:00:05. > :00:10.Hello. Have I got a great Wednesday line-up for you, with three lovely
:00:10. > :00:14.couples. First up, they waltzed their way to the top of the
:00:14. > :00:17.leaderboard on Saturday - Abbey and Aljaz are here. It wasn't murder on
:00:17. > :00:22.the dancefloor, but they killed it out there anyway - Sophie and
:00:22. > :00:25.Brendan join us. Craig said their energy was sublime. Let's hope I can
:00:25. > :00:31.control them tonight. It's Susanna and Kevin. And finally, the
:00:31. > :00:34.wonderful Ian Waite is back with his first Wednesday Warm Up. This is
:00:34. > :01:27.Strictly It Takes Two. Live from London, this is Strictly
:01:27. > :01:34.It Takes Two! Please welcome your host, Zoe Ball!
:01:34. > :01:39.CHEERING Hello and welcome to It Takes Two.
:01:39. > :01:44.Tonight's show is bursting with Strictly goodness, so let's not
:01:44. > :01:48.waste any time. First up Abbey and Aljaz wowed the judges with their
:01:48. > :01:55.waltz on Saturday. But before we meet them, let's find out a bit more
:01:55. > :02:00.about Aljaz. Oh yes. I'm Aljaz. I would describe myself
:02:00. > :02:10.as charming, cheeky, a Slovenian gentleman. As a teacher I'm very
:02:10. > :02:20.strict. I love discipline, but definitely I love fun as well. I've
:02:20. > :02:24.dedicated my life to dancing 100%. I won 19 Slovenian championships and I
:02:24. > :02:28.just want wait to put together an amazing routine and perform it in
:02:28. > :02:40.front of many millions of people. Millions of people. Sorry, I'm
:02:40. > :02:44.Slovenian. Wooh! Welcome to the show Abbey and Aljaz!
:02:44. > :02:47.APPLAUSE Lovely to timely have you in the studio. Congratulations on
:02:47. > :02:51.your performance on Saturday night. It was absolutely stunning. Bruno
:02:52. > :02:56.said what an incredible debut. But I hear, Abbey, that you were really
:02:56. > :03:02.struggling in rehearsal in this the afternoon? Yes, we had like three
:03:02. > :03:08.goes at doing it and I messed every one up, so I was petrified. I
:03:08. > :03:13.thought I was going to vomit, it was horrible, but we managed to bluff it
:03:13. > :03:19.on the night. But they do say if it goes wrong in the rehearsals, you
:03:19. > :03:22.have the best performance. Alarblings we s, you have the best
:03:22. > :03:24.performance. Alarblings we expect the -- Aljaz, we expect the
:03:24. > :03:29.celebrities to be nervous but you might have been nervous, because it
:03:29. > :03:36.was your first time? I'm not sure who was the most nervous. We put a
:03:36. > :03:44.lot of time in and when it came to do it, we pulled it out. He said,
:03:44. > :03:53.I'm glad it is over, I was so nervous. I said, what? ! Cassee sums
:03:53. > :03:58.it up online. Online. I'm I'm an emotional blubbing mess watching
:03:58. > :04:03.Abbey and Aljaz. You look like you are a natural. I've got the best
:04:03. > :04:07.teacher. You will go far. No, I feel slightly under pressure this week,
:04:07. > :04:12.because the cha-cha is not going half as well as this one. It is a
:04:12. > :04:16.whole different ball game before we talk about the cha Chancellor of the
:04:16. > :04:20.Exchequer how are you finding the juggling? You've got a little girl,
:04:20. > :04:24.Sofia, and your job as well, and training for Strictly. How are you
:04:24. > :04:27.finding the juggling act? It is really hard, because I'm used to
:04:27. > :04:32.spending so much time with my baby. To be waving her off at the nursery
:04:32. > :04:37.every day and picking her up when it is dark and putting her straight to
:04:37. > :04:41.bed, it is horrible, but it is important to have a bit of you time
:04:41. > :04:44.as well. It's great and it's only a few weeks. Or it could be longer,
:04:44. > :04:49.as well. It's great and it's only a who knows? Is she enjoying watching
