:00:07. > :00:14.. Welcome to Tuesday's It Takes Two. What a line-up tonight. It was
:00:14. > :00:20.almost time for him to go, go, go. Julienne is here with his partner
:00:20. > :00:27.Janette. We love Rachel and Pasha.
:00:27. > :00:33.They are here too. They got a standing ovation with their dance,
:00:33. > :00:35.it's Mark. And the rises and falls will be
:00:35. > :01:28.talked about with Karen Hardy. From London, this is strictly: It
:01:28. > :01:36.Takes Two. Please welcome your host, Zoe Ball.
:01:36. > :01:40.Hello, welcome to It Takes Two. With the weekend over, the celebrities
:01:40. > :01:43.are already back training hard. For one couple, there are signs of
:01:43. > :01:46.relief after the events of Sunday night. Julienne and Janette survived
:01:47. > :01:59.the dreaded dance-off with their tango. Here is a reminder of what
:01:59. > :02:03.happened. The feet were the wrong place at the
:02:03. > :02:10.wrong time. I didn't know if I was watching a tango or a paso. The
:02:10. > :02:19.posture, I'm afraid, is ghastly. Not your best, darling. Better than
:02:19. > :02:24.last week? No. We did, we did it!
:02:24. > :02:29.I'm very proud and more than anything, you went out there and you
:02:29. > :02:32.were strong and involved and that's what I wanted.
:02:32. > :02:35.Yeah... You will find out which of you will be back to dance again next
:02:35. > :02:42.week. I would like to see julienne and
:02:42. > :02:46.Janette. Julienne and Janette Julienne and Janette.
:02:46. > :02:53.So Sunday saw them almost tango but they live to dance another day,
:02:53. > :02:57.julienne and Janette are here! Tremendous tango efforts on Saturday
:02:57. > :03:08.night and your jutt fits were outstanding. Awesome. Were you a bit
:03:09. > :03:11.gutted to be in the last two -- outfits
:03:11. > :03:16.Nothing can Brett pair you for being in the bottom two. I was shocked, I
:03:16. > :03:21.was like, oh, all of a sudden this is the reality of the show --
:03:21. > :03:26.nothing can prepare you for being in the bottom two. You have to pull
:03:26. > :03:30.yourself over and do it again. How did you think he did? I was um
:03:30. > :03:35.pressed. He went out and danced again and he said, whatever happens
:03:35. > :03:44.happens, I enjoyed myself and it was fun. Must feel good though when all
:03:44. > :03:48.the judges say that they would have saved you. That must give you
:03:48. > :03:51.encouragement? That is great. At the end of the day, I'm learning how to
:03:51. > :03:53.dance, I'm not the best and every week I want to get better and to
:03:53. > :03:57.prove to people and the judges that week I want to get better and to
:03:57. > :04:00.I'm learning and getting better with the dance.
:04:00. > :04:05.We should talk about the fact that last week you put in the same amount
:04:05. > :04:09.of hours, you were top of the hours of training, you and Natalie put in
:04:09. > :04:14.what, I think 33.5 hours, that's a lot of hours. You have another job
:04:14. > :04:22.to do as well. Do you think it paid off? No!
:04:22. > :04:26.Considering the hours we danced, I should be top of the leaderboard,
:04:26. > :04:31.I'm almost at the bottom. It's so slow, it takes me so long to learn
:04:31. > :04:36.the moves, it's like trying to get my brain and head jinxed together.
:04:36. > :04:41.Janette watches for hours going, move your foot! Some people are
:04:41. > :04:47.naturally much better dancers immediately, aren't they.
:04:47. > :04:53.He has time figuring out his left from right, shoulders from elbow.
:04:53. > :04:57.He's like, it was not that finger, but the other one.
:04:57. > :05:03.Also quite a dramatic weekend for you, Janette.
