:00:00. > :00:10.Hello and welcome to It Takes Two. It's our last Tuesday show and we
:00:11. > :00:13.have the finalists in the house. Yes, they found themselves in the
:00:14. > :00:18.dance-off on Sunday night but the judges saved them and they are here
:00:19. > :00:22.to tell all. Natalie and Artem. Oh, what a lovely picture. Here to give
:00:23. > :00:27.us her opinions on the weekend's choreography, for one last time,
:00:28. > :00:32.Karen Hardy and her giant bauble. Don't show that little one.
:00:33. > :00:34.Finally they smoothed their way into the final. I will be talking to
:00:35. > :01:27.Abbey and Aljaz later. From London, this is Strictly, It
:01:28. > :01:31.Takes Two. Welcome your host, Zoe Ball.
:01:32. > :01:36.APPLAUSE Hello and welcome to It Takes Two.
:01:37. > :01:39.On Sunday night - thank you - Natalie and Artem survived the
:01:40. > :01:43.dreaded dance-off and made it through to the grand final. Before
:01:44. > :01:47.we speak to them, let's remind ourselves of what happened. I'm a
:01:48. > :01:53.little bit upset, actually. Because I could the find much wrong with it,
:01:54. > :01:59.to be honest. The dance content was amazing. Fabulous performance. You
:02:00. > :02:09.have just the right amount of rhythm and fluidity. Wonderful.
:02:10. > :02:17.10. 10. 10. 10. Who points. I couldn't be happier, really.
:02:18. > :02:22.It was the precision, the placement. The lines. It was almost like
:02:23. > :02:27.watching a surgical operation. I'm telling you, you sizzled out there,
:02:28. > :02:39.girl. 9. 9. 10. 10.
:02:40. > :02:44.It's not bad, eh? Hopefully that's enough. We'll find out who has has
:02:45. > :02:50.won the last place in the Strictly come dancing final. Natalie and
:02:51. > :02:55.Artem. Natalie and Artem. Natalie and Artem.
:02:56. > :02:59.Please welcome Natalie and Artem. APPLAUSE
:03:00. > :03:03.Congratulations. You have made it through to the final, it is
:03:04. > :03:10.unbelievable. You must be so excited. Oh, absolutely. Show dance,
:03:11. > :03:23.the last celebration. Made it to the end - by the skin of our teeth but
:03:24. > :03:27.we made it to the end. Oh incredible performances on
:03:28. > :03:30.Saturday. How shocked were you to be in the bottom two? I don't know
:03:31. > :03:34.about shocked. Five couples and two will be in the bottom two. So a high
:03:35. > :03:38.chance of being there. We were kind of dreading that moment for a few
:03:39. > :03:43.weeks now, I think, secretly. Yes. Did it take away from the fact that
:03:44. > :03:48.you got full marks from the salsa or will no-one ever take that away from
:03:49. > :03:51.you? No, not at all, I don't think so. Just because you score well on
:03:52. > :03:55.the night, doesn't give you an assumption you are going to go
:03:56. > :03:59.through. The two are completely separate. You are not going to get
:04:00. > :04:03.through, without the public support. So, it was a really lovely moment
:04:04. > :04:08.that we enjoyed but then you kind of go straight to - right, have to get
:04:09. > :04:13.in the Argentine tango mode and forget about that all quite quickly.
:04:14. > :04:18.We are completely reliant on votes. I still can't stop smiling at your
:04:19. > :04:23.little face, Artem, when you got four 10s, it is the first time you
:04:24. > :04:27.have ever got four 10s, as you said to Tess. People were asking - you
:04:28. > :04:32.have never got four 10s before? I was like - no. How has that
:04:33. > :04:39.happened? In four years, my first 40. Pretty exciting. Thank you.
:04:40. > :04:45.Well-deserved. Amazing. Your Argentine tango was an incredible
:04:46. > :04:49.moment. Len said you sizzled out there on the dancefloor, how did you
:04:50. > :04:56.find it? I'm not really a sizzler kind of gal. I loved it. It was a
:04:57. > :04:59.stunning dance to do and I had a little error at the beginning which
:05:00. > :05:04.frightened me a little bit. So it took me a while to get back into...
