:00:00. > :00:10.A Hell lone and welcome to It Takes Two. It's Friday -- hello.
:00:11. > :00:12.For your delectation, they quick stepped their way to the
:00:13. > :00:18.quarter-finals, Susanna and Kevin will be here. Plus we'll be seeing
:00:19. > :00:24.how Anton du Beke got on with this year's Pro Challenge. James Jordan
:00:25. > :00:28.met up with Patrick and Anya and Ola and Ashley. There they are. And my
:00:29. > :00:34.fabulous Friday panellists are presenter, Stephen Mulhern, singer,
:00:35. > :00:37.Heidi Range and the return of Stats Man, Russell Grant. Hooray. This is,
:00:38. > :01:27.It Takes Two. I think! LEAR From London, this is Strictly,
:01:28. > :01:31.It Takes Two. Please welcome your host - Zoe Ball.
:01:32. > :01:39.Welcome to It Takes Two. It's 24 hours, 38 minutes and 27 seconds
:01:40. > :01:42.until Saturday's quarter-final extravaganza. If last week's
:01:43. > :01:46.performances are anything to go by, we are most definitely in for a
:01:47. > :01:51.treat. So excited. After wowing us all with their speeding quickstep,
:01:52. > :01:55.Susanna ina Kevin are very keen to keep up the momentum with their next
:01:56. > :02:02.dance. Let's remind ourselves of their brilliant weekend. News flash
:02:03. > :02:06.- musical night on Strictly come dancing, Susanna Reid closed the
:02:07. > :02:11.show with a blockbuster of a quickstep. You capture the spirit of
:02:12. > :02:15.the film perfectly. You were so light on your feet. It was a shame
:02:16. > :02:21.there was a couple of mistakes. I thought the footwork was rather
:02:22. > :02:25.sloppy, I have to be honest. You were completely out of sync with one
:02:26. > :02:33.another over here when you were doing the kick stuff. 7. What? 8 9.
:02:34. > :02:39.9. Thank you. I feel so upset. I feel
:02:40. > :02:43.ridiculously upset. Don't worry about it. She is awesome and makes
:02:44. > :02:50.me proud every single week. She has nothing to worry about.
:02:51. > :02:53.No leaping over sofa's this evening, just sitting on them. -- over sofas
:02:54. > :02:58.this evening. Oh, I hate seeing people upset like
:02:59. > :03:03.that. Let's think about what Bruno said, he said "Newsreader by day,
:03:04. > :03:08.musical superstar by night", remember that. A lovely thing to say
:03:09. > :03:14.Fantastic. You sound like a dancing superhero. How was it being Debbie
:03:15. > :03:19.Reynolds out on the floor? Well, it was fantastic but definitely Debbie
:03:20. > :03:23.Reynolds with feet of clay. I love watching this bit. This was
:03:24. > :03:27.brilliant. There was so much energy. The choreography was fantastic. I
:03:28. > :03:32.did definitely make a slip-up. It was so ironic. I don't know whether
:03:33. > :03:35.it happened to you but you can have seven perfect rehearsals when it
:03:36. > :03:39.goes, bang, bang, bang and is brilliant and then it is all about
:03:40. > :03:43.how you perform on the night. That one moment. It is frustrating, you
:03:44. > :03:46.cannot take it back. But you know what, you cannot concentrate on it.
:03:47. > :03:50.You can't come off the dancefloor and think - that went wrong, you
:03:51. > :03:54.have to look at the 95% of the routine that went right. Exactly.
