:00:20. > :00:27.# They are creepy and they are kooky, mysterious and spooky. The
:00:28. > :00:34.Adam's family. # The House is a museum where people
:00:35. > :00:47.come and see them. # The Addams family.
:00:48. > :00:50.# So get which's shawl on. # We are going to make a call on the
:00:51. > :01:38.Addams family. Live from London this is Strictly,
:01:39. > :01:55.It Takes Two. Hello. Hello and welcome to
:01:56. > :01:56.It Takes Twoooooo! It's Friday and it's almost
:01:57. > :01:59.Halloween which means you're in Tonight we've got
:02:00. > :02:03.a few creepy critters who've crawled And it wouldn't be Halloween without
:02:04. > :02:30.the three witches, aka the Friday Panel,
:02:31. > :02:34.and boy have we got a wicked bunch. Starting with former Strictly
:02:35. > :02:36.favourite, Anita Dobson, celebrity superfan, Marian Keyes,
:02:37. > :02:39.and the man with the highest high Plus, these four monsters, Jack
:02:40. > :02:48.Pack, will be singing us out at the end of the show with
:02:49. > :02:52.a classic Halloween song. Guys, you can take those masks
:02:53. > :02:55.off now. And we've got one other mysterious
:02:56. > :03:00.creature on the prowl at the Strictly studios this week
:03:01. > :03:13.but who is it? It is me, the graduate of The
:03:14. > :03:21.Strictly come dancing class of 2009 in the cheap seats. Rehearsals are
:03:22. > :03:26.well and underweight and Jay and Aliona are rehearsing their American
:03:27. > :03:37.smooth foxtrot. They are dancing to Little Red Riding Hood. Join me
:03:38. > :03:42.later, I will be talking to two of the couples and we will be meeting
:03:43. > :03:47.the wardrobe department to find out what our celebrities are wearing for
:03:48. > :03:48.the Halloween special, and we will also be testing some paranormal
:03:49. > :03:52.pyrotechnic kit. Right,
:03:53. > :03:54.time to chat to our first couple. At the weekend they were
:03:55. > :03:56.on cloud nine. No, literally they were, they got
:03:57. > :04:37.their first 9's of the series. Welcome. Sorry about the money.
:04:38. > :04:43.Isn't he beautiful? That is what I like to call him, beautiful. What a
:04:44. > :04:48.frock, what a performance and what a score. Your quickstep was out of
:04:49. > :04:54.this world. Did you realise early in the week the quick step was going to
:04:55. > :04:58.be your best dance? Know, and I did not understand what it was and I did
:04:59. > :05:06.not understand it when I was doing it, but it was a complete fluke.
:05:07. > :05:09.not understand it when I was doing can't have been. Congratulations,
:05:10. > :05:16.you got the first great's fab-u-lous of the series! You must have been
:05:17. > :05:22.thrilled with that. That was the best bit of the night. Was that
:05:23. > :05:29.better than getting nine? We said it would be nice to get one 9 and we
:05:30. > :05:35.got three. We are not going to give them back. How impressed were you
:05:36. > :05:40.when Helen's performance? It was such a hard dance when it got to the
:05:41. > :05:44.steps because there are so many steps and changes in the shape and
:05:45. > :05:54.she handled all of it and I was so impressed.
:05:55. > :05:55.she handled all of it and I was so second. How good will it feel when
:05:56. > :06:03.she handled all of it and I was so Len Goodman gives you an nine or a
:06:04. > :06:15.ten? I cannot wait. It will happen. There is the chance tomorrow.
:06:16. > :06:19.ten? I cannot wait. It will happen. of every couple's done so far to
:06:20. > :06:20.ten? I cannot wait. It will happen. who has the most points overall.
:06:21. > :06:27.This calls for a little game of who has the most points overall.
:06:28. > :06:38.higher or lower. These are all the scores you have from the judges. You
:06:39. > :06:40.have got 157 points. R Kellie and Kevin higher or lower in scores?
:06:41. > :06:53.Higher. Let's find out. Lower. I Kevin higher or lower in scores?
