:00:07. > :00:12.Welcome to Wednesday's It Takes Two. On the show tonight, they charmed us
:00:13. > :00:23.with their cha-cha-cha, it's pretty young thing, Sophie and Brendan! And
:00:24. > :00:28.their fruity salsa had so much cuckaboom. Here to give us a preview
:00:29. > :00:32.of the Halloween dances, it's only Ian Waite. This is Strictly It Takes
:00:33. > :01:16.Two! Live from London, this is Strictly
:01:17. > :01:25.It Takes Two. Please welcome your host, Zoe Ball.
:01:26. > :01:32.Hello. Welcome to Wednesday's It Takes Two. The theme this weekend,
:01:33. > :01:35.in case you hadn't realised is, it's Halloween, which means things are
:01:36. > :01:38.about to get scarier for the remaining 11 couples. If you can't
:01:39. > :01:42.possibly wait until Saturday to see what is in store, fear not, Ian is
:01:43. > :01:52.here with an exclusive look at the dances!
:01:53. > :02:00.Please welcome everyone's favourite pumpkin, Ian Waite!
:02:01. > :02:05.Baby, you look so, so cute. Is that your own? Have you brought it from
:02:06. > :02:08.home? What do you think? No. Doesn't he look delightful, I think you will
:02:09. > :02:13.agree. Did you enjoy the show on Saturday? I had a fantastic time. I
:02:14. > :02:17.Haddiner at my house, a few friends round, Damian and Julie and a few
:02:18. > :02:22.poodles, it was lovely. Sounds like an interesting night. Did you have
:02:23. > :02:28.any favourites on Saturday? Well, I liked, I must say, Fiona and Anton.
:02:29. > :02:33.Don't laugh at me! Take me seriously. How can I? I loved their
:02:34. > :02:38.dance. Let's have a look in the training rooms then. First of all,
:02:39. > :02:42.we are going to look at Susannah and Kevin doing a charleston this week.
:02:43. > :02:47.Bruno said Susannah Richard Judies happiness, so surely that'll be
:02:48. > :02:52.perfect for her. This is for you, your microphone's got lost. Two
:02:53. > :02:57.things to hold now! It got lost in your innards
:02:58. > :03:00.somewhere. She's Miss Consistency. Four eights last week and I think
:03:01. > :03:06.they are going to do it again this week. I'm loving her charleston.
:03:07. > :03:11.Lots of good work in the feet, particularly. Craig keeps on about
:03:12. > :03:17.that, swivelling of the feet. Off he goes. I like the way you bounce up
:03:18. > :03:21.top when you do that! Lovely! It's the only thing attached to me. I
:03:22. > :03:25.think she's going to do a good dance. A little ray of sunshine.
:03:26. > :03:30.Great dance for Mark this week, the paso doble. And he's got the real
:03:31. > :03:35.dramatic flare, hasn't he, so is this going to be good? He has and he
:03:36. > :03:40.has that drama which he does really, really well. Do you want me to hold
:03:41. > :03:46.your wand as you talk into the mic? Yes, you hold my wand. He's lost two
:03:47. > :03:50.stone over the last five weeks. Amazing! Everybody take up dancing.
:03:51. > :03:57.I wanted to talk about his shaping. I'm going to draw that in there. Do
:03:58. > :04:02.you want me to hold your cards? Yes. I want him to shape his arms more,
:04:03. > :04:06.like he's got my pumpkin outfit on. Do you want me to hold your mic
:04:07. > :04:11.while you do the other arm? You could just talk like that? No, no.
:04:12. > :04:16.We could give him some spiders, think about the arms and the legs.
:04:17. > :04:19.OK, Pasha and Rachel. We reckon Rachel might be relieved because
:04:20. > :04:25.this week she's doing an American smooth based on a Viennese waltz
:04:26. > :04:29.which is unusual? Yes, normally we see foxtrot, yes. Those sorts of
:04:30. > :04:38.dances, we did a waltz, do you remember? Vague lift was it before
:04:39. > :04:47.the blitz? She's already done a waltz so it should help. There is a
:04:48. > :04:52.few points that I want to point out. There is an arrow there pointing to
:04:53. > :04:57.the hand, the head and the bottom. Those three things she needs to get
:04:58. > :05:01.that wrist flat, nice and flat and she needs to keep the head to the
:05:02. > :05:05.left and also she needs to keep her bottom under. Tuck her bottom under?
