:00:08. > :00:07.. Hello. Welcome to a bumper Bye bye. Bye bye.
:00:08. > :00:15.. Hello. Welcome to a bumper Wednesday edition of
:00:16. > :00:16.. Hello. Welcome to a bumper their paso doble was no slip up.
:00:17. > :00:23.Abbey their paso doble was no slip up.
:00:24. > :00:29.wedding dance, thatly low is back with --
:00:30. > :00:29.wedding dance, thatly low is back As we look forward to Saturday's
:00:30. > :01:19.musical spectacular, As we look forward to Saturday's
:01:20. > :01:22.Two. . Live from London, this is Strictly: It Takes Two. Please
:01:23. > :01:33.welcome your host Zoe Ball. Hello and welcome to Wednesday's It
:01:34. > :01:37.Takes Two. Little bit excited. This week, our couples are bringing some
:01:38. > :01:41.Broadway to the ballroom, as they dance to classic songs from
:01:42. > :01:50.musicals. Abbey and Aljaz are tackling a salsa. Here's a recap of
:01:51. > :01:56.Saturday's brilliant paso doble. Little bit cuty, but I loved the --
:01:57. > :02:02.cutesy, but I loved the dance. I would liked a harder, stronger woman
:02:03. > :02:06.from you. You did create one very nice shapes. On occasion, you just
:02:07. > :02:09.lost a bit of control. I enjoyed the dance. I would have liked to have
:02:10. > :02:14.seen it a little bit cleaner. Some of the things you did tonight were
:02:15. > :02:22.incredibly beautiful. You have achieved a lot in this competition.
:02:23. > :02:27.Eight. Eight. Eight. Eight. You've got a scratch on your face. Did I do
:02:28. > :02:31.that? Of course I do, war wound. Everyone is getting better and
:02:32. > :02:32.better. The standard is higher and higher. So we're going to be higher
:02:33. > :02:42.and higher. Please welcome Abbey and Aljaz! Clap
:02:43. > :02:48.clap -- APPLAUSE
:02:49. > :02:52.You guys looks so drop-dead gorgeous on Saturday night. When you walked
:02:53. > :02:55.down the stairs, like that, oh, my goodness me. Another great
:02:56. > :03:01.performance... Four hours in make up. How was your paso doble, did you
:03:02. > :03:05.enjoy it? I loved it. I enjoyed learning that dance. Great song,
:03:06. > :03:09.costume, great, just unfortunate that I slipped a few times during
:03:10. > :03:14.the performance. Yeah, we'll get to that. We will talk about the slippy
:03:15. > :03:19.business. Darcey said very intricate and very difficult choreography that
:03:20. > :03:23.you gave her, Aljaz. Was that a conscious every, she can do this,
:03:24. > :03:29.I'm going to make it tricky? Every week that goes by, I'm trying to do
:03:30. > :03:33.it harder and harder, so it gets more difficult, more steps, more
:03:34. > :03:38.lines, more looks, you know, so she has a lot more every single week.
:03:39. > :03:42.Paso was no different really. Is it terrifying when he first shows you
:03:43. > :03:46.the routine at the beginning of the week - you think, I can't possibly
:03:47. > :03:49.do that? Every week we have the same conversation. "I can't do that! I'm
:03:50. > :03:55.not doing that." Look what happens by the end of the week. They know
:03:56. > :04:00.what you're capable. Let's talk about the -- what you're capable of.
:04:01. > :04:04.Let's talk about the slipping. I don't know. I had new shoes on, not
:04:05. > :04:08.the ones I trained in all week. I did that in cha cha as well, funny
:04:09. > :04:21.enough. That's why! Is it good to wear the shoes in. They're a funny
:04:22. > :04:25.design. They're like a suede soul -- sole. The audience don't know what
:04:26. > :04:29.steps you're doing, I think part of doing a dance well is being able to
:04:30. > :04:32.recover if you make a mistake. It jufrt threw me a little bit. I was
:04:33. > :04:36.disappointed because I loved it. He worked so hard again with me. You
:04:37. > :04:42.say that, I didn't notice the slip at all. I was completely enraptured.