:03:55. > :03:59.Which is what you should do. You have taught her well. Karen Hardy
:04:00. > :04:03.said when she was on Choreography Corner on Tuesday that you had
:04:04. > :04:07.really pushed Susanna to amazing standard at this. So many moves you
:04:08. > :04:10.gave her. And that was a bit of a GM bell but it paid off. Is it
:04:11. > :04:13.important to push at this stage in the competition? Always. That has
:04:14. > :04:17.been our thing from the beginning. We have always said to each other -
:04:18. > :04:21.we are either going to go for it, or we are not. You might as well take
:04:22. > :04:24.the bull by the horns and go to the maximum that we possibly K if it
:04:25. > :04:29.goes wrong, at least we have gone out and had a great time and smashed
:04:30. > :04:34.it, in our opinion. Exactly. That is fine. An incredible score of 33.
:04:35. > :04:45.When Craig gave you a 7, Bruno was so angry, this happened. 7. What?
:04:46. > :04:54.I'm going to leave. 99. -- 9. 9. Thank you. I mean, how
:04:55. > :05:00.furious they were with Craig and they weren't the only ones. Kev,
:05:01. > :05:05.were you worried. You finished second-bottom on the leaderboard.
:05:06. > :05:09.Were you worried you were in the dance-off? We were convinced. We
:05:10. > :05:13.weren't worrying, are we or aren't we, we were practising out the back,
:05:14. > :05:16.the little step that went wrong, over and over again, ready for the
:05:17. > :05:21.dance-off. We were convinced. I was looking forward to getting it right.
:05:22. > :05:24.You were saved because everybody loved you, which was brilliant. When
:05:25. > :05:29.we go back to the training room, it does seem you have your work cut out
:05:30. > :05:31.for yu slightly, Kevin, week-in, week-out, Susania, it is the same
:05:32. > :05:43.old story, take a Today she hates everything. Just do
:05:44. > :05:49.the step for now. I can't do it. I hate this bit of the dance. You ut
:05:50. > :05:53.hate this bit of the week. For the most part of the day she will be
:05:54. > :05:57.hating everything and be pressed out Tuesday morning, I hate most things.
:05:58. > :06:03.Then with go for lunch and when we come back it'll click a little bit.
:06:04. > :06:07.Got it, done. On Wednesday she will be saying - I've got to get this
:06:08. > :06:13.dance down, we'll be wasting time. I have five minutes, and I have to go.
:06:14. > :06:19.Can we do it one more time? Can you do it without the chat It won't go
:06:20. > :06:22.right the first time, and she will be annoyed about that. You are
:06:23. > :06:28.painting a beautiful picture of me. Thursday will be a beautiful day.
:06:29. > :06:34.Nice. By the end of Thursday she'll go - I really like this routine.
:06:35. > :06:40.LAUGHTER Beautiful. It is the same every
:06:41. > :06:45.week. So good. So Thursday was yesterday. By the end of last night,
:06:46. > :06:50.how did you feel about the Argentine tango? Oh, completely obsessed with
:06:51. > :06:55.it, in love with it. It is amazing. It is so intense. It is pretty
:06:56. > :07:01.full-on physically. We trained really hard yesterday and, yeah, it
:07:02. > :07:07.felt fantastic. Good. I mean, Kev you are a ten-dance specialist which
:07:08. > :07:13.doesn't include Argentine tango, so this is new for you, as well. Yes,
:07:14. > :07:18.scary. Good choice for the quarter-final. How is he doing?
:07:19. > :07:22.Amazing. If he was doing it with somebody who can dance, he would be
:07:23. > :07:27.10s. Trust me, Susanna is better than me at the moment. Let's listen
:07:28. > :07:35.to your music. Wow, Michael Jackson, can you give
:07:36. > :07:39.me your best, hee, hee. I love T only Sophie and Brendan have done
:07:40. > :07:44.one this series, so you can go out there and pull out all the tricks,
:07:45. > :07:47.no-one has seen them before. That is exciting. That does help. If there
:07:48. > :07:51.had been ten already, there would be nothing left to show anybody. So the
:07:52. > :07:56.fact that there has only been one, it helps and it helps with the fact
:07:57. > :08:00.I haven't done it before. And you have torn up the rule book, thrown
:08:01. > :08:04.out all the expectations. I'm excited. Of course, the swing-a-thon
:08:05. > :08:07.this weekend, as well. All of you out on the floor for the first time
:08:08. > :08:14.together to be judged alongside each other. Do you have any tricks up
:08:15. > :08:19.your sleeves? I've got Kevin. No-one else has that. He is the jive king.