:05:06. > :05:10.Yes, very, very important. She'll have taken that on board. Your
:05:11. > :05:14.favourites from last week, Fiona and Anton. 30 last week, her highest
:05:15. > :05:19.score. It will have given her a lot of confidence for the charleston.
:05:20. > :05:24.Sorry, I can't take you seriously, you look hilarious? She's really
:05:25. > :05:29.getting into the spirit of it. Lots of fabulous charleston steps, really
:05:30. > :05:33.fun and I love the way they're absolutely matching each other,
:05:34. > :05:37.look. Perfect. That is good. Perfectly matching with the legs.
:05:38. > :05:44.Nice leg work. They look like black cats, don't they, look at that. Very
:05:45. > :05:47.nice! - You are going to be sick of the Halloween theme in about ten
:05:48. > :05:51.minutes. Patrick did so well with Anya last week with his injury. This
:05:52. > :05:55.week he's doing a quickstep. Still suffering, but he's fighting on,
:05:56. > :05:59.he's a soldier. How are they looking? The thing is, like I said
:06:00. > :06:03.last week and the week before, he's great when he's on his own. All of
:06:04. > :06:07.this, he's actually dancing the whole thing on his own. We have only
:06:08. > :06:11.seen that ever once before when Colin Jackson did it. Colin with the
:06:12. > :06:15.dolls, remember that, my favourite one. Yes, we like to reminisce. I
:06:16. > :06:21.think they'll probably be dancing together here. Is she just marking
:06:22. > :06:26.it out? Yes. But he's doing a really good job on his own, let's hope he
:06:27. > :06:32.can do it in hold. Ben and Kristina also doing a paso doble, a very
:06:33. > :06:35.masculine dance, very good for Big Ben? You would think so. At the
:06:36. > :06:40.moment, he's lacking the shaping in the arms and needs to get the elbows
:06:41. > :06:45.up. I'm going to pause it here. She goes across the other side. Look at
:06:46. > :06:51.him. Arms down too much. He needs to, if I can show you, be shaping
:06:52. > :06:54.his arms on every moment. LAUGHTER
:06:55. > :07:08.Just like that! You look a little bit like Ben. Extra round of
:07:09. > :07:13.applause for coping with a broken microphone and a pumpkin costume.
:07:14. > :07:19.Don't be deplated. We'll talk to you again later on, Ian Waite. Dave and
:07:20. > :07:27.Karen went crackers on Saturday night. They'll join us next to talk
:07:28. > :07:34.about their performance. You should have considered the possibility of
:07:35. > :07:42.remaining on the fruit trolley... Strictly presents crackers with that
:07:43. > :07:48.rack coos two -- maraccas. Out of sync all the way through. It's never
:07:49. > :07:53.luckily a boring performance. It's not top quality dancing. It's top
:07:54. > :08:05.quality fun. And entertainment. The judges could have done it
:08:06. > :08:10.better. It may not have been the greatest dance in the world but it
:08:11. > :08:13.was all there. We are all right, bottom of the leader board. But top
:08:14. > :08:17.of the world. I love that. Please welcome Dave and
:08:18. > :08:21.Karen. Hello, you gorgeous twosome. Well
:08:22. > :08:24.done, I don't know what was wrong with the judges on Saturday night,
:08:25. > :08:29.you had parrots, conga and even your five a day on top of Karen's head.
:08:30. > :08:33.What more could you possibly have given them? She even said there was
:08:34. > :08:37.a banana for supper, everything from catering to mobility issues, getting
:08:38. > :08:42.on there with the trolley, it was ambitious. Very! Karen, six weeks
:08:43. > :08:47.in, do you ever get frustrated with the judges when they are just, you
:08:48. > :08:50.know, a little bit negative? No, actually they are just doing their
:08:51. > :08:54.job and it's constructive criticism so it makes us work even harder when
:08:55. > :08:58.we get back into the studio. Keep going!
:08:59. > :09:03.Lynn says not top quality dancing but top quality entertainment. --
:09:04. > :09:07.Len says. I took that as a great compliment. I'm never going to be
:09:08. > :09:10.the best dancer because there are some wonderful, wonderful dancers in
:09:11. > :09:15.this series so I've just got to go for it and enjoy it. I have to work
:09:16. > :09:20.as hard as I can. And you are working really hard, aren't you? Oh,
:09:21. > :09:25.yes. You did so many training hours last week, it's ridiculous. Driving
:09:26. > :09:29.her mad, yes. You looked visibly shocked when the judges gave you
:09:30. > :09:33.your scores, were you a bit disappointed? Yes. We came out with
:09:34. > :09:36.the waltz the week before and that seemed to be going very, very well.
