:00:00. > :00:09.Hello. It may be a new week but as always I have yet another glittering
:00:09. > :00:14.line-up for you. It was a different kind of swing for him on Saturday.
:00:14. > :00:18.Sadly it fell below par. Tony and Aliona are here to say bye. It was
:00:18. > :00:22.all go with their tango on Saturday, they're here to tell us more in
:00:22. > :00:28.detail. It's Susanna and Kevin. Monday would not be Monday without
:00:28. > :01:12.the fabulously fruity Craig Revel Horwood. This is It Takes Two!
:01:12. > :01:24.Live from London, this is Strictly: It Takes Two. Please welcome your
:01:24. > :01:26.host Zoe Ball. APPLAUSE
:01:26. > :01:30.What a lovely crowd. Welcome to It Takes Two. What a weekend it was
:01:30. > :01:34.with the first dreaded elimination of the series. In case you missed
:01:34. > :01:43.any action, as if you could, here are the headlines.
:01:43. > :01:48.Good evening. Here is the news. Brendan's Charleston debut came to a
:01:48. > :02:00.spectacular end as he and his partner Sophie swung and swivelled
:02:00. > :02:04.their way to 36 points. Wow! The Charleston is made for you. That was
:02:04. > :02:17.fit, darling. It was awesome. It was almost a view
:02:17. > :02:18.to a spill as Fiona Fullerton was left shaken and stirred after
:02:18. > :02:29.missing a few steps. Ouch! I thought you were very good up to
:02:29. > :02:39.the point you kicked Anton in the shin. Was it the nerves? Yeah. Bless
:02:39. > :02:44.her. As if being in the bottom two wasn't enough of a knock to Janette,
:02:45. > :02:51.she then took one on the nose during the professional dancers' routine.
:02:51. > :02:57.Can we have a medic, please! It's just sore. Bleeding a bit. There was
:02:57. > :03:01.blood on Artem's chest. Blood on the dancefloor for real. It's OK,
:03:01. > :03:05.another day in the job. We get physical, it hams. The -- it
:03:06. > :03:10.happens. The show must go on. What a pro. Breaking news, it seems that
:03:10. > :03:14.James Jordan may be feeling a little intimidated by the new boys.
:03:14. > :03:21.Obviously no one knows who they are yet. I can't even remember their
:03:22. > :03:26.names. Who are these people? Who are these people? Is it because you feel
:03:26. > :03:32.pressure from new boys you put make-up and eyeliner on perfectly?
:03:32. > :03:38.The new ones are younger than us. Speak for yourself. How old are you?
:03:38. > :03:47.Much younger than us, yeah! There we go. Cheeky, these were the
:03:47. > :03:52.headlines. Now If -- now f that hasn't quite quenched your thirst
:03:52. > :04:00.for Strictly gossip, here's what went on behind the scenes.
:04:00. > :04:03.Morning. Elimination week. Someone's going
:04:03. > :04:10.home. I am going to do my best, Len. No
:04:10. > :04:21.thumbs. Just do your best. I never look at your feet, I like to watch
:04:21. > :04:25.your hair wafting along. This is band call. First time you get to
:04:26. > :04:31.hear the music with the orchestra and the whole band and singers.
:04:31. > :04:35.I always love this part of the day because you get to see everyone
:04:36. > :04:39.else's dance and get to see how they've transformed as a person.
:04:39. > :04:40.Everyone's dance is different. I have seen Mark this week, he is
:04:40. > :04:42.doing the salsa, as well. His have seen Mark this week, he is
:04:43. > :04:48.character is totally in it. That's what I need to focus on, bring some
:04:48. > :04:49.somebodyingy -- bring some sexy character, because he has that
:04:49. > :05:01.nailed. Julien I haven't seen before. In
:05:01. > :05:15.control a bit, he was in control of his woman there. Good. Gorgeous,
:05:15. > :05:20.isn't it? I love it. We can't aim for young and Virginal, let's face
:05:20. > :05:26.it. We are going for youth, that's what I am going for. I am used to
:05:26. > :05:33.multi-tasking. This takes it to ridiculous levels. When they try to
:05:33. > :05:39.do my lipstick it doesn't go so well with the tuna. Come in! This is my
:05:39. > :05:51.dressing room. I am just chilling before the live show. Yikes! Scary
:05:51. > :05:55.monsters Ual all you need for proper dance something your shoes.
