:00:00. > :00:08.Hello peeps and welcome to Friday's fiendish edition of It Takes Two.
:00:09. > :00:12.They survived the dance-off with their salsa. Let's hope there's no
:00:13. > :00:18.nightmares tomorrow. Patrick and Anya join us tonight. Saturday's
:00:19. > :00:22.samba led to a fractured nose, will there be blood on the dance floor
:00:23. > :00:28.with the Viennese waltz? Let's hope not. Natalie and Artem. I will brave
:00:29. > :00:33.a trip to Elstree to join Rachel and Pasha in rehearsals and a scary
:00:34. > :00:39.Friday panel of actress and presenter, Donna Air, West End
:00:40. > :00:45.legend, Michael Ball, and don't tell Ian Waite that my original telly
:00:46. > :00:48.husband from 45 years ago, Jamie Theakston is here. I'm excited. This
:00:49. > :01:45.is Strictly: It Takes Two. APPLAUSE
:01:46. > :01:53.Hello and welcome to It Takes Two. Just 23 hours, 58 minutes and 13
:01:54. > :01:56.seconds to go until we discover what Goolish surprises our couples have
:01:57. > :02:01.in store this weekend, hoping their quickstep is a thriller onned not a
:02:02. > :02:07.shocker -- thriller and not a shocker, Patrick and Anya are here.
:02:08. > :02:13.First let's remind ourselves of last week's dance-off with the al-- with
:02:14. > :02:17.the salsa. I thought you did a wonderful job with changing that
:02:18. > :02:21.round and giving Patrick a routine for just one hand. You gave me a
:02:22. > :02:28.terrible fright. I thought you were reck tricuted for a -- ereck
:02:29. > :02:30.tricuted for a moment. It was stoppy and starty, there should be a flow
:02:31. > :02:35.to it. For me, I think you directed Anya
:02:36. > :02:36.brilliantly. I loved to -- love to see a man in control of the dance
:02:37. > :02:48.and for me, you gave me that. The salsa went quite well, I would
:02:49. > :02:52.say. Amazingly, one hand salsa, you're making history, seriously.
:02:53. > :02:58.Thank you. Brilliant stuff. We will find out which of you will be back
:02:59. > :03:04.to dance again next week. Patrick and Anya. Patrick and Anya. Patrick
:03:05. > :03:11.and Anya. Making history, please welcome
:03:12. > :03:15.Patrick and Anya! APPLAUSE
:03:16. > :03:22.You haven't been in here for ages. TwoTwo weeks. We must say, are you
:03:23. > :03:28.all right there, love? Looking at Deborah there! Let's be happy,
:03:29. > :03:32.happy, joy, joy, though. It's customary for the couple who are
:03:33. > :03:36.safe to come in on a Tuesday, but your schedule is crackers. It's a
:03:37. > :03:42.bit full. They have a laugh about the fact that you're on Casualty.
