:00:13. > :00:17.Ss Hello, dance lovers, welcome to It Takes Two. It's Monday. What a
:00:18. > :00:20.show I have for you today. The final bell may have tolled for them as
:00:21. > :00:25.they became the latest couple to leave the competition. Big Ben and
:00:26. > :00:32.Kristina are here to say goodbye! We'll give them cuddles. They kicked
:00:33. > :00:38.off the festivities with a cha-cha-cha, it's Susannah and
:00:39. > :00:42.Kevin! And if nit-picking was an art form, this man would be nothing sort
:00:43. > :00:45.of a masterpiece. Tonight, what a line-up. It's Strictly It Takes Two.
:00:46. > :01:30.It's gooing to be good! Live from London, this is Strictly,
:01:31. > :01:38.It Takes Two! Please welcome your host, Zoe Ball!
:01:39. > :01:42.CHEERING AND APPLAUSE Not quite sure what that is, like a
:01:43. > :01:46.dinosaur! Welcome to Monday's It Takes Two. A glorious weekend of
:01:47. > :01:50.dancing. The couples pulled out all the stops to make sure they made it
:01:51. > :01:53.through another week. It was fantastic. In case you missed it,
:01:54. > :01:59.where were you? You are in trouble! Here are the Strictly headlines.
:02:00. > :02:03.Good evening. Here is the news. Thank you very much! Despite dancing
:02:04. > :02:07.a rumba, there was no love lost between Brendan and the judges. They
:02:08. > :02:12.deemed his performance this weekend with Sophie lacking in chemistry.
:02:13. > :02:19.What? ! Brendan was of course not amused.
:02:20. > :02:26.Didn't have enough chemistry for me. I totally agree with Len. I like my
:02:27. > :02:31.rumba a bit more launchier. I don't want to give filthy rumbas, I just
:02:32. > :02:35.want to do a lovely, clean, beautiful classic rumba. We
:02:36. > :02:39.delivered that, we felt. Bless him! Well said. Strictly proved it had
:02:40. > :02:44.the right recipe for success when it teamed up with the Great British
:02:45. > :02:51.Bake Off Mary Berry in a show-stopping performance on Sunday
:02:52. > :03:05.night. Love that Berry. # If I knew you were coming I'd have
:03:06. > :03:09.baked a cake... # Merry Berry, I salute you!
:03:10. > :03:14.Keen to make sure his big moment was not half baked, we caught Craig
:03:15. > :03:18.backstage practising his lines. Really cute.
:03:19. > :03:29.Ready, set, bake! Just practising my lines. Ready, set, bake... . Ready,
:03:30. > :03:34.set, bake. Oh no. Bake! Baulk. Bless him.
:03:35. > :03:36.So cute. Love the little hat. Finally, this Christmas, six
:03:37. > :03:40.brand-new celebrities will take to the floor for the much-anticipated
:03:41. > :03:44.Strictly Christmas special. Would you like to hear the line-up, ladies
:03:45. > :03:51.and gentlemen? For the ladies, we have my old maid, Radio Two DJ Sarah
:03:52. > :03:57.Cox, Rochelle Hughes from the Saturdays and is it EP, yes, musical
:03:58. > :04:09.Theatre Royalty, Elaine Page. She's good! And the boys, it's Rufus
:04:10. > :04:14.Hound, fat Boy from EastEnders and former Bros Star, Matt Goss. BBC One
:04:15. > :04:19.on Christmas Day will be a cracker. Those are the headlines, I thank
:04:20. > :04:23.you, good night. If that wasn't enough, here is our
:04:24. > :04:28.exclusive footage from behind-the-scenes. Little treat just
:04:29. > :04:35.for you. Hi. Morning. Good moshing --
:04:36. > :04:38.morning. Last week in Blackpool, there was tents flying around like
:04:39. > :04:47.you wouldn't believe. It was a tent fest. But now we are back, will it
:04:48. > :04:51.happen again? Five feeling a bit like a giddy kip they are week. The
:04:52. > :04:57.tango is great. I feel like I probably need to be a bit more
:04:58. > :05:02.fierce. Just punch Ali in the face full force and it went whack. That's
:05:03. > :05:08.strong passion. He's been getting on my nerves this week so I felt like
:05:09. > :05:15.he needed it. Mark has a bed and that's one thing we are all jealous
:05:16. > :05:20.of, especially me. I thought, I'm always tired, so I can remedy it
:05:21. > :05:27.with having a sleep. It's all the rage.
