:00:00. > :00:11.Welcome to It Takes Two. It is Monday and we are kicking of the
:00:12. > :00:16.week with a great line-up. Despite a first class attempt, the judges put
:00:17. > :00:24.them on the first plane home. Say goodbye to Fiona and Anton. Joining
:00:25. > :00:30.them, Sophie and Brendan. He is no tramp. He might have been
:00:31. > :00:34.the only jud not to have given a top score, but we give him ten out of
:00:35. > :00:40.ten anyway, Craig Revel Horwood is here. This is Strictly: It Takes
:00:41. > :01:18.Two. .
:01:19. > :01:29.Live from London, this Strictly: It Takes Two. Please welcome your host,
:01:30. > :01:35.Zoe Ball. Hello and welcome to Monday's It
:01:36. > :01:43.Takes Two. What a spectacular weekend it was as our couples danced
:01:44. > :01:48.in Blackpool's famous Tower Ballroom. In case you missed any of
:01:49. > :01:52.the action, here are our Strictly headlines.
:01:53. > :01:57.Good evening. Here is the news. There were ruffled feathers on the
:01:58. > :02:04.dance floor, but it wasn't because of the judges!
:02:05. > :02:13.What a professional, you are. The way you got out of it and carried on
:02:14. > :02:15.was wonderful. Not many people can really do it as well as that.
:02:16. > :02:22.Believe me. It is about the recovery. Len
:02:23. > :02:32.decided to dust off his ten paddle as he dished out the ten score not
:02:33. > :02:44.once, not twice, but trice. From Len, the ten!
:02:45. > :02:49.Ten. Spectacular. Ten. And he has been talking about it for
:02:50. > :02:55.weeks and it seems that Mark's power of persuasion paid off as Iveta let
:02:56. > :03:03.him use his signature move, the dinosaur!
:03:04. > :03:12.Oh, we loved it. Thank you, Mark. Those were the Strictly headlines.
:03:13. > :03:17.Thank you very much. There it is. And if all that is
:03:18. > :03:21.still not enough, here is some exclusive footage from behind the
:03:22. > :03:33.scenes. Aren't we good to you? We are so good.
:03:34. > :03:38.Welcome to Blackpool. You can hardly feel the buzz. You
:03:39. > :03:46.can hardly feel the magic of it. Bring on tonight.
:03:47. > :03:53.It feels great because it is one of the most beautiful ballrooms you can
:03:54. > :03:58.dance in. It is cold up in Blackpool. So I
:03:59. > :04:10.just thought we brought some little heaters. Come on you.
:04:11. > :04:16.Did you think you were going to be out on the Blackpool floor with the
:04:17. > :04:21.Strictly lot dancing around like lunatics? It is great, isn't it? Do
:04:22. > :04:28.you think I am ea better dancer than Brendan?
:04:29. > :04:38.No! Blackpool! We have 80 dancers in. It
:04:39. > :04:43.is a wee bit of a squeeze in here. This is the sorry corridor. If you
:04:44. > :04:48.look down the corridor, it is very tight and when people walk through
:04:49. > :04:53.all the time, people are trying to stop them, sorry. Stay here for a
:04:54. > :05:11.little bit and see how many people actually say sorry when they walk
:05:12. > :05:23.past. I don't understand it. Sorry. Sorry. It is mine and Mark's
:05:24. > :05:28.birthday today. Happy birthday. You made 60 cakes. I wasn't sure what
:05:29. > :05:33.you liked! This is a pin. This is another pin. What is in? Where are
:05:34. > :05:39.we living? I concur. I was on here trying to have a little snooze, you
:05:40. > :05:53.know, and of course, I got up and voila! I have a microphone taped on
:05:54. > :06:03.to my shoes so every time I stamp and make flamenco noise, it will
:06:04. > :06:12.make some noise! It is show time!
:06:13. > :06:24.I'm nervous. I'm looking forward to it. Good luck, everybody. The whole
:06:25. > :06:28.show is going on without you. The nine couples are dancing down the
:06:29. > :06:38.pier. Oh yes. Unfortunately one is going to drop of the end. Sink
:06:39. > :06:46.without trace. Oh no! This is Strictly Come Dancing.