:05:05. > :05:09.What happened? I didn't spot that. I don't know. I got nervous because I
:05:10. > :05:14.heard the judges' VT beforehand when they were talking about what we
:05:15. > :05:22.needed to do. I was watching that thinking - I hope she's not
:05:23. > :05:26.listening to this while waiting. So the nerves kicked in big time, which
:05:27. > :05:30.is why we chose it for the dance-off, because I wanted to enjoy
:05:31. > :05:34.it. The second time around. And awesome. Craig felt that Natalie was
:05:35. > :05:40.leading you at times on the dancefloor. Was that the way for
:05:41. > :05:44.you? Story of the series. Not quite sure. No, it didn't really feel that
:05:45. > :05:50.way. It might look that way. It didn't feel like that. The tango is
:05:51. > :05:55.based on lead and follow. Originally Argentine tango was more of a social
:05:56. > :05:58.dance. People dance on the streets with people they might not know. It
:05:59. > :06:02.is all based on lead and follow. It didn't quite look like that. I
:06:03. > :06:06.didn't feel T it might look like that from outside. I didn't feel it.
:06:07. > :06:11.-- I didn't feel it. Being a tall girl, like when you were younger,
:06:12. > :06:13.you always have to be the boy, so you naturally lead. That happened to
:06:14. > :06:18.me. Now it might be sweetness and light
:06:19. > :06:19.on the sofa but that's not always it's case in the training room. Look
:06:20. > :06:36.at this. Ohhhhh! What do you think? Oh, I can't do this any more!
:06:37. > :06:43.Chocolate. Do you know what I need, chocolate. Vegetable, chocolate.
:06:44. > :06:57.Sorry, I just got a bit of food in my teeth. That's so awful. I'm a bit
:06:58. > :07:08.lazy. I wish to be a girl sometimes, I'm not going to lie. Can you feel
:07:09. > :07:16.that? I don't think there's any room for you. I love you two. Such a
:07:17. > :07:21.lovely relationship. Three dances, the judges' choice, your cha-cha-cha
:07:22. > :07:25.from week 11. Did you remember it, still? No. Are you pleased they've
:07:26. > :07:29.chosen that? I have surprised actually. Because it seems such a
:07:30. > :07:33.long time ago. What is really nice is that it is kind of this feeling
:07:34. > :07:37.of coming full circle. We tried to step through it the other day,
:07:38. > :07:44.didn't we, for the first time? We were kind of - oh, remember when we
:07:45. > :07:50.did this? And remember back in week... So it was nostalgic. It has
:07:51. > :07:54.given me a chance to show how far I've come. Some people don't see me
:07:55. > :07:58.as having this journey that other people have had, but I think,
:07:59. > :08:03.hopefully that will show that. You have chosen to do your American
:08:04. > :08:08.Smooth, Dream Girls. Len was saying there was a lot of swooshing and he
:08:09. > :08:14.wanted more in hold. I liked the swooshing. We all loved it. It was
:08:15. > :08:17.only Len. Are you adapting it or as originally choreographed? I think it
:08:18. > :08:20.is a bit unfair really to do something different. I think what
:08:21. > :08:24.people will have seen and liked about the dance is you don't want to
:08:25. > :08:31.change and take away from it. Plus, it was Natalie's choice. She wanted
:08:32. > :08:35.to dotted American smooth. I'm a big believer that it should be your
:08:36. > :08:38.celebrity's favourite dance. It is their journey at the end of the day.
:08:39. > :08:43.You didn't want to change any steps because you liked it the way it is
:08:44. > :08:48.Stunning. I feel that we should keep that. And, you know, I don't know,
:08:49. > :08:53.just enjoy it, really. It was perfection. And then, the show
:08:54. > :08:59.dance. You've got great music. Have a listen.