:04:49. > :04:55.mummy dance? Pete my husband face timed her when I was on and she
:04:55. > :04:59.said, mucky looks like a princess. Maybe you can be excused for not
:04:59. > :05:06.always been the model student in the training room. Oh, God. I think
:05:06. > :05:13.Aljaz may have noticed I have a shorter attention span to most
:05:13. > :05:20.people. Shall I put these on? Don't like me hair. What's that? Show me
:05:20. > :05:25.that. What's that? I haven't eaten today, have you? My belly is
:05:25. > :05:33.rumbling, can you hear it? Yes. What are we going to eat? You need to
:05:33. > :05:40.focus. Put some bronzer on. Promenade, two, three. Come on, stop
:05:40. > :05:46.messing around now. Focus, focus. Aljaz, it's not all bad in training
:05:46. > :05:50.for you, because you got to meet one of your heroes, Abbey's husband,
:05:50. > :05:56.Peter Crouch. Definitely. I have known him since I was a kid, because
:05:56. > :06:01.I love football, and he is even taller than I thought he would. We
:06:01. > :06:08.did some football the other day. A kick about? Yes. He is a bit of a
:06:08. > :06:13.mover as well. Sign him up. He thinks he is. Aljaz taught him some
:06:13. > :06:18.cha-cha and he wasn't bad. No, he picked it up pretty good. His feet
:06:18. > :06:22.like countries You can imagine the length of the trousers! You said
:06:22. > :06:28.you've been finding the cha-cha difficult. How's it going? I think,
:06:28. > :06:32.the steps, to get the steps is the easier part. It's putting all the
:06:32. > :06:37.detail in this and putting it to the music. When it is one, two,
:06:37. > :06:43.cha-cha-cha it is fine, but the music comes on and it's a million
:06:43. > :06:48.times quicker and it guarantees out of the window. I'm not enjoying it.
:06:48. > :06:53.You've got these incredibly gorgeous legs that go for for miles but it
:06:53. > :07:00.can be a disadvantage with the cha-cha. I'm like age with the
:07:00. > :07:04.cha-cha. I'm like Bamly. -- I'm like Bambi. On that statement now we are
:07:04. > :07:08.ticking the boxes. She's doing good. He looks hard to please. It is only
:07:08. > :07:11.halfway through the week. I think you are an extraordinary looking
:07:11. > :07:17.couple. You are ones to watch. Have a great weekend with your
:07:17. > :07:21.cha-cha-cha. Abbey and Aljaz! CHEERING Swoonsome I think might be
:07:21. > :07:24.the word. It is the moment we've all been waiting for. Back to talk us
:07:24. > :07:37.through this week's training with the help of his sparkling wand it is
:07:37. > :07:43.Ian Waite and his Wednesday Warm Up. Oh, it's Ian Waite! Welcome back.
:07:43. > :07:48.Darling. Hello. Hello gorgeous. How I've missed you. It's been so long.
:07:48. > :07:51.It has been a long, long time, but we've got so much to get through.
:07:51. > :07:56.Did you enjoy the shows at the weekend? I loved it. I caught up
:07:56. > :08:02.with it on Sunday, under the duvet with my dog, laughing and crying.
:08:02. > :08:10.Now there's an image. Let's talk about Deborah and Robin. An amazing
:08:11. > :08:16.cha-cha. I love her. I'm a little bit in love with this old Dragon. A
:08:16. > :08:24.sense of rhythm and fluidity through her which is great. What I wanted to
:08:24. > :08:30.point out first of all is the feet. OK.. Because stepping a little bit
:08:30. > :08:36.in this cha-cha and I need her to get her heels down to straighton
:08:36. > :08:41.legs and a proper cha-cha a. Use the feet, Deb ra. That isn't a verruca
:08:41. > :08:45.sock. She's done her ankle in. Vanessa and James are doing the
:08:45. > :08:50.waltz. How is she looking in ballroom, our Vanessa? Lovely usage
:08:50. > :08:54.of arms. In and out. Everything she does open is very good. What I
:08:54. > :09:00.wanted to talk about was her posture. Sometimes she isn't shaping
:09:00. > :09:03.the head properly. If I just get my lovely sparkly wand. The wand's out!