:09:37. > :09:41.The salsa, I didn't find it the easiest of dances to learn, with all
:09:42. > :09:45.the paraphernalia, the fruits and trolley and everything, but we
:09:46. > :09:51.wanted to try and equal what we did in the waltz, if not a bit better.
:09:52. > :09:55.There's always this week. Before we go on to this week, can we remind
:09:56. > :09:59.ourselves of the faces you pulled when you got through on the results
:10:00. > :10:06.show. Let's relive that moment. It was brilliant. Have a look.
:10:07. > :10:17.Returning next week will be... Dave and Karen.
:10:18. > :10:23.I'm going to play that every time I feel sad. We kept our dignity. I
:10:24. > :10:29.think so, definitely! How much does it mean to you, Karen, when the
:10:30. > :10:35.public save you like that? It means a lot to us because we are working
:10:36. > :10:39.really hard and this guy right here wants to be in this competition and
:10:40. > :10:46.is trying really, really hard. We go out there and we love every second.
:10:47. > :10:53.You can tell! Thanks to everybody at home. Judges keep bringing up this
:10:54. > :10:57.point of music ality and whether you have it or not. Is there anything
:10:58. > :11:01.you have been able to work on and have you been automobile to bring in
:11:02. > :11:07.any tricks, Karen? I'm trying everything, you know. Making sure
:11:08. > :11:12.he's looking at me. Every single little thing, but we are working on
:11:13. > :11:18.it. It's a work in progress. It's when the count is going at a
:11:19. > :11:22.different speed to the music. That will confuse anyone. I know. That's
:11:23. > :11:27.what I had trouble with in the salsa. I didn't notice at all. I
:11:28. > :11:31.didn't either. It was great! We do love your relationship though
:11:32. > :11:36.and we have noticed that you have found a mutual love of something
:11:37. > :11:42.which is quite handy perhaps. Karen's still using all the foot
:11:43. > :11:49.analogies. Is Juicy knees and glaceed sugary hips. I think
:11:50. > :11:57.secretly, she's more food obsessed than me. Baloney. Ham and cheese.
:11:58. > :12:03.Chicken breast up. Baked potato. Bodies will be aching for your
:12:04. > :12:07.spice. Beans on toast, cha-cha-cha, steak and eggs cha-cha-cha, Strictly
:12:08. > :12:13.bacon. Strictly. With a cherry on top. Ping. You are food obsessed.
:12:14. > :12:19.You want to see kingy. I'm hungry, my teeth are going to come out for
:12:20. > :12:21.your ankles. It was like my auntie Pat's Yorkshire terrier. I think I
:12:22. > :12:31.ate too much. I love it. It's kind of like
:12:32. > :12:35.madness. The madness starts seeping out. This week it's the jive. Tough
:12:36. > :12:40.to make the jive scary being Halloween week and all that? I try,
:12:41. > :12:46.but every time I do it, I do this big entry where I shock her and she
:12:47. > :12:50.bursts out laughing and goes, "your cheeky face". Working on that scary
:12:51. > :12:55.face. Thises the music. You have one of the best Halloween tracks ever.
:12:56. > :12:59.# The monster mash... # I like it! Apparently you write
:13:00. > :13:03.notes to yourself on your hand so that as you are going out... In the
:13:04. > :13:08.salsa, because on the rehearsals on Friday I hit a brick wall and it's
:13:09. > :13:14.like, what happens next, so to jog my memory, like I had time to look
:13:15. > :13:19.at my hand! - I look at like, head, four bits, cart wheel and that was
:13:20. > :13:25.the order it went in. They were all in a mess. I do love watching you.