:05:55. > :05:59.Under-Reith this -- underneath this robe absolutely nothing. I don't
:05:59. > :06:06.know if it's a good idea. It's freezing! Apparently there was going
:06:06. > :06:15.to be one person doing this but they said I was a two-man job.
:06:15. > :06:22.Ten minutes, please, folks. Ten minutes to show time! This week's
:06:22. > :06:26.different because you know somebody's going home. Whoever it
:06:26. > :06:32.is, I will miss them. But I hope it's not me. It's always going to be
:06:32. > :06:36.this terrifying, I think. It's simple. Great performances, with
:06:36. > :06:43.great technique, you're into the next round. Lovely, come on! I am
:06:44. > :06:48.standing next to him because he is cool, calm and collected and I am
:06:48. > :06:53.hoping it will rub off on me. On the outside, yeah. Guys, back stage,
:06:53. > :07:08.please! I haven't my dance partner, it's like I am doing this one on my
:07:08. > :07:13.own. So scared! This is it now. This is the last moment before the live
:07:13. > :07:19.show of the night where somebody gets eliminated. Good evening,
:07:19. > :07:29.ladies and gentlemen. Welcome to Strictly Come Dancing. I am still
:07:29. > :07:33.recovering from Pasha in his dressing gown. He gave it his all,
:07:33. > :07:40.and we thought his golfing Charleston was spot on but it didn't
:07:40. > :07:44.get him into the club. Please give it up for Tony and Aliona. First of
:07:45. > :07:49.all, well done. It's never easy to be the first one out. Nobody wants
:07:49. > :07:55.to go. Are you surprised to be here, Tony, at this point? You know, I
:07:55. > :08:01.didn't go there - in my mind I was taking it as it came. It was
:08:01. > :08:05.didn't go there - in my mind I was exhausting, the training and -- the
:08:05. > :08:09.training and I did my best and I was in it to do my best. More than that,
:08:09. > :08:15.one can't do. Obviously, part of me's disappointed but I am shocked
:08:15. > :08:19.with the standard of dance and the disciplines these people have. I
:08:19. > :08:24.mean, it was amazing. It really is, it's a lot of work. A birdie told me
:08:24. > :08:29.half an hour before you had to do the Charleston you were thinking
:08:29. > :08:34.about running away. I mean, you are strutting your stuff in front of ten
:08:34. > :08:40.million people and I was not wanting to screw up on the moves and let
:08:40. > :08:45.alone all the nuances, you know, the feet and doing everything correctly.
:08:45. > :08:51.You taught him well, Aliona. He is doing it now. I was doing it in my
:08:51. > :08:54.sleep! The judges choose Julien and Janette over you two. Do you think
:08:55. > :08:59.they made the right decision, was it a fair decision? I think it's up to
:08:59. > :09:06.the judges. I know we did our absolute best. I am so proud of
:09:06. > :09:11.Tony. I mean, he gave his 200%. I think he did an impossible job. I am
:09:11. > :09:15.really, really proud of him. You came out and did the Charleston
:09:15. > :09:19.which is a tricky dance. It's so energetic. It's so much bounce. To
:09:19. > :09:22.get lower points than the week before, was that tough? It was OK. I
:09:22. > :09:27.know that we didn't mess up. That before, was that tough? It was OK. I
:09:27. > :09:32.was important for us. To do the routine, beginning to end, without
:09:32. > :09:37.messing up. So we accomplished our goal, we are very pleased. So many
:09:37. > :09:43.people were loving you at home. So many comments came in. Claire had
:09:43. > :09:47.this to say, I think little Tony is adorable. I can't listen to the
:09:47. > :09:52.judges being nasty to him. I want to give him a big hug. Lots of comments
:09:52. > :09:56.like that. Let's look, we have enjoyed having you on the show,
:09:56. > :10:02.let's look at why you were so fabulous. The dancer hoping to take
:10:02. > :10:06.you a fair way in the competition, it's Aliona! Aliona and I are
:10:06. > :10:13.getting on great. She's a nice lady and she's got the patience of Job,
:10:13. > :10:21.she needs it with me, I have to say. Tony's definitely a fighter. He is
:10:21. > :10:25.struggling but he is not giving up. I thought I had good balance. The
:10:25. > :10:32.pros make it look easy, let's put it that way. There's more to it than
:10:32. > :10:38.meets the eye. It was littered with error and mistakes. A bit of a
:10:38. > :10:48.dis-aah-ster, I would say! You are the spirit of this show. Coming out
:10:48. > :10:53.and having a go. At 69 it's an extreme physical
:10:53. > :10:59.challenge. None of this is easy.