:08:20. > :08:24.He is brilliant. Look at him. You love the jive, one of your frafts.
:08:25. > :08:28.Surely it'll stand you in good stead. We will do what we always do
:08:29. > :08:32.and go out there and blast it with energy and have a great time and
:08:33. > :08:36.hope that it works. It puts a huge smile on my face
:08:37. > :08:43.because I'm dancing with Kev. Believe, I love it. Both of you in
:08:44. > :08:45.scar et. Good luck this weekend. Susanna and Kevin.
:08:46. > :08:49.APPLAUSE Now Friday and that can only mean
:08:50. > :08:54.one thing, a little trip to Elstree to look around on the set and check
:08:55. > :08:57.in on rehearsals. Earlier today James Jordan met up with Ashley and
:08:58. > :09:03.Ola and Patrick and annia. Here is what happened. James, over to you,
:09:04. > :09:06.darling. Here I am back on the main Strictly set, somewhere
:09:07. > :09:09.unfortunately I haven't been able to be for the last couple of weeks
:09:10. > :09:13.because of my back. I'm devastated about it. But what I can do, is I
:09:14. > :09:16.can give you an insight to what is going to happen tomorrow night on
:09:17. > :09:26.Strictly come dancing, quarter-finals and look who is here,
:09:27. > :09:29.Patrick, Anya, Ashley... Hello. All right, will have.
:09:30. > :09:33.-- love. Guys, I will start with you, you are
:09:34. > :09:38.dancing the rumba. This is traditionally a very difficult dance
:09:39. > :09:44.for the man. Yes. It is very slow, very... Controlled. Sustained, oh my
:09:45. > :09:51.goodness How has your week been, guys? It has honestly been the most
:09:52. > :09:58.challenging week. This one had a little bit of a hard time of picking
:09:59. > :10:02.up the rhyth The rhythm and the feeling. It is kind of off the beat
:10:03. > :10:06.but it isn't, there is a pulse going through it and I couldn't get on the
:10:07. > :10:10.pulse. Listen to him. And guys, you are dancing the Sal sacks the
:10:11. > :10:16.opposite end of the spectrum -- the salsa. How has your week been? Very
:10:17. > :10:22.tough. Very tough. Hard work but we have got here now. Loved it, though.
:10:23. > :10:29.It is going to be brilliant. Ashley, 35 points? No, I won't beat
:10:30. > :10:35.that. I will be on the same one this weekend. That's what I do best. Hay,
:10:36. > :10:39.if it is not broke, don't fix it Guys you are all dancing the swing
:10:40. > :10:43.-a-thon. The first time you will have all six couples on the floor at
:10:44. > :10:47.the same time. Dancing the Lindy hop, the jive, things like that. It
:10:48. > :10:53.is fun, I have done it twice before. Don't rub it in Do you have any
:10:54. > :10:59.tactics? Just dance with each other and have fun and energy. Anya is
:11:00. > :11:04.going to keep talking to me, that's T Who do you think is your strongest
:11:05. > :11:09.competition in the swing-a-thon? Everyone. My feet And Ashley. I'm
:11:10. > :11:13.her biggest competition in this. I don't know if you knew it. You are
:11:14. > :11:17.the last two guys left in the competition. Four girls and you are
:11:18. > :11:24.the only two guys. Are you going to be sticking together? Absolutely.
:11:25. > :11:28.The thing is, as a professional male dancer, if I'm on the floor, we
:11:29. > :11:37.lead, we have floor craft. I will be pushing and shoving you. Are you
:11:38. > :11:41.ready for that? "Ish"? We are. Listen, it is the quarter-finals.