:03:43. > :03:46.Everyone's had a good laugh - haven't you all? How are you
:03:47. > :03:50.juggling the two, with learning the scripts, learning a dance? Kind of,
:03:51. > :03:54.well, you know, going for it, really. Keep going. Yeah, not
:03:55. > :04:01.worrying about it too much. OK, what's the next thing? One minute at
:04:02. > :04:04.a time. One game at a time. Dance at a time. Congratulations because you
:04:05. > :04:08.put in an incredible performance last week. It really was considering
:04:09. > :04:13.last minute you had to change the routine completely and do a salsa
:04:14. > :04:18.with one arm. How difficult was it for you? Well, in the end, it kind
:04:19. > :04:23.of just came. I said OK, we'll try that. We'll see if we can do
:04:24. > :04:27.everything that you put in front of me. He was very open minded. I
:04:28. > :04:32.didn't know how it was going to work out. Somehow, some way it did. You
:04:33. > :04:37.were amazing too. You had to do jumps with leaping blind onto a
:04:38. > :04:41.man's shoulder. It was so brave. I don't know how I did it. The other
:04:42. > :04:46.thing is, when you're dancing something like that, was the salsa a
:04:47. > :04:50.bad dance to have a hurt hand? None of them were good, but is there a
:04:51. > :04:55.worse case scenario. That was the worse case scenario. Well done,
:04:56. > :05:01.then. The judges didn't cut you any slack. You have a big bandage and
:05:02. > :05:04.Bruno said it was on and off. Craig was saying that despite the injury
:05:05. > :05:09.that he wanted you to give it a bit more flow. Were you surprised? Well,
:05:10. > :05:13.I just was happy to get through it. Those comments in the end, I went
:05:14. > :05:20.OK, fine. Really just to get through it was huge for me. Amazing. To do
:05:21. > :05:26.all of that with an injury, really difficult dance, bottom two, how
:05:27. > :05:31.devastated were you? I suppose, when we weren't in the first batch, I
:05:32. > :05:39.kind of knew. I felt it in my waters. I said, "We'll' be dr we'll
:05:40. > :05:46.-- we'll be in the dance-off. How was that for you? I said, "Are you
:05:47. > :05:50.ready? How are you feeling? He goes, "I just love dancing." That was the
:05:51. > :05:55.best answer. That is all I need to hear. A tough couple of weeks,
:05:56. > :06:00.no-one is surprised that it might have been getting on top of you a
:06:01. > :06:08.little bit. Hold on a minute.. When Patrick gets overwhelmed with steps,
:06:09. > :06:13.he gets frustrated. Just getting into control tower. Why am I messing
:06:14. > :06:17.up there. Slow. Don't get frustrated, stay with me. The brain
:06:18. > :06:22.goes no, we can't get through to the legs or the arms. That was the
:06:23. > :06:30.completely wrong step. It was going on up here. Don't panic, Pat! They
:06:31. > :06:36.forget to -- forgot to plug in the legs. I don't know what I'm doing
:06:37. > :06:44.there. No, no, don't give up. I'm confused. Think like this. Yeah. All
:06:45. > :06:50.the lights went out, what happened. It crashed. Oh, my gosh. Overload.
:06:51. > :06:54.Bless you. I know exactly how you must feel.
:06:55. > :07:01.Let's move on. This week it's Hallowe'en. It's a quickstep for
:07:02. > :07:07.you. You're dancing to this: Atomic Fire ball, Man with a Hem. -- Hex.
:07:08. > :07:12.The quickstep is quick! It is so quick, the clue is in the title. How
:07:13. > :07:17.is he doing? I'm very pleased. I didn't hold back. I just closed my
:07:18. > :07:22.eyes and said I'm going to go for it. What's your theme? Everyone has
:07:23. > :07:30.a theme and a story. What's your story? Not giving too much away, we
:07:31. > :07:36.have, he is what is it? A fortune teller from 16-feet under. He's
:07:37. > :07:39.going to tell me my fortune and what awaits me in the future. And
:07:40. > :07:43.hopefully that's high scores and straight through to next week.
:07:44. > :07:48.You're scaring me now. Good luck tomorrow, Patrick and Anya!
:07:49. > :07:52.APPLAUSE It might be the Hallowe'en special
:07:53. > :07:56.tomorrow, last week, was almost a house of horrors for my next couple,
:07:57. > :08:01.as those beautifully extended lines of Natalie resulted in a fractured
:08:02. > :08:07.nose for Artem. Here's a reminder of their samba - ouch! Could have had a
:08:08. > :08:15.tad more bounce here and there, but overall, I'm telling you, Natalie,
:08:16. > :08:19.that was great. Flamenco style really suits you. I think Spain is
:08:20. > :08:27.your place. You have to do more of that, it's very, very nice.
:08:28. > :08:33.Hypnotic, exotic, with a touch of the erotic. I thought your hips were
:08:34. > :08:39.fantastic. Timing, as always, brilliant.
