:00:00. > :00:09.Welcome to another Wednesday edition of It Takes Two. Hold onto your
:00:10. > :00:13.hats, because coming your way tonight - they went in for the kill
:00:14. > :00:19.and ended up the king and Queen of the swingers to boot, Natalie and
:00:20. > :00:25.Artem join us. Plus, Chigvintsev will be taking on
:00:26. > :00:32.Du Beke in the Pro Challenge. Here to give us a little peek at the
:00:33. > :00:35.two dances our couples will perform this weekend, it's the gorgeous Ian
:00:36. > :01:30.Waite. This is Strictly It Takes Two.
:01:31. > :01:36.Hello! Welcome to It Takes Two. It's Wednesday and this week spells
:01:37. > :01:41.double trouble for our couples as they tackle not one, but two dances
:01:42. > :01:43.in the semifinal. After a couple of cracking performances at the
:01:44. > :01:49.weekend, Natalie and Artem are primed and raring to go. They join
:01:50. > :01:54.me next after a quick recap of their performances. It was clean. It was
:01:55. > :02:05.precise. It's almost too slick. I know that sounds bizarre, but that
:02:06. > :02:12.was just too much. They looked the essence of classic Spain. It was
:02:13. > :02:18.fantastic. It really was. The flamenco shaping was superb with the
:02:19. > :02:22.arms and the body. Beautiful work. I like the intensity. I loved the
:02:23. > :02:28.passion. I loved the focus of the whole thing. It was too much faffing
:02:29. > :02:38.about at the beginning. Nine. Nine. Eight. Nine. It was good. I thought
:02:39. > :02:44.it was good. I really enjoyed it. They didn't sound too sure. Welcome
:02:45. > :02:51.the flamenco goddess Natalie and her bull fighter Artem! We're all doing
:02:52. > :02:58.it. Congratulations on making it through to the semifinals. What a
:02:59. > :03:03.weekend it was. I know. They left you right till the last in the
:03:04. > :03:06.Results Show. How much due think you were going home? We were ready. We
:03:07. > :03:13.were ready to dance again for sure. I was convinced. I was like get your
:03:14. > :03:17.paso face ready, here we go. When they read your names out and you
:03:18. > :03:20.knew that you weren't in the dance-off and you had gone through,
:03:21. > :03:23.you looked sombre at that point. What was going through your mind?
:03:24. > :03:28.Really upset for Patrick, I think, at that point. It's funny, it's like
:03:29. > :03:32.you don't - even the last two couples who stand there and if one
:03:33. > :03:36.of the people are called for the dance-off, I don't think the other
:03:37. > :03:40.couple is happy, because it's not a great moment. Because someone is in
:03:41. > :03:44.the dance-off and has to do their dance. I think it was just a mixture
:03:45. > :03:49.of feelings of me thinking that's it, we're doing another paso. And
:03:50. > :03:53.then our names were called and Patrick, it's just a mixture of so
:03:54. > :03:57.many feelings. You don't know how to take it. It's intense. Bless you.