:10:59. > :11:05.I need to fill my lungs again! Weirdly, he is connecting with the
:11:05. > :11:13.Charleston. That's better, yes. Which I am very pleased with. Your
:11:13. > :11:18.confidence, you hit each lift. So much better than last week. I would
:11:18. > :11:23.like to save Julien and Janette. Julien and Janette. Julien and
:11:23. > :11:26.Janette. Tony, you are my sweet lovely
:11:27. > :11:30.gentleman. Thank you so much for being my partner. You have done
:11:30. > :11:33.absolutely brilliantly. You worked so hard. I am so proud of you. Thank
:11:33. > :11:50.you so much for being my partner. Ah! It's beautiful. Tony, have a
:11:50. > :11:53.tissue, if you want. We saw your beautiful grandchildren supporting
:11:53. > :11:57.you. Are you going to go home and show them a few Charleston moves? I
:11:57. > :12:03.am going to go home. One wants me to take her to dance classes. We are
:12:04. > :12:08.going to do it, you know. For no other reason, the work you have to
:12:08. > :12:11.do, so a few pounds... Keeps you trim. We are going to do it.
:12:12. > :12:15.Definitely when we get back. You have been such a gentleman. Thank
:12:15. > :12:20.you, Aliona and Tony! APPLAUSE
:12:20. > :12:23.Now for all those who pride themselves on their Strictly
:12:23. > :12:26.knowledge I have a challenge for you. Can you tell me who this former
:12:26. > :13:05.celebrity dancer is? Good luck. You can find out later if you got it
:13:05. > :13:08.right. On Saturday he was full of praise for some dancers, gorgeous,
:13:08. > :13:12.fantastic, breathtaking were words he used. He even smiled. Let's see
:13:12. > :13:19.if he can keep up with the compliments, although it's unlikely,
:13:19. > :13:24.it's Craig Revel Horwood! Give me a little shimmy! And a
:13:24. > :13:28.perfect landing. Absolutely. Can I just say what a great show on
:13:28. > :13:31.Saturday. Well done to Tess and Claudia. The show was great. It was
:13:31. > :13:35.brilliant. Fingers crossed Bruce will be back at the weekend. The
:13:35. > :13:40.girls did brilliant, though. Let's start with the boys. Top of the
:13:40. > :13:45.leaderboard for the boys, Ashley and Ola. It was glorious. The American
:13:45. > :13:49.smooth. What did you love about it? What I loved was the content, I did
:13:49. > :13:53.say that on the night. There was a lot of material in there that was
:13:53. > :13:58.just fantastic. I don't, however, like his hands. Sometimes he places
:13:58. > :14:02.them beautifully and other times they're absolutely disastrous. How
:14:02. > :14:06.can a hand be disastrous? By doing that. That's a nasty end of line.
:14:06. > :14:12.You want to extend the line. You want it to be long and lean. And
:14:12. > :14:17.delicious. He was trying. He does need to point his toes. He has
:14:17. > :14:22.spectacular rhythm, which is great. That's a good start. He is tipping
:14:22. > :14:26.on style, which I am delighted with. At least we have some sort of male
:14:26. > :14:33.celebrity that's going to do it, apart from Patrick. Oh! Let's speak
:14:34. > :14:38.about Dave and Karen. Dave did the unthinkable on the show on Saturday,
:14:38. > :14:42.he made you smile. He did! He does make me smile. I get on well with
:14:42. > :14:46.him back stage. We have a real laugh together and it's a hoot. Out there
:14:46. > :14:49.you have to understand I am wearing a judge's hat and I have to be
:14:49. > :14:53.honest so at least they improve for the next week. I am not going to say
:14:53. > :14:57.oh, that was wonderful, darling. And then they come back next week with
:14:57. > :15:02.all the same horrendous problems and it's worse. I want them to be good
:15:02. > :15:05.and that's why I am so hard on them. What do you want from Dave? Some
:15:05. > :15:16.dancing. OK. Patrick and Anya. A What do you want from Dave? Some
:15:16. > :15:21.mixture of views from him. Were you impressed overall with the tango? I
:15:21. > :15:25.was, he did very well. Lovely hand shape there on her back which I am
:15:25. > :15:29.loving. It had drive, intent, purpose. He really is moving about
:15:29. > :15:39.the floor really well. I can just see him improving beyond. Julien and
:15:39. > :15:43.Janette narrowly -- narrowly missed the elimination. Were you surprised
:15:43. > :15:49.to see them low down? I wasn't at all. Look at that thumb! I have an
:15:49. > :15:54.aversion to them. That's a perfect example. He was leaning all the way
:15:54. > :15:58.over the top of her. He really needs to get that posture going. That is
:15:58. > :16:02.what is going to make it look like something. He is committed, I will
:16:02. > :16:07.give him that. He did the most training I think. He is
:16:07. > :16:12.enthusiastic, we know that. That enthusiasm has to be put into the
:16:12. > :16:17.dance and the technique. OK next week he will do his best. Mark and
:16:17. > :16:20.Iveta and the salsa. The crowd went crackers for this, standing ovation.