:09:00. > :09:05.# Steppin' out with my baby... # Get the Kanes out. Will you be
:09:06. > :09:12.wearing spats. Not this version. This is very slow. That's Fred
:09:13. > :09:17.Astaire, the original. Oh, wow. Is yours more jazzed up? We have six
:09:18. > :09:22.versions crashing together. Quick, quick, quick. Different speeds,
:09:23. > :09:28.different dances. Will be there gifts? Yeah, yeah. Maybe we'll treat
:09:29. > :09:32.you. Good luck on Saturday. You have been awesome to watch. We will see
:09:33. > :09:38.you there. Natalie and Artem. APPLAUSE
:09:39. > :09:41.So good. In a moment I will be chatting to Karen Hardy about all of
:09:42. > :09:45.Saturday night's choreography. Before that, time to find out how
:09:46. > :09:50.Lisa Riley got on when she took a trip up to the sound department.
:09:51. > :09:54.Zoe I'm back again doing my work experience. It is my last one of the
:09:55. > :09:58.series. I have had a ball. This week we are trusting me and sending me to
:09:59. > :10:08.the sound department. Listen, can you hear me? (BEEP) I think it's
:10:09. > :10:13.broke. Tony, hello. How are you? Well, I've been invited to your
:10:14. > :10:17.cockpit. For everyone at home, can you tell us what your involvement is
:10:18. > :10:22.with Strictly? I'm in charge of the sound. For the whole of this
:10:23. > :10:25.programme, this desk looks after 60-odd radio mikes plus the band.
:10:26. > :10:30.Nearly 70 mikes. I hope you will be proud of me on your team today,
:10:31. > :10:34.Tony. Certainly will. The good thing is I'm very loud. Not necessarily a
:10:35. > :10:40.good thing but nice to know. Before it gets too busy with rehearsals,
:10:41. > :10:45.the microphones that pick up the live audience must be checked. Hi,
:10:46. > :10:51.Tony has sent me to check the microphones. This one wasn't
:10:52. > :10:55.sounding healthy. Are they very powerful? Not powerful. But very
:10:56. > :10:59.good quality. If you are sat here, they can pick up the laughter,
:11:00. > :11:05.clapping and applause. Yes, otherwise people at home would think
:11:06. > :11:08.there was nobody here. I have just heard we need to check the levels
:11:09. > :11:12.for the band. Pop around and see Rob. This Des somebody for the band
:11:13. > :11:18.who are a huge responsibility for the department. -- this desk. Press
:11:19. > :11:24.this button and say - please can we have some kick drum. Hi Darrel, can
:11:25. > :11:30.we have kick drum. Hi, you have some kick now. Push that fader up. Keep
:11:31. > :11:36.going, don't be afraid. . We'll have snare drum next. Ask for some snare
:11:37. > :11:44.Please can we have snare drum? Thank you. Very military. The test is -
:11:45. > :11:58.can he play them altogeth? Darrel, can we have all at once, please? OK.
:11:59. > :12:03.I love it. That Bass is too high. Bring it down. Brilliant. As we have
:12:04. > :12:08.seen in previous weeks, the sound department have to work closely with
:12:09. > :12:14.costumes to make sure the microphone packs are carefully concealed. We
:12:15. > :12:17.have to find a place in the dress which would be comfortable for the
:12:18. > :12:22.dancer. With the ladies down the back, or if it is skfrpy up here in
:12:23. > :12:27.the boobs. You have to make sure that the aerial is somewhere free so
:12:28. > :12:33.we can hear it properly and when we hear the mike, it is not covered in
:12:34. > :12:36.lovely sparkly things. Thank you for having me today. It's been really
:12:37. > :12:42.good. One thing I need to know, all the years working on Strictly with
:12:43. > :12:48.these mics, I bet you have heard a few secrets. I tell you what, there
:12:49. > :12:54.was a time when you and Robin... OK thank you, Zoe. It's my secret. My
:12:55. > :12:59.secret. I'll have a word with the boys. Time for our last visit of the
:13:00. > :13:14.series to my favourite corner of the studio. Yes, it's THEE Karen Hardy.