:05:28. > :05:39.There you go. Physio Room. Fabulous Rachel looks
:05:40. > :05:44.after us. I've got a stiffness in the neck. Cuff a look at that? No
:05:45. > :05:49.problem. Let's have a little look. Do you mind taking your top off for
:05:50. > :05:53.me. Hang on, get out, I'm getting my kit off. Off you go, you can't see
:05:54. > :05:57.this. What are you going to do when
:05:58. > :06:05.Strictly is over? I'll be very sad. Call me is what you are going to do?
:06:06. > :06:11.People neat a support -- need a a support network after they've
:06:12. > :06:19.finished. Look who it is, scary Mary, make sure there is no soggy
:06:20. > :06:31.buns! We are doing a group number and the theme was a Bake Off. This
:06:32. > :06:40.seems like a perfectly good cake for me to eat. Not happy! We can whip
:06:41. > :06:46.together a meal. Look at that, darling, we are putting Mary Berry
:06:47. > :06:54.to shame. You do such a lovely sponge. I can do your hair.
:06:55. > :06:59.Absolutely lovely. Strictly is lovely, you never know what will
:07:00. > :07:05.happen next. It's lovely and so beautiful and sparkly.
:07:06. > :07:11.Oh, no, don't kiss me with red lipstick. I'm being stitched into my
:07:12. > :07:16.outfit because I wriggle around way too much and if I don't get stitched
:07:17. > :07:22.in, it will all fall off live on television and Strictly 2013 will be
:07:23. > :07:36.ruined. Four minutes, four minutes before we go live.
:07:37. > :07:46.Here we go, here we go. Come on! 30 seconds. Good luck. Go for it.
:07:47. > :07:52.What a brilliant show. We like the way he worked it, but sadly it
:07:53. > :08:00.wasn't enough for the judges. Please will you welcome strong man Benn
:08:01. > :08:06.Cohen and Kristina muscles Rihanoff. Hello you lovely two. We didn't want
:08:07. > :08:10.to see you two here. What a shocker. How are you feeling today? Actually,
:08:11. > :08:15.I could look back with no regrets, I had a great time, had a blast and
:08:16. > :08:19.Kristina's been great, had the patience of a saint. I dropped her,
:08:20. > :08:23.bruised her, trod on her toes and I've learned to dance a little so
:08:24. > :08:28.I've had a great time. You've learned to dance a lot. Wait until
:08:29. > :08:32.you see your story and how you have improved, it's amazing. You said the
:08:33. > :08:39.charleston was out of your comfort zone. But you went for it on the
:08:40. > :08:44.floor. It went brilliantly. What did you think of the dance? Actually I
:08:45. > :08:47.felt like it was the only time I've danced to the music because I've
:08:48. > :08:52.never really been able to hear the music all the time, I've always gone
:08:53. > :08:57.off Kristina's timing. Yes, that's true. It's the first time I've hit
:08:58. > :09:00.the beat and I filt the timing of that was really good. I thought that
:09:01. > :09:05.was probably my best dance. The only disappointing thing is, not going
:09:06. > :09:10.out because I've had a Downing Street time, was being bottom of the
:09:11. > :09:15.leaderboard -- great time. There is no regrets. There is lots of people
:09:16. > :09:20.online saying that you were undermarked. Mary, Patricia, Jessica
:09:21. > :09:24.and Paul are going to miss you sand said you were undermarked. You said
:09:25. > :09:29.this of your American Smooth. Did you think Ben deserved to be in the
:09:30. > :09:34.bottom on Saturday Not at all, I agree it was his best dance. He
:09:35. > :09:38.performed great and the steps were all there. I know because of his
:09:39. > :09:43.tearing problem music was always an issue and it was truly the one
:09:44. > :09:47.performance when he danced side by side with me in time to the music so
:09:48. > :09:51.it was heartbreaking to see the marks. I actually didn't know what
:09:52. > :09:56.to say to him afterwards, I just kept saying, I'm so sorry. He worked
:09:57. > :10:01.so, so hard. Mark was in the bottom two again for the third time. How
:10:02. > :10:06.did you feel going into the dance-off with Mark? It was only
:10:07. > :10:11.going to be this week or next I felt for me. I felt like I was on
:10:12. > :10:15.borrowed time. It's like a dance competition now. Yes, that's what
:10:16. > :10:20.the show is, but it's got quite tense! Yes, you feel that backstage
:10:21. > :10:24.but Mark's great. He's a really good friend of mine. It was like, go out
:10:25. > :10:32.there, do your best and see whatp whats. -- what happens. On the
:10:33. > :10:37.actual dance itself, it was a really hard dance but I made mistakes and
:10:38. > :10:44.deserved to go. How gutted are you to leave four weeks before the
:10:45. > :10:48.final? So annoying. It is sad but I was thinking, when I've got to learn
:10:49. > :10:53.two dances in one week, I'm going together be in some serious trouble.