:13:26. > :13:31.I'm squeezing his hand going like "don't look". Just do that and you
:13:32. > :13:36.will be able to read it. Good luck with the jive this week, Dave and
:13:37. > :13:42.Karen! Don't go anywhere, it's time for a
:13:43. > :13:46.special announcement. Carb and Dave are going to stick with us -- Karen
:13:47. > :13:51.and Dave. We wanted all of you this year to be part of it by joining us
:13:52. > :13:56.in a special Halloween-inspired dance routine from the rocky horror
:13:57. > :14:02.picture show. Here are Kevin and our Karen here to show you how to do the
:14:03. > :14:12.time warp. # Let's do the time warp again
:14:13. > :14:17.# It's just a jump to the left # And then a step to the right
:14:18. > :14:22.# Slip your hands on your hips # Bend your nighs in time
:14:23. > :14:29.# And it's the pelvic thrust # That really drives you insane
:14:30. > :14:40.# Let's do the time warp again # Let's do the time warp again... #
:14:41. > :14:45.Simple. Got it? Got it? Ready. Take it away Karen. Go! Five, six, seven
:14:46. > :14:56.eight # Let's do the time warp again
:14:57. > :15:01.# It's just a jump to the left # And then a step to the right
:15:02. > :15:07.# With your hands on your hips # And bend your knees in time
:15:08. > :15:11.# With the pelvic thrust # Really drives you insane
:15:12. > :15:24.# Let's do the time warp again # Let's do the time warp again... #
:15:25. > :15:35.APPLAUSE Come on! There you go. Telly gold,
:15:36. > :15:43.Dave doing the time warp backed by a pumpkin. Two days to perfect the
:15:44. > :15:45.dance at home. Kevin was there too! APPLAUSE
:15:46. > :15:49.Step by step moves can be found on the Strictly website. A couple of
:15:50. > :15:54.weeks ago, we introduced you you to Melanie and Gordon, the lucky bride
:15:55. > :15:58.and groom being taught a routine for their wedding in December. They have
:15:59. > :16:04.had their second rehearsal, so it's time to check in with them and see
:16:05. > :16:07.where they are up to. Today it's about showing them the choreography.
:16:08. > :16:11.I want them to feel comfortable, I want them to love it and not feel
:16:12. > :16:19.like it's a lot of pressure on their wedding day. I'm going to teach you
:16:20. > :16:26.a Cuban break. Bum, bum, bum, bum, bum. Stay there. I'm going to be
:16:27. > :16:33.here. So it goes ba, ba, ba, ba, right, left, right, left, right...
:16:34. > :16:41.Gordon hated me for putting us in for this show. I never thought we'd
:16:42. > :16:45.be doing this type of move. I've just started with the choreography,
:16:46. > :16:55.they picked the steps up quickly. Good. Straighten again. Yes! He's
:16:56. > :16:58.got amazing leg action, he's like snapping it. She's a fantastic
:16:59. > :17:02.teacher and she's got a lot of energy and that really helps us
:17:03. > :17:07.because it's a lot of work and it's not something we are used to. To
:17:08. > :17:12.have someone like her who's so bubbly and energetic is a real help.
:17:13. > :17:18.I'm just basically standing at the bus stop, yeah. We love her
:17:19. > :17:25.transport analogies, we have been on a boat and a bus. Steering wheel.
:17:26. > :17:36.Like a choo choo train. You know, like a voom, voom. Follow my body.
:17:37. > :17:47.I'm going to lead you without touching you. You can see Brendan's
:17:48. > :17:51.bum when you stick it out, I'm hoping that we'll look like the
:17:52. > :17:57.professionals at some point. Good, kids!
:17:58. > :18:01.I've never had two people learn so much choreography in one session -
:18:02. > :18:07.ever. My legs are absolutely killing me. I'm exhausted. I like that
:18:08. > :18:12.feeling because it means we have worked hard and it's good for the
:18:13. > :18:16.wedding diet as well! You could maybe take off your jacket, have a
:18:17. > :18:23.moernlingts you can reveal something. Get your veil off,
:18:24. > :18:28.whatever. Next week we'll practise and we'll make sure we haven't
:18:29. > :18:33.forgotten everything for the next session.
:18:34. > :18:37.I love it. Melanie and Gordon showing a lot of promise. Time to
:18:38. > :18:45.separate the good from the Gouldish with part two of Waite's Wednesday.
:18:46. > :18:51.Welcome back, my little pumpkin. -- ghoul. You should wear that every
:18:52. > :18:56.week. Ashley is doing the tango this week. He's not afraid to take risks
:18:57. > :18:59.which we saw in his jive last week. How is the tango looking? There are
:19:00. > :19:04.parts of it that are really good. He's nice and low in the legs which
:19:05. > :19:09.you have got to be, you have to be down. He has great action, great
:19:10. > :19:13.heel leads. I've stopped it here because I don't like the straight
:19:14. > :19:18.arm. It's too straight. It needs to be more compact because tango is
:19:19. > :19:25.more compact. There is a little graphic to put in there to show you.
