:00:00. > :00:21.It's just so spooky and not scary at all.
:00:22. > :01:11.Live from London, this is Strictly it takes to! Please welcome your
:01:12. > :01:14.host, Zoe Ball! Waiting patiently
:01:15. > :01:18.in our scary basement of cobwebs this evening we have Anita and Gleb,
:01:19. > :01:30.plus Peter and Janette. There they are. Look! Watch the big
:01:31. > :01:35.spider! The full moon
:01:36. > :01:37.of Halloween is almost upon us and tonight we take an exclusive
:01:38. > :01:40.look at our couples in training with But first, their tango on Saturday
:01:41. > :01:44.night had the judges comparing them May they live long and prosper
:01:45. > :02:14.for another week. Your tango on Saturday night was one
:02:15. > :02:18.of the most amazing dancers of the night. So clever, you clever Queen
:02:19. > :02:22.of Klingons! More amazing praise and 32,
:02:23. > :02:24.your highest score of the series. Yet you always seem
:02:25. > :02:38.a bit surprised by the praise. I just never have any clue, I mean,
:02:39. > :02:43.none of us do, but I have no concept of how I have performed. Did it look
:02:44. > :02:47.good? Did it look real? I enjoyed it and you hope the training comes
:02:48. > :02:54.together and you do what you have been practising. Look at you. Your
:02:55. > :03:00.hand on his back. They always go on about hands and the positioning and
:03:01. > :03:05.stuff. It is glorious. Obviously, the judges have high expectation,
:03:06. > :03:09.you want to do well in the competition, people are dropping
:03:10. > :03:16.like flies, we are getting closer to Blackpool. How was the pressure? We
:03:17. > :03:20.take it each week at a time. The tango was our personal best but then
:03:21. > :03:24.you go back into the training room on Monday and you start from square
:03:25. > :03:30.one again. It is just about progress. You just hope that we will
:03:31. > :03:40.keep going and keep going better. That could catch on. Everyone was
:03:41. > :03:47.saying you look like Guy of Gisborne in Robin Hood Prints of Cammack
:03:48. > :03:51.receives. And also Poldark. We explained who that was. -- Robin
:03:52. > :03:54.Hood Prince of thieves. Your choreography is always full
:03:55. > :03:56.of drama and passion. What makes you so confident
:03:57. > :04:07.in Anita? Every Monday I come in and say this
:04:08. > :04:13.is what we are doing and she says OK. Do you ever think you are
:04:14. > :04:20.pushing her too far? We do change a lot and we simplify. I am working
:04:21. > :04:25.with her what suits her the most. Covering the minuses and bringing
:04:26. > :04:27.out the pluses. Don't be so hard on yourself!
:04:28. > :04:30.The only criticism from the judges was for a little moment when you
:04:31. > :04:42.Did you know what they meant? You know what your body is doing. It is
:04:43. > :04:52.live, it is so nerve wracking, it is so terrifying and you just hope it
:04:53. > :04:56.comes together. As the weeks go on, are the nerves any less? No, it will
:04:57. > :05:00.be the same every week. It is brilliant and I am having the best
:05:01. > :05:03.time learning to dance but I think every week will be difficult and
:05:04. > :05:09.every week will be terrifying. I have to just make sure I am looking
:05:10. > :05:12.at Gleb. That is very difficult for anybody to do!
:05:13. > :05:15.You got the seal of approval from Strictly royalty on Saturday night
:05:16. > :05:17.as the legendary Arlene Phillips shared this on social media.
:05:18. > :05:21."I know it's late to say it but Gleb and Anita smashed it tonight.
:05:22. > :05:34.Are people stopping you in the street and saying, you are good?
:05:35. > :05:37.Just means the world when people say things like that. Someone said this
:05:38. > :05:42.morning you are doing a great job, did you know you could dance like
:05:43. > :05:47.that? I said no, thank you! All the people coming to see us is brilliant
:05:48. > :05:49.and it boosts you. And then go back to the training room and Gleb knocks
:05:50. > :05:54.it out and says, come on! It's been reported this week that
:05:55. > :06:04.you want even skimpier costumes Honestly, when in your life would
:06:05. > :06:11.you wear clothes like this? They are fantastic. On Country file, it is
:06:12. > :06:17.the new me! My first outfit I said, where is the rest of it, guys? Now I
:06:18. > :06:24.am saying, can I reveal a bit more? I am just going for it, feet first.
:06:25. > :06:26.You are wearing quite a lot of clothes on Saturday, Gleb.
:06:27. > :06:32.Well, it's not just Anita who enjoys the world of high style.