:10:54. > :10:57.There are other things leading up to the final where I was thinking, I'm
:10:58. > :11:00.not going to be able to cope with that. But it's amazing how you cope
:11:01. > :11:05.and get on with it, but the thought of it, I was thinking, I don't know
:11:06. > :11:10.about this. Let us see how much you have improved. Here is your Strictly
:11:11. > :11:16.story. So oh, no. It's brilliant. The lady you will be tackling is...
:11:17. > :11:21.Kristina! When I was told about Ben, I was so excite and happy, hopefully
:11:22. > :11:25.Ben is going to grow into a beautiful swan. From the word go,
:11:26. > :11:33.I've been a bit like the rabbit in the headlights really. I've got my
:11:34. > :11:40.work cut out. As a first go, full of glitz. The first dance in front of
:11:41. > :11:46.everyone. I'm really proud of you. I wake up having a nightmare about the
:11:47. > :11:54.waltz. This way. My nemesis at the moment. Great improvement. Yay,
:11:55. > :12:01.thank you so much, lovely waltz. You are a good teacher. This week, I'm
:12:02. > :12:06.dancing the rumba. I've got to get a bit sexy. Notoriously very difficult
:12:07. > :12:19.for celebrity boys. I'm willing you to dance very well
:12:20. > :12:26.and, you know what, you did! Yeah... ! Woo-hoo. All I can do is give it
:12:27. > :12:30.100% and hopefully that's enough. I said to Ben, this is your time to
:12:31. > :12:35.let go and have fun on the dance floor. And he did exactly that. So
:12:36. > :12:44.I'm really proud of him. You are having fun. I love it!
:12:45. > :12:56.We got three 8s. I'm really starting to enjoy this now. I'm having a
:12:57. > :13:01.great time. Smile no problem now. What you did you did well. It's a
:13:02. > :13:04.tough dance, guys, well done. It's about challenging and pushing
:13:05. > :13:12.yourself. Hopefully we can take it a step further in the paso doble. We
:13:13. > :13:20.need to make sure he has the activeness. Slightly distracted. I
:13:21. > :13:28.was hoping for fireworks but unfortunately there were none. It
:13:29. > :13:35.was an explosion. Explosion! Thank you, thank you, thank you. I love
:13:36. > :13:40.dancing with Kristina. She's got the patience of a saint. She's driving
:13:41. > :13:45.me insane. Again. Again. Again. Again. My favourite word is again. I
:13:46. > :13:54.put him through a boot camp. Hands, frame, elbows. Argh. Argh. Not heavy
:13:55. > :13:59.handed at all! It was a bit like a trifle, fruity up top and a bit of
:14:00. > :14:06.sponge down the bottom. For me, it was a bit too laboured, as I
:14:07. > :14:10.expected. It is important not to let Kristina and myself down. My belief
:14:11. > :14:15.will be always bigger than his doubt so I know it's going to be great.
:14:16. > :14:21.Ben, you really carried that off, especially all the lifts. Big Ben is
:14:22. > :14:27.back in the ballroom! We are over the moon. Can't imagine dancing with
:14:28. > :14:31.anyone else. It's been so rewarding. Nice to have someone really to hold
:14:32. > :14:37.your hand through it. She's been fantastic. The attack into the lifts
:14:38. > :14:42.was brilliant. It did lack a bit of freedom in the movement. I would
:14:43. > :14:53.like to say Ben and Kristina. Mark and Yvette that. Mark and Yvette
:14:54. > :14:59.that. -- I Iveta. I respect and admire you so much, I had the best
:15:00. > :15:05.time. Oh, I think she needs a cuddle. You
:15:06. > :15:11.were inconsolable on Sunday. How much are you going to miss dancing
:15:12. > :15:16.with Ben? A lot. I'm going to miss dancing myself a lot. Dancing with
:15:17. > :15:25.Kristina, to come from nothing and I really did struggle early doors - aw
:15:26. > :15:30.- that... Give me my box of tissues! It was really like pulling teeth
:15:31. > :15:36.sometimes and I've had a great time, a great experience and ultimately I
:15:37. > :15:40.came on to build awareness of my foundation, which is the Stand Up
:15:41. > :15:45.Foundation and people are aware of what I do after rugby now. I've had
:15:46. > :15:49.an incredible journey and the support has been amazing. Will you
:15:50. > :15:53.be dancing with your wife now, can you teach her a few ballroom moves
:15:54. > :15:58.there? Careful what you say there? ! It's not the right time for that.