:08:40. > :08:45.Amazing music, the crowd were electric tonight. They were
:08:46. > :08:53.screaming through the whole dance. That was so good. I am so proud of
:08:54. > :08:58.you. Thank you, lovely. Welcome Natalie and Artem!
:08:59. > :09:01.APPLAUSE Well done, you two, another
:09:02. > :09:06.leaderboard topping performance. How did you make the samba look so easy?
:09:07. > :09:10.Oh, I was whipped into shape by this one, here. I can't take any credit
:09:11. > :09:15.for that. It wasn't an easy dance. But I really enjoyed it. I think
:09:16. > :09:20.that's the key to any dance is to enjoy it. It carries you through so
:09:21. > :09:24.much and so many things that go wrong. I just... I can't imagine
:09:25. > :09:31.anything goes wrong for you? Yeah, it does. I shimmy my way through it.
:09:32. > :09:36.If in doubt stick a shimmy in. Let's talk about the nose. I was imagining
:09:37. > :09:40.it to look more boxer like. You fractured his nose in rehearsal.
:09:41. > :09:44.What happened? In the dress run, it's the first time we get to wear
:09:45. > :09:49.our costumes. I had a kind of tail to my dress, which was really heavy.
:09:50. > :09:55.It threw me out of a turn. Although I didn't fall, Artem was in my line
:09:56. > :10:03.of fire, shall we say. Are you sure what's -- that's what happened?
:10:04. > :10:07.Should we re-enact. How painful was it? It wasn't
:10:08. > :10:11.painful because I was in the middle of the dance. I was like, keep
:10:12. > :10:15.going, it's not bleeding, it's great. I was looking down, oh, no.
:10:16. > :10:23.It was all right. That beautiful face, but it's not damaged. It's
:10:24. > :10:27.fine and healing up. It's make up. He's trying to get the sympathy. Len
:10:28. > :10:31.loved it and he gave you a nine. Lots of nines you've been getting.
:10:32. > :10:34.He wanted a bit more bounce. Is that something that you tried to tackle
:10:35. > :10:38.in training? It's such a difficult technique, samba. There are so many
:10:39. > :10:42.things that Artem's feeding me through the week. It's an
:10:43. > :10:46.information overload. Yes, we had worked on bounce. That was one of
:10:47. > :10:50.the things that went out of the window. There's always something
:10:51. > :10:54.that goes by the end of the week. You can't fit it all in. All the
:10:55. > :10:57.nines, we want a ten. Craig said - is there anything that you can't do?
:10:58. > :11:02.When you're working with someone that talented, does it make it
:11:03. > :11:06.tricky for you and choreography or do you think, right, I'm giving her
:11:07. > :11:10.this move to do because she can take it? Well, it's easy and hard. It's
:11:11. > :11:14.easy because a lot of things you can choose from, the difficult part to
:11:15. > :11:22.choose the right moves that look the best. It's tricky, but I hope we
:11:23. > :11:29.make it work. Does it make you at all scared? He's really scared.
:11:30. > :11:32.Viennese waltz this week, are you enjoying it as much? You look
:11:33. > :11:36.glorious in the ballroom. Every dance we come to each week is my
:11:37. > :11:40.favourite because Artem's choreography is incredible. I really
:11:41. > :11:48.enjoy dancing with him. Yeah, don't look at that. You still look
:11:49. > :12:00.amazing. His face! S His face is hurting. Bless you. You are dancing
:12:01. > :12:07.to Devil in Me. Very romantic, lovely. Imagine your spinning
:12:08. > :12:12.around. You go from sexy senorita, what's your character? I'm the Lady
:12:13. > :12:18.of the Lake. I broke his nose last week. This week I'm drowning him.