:11:42. > :11:45.Are you excited and ready for tomorrow night? Do you feel you will
:11:46. > :11:50.go out and create great performances. Well, James, I need
:11:51. > :11:57.another three weeks. What can you do? Unfortunately I did see your
:11:58. > :12:03.rumba. I think it looks amazing. I haven't seen your salsa but you will
:12:04. > :12:07.give us a glimpse in a minute. 35-plus this one. Are you looking
:12:08. > :12:11.most forward to your individual dances or the swig-a-thon? A little
:12:12. > :12:22.bit of both. Just kind of taking one dance at a time. Salsa. I'm looking
:12:23. > :12:28.forward to my salsa. I want to do my salsa. I heard you had a bruise on
:12:29. > :12:32.your arm. A bad boy bruise. She signed it. I'm going to auction it
:12:33. > :12:37.after the show Guys, you are going to go and show us your amazing
:12:38. > :12:44.salsa. Give us a little glimpse. Have you guys seen this yet? No. You
:12:45. > :12:49.You don't know if it is any good. All we know, is that it is a 35.
:12:50. > :13:18.Still pretty good. 35 is really good.
:13:19. > :13:25.Music do the Conga by Gloria Estefan.
:13:26. > :13:30.Very good. You will see more of that tomorrow night. All I can say, Zoe,
:13:31. > :13:47.back to you in the studio. Thank you, James, you gorgeous,
:13:48. > :13:52.cheeky monkey. Time for our next contender for the Pro Challenge,
:13:53. > :14:01.please welcome back to the It Takes Two fold, Mr Anton du Beke. Oh, look
:14:02. > :14:06.at the way you float in. Hello darling. Look at me with all this
:14:07. > :14:14.space on the sofa. I've never had such luxury. I might sit like this.
:14:15. > :14:19.However you like. Now, now, now, you are known to all as the king of the
:14:20. > :14:24.ballroom, surely a load of poseky drunken sailors will be a walk in
:14:25. > :14:34.the park for you. Ha, ha, ha, that remains to be seen. It does. A
:14:35. > :14:40.double reverse spin much more. That was one of my favourite moves. Did
:14:41. > :14:45.you get much practice beforehand? Seconds. I had a private lesson from
:14:46. > :14:50.Iain Waite T worked wonders. I fell you what, I felt all sort of
:14:51. > :14:55.fabulous and tickly. Before we look at Anton's afoam Attempt. Let's look
:14:56. > :15:01.at the leaderboard. I'm calling it that so far.
:15:02. > :15:07.There we are: Brendan Cole up there, with 71. Brendan Cole, 71. He has
:15:08. > :15:15.never moved so fast in all his life. He did it in socks. Socks? He would
:15:16. > :15:20.slipping and sliding. You would have to ban him. Apparently completely
:15:21. > :15:33.acceptable by the adjudicator. We shall find out how Anton got on. Are
:15:34. > :15:36.you ready? Oh... Take it away. I'm feeling good. It is my first Pro
:15:37. > :15:40.Challenge, certainly for a long time. Up against some of the new
:15:41. > :15:45.guys. Bring them on. That's what I say. I'm very determined to be top
:15:46. > :15:52.of this leaderboard. I think this challenge is made for me. Look out,
:15:53. > :15:58.pros, Anton is back in town! Ah, Anton. Hello. Welcome. You are the
:15:59. > :16:02.most experienced. Indeed I amount nchtsd professional Do you Do you
:16:03. > :16:07.think you can beat the youngsters? I think I could do, if I don't I shall
:16:08. > :16:13.get a big stick. Thank you Anton, good luck. Thank you. Please take to
:16:14. > :16:15.the floor. I'll count you down for the world record. Three, two, one,
:16:16. > :16:51.go... Three, two, one, stop. Well done.