:09:03. > :09:08.How we've missed the wand. She needs lovely sparkly wand. The wand's out!
:09:08. > :09:16.to shape this way towards him from the waist. Hips into him. We need to
:09:16. > :09:23.see her head over his shoulder. Like she's looking around the corner?
:09:23. > :09:29.Yes.a and Anton, a great tango. This week they cha-cha-cha. How is Ms
:09:29. > :09:33.Fullerton looking? I'm pleasantly surprised with her. She is looking
:09:33. > :09:37.very accomplished in this dance. I want to show you how strong her
:09:37. > :09:43.core. All of those drops she does. Look here, how straight she is in
:09:43. > :09:49.the body. That is not an easy step. If have ever done the plank in the
:09:49. > :09:55.gym. Well, anyway. You have to keep this really strong. She's producing
:09:55. > :10:02.an amazing line there. Good stuff. And Anton's face. Look at that. He
:10:02. > :10:09.looks positively animal there. Rachel and Pasha. This week they are
:10:09. > :10:16.salsaing. How is Rachel looking Looking OK. Struggling a bit with
:10:16. > :10:21.the armography. Very complicated and difficult. Like Deb remarks I want
:10:21. > :10:24.to focus on and difficult. Like Deb remarks I want to focus on the feet
:10:24. > :10:27.-- like Deb remarks I want to focus on and difficult. Like Deb remarks I
:10:27. > :10:30.want to focus on the feet -- like Deb remarks I want to focus on the
:10:30. > :10:33.feet - Deborah. It is not quite as stripped as the Latin dance. She
:10:33. > :10:38.needs to go on the balls of her feet and use her feet. They are looking a
:10:38. > :10:44.bit lazy, sloppy and stiff. Work on the footwork.
:10:44. > :10:46.Natalie and Artem are doing a walls. Bit lazy, sloppy and stiff. Work on
:10:46. > :10:48.the footwork. Natalie and Artem are doing a walls.
:10:49. > :10:53.-- doing a waltz. A She doesn't look like she's been dancing ballroom for
:10:53. > :10:59.a matter of weevencts it likes like a matter of years. It is a really
:10:59. > :11:03.difficult style to do. But apart from occasionally losing a gap, I
:11:03. > :11:10.have to say, this couple are going to get my thumbs up, because they
:11:11. > :11:16.are looking amazing. Your cuticles need a bit of work, but Natalie
:11:16. > :11:20.looking good. Just talking to Abbey and Aljaz, who were amazing at the
:11:20. > :11:23.weekend. One word o were amazing at the weekend. One word for this
:11:23. > :11:26.couple - gorgeous. She is lovely, long and lean, but that is more
:11:26. > :11:35.difficult to control your arms and legs. As you would know, Zoe. I have
:11:35. > :11:43.the same problem. What I want to do is highlight this area. Look at her
:11:43. > :11:47.tummy. And she is had a baby. We are all slightly envious. What I would
:11:47. > :11:51.like her to do is tuck that tummy under so she makes that side
:11:51. > :11:57.shorter, so that's nice and tucked under. All the Latin dances should
:11:57. > :12:03.have that tummy tucked in. I'm mortified. Don't you worry, you've
:12:03. > :12:11.got an amazing tummy. She looks gorgeous. Sophie and Brendan are
:12:11. > :12:16.doing a Charleston. Sophie's waltz, footwork waimz peckable. Come on
:12:16. > :12:22.Sophie. It shoot have been mentioned on Sunday. The Charleston is looking
:12:22. > :12:28.really good. They've got side by sidekicks and flicks. It looks a bit
:12:28. > :12:33.jivey, but it is very good. I've slowed it so you can see how in
:12:33. > :12:39.co-ordination they are. That's good. Love that legal. Even the Trotty
:12:39. > :12:44.leap there. They are very good. Susanna and Kevin are doing a tango.