:15:59. > :16:02.OK. Yeah, maybe, why not. Who are you rooting for? Who do you want to
:16:03. > :16:06.see win? I think Susannah's got a good chance, it will be a tight
:16:07. > :16:10.final. Really good quality dancers. I think it's for the girls this
:16:11. > :16:15.year, I think it's either Susannah or one of the girls left there, but
:16:16. > :16:20.I think Susannah has it all to win. We've loved having you both on the
:16:21. > :16:26.show, we'll miss you a lot. Go crazy for Ben and Kristina. Thanks, guys.
:16:27. > :16:30.CHEERING AND APPLAUSE Time now for another guess who.
:16:31. > :17:01.Which former structly star do you think this is?
:17:02. > :17:08.Who could it be? Saturday night turped into a cha-cha-cha-challenge
:17:09. > :17:11.for my next guests after they got a hip hounding from the judges.
:17:12. > :17:15.Susannah and Kevin will be joining me after this reminder of their
:17:16. > :17:20.brilliant performance. Timing throughout very, very good.
:17:21. > :17:24.For me, it was all a little bit moneysy, darling. -- mumsy. It's a
:17:25. > :17:30.difficult dance but you still gave 100%. It was lovely. Your problem in
:17:31. > :17:35.this dance was your leg action. You didn't get the straightened leg and
:17:36. > :17:39.you lost hip action because of that. Your performances fly off the
:17:40. > :17:49.shelves like mince pies at Christmas.
:17:50. > :17:55.Bit more subdued this week. Can't control the judges or anything else.
:17:56. > :18:00.All we can do is go out and have a great time and do our best. I can't
:18:01. > :18:04.even control my legs. Really proud of you. Please welcome Susannah and
:18:05. > :18:09.Kevin! CHEERING AND APPLAUSE
:18:10. > :18:14.Hello, my darlings. You did say last week... Happy birthday, by the way.
:18:15. > :18:18.Thank you. Love you. You said the cha can cha-cha was not your friend.
:18:19. > :18:23.You gave it your all. Will you be sending Christmas cards to each
:18:24. > :18:29.other? I've lost the cha-cha-cha's phone number. Kevin, did you enjoy
:18:30. > :18:34.your flirt with Darcey at the top of the routine like that? Terrified to
:18:35. > :18:39.be honest, still a bit in awe of her, prima ballerina and everything
:18:40. > :18:46.and I don't have any moves. It was more just me going like that and
:18:47. > :18:49.looking. Fancy a cider. Len said the dance was acceptable, rather than
:18:50. > :18:52.exceptional. You have had so many great comments over the weeks and so
:18:53. > :18:59.many great dances. Did that bother you a little bit, Kev? Yes. I don't
:19:00. > :19:04.like the word "acceptable". I would rather it was a disaster. We always
:19:05. > :19:09.talk about that. We either want it to be amazing and brilliant or a
:19:10. > :19:14.complete disaster because it means we have gone for an extreme.
:19:15. > :19:18.Acceptable is like it's forgettable. Don't say that! Just for me. I
:19:19. > :19:23.really loved it. And the thing is that, I totally accept I don't snap
:19:24. > :19:26.my legs into position and clearly my hips weren't doing the right thing,
:19:27. > :19:33.but what I loved was that we just went out there and we just had a
:19:34. > :19:38.great time, hilarious fun. It was great and I really loved it. Your
:19:39. > :19:42.facial expressions were a joy to behold, Suzanne nasmt they were
:19:43. > :19:47.amazing. What character did you give to yourself because I could see you
:19:48. > :19:51.working it there, come on, sister? The thing is, because I didn't
:19:52. > :19:55.naturally love the cha-cha-cha, I pretended I did and then something
:19:56. > :20:01.else just came out, yeah, went a bit kind of wild. I like that look about
:20:02. > :20:04.you. Len did say at the beginning of the show he was going to get picky
:20:05. > :20:08.because they were getting closer to the final. Did that worry you, did
:20:09. > :20:12.you start thinking, hang on a minute? Yes, when someone at the
:20:13. > :20:17.beginning goes, I'm going to get picky, you think, here we go, here
:20:18. > :20:19.we go, so definitely. It's getting towards the latter stages of the
:20:20. > :20:23.competition and they are not going to let anything go now. Perfectly
:20:24. > :20:27.reasonable, I suppose. The great thing as well about you, Susannah,
:20:28. > :20:31.in training last week, feigning it a bit of a struggle, but she had a
:20:32. > :20:35.brilliant way of distracting herself from dealing with it all. Have a
:20:36. > :20:41.look. I ask her just to walk in a straight line and she's just messing
:20:42. > :20:47.about. I would love it if you did some cha-cha-cha whack walks. OK. I
:20:48. > :20:51.hate these shoes. I can't cha-cha-cha but I can do that that.
