:00:00. > :00:13.Hello. We will be chatting to the charming Tim and Natalie. Also, the
:00:14. > :00:19.gorgeous Pixie and Trent. Check out the shorts! You look amazing. Also
:00:20. > :00:26.tonight, it will be the... Oh! Hello. Thom and Iveta. I'm going to
:00:27. > :01:13.have a lie down! From London, this is Strictly: It
:01:14. > :01:17.Takes Two. Please welcome your host, Zoe Ball!
:01:18. > :01:24.APPLAUSE Hello. And welcome to It Takes Two.
:01:25. > :01:28.As always, we will be bringing you bang up-to-date with the Strictly
:01:29. > :01:32.backstage gossip, the tears, the tantrums, the twirls and the tangos.
:01:33. > :01:37.Karen Hardy is here to shed some light on any choreography quibbles
:01:38. > :01:42.from Saturday's show. First to join us on the sofa, it is pop princess
:01:43. > :01:50.Pixie Lott and new boy, Trent Whiddon.
:01:51. > :01:58.APPLAUSE # Girls just want to have fun. End
:01:59. > :02:09.# Welcome to the show. Total props for
:02:10. > :02:18.a seriously jumping jive. It was incredible. You certainly impressed
:02:19. > :02:22.the judges. Let's remind ourselves. Another great debut. I do feel,
:02:23. > :02:25.though, because you have so much ability, I could have seen a lot
:02:26. > :02:30.more leg action and bounce. I can't wait to see what you will do next.
:02:31. > :02:35.What I'm saying is, it wasn't perfect. It was great. A lot of
:02:36. > :02:39.energy. Lots of content. I thought that was terrific.
:02:40. > :02:53.7. 6. 7 7. When did you first watch it back? I
:02:54. > :02:59.tried to watch it on the way home in the car. It was like a little
:03:00. > :03:05.YouTube clip and they were so blurry. I got my friend to get her
:03:06. > :03:15.mum to film on her phone. When it came through, it was so pixelated!
:03:16. > :03:23.Get in! Sorry. I couldn't see it. It was worth the wait. And Craig said
:03:24. > :03:29.he thought something happened. Was there something? It was. They are
:03:30. > :03:34.going to show it now! Oh man! That was the little bit I was dreading. I
:03:35. > :03:39.was fine in the rehearsals. On the day, I was like, Trent, that bit, my
:03:40. > :03:44.foot kept going sticky! I was, like, I don't know, freaking out. There
:03:45. > :03:48.was a high kick. And I was nervous. It is so fast, I couldn't get the
:03:49. > :03:55.high kick in. It takes a while to get unthere. -- up there. You have
:03:56. > :03:59.got long legs? I freaked out. So I thought it would slip by the judges,
:04:00. > :04:04.but it didn't. The thing is, that was the tiniest bit. The standard is
:04:05. > :04:08.so good, they will be quite picky? I didn't realise they would be on the
:04:09. > :04:11.first week. I know. Everybody was so good that they were forced to do
:04:12. > :04:17.that. Shall we get to know Trent a little better? We don't know much
:04:18. > :04:21.about him. Have a look at this. I love your jacket. I'm a dance
:04:22. > :04:25.champion from Australia and I'm super-excited to be here on
:04:26. > :04:28.Strictly. Since I was a kid, I have trained in ballroom, Latin, jazz,
:04:29. > :04:34.hip-hop, ballet, you name it, I have done it. I love dancing because that
:04:35. > :04:46.is where I am free to be myself. Becoming a professional dancer was
:04:47. > :04:49.ridiculously hard. I have come to take the Glitterball! That is
:04:50. > :04:54.fighting talk. He is serious about this. How difficult was that routine
:04:55. > :04:57.for him to give you first week? Jive is notoriously difficult and the
:04:58. > :05:00.speed of it. Was that difficult for you to learn? Jive is a really hard
:05:01. > :05:02.one. Apparently, they are all hard. I have to wait and see what is in
:05:03. > :05:10.store. But I think because it is so I have to wait and see what is in
:05:11. > :05:14.fast and, like, after every time I would do it, I would get so out of
:05:15. > :05:22.breath. Sitting on the floor... I collapsed each time at the end. But,
:05:23. > :05:26.yeah, it is really fast and also when Darcey was saying, "I want to
:05:27. > :05:29.see more bounce." It is like that bounce that you have to capture.