:04:43. > :04:47.Allison from Lancashire says, "I thought the judges were really harsh
:04:48. > :04:52.on Abbey. She was undermarked. Quite a few people said that." What due
:04:53. > :04:55.think of that? I don't know. I always agree with the judges'
:04:56. > :05:00.scores. Obviously, it wasn't perfect. So there was a little slip.
:05:01. > :05:03.I think that from my point of view, whatever I gave to Abbey, she
:05:04. > :05:09.delivered. So I'm happy, no matter what the scores are. If I feel like
:05:10. > :05:14.she gave her 100% and she really did, so I have, it's not up to me if
:05:15. > :05:18.I like or don't like the scores. I definitely agree with them. But I
:05:19. > :05:23.think she did her absolute best. The thing is, 32 is not a bad score.
:05:24. > :05:25.That's still four 8s. But for you guys, because you have been
:05:26. > :05:30.brilliant, it's a dip. Is that disappointing or are you just moving
:05:31. > :05:34.on? I'm moving on. Itch tend to focus -- I tend to focus more on the
:05:35. > :05:38.comments than the score and take the comments on board and try to apply
:05:39. > :05:41.it to next week. The judges have to be tougher. The competition is
:05:42. > :05:45.heating up. It's getting less and less people each week. They have to
:05:46. > :05:51.be more picky. They can't let certain things slide now, as they
:05:52. > :05:55.may have done in the earlier weeks. Ben said when he was here on Monday
:05:56. > :05:59.that he could really feel that suddenly, it's like, hey, this is a
:06:00. > :06:05.dance competition. Do you feel the atmosphere is changing? No, I don't.
:06:06. > :06:11.You're having a right laugh. I'm having an absolute ball. Everyone is
:06:12. > :06:15.genuinely routeing for each -- rooting for each other back stage.
:06:16. > :06:20.It's not a lie, it's so true. I think how I'm taking it is trying to
:06:21. > :06:27.do my best and have fun. You're doing. We're loving every minute of
:06:28. > :06:30.it. The paso doble is dramatic. You might have struggled with the draum
:06:31. > :06:34.why in training. Abbey is struggling a little bit
:06:35. > :06:40.getting into the character. I just can't take it seriously, like
:06:41. > :06:46.the dances and coming over to him like this. It just makes me crack
:06:47. > :06:53.up. It's very serious. But I'm in the a serious person, am I?
:06:54. > :07:04.Three and four... I think I'm going mad in here today. I don't know
:07:05. > :07:13.what's wrong with me. I'm doing my own head in today. Don't laugh. OK.
:07:14. > :07:20.You're laughing the whole way through. I don't know what's wrong
:07:21. > :07:25.with me. It is that thing, the minute anyone
:07:26. > :07:29.says don't laugh, it's like being in school. I can't stop laughing. I'm
:07:30. > :07:33.getting into so much trouble. But you go out on the floor and pull it
:07:34. > :07:41.all together. This week it's salsa. How is it going? Definitely a love
:07:42. > :07:49.of laughing. Yeah, it's very soft, a lot of rhythm, a lot of hip action,
:07:50. > :08:01.and she's doing good. We're doing a very aislistically disco --
:08:02. > :08:08.aislistically -- stylistically danced salsa. You are dancing to a
:08:09. > :08:12.tune from Saturday Night Fever. Women you be doing some disco
:08:13. > :08:16.influence elements in there or keeping it firmly salsa, do they mix
:08:17. > :08:23.any way? Definitely going to be a lot of disco, a lot of hard salsa.