:06:47. > :06:50.Nice to see you, to see you. Oh, what a weekend, but it was time
:06:51. > :06:57.for someone to fly the Strictly nest on Saturday. They are here now,
:06:58. > :07:02.please welcome Fiona and Anton. Oh hello, you gorgeous, gorgeous
:07:03. > :07:06.monkeys. I am so sorry to see you go, can I just say Fiona, you looked
:07:07. > :07:12.stunning out on the dance floor and I thought you were so gracious last
:07:13. > :07:15.night and I thought you took that so well. You were wonderful. How are
:07:16. > :07:19.you feeling today? I feel fine, thank you. I just had the most
:07:20. > :07:23.amazing adventure and as I said, it is like being at the best party in
:07:24. > :07:28.the world. I have had people making me look glorious and beautiful
:07:29. > :07:32.costumes and make-up and hair and everybody just spoils you to death.
:07:33. > :07:41.So for the last few months, I have been on a sort of different planet.
:07:42. > :07:46.You have. I like it. I want to be on that planet. It was your first dance
:07:47. > :07:51.off as well, Anton, how confident did you feel going into the
:07:52. > :07:57.dance-off against Mark and Iveta? Well, you want to give it your best
:07:58. > :08:02.shot. You don't want to invite your opponent into next week and not try
:08:03. > :08:06.your best. I felt we could do a good job. I was pleased with the first
:08:07. > :08:12.performance and I loved the dance and it looked incredible. So I was,
:08:13. > :08:17.you know, happy with the way we felt about it, but Mark's dance was
:08:18. > :08:20.great. Mark and Iveta, it was a tremendous number. It is so hard, I
:08:21. > :08:24.think, at this point, it is getting harder and harder for the judges to
:08:25. > :08:28.choose and also your second highest score of the series, how wonderful
:08:29. > :08:33.to go out on such a high? Well, I think we really went out with a
:08:34. > :08:37.bang, because Blackpool the whole experience was an extraordinary show
:08:38. > :08:41.because we were in o two of the group dances and I had three
:08:42. > :08:45.magnificent costumes to wear and the show was unbelievable and we had a
:08:46. > :08:48.really lovely score. Mark was incredible in the dance-off and he
:08:49. > :08:56.didn't go wrong and I did so, you know, the judges were right.
:08:57. > :08:59.Oh, bless you. Anton, you are Mr Ballroom, how happy were you to take
:09:00. > :09:03.Fiona to Blackpool and have that experience? Well, I was thrill
:09:04. > :09:07.because it is a part of Strictly Come Dancing, going to Blackpool,
:09:08. > :09:10.dancing at Blackpool and Fiona has been a Strictly Come Dancing fan
:09:11. > :09:13.since the beginning so to do Strictly Come Dancing and also to
:09:14. > :09:18.get to Blackpool and for me to be able to do a ballroom dance, the
:09:19. > :09:22.American Smooth is like a little bit of a cherry on the cake, it was just
:09:23. > :09:25.perfect. It really, really was. You didn't
:09:26. > :09:28.manage the lift in the dress rehearsal and we know you were
:09:29. > :09:31.scared about doing it. How much of a fear did you have as it was
:09:32. > :09:35.approaching during the dance? Well, that's the problem. If you think, "
:09:36. > :09:40.I can do this. I can do this. I have done it a million times in
:09:41. > :09:46.rehearsals. " In the dress run, I didn't pull it off and Anton
:09:47. > :09:50.couldn't see where my leg was! And then when we, on the night, I
:09:51. > :09:54.thought, just go for it and it wasn't great. It is my fault. But
:09:55. > :10:01.then you did it again and the best bit was in your final waltz, after
:10:02. > :10:06.we said goodbye, I love you, you were going, "Come on." It was
:10:07. > :10:12.stunning. Let's have have a look at your Strictly story. The dancer who
:10:13. > :10:17.will make you shaken and maybe a little bit stirred is Anton.
:10:18. > :10:25.My dreams came true when I was partenered up with Anton, I'm such a
:10:26. > :10:29.lucky girl. She is just a joy to be in in the studio. Enthusiastic,
:10:30. > :10:32.bubbly and fun so we're going to have a great time.
:10:33. > :10:40.Mr Wonderful, that's you. I love him.
:10:41. > :10:46.It is lovely to see Anton actually dancing this series! Well, there
:10:47. > :10:50.were one or two little incidents, but he was as sharp as a lemon tart.