:13:15. > :13:20.Welcome Karen Hardy. I can't believe it's going to be our
:13:21. > :13:25.last time together in Choreography Corner this series. What am I going
:13:26. > :13:30.to do without you? You'll have to come around every Tuesday to have
:13:31. > :13:35.tea. We have eight dances to get through. Natalie and Artem, their
:13:36. > :13:41.first full house. Technically she is perfect. Is technique enough to win
:13:42. > :13:46.the final? Never. You can't win with technique aLen as my teacher once
:13:47. > :13:50.told me - aLen. I built the technique as a guide. It is there to
:13:51. > :13:55.help us move across the floor. You need the rhythm and performance
:13:56. > :13:59.energy and most importantly what we want natedly to do is to fall in
:14:00. > :14:03.love with the feelings and emotions of the entire dance. -- Natalie to
:14:04. > :14:10.do. If she does that on final night, wow, what could we have? Through the
:14:11. > :14:16.roof. Their Argentine tango, an incredible performance. Craig said
:14:17. > :14:25.her begun chouxes needed to be looser. -- her Ganchos? What did he
:14:26. > :14:29.mean? It is down to styling. She is so balletic and controlled within
:14:30. > :14:35.her body. When we saw that movement, it was incredible but some of the
:14:36. > :14:38.ganchos are loose and free, some are tight. It is down to styling. I
:14:39. > :14:43.thought it was an incredible number for the semifinal. She just stole
:14:44. > :14:48.the show with that Argentine tango. I love the fake ending, the little
:14:49. > :14:53.ending and then not ending and bang. Susanna and Kevin and their foxtrot,
:14:54. > :14:57.two 10s from Len and Bruno, would you have agreed with them? What they
:14:58. > :15:01.brought and I love what these two do, is how they move in harmony.
:15:02. > :15:05.This is what I have chosen. Look at the shaping of the body. She could
:15:06. > :15:10.still be bolt upright and Kevin could be doing all that beautiful
:15:11. > :15:13.movement in his body shoe she goes with him. This is what you can only
:15:14. > :15:18.get over time. They've bonded together, these two and again, gave
:15:19. > :15:23.us an incredible dance. Foxtrot - very, very difficult, so she was
:15:24. > :15:27.unlucky to get that dance but delivered it beautifully. Well done,
:15:28. > :15:31.Susanna. And the judges, when they did their salsa, said it was a
:15:32. > :15:34.little bit messy. Did it deserve to have the lowest scores of the night?
:15:35. > :15:38.Do you know what, somebody was going to end up down there. What you have
:15:39. > :15:41.to be careful in this dance, we know salsa doesn't have the height of
:15:42. > :15:46.discipline. You can be free. But, where they were so in harmony with
:15:47. > :15:50.each other in the foxtrot previously, they just didn't quite
:15:51. > :15:54.move together. Again, get that final night - if they use that harmony of
:15:55. > :15:58.movement, that's their selling point. They've bonded so well. Gosh,
:15:59. > :16:02.who knows what we could get out of these two Sophie and Brendan and
:16:03. > :16:06.their paso doble. I loved this. Craig, said, however, it was lacking
:16:07. > :16:10.the Spanish line. Tell us more. Spanish line, now in each dance
:16:11. > :16:17.there is certain elements we are looking for, rumbas, cha-chas,
:16:18. > :16:22.salsas, hip action, paso doble, the arm shaping. Spanish line, it is
:16:23. > :16:27.time for my last demo of the year. Come on. Hardy is getting her legs
:16:28. > :16:32.out for the final time. Lovely legs. Very dimple. We walk into it, we
:16:33. > :16:38.take a step back, we elevate the arms and we create these very
:16:39. > :16:44.classical shapes and we have the lovely shaping of the legs which at
:16:45. > :16:50.my lovely ripe old age, I can still do it. Ripe old age! Perfectly
:16:51. > :16:54.demonstrated. It's a really strong shape from the arms down to the
:16:55. > :17:03.feet. Now, if we have a look here - she's got the drama and the passion.