:08:24. > :08:29.It's hard. Noted. I can imagine. Yeah, it's such a strong character
:08:30. > :08:34.that song has so I have to put some disco in. Yeah, she loves the disco
:08:35. > :08:42.actually. Have you seen the film? Yeah. I have seen the film. We've
:08:43. > :08:45.been watchinclips on YouTube. I think John Travolta has better moves
:08:46. > :08:51.than you. Are you wearing the full 70s garb? I
:08:52. > :08:55.hope so. I hope so. You might be wearing the suit. Oh, my goodness
:08:56. > :09:01.me. I have to hold onto the sofa. Lifts as well. I love in the film
:09:02. > :09:04.there the koala lift. Then they turn out so brilliantly. I heard there
:09:05. > :09:07.are lifts you're nervous about this week? Yeah because I'm so high in
:09:08. > :09:12.the air and he spins me around so fast. I'm just screaming the whole
:09:13. > :09:21.way through. He's like "don't scream! ". It's like a white-knuckle
:09:22. > :09:23.ride. Good luck this weekend. Abbey and Aljaz!
:09:24. > :09:33.APPLAUSE I love your trousers by the way. Now
:09:34. > :09:37.time for another ballroom ballad. You might already have your own
:09:38. > :09:39.ideas, but tonight let's find out who eats the most and who is always
:09:40. > :09:53.glued to their phone. The dancer who eats the most,
:09:54. > :10:06.without doubt, is Robin Windsor. He's always got a bag of sweets or
:10:07. > :10:11.chocolate with him. He never stops. Robin. Robin brings lunch bags and I
:10:12. > :10:16.mean bags, like big bags with sandwiches, and things to nibble on.
:10:17. > :10:23.This man like a Hoover, he eats everything he sees. He must have a
:10:24. > :10:28.grazing thing going on. Every time I turn around, he's scoffing
:10:29. > :10:33.something. That would be me. Who is addicted to their phone? Kristina
:10:34. > :10:39.looking at messages and stuff, and Pasha always playing on games.
:10:40. > :10:44.Pasha. He's always playing games. Probably not for the cause. Pasha
:10:45. > :10:51.with his games. I think it's addiction, or lack of attention. I
:10:52. > :10:56.don't know. Kristina. Kristina. What was the question? All of them. I
:10:57. > :11:04.don't know how they do any steps. It's all about the phone, thank you
:11:05. > :11:10.very much. Pasha love a game. Game mad Pasha. Kristina, loves her
:11:11. > :11:16.phone. All of them, phone mad. The number you have dialled has been
:11:17. > :11:22.changed. So forget Audley Harrison, and
:11:23. > :11:27.Michael Vaughn this year Natalie Lowe has faced her biggest
:11:28. > :11:32.challenge, teaching a soon to be married couple the ultimate wedding
:11:33. > :11:35.dance. Here is Natalie and the lucky couple themselves, Mel and Gordon!
:11:36. > :11:40.APPLAUSE It's so lovely to have you here.
:11:41. > :11:48.Welcome back Nat as well. So excited about your coming in. When is the
:11:49. > :11:52.big day? Two weeks Friday. That is 16 sleeps. Are you ticking off the
:11:53. > :11:56.days. You seem incredibly calm this soon before the wedding. How excited
:11:57. > :11:59.are your friends and family about the dance, never mind the wedding?
:12:00. > :12:05.The wedding is just secondary for everybody I think. The dance is all
:12:06. > :12:09.anybody talks to us about now. Yeah, they are beyond excited. It's mad.
:12:10. > :12:13.We are too. Natalie, you've not been able to do the series because of
:12:14. > :12:19.your foot. Bless you. How much has working with Mel and Gordon meant to
:12:20. > :12:23.you? Having these guys this year has been a God send. I'm in the a part
:12:24. > :12:28.of the main show, to still be a part of the family somehow has just been
:12:29. > :12:33.a blessing. You guys have genuinely been the most loveliest, hard
:12:34. > :12:39.working people that I really ever worked with before. Impressive
:12:40. > :12:46.skills as well. I'm very grateful. It's a love-in today. They're a
:12:47. > :12:51.dream to work with. We all know how all encompassing organising a
:12:52. > :12:54.wedding is. How easy is it, on top of that, to have dance classes?