:06:54. > :07:06.know you are surprised. What about Jay and Aliona? You say higher. OK,
:07:07. > :07:19.Peter and Janette, higher or lower? Jay and Aliona? You say higher. OK,
:07:20. > :07:25.Lower. It means Helen and Aljaz, you have the most points from the judges
:07:26. > :07:32.so far this series. Let's hope, because tomorrow is another show. Is
:07:33. > :07:36.this the place you thought you would be in? No, Jenny Riley every week I
:07:37. > :07:41.think this is the week I will be in the dance off or get low scores, so
:07:42. > :07:48.the fact that has not happened yet... A lot of pressure. I hate to
:07:49. > :07:54.bring this up, Aljaz, but we have been concerned. Are you worried
:07:55. > :08:00.bring this up, Aljaz, but we have about... The curse of Halloween? You
:08:01. > :08:04.have had a bit of trouble and have been in the dance off twice on
:08:05. > :08:13.Halloween. Can this be the year you break that close? I have not been on
:08:14. > :08:15.Strictly more than that, so, yes. Yes, I think it is time. Third time
:08:16. > :08:28.lucky. Plus there is a curse Yes, I think it is time. Third time
:08:29. > :08:35.both of my partners started with a. Abbey Clancy and Alison. Good
:08:36. > :08:40.evening if you are watching. Samba for Halloween, how is it going? It
:08:41. > :08:44.is really fun, we have had a load of fun. The
:08:45. > :08:48.is really fun, we have had a load of great. But I do feel very British
:08:49. > :08:56.when I am doing all the Latin stuff. I feel the most British I
:08:57. > :09:03.ever do when I shape my hips. She is getting better and better. Every
:09:04. > :09:10.single Latin dance is different, but Samba you really need to go into it
:09:11. > :09:17.and Helen is doing a great job. It is so confusing. You have to do the
:09:18. > :09:22.front and back and the sides. It is so technical and it does not make
:09:23. > :09:30.sense. There are no rules and every dancer a different rule. Yes. Who
:09:31. > :09:37.are you most forward looking to seeing tomorrow night out of your
:09:38. > :09:43.friends? Everyone. Janette and Peter always put on a good show and it is
:09:44. > :09:53.always amazing and dramatic. The Halloween show is one of the best
:09:54. > :09:57.shows. And Anton and Katie's paso doble to Phantom Of The Opera. And
:09:58. > :10:02.you can always borrow our mummy. So these two are ready for tomorrow
:10:03. > :10:05.but what about our other couples. Lucky for you we've got many eyes
:10:06. > :10:19.spying on their every move The next dance is the salsa and I am
:10:20. > :10:26.trying to find out what it is. We are having fun with this dance, but
:10:27. > :10:32.the detail is extreme. Karen and I are working so hard and it is
:10:33. > :10:36.definitely a competition with a C. Every now and then things go a bit
:10:37. > :10:50.wrong, but it is all coming together slowly. By Saturday I will be ready.
:10:51. > :10:56.This week we are going to dance the tango. Tic Tac. The tango is
:10:57. > :11:07.difficult because I am small and I go on my tip toes. T is everything
:11:08. > :11:11.about impact, drama and passion. It is quite fiddly footwork and I keep
:11:12. > :11:23.kicking him. Hopefully I will not do that on Saturday. Shall we find out
:11:24. > :11:28.what is happening in the studios? Yes, rehearsals are finished for the
:11:29. > :11:34.day. First up were the pros. Take a look at this. They all look pretty
:11:35. > :11:40.impressive if you ask me. Lots of spinning and nice footwork, but they
:11:41. > :11:46.looked a bit scruffy if you ask me. But that is just my opinion. Some
:11:47. > :11:51.people have stayed behind. Hello to you all. How are rehearsals going?
:11:52. > :11:57.Good, we have got that Friday feeling, people. You said earlier
:11:58. > :12:04.you were going to dress up as Harry Potter. I thought it was a joke, but
:12:05. > :12:09.it is not real. So who are you dressing up in the Harry Potter
:12:10. > :12:21.franchise as? Is it Hedwig? Fighting talk. I am Ron Weasley. What can you
:12:22. > :12:26.tell us about your routine? It is a paso doble and it is a Harry Potter
:12:27. > :12:34.theme and a lot can go wrong. There is a lot of jumping on tables. That
:12:35. > :12:42.sounds good. What about you? What is your dance this week? We are doing a
:12:43. > :12:48.jive and we are doing it to The Time Warp. And we have got a lot of
:12:49. > :12:57.things popping up. Lots of costumes and make-up and suspenders?