:12:19. > :12:25.Drowning me. Hold him down. You danced with Kara and Holly on the
:12:26. > :12:36.show, Natalie is your third actress. Is it great to get the character
:12:37. > :12:41.out. Character out! I'm scared. She comes out. I think you had it
:12:42. > :12:44.coming. It does make it easier. As soon as they hear the songs, you
:12:45. > :12:50.have an idea what it should be. Just put steps together and performance
:12:51. > :12:56.living up to them. Good luck tomorrow night, maybe wear some
:12:57. > :12:59.padding. Natalie and Artem! APPLAUSE
:13:00. > :13:03.So far this series when picking which couple should top the
:13:04. > :13:07.leaderboard, our chihuahua hasn't been too lucky. Let's hope all the
:13:08. > :13:12.spiritual energy of Hallowe'en has rubbed off on the pup and he'll get
:13:13. > :13:39.it right this week. Here he is our predictive pup.
:13:40. > :14:01.So Lucky thinks Mark and Iveta will top the leader boards. You will have
:14:02. > :14:06.to tune in tomorrow to see if he's right. Earlier today, I took the
:14:07. > :14:10.ghost train to Elstree for a catch up with Rachel and Pasha as they
:14:11. > :14:14.cram in last-minute rehearsals. Here's what happened.
:14:15. > :14:20.It's me, I'm up here. How brilliant does the studio look? ! Cobwebs,
:14:21. > :14:23.spiders, pumpkins. It's going to be a brilliant show tomorrow night. And
:14:24. > :14:27.hoping to cast a spell over the judges, it's Rachel and Pasha.
:14:28. > :14:30.APPLAUSE Hello my darlings, very, very
:14:31. > :14:36.excited about the show tomorrow night. Loved the drama of your dance
:14:37. > :14:40.on Saturday. Loved Pasha being in a cage. Judges didn't love it quite so
:14:41. > :14:45.much. Did you enJo I it? I real -- Did you enjoy it? I really enjoyed
:14:46. > :14:50.it. I was scowling at everybody all week. You were scared a few times. I
:14:51. > :14:54.wasn't scared, but I believed you. Tell her you're scared. I was! What
:14:55. > :14:58.did you make about the comments, were they fair? They were a little
:14:59. > :15:02.bit harsh. To me, Rachel really got into character. She really delivered
:15:03. > :15:09.a great performance. I was happy because it was the best one. That's
:15:10. > :15:14.all we need. He's happy. That's a good thing. It's all about you, the
:15:15. > :15:17.other thing is that you're a presenter not an actress. How
:15:18. > :15:23.difficult is it to get into these characters? I didn't realise before
:15:24. > :15:27.how much it was about the performance. I was quite sporty, I
:15:28. > :15:30.thought I could use that and do the dancing. But it's more about selling
:15:31. > :15:34.it than I realised. That's something I have to try to do this week.
:15:35. > :15:39.Taking it on board each week. I'm loving it! Len was saying that he
:15:40. > :15:43.didn't think you were suited to the paso doble and you're smiley Riley.
:15:44. > :15:48.How hard is that to take when you've worked hard in training? You do 30
:15:49. > :15:53.hours of training for 90 seconds on telly. It is hard to take when you
:15:54. > :15:58.get a bad comment after that. It's a live show. I enjoyed it. I thought I
:15:59. > :16:04.was scary. You were a bit scared at times, maybe not because of the
:16:05. > :16:09.face, because of the dancing - but either way! Have you kept the cage?
:16:10. > :16:14.Never mind. The American smooth this week, you score great in your
:16:15. > :16:19.ballroom. Are you happy to be doing ballroom? I'm happy to do a ballroom
:16:20. > :16:23.dance. The shoes aren't as good. But I love the American smooth Viennese
:16:24. > :16:31.waltz. We have some lifts. This is the thing. It's unusual to have a
:16:32. > :16:36.Viennese waltz-based American smooth. I think Viennese waltz can
:16:37. > :16:42.be too repetitive, when you put lifts from the American smooth it
:16:43. > :16:48.brightens it up. You are going spiny roundy. Jumpy, jumpy, lifty, lifty.