:12:55. > :12:58.We've had 18 months to plan the wedding. We had a lot of it in place
:12:59. > :13:03.before then. In a weird way, it's helped having this to distract us
:13:04. > :13:11.from - because you can focus on the nitty gritty. Napkins, who cares?
:13:12. > :13:15.Who's on their table? ! We have something exciting to look at now.
:13:16. > :13:20.Natalie has been hotting up the training and this week she unleashed
:13:21. > :13:26.a secret weapon. I have an amazing surprise in store.
:13:27. > :13:30.Mel will be slightly beside herself. I really feel that it's going to
:13:31. > :13:36.help Gordon with his posture and giving him loads of tips. Ises a
:13:37. > :13:41.win-win situation. I need you to put these on. That's not at all weird. A
:13:42. > :13:46.little surprise in store. Anything you say. I think you're really going
:13:47. > :13:48.to enjoy it. What are they doing to us now? I have no idea what's about
:13:49. > :14:04.to happen. I know. Hello, Mel. As soon as I heard the
:14:05. > :14:11.voice, I knew it was him. Mel, don't be nervous. Hello Mel! I think I
:14:12. > :14:17.might have seen Mel for the last time. It's safe to say that I'm
:14:18. > :14:22.quite a big fab of -- fan of Anton. I don't think there are many people
:14:23. > :14:26.who have a picture of him above their bed. She's never going to let
:14:27. > :14:30.him go. When you've loved someone for so long and then you final lip
:14:31. > :14:38.get to meet him, you think, oh, gosh. I'll take my ring off. Take it
:14:39. > :14:47.off quick. Don't you dare. Shall we try this to music. It was priceless.
:14:48. > :14:53.That was a bit awkward. You held on quite a long time. Mel just said, he
:14:54. > :14:57.smelled really lovely. Being the superfan that you are has meeting
:14:58. > :15:03.Anton added to the wedding jitters? Well, he didn't ask me to run away
:15:04. > :15:07.with him, so I'm still here. I may as well go through with the wedding
:15:08. > :15:11.now. Gordon was already nervous about Mel meeting Anton, how would
:15:12. > :15:19.you feel about them dancing together?
:15:20. > :15:24.Shoulders down, we're not here. Pretend I'm not here. You have to
:15:25. > :15:28.look at me. Keep going, nice and long. It doesn't feel like we've
:15:29. > :15:32.just met Anton and he's just come in and taught us how to dance. It is
:15:33. > :15:37.choreography, it is of course, because it's steps to timing. But at
:15:38. > :15:42.that moment you're just rocking. At that moment we want to see a moment
:15:43. > :15:48.together. That was nice! Anton was great with us. He was so
:15:49. > :15:51.enthusiastic. I think they're doing tremendously well. This is two
:15:52. > :15:54.people who are just learning to dance for the first time, dancing
:15:55. > :16:01.together - that's so difficult! They're pulling it off and it's
:16:02. > :16:06.really lovely. One, two, three. One, two, three. The biggest thing I
:16:07. > :16:10.learned how the man in the dance to carry yourself properly. You know
:16:11. > :16:14.all the timing and stuff, but you have to lead her. The more you lead
:16:15. > :16:19.her when she knows it, the more you dance together. To watch him and see
:16:20. > :16:24.how he moves made me focus more on what I need to do. It's been such
:16:25. > :16:28.ape blessing having Anton here. There's a massive shift in their
:16:29. > :16:31.performance, their energy. They're not thinking so much about their
:16:32. > :16:37.steps. They're starting to learn to perform. I would say that tonight is
:16:38. > :16:44.a dream come true. Can it happen again next week? Please?