:06:33. > :06:44.I just love these pants. Who wears double shorts? I just made a hole in
:06:45. > :06:51.my pants. My pants are ruined now. I'm wearing a hat and a jacket. I am
:06:52. > :06:59.so cool. Hello, you are on the Strictly. It is all supposed to be
:07:00. > :07:06.sequins. You are killing it. CHEERING
:07:07. > :07:11.There he is, our lovely backstreet boy. He had his favourite training
:07:12. > :07:17.pants on today and he said, any to I love these pants and I said yes, you
:07:18. > :07:21.have only told me 75 times! Why is that? Of a comfortable? They are
:07:22. > :07:27.comfortable and I do not look as bad as I could look in some other pants.
:07:28. > :07:30.Oh my goodness me! I don't think you could look bad in anything, Gleb.
:07:31. > :07:31.This week you have a Halloween inspired waltz.
:07:32. > :07:37.Are you keeping things simple and classic?
:07:38. > :07:44.It is going to be spooky, Zoe! It is a beautiful song, the theme I am
:07:45. > :07:55.delighted with. Tell me more about the theme? I am going to be
:07:56. > :08:02.Maleficent. In my mind I'm going to be Angelina Jolie. Maleficent, super
:08:03. > :08:08.spooky, really dramatic. The song is Lana Del Rey Once Upon A Dream. That
:08:09. > :08:16.is really haunting. How is the technique coming on? Are you happy
:08:17. > :08:20.with Anita? It was great! Brilliant. Well, it is a process. I hope by
:08:21. > :08:27.Saturday we are going to smash it, as we did in the tango but it is a
:08:28. > :08:31.lot of work. Standard ballroom dances like tango, the waltz and the
:08:32. > :08:36.foxtrot, they are really difficult because you are on hold and you have
:08:37. > :08:43.to move as one body, keeping the shape, keeping your shoulders and do
:08:44. > :08:49.the opposite steps from each other so it is difficult. I am looking
:08:50. > :08:50.forward to it. I have heard there will be flying. Good luck on
:08:51. > :08:56.Saturday, Anita and Gleb! As our spooky Halloween weekend
:08:57. > :08:58.draws eerily closer, let's see how our couples are
:08:59. > :09:06.getting along in training. The run but that we are learning, it
:09:07. > :09:11.is brilliant. I love it. The hip action and a bit of sway. Rumba is
:09:12. > :09:16.one of the most difficult dances to make it look good. It is slow and
:09:17. > :09:23.requires a lot of technique. The energy in the fingers. When do we do
:09:24. > :09:36.sleepy dance? Never. A concept is creating a bit of a monster which is
:09:37. > :09:39.Pasha, sewing him together, bringing him to life.
:09:40. > :09:45.I am quite positive about this one. We will be doing an American smooth
:09:46. > :09:57.themed foxtrot. The whole character is very driven. It is very playful
:09:58. > :10:03.to sneak around the ballroom floor. It is the first time we are doing
:10:04. > :10:08.lifts. She wants it quick, quick, quick! The thing I'm finding hardest
:10:09. > :10:15.is the foxtrot steps. If I can keep my brain on top of that then the
:10:16. > :10:18.rest of it seems to be flowing. Go nice and stop.
:10:19. > :10:21.Intense training all round. Let's see what our werewolf of the waltz
:10:22. > :10:49.You horny little devil. You could have made an effort or something for
:10:50. > :10:54.Halloween. You can save that for later when you need to hurry me
:10:55. > :10:59.along. You are wrecking the set with your massive Cape! I'm being
:11:00. > :11:02.attacked by the stones behind me. Carry on, it is live TV!
:11:03. > :11:09.Were you surprised at the outcome of the dance off on Sunday?
:11:10. > :11:21.A little bit because I love Ainslie and I did not think it was his time
:11:22. > :11:25.to go. He is a great dancer with a great personality, such a shame to
:11:26. > :11:29.see him go. What about the couples were left? Should anybody be
:11:30. > :11:33.worried? I think Jeremy should be worried because he's always bottom
:11:34. > :11:37.of the Leader Board and he cannot rely on the public forever. And also
:11:38. > :11:45.Katie, when she is doing the Latin dance she needs to up her game.
:11:46. > :11:50.Kirsty and Brendan got their highest score of the series on Saturday.
:11:51. > :11:55.Are you seeing a transformation with this couple?
:11:56. > :12:03.So far, for Kirsty it has been her confidence which is stopping her
:12:04. > :12:07.getting the eighth and she wants to get like the other people. And there
:12:08. > :12:19.are few people that she needs to work on get those eights and nines.