:05:30. > :05:33.There is a lot in there, you have the nerves, the energy, the speed of
:05:34. > :05:38.it and the bounce. You two will be great. Next week, the waltz. How is
:05:39. > :05:44.that going? Have you tried it out yet? What do you think? We had our
:05:45. > :05:48.first trial today of learning the routine. Yes. And I think it's a
:05:49. > :05:52.beautiful dance. I really, really want to get it right. I feel, like,
:05:53. > :05:57.Darcey would like this one. She is like a ballerina. So, I want to make
:05:58. > :06:03.sure that we don't let her down. It is so hard with the posture and now
:06:04. > :06:08.I know how technical they are, I can't do any slip-ups. You did the
:06:09. > :06:13.waltz. Ian always used to say, he would push my head up. If he has
:06:14. > :06:18.terrible breath, you will be fine! That is one of the tips we are going
:06:19. > :06:22.to use. I love your energy. You two are adorable. Welcome to the show,
:06:23. > :06:27.Trent. Good luck with your waltz. Pixie and Trent. Thank you.
:06:28. > :06:31.APPLAUSE Now, if you like us are already
:06:32. > :06:35.missing the glitz, the glamour, the sparkle and the Spandex and can't
:06:36. > :06:38.wait until Saturday night, we have a treat for you now. This is a look
:06:39. > :06:44.behind-the-scenes of the most glamorous shoot in town. Roll the
:06:45. > :06:51.titles. Action! It is my first step with my
:06:52. > :06:56.scary teacher. I don't know what I'm doing. We
:06:57. > :06:58.shoot it against a green-screen because I can replace the background
:06:59. > :07:09.with the ballrooms and the scenes which make up the title sequence. If
:07:10. > :07:19.we mess it up, we are looking rubbish for the whole series!
:07:20. > :07:26.With the cheesy grin. Of course! Get away! It's fun. It is like starting
:07:27. > :07:32.a brand-new job and you don't know what it is about. Trying to look as
:07:33. > :07:43.effortless and stylish as possible. Whether I do that is another thing.
:07:44. > :07:51.That was so sharp, I almost cut myself! I'm loving my first day as a
:07:52. > :07:58.Strictly couple. It is like I have a temporary girl, maybe for a few
:07:59. > :08:10.months! Action! I'm in Janette's hands. She is the boss. I'm happy.
:08:11. > :08:18.I'm on his lap! Cut! So, at the moment, we are behind-the-scenes on
:08:19. > :08:27.the idents, the bit where they say this is Alison and Aljaz. She really
:08:28. > :08:46.enjoys dancing. It should be a good series. I'm making the lights smash!
:08:47. > :08:52.He makes me laugh so much. I really struggle to do anything without
:08:53. > :08:54.giggling. Definitely going to need to work on my kicks. He is showing
:08:55. > :09:08.me up! APPLAUSE
:09:09. > :09:13.Weren't they beautiful? He's big, he's brave and he's got great ball
:09:14. > :09:16.skills - three things that will not help in the ballroom! They do make
:09:17. > :09:19.him a hell of a catch! We are delighted to welcome Thom Evans and
:09:20. > :09:33.Iveta Lukosiute! APPLAUSE
:09:34. > :09:46.# What a man # What a man. #
:09:47. > :09:51.I enjoyed your wonderful waltz at the weekend. It was stunning. How
:09:52. > :09:55.did it feel out there, Thom? It was amazing. I was happy to get through
:09:56. > :09:59.it. I felt like I kind of let my nerves get the better of me. It was
:10:00. > :10:05.such an amazing experience, you know, the band, the audience,
:10:06. > :10:08.awesome. It was. You got carried away. Then the judges said that
:10:09. > :10:11.perhaps you played it a bit safe. Was that a bit of a blow when you
:10:12. > :10:20.have had that lovely moment and you hear something like that? I think I
:10:21. > :10:25.- I looked quite - I slightly messed up a bit which Craig picked up on.
:10:26. > :10:28.I'm happy to get through it. It was such a lovely experience to dance
:10:29. > :10:34.with her. She makes it very easy. Iveta. She is hot! We love her.
:10:35. > :10:41.Let's remind ourselves of your performance at the weekend. It was a
:10:42. > :10:48.bit careful in places, but I do understand that. You want to get it
:10:49. > :10:52.neat and dainty. It was so kind, so caring. You tried so hard to get
:10:53. > :10:59.everything right. I found it almost moving. I think you let Iveta down
:11:00. > :11:12.slightly when you did that promenade turn with her. But I did love it. 5.