:16:52. > :16:55.How did that feel? Did it feel longer than you expected? It often
:16:56. > :16:59.does, actually. I think that's the warmth in the room. Well, I think
:17:00. > :17:02.there is a little bit of leg burn going on but there was a muddle of
:17:03. > :17:09.steps. I think we'll have to take it away and analyse T but I think you
:17:10. > :17:13.did a really good job, very fast. I'm impressed. That's what I was
:17:14. > :17:17.after, speed. I was motoring through that. It was good. I enjoyed it,
:17:18. > :17:21.more than I thought I would. Fast, fast. Were they actually your legs.
:17:22. > :17:25.There was steam coming off the floor Michael flatly did that for me. Do
:17:26. > :17:30.you think you have done enough to beat Brendan Cole? Do you know, he
:17:31. > :17:34.is a tough act to follow, Brendan of Cole. If I can get anywhere near
:17:35. > :17:38.him, that would be enough for me. You will be happy. I will be happy.
:17:39. > :17:42.Well, remember after each of the professionals had made their
:17:43. > :17:48.attempt, the footage was watched back in slow motion to verify. Every
:17:49. > :17:53.single one, to make sure they were accurate. Anton, I can tell you now
:17:54. > :17:56.- you had five disqualified. Do you know, that could be the difference.
:17:57. > :18:05.I know which five. They must have been the ones they couldn't see.
:18:06. > :18:07.That was the blur. Anton, I can reveal that you
:18:08. > :18:26.scored... 72. That's unbelievable. Top of the
:18:27. > :18:33.leaderboard. How do you feel about that? Oh, please tell me Brendan is
:18:34. > :18:38.here now. He has run, he has fled. He is devastated and weeping
:18:39. > :18:43.probably. I'm going to lay back here in a smug, superior way. You can see
:18:44. > :18:47.it in print and you can enjoy every moment. Look at that. You are the
:18:48. > :18:53.one to beat. Look at that. You still have to see Janette, Pasha, and
:18:54. > :18:58.Kevin and Karen. We don't need to see them. That right there is all we
:18:59. > :19:04.need to see. Can we wrap it up? Thank you everyone for coming. Give
:19:05. > :19:07.me the trophy. At least I'm on the top of the leaderboard, the first in
:19:08. > :19:14.my life. You noticed when that happened? When I was on my own. All
:19:15. > :19:20.I'm saying. Thank you very much partners, but you were rubbish.
:19:21. > :19:25.Oh, he is so happy. For two weeks in a row Lucky the Pup has correctly
:19:26. > :19:29.predicted who has topped the leaderboard. It is with bated breath
:19:30. > :19:47.that we await his next prediction. Can he make it a hat-trick? Du Bece
:19:48. > :20:12.is at the top, would you believe it? -- du Beke.
:20:13. > :20:20.Oh, Snoop luky Pup, thinks Patrick and Anya will be top of the
:20:21. > :20:25.leaderboard. He might be right. Time now for the Friday final. Please
:20:26. > :20:32.will you welcome, hugely, big round of applause, Stephen Mulhern, Heidi
:20:33. > :20:38.Range and Russell Grant. It here they are. Come on, I love
:20:39. > :20:44.you. Hello, lovely. Hello gorgeous one. Welcome, welcome, welcome. How
:20:45. > :20:49.are you? Give us a bit of glitter. Can I have the pink one? The pink
:20:50. > :20:58.one. Thanks, love. We have missed you. You are doing panto in
:20:59. > :21:05.Kettering. Dwarf dwarf dwarf - Snow White and the Seven Dwarfs. I am in
:21:06. > :21:15.Lighthouse Kettering and I've been doing a lot of dance steps. What do
:21:16. > :21:20.you think series so great so far? Less novelty acts. You have the
:21:21. > :21:24.likes of Dave and Mark, I smile with them, don't laugh at them. Now I
:21:25. > :21:31.think it is a serious competition. Someone said to me - do you watch
:21:32. > :21:37.it? I'm not going to come on here and say - oh, really? What is his
:21:38. > :21:43.name, the Lady in Red, guy, Chris deberg. He didn't watch at all.