:12:44. > :12:49.I was expecting this should not to be as good as their jive, but it is
:12:49. > :12:54.every bit as good. Very fast transitions. Very intense. The
:12:54. > :13:00.character is there. The only thing I will say is she's got a dropped
:13:01. > :13:07.chin. Bend your knees and chin up. It is all coming back. Susanna, chin
:13:07. > :13:12.up. That's the girls done. We'll talk about the boys later on. Ian
:13:12. > :13:15.Waite! Gorgeous. Judges described them as understated, gorgeous and
:13:15. > :13:21.beautiful on Saturday. That's enough about me and him. Here's Sophie and
:13:21. > :13:25.brend damage. My darling I could really sense the aura of
:13:25. > :13:29.sophistication. So Audrey Hepburn. You've got the mood absolutely
:13:29. > :13:34.right. I loved the fluidity of the dance. It had beautiful movement
:13:34. > :13:36.across the floor. Your top line is sadly letting you down. That would
:13:36. > :13:38.across the floor. Your top line is have been absolutely beautiful if
:13:38. > :13:52.you didn't ruin it with the top half. Beautiful. Thank you.
:13:52. > :13:56.Seven, Seven. Seven. . That was a real test of nerves but I actually
:13:56. > :14:02.enjoyed it. My mum came along tonight. She was always going to
:14:02. > :14:07.crime. She cries at everything. Anything sets her off. Oh, Janette,
:14:07. > :14:12.we were all with but. Welcome Sophie and Brendan.
:14:12. > :14:16.CHEERING You were positively dreamy on the floor on Saturday. Thank you.
:14:16. > :14:23.And you are no strange tore the stage as a pop star. But how, did
:14:23. > :14:27.that help with the ner at at all on Saturday? I've been saying to
:14:27. > :14:31.Brendan already, thing about music, if I don't do a brilliant verse or
:14:31. > :14:38.bridge, chorus is still going to happen. If I forget dance steps I'm
:14:38. > :14:44.not going to necessarily get the crowd to do the waltz for me. The
:14:44. > :14:48.onus is all on you. Brendan, your performance left a lot of people at
:14:48. > :14:53.home really emotional. Alison in Dublin says, so sweet, this brought
:14:54. > :14:58.a tear to my eye. I heard somebody else had watery eyes after this
:14:58. > :15:03.performance? I did. I sent Sophie to the side and I came in and I
:15:03. > :15:08.realised that we had finished the dance. I was so proud. You've put so
:15:08. > :15:12.much time and evident into trying to make a spectacular dance. My key
:15:12. > :15:16.thing was emotion. I want people at home watching to feel like they've
:15:16. > :15:20.been on a little journey with us and Sophie achieved that so well. I was
:15:20. > :15:27.so proud, so I did get a little emotional. It is hard not to.
:15:27. > :15:33.Brendan Cole, it is so lovely to sigh softened up. Bruno compared you
:15:33. > :15:37.to Audrey Hepburn, Sophie, not bad for your first Strictly outing. I
:15:37. > :15:41.was really choughed with the judges' comments. I watched it back
:15:41. > :15:45.afterwards and picked holes in it. Maybe I should just take the
:15:45. > :15:51.positive and move on to the next thing. Brendan, is that good? It can
:15:51. > :16:00.be good, but often it doesn't feel like it looks and you can learn from
:16:00. > :16:06.seeing, when you didn't feel you did something but it looks amazing. And
:16:06. > :16:10.four sevens? So disappointing not to get four tens. Did you have an ink
:16:10. > :16:16.until training it was going to go well? The training went superbly. I
:16:16. > :16:21.missed doing it this week. To get four sevens out of the blocks,
:16:21. > :16:26.that's great. It gives us somewhere to go. Going to the training room
:16:26. > :16:32.we've spotted Brendan there is one particular aspect you are keen to
:16:32. > :16:37.work on with Sophie again and again and again. Shaping in ballroom is
:16:37. > :16:41.such an extreme position, especially for the woman. Push back to the
:16:41. > :16:49.foot. Push out. Start the shaping. Go on, that's a nice position.