:11:13. > :11:16.6. 6. . -- 6. Good job. Week one is done.
:11:17. > :11:20.APPLAUSE She said good job. I have missed
:11:21. > :11:25.you. I'm so excited to see you again. Craig was saying that maybe
:11:26. > :11:28.Thom didn't take control. I find it hard to believe that Thom would not
:11:29. > :11:35.take control of the situation. What did you think? I think Thom did take
:11:36. > :11:41.control and he was there for me all the time. I think for the first
:11:42. > :11:48.dance he had a very tough job to do because he had to be not in the
:11:49. > :11:53.comfort zone, half his arms, leading the lady, know where to go, think of
:11:54. > :11:58.the footwork. And also not look at me for comfort. I'm the only friend
:11:59. > :12:02.on the dancefloor. He had to look at a different direction. He's been
:12:03. > :12:06.told to. It's a very tough job. I'm very, very proud that he
:12:07. > :12:09.accomplished all the things we worked on, so he was there and he
:12:10. > :12:13.didn't let me down and he did amazing and I am very proud of him.
:12:14. > :12:18.That was like an Oscar speech! I love it. She is right. After, when
:12:19. > :12:26.you dance, you get to look at each other. With ballroom, you have to
:12:27. > :12:30.look off. Whenever I have danced with a girl in the past, I like to
:12:31. > :12:40.look at them. If we were dancing, I would look at you. Stop! And it
:12:41. > :12:44.was... Not if, when! I'm kidding. Any way, how is training going
:12:45. > :12:53.together? How is it in the training room? Is he a good boy? Does he
:12:54. > :12:59.listen to you? He's a very good boy. He listens. He does everything I
:13:00. > :13:05.say. Yes, he is a very hard worker. He is very attentive. Very focussed.
:13:06. > :13:10.He is an athlete. So I think our training is very similar, so it is
:13:11. > :13:15.very easy for me to work with Thom and I'm sure it's vice versa. The
:13:16. > :13:22.sportsmen and dancers, they have a similar mentality. We have had a
:13:23. > :13:26.look into your training room. It does seem that Iveta, your dance
:13:27. > :13:34.analogy gets lost in translation. Have a look. Star Trek ears. Like
:13:35. > :13:39.Star Trek ears. All the time. It is like holding twins, use your inner
:13:40. > :13:44.thighs, like magnets. In the movie theatre, when you go excuse me,
:13:45. > :13:51.excuse me. Like a fruit punch. I do like a fruit punch. It looks like a
:13:52. > :13:54.Martini glass. Legs like an expensive car, what do you call
:13:55. > :14:03.them, the balloon starts like... Deflating. Don't deflate! APPLAUSE
:14:04. > :14:09.Iveta, you make me die laughing! Doesn't it help? It does. I like the
:14:10. > :14:17.way my favourite is where she says body. It is like from a Bruce Willis
:14:18. > :14:22.film, Die Hard. This week, from the waltz, to the salsa. It is a sexy
:14:23. > :14:28.dance. It must be hard to make Thom be sexy(!) How is it going? Are you
:14:29. > :14:35.crying? I am. I cannot wait to do the salsa. For me, just the up tempo
:14:36. > :14:39.song will really bring out the sexiness in me as Bruno was talking
:14:40. > :14:43.about. I felt like the waltz, it was hard to do that, especially in the
:14:44. > :14:50.first dance. I can't wait. Let it rip! Come on, Thom! It will be
:14:51. > :14:58.brilliant. Are you promising? He is a very fun guy. In salsa, you will
:14:59. > :15:02.get to see his fun side of his personality besides the sexiness and
:15:03. > :15:07.his looks. I am looking forward... I love you two! Good luck this
:15:08. > :15:12.weekend. Thom and Iveta! APPLAUSE Null it is time to take a
:15:13. > :15:16.closer look at those Saturday night performances and who better to talk
:15:17. > :15:21.us through the good, the bad, the down right dis-aaa-strous, it is the
:15:22. > :15:33.queen of choreography herself, Karen Hardy.
:15:34. > :15:39.Oh and a shimmy! What more could you want? Pillows are back! If they
:15:40. > :15:45.offend you, you can turn them around. That's an interesting shot.
:15:46. > :15:51.Is that me thinking about Craig? Clearly! Let's talk about Saturday.
:15:52. > :15:59.We will talk about the opening to the show, the gorgeous Mark Wright.