:16:49. > :16:52.I'm a ghost, so I'm flying. Oh, wow, that's exciting. Is it difficult
:16:53. > :17:00.this week? Spinning and lifts? No, simple. Easy. Really easy. What a
:17:01. > :17:02.liar. How intense has it been? Everything comes together last
:17:03. > :17:07.minute for me. Yesterday it was coming together and you have to hope
:17:08. > :17:12.it solidifies overnight. I love that, you've been hanging out with
:17:13. > :17:17.Dave, culinary terms! Bruno wants you to fight. He wants to -- you to
:17:18. > :17:22.fight harder. Will he be pleased with what you do tomorrow? I hope
:17:23. > :17:26.so. The character of the ghost, I have to be light and airy and
:17:27. > :17:31.spooky. You're not having a sheet with two holes cut in? No, I have
:17:32. > :17:38.lots of cystals. Is there a story? They're not listening? It's simple:
:17:39. > :17:43.Hallowe'en, once in 100 years ghosts are awakened and they go for a
:17:44. > :17:48.little dance. A trot. Fantastic. It sounds wonderful. Will you give us a
:17:49. > :17:55.sneaky look, obviously not in the outfits, that would ruin it. As long
:17:56. > :18:01.as you're not going to show anybody. No-one's watching. Psst... Come over
:18:02. > :18:03.here. This is Rachel and Pasha, a little sneak of their American
:18:04. > :18:31.smooth. Well done. Rachel and Pasha! That
:18:32. > :18:35.looks brilliant. Can I try that spiny lift on the shoulder? Yeah,
:18:36. > :18:40.OK. You on my shoulder, Pasha. Now back to me in the studio.
:18:41. > :18:44.Thanks, me. Almost Friday panel time. This week we are joined by one
:18:45. > :18:48.of the West End's greats to get us in the mood, here's a snippet from
:18:49. > :18:51.his new concert DVD. # Because I'm ready
:18:52. > :18:56.# If you're ready # It's a beautiful night
:18:57. > :19:04.# I'm looking for something dumb to do
:19:05. > :19:09.# Hey, baby, I think I want to marry you
:19:10. > :19:13.# Is it the look in your eyes # Or is this -- is it this dancy
:19:14. > :19:16.tune # Who cares baby, I think I want to
:19:17. > :19:21.marry you # Michael Ball is here to look over
:19:22. > :19:25.the trickeds and -- tricks and treats tomorrow. Please welcome,
:19:26. > :19:30.Michael Ball, Donna Air and my mate, Theakston neeck.
:19:31. > :19:35.-- Jamie Theakston. APPLAUSE
:19:36. > :19:42.Hey, mate. # Reunited and it feels so good... #
:19:43. > :19:46.The leprechauns and Mr Blobby and we could do the whole show.
:19:47. > :19:50.Welcome. Lovely to have you all here. Donna, you're a super fan.
:19:51. > :19:53.What do you make of the dancers this year? It's fabulous. I'm very
:19:54. > :19:59.excited about tomorrow, because I think you do the Hallowe'en shows so
:20:00. > :20:04.well. I love the way you say "you", it's all my own planning. It's been
:20:05. > :20:07.a great line up. They've been really strong performances as well. The
:20:08. > :20:12.girls are really good. Any favourites? Well, I think Sophie
:20:13. > :20:17.started off really strong. I think I love her style. She looks
:20:18. > :20:23.effortless. Natalie's great. It's a good... There's so many of them. I'm
:20:24. > :20:27.sad to see Deborah go to. I know, everybody cried their eyes out. Get
:20:28. > :20:32.a grip, I say. Michael, you're no stranger to our Friday panel. I love
:20:33. > :20:39.it. I'm liking the facial hair. Do you like this? Yeah. You grew that
:20:40. > :20:42.quick for Movember. Would you be tempted onto the dance floor, and
:20:43. > :20:48.if, so who would you like as your partner? If there weren't cameras, I
:20:49. > :20:52.would do it like a shot. I think I would be at a disadvantage. I think
:20:53. > :21:00.people assume because I do musicals that I can dance. But I invented a
:21:01. > :21:07.heart condition and a back injury. I've seen you dance. It nearly
:21:08. > :21:12.killed me. And hair spray. But people assume. That's different. I
:21:13. > :21:18.would love to dance with Ola. I'll see if we can arrange that. Hey,
:21:19. > :21:25.Jamie, you never ring! You're doing something close to your heart. I've
:21:26. > :21:28.helping -- been helping Disney launch the Winnie The Pooh Laureate,
:21:29. > :21:31.encouraging parents to tell stories to their kids. We're looking for the
:21:32. > :21:37.best story teller across the country. You can enter the -- via
:21:38. > :21:41.the Winnie The Pooh Facebook page. It's a lot of fun. We'll have little
:21:42. > :21:44.stories. Let's look into the training rooms and see what we
:21:45. > :21:51.reckon of our celebrities this week. First Dave and Karen. They're doing
:21:52. > :21:56.the jive. It's to Monster Mash. That's surely a win-win situation.