:05:03. > :05:11.Artem whacked you in the nose. My lovely professional partner. That
:05:11. > :05:17.must have really hurt? It did. If you freeze it, you can see the blood
:05:17. > :05:22.on Artem's chest and on the floor. Fans of the show will be checking
:05:22. > :05:26.that out now. Julienne, you are used to being in the public eye, but not
:05:27. > :05:32.performing. Are you shocked at how tough the whole thing is? I find it
:05:32. > :05:37.really difficult. When you're there, on the set,
:05:37. > :05:41.hundreds of thousands of people are there watching, you come in as this
:05:41. > :05:46.character, the scary and daunting and it's something totally new to
:05:46. > :05:51.me. There's that thing that you have to
:05:51. > :05:54.act butch, be strong with tango and I'm like, it's not me at all but
:05:54. > :05:58.I'll try. You are doing a lot of steps in there and the steps were
:05:58. > :06:05.really, really good. How is this his concentration and
:06:05. > :06:11.focus? Much bet they are week, I have to admit. I was impressed. He
:06:11. > :06:15.picked up the steps better. The first week was done so he was like,
:06:15. > :06:19.right. I definitely saw massive improvement
:06:19. > :06:22.in everywhere, his dancing and ability to pick things up. It was
:06:22. > :06:28.much better. Just listen to Janette. This week, t
:06:28. > :06:33.love week. You were doing a romantic dance of the jive. So romantic. We
:06:33. > :06:36.have made you something very special dance of the jive. So romantic. We
:06:36. > :06:48.when you get sweaty with the jive. It's your very own sweatband. 25,000
:06:48. > :06:54.crystals on that! You see, you jive-tastic julienne, you. Julienne
:06:54. > :06:56.and Janette, everybody! APPLAUSE
:06:56. > :07:01.15 couples danced on Saturday. There's plenty ofder youing radio
:07:01. > :07:05.fill to talk about and we have Karen Hardy with us -- plenty of
:07:05. > :07:17.choreography. Welcome, Karen!
:07:17. > :07:21.APPLAUSE You look gorgeous, as always. Dance
:07:22. > :07:28.marathon session on Saturday, great show, let's start with Vanessa and
:07:28. > :07:32.James and their waltz. Incredibly emotional that moved the judges.
:07:32. > :07:36.Seems mean to pick on the finer details. Why didn't she get higher
:07:36. > :07:39.points? We have got to pick on the finer details to help her because if
:07:39. > :07:43.we take this section I've got here, it's the beginning of the dance and
:07:43. > :07:47.we can see the emotion. She's been told to control herself and I love
:07:47. > :07:52.that. But if she's not learning the discipline, the basics, we need the
:07:52. > :07:56.swing, we need movement in this dance. Even though she's doing the
:07:56. > :07:58.basics here which were lovely, they weren't strong, they are not going
:07:58. > :08:02.basics here which were lovely, they to help her in the long run. We want
:08:02. > :08:06.her to stay in the show. So I need her to get driving to the basics,
:08:06. > :08:16.don't worry about the emotion, she will get that. That's easy. She's
:08:17. > :08:25.got to learn to dance. Susannah and Kevin, they got lots of
:08:25. > :08:30.plenty nice comments. But comments about Susannah's frame? That frame
:08:30. > :08:34.comes in early, so think like a picture frame, four corners, we need
:08:34. > :08:38.two Elle lows and two knees, that's the formation and the foundation of
:08:38. > :08:42.the frame, then you just think about moving your centre. Don't think
:08:42. > :08:46.about moving the top. If we have a look what Susanna Reid was doing
:08:46. > :08:50.here, it begins, even on the twisting actions, the arm also get
:08:50. > :08:53.carried away. It's really flood and moving. Each kick, the frame is
:08:53. > :08:58.moving that. Should be locked in and should only be the legs moving.
:08:58. > :09:09.From the legs and not up here. Should. Disturbing the frame at all.
:09:09. > :09:12.OK. Sophie and Brendan.
:09:12. > :09:17.This lady is the Queen of cool. Unruffled in any way. Look at her.
:09:17. > :09:21.But she delivers the most impeccable timings. She's keeping up with
:09:21. > :09:26.Brendan and together they are the most incredible team. This is my
:09:27. > :09:32.favourite part, the knees, the feet flicking, everything aculate timing.
:09:32. > :09:37.First class. Brendan's incredible choreography, he said he didn't want
:09:37. > :09:42.a typical charleston. What did he do that was different? A lot of the
:09:42. > :09:46.lift work. There is the flipping backwards and forwards, but do you
:09:46. > :09:57.know what, I think it's our first professional going for a double
:09:57. > :10:00.crown. How exciting.
:10:00. > :10:05.The judges enjoyed Deborah's performance, but Craig thought her
:10:05. > :10:14.New Yorkers were a bit different. They were a bit stompy. It's a step
:10:14. > :10:18.that we've got to nail. The feet are facing the wrong way.