:16:00. > :16:00.The judges said it had too much energy. Is that possible? You
:16:01. > :16:03.The judges said it had too much never have too much energy. Week
:16:04. > :16:05.one, all that energy will be building up. You have to let it go.
:16:06. > :16:11.one, all that energy will be For me, this was a chance for Karen
:16:12. > :16:15.to really show off and pressurise some of the competitors. This is
:16:16. > :16:19.what my man can do! Potentially, it wasn't too much energy. There could
:16:20. > :16:24.have been a lot more content. OK. What did you think of his
:16:25. > :16:31.caterpillar? I loved it. For those of us that remember Darren Gough
:16:32. > :16:34.doing that, that was brilliant. Technically, like Mark, not as
:16:35. > :16:42.strong, but he captivated the audience. That is what we will see
:16:43. > :16:47.with another Mark and Karen. OK. Aljaz and Alison. The judges loved
:16:48. > :16:54.Alison's energy. She was wonderful out there. A few comments on flat
:16:55. > :16:59.footwork. They are picky. This is a woman that is a real woman and I
:17:00. > :17:04.have chosen the step here, the Cuban break into the back, her energy, her
:17:05. > :17:09.rhythm. Rhythm, if we remember, means a regular occurrence of
:17:10. > :17:13.accented beats. Her body just oozes rhythm. It just keeps ticking away,
:17:14. > :17:19.so talking about ticking away, I will get up and tick for two seconds
:17:20. > :17:23.on our little dancefloor! Come on. We will look at those Cuban breaks.
:17:24. > :17:29.What we normally get week one is this. And we have seen some of them
:17:30. > :17:34.do it. Oh no, not Alison. She had the lovely feet going. She had the
:17:35. > :17:40.ticking of her body, the body was oozing and she was just loving it. I
:17:41. > :17:44.could watch you do that all night. We have to move on. The feet will
:17:45. > :17:49.improve. They weren't complaining, they were saying it needs improving.
:17:50. > :17:54.Good stuff. Let's talk about our wild man and his serious tango,
:17:55. > :17:57.Steve and Ola. His muscles were a massive talking point amongst the
:17:58. > :18:06.judges. Can there be such a thing as too big? Never! Look at these
:18:07. > :18:11.muscles. Now, we are talking about a tango here which does mean the hold
:18:12. > :18:15.comes a bit further around the lady, so rightly so, he's got this hold
:18:16. > :18:27.right, he's crowning a little bit. Look at the pivots. To control Ola
:18:28. > :18:32.takes a strongman. -- strong man. I think that will grow. Later on in
:18:33. > :18:41.the ballroom, when the tail suit is on, he needs to round back a bit.
:18:42. > :18:45.Bring on the muscles. Thom and Iveta. The judges said he played it
:18:46. > :18:52.a bit too safe? I will never say anything bad about this man. The
:18:53. > :18:58.looks alone. Look at him. What we have to remember, waltz week one for
:18:59. > :19:02.a man is never a winner. Look at this. This beautiful standing spin.
:19:03. > :19:06.The team work between them already. The connection between the two of
:19:07. > :19:11.them. Maybe it was a bit quiet, but watch out what is going to come.
:19:12. > :19:14.It's a sportsman. You teach a sportsman technique, they store it
:19:15. > :19:17.and they will use it time and time again. They will get stronger and
:19:18. > :19:24.stronger and that is what we will see with Thom. OK. Sunetra and
:19:25. > :19:28.Brendan. Bruno says she has a wonderful bendy back. Her hold was a
:19:29. > :19:32.bit wobbly. It is really hard to demonstrate. I have been working
:19:33. > :19:36.closely with Scotty in the editing room. He has done a lovely piece of
:19:37. > :19:41.work. She was really strong. This is a feisty lady. We will freeze here,
:19:42. > :19:45.can you see where the wobble started to kick in? We have the frame that's
:19:46. > :19:49.wobbling and Brendan's hand has had to come right the way around her
:19:50. > :19:54.back. What will happen, as they go into the next step now, she will try
:19:55. > :19:59.to recover, but there is a lovely slow motion that I have picked up,
:20:00. > :20:03.see her hand wobbling around? She pulls it back. She recovers. She
:20:04. > :20:08.corrected herself. Great. She pulls that top line in. We must not
:20:09. > :20:11.overlook this lady. She a tough character on her TV show. We will
:20:12. > :20:18.see great things from her. Go, Sunetra! Let's talk about Gregg. And
:20:19. > :20:27.his cha cha cha with Aliona. Stop it! There were good bits in it. I
:20:28. > :20:33.love you, Gregg. Tell me what you made of his performance. I think
:20:34. > :20:37.this is a case of the cat's got the cream. Look at the bit I have got
:20:38. > :20:43.here. He just cannot take his eyes off of Aliona. He is all gooey. When
:20:44. > :20:48.we know him in another show, he is just bullying and, you know, he's
:20:49. > :20:52.got to get on and - he can't take his eyes off her. He's got to start
:20:53. > :20:56.practising what he preaches. He has to get tough. He has to pull in.