:21:57. > :22:03.He's bottom of the leaderboard last week. Can this see him creep up a
:22:04. > :22:07.bit? For Dave this is probably a good dance for him. Good music. If
:22:08. > :22:11.he can get past Craig, he might be, he might you are prize a few people.
:22:12. > :22:16.-- surprise a few people. Everyone loves him. The nation are behind
:22:17. > :22:21.him. It looks funny. Do you i it's better if he plays to the funny side
:22:22. > :22:26.or straight? I really like the fun factor on the show. I like it when
:22:27. > :22:32.Mark did that too with the Austin Powers one. Yeah, I think so. And
:22:33. > :22:36.who needs a sense of rhythm. It's entertaining and it's about the
:22:37. > :22:44.performance. Gives it his all. Fiona and Anton are doing the charleston
:22:45. > :22:49.this week to Jeepers Creepers. It's a classic. Bless her. She's kind of
:22:50. > :22:53.in full swing. She got her confidence back last week. You sigh.
:22:54. > :22:57.I think she falls a - apart when it comes to the live show. I don't
:22:58. > :23:02.blame her. It's overwhelming. It's that thing of staying focussed in
:23:03. > :23:07.the moment and enjoying it. She clearly, she's like me, she's an
:23:08. > :23:11.uber fan of the show. She probably still can't believe she's in it.
:23:12. > :23:16.It's lovely to see Anton this long in the show. I know! He keeps
:23:17. > :23:19.pinching himself. He can't believe it. They've promised lots of tricks.
:23:20. > :23:23.Do you i that could be as good -- do you think it could be as good a
:23:24. > :23:28.Sophie and Brendan's? They set the bar. That's just before for --
:23:29. > :23:35.perfect for Anton. I can see him do that all day. They will do really
:23:36. > :23:39.well. I'll send him round. Not as good as Brendan's. That was the
:23:40. > :23:44.dance of the series for a lot of people. It's tango faces time for
:23:45. > :23:50.Ashley and Ola. Last three weeks they've been on 31 points. Dancing
:23:51. > :23:56.to Neo. Is this all looking good, Donna? I don't know. They just look
:23:57. > :24:00.like such a sexy couple. A lot of looks. Yoo who cares about the
:24:01. > :24:05.moves? Get her round the judging panel, we love it. This is what he
:24:06. > :24:12.needs to do. He needs to man up, to give e get -- to get a bit more
:24:13. > :24:21.sexy. He needs to do that hardness. I should be onle panel myself. Ball
:24:22. > :24:26.says man up. Get a grip, man. Brendan are doing the jive. We've
:24:27. > :24:33.talked about how good the charleston was. Could this match it? I'm
:24:34. > :24:41.delightly worried about those trousers. Brendan's? I find them
:24:42. > :24:46.stracting. -- Distracting. They're dancing to Man eater.