:03:58. > :04:01.It's intense watching as well. Let's talk about the performance. You went
:04:02. > :04:07.down the traditional route. A lot out of hold. Did you know, Artem,
:04:08. > :04:12.that Len might have a little moan about that? All right, I mean, Len
:04:13. > :04:18.always says things about hold in the ballroom style, let's say like
:04:19. > :04:23.waltz, foxtrot, quickstep, I didn't quite knew it would have to be in
:04:24. > :04:27.hold for 40% in the paso doble. I was never told that. I didn't have a
:04:28. > :04:33.clue. Obviously, if I knew, I would do it. Because that's the last thing
:04:34. > :04:39.I want to have is upset Len and the panel. He's been quite upset for
:04:40. > :04:45.quite a few weeks now. We really tried to go traditional - costumes
:04:46. > :04:49.and music, what he likes. Lots of people online and I mean lots of
:04:50. > :04:54.people disagreed with Len. Susan said, "This dance had all the right
:04:55. > :04:58.ingredients, the nature of the paso is to create an atmosphere, to
:04:59. > :05:03.illustrate a situation between the two. They did a grand job." Thank
:05:04. > :05:08.you Susan. Thank you. Were you disappointed by the judges'
:05:09. > :05:14.reactions? I think we were slightly winded by Len. But that's what we're
:05:15. > :05:18.there for to be judged by them, to get their feed back. I think
:05:19. > :05:25.ultimately, when people are hard on you, it's because they care and they
:05:26. > :05:28.can see what you could be and so, that's what they have been hard on
:05:29. > :05:35.us. It was just a moment to take stock and go, right, what do we need
:05:36. > :05:40.to do next? It's all a lot to take in. But it made us come out and
:05:41. > :05:47.fight stronger in the swing-a-thon as well. Very brave. Let's talk
:05:48. > :05:50.about that. Len then said, "You'll have to buck your ideas up in the
:05:51. > :05:56.swing-a-thon. And you did because you won. Well deserved. How much fun
:05:57. > :06:12.did you have out there? This is really horrible. Why is it horrible?
:06:13. > :06:16.The last time it was like... I'm not surprised, it was 28 minutes into
:06:17. > :06:20.the dance at that point. We know you're pretty competitive you two.
:06:21. > :06:29.Not really. There's no skirting around that issue. Look at this:
:06:30. > :06:35.Who's got the better skirt now? You know those pictures in the magazine,
:06:36. > :06:41.who wear better - clearly it's me. My cape is prettier than yours. No.
:06:42. > :06:47.It is. Mine is more feminine. Yours is a bit droopy. Look how long mine,
:06:48. > :06:50.yours is short. I don't know why women's complaints, it's the best
:06:51. > :06:55.thing ever. Mine is better than yours. No, I'd rather have mine.
:06:56. > :07:00.Look how pretty that is. Mine is like a superwoman cape. Yeah, right.
:07:01. > :07:07.Yours is like a big girl's skirt. So much to play with. What guys play
:07:08. > :07:11.with? Nothing. We don't want to know what guys play with. I just love
:07:12. > :07:17.those little incites into your world. It's wonderful. Looks good on
:07:18. > :07:24.you, Artem. Two routines... Thank you, I thought it looked better. You
:07:25. > :07:28.can have that, you win. Two routines this weekend, Argentine tango first
:07:29. > :07:35.of all, tell me about that, are you enjoying it? Very much so. It's all
:07:36. > :07:42.a bit twister as Artem said when we were rehearsing. It's left foot
:07:43. > :07:47.green, right foot red. Oh, the game Twister! Perfect way to describe it.
:07:48. > :07:50.But I think we're going to enjoy it. It's very different to everything
:07:51. > :07:54.else we've done. It's just a bit of a new challenge because you can't
:07:55. > :07:59.apply any of the ballroom or Latin rules to it. It's a whole new ball
:08:00. > :08:07.game. Throw it all out, start again. You've got graet music. Listen to
:08:08. > :08:12.this. Think about your A frame. It's good! You've got that dance. And
:08:13. > :08:23.also, you have the opposite end of the spectrum, the salsa, the party
:08:24. > :08:27.dance. Here's your music. Come on. Wanna Be Starting Something
:08:28. > :08:32.You're a vegetable. You're a vegetable. Until today I thought
:08:33. > :08:40.that was the lyrics. Didn't find it funny at all. Was upsetting. Is it?
:08:41. > :08:45.It's coming. It came along well today, let's put it this way. Good
:08:46. > :08:49.luck. It's a long journey. We're getting there. I'm sure you
:08:50. > :08:52.will be glorious if you get through this weekend, you're in the final.
:08:53. > :09:01.It's not far. Good luck, Natalie and Artem! We love you.