:19:26. > :19:31.OK. Like that. A bit grisly that arm so I've put it in. Carry on further,
:19:32. > :19:37.look at his head. He turns his head in towards Ola. Now, that is his
:19:38. > :19:42.nemesis. Every time he does pivots, he tends to lean towards the girl.
:19:43. > :19:46.Where should he lean? Straight. If anything, pull away from the girl.
:19:47. > :19:54.Maybe if Ola eats a lot of garlic. Good idea. Happy birthday to Ellice
:19:55. > :19:58.by the way, nine on Saturday and she loves you. Darcey was commenting on
:19:59. > :20:02.Sophie's soft knees in her cha-cha-cha. Doing a jive this week
:20:03. > :20:07.which could be handy? You have to have soft knees but you also have to
:20:08. > :20:12.be able to straighten your leg. It's about straitning and bending the
:20:13. > :20:17.knees -- straightening. I'll stop it here. I'm going to zoom in on this
:20:18. > :20:24.area here. She's got bent legs there. If you are staying too bent
:20:25. > :20:30.in jive, it can be too much. We get the idea. I try and straighten at
:20:31. > :20:34.the end of the move. Have you ever seen a pumpkin move like that,
:20:35. > :20:38.ladies and gentlemen? Never, never in your life and probably never
:20:39. > :20:45.again. That was beautiful. He's getting carried away now. He's
:20:46. > :20:54.loving these tights. He'll take them home. When abbey did her rumba, I
:20:55. > :20:59.was thinking it would be amazing. She's doing some lovely rumba walks
:21:00. > :21:05.and there is a lot of fluidity between them. She has love Loye long
:21:06. > :21:09.legs, just like mine, but not at the moment obviously. But I wanted to
:21:10. > :21:13.highlight was this area here. Sometimes she does that, points her
:21:14. > :21:23.feet lovely, then she'll go with the club foot. She needs to maintain all
:21:24. > :21:27.the way through. She needs to be pointy. Because I like them so much,
:21:28. > :21:36.I'm going to give them some pumpkins, look. Beautiful. Like mini
:21:37. > :21:41.mes. Natalie and Artem are going a Viennese waltz. They got 34 for her
:21:42. > :21:50.walks. Surely by now, do you think Natalie is going to be getting into
:21:51. > :21:58.it? She misses out the second. So I wouldn't give them a ten. I point
:21:59. > :22:02.that out. The Viennese waltz is brilliant for her. What I wanted to
:22:03. > :22:07.do was to say to improve it and to get that ten, she should come out
:22:08. > :22:18.here a bit more in his arm to create more shape and then she'll be more
:22:19. > :22:23.over the right hand side to Artem. Is that Brendan in the background? !
:22:24. > :22:27.Dave and Karen are doing the jive. Lynn was saying on Saturday that he
:22:28. > :22:30.has the ability of never letting his left leg know what his right is
:22:31. > :22:34.doing that. Could be a problem with the jive. How is his training? Well,
:22:35. > :22:39.yes, it would be a problem, wouldn't it? But there are great moments in
:22:40. > :22:43.here. There's some bounce in there, I noticed, that needs to be
:22:44. > :22:49.developed a bit more. A lovely toe hill swivel. Try that, Zoe. Dressed
:22:50. > :22:54.like this? ! Here? ! We did this side by side last week. Toe, heel,
:22:55. > :22:59.across. Toe, heel, across. Finding it hard. Stay on the balls of his
:23:00. > :23:03.feet to make this work. Just keep doing that. I love this. It could be
:23:04. > :23:09.a scary dance so it's going to be the scariest dance of all. Some
:23:10. > :23:12.lovely ghouls. Give it up for my little orange flesh pumpkin boy, Ian
:23:13. > :23:17.Waite! Trick or treating in that?
:23:18. > :23:22.In a moment, Bill chatting to Sophie and Brendan, but first a recap of
:23:23. > :23:31.their cha-cha-cha. Amazing. The cha-cha-cha has to be
:23:32. > :23:37.sleek and cheeky with attitude. I don't think you got into that dance
:23:38. > :23:42.at all, it was all staged and put up.
:23:43. > :23:47.I thought there was a saucy vixen bit of style there.
:23:48. > :23:52.I thought it was very nice. Make sure you keep dancing when you are
:23:53. > :23:56.inging and also spot when you're turning because you almost lost your
:23:57. > :24:01.balance. I'm a happy. Can't really complain.
:24:02. > :24:26.I still love dancing to that song. Last on for cha-cha-cha, first on
:24:27. > :24:31.for foxtrot, how hideous was the wait?
