11:10. > :11:15.So everyone understand, it may be toned down tomorrow. We are going to

:11:16. > :11:20.go out fighting! Let's talk about last week. It was incredible, your

:11:21. > :11:26.cha-cha-cha. Thank you. How was it for you on the familiar? Great. I

:11:27. > :11:30.loved it. It went, for me, I feel Anya too, it wept brilliant. You did

:11:31. > :11:35.incredible to be honest with you. You were still beaming on mopped.

:11:36. > :11:39.Just fab. You can tell how good it is because Craig gave it so much

:11:40. > :11:45.praise, absolutely brilliant. You got a 9 from Len? Yeah... I was

:11:46. > :11:49.really impressed with what the judges said more than the marks. For

:11:50. > :11:56.Craig to say absolutely brilliant, you go, really, so you really

:11:57. > :12:07.enjoyed that? That is better than getting a 6, 7, 8, 9, or 10. Was it

:12:08. > :12:13.good taking the crown from Ashley? I hadn't been aware of that I don't

:12:14. > :12:18.think! There's no rivally between the boys. No! I wasn't aware of

:12:19. > :12:25.that, but there you are! I hope your hand's not too painful. We'll see

:12:26. > :12:28.how we go. Definitely one bit at a time with this.

:12:29. > :12:33.You could be breaking records doing a dance where no hands are touched.

:12:34. > :12:39.A lot of shimmying. Good luck, guys, thank you for talking to us. Feel

:12:40. > :12:43.better! Patrick and Anya. Let's see who we can find over here. Judges'

:12:44. > :12:47.chairs. That's a bit fancy. It's Craig, he's had his hip operation so

:12:48. > :12:52.they've got him a throne for tomorrow night. Hope he's all right

:12:53. > :12:58.and he might be limping. Sophie and Brendan here. Hello, guys. How are

:12:59. > :13:02.you? Another fantastic score for you on Saturday, Sophie. You looked

:13:03. > :13:06.absolutely breathtaking. I was looking at your dress, it was

:13:07. > :13:12.amazing. Did you enjoy it? It was a super frock, wasn't it? Stunning. I

:13:13. > :13:16.did enjoy it actually, although I think I was possibly the most

:13:17. > :13:22.nervous I've ever been. Was it because your lovely granny was here?

:13:23. > :13:27.No, that reassured me, she didn't put me on edge. It was being first

:13:28. > :13:33.in the show. I found starting the show really scary. A lot of

:13:34. > :13:37.pressure? Yes. It's getting into the show and you build up to that

:13:38. > :13:43.performance usually. What is worse, going first or last? Oh, first.

:13:44. > :13:47.No-nonsense choreography the from your Brendan. You talked about it

:13:48. > :13:56.last week and it definitely worked. Len loved it. You knew how to work

:13:57. > :14:01.it? I like good cog radio fill, I love content -- choreography. I like

:14:02. > :14:05.to make it magical. Sophie's just adapting to it and doing it which is

:14:06. > :14:10.amazing to work with someone like that, as a choreographer and dancer.

:14:11. > :14:14.You want the celebrities to rise to the challenge and she's doing it.

:14:15. > :14:18.Week after week. Making me do it over and over again helps.

:14:19. > :14:21.Cha-cha-cha this week, anything particularly tricky? Has it been a

:14:22. > :14:26.good week or a difficult week? It's not been as stressful as some of the

:14:27. > :14:30.other ones, but it's not something that comes naturally to me. I find

:14:31. > :14:34.the timing the hardest element because when cha-cha-cha, the

:14:35. > :14:39.fraudsing starts on the two, not on the one which is undoing everything

:14:40. > :14:43.I think about music. I start on the wrong beat. I also

:14:44. > :14:51.heard that you have had a few giggles in training. There'll be

:14:52. > :14:55.lines for you after school, Ellis-Bextor. What have you been

:14:56. > :14:59.laughing about? Everything. Occasionally I've laughed at some of

:15:00. > :15:05.the dance moves but you have taken it pretty well. You have taken it on

:15:06. > :15:10.the chin? Yes. Everyone laughing at me is nice! If you stand back, you

:15:11. > :15:17.look and go, what on earth are we doing, I do call myself a dancing

:15:18. > :15:20.theory a lot of the time. Are you pushing the choreography boundaries

:15:21. > :15:25.this week again and do you have moves that will wow us? I think we

:15:26. > :15:31.have a good overall image. I don't think the choreography is

:15:32. > :15:36.breath-taking, but I wanted to give Sophie a bit of a break this week in

:15:37. > :15:40.terms of not putting in the kitchen sink. The introis great and

:15:41. > :15:46.exciting, it's a nice build-up, then we do a good old cha-cha-cha.