:09:02. > :09:05.Two dances means twice the amount of pressure. With that in mind, there's
:09:06. > :09:17.only one man who can show us how our celebrities are getting on.
:09:18. > :09:29.Welcome Ian Waite! I love that little charleston. I can't do that.
:09:30. > :09:33.My ankles aren't loose enough. That's an interesting condition.
:09:34. > :09:38.Let's have a look at what they're doing this week. All the couples
:09:39. > :09:46.doing two dances. Very exciting. The first dance, do us a favour - get
:09:47. > :09:52.your wand out. OK. Something's gone wrong. It's broken. Any way, let's
:09:53. > :09:57.look at Abbey and Aljaz. They are doing a samba. She got top marks for
:09:58. > :10:01.a salsa, 40 out of 40. Does this stand her in good stead? Not
:10:02. > :10:06.particularly because samba has such a different action. It has that
:10:07. > :10:09.bounce action. Salsa doesn't really have that. Salsa is all in the hips.
:10:10. > :10:15.With samba you have the bounce action. What I wanted to point out
:10:16. > :10:21.that she's got the bend in the knee, but you obviously have to have the
:10:22. > :10:29.straightening as well. She has to go up, in these botafogos she has to
:10:30. > :10:34.have an up position. It straightens again. You go a one, a two.
:10:35. > :10:40.Straighten the knees. I bet she's got that. Sophie and Brendan are
:10:41. > :10:44.doing a paso doble. Darcey was saying she loved Sophie's attack in
:10:45. > :10:47.the tango. Is she bringing it to the paso? Her frame is very good.
:10:48. > :10:54.There's a lot of paso doble steps, so a lot of content. I think she is
:10:55. > :11:02.going through the steps. It's a bit soft, lied like -- I'd like to see
:11:03. > :11:06.more attack. The Graham frame -- the frame is great. She's producing
:11:07. > :11:14.amazing lines. Look how long her leg is. Her legs almost look as long as
:11:15. > :11:19.hers. Can go down further than me. Old. Steady on. Susanna and Kevin
:11:20. > :11:24.are doing a salsa. She struggled a bit with some of her Latin dances.
:11:25. > :11:29.They've always been brilliant, though. Is this salsa looking like
:11:30. > :11:33.it could be a stand-out performance? She's looking really natural. That's
:11:34. > :11:36.not a word I would throw around in salsa, normally, you're saying, this
:11:37. > :11:41.is a bit awkward looking or unnatural. It's a difficult dance to
:11:42. > :11:46.do. What I love about these two is that they give it 100% all the time.
:11:47. > :11:51.You watch clips of them and they never mark anything. They are going
:11:52. > :11:57.for it 100%, which is amazing. It's fantastic. I want you to see there,
:11:58. > :12:00.I wanted to stop it there, see how far she's gone with her flexibility.
:12:01. > :12:06.In the beginning she wasn't that flexible. Now this whole backbend
:12:07. > :12:11.stuff. I want to put peanuts into Kevin's mouth there. Looking good.
:12:12. > :12:16.Patrick and Anya with a paso doble this weekend. The judges said his
:12:17. > :12:20.rumba was too intense. But that is key with the paso. I think that's a
:12:21. > :12:27.bit of a ridiculous thing to say. . Think you can have an intense rumba
:12:28. > :12:32.as well. If the music suggests it and also, this paso doble, depending
:12:33. > :12:41.on the music, should be intense, strong, dramatic. Here, he's doing
:12:42. > :12:47.his lovely heel leads. Good boy. He needs to get this in when he's
:12:48. > :12:51.taking a heel lead, very strong, straight legs, strong walks, get the
:12:52. > :12:56.bottom underneath, the first thing that comes over the foot, what
:12:57. > :13:03.happens is his body will be straight there and he will shape like that.