:20:57. > :21:00.He's got to give Aliona a run for her money. She will get much more
:21:01. > :21:07.excited then and then we will have a feisty two. OK. Frankie and Kevin.
:21:08. > :21:12.This was a beautiful moment. Bruno was so moved he was almost crying.
:21:13. > :21:16.Would you agree. Stunning? This is week one. She's been on tour, poor
:21:17. > :21:20.Kevin must have been running around all over the place. I have picked up
:21:21. > :21:23.this piece here. We are talking about the top line. She does a
:21:24. > :21:29.beautiful top line. She does the head roll and manages to maintain
:21:30. > :21:32.that gorgeous line and, oh, I just - what was accompanied with this, was
:21:33. > :21:37.not only the technical strength but the emotion and the pure innocence
:21:38. > :21:41.of it. It was just beautiful. We don't normally see it as gorgeous as
:21:42. > :21:45.that on week one. I know. Stunning. Well done, Frankie. Simon and
:21:46. > :21:49.Kristina. Huge amount of choreography in their jive. Simon
:21:50. > :21:52.did so well. The judges did pick up a little it bit on Simon's lack of
:21:53. > :21:56.point and retreat in his feet. What more can you tell us about that? I
:21:57. > :22:00.am here to defend our celebrities today. He was fantastic. If any of
:22:01. > :22:06.those judges start picking on him, they will have to contend with me!
:22:07. > :22:11.This kicking, I normally show you side by side. He is kicking in hold
:22:12. > :22:15.and then he's building up to a trick where normally the girls will go
:22:16. > :22:20.through the legs, but, no, he goes through, he does a flick as well.
:22:21. > :22:24.Fantastic. When - so everyone is clear, we don't overextend when we
:22:25. > :22:28.kick. He did it perfectly. You keep the feet lovely and soft. Otherwise,
:22:29. > :22:33.if they are too rigid, the timing of the kick will go wrong. So he kept
:22:34. > :22:37.it lovely and free. If he had a bit more time, we could have had that
:22:38. > :22:41.retreat that they talked about. A little bit higher. They are
:22:42. > :22:48.nit-picking because it was so good. Standards are so high. Yes. Jennifer
:22:49. > :22:53.and Tristan. Jennifer was marked quite low, where did she go wrong? I
:22:54. > :23:01.think it came under the nice category. In marketing, you want to
:23:02. > :23:07.be fantastic or a di-sa-ster. She's so nice. And it means you will fall
:23:08. > :23:12.in the middle and she gets tense. This is really hard. But it is a
:23:13. > :23:16.wake-up call probably to her. I am hoping next week she will come back
:23:17. > :23:21.and go I realise how hard this show is and I'm in the running for it.
:23:22. > :23:27.That is her one week chance to get up and fight back. Thank you so
:23:28. > :23:31.much. Look after yourself and your precious cargo. See you next week.
:23:32. > :23:34.APPLAUSE They love you a lot. Having
:23:35. > :23:39.accumulated the most hours of training last week, our next pair
:23:40. > :23:41.had mixed reviews on Friday but they did make Bruno cry with joy. Please
:23:42. > :23:57.welcome Tim and Natalie. APPLAUSE
:23:58. > :24:06.# It's about the money # The money. #
:24:07. > :24:10.Hello, my darling. Welcome, legs! So lovely to have you back. Hello,
:24:11. > :24:16.chaps. Claudia said I would love you. Look at you. You are gorgeous.
:24:17. > :24:20.You are so far away. Whose legs are you talking about? Well, your legs!
:24:21. > :24:25.And look at your socks! They are marvellous. Shall we remind
:24:26. > :24:31.ourselves of your incredible performance at the weekend? Wasn't
:24:32. > :24:37.that fantastic? It was. It was cheeky. Fun. Surprisingly
:24:38. > :24:45.entertaining. If you can sell this, you can sell anything! Your gait, my
:24:46. > :24:47.entertaining. If you can sell this, darling, is extremely wide. Looked
:24:48. > :24:53.like you were wearing a soiled nappy.