:24:32. > :24:36.Slightly preferred going last than first. First really scared me, this
:24:37. > :24:41.just scared me a lot. Just a tiny bit? Yes. You were saying last week
:24:42. > :24:44.that you found the speed of the cha-cha-cha a little tricky. The
:24:45. > :24:50.charleston was really fast as well. Was it trickier? Was it different
:24:51. > :24:55.and harder for you? Yes, there's a lot more technique. Charleston, you
:24:56. > :24:59.could own it a bit more. Cha-cha-cha I'm supposed to look like a dancer
:25:00. > :25:03.and still don't feel like I do. I don't know. We'll talk to Brendan
:25:04. > :25:07.about that. Len said he felt she didn't quite get into it, but what
:25:08. > :25:18.was your take on the whole that bang? -- chaba? There was a
:25:19. > :25:27.reluctant to perform. She was a bit back and reserved like it was almost
:25:28. > :25:34.like am I doing it right, you know, nobody knows at home. I felt like
:25:35. > :25:37.she was thinking rather than just doing, but the good thing is, not
:25:38. > :25:41.every dance is going to suit every person. I feel that Sophie is a
:25:42. > :25:52.great dancer and takes on board what's going to happen. Every week
:25:53. > :26:01.is different. I hope this week is good. You were talk and joking about
:26:02. > :26:06.hearing the judges' voices in your head, what were they saying to you?
:26:07. > :26:11.Not very much that's nice! They are not very supportive.
:26:12. > :26:14.I am struggling with the confidence I think because it's very hard when
:26:15. > :26:20.something's new and you don't feel it in your bones intrinsically to
:26:21. > :26:25.then go, oh, I'm just going to throw all that away and perform. That's my
:26:26. > :26:29.main criticism. One of my teachers once told me when you can fake
:26:30. > :26:31.sincerity, you have made it. That's the absolute statement. You have got
:26:32. > :26:35.to pretend that you know what you are doing and sell it. I'm just
:26:36. > :26:39.writing that down. Why didn't somebody tell me that 25 years ago?
:26:40. > :26:43.! You have been a front runner as well, up there with the scores. Is
:26:44. > :26:47.it good to get criticism because then it can take the pressure off a
:26:48. > :26:51.bit? Feels a lot more familiar, that position in life. I understand that
:26:52. > :26:55.role a lot better. When people say nice things, I feel my cheeks going
:26:56. > :27:02.pink remembering after the foxtrot where people were so lovely and I
:27:03. > :27:06.find that very overwhelming so this feels more comfy. Took to it the
:27:07. > :27:15.running track last week. Did you let her win? No, she was very fast. He's
:27:16. > :27:22.so competitive. Bless him. You are doing the jive this week. Nice and
:27:23. > :27:27.fast. A flick of kicks. You had your incidents, any knocks or falls this
:27:28. > :27:31.time? Pulled muscles in my legs doing cart wheel that we are not
:27:32. > :27:37.even doing in the routine. I said "I can do this" and we are not using it
:27:38. > :27:40.now. Because it's Halloween week, it gives you the scope to do things
:27:41. > :27:44.differently, so I wouldn't probably normally put a cart wheel or hand
:27:45. > :27:48.stand in a jive but it's a bit different and we are going for the
:27:49. > :27:53.whole performance. A whole performance.
:27:54. > :28:00.You have got music as well obviously. Difficult mime dancing!
:28:01. > :28:06.This is your music, Hall and Oates. You two have the best music every
:28:07. > :28:11.week. What is scary for you, doing jive in Halloween week, anything
:28:12. > :28:15.tricky for you? It's so frenetic, lots going on all the time and if
:28:16. > :28:19.you miss a part of a beat and you are just off, all the wheels fall
:28:20. > :28:25.off. No time to think. It's like OK, next step, next step, next step! And
:28:26. > :28:30.what did you say about sincerity? If you can fake it, you have made it.
:28:31. > :28:37.If you can fake sincerity you have made it. By the way, what are you
:28:38. > :28:43.wearing? I'll be having oh? A catsuit and Brendan will look fab.
:28:44. > :28:47.She will look phenomenal. Sophie and Brendan!
:28:48. > :28:53.That is it for today. Thanks to all my guests. Join me tomorrow at 6.
:28:54. > :28:56.30, tomorrow. I'll have the latest training room updates from the
:28:57. > :28:58.couples. Vicky will be showing me what she has planned for Halloween.
:28:59. > :29:00.Might