:20:52. > :21:00.This isn't really going to benefit us in the competition.
:21:01. > :21:08.# We should be dancing, yeah... # Wasting a lot of time, the more time
:21:09. > :21:12.we waste, the less cha-cha-cha I have to do!
:21:13. > :21:17.Naughty Susannah. Maybe that was part of the problem. Impressive crab
:21:18. > :21:22.manoeuvre there. This week, quickstep, no walking, lots of
:21:23. > :21:27.hopping, back in the ballroom are you excited? We had a terrific day
:21:28. > :21:32.today, didn't we? Normally Mondays are... Horrible. Moody Mondays, but
:21:33. > :21:44.it was lovely. Kevin's cog radio fill is, as ever, an absolute dream
:21:45. > :21:49.re choreography. What do you think Susannah might struggle with this
:21:50. > :21:54.week? We have had a really good first day which is brilliant but
:21:55. > :21:58.scaring me a little bit. Usually it comes together Tuesday and
:21:59. > :22:02.Wednesday. So I hope we are not brilliant first then it goes wrong.
:22:03. > :22:11.She seems to be taking to it so far today, don't you? Yes. Lovely music.
:22:12. > :22:16.Yes. You did let slip to Claudia actually that it's from Singing in
:22:17. > :22:19.the Rain. You have emerged as strong
:22:20. > :22:24.contenders in this competition. What do you make of that, Kevin? I sort
:22:25. > :22:29.of don't want to talk about it. Let's move on then. It was lovely of
:22:30. > :22:33.Chris teen na and Ben to say such lovely things.
:22:34. > :22:37.We have only been top of the leaderboard once so I don't know.
:22:38. > :22:42.Keep going. I think the cha-cha-cha lowers everything. It's gone, this
:22:43. > :22:46.week quickstep, enjoy it, good luck. Susannah and Kevin!
:22:47. > :22:51.We are going to see you tomorrow with Karen. You are going to give us
:22:52. > :22:55.a waltz master class. Yes. Earlier on, we teased you for shots of a
:22:56. > :23:09.former Strictly celebrity. Time to see if you were right.
:23:10. > :23:18.Did you guess who it was? Yes, it was me, the snowman. Aled Jones from
:23:19. > :23:23.series 2, not Julian Clary. Aled Jones, a lovely, lovely man.
:23:24. > :23:26.Time now for a man whose very name strikes fear into the heart of any
:23:27. > :23:31.celebrity. Put your hands together, making sure your thumbs are in the
:23:32. > :23:40.right position, or he'll get cross, please welcome the inscrewable Craig
:23:41. > :23:44.Revel Horwood. Half the highs of Blackpool, your judges seemed to be
:23:45. > :23:47.frugal with your scores on Saturday night. It's been the same throughout
:23:48. > :23:51.the entire series, can I just say that. Thank you. Point taken. We did
:23:52. > :23:55.say goodbye to Ben and Kristina, you vote #20ed save them in the
:23:56. > :24:01.dance-off. Why was that? I liked the dance and I it had a lot of content.
:24:02. > :24:09.They both went wrong, so I just negated that fact anyway. He took
:24:10. > :24:14.the note about crossing with the swivel. He wasn't completely
:24:15. > :24:19.crossing and did it better the second time. All right. Ashley and
:24:20. > :24:24.Ola. Then waltz. You made a great point saying Ashley coped well with
:24:25. > :24:32.the cross phasing in spite of the difficult music? Yes, that means you
:24:33. > :24:38.are not just simply doing steps side close and then making a forward step
:24:39. > :24:45.on the downbeat of the barb. Waltzing is in three fold, darling.