:24:54. > :25:05.You come out full on with personality and you gave it
:25:06. > :25:12.everything! 3. 5. 5. 5. We got three 5s. We did!
:25:13. > :25:15.APPLAUSE Tim, the nation absolutely loved you
:25:16. > :25:18.out on that dancefloor. Even yourself, when you came off, you
:25:19. > :25:30.were like, that was fantastic! It was. It was so good. To do the whole
:25:31. > :25:33.thing without falling over, it was an achievement! Were you hoping the
:25:34. > :25:40.judges would agree with you? Naturally. He who punches first,
:25:41. > :25:47.survives. Most of them agreed. They did. Most of them agreed. Well, one.
:25:48. > :25:50.You entertained everyone. Everybody - the judges did enjoy it. Craig
:25:51. > :25:55.came in with a comment and by your own admission, it was a little bit
:25:56. > :25:58.below the belt? I felt anything connected with the underwear should
:25:59. > :26:04.not be mentioned on this quality of show. Never mind about that. That is
:26:05. > :26:09.history. And in fact if you unpick the embroidery of what he was
:26:10. > :26:13.saying, he was criticising some steps and kind of legs being in the
:26:14. > :26:20.wrong place which is perfectly fair, I think. Fair criticism. Yes. Taken
:26:21. > :26:26.on board. We will improve. We will. Sorry, I will improve! She can try.
:26:27. > :26:32.Lovely to have you back on the show. Thank you. We missed you last year.
:26:33. > :26:35.It is wonderful to have you back. They were talking about Tim's gait.
:26:36. > :26:39.What is wrong with Tim's gait, if anything? Can it be fixed? Anything
:26:40. > :26:43.can be improved and worked on. I was so proud that we got through the
:26:44. > :26:47.routine and we had an amazing time doing it. We have got a great dance
:26:48. > :26:51.this week, which will help improve that. And we have been working loads
:26:52. > :26:56.on technique and we will take anything that the judges, especially
:26:57. > :27:00.Craig, as constructive criticism and take it on board. And do as much as
:27:01. > :27:05.we can, really. That is what is so lovely about this girl. You can only
:27:06. > :27:11.go forward, onwards and upwards. The exciting thing for you, Natalie, is
:27:12. > :27:14.when you are in the training room, Tim comes in with some of his own
:27:15. > :27:23.moves for you to try out. His unique moves! Have a look. Tim has got this
:27:24. > :27:32.cool kind of quirky freestyle, it is so awesome! It is something I have
:27:33. > :27:36.never seen before. I love it. Like Mick Jagger but better! Funky! I'm
:27:37. > :27:43.known for being incredibly sexy and confident(!) You do come alive when
:27:44. > :27:49.you've got... Rhythm! APPLAUSE
:27:50. > :27:54.You are fast becoming a favourite. This week, you are doing the waltz.
:27:55. > :27:58.How is it going? We havele only just started. And I'm trying to get to
:27:59. > :28:04.grips with my hold. That is my beg problem at the moment. Yeah. What do
:28:05. > :28:07.you mean, yeah? To come from a cha cha, where you have not had to think
:28:08. > :28:14.about frame or anything, it is difficult. Like I say, it is early
:28:15. > :28:17.days! I'm trying the hold. Then the business with the feet. She said the
:28:18. > :28:21.most important thing is the hold. So we got to grips with the hold. Then
:28:22. > :28:25.she said what about the feet? I said you never told me anything about the
:28:26. > :28:28.feet! I cannot wait, ladies and gentlemen. It is going to be
:28:29. > :28:35.wonderful. Tim, Natalie, good luck with your waltz. You are terrific!
:28:36. > :28:43.Tim and Natalie! A massive thanks to all of tonight's guests. Tune in
:28:44. > :28:46.tomorrow, I will be joined by Scott Mills, the cha-cha-mazing Caroline
:28:47. > :28:49.Flack and hoping to keep his emotions in check, the gorgeous Mark
:28:50. > :28:53.Wright, plus their professional partners and my old mate will be
:28:54. > :28:56.here with his Wednesday Warm-Up, Ian wait. Will you join us tomorrow?
:28:57. > :29:00.Yes? ALL: Yes!
:29:01. > :29:03.That went Alfie Wickers
:29:04. > :29:05.is the baddest teacher. There is no way you would actually
:29:06. > :29:22.put our lives at risk.