:16:49. > :16:55.Shape, shape, shape. I'm worried that my body will go... One and two.
:16:55. > :17:00.Where's your shape. One more time. More, more. Shape. It seems to me
:17:00. > :17:06.that the times I'm doing it right is when I'm moderately in pain. Chin.
:17:06. > :17:14.That is your position thaw want for the whole thing. Now that's
:17:14. > :17:16.waltzing. Girlfriend. It is so ridiculously uncomfortable. So
:17:16. > :17:21.unnational to be in that position. How is your Charleston shaping up? ?
:17:21. > :17:29.There aren't as many rule in this Charleston. It is more playful,
:17:29. > :17:36.looking effortless. You were so hot on the shaping and I do feel I lost
:17:36. > :17:40.my shaping with the waltz. She is going to give herself a heart
:17:40. > :17:45.attack. A stat flash everybody. Brendan Cole, ten years on the show
:17:45. > :17:48.and never done a Charleston. Charleston. This is your first time.
:17:48. > :17:52.I can do it and I really enjoyed Charleston. This is your first time.
:17:52. > :17:57.putting the choreography together. We did it together. We went into the
:17:57. > :18:01.studio and worked on the ideas. It was a lovely thing to do as a
:18:01. > :18:06.partnership. I liked it. Sophie dances it brilliantly. We haven't
:18:06. > :18:10.had to really work on the Charleston action, so we can concentrate on the
:18:10. > :18:16.exciting bits. Get the survive Elland you are halfway there. A
:18:16. > :18:18.crazy dance. Good luck. Thank you Sophie and Brendan!
:18:18. > :18:23.CHEERING It is time to see how the boys have
:18:23. > :18:36.been getting on in our training, with our second instalment of
:18:36. > :18:41.Waite's Wednesday Warm Up. Ian's back. How I've missed you.
:18:41. > :18:44.It's been ten minutes. I've missed you so much. First of all very
:18:44. > :18:50.exciting news ladies and gentlemen, we can reveal that our Ashleigh, his
:18:50. > :18:57.girlfriend has given birth to a lovely baby boy, called Mason.
:18:57. > :19:00.Congratulations to the whole family. He's been a little bit busy, so we
:19:00. > :19:05.Congratulations to the whole family. are going to start with Dave and
:19:05. > :19:09.Karen. Dave was incredible. One of the most talked about couples. This
:19:09. > :19:13.weekend the American smooth. One word on talked about couples. This
:19:13. > :19:18.weekend the American smooth. One word on my sofa - hilarious. This is
:19:18. > :19:21.very concerned compared to last week. This is the American smooth.
:19:21. > :19:30.What I want to talk about first of all is the arms. You know like the
:19:30. > :19:36.Fred Astaire movies. Off he goes. Sid shar's. He needs to keep that
:19:36. > :19:40.frame up. When he is holding Karen he needs to keep the al-Bose up. It
:19:40. > :19:46.is still a ballroom dance, so he needs to keep his frame. Dave will
:19:47. > :19:52.have taken it on board. Julien and Janette, this week he is tangoing.
:19:52. > :19:57.Bags of energy and enthusiasm, sometimes a little too much. But
:19:57. > :20:02.posture, posture, posture. He needs to work on it. As we can see here,
:20:02. > :20:06.I'm going the highlight this area. I think we know what's coming.
:20:06. > :20:11.Everywhere he is sticking out his bottom. My teacher used to talk
:20:11. > :20:16.about tucking your tail under the. Do it in prayer position. You get on
:20:16. > :20:25.your knees. You wouldn't stick your bottom out like that if you were
:20:25. > :20:31.praying. Keep it tucked. You can bend your knees but keep it tucked.
:20:31. > :20:36.Patrick and annia, they are doing the tango this weekend. How is his
:20:36. > :20:39.ballroom looking? It doesn't look as good as their dance last weekend but
:20:39. > :20:45.there's still time for it to get better. What I wanted to talk about
:20:45. > :20:52.was basically his frame. If I can just get hold of you from a minute.