:12:20. > :12:23.If I'd just go here. Yes, darling! You can see Brendan's he'll is
:12:24. > :12:28.coming off the floor in these kicks in the Charleston and Kirsty's arm,
:12:29. > :12:33.I know it seems like a small detail but the judges will pick up on this.
:12:34. > :12:37.This is later on in the competition and you have got to get all of these
:12:38. > :12:44.things right. From the very get go, she has got to be doing that.
:12:45. > :12:48.Katie and Anton are taking on a Phantom of the Opera inspired
:12:49. > :12:52.Their salsa last week failed to excite the judges.
:12:53. > :13:00.I really like this music, it is a great story. She has got the shaping
:13:01. > :13:05.of the arms as you can see here, but she has got to be careful that she
:13:06. > :13:12.doesn't start looking stiff. There is a point when you hold your body
:13:13. > :13:21.for pasta Doble but you do not want to be stiff. Your body has got to
:13:22. > :13:27.continue shaping, even when you are here -- paso doble. I just want to
:13:28. > :13:31.point out this bit here. Sometimes she goes into lines and she has
:13:32. > :13:36.beautiful feet and legs and she is ballet trained. We should never have
:13:37. > :13:40.a situation like this where she has a ugly feet and legs. It is the way
:13:41. > :13:46.she is positioning them. They need to be turned out at all times. Latin
:13:47. > :13:55.especially, you can turn the feet out. They should look nice. OK,
:13:56. > :14:00.taken on board. Helen and Aljaz are top of the Leader Board, can they
:14:01. > :14:05.continue with their success this week with a samba for Halloween?
:14:06. > :14:10.Samba is all about bending the knee is to get that rhythm in the hips
:14:11. > :14:14.and body. She is doing this in places. It will be a struggle for
:14:15. > :14:20.her because she is so pulled up and she likes to straight in places. It
:14:21. > :14:23.will be a struggle for her because she is so pulled up and she likes to
:14:24. > :14:28.straighten the legs. They are doing a lovely whisk. Shall we do it
:14:29. > :14:36.together? I feel underdressed! Bend and bend. A1, A2, one, two. You are
:14:37. > :14:40.bending so the hips are coming under. Then you are pushing back and
:14:41. > :14:45.the hips are going back and back forward. You're getting a double hip
:14:46. > :14:51.swinging forward and back. It is different from the other dances but
:14:52. > :14:57.there is a reaction in the body. Do that. It is like this.
:14:58. > :15:06.And neater and Gleb, brilliant tango at the weekend, loved it. Very
:15:07. > :15:12.intense, dynamic performances. This week a waltz, are you impressed with
:15:13. > :15:18.what you see? I love what I see. What I love is from here, I have
:15:19. > :15:23.slowed it down, the lovely arms that they use. Not just the arms, the
:15:24. > :15:30.finishing off of the arms, which is continuous. They do a spin, then
:15:31. > :15:34.Anita continues the arm movement and continues the arm movement and
:15:35. > :15:39.continues the arm movement. It just goes on and on and on. It is
:15:40. > :15:43.beautiful. It is lovely. I am not sure what the firm is doing up.
:15:44. > :15:55.Let's move on to Kellie and Cabinet. Joint top of the leaderboard. --
:15:56. > :16:00.Kellie and Kevin. They are very good. This is only Monday's footage.
:16:01. > :16:05.There is some sort of Harry Potter footage, I think Kevin would look
:16:06. > :16:13.perfect with the round spectacles as Harry Potter. There is a plain piece
:16:14. > :16:20.of wall in the way, so I thought we were decorated. We will put on some
:16:21. > :16:25.attractive witches! When she does these arms, she has got a lovely
:16:26. > :16:31.cove, bending into the Nir Bitton more, but the hand is turned up. --
:16:32. > :16:38.bending into the Meeme a bit more. If she is going to do paso doble,
:16:39. > :16:43.let's create that shape. He takes it so seriously, wearing better outfit,
:16:44. > :16:51.it is perfect! I had to top last year. The pumpkin. Georgia and
:16:52. > :16:56.Giovanni, they are dancing to Ghostbusters. It is a tango, is it
:16:57. > :17:01.looking brilliant? The God I love this song, I think it will be great.