:15:47. > :15:54.Another one of my favourite records. You have been looking at my record

:15:55. > :15:59.collection at home. Can Girls very much on top at the moment. Is there

:16:00. > :16:05.some friendly rivalry between the girls at all? Is it starting to kick

:16:06. > :16:12.in yet? It really doesn't feel like a competition yet at all. Everyone's

:16:13. > :16:16.supportive really. Yes. Even the boys! We are all feeling very much

:16:17. > :16:21.that it's week-by-week and there's been some lovely dancers out there

:16:22. > :16:25.right from the start. The only thing about the show is, everyone starts

:16:26. > :16:28.on a level, then it's about getting away from that and seeing how much

:16:29. > :16:34.you can improve week-by-week, whether it be scoring down the

:16:35. > :16:38.bottom, their goal is to get up off that bottom spot and if you are in

:16:39. > :16:42.the middle, your goal is to get to the top. If you get to the top, your

:16:43. > :16:46.goal is to try to stay there. I'm loving the great loving between you

:16:47. > :16:55.two. You can feel it between all of you and you two, the whole team I

:16:56. > :17:02.mean. Will you give us a glimpse of your cha-cha-cha? No. Take to the

:17:03. > :17:06.floor now, Miss Sophie Ellis-Bextor and her partner Brendan Cole doing

:17:07. > :17:08.the cha-cha-cha. One of my favourite records of all-time ever. Take a

:17:09. > :17:34.look. MUSIC

:17:35. > :17:37.- Michael Jackson - Pretty Young Thing.

:17:38. > :17:41.Not sure that's real, but then again you never know. Just a disco

:17:42. > :17:44.free-for-all. Time to go back to the studio with that blonde. She's not

:17:45. > :17:50.natural! Charming. Thanks, me. Time for a

:17:51. > :17:55.little canine Claire vinecy. Lucky got off on the wrong paw when he

:17:56. > :18:02.thought Deborah and Robin were top of the leaderboard. Let's see if you

:18:03. > :18:46.can do better this week. Remember, it's just for fun.

:18:47. > :18:50.Time now to welcome a panel who all know a thing or two about what makes

:18:51. > :18:58.a good performance and apparently one of them has a chihuahua. Please

:18:59. > :19:03.welcome, Scott Mills, Annika Rice and Scott Banjo.

:19:04. > :19:07.Hello you lovely three. Ashley Banjo's just dropped the clanger

:19:08. > :19:13.that he, the big man, owns a very small chihuahua. I do. What is your

:19:14. > :19:19.dog called? KP, like the peanuts. Do you carry her around in a bag?

:19:20. > :19:24.She sits on my shoulder. Annika loves that! You are about to go on

:19:25. > :19:26.tour aren't you with Diversity? We can have a sneaky peak of what you

:19:27. > :19:43.can expect. Have a look at this. It's exciting!

:19:44. > :19:47.I was hoping you might do sop flips down the stairs. What makes for a

:19:48. > :19:52.good performance when you are thinking about a show like this or

:19:53. > :19:56.yours. What are the key ingredients? I suppose you have got to know what

:19:57. > :20:00.you are saying and dog. With our show, the first thing we get right

:20:01. > :20:06.is the message. Once we know what we want to say to people it's about

:20:07. > :20:09.relaxing and having fun. This is the biggest show we have ever done, but

:20:10. > :20:12.it's like the biggest scariest adventure. We are going to go on

:20:13. > :20:19.stage and put our hearts and soul into it. OK. Contestants will be

:20:20. > :20:25.glaed to know that even you get nervous before a performance. You

:20:26. > :20:28.are a Strictly super fan. I haven't been out for ten years during the

:20:29. > :20:34.autumn. It's ridiculous. That's all I do. What's been your favourite

:20:35. > :20:39.dance so far? Sophie I can't take my eyes off her because she's like a

:20:40. > :20:43.newborn colt. The long legs. And vulnerable. She puts in this most

:20:44. > :20:47.extraordinarily compelling performance. So I think it would be

:20:48. > :20:53.her doing the charleston. Love that. Definitely. Hello, Scott Mills.