:12:58. > :13:06.Possibly. I cannot wait. Not those ones. There is no way I am wearing
:13:07. > :13:09.that. You did end up in the dance off and I know how horrible that is
:13:10. > :13:13.from my three weeks in the competition, two of which were in
:13:14. > :13:19.the dance off. Does that put pressure on you a little bit more
:13:20. > :13:23.going into tomorrow's show? Not really. Each week you have to come
:13:24. > :13:32.back with a positive attitude every time. It will be what it is going to
:13:33. > :13:43.be. Good for you. You never want to get sent home in the week where you
:13:44. > :13:50.look weird. You will get remembered in that one. Talk about going home
:13:51. > :13:55.in a costume and looking weird, if that was to happen, Kevin, and I
:13:56. > :14:03.have seen your costume, do you enjoy getting into character? I love that,
:14:04. > :14:11.I love themed week. The boys love it. We have got a competition for
:14:12. > :14:16.you, lads. Jamelia you are not doing this. There is a good reason. We
:14:17. > :14:20.thought it might be a bit unhygienic. It is Halloween, so
:14:21. > :14:21.let's do a bobbing Apple competition. You have got 30
:14:22. > :14:53.seconds. Go! I think we'd better go back to you!
:14:54. > :14:59.Just when you think you can't love Tristan and Kevin any more.
:15:00. > :15:01.Hang on a minute, double, double, toil and trouble.
:15:02. > :15:06.Please welcome, Anita Dobson, Louie Spence and Marian Keyes.
:15:07. > :15:17.Hello, my beautiful darlings. Is it fun to be back? Do you have fond
:15:18. > :15:23.memories of Halloween with gorgeous Robin? I love is doing the tango and
:15:24. > :15:27.I loved Halloween. It was something to get your teeth into, the
:15:28. > :15:39.character, the theme, the Whigs. Louis, as a class cancer, -- dans,
:15:40. > :15:43.what are you thinking of the technique and standard this year?
:15:44. > :15:49.This year, there is fabulous technique and the standard has
:15:50. > :15:54.really been pushed. Jay is just phenomenal. Every style he seems to
:15:55. > :16:00.do, he does it with such elegance and grace. Helen is stunning,
:16:01. > :16:05.utterly stunning. And Peter is great. I love Peter Andre. These
:16:06. > :16:09.guys, in different ways and with different styles, they have up to
:16:10. > :16:17.the standard of the show. They are fantastic. A round of applause for
:16:18. > :16:24.Marian's shoes. I will come to you in a minute, Marian. Let's talk
:16:25. > :16:30.about Georgia and Giovanni. This week they are doing ghostbusters,
:16:31. > :16:36.the tango. Have a look. Anita, you did the tango. How do the skills
:16:37. > :16:41.look to you? Very good. What is the key to a good tango? Sharpness and
:16:42. > :16:47.definition. The terms of the head. That is the key. Also, it is
:16:48. > :16:52.important that they work together. The problem is when one of them,
:16:53. > :16:56.when the professional is on it and the celebrity slips back. It is
:16:57. > :17:00.really important to try to mirror them and do it exactly. Having
:17:01. > :17:04.that's a mystery is what makes it look like perfection. Can it ever be
:17:05. > :17:11.the other way round? -- having that symmetry. Absolutely. For me, I
:17:12. > :17:16.think there was that one performance from Jade which they could have both
:17:17. > :17:23.been professional. So good. You liking Georgia and Giovanni? They
:17:24. > :17:31.are like a pair of puppies. They are adorable. I worry, since Len told
:17:32. > :17:37.off Giovanni, I am anxious. I'm keen that they get the football right --
:17:38. > :17:45.fieldwork writing cases head start spinning. But is brilliant. The
:17:46. > :17:50.standard is so high. And everyone is really working. Even where people
:17:51. > :17:53.have work commitments are putting in the hours. When you see on Saturday
:17:54. > :18:02.night that these guys are putting The Times... Let's talk about Carol
:18:03. > :18:08.and Pasha. They are doing a rumba. A tricky dance. How can she improve
:18:09. > :18:16.her scores? Are you all right over? Pasha... Yes, he is lovely. What you
:18:17. > :18:22.think of the skills? Rumba is a horrible dance. They call it the
:18:23. > :18:26.dance of love but it is the dams of the dysfunctional relationship. I
:18:27. > :18:29.don't love you any more, so I will lure
:18:30. > :18:35.don't love you any more, so I will dancing. It is awful.
:18:36. > :18:39.don't love you any more, so I will pull. And I'm glad the song
:18:40. > :18:44.don't love you any more, so I will romantic. -- not very rumba. I love
:18:45. > :18:49.the rumba. When it is done well. But unfortunately,... I am a little bit
:18:50. > :19:00.worried. I can tell. The hips look a little bit... He is making the
:19:01. > :19:05.worrying face. Kevin and Kellie are doing a Harry Potter themed passage.