:24:46. > :24:49.The downbeat is what you look for, but they were cross phrasing which
:24:50. > :24:55.is gorgeous. And difficult to do? Yes, difficult to stay in time. Mark
:24:56. > :24:59.and Iveta. Mark's never got higher than a seven from you. Can't seem to
:25:00. > :25:03.do right from you, although it's still a good score? Seven is rather
:25:04. > :25:08.high actually. Do you think he's improving? I think he is actually
:25:09. > :25:13.reaching some sort of plateau. I'm scared he's going to run out of
:25:14. > :25:18.ideas, you know. His dancing has improved because he's learning as
:25:19. > :25:22.he's go you through which is magnificent, which is what the show
:25:23. > :25:30.is all about. But I don't know what he can really do to actually fly in
:25:31. > :25:34.the competition. Unless it's comedy-driven or actor-driven, you
:25:35. > :25:38.know, he's suffering I think, technically, compared to people like
:25:39. > :25:47.Natalie, compared to people like Susannah, you know. Who are up
:25:48. > :25:50.there. Yes, the tough. Really tough. Rumba-gate, Sophie and Brendan. You
:25:51. > :25:56.found this cold. What did you make of Brendan's point that the rumba
:25:57. > :26:00.doesn't have to be raunchy? He has a valid point. The rumba does not have
:26:01. > :26:07.to be raunchy. It can be sexy, doesn't have to be sex-driven.
:26:08. > :26:11.Shouldn't be that sense yous but needs to have a communication which
:26:12. > :26:17.I think is what Len and myself were trying to say. There was almost a
:26:18. > :26:21.steely coldness between them at times, it went in and out. Sometimes
:26:22. > :26:26.she'd relax and smile and I can see the story unfoldings, then suddenly
:26:27. > :26:33.she'd do something technical like her spins and the face went cold as
:26:34. > :26:36.steel, she looked nervous and it looked really, really bad. You have
:26:37. > :26:40.got to be able to connect with your partner and work with them and it
:26:41. > :26:46.should be a form that is free-flowing. That wasn't. She is
:26:47. > :26:50.quite stiff in a way. So you want more movement and to keep it going?
:26:51. > :26:54.A bit more hip action would have been gorgeous. It's mainly the
:26:55. > :26:59.connection between them that I think was missing. I kind of understand.
:27:00. > :27:05.Patrick and Anya and the Viennese waltz. The bit at the end. You said
:27:06. > :27:08.there was a lift. We have slow-mowed it down. Which is the bit that we
:27:09. > :27:14.are talking about? This bit here? This is where I thought it came off
:27:15. > :27:20.the floor. Is it off the floor? No. Not at all. Not off the familiar at
:27:21. > :27:25.all. I looked at this in great detail because I'm sitting at a very
:27:26. > :27:32.different angle than the camera. Excuses, excuses, revel Horwood. Are
:27:33. > :27:37.you accepting that you are wrong? If I'm wrong, I'll make a national
:27:38. > :27:43.apology. Come on! If I find and discover another camera angle
:27:44. > :27:48.darling that exposes that... Anyway, the rule is, one foot on the
:27:49. > :27:52.familiar at all times and you can have a minor moment of it lifting
:27:53. > :27:57.off because it goes back on in real competitions. But still... I'm
:27:58. > :28:02.looking. I know. Natalie and Artem and the tango, you gave her a 9.
:28:03. > :28:06.Three criticisms, one the hand, her hopping and lack of drama, but she
:28:07. > :28:11.still got a 9 so you must have loved a lot about it? Tiny little things
:28:12. > :28:15.and on occasion they did flip up on to his back and the palm should be
:28:16. > :28:21.facing the floor the whole time. Like that. Exactly. That was that
:28:22. > :28:27.point. She did hop around which is not great. It would have got a 10 if
:28:28. > :28:33.those things hadn't have been a problem. What did you think of the
:28:34. > :28:37.paso? It was great. Easy liked the introduction of new music as well
:28:38. > :28:43.and working glaens music so I would say well done. Susannah and Kevin?
:28:44. > :28:49.You know I love them! As always, a pleasure, Craig Revel Horwood!
:28:50. > :28:54.Who almost admitted that he was wrong there! That's all we have time
:28:55. > :29:05.for there. Tomorrow I'll be joined by Mark and I ETA, Ola will be
:29:06. > :29:07.flying solo while Ashley is busy. -- Iveta. Karen is back too. Bye.