:13:04. > :13:08.Just three or four inches further forward. Natalie and Artem also with
:13:09. > :13:14.a salsa. How much salsa content is Artem throwing in there? We're
:13:15. > :13:19.seeing lots of content of salsa. It looks a great dance. I think Artem
:13:20. > :13:22.has had a lot of criticism about doing separate choreography, away
:13:23. > :13:26.from each other and shaping away from each other, but that's a
:13:27. > :13:30.conscious decision from Artem. He's an amazing choreographer. He's done
:13:31. > :13:35.that because of their height difference. She's slightly taller
:13:36. > :13:42.than him. I show you how we do it. If I do this, an upright. You just
:13:43. > :13:46.stand there. Good at that. I can shape and look smaller than you.
:13:47. > :13:50.Then we don't see the height difference so much. Every home
:13:51. > :13:53.should have an Ian Waite. You carry on, love. We'll come back to talk
:13:54. > :13:58.about the second lot of dances later. Give it up for oon, please.
:13:59. > :14:02.-- Ian, please. APPLAUSE
:14:03. > :14:06.as we know, Natalie Lowe has been helping our soon to be newly-weds
:14:07. > :14:12.prepare for their first big dance on the big day. You're scaring me now.
:14:13. > :14:16.With their wedding a matter of days away, it's time to see how much of a
:14:17. > :14:24.crowd easer their performance will be.
:14:25. > :14:26.I've just arrived at Mel and Gordon's work. They've never
:14:27. > :14:30.performed in front of an audience. So I thought I'd give them a taster
:14:31. > :14:39.session of what it's like to dance in front a crowd before their big
:14:40. > :14:43.day. Hello! Everybody was excited to see Natalie coming in today. We've
:14:44. > :14:48.been the centre of attention here for the last couple of weeks and she
:14:49. > :14:54.stole our thunder ape bit today. Yeah. I want to put you through a
:14:55. > :14:57.little test. I'm sorry to do this to you but we've never performed in
:14:58. > :15:03.front of a crowd. How do you feel about doing it here, at work, in
:15:04. > :15:07.front of your colleagues. That sounds terrifying. I thought we
:15:08. > :15:11.would shake off the nerves. That way on the night, we can enjoy the
:15:12. > :15:17.moment. Why not. We'll give it a show. Love you guys. Get your shoes
:15:18. > :15:21.on and I will chat with your work mates. I want to know is Gordon
:15:22. > :15:24.getting a lot of stick from all the work and football colleagues? He's
:15:25. > :15:29.been getting a lot of stick, but we've been disappointed because he's
:15:30. > :15:32.been so good. They don't appear to be faking it any more. They're
:15:33. > :15:36.really into it. They look like they're professional stars. I might
:15:37. > :15:41.be out of a job soon. You never know. I might have to work for you.
:15:42. > :15:46.We'd give you a job. You start at the bottom, getting me coffee, is
:15:47. > :15:53.that OK sthnchts white and two? That will do. Nervous? Like, incredibly.
:15:54. > :16:03.So, guys, are you ready to see a sneak preview of their wedding
:16:04. > :16:18.dance? Yay. Come with me! Ready to go. No. Let's do it. Let's do it.
:16:19. > :16:28.Don't be nervous. They won't bite. The first few steps, it hit us a bit
:16:29. > :16:32.that everybody was watching. I think pretty quickly, we relaxed into it,
:16:33. > :16:35.which was good. It encourages us for the day.
:16:36. > :16:40.With the wedding so close now, it helps to do it in front of an
:16:41. > :16:43.audience to face those nerves and realise your legs still function,
:16:44. > :16:53.when you're feeling like that, it's a relief to know. Hopefully, on the
:16:54. > :16:59.day, now, it will be a cinch. APPLAUSE
:17:00. > :17:04.For all of us who see them every day, it is so exciting to see a
:17:05. > :17:09.little taster what have they have to offer. Everybody at work has been so
:17:10. > :17:14.supportive, from the very beginning, to give them ape taste of it here,
:17:15. > :17:23.is nice to have them part of the whole experience.