:16:45. > :16:49.Thank you so much Anton for helping out. Mel is saying I was right in
:16:50. > :16:54.there. She didn't hold back. The choreography is down, now it's the
:16:55. > :16:58.finesse. How are the final touches coming together? Natalie is pushing
:16:59. > :17:01.us to make it look as professional as possible. That's quite
:17:02. > :17:05.challenging. Learning the basic steps is OK. That's one thing. But
:17:06. > :17:09.making it look like a professional dance, that's quite hard. But she's
:17:10. > :17:13.doing an amazing job. We're confident. Now you have been through
:17:14. > :17:17.the process, does it make you appreciate how hard the celebrities
:17:18. > :17:20.work and they do a dance a week. I know. You see them on the show and
:17:21. > :17:23.see their dance and think that's amazing. But until you do it
:17:24. > :17:27.yourself and realise what goes into just 20 seconds and it's not just
:17:28. > :17:32.the steps, it's the head, arms, everything, a new appreciation for
:17:33. > :17:38.it. Is there a competition between you two about who is the best
:17:39. > :17:41.dancer? Were competitive at the beginning. We are still a little
:17:42. > :17:46.bit. Neither of us likes to lose to the other one. We both want to do
:17:47. > :17:50.really well on the day. You are gorgeous. We've seen you get quite
:17:51. > :17:55.emotional in the classes. How emotional are you going to be on the
:17:56. > :17:59.big day. Stop it! I can't begin to imagine. I will be welling up the
:18:00. > :18:02.whole time. To be part of your special day and in such a special
:18:03. > :18:07.way as well, to be able to teach you... As long as she's crying for
:18:08. > :18:11.the right reasons! Thank you so much for letting us follow you a bit too
:18:12. > :18:15.closely through this whole process. Good luck for the big day. We'll be
:18:16. > :18:22.able to see it on the telly soon. Give it up for Mel, Gordon and
:18:23. > :18:25.Natalie! So soon Ian will be here with his
:18:26. > :18:28.Wednesday Warm-Up. First, we asked the professional dancers to pick
:18:29. > :18:37.their own favourite performance from this year's series. First Karen
:18:38. > :18:44.hour. -- Karen Hauer. One of the stand-out
:18:45. > :18:49.dances for me for this series is Patrick and Anya's American smooth.
:18:50. > :18:55.It was just spectacular and a real joy to watch. At the beginning of
:18:56. > :19:00.the routine Patrick does a little gesture that almost seemed like he
:19:01. > :19:05.was keeping a little secret. And they just burst into this first
:19:06. > :19:12.lift. Really, it takes you by surprise. It took me by surprise.
:19:13. > :19:19.Then they go into a regular foxtrot. It's very graceful, very busiful.
:19:20. > :19:23.Then, they strike again. It's really exciting. It's almost like a little
:19:24. > :19:29.bit of a heart attack that they give you. I love how Anya put the
:19:30. > :19:32.choreography into it, the long flowing, continuous movement across
:19:33. > :19:38.the floor. It's very detailed as well, from the fingertips to where
:19:39. > :19:43.they're looking to the shoulders, so everything was very precise and very
:19:44. > :19:48.well choreographed. I loved the dance break when they were on the
:19:49. > :19:52.stairs. It almost felt like they were having so much fun that they
:19:53. > :19:58.just couldn't help it, but dance on the stairs as well. You know, they
:19:59. > :20:02.used the whole stage. One of the things about Patrick is that his
:20:03. > :20:08.upper body is very strong. Anya is flying all over the place and it was
:20:09. > :20:16.great to see this maeg lift at the -- amazing lift at the end and all
:20:17. > :20:21.of a sudden you see it go wrong. It was just one of the best dances, you
:20:22. > :20:29.just happened at the end, you messed up... They both fought through that
:20:30. > :20:33.little mistake and made it till the end. They weren't going to let
:20:34. > :20:37.anything rain on their parade. Even though there was a slight fluf at
:20:38. > :20:43.the end of that lift, it didn't matter for me at all. It was such an
:20:44. > :20:49.impressive American smooth. It gave me goose bumps. It was one of those
:20:50. > :20:54.that I felt their energy and I felt their partnership. It didn't feel
:20:55. > :20:59.like I was watching teacher and student. It felt like I was watching
:21:00. > :21:09.a glamorous Hollywood dance couple. It was just beautiful to watch.