:16:20. > :16:24.It was a joy to watch. Almost had the same effect on you. He is an
:16:24. > :16:28.entertainer and he provides light entertainment to the dancing which I
:16:28. > :16:34.think is great. It's the serious stuff that he is going to have
:16:34. > :16:38.difficulty with. It's fine to give it large and big it all up and be
:16:38. > :16:44.energetic and full of life and determination and be a fantastic
:16:44. > :16:47.actor and great comedian. But you still have to in this competition be
:16:47. > :16:51.actor and great comedian. But you good at the technical side if you
:16:51. > :16:56.are going to win the value, anything above sixes from the judges really.
:16:56. > :16:59.It's technique. Ben and Kristina and the waltz. You wanted more
:16:59. > :17:04.personality from Ben. Is he holding out on you, Craig? Yes! He had a
:17:04. > :17:09.glimmer of it. I was thinking oh, he smiled, he is into it. This is a
:17:09. > :17:13.changed man. Suddenly self-consciousness took over. An out
:17:13. > :17:19.of body experience, he started watching himself from above, judging
:17:19. > :17:24.himself, the face went plain. Then the whole dance completely fell
:17:24. > :17:31.through the floor. It was such a shame. I want him to do brilliantly.
:17:31. > :17:33.I want to see all of that, but unfortunately, he can't let nerves
:17:33. > :17:36.I want to see all of that, but get in his way. I know he does get
:17:36. > :17:39.very nervous because I was speaking to him and he really does. That's
:17:39. > :17:44.something we all have to be able to control. He can't get - if he can't
:17:44. > :17:49.get that under control he will not go further in the competition. Do it
:17:49. > :17:53.for Craig, Ben! I love that, that's the boys. We will discuss the ladies
:17:53. > :18:00.in a bit. Craig Revel Horwood everybody.
:18:00. > :18:03.After their amazing jive last week Susanna and Kevin had a lot to live
:18:03. > :18:10.up to but that's exactly what they did.
:18:10. > :18:16.You put the go in tango there. Your frame sometimes is loose. You have
:18:16. > :18:22.to get that stronger. But so far, so fabulous. You were raising your
:18:22. > :18:29.right shoulder and that was very rigid. The whole dance, on a whole,
:18:29. > :18:36.was very, very good. You should give up your day job. You have got it.
:18:36. > :18:40.You are such a genius. You are! I just do what you tell me. Susanna
:18:40. > :18:49.puts the go in tango and I put the tan in tango. Three 8s, second
:18:49. > :18:55.dance. That's amazing. Well con -- well done, partner. Please welcome
:18:55. > :19:00.Susanna and Kevin! Well done. You did it again, lady.
:19:00. > :19:04.Look at you. A top tango, you must have been thrilled with the scores.
:19:04. > :19:10.Are you still coming down? I think it was you helping me and Kevin to
:19:10. > :19:15.practise our faces last week. That's what did it. You inspired me. I am
:19:15. > :19:22.glad to be of service at some point. I will come here more often. I will
:19:22. > :19:29.give you more advice later. Susanna took to the jive and tamed the
:19:29. > :19:36.tango. Is this anything she can't handle? Keeps surprising me. We have
:19:36. > :19:41.a laugh in training, the jive we do have fun and the tango we have to
:19:41. > :19:46.get serious and I didn't know whether we would be able to pull it
:19:46. > :19:51.out on the night and the camera went on Susanna. Like steam! She scared
:19:51. > :20:00.me a little bit. That's fierce! But perfect. I can't wait to see you
:20:00. > :20:04.Paso Doble. Love the high fashion, the ponytail. What was the concept?