:20:54. > :20:59.Haven't seen you since 1998 possibly! 1999 beginning of. Lovely

:21:00. > :21:05.to have you here. Who are the favourites, the contenders? Who do

:21:06. > :21:10.you love? I have a problem. Deborah Meaden, I'm good friends with her,

:21:11. > :21:13.so is Rachel Riley and I now have a thing for Susanna Reid, well, not a

:21:14. > :21:18.thing, but... OK! I just really like her. I

:21:19. > :21:23.thought Susannah was great last week. They said it was a bit messy

:21:24. > :21:30.but I like her and the VT got me as well with the kids. Her throw boys.

:21:31. > :21:36.They are supporting their mum. Let's have a look a what is happening this

:21:37. > :21:43.week. Annika, last week this tango was one of the table-toppers, can

:21:44. > :21:52.she do it again? She is amazing. I did Hell's Kitchen with her. She's

:21:53. > :21:55.got such a strong work ethic and I think she'll pull it off. Whatever

:21:56. > :22:02.she does, she's so on message the whole time. She's wonderful. She's

:22:03. > :22:07.gorgeous as well. Jay good at topping, good on the work top, yes.

:22:08. > :22:13.Same thing, just a different skill, hands, feet, yes. Dancing to Olly

:22:14. > :22:18.Murs. This is my kids' favourite song. What do you think of the song

:22:19. > :22:22.choice, Scott? I don't know a lot of the older songs that are on, so I

:22:23. > :22:28.don't connect with those, but when it's a modern song you, it's great.

:22:29. > :22:35.It works. Banjo agrees. Dave and Karen are doing a salsa. Craig said,

:22:36. > :22:42.the dancing is a Cuban dance. Remember this one. Ashley, you loved

:22:43. > :22:45.this. What do you love about Dave? His technique is practise.

:22:46. > :22:51.Performance like that is something you cannot develop, it's a talent in

:22:52. > :22:56.his own right. He's such a joy to watch. The judges are always saying

:22:57. > :23:00.he needs a bit more technique. What do you think? I couldn't copy that

:23:01. > :23:05.technique. It's in a class of its own. You nook. Dave has his own

:23:06. > :23:10.hairy technique that we shouldn't tray to analyse. I liked him

:23:11. > :23:18.scrubbed up last week. With his pony tail. He brushed up well. It's like,

:23:19. > :23:27.look what you are capable of, Dave. Iveta and Mark are doing the waltz

:23:28. > :23:31.this week to One Republic. Is this going to work? Yes, really good.

:23:32. > :23:37.Looking at him in the training room, what do you think of his waltz

:23:38. > :23:40.ability? Be honest, Scott, that is what the show is for? He comes

:23:41. > :23:46.across as the sweetest guy. He might not be the best, but I think he's

:23:47. > :23:52.going to get through because people like him. A lot of love for Mark.

:23:53. > :23:55.Did you see his MC Hammer last week? I thought the band were going to

:23:56. > :24:00.perform that and I thought, please don't do that and they just played

:24:01. > :24:10.the track. The ballroom is, well, the judges talk about that every

:24:11. > :24:16.week. Pf INEBREAK He looks really good so, you know... Mark Benton on

:24:17. > :24:21.tour with diversity! He's on the phone right now. Brilliant! Deborah,

:24:22. > :24:25.your friend, Scott, they are doing the even niece waltz this week. Last

:24:26. > :24:29.week it was the jive. Scott, what did you think of the jive? Needed

:24:30. > :24:34.her legs higher in the our. Yes, that's what it was. I love Deborah

:24:35. > :24:37.and she comes across so miserable on Dragons' Den. She's not like that at

:24:38. > :24:41.all, she's a real laugh and I can tell she's having the time of her

:24:42. > :24:46.life so I don't want her to go. She's like a normal woman who's

:24:47. > :24:56.having a great time and I want that to continue. Her Her unner child

:24:57. > :25:02.comes out. She's delightful. The joy that radiates from her. It's

:25:03. > :25:08.infectious, I want her to win, yes! Annika's making a big statement,

:25:09. > :25:13.Meaden to win! She loves it. Dancing to James Brown.