:21:10. > :21:20.Thank you Karen. Here with a peak at what delights are still to come,
:21:21. > :21:28.it's Mr Ian Waite. -- peek.
:21:29. > :21:36.APPLAUSE Is that a running man? Yeah, if you
:21:37. > :21:41.had done your feet with it. Are you doing the Christmas special. I am!
:21:42. > :21:47.So exciting. Who are you going to be dancing with? I'm very excited. I
:21:48. > :21:57.shall be dancing with a young, gorgeous girl, roshel from the
:21:58. > :22:00.Saturdays. -- Rochelle. Have you met Marvin yet? No, I haven't. I'm
:22:01. > :22:03.looking forward to that. Good luck with that. Ive know you have lots of
:22:04. > :22:09.training coming up. Musicals week this weekend. Are you as excited as
:22:10. > :22:16.I am? Our life's a musical, come on. I love it. I know. So exciting.
:22:17. > :22:22.Right, let's see who are we looking at first? First of all, unleash the
:22:23. > :22:28.wand. I I love it when he does that. Natalie and Artem are doing an
:22:29. > :22:31.American smooth to I'm Telling You I'm Not Going from Dreamgirls. What
:22:32. > :22:36.can you tell me about it? What I can tell you is looking absolutely
:22:37. > :22:41.gorgeous. Its very lyrical, lots of very fluid movements. At the moment,
:22:42. > :22:46.everything is solo, I'm presuming because it lends itself in the
:22:47. > :22:51.music. I know Artem likes to choreograph to the music. I will say
:22:52. > :22:57.that American smooth there is an American in hold. -- there is an
:22:58. > :23:02.element in hold. I'm assuming more is coming later. I didn't really
:23:03. > :23:06.know which dance they were doing at that point, whether it was a waltz,
:23:07. > :23:15.foxtrot or whatever. But this next step might tell you.
:23:16. > :23:23.Any offers? Foxtrot! It's a classical foxtrot American smooth. I
:23:24. > :23:28.think it's going to be stunning. Patrick and Anya are doing the
:23:29. > :23:35.charleston to Chitty Chitty Bang Bang. Love it! No child catcher in
:23:36. > :23:39.sight. Now, this could be an amazing charleston. What's he looking like?
:23:40. > :23:43.Do you know what, he is looking absolutely brilliant. I think this
:23:44. > :23:48.really is the dance for him. It really suits his expressions. He was
:23:49. > :23:53.great in the quickstep. And you don't have to have hold in
:23:54. > :23:57.charleston which is perfect for him. I wanted to show you how even in
:23:58. > :24:05.this character step, I know it's a silly step. Does it have a name? I
:24:06. > :24:09.suppose... Silly walking. They're absolutely matching. His arms and
:24:10. > :24:15.everything, they're all in the right position. For me, this week, I think
:24:16. > :24:21.he could get some 10s. I don't want to put my neck out there. But I
:24:22. > :24:28.really do think so. Fingers crossed. Sophie and Brendan, they're doing
:24:29. > :24:32.ballroom this week. They're doing a Viennese waltz, My Favourite Things
:24:33. > :24:36.from Sound of Music. It's too exciting. Tell me about their
:24:37. > :24:41.training. As you know, Viennese waltz is a very difficult dance.
:24:42. > :24:45.He's put so much Viennese in here. Lots and lots of content, which is
:24:46. > :24:49.brilliant. What I love about Sophie is she's actually a very, very good
:24:50. > :24:53.position on him. I've stopped it here. They have right front to right
:24:54. > :25:00.front hold, her head is lovely and out. Very good, look at Brendan's
:25:01. > :25:04.position as well, A 1 - whatever that is.