:24:47. > :24:51.What a song! They've had great songs every week. I'm doing mum dancing on
:24:52. > :24:55.telly. Stop it. Len says he would like to see more interplay. Will he
:24:56. > :25:00.be happy? There will be lots of bounce on this one for Len. He'll be
:25:01. > :25:03.happy there. I think this will be a strong week for Sophie. It's
:25:04. > :25:07.unfortunate she started so high, last week was a dip. I think they're
:25:08. > :25:10.going to come back strong this week. Straight back up the top. It's fun.
:25:11. > :25:17.It will suit her like the charleston did. Exciting. Two paso dobles this
:25:18. > :25:23.week, and that meets two matta doors. -- matadors. The first is
:25:24. > :25:28.Ben. The judges want him to push further now. Is there going to
:25:29. > :25:35.impress them? Yeah, as he's gone on, he's loosened up. He's a big, big
:25:36. > :25:41.mash zblment huge. -- -- man. He needs the Suppleness. He's not
:25:42. > :25:48.afraid to have a go. He's brilliant. They're dancing to Muse. Feel that
:25:49. > :25:56.matador. I could do that. Michael and I are similar builds. It's like
:25:57. > :26:00.looking in a mirror. Uncanny. That's that -- it's that rugby thing. Does
:26:01. > :26:05.he do it for you? He's very good looking, but has he got the moves?
:26:06. > :26:14.He's a little rigid. If he loosens up... It's very hard being spoiled.
:26:15. > :26:20.A rose between two thorns. Mark and Iveta also doing a paso doble. He's
:26:21. > :26:25.always a massive hit in the studio. They're not getting as high marks as
:26:26. > :26:29.everybody else. Can he change it this week. He's a spaceman and a
:26:30. > :26:35.helmet and everything. Your face says it all. I just think that I
:26:36. > :26:44.have a horrible feeling this might be it for them. Really? No. For that
:26:45. > :26:52.dance, you know, the whole drama and the sexiness and the bull... It's
:26:53. > :27:01.going to be a fight. Now think about it. Hang on a minute! That changes
:27:02. > :27:06.everything. Sarah Brightman. Craig needs to liten up -- lighten up on
:27:07. > :27:10.the humour. His dancing is really good. He's a big guy, I know the
:27:11. > :27:17.feeling. But he's got all the moves in there. You've both been Edna.
:27:18. > :27:22.Yeah, yeah. That last song you do... 15 minutes full on. A fantastic
:27:23. > :27:29.performer. And Craig needs to give him, cut him a bit of slack. That
:27:30. > :27:34.told Jamie. He's brilliant. You've got issues, it's fine. Abbey and
:27:35. > :27:40.Aljaz are doing the rumba this week. She prefers the ballroom numbers.
:27:41. > :27:43.How comfortable is she in this? This is Shakespeare Sister. What do you
:27:44. > :27:49.think? The song is slightly irritating me already. Block your
:27:50. > :27:53.ears and look at the dancing. Erm... Yeah, there's definite chemistry
:27:54. > :27:59.going on. It's a very intimate dance. It was good and Abbey was
:28:00. > :28:03.brilliant last week. Gorgeous. They're sex on legs. They are
:28:04. > :28:07.fabulous. She's surprised me more than anyone. I didn't think she
:28:08. > :28:13.would be as extraordinary as she's been. She's graceful, beautiful. She
:28:14. > :28:18.has wonderful lines. And the first time I've seen him dance. He's
:28:19. > :28:23.amazing. They are quite formidable. I think they will be right up there
:28:24. > :28:27.all the way through. She has great posture. Susanna and Kevin are doing
:28:28. > :28:34.a charleston. What do you reckon? Yes? Good. Thumbs up for Suzanne
:28:35. > :28:43.gentleman. -- Susanna. Who would you like to see lift the trophy? I like
:28:44. > :28:47.Abbey. Susanna or Sophie. Difficult to see beyond Natalie. So much. A
:28:48. > :28:52.dream panel, Ball, Air and Theakston. Lovely to see you. That's
:28:53. > :28:55.it from us. Watch the big show tomorrow, 6. 30pm on BBC One. We'll
:28:56. > :28:59.see the couple who leave on Monday. Bye!