:17:24. > :17:26.Looking good. Just two sleeps till the big day. Good luck on Friday.
:17:27. > :17:29.We'll be thinking of you. Over the past week, we've been testing our
:17:30. > :17:35.pros on their drunken sailors, time to see if our next contender's
:17:36. > :17:44.efforts are more ship shape than shipwreck. Pleas welcome back --
:17:45. > :17:45.please welcome back Artem Chigvintsev!
:17:46. > :17:54.APPLAUSE The terminator returns. That was
:17:55. > :17:57.enough. In 2011, if we remind ourselves you were the botafogo
:17:58. > :18:01.champion. You have the world certificate. You missed last year
:18:02. > :18:07.because of a knee operation. You're back to prove that you can be the
:18:08. > :18:11.top? I don't know. That's why I'm here for, to find out. Come on,
:18:12. > :18:15.we're going to find out. You have one world record certificate, which
:18:16. > :18:19.you keep next to the television, so you can see it. Where would you put
:18:20. > :18:23.the other if you won it? The one of them is on the right side of the TV.
:18:24. > :18:30.If I win it and if I win it, it would be on the left side. Just to
:18:31. > :18:43.balance it out. Brilliant. Let's check out the leaderboard:
:18:44. > :18:52.I'm very proud of Anton. Proud of you. I like that. We all are. Do you
:18:53. > :18:59.think you can beat Du Beke? No. Let's have a look.
:19:00. > :19:05.I think the secret to winning this challenge is to go as fast as you
:19:06. > :19:09.can. There is a balance between doing it right and doing it fast.
:19:10. > :19:17.You need to find the perfect middle, that you still do a nice step, still
:19:18. > :19:20.go fast. Hello, welcome. Hello. Thank you. Glad to see you've
:19:21. > :19:25.dressed up for us. Tried my best. What can I say. You're a previous
:19:26. > :19:29.record holder. Who do you think is your biggest competition? I think
:19:30. > :19:34.everybody is considered to be competition. Brilliant. Please take
:19:35. > :19:40.to the floor. You're a world record holder, good
:19:41. > :20:15.luck. For the record, three, two, one... Go!
:20:16. > :20:23.Well done. How was that? All right. It was not bad. I gave my best. They
:20:24. > :20:26.were very clean and there was a slight sprint to the finish line at
:20:27. > :20:33.the end. You held your trousers up. You did a good job. I think I did
:20:34. > :20:39.not bad. I don't think it was fast by any means. But I gave my best. I
:20:40. > :20:44.know, a lot of people disappointed that he held his trousers up. How
:20:45. > :20:51.many do you think you managed in the 30 seconds? How many Pasha did? 37.
:20:52. > :20:55.I think 36. After each of the professionals made their attempt the
:20:56. > :20:59.footage was watched back to verify every single one to make sure they
:21:00. > :21:06.were accurate. Fortunately, for you, you had no disqualifications. Now
:21:07. > :21:18.the moment of truth. I can reveal that you scored... Oh, no.
:21:19. > :21:40.I can't deal with this. Let's do it already. You scored 48!
:21:41. > :21:46.So proud. One more. You beat Pasha. You have to face two more. Who is
:21:47. > :21:49.your money on? Janette. Thank you so much for taking part. Good luck this
:21:50. > :21:55.weekend. You're welcome. Thank you. Artem! I guess they're going to have
:21:56. > :21:59.to shift my certificate to the middle. To balance it out. There's
:22:00. > :22:04.always next year. Last week, our It Takes Two works experience inturn
:22:05. > :22:08.Lisa had her hands dirty with the props department. This week, we
:22:09. > :22:11.thought we would give her something more glamorous. Let's see how she
:22:12. > :22:13.got on with the hair and make up team.