:17:02. > :17:14.They are dancing so well. -- I love this song. Look at this, right? Look
:17:15. > :17:22.at this? That is leading with the toe. She is doing about everywhere
:17:23. > :17:26.in this tango. Uncle Len will not like it. If they want those higher
:17:27. > :17:30.marks, because they have not been at the top, she has to lead with her
:17:31. > :17:36.heel in the tango, it is the fundamental of every tango. Mays,
:17:37. > :17:51.strong heel leads. Then uncle Len will be on side. Georgia has been
:17:52. > :18:04.struggling a little bit. Oh! I hate this dance! I am actually broken.
:18:05. > :18:09.Toe, back, neck, person, confidence. Oh, Georgia, I remember times like
:18:10. > :18:13.that. You can't master the dance, keep the faith. We will find out
:18:14. > :18:18.what was going on with Georgia and Giovanni when they join us tomorrow.
:18:19. > :18:21.Imagine what Ian Waite will be wearing tomorrow! Ian Waite!
:18:22. > :18:23.APPLAUSE The talent of the Strictly hair
:18:24. > :18:26.and make-up team knows no bounds. Here's a little trick
:18:27. > :18:38.of the trade for glittery eyes. I am Briony, and I am part of the
:18:39. > :18:42.make-up team on Strictly Come Dancing. My trick of the trade
:18:43. > :18:48.involves eye shadow and glitter. That is very important and Strictly.
:18:49. > :18:51.Often you start make-up with your foundation, on Strictly, because we
:18:52. > :18:56.use a lot of pigment in glitter, we do the eyes first, then met -- then
:18:57. > :18:58.wipe clean any of the mess that has dropped and then to the base, then
:18:59. > :19:04.it is flawless. That is my trick. Tomorrow we will have the Strictly
:19:05. > :19:07.hair and make-up team live in the studio, giving us
:19:08. > :19:09.a preview of their devilish plans Now, the whirlwind of joy that we
:19:10. > :19:14.fondly call The Strictly is taking Latest recruits include world
:19:15. > :19:42.champion rowers and airline staff. Well done to the GB Rowing Team
:19:43. > :20:17.and our enthusiastic airline staff Well, don't fret because through
:20:18. > :20:27.the magic of television I bring you a little tutorial from
:20:28. > :20:45.Russell Grant and Joanne Clifton. Samba planes, samba points,
:20:46. > :20:52.charleston, charleston, samba points, samba points, shimmy, two,
:20:53. > :21:01.three, four, boy's hand, girl's hand, less you, bounce in, bounce
:21:02. > :21:07.out, owns in, and out, Russell Grant, float with Anton, beginning.
:21:08. > :21:14.Samba points, samba points, charleston, charleston, samba
:21:15. > :21:25.points, samba points, shimmy, boy's hand, girl's hand, lassoo, and Judy
:21:26. > :21:34.Murray, Judy Murray, handbag, Brucie. Enters your version of The
:21:35. > :21:38.Strictly and you could win two tickets to Strictly in black tool on
:21:39. > :21:47.the 21st of November, it is the best show. -- in Blackpool.
:21:48. > :21:50.Now, he was the first male celebrity to tackle the rumba on Saturday
:21:51. > :22:12.Hello, you lovely wonders! I loved your rumba on Saturday, the first
:22:13. > :22:14.boy to tackle it. It was really sensitive and very, very beautiful.
:22:15. > :22:19.Why do you think people find it so scary?
:22:20. > :22:29.And so hard? The rumba? Well... Because it is! Let me explain. For
:22:30. > :22:34.example, if your legs are straight and you do the hip movement,
:22:35. > :22:40.apparently that is rumba. But if you slightly bend your need, it falls
:22:41. > :22:45.into salsa, is that correct? It is just where the pressure is. I have
:22:46. > :22:54.got to move a bit of the hips. It was wonderful. By the way, this is
:22:55. > :23:01.good. Do you like this? This is Guido. He is amazing. I am making
:23:02. > :23:05.him dress up. If you want to get this, you can buy eight on the web!
:23:06. > :23:09.I was waiting for its excavation mug funny guy!
:23:10. > :23:11.Once again the judges commended your story telling and your emotion.