:19:06. > :19:16.He is great at the hazard of late. What do you think? Kelly is great,
:19:17. > :19:17.really a contender. They look great together. They are both sharp and
:19:18. > :19:26.upbeat, and I together. They are both sharp and
:19:27. > :19:32.fantastic. They have a good chance. The pasodoble is really about the
:19:33. > :19:37.man being in the lead. Although Kelly has shone, she is going to
:19:38. > :19:43.have two be in control. She is going to have to work much harder, because
:19:44. > :19:47.there is a guy with all of this, giving out all that action. Any
:19:48. > :20:00.minute, we're going to get Louise bench cleavage. She will have to
:20:01. > :20:02.work really hard. Helen is doing the samba. You got
:20:03. > :20:07.work really hard. Helen is doing the How does this look? We are loving
:20:08. > :20:11.the leggings. I love what she is wearing. I want to get that outfit.
:20:12. > :20:20.You would look great on this. What do you think, Marian. I know that up
:20:21. > :20:27.with a double bounce action but this looks really good. It is funny,
:20:28. > :20:30.because she said she was scared every week but then she delivers
:20:31. > :20:34.these incredible performances. She is brilliant. Like she said herself,
:20:35. > :20:37.she needs is brilliant. Like she said herself,
:20:38. > :20:47.down and just whip it out, and let it go. I think you should have a
:20:48. > :20:51.moderator before you go on. Jay and Ali on our doing the foxtrot. Feast
:20:52. > :21:01.your eyes. Something to do with red riding hood. He is being the Wolf.
:21:02. > :21:12.This looks pretty good. Look how lifted he is. He did a lovely Rhonda
:21:13. > :21:20.John. And he does not cut it short. When he does it, come on what I'm
:21:21. > :21:34.saying, some people cut things short. He will lose every moment of
:21:35. > :21:45.it. ... Louis It Takes Two! Jamelia and Tristan. They are doing the time
:21:46. > :21:55.warp. It is a jive. Can they stay out of the dance off this week. Yes.
:21:56. > :21:58.She is much happier with the lap dancers. And I think she is very
:21:59. > :22:03.responsive to the music. It is such a great song. I am so looking
:22:04. > :22:09.forward to it at the end of the dams when Tristan says, I am knackered.
:22:10. > :22:14.Hopefully she will say it as well. They could practice it tomorrow.
:22:15. > :22:17.This would be my tip to them. They will be writing them down. They will
:22:18. > :22:32.be back for the second half later on.
:22:33. > :22:37.The best thing about the dance is that the celebrities are coming
:22:38. > :22:43.along for the right. Let's have some fun. We're doing the Halloween
:22:44. > :22:46.special group dance. Brendan and Napoli, it is the end of their
:22:47. > :22:49.wedding vows and an eagle to the reception and all of a sudden the
:22:50. > :22:59.celebrities get into the party and it gets of hand.
:23:00. > :23:09.Hi, Joel. There are a lot of things going on in this routine. It is a
:23:10. > :23:13.nightmare. It is like being back at school but the most fun school ever
:23:14. > :23:16.because all we are doing is jumping around. I know I am supposed to be
:23:17. > :23:25.the paying attention, but I am having so much fun. This is actually
:23:26. > :23:29.a scary dance, not just because it is Halloween. It is scary because
:23:30. > :23:32.you are never more than two feet away from the nearest professional
:23:33. > :23:40.and if you make a mistake, even a tiny one, they are on it. One two,
:23:41. > :23:45.three and stop. It has been really good fun today. I am getting the
:23:46. > :23:47.dance with Karen. Actually, both of us are extremely excited about
:23:48. > :23:56.that. Overexcited, you could call it. So much could go wrong. So much
:23:57. > :24:02.is going wrong. I can see lots of people peering up and doing
:24:03. > :24:09.choreography. I don't think letting me freestyle is such a wise idea. #
:24:10. > :24:12.Like a bat out of hell, I'll be gone when the morning comes. Come on,
:24:13. > :24:25.guys, this is useless... They spun their way up
:24:26. > :24:38.the leaderboard with their Viennese Waltz,
:24:39. > :25:16.getting their highest score so far. Down, Ja-Cheol! What address. It
:25:17. > :25:22.doesn't smell great, my dress. It is quite warm. Let's take a moment to
:25:23. > :25:27.dwell on your beautiful Viennese waltz last week. Let's remind
:25:28. > :25:31.ourselves, the judges loved this transformation. Look at you, like a