:10:51. > :10:55.I didn't think I was that nervous, but it really kicked in big time. I
:10:56. > :10:59.thought this was going to be a wa you can in the park, but it is more
:11:00. > :11:05.complicated and technical than I thought it was going to be. Kick and
:11:06. > :11:09.point and kick and point. I thought you were very good up
:11:10. > :11:14.until the point you kicked Anton in the shin! You cannot go wrong
:11:15. > :11:19.anymore. He is right, I can't afford to go wrong. I have been better
:11:20. > :11:24.rating myself for the last few days for letting Anton down. It is
:11:25. > :11:29.important I don't do that again. I thought the whole thing was
:11:30. > :11:34.extremely eloquent and beautifully done.
:11:35. > :11:37.APPLAUSE I was thrilled we got 28 points. I
:11:38. > :11:42.don't think I have had 28 points in the last three series added
:11:43. > :11:53.together! I'm hoping that my rumba will be enough to get my through.
:11:54. > :11:57.You do lose focus, you have got to survive so bring out the fight in
:11:58. > :12:00.you next time. I don't know what's wrong with me. I get out there and I
:12:01. > :12:04.just go to bits. Fortunately, we got the opportunity
:12:05. > :12:09.to come back this week and do the quickstep. What did I get wrong?
:12:10. > :12:15.Nothing. It was all perfect. I am feeling so much happier. It is
:12:16. > :12:20.coming. Lovely. Fiona is finally putting on the glitz. High spirit in
:12:21. > :12:30.high society. Such flair. Your best dance. Seven. Eight. Positive mental
:12:31. > :12:33.attitude. Anton and I have become very good
:12:34. > :12:41.friends. We have a very similar sense of humour. He just cracks me
:12:42. > :12:45.up. We are going to be friends for life whether she likes it or not
:12:46. > :12:51.quite frankly. The whole dance was just too light
:12:52. > :12:55.and well-behaved. That's the way I was brought up. The great thing
:12:56. > :13:00.about Fiona, she really does want to improve.
:13:01. > :13:05.Oh, Fiona, I like your dark side. When you go dark and aggressive. I'm
:13:06. > :13:10.thrilled I'm going to Blackpool, to step inside that beautiful ballroom
:13:11. > :13:14.will probably take my breath away. The attitude was first class. The
:13:15. > :13:21.movement business class and the lift was a little bit economy. Never!
:13:22. > :13:29.Never. Judges, it is time to decide. I would like to save Fiona and
:13:30. > :13:33.Anton? Mark and Iveta. Mark and Iveta. I have had the best time
:13:34. > :13:37.simply because of you. You are the most lovely person I could have
:13:38. > :13:41.possibly met. You are gorgeous and I love you and I so hope you have
:13:42. > :13:48.enjoyed it because I have he a enjoyed it and you are a star.
:13:49. > :13:52.APPLAUSE Isn't it wonderful when you see how
:13:53. > :13:58.many incredible dances you have done. Anton, how proud are you?
:13:59. > :14:03.Well, I am emore newsly proud because -- enormously proud. There
:14:04. > :14:06.is so much to enjoy. To come back to the beginning when you can't do a
:14:07. > :14:12.step and you are racked by nerves. The numbers were great numbers, you
:14:13. > :14:16.know. Stunning. They were super numbers, floor spins and lifts and
:14:17. > :14:20.lots of content. You have been tremendous and you should give
:14:21. > :14:23.yourself a huge, you should look back on it fondly and be proud of
:14:24. > :14:28.yourself because you have done a lot of dancing and tremendously well. So
:14:29. > :14:34.well done you. Thank you, I have had the best time. Was there a dance you
:14:35. > :14:43.hadn't had a chance to do? Well, I would like to do the salsa. Who
:14:44. > :14:50.would you like to see go and lift the glitter trophy? Tony. I have two
:14:51. > :14:54.favourites. Abbey is one because she is my adopted daughter and when we
:14:55. > :15:00.went out, she came up to me and said, "Mummy." But I would love
:15:01. > :15:06.Sophie to win. She is stunning. She is stunning. And Anton? I don't
:15:07. > :15:13.care. I would like to see old Brendan. Go on, son. Do it again.
:15:14. > :15:18.Come on. Go on, Brendan. You have been a true lady. You are such a joy
:15:19. > :15:25.and a true gentleman. We shall miss your faces around these parts. Well
:15:26. > :15:28.done, Fiona and Anton. Thank you very much. Well done, thank you.
:15:29. > :15:32.I don't want to say goodbye to anybody. In a minute, Craig will be
:15:33. > :15:36.sharing his views from Saturday's night's performances, but can you
:15:37. > :16:07.tell me who this former celebrity contestant is? I have no idea.