:21:44. > :21:50.We have last nine couples so far, do you think the right people have gone
:21:51. > :21:54.and the right stayed. I think we have the right ones, I do miss
:21:55. > :21:58.Julian, though. It was his face every week. But I think the strong
:21:59. > :22:02.ones are the ones that are left. Great stuff. Let's start with
:22:03. > :22:07.Patrick and Anya and their rum BA there has been a bit of -- and their
:22:08. > :22:11.rumba. There has been disagreement about whether a rumba should be
:22:12. > :22:16.raunchy or tell a love story. What do you want from Patrick? Argentine
:22:17. > :22:22.tango is raunchy and passionate, I want love. I want all that love that
:22:23. > :22:27.comes, that expression, you know, you know... The way we are. I know
:22:28. > :22:32.what you mean. We are like this all the time All the time.
:22:33. > :22:38.Rumba hips. They are dancing to Bruno Mars, we'll have a listen.
:22:39. > :22:43.Heidi, does this say rumba do you, immediately To says love,
:22:44. > :22:49.definitely. Which is what you need. Look at Stephen's head there. He is
:22:50. > :22:52.amazing. I didn't even do that. It just happened. Three tense last week
:22:53. > :22:57.with their Charleston. Do you think they can go one better this week?
:22:58. > :23:02.The thing with Patrick is this... For me, he doesn't make me want to
:23:03. > :23:05.pick up the phone and vote. Really, why is that? I don't know what it
:23:06. > :23:10.is. I look at the others and Susanna and I go - do you know what, you
:23:11. > :23:15.have had a real journey and I want to vote for her but he doesn't give
:23:16. > :23:20.me anything that I go - he is a bit too hard for me. He is not very
:23:21. > :23:24.giving. He has to win you over. Maybe tomorrow's rumba could be the
:23:25. > :23:29.one. Sophie and Brendan are doing a tanning yoe. Here there are in
:23:30. > :23:34.training. Last week she was back in form with a Viennese waltz. The
:23:35. > :23:39.judges loved her Argentine tango. Can she bring fire and passion?
:23:40. > :23:43.Definitely. Has been giving it her all. Her confidence is growing. She
:23:44. > :23:49.has to believe in herself. She is one of the strongest dancers. I'll
:23:50. > :23:53.put the music on. She gets marked too low. This has been said. I think
:23:54. > :23:58.she is better than what the judges make her out to be. She should get
:23:59. > :24:04.better scores. What about doing a tango to Imagine, does that work?
:24:05. > :24:11.You are asking for a professional answer, now, aren't you? I'm sure T
:24:12. > :24:16.Let's talk about Abbey and Aljaz. This week they are doing a Viennese
:24:17. > :24:22.waltz. Will it be a whirl or a comeback after getting 40 out of 40.
:24:23. > :24:27.I adore her and I think they are elegance and sheer beauty will just
:24:28. > :24:36.carry her around from Richmond on Thames to Vienna. A long way.
:24:37. > :24:41.It is stunning. Ian Waite is saying her neckline is really good. I said.
:24:42. > :24:46.I said it was like a swan. Gentleman probably the perfect couple, aren't
:24:47. > :24:49.they? I have to sit opposite them sometimes you don't know where to
:24:50. > :24:52.look. They are so hand some. They are dancing to Tom Jones. Come on.
:24:53. > :24:59.Zbll # My, my, my Delilah... #
:25:00. > :25:06.Terrible choice. I knew I would be doing it on my own. It's karaoke
:25:07. > :25:11.Strictly, so wrong. Surely when they were putting the songs together they
:25:12. > :25:16.should have said - why? I went - why. You don't think this is right?
:25:17. > :25:21.No, I think karaoke Strictly. The music has to lift and carry you.