:25:32. > :25:38.different person. What changed last week? We worked really hard and I
:25:39. > :25:42.think after the dance off, I just felt different. I thought, I need to
:25:43. > :25:47.approach this differently and I have to have more confidence, just relax
:25:48. > :25:54.more. I thought I would go for it. Also, I was in character. This
:25:55. > :25:59.helps. You told me that early on and I didn't listen. And now she
:26:00. > :26:05.understands, this must be good news. She walks on the floor, I am
:26:06. > :26:09.dancer. If you are going to be a boxer, but your fists up and
:26:10. > :26:14.pretends to be a boxer. I don't know the technique but you have two good
:26:15. > :26:18.yourself in the position and make it look like you belong there and you
:26:19. > :26:23.can deliver an amazing performance. And she definitely did that. And it
:26:24. > :26:26.worked. Did you see the change in training last week, Brendan? When
:26:27. > :26:34.did you think she was going to be really good? I noticed the change
:26:35. > :26:39.from the dance off. I saw her change in mentality on the floor. Right
:26:40. > :26:43.from that moment, she was there. When she came into training, I felt
:26:44. > :26:53.like she was going to attack it. So instead of mucking around and saying
:26:54. > :26:56.that she can do it, it was like, right, I am going to get it. And you
:26:57. > :27:03.have to have that belief that you can do it. I think when you go into
:27:04. > :27:09.the dance off, it is really scary because you have to do it again and
:27:10. > :27:18.I wanted to stay. I think the more you stay in this show, the hungrier
:27:19. > :27:22.you get for it, in a nice way. I am not expecting to win but I love it.
:27:23. > :27:29.You know what I mean, I enjoy it. I love it. It is such a great
:27:30. > :27:32.experience. The lovely thing for us, we are not just staying here. Even
:27:33. > :27:44.with a dip, it doesn't matter. We're going up. How is the Charleston? I
:27:45. > :27:50.have seen the training footage and it looks really good. It is really
:27:51. > :27:53.fun. And it is one of those dances, it is such a wonderful dance, that
:27:54. > :28:01.you have seen before and you would love to have a go at. Then you just
:28:02. > :28:09.get it, and it is quite fun. And we're doing lots of lifts which are
:28:10. > :28:11.going very well. We started the week with our girl going, I can't do
:28:12. > :28:15.this. 20 minutes in she went, hang about, and right from that moment,
:28:16. > :28:18.that was the change. And you can see that in the footage, she is looking
:28:19. > :28:24.really good and we have to keep that belief. It is very easy to read the
:28:25. > :28:31.performance slide. I want that performance at the end. It is a
:28:32. > :28:39.high-energy dance. When you come out of lifts, is exhausting. And then
:28:40. > :28:43.you have to switch back in. The judges were quite critical last week
:28:44. > :28:49.of the transitions before and after. It is so important to hold yourself,
:28:50. > :28:58.land, with your feet together. And then you are straight back in. Yes,
:28:59. > :29:03.Brendan, whatever you say. I'd wish to alarm you but we have noticed,
:29:04. > :29:13.along with Ali as, you have been a victim of the Halloween. We did find
:29:14. > :29:14.one tenuous thing. -- Tabak. You have
:29:15. > :29:21.one tenuous thing. -- Tabak. You few weeks. It is pretty
:29:22. > :29:23.one tenuous thing. -- Tabak. You same look for all three. Halloween
:29:24. > :29:29.is my favourite show of the entire series. It is the best. We love it.
:29:30. > :29:33.You are going to love it, you guys. As it is Halloween, we thought we
:29:34. > :29:39.would get Guido to bring on the following. Interesting outfit he has
:29:40. > :29:47.gone for this year. A Halloween mash up. Is it a trick or treat? It is a
:29:48. > :30:00.trick. You are in for a money makeover. -- mummy. Brendan, you are
:30:01. > :30:23.going to be mummified. You have 30 seconds to mummified Brendan Cole.
:30:24. > :30:37.This is a disaster! Do you need somehow? Well done. I have to say,
:30:38. > :30:45.Sarah and Becky, don't they look amazing? Brendan not quite so much.
:30:46. > :30:52.Good luck to Kirsty tomorrow night with the Charleston. Thank you.
:30:53. > :30:54.Right, it's time to check in with Strictly Towers.
:30:55. > :30:56.Yesterday we missed out on Vicky Gill in the studio
:30:57. > :31:02.but fear not as Rav is with her now for a full dressing down.