:10:18. > :10:25.I'll do a demonstration. It needs facing the wrong way.
:10:25. > :10:29.change direction. Stops where we are going and moves us back again.
:10:29. > :10:34.Simple, step in, turn the foot out, lock the knee in and it releases us.
:10:34. > :10:39.We don't want to see a bent knee or a turned in knee. There we go.
:10:39. > :10:48.Simple as that! Simple. Before feck. Fiona and Anton in the
:10:48. > :10:56.cha-cha-cha -- perfect. Darcey loved the triple into the flank. Explain
:10:56. > :10:59.what that means? -- Plank. We'll get straight into it with the
:10:59. > :11:04.demonstration. She's doing a lot of work. There's twists, changes. He's
:11:04. > :11:09.putting the arms in, getting the emotion and the drop. We are going
:11:09. > :11:14.to get a turn, another drop and into the plank. That takes a lot of work.
:11:14. > :11:18.Normally, we'd see the professionals picking up and Anton made it look
:11:18. > :11:24.like she was a feather, so that shows me again, seeked week running,
:11:24. > :11:29.she's doing a lot of work herself. I'm secretly impressed. Don't tell
:11:29. > :11:36.anyone! Natalie in her waltz. Craig admired
:11:36. > :11:40.her head rolls. Were you impressed? Absolutely. Lock the frame in, work
:11:40. > :11:43.from your centre. The head, they say, is the third of our body
:11:43. > :11:47.weight. You get the head positioning wrong and everything will fall after
:11:47. > :11:52.it. This gorgeous young lady, as we are going to see, she doesn't just
:11:52. > :11:56.gently turn the head, she throws it into double action. There is the
:11:56. > :12:00.gentle movement and here it comes, whoosh, and it speeds up. She could
:12:00. > :12:06.have fallen away from Artem, she could have pulled him over, made him
:12:06. > :12:11.run the steps wrong. Flawless. Week two!
:12:11. > :12:17.I know. Seriously impressive. The cha-cha-cha, again praises for
:12:17. > :12:22.these two. Brendan said she threw her free hand away? We still have a
:12:22. > :12:29.frame. One thing I teach my students is, if in does, stick 'em out. Stick
:12:29. > :12:33.the arms out. In ballroom, we can easily see the frame in. Latin, we
:12:33. > :12:38.need to see it as well. If the elbows are moving, it disrupts the
:12:38. > :12:43.picture, so quite simply, if in doubt, stick those arms right out.
:12:43. > :12:48.OK, if in doubt. So if I keep doing that, you will know that I'm... At
:12:48. > :12:55.the moment, she doesn't want them floppy and flimsy. Rachel and Pasha
:12:55. > :13:04.and the salsa. Darcey said she thought it was wishy-washy? It needs
:13:04. > :13:08.sex appeal. She's gone into the step where Pasha's going to grab her by
:13:08. > :13:12.the arm, whoosh, we are in a nightclub in Cuba and then, she
:13:12. > :13:17.comes up all gooey eye and completely lost. She needs sex
:13:17. > :13:20.appeal, angle and the womanly instinct. I've talked about this and
:13:20. > :13:26.will talk about it again in the future, bang the angles in, a few
:13:26. > :13:32.elbows and attitude and she'll look amazing. Believe in herself a bit?
:13:32. > :13:37.Yes. Must be hard to concentrate when you dance with Pasha.
:13:37. > :13:41.Talk about the boys later on. After a strong start with last
:13:41. > :13:45.week's waltz, it was a case of lots of sugar but not enough spice, as
:13:45. > :13:55.Rachel and Pasha tackled the salsa. Here is what happened. You have to
:13:55. > :14:01.come out and wow us a bit more. There is lot of sugar but not a lot
:14:01. > :14:04.of spice. Worst thing is your balance. You look like you are going
:14:04. > :14:09.to drop on the floor every five seconds. It gives me a hard attack.
:14:09. > :14:21.I thought the lift was messy. It was at times very, very awkward. I had
:14:21. > :14:27.fun! Good girl! Lots of sugar and not enough spice.
:14:27. > :14:39.Some people don't like spice. I loved it, it was completely fun.