:22:14. > :22:18.I'm back doing my work experience. I have a feeling that this week it's
:22:19. > :22:25.going to be my favourite. I'm going to mare hand make up. Explain to
:22:26. > :22:30.everyone at home what you do and what's your title. I'm hair and make
:22:31. > :22:33.up designer on Strictly come dancing, it's up to me to put
:22:34. > :22:37.everyone's look together for their concept dance and the group numbers.
:22:38. > :22:43.How many bottles of foundation do you go through? Hundreds. I mean we
:22:44. > :22:51.all carry kits this big with us. There's 115 brushes in this roll
:22:52. > :22:58.alone. What's your favourite make up this series snnchs I loved my tango
:22:59. > :23:05.make up. The big, black eyes, I love dark eye make up. Can I put oil on
:23:06. > :23:12.Artem? All right, then. You'll have to fight me for that first. I'm
:23:13. > :23:17.oiling Artem. See you. Oh, gosh, hours and hours, you need a lot more
:23:18. > :23:29.rubbing in. This could take at least an hour. It needs a lot more
:23:30. > :23:34.rubbing. A great job! I did it. Lisa made me a sparkle. This is what we
:23:35. > :23:40.call a bardot piece. We use them when we want to add a lot of hair
:23:41. > :23:43.into something and we can't keep tonging and back combing people's
:23:44. > :23:49.own hair. We are going to tong this in preparation for going into
:23:50. > :23:55.Abbey's hair. You trust me? I do, implicitly. Give it a spray. Lovely.
:23:56. > :24:08.She's a natural. You know what I mean? ! She's on the team. So this
:24:09. > :24:15.is the hair going in. This is a veen yeets waltz -- Viennese waltz. We
:24:16. > :24:20.want today quite romantic. We want to see the neck line. It's a pet
:24:21. > :24:26.hate if they can't see the neck line. They can't see if they're
:24:27. > :24:32.holding their frame or not. A really dramatic glittery red eye here on
:24:33. > :24:37.Sophie. The glitter drops. So we have this piece of tape and we dab
:24:38. > :24:40.to remove the excess. What's been your favourite make up of the
:24:41. > :24:45.series? I loved the samba with the jewels all over my eyes. That was
:24:46. > :24:48.really nice. You have such striking cheekbones, you can take such
:24:49. > :24:54.brilliant make up. I love a bit of make up. There's 30 minutes to go
:24:55. > :24:58.live and I've seen it in here, it's mayhem. Yes. How do you support the
:24:59. > :25:01.team? I make sure everybody is organised, they know who they're
:25:02. > :25:06.doing, what time they're doing it and what the dance is. We have to
:25:07. > :25:10.stick to these schedules. Each make up artist and hairdresser knows who
:25:11. > :25:15.they have at what time and then they all know that they have to be done
:25:16. > :25:21.for a live show. It's going to be a great night. Everyone down to the
:25:22. > :25:26.corridor for final checks. I've had a ball today. I think you need a
:25:27. > :25:28.touch-up here, I'm coming to get you.
:25:29. > :25:32.Really? Thanks Lisa. Lovely to see you. Back to the training room. Now
:25:33. > :25:39.to see how our couples are getting on with their second dances, welcome
:25:40. > :25:43.back the delightful Ian Waite. Right, let's go back to Abbey and
:25:44. > :25:48.Aljaz. Their second dance is the American smooth. We know Abbey loves
:25:49. > :25:52.her ballroom. She's so good at it. Could this dance be a show stopper?