:25:22. > :25:24.Flavia and I every week we deliberated about the music. That
:25:25. > :25:31.does not say whatever they are trying tos. . -- trying to. A
:25:32. > :25:35.Viennese waltz. Natalie and Artem are doing a paso doble. Last week he
:25:36. > :25:39.got in trouble with Len because there wasn't enough foxtrot for his
:25:40. > :25:43.American smooth. Do you think with this music, let's hear it,
:25:44. > :25:49.tradition, they can win him back? With the music, it does help.
:25:50. > :25:54.Whether it is dance or magic or comedy, the music helps.
:25:55. > :25:58.Interestingly, Patrick - and we had the conference, tell them what you
:25:59. > :26:02.said -... I think she is an incredible dancer, probably the
:26:03. > :26:08.strongest but I don't endear towards Natalie. Why? What is missing
:26:09. > :26:12.Possibly she is too good. I haven't watched one week and gone - that's
:26:13. > :26:17.amazing, last week she wasn't that good. She has been consistent. It is
:26:18. > :26:21.not a bad thing. The reality is that in this competition. It is the
:26:22. > :26:29.personality as well. You are want to see that travelling. With Abbey and
:26:30. > :26:35.Sophie you think - go on. Maybe she is too good. Susanna and Kevin are
:26:36. > :26:40.doing an Argentine tanning goe. This is only the second this series.
:26:41. > :26:45.Sophie and Brendan did the first. Howdy think it is looking? I have
:26:46. > :26:52.had a look and although I didn't do it on the show, I have watched it.
:26:53. > :26:57.It needs more passion, it needs - when they do the ganchos, it needs
:26:58. > :27:03.more flicks, you know what I mean. It needs some kind of... Play the
:27:04. > :27:07.music and do that face Clinching bottoms. He knows what he is talking
:27:08. > :27:09.about. Intensity is what I want. They had a setback with their
:27:10. > :27:14.quickstep. Do you think this could get them back on top form? I love
:27:15. > :27:18.this couple. I think when Kevin came on board I thought - what is he
:27:19. > :27:22.going to be like? He is not like the other male dancers. He seems to have
:27:23. > :27:29.grown and grown. As a couple, do you know what, for me, they are the ones
:27:30. > :27:33.to watch. Ahhh. So lovely. I'm writing that down. Ashley and Ola
:27:34. > :27:37.are doing a salsa. They are doing the party dance. Will he get
:27:38. > :27:42.everyone on his feet and what do you reckon to his hip action? They look
:27:43. > :27:52.good. I like the song they are doing it to. Which is this. This is where
:27:53. > :27:59.it works, traditional music. They are writing his name down. Would you
:28:00. > :28:04.do this? Strictly? We've had this conversation. It is the one reality
:28:05. > :28:10.show where if you can't do t you are stuffed. When you are on ice you can
:28:11. > :28:12.make up an excuse - I'm on ice. I guess there is nothing to hide
:28:13. > :28:18.behind. Exactly. All right. Who would you
:28:19. > :28:24.like to see lift the glitterball, Russell? One of the girls, Susanna
:28:25. > :28:32.or Abbey, I think. Abbey. Stephen? Not who I want to, who will. Susanna
:28:33. > :28:36.and Kevin. Standing by that. Thank you so much. Russell and Heidi and
:28:37. > :28:40.Stephen. That's all we have got time for today. Thank you to all my
:28:41. > :28:44.guests. On Monday I will be commiserating with the next couple
:28:45. > :28:48.to be eliminated plus, Mr Bruno Tonioli will be on that sofa, no
:28:49. > :28:54.doubt lying down and on show. Don't forget to tune in tomorrow night at
:28:55. > :29:00.7.10pm. If you can't wait that long, tune into Radio Two tonight at
:29:01. > :29:01.8.00pm to hear me and Craig doing a very good show about Strictly music.