:31:03. > :31:14.Yes, as it is Halloween we are doing Putting On The Blitz. When it is
:31:15. > :31:21.Halloween how does it work between yourselves, the hair and the make
:31:22. > :31:26.up? We all find out about how we are going to pass the buck. That is
:31:27. > :31:32.definitely a hearing thing. We bat it around a little bit, but we have
:31:33. > :31:40.fun on the way. We have got three costumes for Halloween. Whose is
:31:41. > :31:44.this? This is Kirsty's press with Brendan and the Charleston. Being
:31:45. > :31:53.Halloween we have got a spider theme. It was actually made for
:31:54. > :31:59.someone else on previous weeks. Anton? Once it was decorated we felt
:32:00. > :32:03.its home was in Halloween week and it was taken away and kept for this
:32:04. > :32:10.week. Lots of movement in the skirts and hopefully she will have a lot of
:32:11. > :32:17.fun. Let's move on to this very impressive looking dress. Who is
:32:18. > :32:21.this for? This one is for Anita. You will have to guess the theme. You
:32:22. > :32:27.will see on Saturday night. There are a lot of feathers. We have been
:32:28. > :32:34.talking about how we maintain this high neckline. There is a lot of
:32:35. > :32:35.talking about how we maintain this stitching. There is criminally in
:32:36. > :32:40.the hem. Tell me stitching. There is criminally in
:32:41. > :32:47.crystals, either individual? Yes, they are. They were sown on one at a
:32:48. > :32:56.time. We have got about 2000 crystals. They are jet stones. Not
:32:57. > :33:00.time. We have got about 2000 that I know anything about crystals
:33:01. > :33:06.and dresses. Tell us about the dresses. We are having a lot of fun
:33:07. > :33:12.with the costumes, but they still have to
:33:13. > :33:18.with the costumes, but they still there it goes. Who is this for? This
:33:19. > :33:23.is for Helen and as you can guess she is going to be a money. There
:33:24. > :33:31.will be slashes around the body and maybe a bit more tied into her hair
:33:32. > :33:36.detail. Is there more skirt? Yes, because it is Samba. We cannot go
:33:37. > :33:43.without saying hello to your team. without saying hello to your team.
:33:44. > :33:51.Who are they? We have got Sue in the corner and I do not know who this
:33:52. > :33:51.one is! Back to you. I love his blue hair.
:33:52. > :33:57.They've had more ups and downs than the Grim Reaper's yoyo.
:33:58. > :34:34.Look at you. Get back. I love that dress. That is
:34:35. > :34:40.beautiful. Can I say, you looked so hot last weekend in that incredible
:34:41. > :34:47.dress doing your shimmy. Let's remind ourselves. Did you borrow
:34:48. > :34:54.that shirt from my husband? Did you enjoy yourself? We had a ball. I say
:34:55. > :34:58.it every time, but we did. It was a great week and a great song and I
:34:59. > :35:04.get chucked around quite a lot. We made a few mistakes, I am not going
:35:05. > :35:08.to live. You had a lovely time on your Caribbean cruise and you go
:35:09. > :35:15.over to see the judges and they ruin it. Were you a little bit
:35:16. > :35:20.heartbroken? I am not going to pretend it is nice to hear somebody
:35:21. > :35:29.say it was dreadful, that is a direct quote. It was not all I was
:35:30. > :35:36.hoping for. No. That is what happens, so what can you do? Anton,
:35:37. > :35:44.the judges were not too kind. How did you feel? I was disappointed as
:35:45. > :35:50.well. When we are dancing my indication as to how well it is
:35:51. > :35:54.going is when I can feel comfortable. Hello, this is going
:35:55. > :36:00.quite nice. That is a nice dress. I wish I had changed my shirt. When it
:36:01. > :36:03.is not going well there is intense concentration on your face and you
:36:04. > :36:07.think there could be a nasty incident. But this week I felt
:36:08. > :36:12.comfortable and the lifts were well will stop we might have missed time
:36:13. > :36:16.to the second one and if they had complained about that, I would have
:36:17. > :36:24.been happy, but they wrote the whole thing off. It was better than the
:36:25. > :36:29.cha-cha, I felt. Exactly. When the judges say they think you are better
:36:30. > :36:35.at ballroom and Latin, how will you prove them wrong? That will have to
:36:36. > :36:43.be tomorrow. We are doing the paso doble tomorrow which will be epic.
:36:44. > :36:56.It is going to be epic. We have the Phantom Of The Opera sitting
:36:57. > :37:02.opposite us. Oh, all that. This is his dream come true commie he wrote
:37:03. > :37:12.to Santa asking to do this. Lord Andrew, it is my audition. How is
:37:13. > :37:22.the paso doble going? It has been going good. Ladies and gentlemen,
:37:23. > :37:27.this is the training. I think you should wear all-black more often.