:16:08. > :16:14.Find out later if you got that right. On Saturday night, he had
:16:15. > :16:17.everyone talking about his lacklustre scores. It is time to
:16:18. > :16:21.find out what he was playing at. Please welcome the gorgeous, Craig
:16:22. > :16:23.Revel Horwood. APPLAUSE
:16:24. > :16:27.Hello darling. Hello darling. How much did you enjoy your trip to the
:16:28. > :16:32.seaside? I loved it. It was really great. It was so exciting, I thought
:16:33. > :16:37.the opening number was sensational. It really was. All the dances took
:16:38. > :16:43.ages, the big frocks and everything. It really set the mood and what a
:16:44. > :16:48.night of dancing. You were the only judge not to, to save Fiona, were
:16:49. > :16:51.you cross with the other judges? Yes, only because I thought there
:16:52. > :16:56.was more content in her dance. That's all. I mean, I know she went
:16:57. > :17:00.wrong in the soft shoe section, but that was small in comparison to how
:17:01. > :17:03.much actual dancing was in her routine and I thought she danced,
:17:04. > :17:08.you know, the majority of that dance extremely well. So in my opinion,
:17:09. > :17:13.and it is only my opinion, I thought they were the better of the two. OK,
:17:14. > :17:25.well she took it very graciously. Let's discuss the dance on Saturday
:17:26. > :17:29.night. Abbey and Ali. Did she really deserve the seven and tell me what
:17:30. > :17:33.wrong in your eyes? Well, her frame as I said was loose and she was
:17:34. > :17:37.dancing with it and that's unfortunate because you really
:17:38. > :17:44.should not be dancing with your frame throughout. There was a lot of
:17:45. > :17:50.gapping going on. She did a little run, run and both, you know, the
:17:51. > :17:54.couple does a leap at the same time and her frame collapsed at that
:17:55. > :17:59.point and I thought to be honest, it was only worth a seven. And I mean,
:18:00. > :18:03.I was horrified to look down the line of judges when the tens came
:18:04. > :18:10.out because we know not what anybody else is scoring because I was really
:18:11. > :18:12.amazed. Really. I was taken a back actually. You have explained
:18:13. > :18:16.yourself. That's fine. Natalie and Artem and their Charleston. You
:18:17. > :18:20.called it sensational. You didn't have any criticism. Maybe they
:18:21. > :18:25.didn't have time, but again, no ten from you. How could you fault this?
:18:26. > :18:29.Well, I faulted in respect to not the dancing, so much as the
:18:30. > :18:33.personality and the quirky nature of that dance. Now, in every dance,
:18:34. > :18:37.Zoe, whether it be a tango, whether it be a Charleston or any dance you
:18:38. > :18:42.have to bring a certain character to it. I feel that she was a little bit
:18:43. > :18:47.too clean on her feet and I know that sounds odd, but I felt it was
:18:48. > :18:52.just too precise, too clean and it wasn't quirky enough. I know that's
:18:53. > :18:56.weird... It is so impossible. You need to be more... You need to be a
:18:57. > :19:03.little hunch of shoulder and a little bit quirkier.
:19:04. > :19:17.If she hunched her shoulders, you would have gone, "Hunched soldiers."
:19:18. > :19:20.Now this couple. There was the wardrobe mall fuption. That
:19:21. > :19:24.shouldn't have happened and sometimes it does. It probably
:19:25. > :19:31.through him a little bit. He went wrong I think twice and you know, I
:19:32. > :19:36.just didn't think it was, you know, up there. He is fantastic and I am
:19:37. > :19:40.not attacking them when I'm giving them low scores, it is not my fault
:19:41. > :19:47.they are dancing badly. I can only have an opinion about what I see.
:19:48. > :19:55.Yes. I have got numbers from ranging from one to ten so as you know and I
:19:56. > :20:01.like to use them! A one and a zero. Suzanna and Kevin and their paso
:20:02. > :20:07.doble. You called it fabulous. Yeah. Again. No ten. What was missing for
:20:08. > :20:11.you? Any detail? Style. Right. It was the style of the whole thing.
:20:12. > :20:17.She has got all the steps there and it is almost there, but it just
:20:18. > :20:20.needs to be a little more, she needs to be prouder. She is fantastic, I
:20:21. > :20:27.love her, but I don't know whether she is going to ever be a ten girl.