:20:04. > :20:12.Anna who does the amazing hair decided to go crazy with this and
:20:12. > :20:22.the make-up needed fierce eyes. It was like a whole Armiary that I put
:20:22. > :20:28.on -- armoury that I put on. Much love and respect for you two online.
:20:28. > :20:33.Let's see exhibit A. Susanna was fantastic. She looks
:20:33. > :20:40.gorgeous and danced wonderfully. Thanks. So good to hear. It's
:20:40. > :20:43.fantastic. Were you less nervous this week or
:20:43. > :20:46.did you make the fatal mistake of calling your mum before the show?
:20:46. > :20:50.did you make the fatal mistake of didn't make the schoolboy error of
:20:50. > :20:54.calling my mum this time. No, I was more nervous because it was the
:20:54. > :21:01.eliminations. Yeah, I was stood like this with Susanna and there's
:21:01. > :21:08.probably still marks in her arm. His heart was beating like a rabbit. Did
:21:08. > :21:12.you stroke him and calm him down? Darcey said give up your day job.
:21:12. > :21:17.That's praise indeed, surely. What a lovely thing to say. I couldn't
:21:18. > :21:23.leave Bill there. I have to go back to him. We love Bill. He was on the
:21:23. > :21:27.series I was on, love that man. It's not just Susanna who seems to have
:21:27. > :21:31.discovered a hidden talent. Kevin here has secret skills of his own.
:21:31. > :21:35.Look at this. You see Kevin and imagine him to be
:21:35. > :21:46.a certain way and he brings out this comedian or impressionist. Well,
:21:46. > :21:52.Susanna, it was sensual and sexual and sassy and super!
:21:52. > :21:59.A little more extension, yeah. I am asking the question, do you
:21:59. > :22:04.understand? Yeah. I am not sure about that mucking
:22:04. > :22:14.about at the beginning, it was all sizzle and no sausage. Ah, shut up.
:22:14. > :22:25.Dull, dull, dull! If he is in a good mood?
:22:25. > :22:29.Not bad. Honestly, if I have a brilliant
:22:29. > :22:36.impressionist in the room that's all you want to see. I wish we could see
:22:36. > :22:41.Craig's face across the studio. Let's get serious. It's love week.
:22:41. > :22:43.For you guys a Viennese waltz. The judges were talking about your
:22:43. > :22:46.frame, are you going to work on judges were talking about your
:22:46. > :22:51.that? Yeah, I think one of the reasons why we get on so well is we
:22:51. > :22:56.are similar in that when we have a focus we will go 100% and more into
:22:56. > :23:04.that, so because the tango was so attacking we tended to really attack
:23:04. > :23:08.it like 150%. So maybe it was a little too much, too much attack in
:23:08. > :23:12.the frame. The danger in the waltz, it's supposed to be soft, I am
:23:12. > :23:17.worried we are going to continue like that. -- We are going to be
:23:17. > :23:21.like that. Good luck. Your boyser here tonight. -- your boys are here
:23:21. > :23:26.tonight and they're proud of their mummy. Good luck at the weekend.
:23:26. > :23:30.Now, earlier I set you a challenge. Did you guess who that former
:23:30. > :23:40.celebrity dancer was? Let's find out.