:25:05. > :25:09.Gold star. Yes, I wanted to show the feet. Sometimes she closes her feet
:25:10. > :25:15.and when she does she skips. She has to make sure she flattens that out.
:25:16. > :25:20.You hear the judges say it was skippy. Ashley and Ola are doing a
:25:21. > :25:23.rumba. Is Ola helping to control his head movement or does that not
:25:24. > :25:29.matter so much in the rumba? You don't need to do so many pave ots
:25:30. > :25:34.and stuff like that. -- pivots. I is a strong dance for him. I've stopped
:25:35. > :25:41.it here. I wanted to show basically, I wanted to show his arms and his
:25:42. > :25:44.strength in his legs. That's the wrong way. I wanted you to see the
:25:45. > :25:49.strength in the lines that he's making. He's making some fantastic
:25:50. > :25:55.lines. What I love, well, we didn't say actually what they're dancing
:25:56. > :26:05.to. This might give you a clue. Is it book of Mormon? No. OK. From
:26:06. > :26:09.rent? Aladdin? Yes. A Whole New World. Susanna and Kevin are doing a
:26:10. > :26:13.quickstep. Another fast dance for them. Is it looking spectacular?
:26:14. > :26:19.Yeah, it's looking good. Again, Kevin's really pushing Susanna. He's
:26:20. > :26:24.giving her so much content, so much foot pattern work. It's quite scary,
:26:25. > :26:28.in actual fact. What that does is it brings another challenge for her.
:26:29. > :26:32.It's a little bit two sided because the top half she's doing really
:26:33. > :26:39.well, she has a really nice line, but the bottom half, again,
:26:40. > :26:43.sometimes she goes out of sync with Kevin because of the fast patterns.
:26:44. > :26:48.She needs to tighten that up. The will do by the weekend. And I have
:26:49. > :26:52.something to give awe I I you what they're dancing -- give you a clue
:26:53. > :26:58.what they're dancing to. Mary Poppins? No. It's Good Morning from
:26:59. > :27:04.Singin' In The Rain. Mark and Iveta are dog a samba. How is his bounce
:27:05. > :27:08.looking? Samba is all about the bounce. Yeah, unfortunately there's
:27:09. > :27:13.no bounce yet. Whether they've worked on that, Iveta is dog it. So
:27:14. > :27:16.for me, this is going to be a difficult dance for him. He needs to
:27:17. > :27:21.put in, samba is all about the bounce. I thought we could show you
:27:22. > :27:27.a bit of that. I can try. The bounce comes from the knees. What that does
:27:28. > :27:38.is it affects the hips. One and two, three and four. The tilting of the
:27:39. > :27:46.hips affects the body. We do whisk. One and two, three and a four. Five
:27:47. > :27:56.and six. I'm in the zone. Now, graphics. Is it Lion King? Yes! He's
:27:57. > :28:02.dancing to I Just Can't Wait To be King. Abbey and Aljaz are doing a
:28:03. > :28:07.salsa. Hot dance. She's in a coat. Yes, sometimes it's cold in those
:28:08. > :28:11.studios. For me, there are elements of disco in there, which is
:28:12. > :28:17.fabulous. For me, the problem again, another spotlight on the feet, she
:28:18. > :28:20.needs to get those feet stronger, ankles stronger, because they look
:28:21. > :28:24.weak sometimes. This dance is exposing, as we know. She needs to
:28:25. > :28:28.keep the rhythm in the body and strengthen the feet. All looking so
:28:29. > :28:33.good. It could be a week to beat all weeks. If you'd like to dance us out
:28:34. > :28:37.Mr Ian Waite, I'll read this link. That's it for today, a big thank you
:28:38. > :28:44.to all my guests. Tomorrow, Natalie and Artem and Sophie and Brendan
:28:45. > :28:50.will be on the sofa along with the divine Miss Darcey Bussell. And a
:28:51. > :28:53.sneak peek at the amazing costumes for musicals weeks. See you at 6.
:28:54. > :28:57.30pm. Good night.