:20:28. > :20:32.Really? I'm just flagging that. For me. Don't listen, Suzanna. Mark and
:20:33. > :20:36.Iveta and their jive. Here is where you were very grumpy. He went out
:20:37. > :20:42.and gave it that performance and you gave him a five which, it seemed so
:20:43. > :20:47.harsh? I know, it seems harsh, but life unfortunately is never fair, is
:20:48. > :20:53.it? You know, this was... I am glad you weren't my dad. It is tough out
:20:54. > :20:57.there. Deal with it. It is tough out there and dancing is one of the
:20:58. > :21:01.toughest professions in the world. I grew up as a dancer and I was
:21:02. > :21:07.whipped into shape. Let's not go into that now? I enjoyed that sort
:21:08. > :21:10.of thing normally, but I have got to say, you know you have to take it
:21:11. > :21:13.professionally and you have got to be able to take the criticism and if
:21:14. > :21:17.you don't know what's wrong with your dancing and if you know, I
:21:18. > :21:19.really don't want to be lying to people out there. It is nice to know
:21:20. > :21:25.what is happening with request your body so you can come back and be
:21:26. > :21:29.amazing the week after. Ben and Kristina and their American smooth
:21:30. > :21:33.and your criticism of Ben, you wanted to see more smile when he is
:21:34. > :21:37.out of hold? Every time, he released from hold, his arms were very
:21:38. > :21:43.juvenile, if you like. You know, they were naive and by that, I mean
:21:44. > :21:50.there was no stretch, no shaping, no art tistry, no form to them and he
:21:51. > :21:53.really does need to work on that. Dancing isn't just about the partner
:21:54. > :21:57.work, when you are out of hold, you have got to look spectacular. He
:21:58. > :22:08.could learn a lot by watching a couple of movies by Fred Astaire.
:22:09. > :22:12.Well, I am glad you enjoyed your weekend away. Lovely to have you
:22:13. > :22:14.here. Craig Revel Horwood. APPLAUSE
:22:15. > :22:27.Earlier, we tested your Strickly knowledge, it is time to see if you
:22:28. > :22:34.got it right. I was on Strict ly in 2010.
:22:35. > :22:39.It me, Peter Shilton. It is Peter Shilton. On Saturday
:22:40. > :22:43.night, their quickstep kicked the show off with a bang. We will be
:22:44. > :22:48.talking to them in a minute, but let's remind ourselves of Sophie and
:22:49. > :22:52.Brendan's weekend in Blackpool. I think this place really works its
:22:53. > :22:57.magic because your performance level tonight my darling was so much
:22:58. > :23:01.better. I thought it was a little bit loose, a little bit jagged, the
:23:02. > :23:06.whole dance, but I have to agree with Bruno, the story telling was
:23:07. > :23:11.absolutely ten phenomenal. You were flying around that. Your hair was
:23:12. > :23:16.wafting out like you were walking down the prom on a windy arch. It
:23:17. > :23:21.was absolutely spot on. You came alive. It is a spirited and
:23:22. > :23:25.energetic dance. Divine. Well done. Seven. Nine.
:23:26. > :23:28.It was just brilliant. I thought you were going to come out and shine and
:23:29. > :23:37.you did more than that. Shocked. I'm so proud.
:23:38. > :23:39.Please welcome Sophie ands Brendan. APPLAUSE
:23:40. > :23:43.What an opening to the show, you looked glorious and your hair looked
:23:44. > :23:48.stunning and I love that bit when you leaped into the boys arms. Was
:23:49. > :23:54.it a total thrill? It was. The whole thing actually. Just before I
:23:55. > :23:59.danced, I was very, very nervous and actually the little VT they showed
:24:00. > :24:04.with my mum and I, I don't want to waste this real one off, dancing in
:24:05. > :24:09.Blackpool ballroom by being nervous and I really want to enjoy this. I
:24:10. > :24:15.thought this is my quickstep, take it or leave it. I was sat watching
:24:16. > :24:19.you with my mum and we looked at each other. Brendan, how amazing was
:24:20. > :24:23.it for you guys and how nervous, were you opening the show? There is
:24:24. > :24:27.an added pressure to opening the show. There is a big responsibility
:24:28. > :24:32.and it is an honour because generally I think the show want a
:24:33. > :24:39.big opener and a big closer so you are the chosen one and do it right.