:17:04. > :17:07.She attempts T she has gone for T they were in there but I think Craig
:17:08. > :17:12.was after a bit more. -- she attempts it. She has gone for it.
:17:13. > :17:15.Picky Craig. Leave her alone. She is a dancing dehave a, I never would
:17:16. > :17:19.have thought would have been in the final but she has proven us wrong.
:17:20. > :17:23.-- a dancing Diva. And their American smooth. I loved when he
:17:24. > :17:27.came down the banisters. Craig said there were issues when she was out
:17:28. > :17:32.of hold. Is he being picky again? Picky again. Let's look at how
:17:33. > :17:38.gracious. Look at the pivots and head position. She is moving in his
:17:39. > :17:43.arms. Full speed in a turn. She has to move away from him and be on her
:17:44. > :17:46.own. Maybe we would have liked her more stable on her feet. Get that
:17:47. > :17:51.staublt in the final, stand strong, keep the eyes up, wow another great
:17:52. > :17:57.dance we could have in the final. She has wowed us. Abbey and Aljaz,
:17:58. > :18:01.let's talk about their samba first. Huge praise from the judges. Len
:18:02. > :18:06.said she had rhythm, technique and performance. Craig said she needed
:18:07. > :18:11.more bounce. Was he being typical great? Oh, Craig! Letsds' get picky.
:18:12. > :18:16.In samba we have three types of movement. Bounce, slight bounce and
:18:17. > :18:20.no bounce. She is doing heavy bounce throughout this, if she was, it
:18:21. > :18:25.would be no good but what they have done, I've picked up the promenade
:18:26. > :18:30.runs with the under-arm turn, in the middle there were quicks and slows
:18:31. > :18:34.and drama and dynamics. There was so much in this and he picks up that it
:18:35. > :18:37.needed a little bit more bounce - oh, please, pick up on the great
:18:38. > :18:42.stuff out there on the night. Brilliant. And their American
:18:43. > :18:46.smooth, finally, Darcy and Craig spotted again - Craig, come on - a
:18:47. > :18:50.little problem with her foot. They mentioned a sickle foot. What is it?
:18:51. > :18:55.You could almost say in simple terms, the finishing. If she was up
:18:56. > :18:59.on a line and a lift and if the ankle was slightly tilted in, it
:19:00. > :19:04.doesn't finish the line. You want the body to talk right to the tips.
:19:05. > :19:09.Sometimes if you break the line, we call it a sickle foot. But what I
:19:10. > :19:16.saw were those beautiful lifts. Look at this. The relationship between
:19:17. > :19:20.these two, it's just beautiful. Grown from strength-to-strength,
:19:21. > :19:26.elegant, light and beautiful. For you, Zoe, I have a hardyism just to
:19:27. > :19:31.finish. They brought it to me these two - relate, react and you will get
:19:32. > :19:35.rewards. Oh, we shall take that with us. What
:19:36. > :19:40.a wonderful time we have had with you. Thank you for all your
:19:41. > :19:45.critique, Karen, merry Christmas. You two. May all your wishes come
:19:46. > :19:49.true. I know you are all dying to find out more about our professional
:19:50. > :20:02.dancers. Between you and me, check this out.
:20:03. > :20:14.Mm, oh, that's a difficult question. Who is the most thoughtful of them
:20:15. > :20:21.all? I don't know who is the most thoughtful. Yvette at that. She
:20:22. > :20:30.always remembers everybody's birthdays. It's Pasha. Kevin and
:20:31. > :20:41.Pasha. Probably Brendan, actually. Me, me, and me.