:23:40. > :23:52.In the first series of Strictly Come Dancing I finished as runner-up to
:23:52. > :23:57.Natasha. It's please, Chris Parker. Chris Parker's Paso Doble was one of
:23:58. > :24:05.the best things I ever saw on the show. He is back to discuss the
:24:05. > :24:09.girls, after that funny impression by Kevin. Yes, dull, dull, dull, I
:24:09. > :24:14.will get him, darling with the scores next week! Let's talk about
:24:14. > :24:18.Sophie and Brendan's wonderful Charleston. The nine came out for
:24:18. > :24:22.the first time in week two. Completely shocked. It was
:24:22. > :24:29.magnificent! So perfect. I can't tell you. The only reason it didn't
:24:29. > :24:36.get tens is because there was one little miss. The positives
:24:36. > :24:40.outweighed the negatives. She is amazing. I could not believe it. I
:24:40. > :24:43.know. Glorious. It's one of those dances that's going to be remembered
:24:43. > :24:49.forever. If I was casting a movie and I had to have a leading Flapper
:24:49. > :24:54.girl she would be it. We will done to Brendan. Deborah and Robin doing
:24:55. > :24:59.the cha-cha-cha, you said she was a joy to watch because she enjoys
:24:59. > :25:02.herself. You weren't happy with her New Yorks. She turns her feet in and
:25:02. > :25:06.doesn't work on a straight leg. You are meant to go forward and place
:25:06. > :25:10.your foot turned out with a straight leg. She was missing that. She had
:25:10. > :25:16.all the flavour of it, the essence and heart of it. Don't forget I am
:25:16. > :25:19.there to judge and not give love and nurture and embrace all these
:25:19. > :25:24.celebrities, darling. They need to know what's wrong! I would hate her
:25:24. > :25:35.to come back and be doing the same ghastly mistakes again. This
:25:35. > :25:46.properly moved you, this waltz with Natalie and Artem. He is
:25:46. > :25:54.magnificent, she's magnificent. They are - you would swear she had done
:25:54. > :25:59.ballroom all her life. Rachel and Pasha and their salsa. You said
:25:59. > :26:03.Rachel was like a slug in salt. That seemed harsh. Tell me why. She was,
:26:03. > :26:08.darling. Her central core, you have to be able to isolate the hips and
:26:08. > :26:15.you have to be able to keep... Stop it! Keep the body controlled, as
:26:15. > :26:20.well. Unfortunately, everything was working with and against each other,
:26:20. > :26:28.so the whole thing was going. There wasn't a proper sort of core there
:26:28. > :26:34.holding the shapes together. She ended up Wrighting around like --
:26:34. > :26:40.writhing around like a slug in salt. Abbey and Aljaz's cha-cha-cha. She
:26:40. > :26:44.gives it a go and works to the best of her ability. I think she's got
:26:44. > :26:47.enormous amount of promise. Not only because she looks fantastic but
:26:47. > :26:51.because she gets into it and actually she's doing it rather well.
:26:51. > :26:57.She could go further I think with it, it was a little bit tame, I
:26:57. > :27:02.thought. It could be more wild. Her first Latin dance, though. We will
:27:02. > :27:07.see her get wild, I am sure. Fiona and Anton which was going great
:27:07. > :27:11.until the bit... She stepped off on the wrong leg and kicked his shin
:27:11. > :27:15.and it all went wrong after that. You see. Unfortunately, these things
:27:15. > :27:19.happen. Professionals are able to cover and mask those things up and
:27:19. > :27:23.get out of those situations. They're able to get back on the right foot
:27:23. > :27:27.at the right time or wait another bar for the music and start again.
:27:27. > :27:32.Unfortunately, she's not experienced enough to do that and she's left
:27:32. > :27:36.alone a little bit, so it was unfortunate. I did think the judges
:27:36. > :27:44.were harsher on her. I really liked her. She did a good job to that
:27:44. > :27:48.point. She will move on from that. Stay strong, Fiona. Vanessa and
:27:48. > :27:53.James and her waltz. I was crying watching the film before with this.
:27:53. > :27:57.Did you see an improvement? Yeah, there was. She's in hold. That's
:27:57. > :28:02.easier. She's going to find it difficult out of hold, as - that's
:28:02. > :28:07.always going to be her big challenge. Her heart and her mind
:28:07. > :28:11.and her spirit was in this and that's half the battle. If you act
:28:11. > :28:15.through the dance, then the people at home don't see the messy feet.
:28:15. > :28:19.They don't see technique. They get swept away with the emotion. That's
:28:19. > :28:23.what is lovely about it. Fantastic. By the way, we had a vote last week
:28:23. > :28:28.about which judge our viewers would most like to see dance on the show.
:28:28. > :28:34.You won, by a long shot. Can we arrange it, please? Will do you it?
:28:34. > :28:38.Once I have had my hip op, darling. Once I have hip recovery I will
:28:38. > :28:40.dance. On the show, we have that in writing!
:28:40. > :28:44.APPLAUSE AND CHEERING Good luck with that op. That's all
:28:44. > :28:49.we have time for, thank you to all my guests. Tomorrow I will be here
:28:49. > :28:54.with the saved couple, Julien and Janette, and Rachel and Pasha and
:28:54. > :28:56.Mark and Iveta and Karen with her Choreography Corner. See you then,
:28:56. > :29:00.Mark and Iveta and Karen with her good night.