:37:28. > :37:37.Look at him. You are not wearing a tie. As well as Aljaz and Brendan,
:37:38. > :37:42.you also have been a victim of... The curse of Halloween. There have
:37:43. > :37:53.been three Halloweens where you have been at the bottom. First with Ann
:37:54. > :37:58.Widdecombe and Nancy Dallaglio and also Judy Murray. I feel this year
:37:59. > :38:03.the trend is going to buck. Yes, you are right. What are the main thing
:38:04. > :38:15.is Katie needs to remember tomorrow? Drama, stay in character,
:38:16. > :38:23.timing and attitude. Have you got that? I have written it down. And
:38:24. > :38:29.the steps. On Friday traditionally we get one of our professional
:38:30. > :38:40.dancers up to dance. We are going to have a very special dance off. Do we
:38:41. > :38:46.have any volunteers in the audience? Oh, yes. Anton, up you get. You look
:38:47. > :38:55.a little bit stiff. I am slightly concerned. Ballroom came, you go
:38:56. > :39:08.first. What do you want us to do? # Moon River...
:39:09. > :39:14.That is why he is the king of ballroom. OK, see if you can top
:39:15. > :39:37.that. Oh, my lord. That is amazing. Katie,
:39:38. > :39:43.it is up to you. Did you see what he did with his arms? Do not try that
:39:44. > :39:50.at home. Katie, who is the winner? Be careful. He is quite scary and I
:39:51. > :39:56.do not want to get on his wrong side, however I know which side my
:39:57. > :40:05.bread is buttered. You are the winner. Thank you very much. What a
:40:06. > :40:09.good judge you are. Why can't we have four like you tomorrow? It is
:40:10. > :40:14.Katie and Anton. Now, Strictly's resident chauffeur
:40:15. > :40:16.has been chokka block this week. Halloween's a busy time on the
:40:17. > :40:34.roads. But I had a word to see if he # Don't blame it on the sunshine,
:40:35. > :40:42.don't blame it on the moonlight... Welcome. Listen, do you think you
:40:43. > :40:48.will take up dancing? Will singing take a back seat? I love dancing,
:40:49. > :41:05.but I will always feel like a singer. What do you think of this?
:41:06. > :41:19.This takes me back. Are we off? Imagine you are in a Spanish island.
:41:20. > :41:27.# The universe will never be the same, I am glad you came.
:41:28. > :41:34.Has the band disbanded? We take the party line, we are on a hiatus. But
:41:35. > :41:41.at the moment I have got some fancy footwork to think about. Anton, good
:41:42. > :41:52.morning. How are you, my dear? Good to see you. Isn't he doing well?
:41:53. > :41:57.Thank you ever so much. Goodbye. I love you, darling. I have got
:41:58. > :42:05.another piece of music which somebody told me was the first piece
:42:06. > :42:14.of music you ever purchased. # Stick it in the ignition.
:42:15. > :42:18.This is one of the # Stick it in the ignition.
:42:19. > :42:24.loved. I liked # Stick it in the ignition.
:42:25. > :42:32.This is like a dream come true. # Stick it in the ignition.
:42:33. > :42:45.all right? Perfect. Look after my storm it. Take care. See you soon.
:42:46. > :42:54.Right, our terrifying trio are back. than Strictly.
:42:55. > :42:56.Please welcome our Friday Panel - Anita Dobson,
:42:57. > :43:08.It is so good to have you here and if you had not come on, your fans
:43:09. > :43:15.would have stormed the studio. They love you. I love the show as well.
:43:16. > :43:25.Let's talk about Jeremy and Karen who are doing a salsa. That is my
:43:26. > :43:33.absolute favourite dance. Let's have a look at them in training. I love
:43:34. > :43:38.him. I am hoping he will get the full outfit. What can he do to get
:43:39. > :43:43.Craig on his side? Could this be the week? Anita? I think it could be a
:43:44. > :43:54.lost cause. But week? Anita? I think it could be a
:43:55. > :43:59.loved. People love him. Absolute entertainment. He is not the best,
:44:00. > :44:09.but he is thoroughly enjoying it. Jake is fantastic, but I enjoy
:44:10. > :44:12.watching Jeremy as much as Jerry because he is having so much fun.
:44:13. > :44:20.Sometimes when people are not because he is having so much fun.