:20:42. > :20:48.Who is always late? I would say Pasha. Pasha. Mm, you wouldn't
:20:49. > :20:52.necessarily believe it, but it is actually Mr Anton du Beke. I'm
:20:53. > :21:00.pretty late sometimes, I can't deny it. Mornings weren't for me. James
:21:01. > :21:07.and Ola are often late. They live far away from me. Kristina has no
:21:08. > :21:14.excuse. Kristina. The one who comes to mine - Kristina. She comes in
:21:15. > :21:22.late and says - I'm sorry, guys. Mm, a hard one, isn't it? ! On Saturday
:21:23. > :21:26.Abbey and Aljaz wowed the judges and glided straight through to the
:21:27. > :21:34.final. I'll catch up with them in a minute. First a reminder of their
:21:35. > :21:39.weekend Sex on legs, it was like watching Brigitte Bardot in Women
:21:40. > :21:44.Created. I'm at boiling point. Technique and performance, this was
:21:45. > :21:50.hard to achieve. Wonderful touches. It was, really, truly, amazing. 9.
:21:51. > :21:54.10. Samba went great. American smooth
:21:55. > :21:59.time. Time to get changed. Time to get changed. Full of
:22:00. > :22:05.charisma. You really have an enormous amount of style. I adore
:22:06. > :22:09.watching you do dance. Stunning, you came out there. You are a natural
:22:10. > :22:17.finalists. Just don't sickle the foot in the lifts, all right.
:22:18. > :22:21.9. O 10. 10. -- nchts to get 39 in the semifinal
:22:22. > :22:29.is just incredible. I can't believe T I'm made up.
:22:30. > :22:32.Please welcome, Abbey and Aljaz. -- I can't believe it.
:22:33. > :22:36.Congratulations on making it through. I know. We were talking
:22:37. > :22:40.last week and you were saying you were worried about not making it
:22:41. > :22:44.through. How did it feel when Tess called out your name? I couldn't
:22:45. > :22:47.believe T I went out on Saturday thinking - this could be our last
:22:48. > :22:53.time dancing together. I wanted to have fun and getting through was
:22:54. > :22:57.just the icing on the cake. Congratulations. So exciting.
:22:58. > :23:02.Incredible dancing throughout on Saturday night. Let's talk about
:23:03. > :23:06.your samba. Len and D'Arcy said Abbey was a natural. Was she a
:23:07. > :23:11.natural from the beginning in the training room with this dance? Yes.
:23:12. > :23:16.Be nice. Definitely from the very first second. . I think the Latin
:23:17. > :23:21.dances give us more trouble. Samba was up there with salsa. She had so
:23:22. > :23:25.much fun doing it. Not during the rehearsals but definitely on
:23:26. > :23:29.Saturday. I think everything came together really nicely and she felt
:23:30. > :23:34.the whole concept, the whole idea and I was really, really happy with
:23:35. > :23:38.samba. You thought that it was the weakest out of our two dances, but
:23:39. > :23:42.it turned out to be just as good as the American smooth. It was fun
:23:43. > :23:47.doing t wasn't it? I think that really helps, when you can sit back
:23:48. > :23:51.and watch someone doing it, and you can be relaxed, you can tell how
:23:52. > :23:55.much you were enjoying it. You were looking forward to the American
:23:56. > :24:01.smooth since week 1. Did it live up to expectation? Definitely. I need
:24:02. > :24:05.to apologise to Vicky for my dress. I moaned about being put in pink and
:24:06. > :24:11.it looked fabulous on the night. It was a gorgeous dance. It felt lovely
:24:12. > :24:16.and dreamy. I love the ballroom, don't I? You do it so well. You have
:24:17. > :24:20.always been quite surprised by the judges' comments when they are
:24:21. > :24:27.complimentary. It is cute. You are like - oh my goodness, they liked
:24:28. > :24:30.that? Are you surprised? Do you think you are going to get
:24:31. > :24:34.criticised? It feels funny hearing the judges say amazing things about
:24:35. > :24:39.me dancing. I never thought I would be in the competition this long, let
:24:40. > :24:43.alone the final. Whenever you were greating such praise, it is like -
:24:44. > :24:46.wow, it feels great. Joint top of the leaderboard with Natalie and
:24:47. > :24:52.Artem. How confident were you feeling in getting through to the
:24:53. > :24:56.final? Well, it is great being close to the top, on top but you never
:24:57. > :25:01.know with the voting. We never get to know how much votes we actually
:25:02. > :25:07.get through the weeks. So it was, for me, definitely the most pet
:25:08. > :25:11.triifying results show, ever. I can believe that, you want it so much at
:25:12. > :25:14.this point. That last step. You are in there, you have been
:25:15. > :25:17.concentrating on working hard in the training room. Some footage has
:25:18. > :25:23.given us food for thought on what your main focus might have been. Are
:25:24. > :25:27.you hungry? Starving. Let's do a few Michael Portillo rounds. All right,
:25:28. > :25:32.then. My tummy is rumbling, can you hear it? Starving. We can go for
:25:33. > :25:37.some lunch. I haven't eaten today, have you? Go for lunch, stuff your
:25:38. > :25:41.face. I was dreaming about eating an orange last night. I've been eating
:25:42. > :25:49.chocolate for breakfast. Shall we have lunch? Come on, let's go and
:25:50. > :25:57.get our lunch? Last walk, and then you go for... Lunch. Oh. I haven't
:25:58. > :26:02.stopped eating today, have I? What are we going to eat? I'm hungry for
:26:03. > :26:07.knowledge? Is that what you are hungry for? No, just starving.