:14:39. > :14:43.Give it up for Rachel and Pasha. How was it for you, salsa lady on
:14:43. > :14:48.Saturday night? Have you watched it back? What did you think? Well, I
:14:48. > :14:52.did struggle with the salsa, I'm not going to lie, but I had fun, I did
:14:53. > :14:58.enjoy it. That's what we set out to do and that's what I did. You could
:14:58. > :15:04.tell you were enjoying it out there, 27 week one and then down to 20. Is
:15:04. > :15:08.that didisappointing or are you going to worry about it? We had
:15:08. > :15:10.longer for the first one. I wanted to do the waltz. I really enjoyed
:15:10. > :15:15.the ballroom and Latin doesn't come to do the waltz. I really enjoyed
:15:15. > :15:23.naturally, it's not in my body yet. Need a few more weeks.
:15:23. > :15:29.Pash, sometimes Rachel can be quick to dismiss herself, but how
:15:29. > :15:34.difficult was it for you to coax the sexy girl out of her? It was
:15:34. > :15:38.definitely a process. She feels more comfortable with walls and it's nice
:15:38. > :15:43.and smooth and in salsa suddenly she has to confront me and I want her
:15:43. > :15:49.toe do that and get out of that shell and be wild in a way.
:15:49. > :15:57.Be poptively wanton really isn't it? That's a way of putting it! Fur not
:15:57. > :16:00.naturally like that, the hard -- positively wanton.
:16:00. > :16:04.Craig made comments about the slug, the insult. Very mean. Stuart
:16:05. > :16:09.watching said news for Craig: Sorted a few slugs in my time and they
:16:09. > :16:13.never looked as good as Rachel, take that! Any consolation? Brilliant,
:16:13. > :16:19.yes. Didn't take it literally, but that's
:16:19. > :16:23.good to know. Pasha would not give up on trying to
:16:23. > :16:25.coax the sexy woman out of you. He gave you a shimmy master class even.
:16:25. > :16:35.Lovely! Bring your shoulders up to your ears
:16:35. > :16:40.and push them back and down. Forward and up to your ears, back and down.
:16:40. > :16:46.The goal is to go as high as you can with your shoulder towards your ear.
:16:46. > :16:50.One, two, higher, come on. Now you are going to push one of the
:16:50. > :16:56.shoulders forward towards the mirror, keep your arms out of it.
:16:56. > :17:00.Weapon I say forward, it means one shoulder goes forward, the other, in
:17:00. > :17:09.order to show the difference, needs to go back, because otherwise you
:17:09. > :17:24.won't see the difference. Less arms.
:17:24. > :17:28.Surely that's sexy salsa. Yeah. OK. LAUGHTER
:17:28. > :17:33.He's shaking his head. It just ended up, shimmy, shimmy,
:17:33. > :17:38.shimmy. All of that and like that. Out of the frying pan, into the
:17:38. > :17:43.fire, possibly. Because you've got double Latin. Yes. They've given you
:17:43. > :17:51.what this week? Cha-cha-cha. How is it going so far? Going very well
:17:51. > :17:55.actually. Rachel came prepared. She got some chocolate, dark chocolate
:17:55. > :17:58.with some chilli peppers the bring some spice into the system. So we
:17:58. > :18:05.are working on it. I like it.
:18:05. > :18:10.Len wants more wow, more welly and now he wants more wow again. What
:18:10. > :18:14.are you going to do to give him some wow this week? You are going to give
:18:14. > :18:21.him wow? Yes. I'm just going to listen to this one. What are we
:18:21. > :18:27.going to do? ! Straight legs. He doesn't seem to know. You are busy
:18:27. > :18:33.with training. You have the Gadget Show and Countdown. How is it
:18:33. > :18:39.squeezing into your day? I'm busy at the moment, no such thing as days
:18:39. > :18:43.off, shame sleep is getting in the way of training. She would train all
:18:43. > :18:48.day long. Sometimes I'm there in body but not spirit so I have 7. 30
:18:48. > :18:52.call times in work up at Birmingham, then finish at 7, straight to
:18:52. > :18:57.training. Keep going no, it's paying off. Good luck with the cha-cha-cha
:18:57. > :19:05.and the wowing of Len. Thank you. Spectacular! Rachel and Pasha.
:19:05. > :19:09.APPLAUSE Oh, Karen's gone over the girls,
:19:09. > :19:24.time to break down the boys, with round two of Choreography Corner.
:19:24. > :19:29.Karen's back. Let's get straight down to it. Dave
:19:29. > :19:33.and car none their American smooth. Judges appreciate the fun factor.