:23:12. > :23:30.What were you feeling about it in your mind? I don't... It was sort of
:23:31. > :23:35.like... I have no idea. I loved it, I really felt it. I don't think it
:23:36. > :23:39.was a particular current. Member when Patrick Swayze, I am nowhere
:23:40. > :23:46.near as good, but when he had that tenderness with his partner, and I
:23:47. > :23:53.wanted that. You did! Peter Swayze! That is your new name. Janette, the
:23:54. > :23:58.judges loved Peter. They said he needed a bit of continuous movement
:23:59. > :24:03.throughout. What do you say? Rumba is very hard, it starts up the feeds
:24:04. > :24:07.and then works open to the rest of the body. I think he had really
:24:08. > :24:12.beautiful soft arms, which is good, but every now and then he would fall
:24:13. > :24:17.back into his pop star clicks. So it is just about using the legs, the
:24:18. > :24:23.feet and the softness in the arm throughout the entire dance. There
:24:24. > :24:30.was one moment in rehearsal, he just went, yeah! I was like, Peter, it is
:24:31. > :24:35.a rumba! It is true, the judges are spot-on. I always love what they
:24:36. > :24:38.say. They know what they are talking about. They say things and I am
:24:39. > :24:43.thinking... It is something I would say if they didn't say it. I know
:24:44. > :24:48.what I'm doing, sometimes they just can't put into practice. But I know
:24:49. > :24:53.the mistakes I am making, if that makes any sense. Absolutely, you
:24:54. > :24:57.learn it and you learn it, but the professionals have been dancing this
:24:58. > :25:05.for years, and to learn Latin four days... He did it brilliantly. 29,
:25:06. > :25:10.not your highest score, not your lowest. I know you have been very
:25:11. > :25:13.busy with your album out... There is no excuse!
:25:14. > :25:15.What do you plan to do to raise your game?
:25:16. > :25:26.How would you get the scores up? So far we have not got under a
:25:27. > :25:30.seven. That is huge for me. I know that you can't hover and I know that
:25:31. > :25:35.I have room to fall, that I have room to climb. This is great for us,
:25:36. > :25:39.if I work harder I might be able to climb a bit. Fingers crossed.
:25:40. > :25:41.You and your real life partner, Aljaz, are doing quite well
:25:42. > :25:52.We have a lovely picture of you when you got engaged! You are loved up,
:25:53. > :25:57.that is lovely, at what point will it get competitive between the two
:25:58. > :26:02.argue? I know it sounds boring, but it does not get competitive at all.
:26:03. > :26:06.I think there is so much pressure on us as professionals to come up with
:26:07. > :26:10.great choreography, that we teach them properly and get to where we
:26:11. > :26:15.want them to be, push them enough but not too much. There is so much
:26:16. > :26:20.going on that you don't have time to be competitive. There is enough
:26:21. > :26:25.pressure as it is just being part of the show. For us, it is the
:26:26. > :26:32.opposite. It is nice to come home, talk to one another about the day,
:26:33. > :26:35.the highs and lows. And him understanding? We just completely
:26:36. > :26:37.understand what we are going through because we are both there.
:26:38. > :26:38.Peter, you've probably been spending more
:26:39. > :26:41.time with Janette than Aljaz lately, so you must know her pretty well.
:26:42. > :26:44.Let's put that to the test shall we, with a little game we
:26:45. > :26:54.Peter, we will accept your first answer only, no conferring, please!
:26:55. > :26:59.Janette has never got to the final of Strictly Come Dancing,
:27:00. > :27:08.I'm going to say truth. It is true, she got to the semifinal with Jake
:27:09. > :27:10.Wood last year. So close. Name the Broadway show where Janette
:27:11. > :27:33.and Aljaz met? Broadway is a very good place! It
:27:34. > :27:35.-- Burn The Floor.
:27:36. > :27:37.Janette Has Only Received A Top Score Of Straight Tens Once,
:27:38. > :27:41.I will say false, because I do not know.
:27:42. > :27:48.Has Janette danced at the Grammys or the Oscars?
:27:49. > :27:55.You like Oscar. Let me think? I would say, yes. Which one? Yes, you
:27:56. > :28:14.are right! She danced at the Oscars! What do Janette and Karen Clifton do
:28:15. > :28:16.on the stairs before every show? Yes, they have a fight speaking
:28:17. > :28:17.Spanish to each other. This week you have a Foxtrot to
:28:18. > :28:25.the song Ghost by Ella Henderson. Is it going to be brilliant? I think
:28:26. > :28:31.so, I love that already and it is the only -- it is only the second
:28:32. > :28:34.day rehearsing. Keep the faith, Peter. You are so good. Peter and
:28:35. > :28:36.Janette! That's all for this evening,
:28:37. > :28:38.my Strictly friends. Join us tomorrow when Georgia
:28:39. > :28:40.and Giovanni and Carol and Pasha will be sharing some
:28:41. > :28:42.of their Halloween dance secrets. And Lord of the Dance himself
:28:43. > :28:45.Michael Flatley will be Riverdancing Plus Ian Waite is back for more,
:28:46. > :28:49.and we give you an exclusive peek at this weekend's
:28:50. > :28:52.spooky hair and make-up looks.