:25:14. > :25:19.By the way, I love your shoes, Ashley.

:25:20. > :25:28.Natalie and Artem, they are going to be doing a Samba, those clever

:25:29. > :25:32.little bunnies. Every time Natalie does a Latin dance, they say they

:25:33. > :25:37.want more hip. How are her hips here? If I'm honest, I think she's

:25:38. > :25:41.so brilliant, the judges will always find something. No-one's perfect. I

:25:42. > :25:46.do it to my boys all the time. They do a jump, a somersault, I say

:25:47. > :25:53.higher. They are trying to push her. She's brilliant. They have a great

:25:54. > :26:03.track. Scott? I always go into a bad mummy shimmy

:26:04. > :26:08.when I hear an Italian song. Do you think it will be good for

:26:09. > :26:15.her? Yes, it will be great. Rachel and Pasha are doing a paso doble to

:26:16. > :26:19.Nelly purr far doe this week -- Furtado. Is she a man-eater? Not

:26:20. > :26:24.sure. We'll find out. I was talking about heart and soul in performance

:26:25. > :26:27.early on. With that dance, literally to me, that's what separates the

:26:28. > :26:33.people who do it well with the people that do it brilliantly, heart

:26:34. > :26:38.and soul. You know her really well don't you, Scott? Can Rachel give it

:26:39. > :26:44.heart and soul? I hope so because she's on my show next week!

:26:45. > :26:50.Annika, would you like to go paso doble with Pasha? Rachel's in goods

:26:51. > :26:54.hands isn't she. The times that I've been on Countdown and she's been

:26:55. > :27:01.doing her sums, it's just like, Rachel you are so pretty. Amazing.

:27:02. > :27:05.Fingers crossed. Susannah and Kevin are doing an American smooth to Tony

:27:06. > :27:11.Benn net. Ashley, first time Susannah is going to tackle a lift.

:27:12. > :27:14.Any advice for her? The worst thing about being the male on the bottom

:27:15. > :27:19.when you are in a lift is when you have got a sack of potatoes, someone

:27:20. > :27:24.who does not pull up and make themselves lighter, someone who's

:27:25. > :27:30.just like that, who just hangs. It's about pulling up and core and

:27:31. > :27:34.posture and how you hold yourself. I don't think Susanna Reid could ever

:27:35. > :27:40.be a sack of potatoes if she tried. Can we try that? No, he's got to go

:27:41. > :27:43.on tour! Annika, they are doing their dance to Tony Benn net. Will

:27:44. > :27:49.this work? I think she's so on message, this girl. Last week, Len

:27:50. > :27:56.who I think should have a new slot, Len's Gems... Write that down! It

:27:57. > :28:00.was, what bums and Bongos. She's extraordinary each week, she's

:28:01. > :28:06.reinventing herself in a whole new dance. If we are quick, we can look

:28:07. > :28:09.at Ashley and Ola. Johnny with Good is the music for their jive. How

:28:10. > :28:14.difficult is it to learn a dance in four days? Oh, my gosh, it's

:28:15. > :28:22.difficult if you are used to the neck nook, but if you are a new

:28:23. > :28:36.dancer -- technique. It's difficult if you are a new dancer. Who do you

:28:37. > :28:42.want to win? Dave. Deborah. Scott? Deborah. Rachel's going to be so

:28:43. > :28:47.cross with you! I think they are a Dream Team, Banjo Rice and Mills,

:28:48. > :28:52.our perfect panel! Don't forget, Benton's on the road with Diversity.

:28:53. > :28:56.A huge thanks to all my guests, join me here next week. I'll be

:28:57. > :28:59.commiserating with the next couple. Who will it be? Find out next week.

:29:00. > :29:01.Bye! Enjoy the show.