:19:34. > :19:37.You can't not love him when he's on the dance floor, Dave. But they
:19:37. > :19:41.weren't impressed. What do you think? This man's got to become the
:19:41. > :19:43.master of movement. We got a beautiful shadow position where he
:19:43. > :19:47.should be driving across the dance beautiful shadow position where he
:19:47. > :19:55.floor and he's hardly moving at all. I love the comedy, but we've got to
:19:55. > :19:58.get him dancing in these early weeks.
:19:58. > :20:06.Darcey wasn't keen on the lift off the chair? Yes, if you look, the
:20:06. > :20:11.lift was OK, it wasn't too bad. But it's now, he's like carrying a sack
:20:11. > :20:18.of spuds, he's not even dancing. If you've got Grace Kelly up there, you
:20:18. > :20:20.should be waltzing across the dance floor showing her off. He's got to
:20:20. > :20:23.should be waltzing across the dance master how to move. We know he's got
:20:24. > :20:28.showmanship. OK. Patrick and Anya and their
:20:29. > :20:34.tango. The judges liked it but Len said could have been a bit more
:20:34. > :20:38.compact? Yes, a couple of things. I was confused because I think his
:20:38. > :20:42.frame is lovely and compact, as we can see here. I think his head was
:20:42. > :20:47.flicking really quite strong. What I picked up on, a little technique
:20:47. > :20:59.there, there, again he's not mastering the technical steps, a
:20:59. > :21:06.chassay. They are in so many dances. Three steps, one, two, three, one,
:21:06. > :21:11.two, three, that's it. He'll do one and then a little mess, then the
:21:11. > :21:16.timing's are gone. I disagreed with the judges there,
:21:16. > :21:24.great top line, going wrong downstairs. Ben back to the - again
:21:24. > :21:27.back to the basics. Ashley and Ola with their smooth, were you
:21:27. > :21:32.impressed? Blown away. This gentleman last week
:21:32. > :21:35.I thought was stiff and I was very uncomfortable. Then we see this.
:21:35. > :21:39.Now, I'm sorry to pick this out because there are a few little
:21:39. > :21:42.mistakes, but I looked straight over it because of his elegance and
:21:42. > :21:47.drive. The best thing of all, talked about the frame with the girls, he's
:21:47. > :21:53.going from frame into open. Back into frame. Back into open. And he
:21:53. > :21:57.nailed it. Slightly news to adjust his head position, he's crowning a
:21:57. > :22:05.bit, but absolutely loved thatlet dance. Well done Ashley. Ben and
:22:05. > :22:10.Kristina. Craig commented that his rugby bottom was protruding, was
:22:10. > :22:14.that a problem? Did you note theys? He's getting the fundamentals in.
:22:14. > :22:19.He's got a lovely top line, setting the frame in, we can work on the
:22:19. > :22:24.movement a bit more: . What he's got to do is drive his dancing straight
:22:24. > :22:33.the way through and not be afraid, as though he's going into a rack,
:22:33. > :22:43.you know, full guns. Confidence, I guess, that will build? Absolutely.
:22:43. > :22:48.Leave us with an ISM for this week? If in doubt, stick 'em out. Don't be
:22:48. > :23:02.so cheeky. Until next week, Karen Hardy!
:23:02. > :23:08.I'll be chatting to Mark and Iveta about their dance in a moment.
:23:08. > :23:13.Heavily endo you knowsed with character.
:23:13. > :23:17.It didn't resemble a salsa but we take charge and it's a fab
:23:17. > :23:22.performance. Through the darkest clouds, a ray of
:23:22. > :23:32.sunshine appears. You are a joy to watch. Loved it.
:23:32. > :23:39.I thought we were dog salsa, little steps. I thought so too. Dance is an
:23:39. > :23:47.expression of music through your body, so we did express it the way
:23:47. > :23:49.we felt it. You tell 'em Iveta, yes. Mark and Iveta are here!
:23:49. > :23:55.I have to say, you were a triumph, Mark and Iveta are here!