:20:52. > :20:58.Must you? It is a little bit like that. Yep. And he should be equal
:20:59. > :21:08.like that. All the turns and stuff, unless you are doing a line. It's
:21:08. > :21:12.all coming back. It is swaying but other than, that shoulders upright.
:21:12. > :21:16.Ben and Kristina are doing the waltz. This is from Sunday training.
:21:16. > :21:21.How is he looking in the ballroom, our Ben? In the cha-cha-cha he
:21:21. > :21:26.looked a little bit unnatural. He wasn't as natural as some of the
:21:26. > :21:30.others, but in the ballroom he is probably a ballroom boy. Because
:21:31. > :21:36.he's got his shoulders down, his head up in the right position.
:21:36. > :21:45.You're pleased. His elbows are up. Lovely. And that lovely handholding
:21:45. > :22:01.Kristina. And they've got a little bit of a height difference. To be
:22:01. > :22:05.honest I was amazed, but he is a a rugby boy. Tony is doing the
:22:05. > :22:07.Charleston. They are having lots of fun but it looks like he is
:22:07. > :22:14.struggling with this Charleston. fun but it looks like he is
:22:14. > :22:18.There are lots of intrib Kate moves -- intricate moves and swivelling of
:22:18. > :22:22.the feet. They are having fun but think about the character of the
:22:22. > :22:27.dance. And sell the character, Tony. It is 90% character and 10%
:22:27. > :22:31.technique. We don't really worry about the technique so much in
:22:31. > :22:38.Charleston. It is about the fun of the dance. Selling the dance. Mark
:22:38. > :22:42.and Iveta. Mark was brilliant on Friday with his tango. He's doing
:22:42. > :22:47.the salsa this week. Look at those hips to. He is really light on his
:22:47. > :22:51.feet. For a big guy he's light on his feet and he's fun and
:22:51. > :22:56.entertaining. I love that ripple. That ripple is what I wanted to talk
:22:56. > :23:02.about, because I thought we could try that Zoe. I'm not good at
:23:02. > :23:07.ripples. Just the head and not the body. Go in with the head. Throw the
:23:07. > :23:14.head back and carry on with the body. And in... That is not a
:23:15. > :23:19.natural position. LAUGHTER Sorry about that Mark.
:23:20. > :23:24.Whatever you do, don't do it like that. Thank you Ian. See you next
:23:25. > :23:31.week, darling. Next up Susanna and Kevin gave us an amazing performance
:23:31. > :23:38.on Friday. Let's find out more about Kevin from Grimsby. I'm Kevin
:23:39. > :23:41.Clifton and I'm from gripsy up north. LLOW I'm Kevin Clifton and
:23:42. > :23:45.I'm from gripsy up north. -- Grimsby up north. The north is the spiritual
:23:45. > :23:49.home of ballroom dancing. When you think about Blackpool and all the
:23:49. > :23:53.years of people dancing there, I'm incredibly proud to be representing
:23:53. > :23:58.the north. As a youth I was world number one before going on to win
:23:58. > :24:02.four British championships. I also performed on the Broadway and West
:24:02. > :24:06.End stage. What I love about dancing is seeing the smile on people's
:24:06. > :24:11.faces at the end of a performance. What a buzz that gives you. My
:24:11. > :24:16.family have always wanted me to be a part of Strictly Come Dancing, so my
:24:16. > :24:25.mum is really chuffed now. I can't wait to get started. Please welcome
:24:25. > :24:31.Susanna and Kevin from Grimsby! CHEERI It is so exciting to have you
:24:31. > :24:35.on the show. Well done, fabulous, fruity, flirty jive on Friday. It
:24:35. > :24:40.was so much fun. You are used to life telly Susanna, did that prepare
:24:40. > :24:43.you for the dancefloor? I was very glad the Breakfast sofa was there
:24:43. > :24:50.and I had a script. That grounded me. But once I,000 those over my
:24:50. > :24:57.head and deposit dancing I did feel the nerves. My legs went a bit jelly
:24:57. > :25:02.and it was terrifying but luckily Kevin was there and I could look at
:25:02. > :25:06.what he was doing. You disguised that so well. You were having so
:25:06. > :25:08.much fun. It was infectious Susanna. Kevin you must have felt the
:25:08. > :25:12.pressure being one of the new kids Kevin you must have felt the
:25:12. > :25:16.on the block. At first I was really excited leading up to the event. I
:25:16. > :25:23.called my mum and she started crying. I said, why are you crying,
:25:23. > :25:29.stop it. And she said, it is just my baby boy's going to be on the telly
:25:29. > :25:31.in front of millions. I thought yes, millions of people are going to
:25:31. > :25:35.in front of millions. I thought yes, watch this and I got really nervous.