:24:40. > :24:44.Generally we use the beginning of the show to get focussed, we didn't
:24:45. > :24:47.have that time. It is like bang, do it. I loved the dance. I felt
:24:48. > :24:52.magnificent out there. I was so proud of this one and yeah, nailed
:24:53. > :24:56.it. I kno You could feel thatmed coulding through the tele box and
:24:57. > :25:00.the judges loved your story telling as well. Was that something to thank
:25:01. > :25:03.your mum for as well? Yeah, it was helpful actually of. It was really
:25:04. > :25:08.helpful and she brought along photos as well of me when I was small and
:25:09. > :25:12.saying, she showed me them and said this little person wouldn't be
:25:13. > :25:17.frightened to go out there and do it and she got teary again because she
:25:18. > :25:21.does that all the time and I was really touched by how much she had
:25:22. > :25:26.put into the advice she wanted to give me. I thought I should have
:25:27. > :25:28.asked her earlier. There was criticism of your top
:25:29. > :25:32.line, you were going so fast around that floor and it was so intricate,
:25:33. > :25:34.is this something that happens with the speed and everything? It
:25:35. > :25:41.probably happened because I started on the Monday! I haven't really
:25:42. > :25:45.learned how to do it yet. I will persevere. If I get the opportunity
:25:46. > :25:48.to do another ballroom, the frame will be my first port of call, not
:25:49. > :25:54.the last and always concentrate on the footwork and I leave the line to
:25:55. > :26:02.the last bit, but I will put my shaping in first, I promise. It is a
:26:03. > :26:06.lot to learn in a short space of time. She has the frame, but it is
:26:07. > :26:11.maintaining the frame. I thought goodness me, that's a bit fast. I
:26:12. > :26:17.should have slowed it down a little bit. I says that in hindsight. Bless
:26:18. > :26:21.you. The dance floor wasn't as big as you hoped for, apparently, they
:26:22. > :26:26.made it smaller. Were you worried about colliding with the props and
:26:27. > :26:32.the audience? You picture the Blackpool ballroom and with the
:26:33. > :26:36.audience seats, it was a big space, but I had choreographed this
:26:37. > :26:41.ballroom that was towards Manchester and p back! We will just turn this
:26:42. > :26:45.around and it worked because it kept us nice and compact. Yeah, lovely.
:26:46. > :26:50.Well, you may have enjoyed being out on the smaller dance floor of
:26:51. > :26:54.Blackpool, but it does seem that perhaps, you might be going a little
:26:55. > :26:58.crazy during training. It happens to the best of them. Never.
:26:59. > :27:06.I don't think Brendan is going crazy at all.
:27:07. > :27:19.Can you see my snake? Boom. Boom. Oh dear. It is going to
:27:20. > :27:28.be a long week! What was the question?
:27:29. > :27:36.I could feel something buzzing, but there was nothing there!
:27:37. > :27:45.You have been doing this programme too long, Brendan. Can you tie your
:27:46. > :27:49.snake in a naught? That's the question. There is a question. The
:27:50. > :27:53.men with the white coats are waiting. It is rumba for you guys
:27:54. > :27:58.this week. How has the first day of training gone? Can I answer that?
:27:59. > :28:03.Yeah, go on. I felt very, very good in the first rumba session and you
:28:04. > :28:09.don't often feel that way. It is a very slow, it leaves you very
:28:10. > :28:12.exposed, expose yourself my dear, it was great. In a certain way. What do
:28:13. > :28:17.you think the biggest challenge will be with this dance this week for
:28:18. > :28:22.Sophie? It is very much about the believing and presenting a rumba
:28:23. > :28:26.that's very emotional so you want to be able to put that out on the floor
:28:27. > :28:30.for everybody to see. It is a tough one because you feel quite
:28:31. > :28:33.vulnerable. Slow. He has confidence. This is good. Good luck this week.
:28:34. > :28:37.You were glorious on Saturday. Sophie and Brendan.
:28:38. > :28:47.APPLAUSE That's all we have time for today. A
:28:48. > :28:51.big thank you to all of my guests. Tomorrow, I'll be joined by saved
:28:52. > :28:53.couple Mark and Iveta and samba survivors Patrick and Anya. Plus
:28:54. > :28:56.Karen Hardy is back with her choreography corner. That's at
:28:57. > :28:59.6.30pm, but, if you are watching in Scotland, we will be on at 11.20pm.
:29:00. > :29:01.Good night.