:25:53. > :25:58.Well it's really difficult to tell at this stage. They're walking
:25:59. > :26:03.through it, but it looks smoothie, like a proper smoothie. I'm sure it
:26:04. > :26:06.will be. If her ballroom is the only thing to go by, I'm sure this will
:26:07. > :26:11.be great. I've stopped it there because I want to zoom in on some of
:26:12. > :26:18.the detail. Look at that. That lovely point that she's got. Ten
:26:19. > :26:21.feet! Not really. That's not easy to do and already she's doing that. I
:26:22. > :26:26.think that's the thing. At this stage in the competition, they need
:26:27. > :26:31.to be giving those details. What the judges want to see. Nice hands, good
:26:32. > :26:35.posture. Sophie and Brendan also doing the American smooth. The
:26:36. > :26:39.judges tend to talk about sowive's top line -- Sophie's top line. I
:26:40. > :26:45.think she has a great neck line and good shoulders and good tram. --
:26:46. > :26:49.frame. Here, I mean, what my main criticism is that she needs to show
:26:50. > :26:52.more expression. I'd love to see her just come alive in the face and I
:26:53. > :26:57.think that would come through her body. At the moment, they're just
:26:58. > :27:04.kind of working it out, I think. Working the steps out from this
:27:05. > :27:07.clip. But it looks intricate. I think Brendan does great foxtrots,
:27:08. > :27:12.American smooths, I think it will be a great number. Susanna and Kevin
:27:13. > :27:16.are doing a foxtrot. I think this is much more Susanna's happen yip
:27:17. > :27:20.place, kind of arena, she loves the ballroom. Do you think she could be
:27:21. > :27:23.back at her best? Lots of foxtrot content and if you saw me and
:27:24. > :27:27.Natalie last night, we were talking about the smoothness across the
:27:28. > :27:31.floor. If you're watching this little bit, it's so smooth across
:27:32. > :27:37.the floor, what's so great is, the reason she's got that is because a
:27:38. > :27:42.few things. She's softening into the knees. Perfect. She is over the
:27:43. > :27:48.right side of Kevin. So she's perfectly in the right place. She's
:27:49. > :27:52.got - and her head is in the right position. She's looking over his
:27:53. > :27:55.right-hand side. Just a perfect position. Because of those soft
:27:56. > :27:59.legs, she's being able to flow across the floor. Glide. Patrick and
:28:00. > :28:03.Anya are dog a waltz. Up said in the past that pat -- you said in the
:28:04. > :28:09.past Patrick is stronger out of hold. How is he looking in hold? He
:28:10. > :28:14.tends to struggle with his hold. I think this dance, if he doesn't get
:28:15. > :28:18.some of these things right, he might get penalised by the judges. I've
:28:19. > :28:21.slowed it down so you can see was going on. Now I'm going to point out
:28:22. > :28:30.a few things that he could try to get right this week. The four things
:28:31. > :28:38.are his shoulder, right shoulder is up. The second one is hand is slayed
:28:39. > :28:44.on her back. -- sprayed -- splayed on her back. He needs to look to her
:28:45. > :28:49.left. The third is that he's opening his left-hand side. He needs to keep
:28:50. > :28:53.that up to Anya. Apart from that, brilliant! Natalie and Artem are
:28:54. > :28:58.doing an Argentine tango. Will they be in hold enough with this to keep
:28:59. > :29:03.Len happy this week? It's all in hold, thankfully. They're doing a
:29:04. > :29:06.brilliant job. What I love aesthetically, she uses her feet and
:29:07. > :29:12.ankles and legs lovely. That's great for Argentine tango. If you lock at
:29:13. > :29:17.these decorations, I will spotlight that. This is the area she looks at
:29:18. > :29:26.her best. She's using those legs, wrapping around him. Shall we have a
:29:27. > :29:37.go? We've never done this before. Lunge forward. Just be careful.
:29:38. > :29:41.Lovely. Wonderful. Good luck to all of them this weekend. Thank you Ian
:29:42. > :29:48.Waite. That is all for today. Thanks to my guests. Join me tomorrow, I'm
:29:49. > :29:51.joined by Kevin and Susanna, Vicky will be here to go through the
:29:52. > :29:55.weekend's frocks and we find out who will be victorious in the Pro
:29:56. > :29:56.Challenge final with Kevin and Jeanette.
:29:57. > :29:57.Good