:26:08. > :26:12.Everybody all over the country right now will be thinking - how can you
:26:13. > :26:16.eat so much and look so sweat. All the dancing.
:26:17. > :26:20.-- so svelt. Talk about your three dances this
:26:21. > :26:23.weekend in the final. The judges' choice, your waltz from week 1. If
:26:24. > :26:27.you think back. I remember it being awesome the first time around. Do
:26:28. > :26:32.you think you will be able to improve on the scores from week 11
:26:33. > :26:38.after all the training? Well, I'm quite excited to do the week 1 dance
:26:39. > :26:42.again, the waltz and see how much we've improved and apply what I know
:26:43. > :26:46.now. I didn't know anything at the start. I'm desperate to go back and
:26:47. > :26:52.point my toe. Because on that dance my toe is like that and it bugs me.
:26:53. > :26:58.Is that a sickle toe, when they said that at the weekend, when you point
:26:59. > :27:05.your toe? Point another toe. That was a different one. Shut it, Ball.
:27:06. > :27:12.You have chosen your quickstep which is your couple couple's choice. Why
:27:13. > :27:16.did you choose that? Blackpool was such an amazing experience. It was
:27:17. > :27:23.magical to go out and threat three 10s. It is an amazing song. The song
:27:24. > :27:28.title describes my journey, Walking on Sunshine. Craig was the only one
:27:29. > :27:31.not to give you a ten, will he on Saturday? That's why we are doing
:27:32. > :27:38.it. And your show dance. This is the music, what you wanted to know, what
:27:39. > :27:46.you are doing it two. # Sweet child O Mine... #
:27:47. > :27:52.I'm thinking tango, paso doble, drama. You've got it. Rumba. I've
:27:53. > :27:56.got it wrong. It is going to be very strong because we are doing waltz as
:27:57. > :27:59.our first dance and quickstep as hopefully our third dance, so I was
:28:00. > :28:05.thinking feeling something strong and powerful in between and I think
:28:06. > :28:10.that swap sweet Child O Mine will work great for that. It'll be
:28:11. > :28:14.amazing. You did incredible lifts at the weekend. The judges loved them,
:28:15. > :28:19.surely there will be epic lifts in the show dance? How are they going?
:28:20. > :28:24.We haven't started yet, so... Everything that there is left in
:28:25. > :28:28.terms of lifts will be thrown in that routine. I can't wait to do it.
:28:29. > :28:34.I can't. Good luck in the final. You will be incredible. Ab and Aljaz,
:28:35. > :28:38.everybody. Too exciting. That's it foretoday. Thank you to all my
:28:39. > :28:44.guests. Tomorrow night I will be chatting to Sophie and Brendan, plus
:28:45. > :28:49.Ian Waite will be back for his final Wednesday Warm Up. See you tomorrow,
:28:50. > :28:51.good night. APPLAUSE