:23:55. > :23:58.the two of you, on Saturday. The audience went crazy, as they did
:23:58. > :24:02.across the nation. Len and Bruno danced. Were you having as much full
:24:02. > :24:11.as it looked like you were having -- fun? Yes, it was brilliant. It's one
:24:11. > :24:18.of those things, we got the Austin Powers mixed with salsa thing. We
:24:18. > :24:20.had a ball, didn't we? You looked like you were. Through all the
:24:20. > :24:23.craziness, your face all the way through was like, I'm taking it
:24:23. > :24:26.craziness, your face all the way seriously,s brilliant. You got a
:24:26. > :24:30.standing ovation, then you got a lower mark than last week. Were you
:24:30. > :24:34.might haved by that, was it frustrating? I'll ignore that and
:24:34. > :24:39.listen to the comments, the comments are great, then scores sometimes
:24:39. > :24:43.don't tally, but that's the programme, isn't it? Yes. Listen to
:24:43. > :24:48.the good remarks and move on? Absolutely. Iveta, Darcey and Bruno
:24:48. > :24:52.wanted more salsa. What do you say Absolutely. Iveta, Darcey and Bruno
:24:52. > :24:59.to that? Was there enough in there? The song is a bit more upbeat. It's
:24:59. > :25:04.pretty fast so it was difficult to add more hip actions and get down,
:25:04. > :25:08.so... It was fast all right. It was really fast. I did hear that in
:25:08. > :25:15.rehearsals last week you were having trouble getting to the end of it
:25:15. > :25:24.because it was so tough? Yes, I don't know if it was suitable for
:25:24. > :25:30.salsa, was it. Slightly spicier. We did use the
:25:30. > :25:36.figures from salsa. We added some other things to have more fun.
:25:36. > :25:43.That's why they were standing on their feet. They adored it.
:25:43. > :25:48.Story-telling is becoming a bit of a signature with Mark's dancing. You
:25:48. > :25:51.want to prove he can do the dance as well because you are technically
:25:51. > :25:54.very good. Do you think there is a concern the performance might take
:25:54. > :25:59.over and the judges might not see the technical side too. Is that the
:25:59. > :26:02.danger? It's good Mark has something special about him and he should use
:26:02. > :26:05.it because that's his strength but I'm focussing more on dancing and I
:26:05. > :26:12.it because that's his strength but do want to show how good he is as a
:26:12. > :26:18.dancer. So dancing is a priority. Iveta said first off, let's have
:26:18. > :26:22.some fun, tell a story but make sure the steps you do are good steps. You
:26:22. > :26:27.always have been concerned about making sure that we dance properly.
:26:28. > :26:30.And you are. Thank you. Keep it up. We like it. Speaking of Iveta, we
:26:30. > :26:34.And you are. Thank you. Keep it up. haven't been able to help but notice
:26:34. > :26:42.in the training footage that it seems your own performance might be
:26:43. > :26:48.slightly distracting. Look at this! Introducing Iveta's new album,
:26:48. > :26:58.featuring songs such as... # I'm so excited
:26:58. > :27:07.# Good, so bad, I got you # Since you took your love away
:27:07. > :27:15.# When I was young # I never needed anyone
:27:15. > :27:20.#... # Remastered for your listening
:27:20. > :27:27.pleasure. It's worked, I'm ready. The album does not exist and is not
:27:27. > :27:33.available to buy anywhere ever fact! We want more of that!
:27:33. > :27:37.This week let's talk about romance. It's the week of love and you guys
:27:37. > :27:39.have a great dance. He's gone!
:27:39. > :27:43.LAUGHTER We may need backup. You have
:27:43. > :27:49.American smooth which is a joy. How is it going? Pull yourselves
:27:49. > :27:52.together! Yes, it's completely different to
:27:52. > :27:57.salsa, it's back into hold and control and much slower, so it has
:27:57. > :28:02.different problems but we are going to go for it, aren't we? She can't
:28:02. > :28:06.actually speak. Can we have a song, please?
:28:06. > :28:11.You have given Mark some tricky choreography and he's carried it off
:28:11. > :28:16.brilliantly. I'm sure you are not going to let up on him? Yes, every
:28:16. > :28:22.Monday I hear the same thing, this is so much harder than the dance
:28:22. > :28:25.before. But he does that every single Monday, so we think, that's
:28:25. > :28:33.fine then, tomorrow will be OK. He's like an emthat cup in dancing and I
:28:33. > :28:37.keep pouring and it goes into his body on Tuesday.
:28:37. > :28:43.It will do by Saturday. You are a wonder together. Brilliant. Can't
:28:43. > :28:46.wait to see your American smooth on Saturday. That is it for today. Big
:28:46. > :28:51.thank you to all my guests. Tomorrow, Sophie and Brendan,
:28:51. > :28:54.Vanessa and James and car enand Dave will be here.
:28:54. > :28:57.More with the special wand too.