:25:35. > :25:38.Ring your mum after the show. We've learnt that one. So many wonderful
:25:38. > :25:44.messages for you. Sarah Reid, no relation. From Suffolk says online:
:25:44. > :25:49.Considering she is a novice, for me best dance of the night. A huge
:25:49. > :25:53.surprise. Thank you Sarah. Does that give you a warm feeling? I does.
:25:53. > :25:56.When I saw the messages and what people were saying, I couldn't
:25:56. > :26:00.believe they were talking about us. It takes a while to sink in. I can't
:26:00. > :26:04.believe we've danced a jive on national television in front of the
:26:05. > :26:08.four most notorious judges on British television. But unanimous
:26:08. > :26:12.praise from them as well. Kevin, when you were training could you see
:26:12. > :26:16.that was coming or were you quietly confident? You always hope. I was
:26:16. > :26:21.hoping for it and then I was really hoping that maybe I was going to get
:26:21. > :26:25.like a seven from Len. I was really hoping for that. Maybe six would be
:26:25. > :26:28.OK. And Len went om Len. I was really hoping for that. Maybe six
:26:28. > :26:34.would be OK. And Len went on about, "Chicken soup, it was chicken soup."
:26:34. > :26:41.All these crazy analies. I got all confused. I like chicken soup, but
:26:41. > :26:50.is that good? Good? Did he mean chickens or is this a good thing?
:26:50. > :26:54.And he gave us an 8! The cartwheel, Craig said you shouldn't have done
:26:54. > :27:01.it. How but feel about it afterwards Susanna? Just a little slip. Perfect
:27:01. > :27:05.landing from Reid. I'm just glad I recovered at the end. In a faintly
:27:05. > :27:09.elegant position. We were training and that wasn't part of the routine
:27:09. > :27:13.and I think Kevin was doing an interview and I did a cartwheel in
:27:13. > :27:18.the background. Instantly he saidings, that's going in. You've
:27:18. > :27:22.got to be careful what you tell him. We know you can move your feet but
:27:22. > :27:26.it is not the only part of you that you move in dancing around the
:27:26. > :27:30.training room. Have a look at this. I obviously express my feelings
:27:30. > :27:46.through my face much more than I realised. She's giving me a big
:27:46. > :27:53.smile. And then the face will go... Like that for a second. Which means
:27:53. > :28:03.she hates it. Turn to look at me this way. Which face did you just
:28:03. > :28:09.do? We only had seven scary faces in
:28:09. > :28:18.that one. You don't even know you are doing this? No! Ian impressed
:28:18. > :28:22.with your tango. How's it going Susanna, are you happy so far? It is
:28:22. > :28:25.much harder and I've got to do a different look, which is a
:28:26. > :28:37.smouldering look. You looked alright in the training. Give us the
:28:37. > :28:41.smouldery face. I can't do it. Is that smouldery? I was trying my
:28:41. > :28:48.best. Good luck with your tango. Lovely having you on the show.
:28:48. > :28:51.Susanna and Kevin. APPLAUSE That's it for today. Thanks
:28:51. > :28:55.to all my guests. Join me here tomorrow at 6.30pm, when I'll be
:28:55. > :28:56.joined by Fiona and Anton, Vanessa and James and Patrick and Anya.
:28:56. > :29:00.Goodnight.