:44:21. > :44:25.good you think they will go, but he is having fun. I love his
:44:26. > :44:27.awkwardness. Anita and Gleb are doing a waltz, and she
:44:28. > :44:32.awkwardness. Anita and Gleb are she has never been at the top of the
:44:33. > :44:37.leaderboard. What does she have to do? I think she has done
:44:38. > :44:44.fantastically and everything she has done she has thrown herself into an
:44:45. > :44:49.the problem is the finishing bits, the lines, the arms, the
:44:50. > :44:56.transition. She gives it 100%, but she has to be precise and clean.
:44:57. > :45:05.transition. She gives it 100%, but Finesse. Gleb can do whatever he
:45:06. > :45:11.likes. I was so disappointed with Gleb because we have got another
:45:12. > :45:18.Russian and he does not say dancing like Pasha does and he is not from
:45:19. > :45:24.Russia at all, I think. I will have a word with him, you want him to
:45:25. > :45:27.sound more Russian. Let's have a look at the paso doble and do you
:45:28. > :45:37.think Katie is on form this week? Whatever she does, she has such
:45:38. > :45:40.elegance and grace. Even if the judges don't agree, she is such a
:45:41. > :45:46.pleasure to watch because she has this aura of absolute authority
:45:47. > :45:52.about her. She is so elegant. And she has the best legs I have seen on
:45:53. > :45:59.Strictly. Absolutely. I think that is looking good. Have you been
:46:00. > :46:09.watching her and enjoying it? She is lovely and she's always smiling. She
:46:10. > :46:13.is a good posh bird. You could take her to the ambassadors house and she
:46:14. > :46:18.would not make a show of view. She would not steal the canapes. Let's
:46:19. > :46:23.talk about Peter and Jeanette. Peter has been very consistent. He has
:46:24. > :46:29.been getting great scores. Are we in for another good performance here?
:46:30. > :46:35.I'm looking at the decorations and I think that Peter did them himself.
:46:36. > :46:42.He probably got up at 20 past two. He is the hardest working man in
:46:43. > :46:45.Strictly. He wanted more than anyone. I think there is a danger
:46:46. > :46:48.that he might explode. He needs to calm down a little bit. He needs to
:46:49. > :46:53.enjoy himself a little more and stop thinking about it so much. He is a
:46:54. > :46:57.little stiff. I love what he does. But as you can see, he is very
:46:58. > :47:00.rigid. When they talk about his shoulder rising, it does. You were
:47:01. > :47:05.just about to perform and you have all that adrenaline. Literally, this
:47:06. > :47:12.will happen. And that is what he has got to do. Although he has to have
:47:13. > :47:18.this holds, he has two relax, like he is in control. And it is a big
:47:19. > :47:23.ask. My heart goes out to him, because you can see he wants to
:47:24. > :47:28.succeed, and he is good. He has a lot of competition with Jay. He
:47:29. > :47:33.might want it too much. Christie and Brendan and the Charleston. Here
:47:34. > :47:39.they are, very expressive dance. She looks like she's having lots of fun.
:47:40. > :47:46.How is she coping? Last week, she did the beautiful Viennese waltz,
:47:47. > :47:50.and this is a good fun dance to come back after a good week. She looks as
:47:51. > :47:54.though she is relaxed. I had a go out there, doing the Charleston, and
:47:55. > :48:00.I think it will be a good week for her. I like to see people where you
:48:01. > :48:07.can see the improvement. I like to see that it is the people's show. It
:48:08. > :48:13.is about people learning the dance. Who wind up in the Strictly an
:48:14. > :48:19.afterlife tomorrow? Who was going? Who is getting the chop. It's a
:48:20. > :48:24.tough one. I think Carol and Jeremy might have a hard time. Because they
:48:25. > :48:27.have a lot of good competition. But they are such lovely people. You
:48:28. > :48:32.really want to will them on. They are lovely. And Carol does a great
:48:33. > :48:41.job with the weather but I don't think she can rumba. Would you think
:48:42. > :48:49.is going home? I love her but I think it is going to be Carol. Thank
:48:50. > :48:53.you to our Friday panel. Strictly fans will know that the competition
:48:54. > :48:58.is now open to submit your version of the Strictly dance for a chance
:48:59. > :49:13.to win two tickets to the show. Do you know the Strictly? I invented!
:49:14. > :49:16.Louis Spence, show us. Here we go. And whilst he does that, let's see
:49:17. > :50:06.what yours looks like. You are all brilliant. Particularly
:50:07. > :50:09.loving the farmers. The competition is still open
:50:10. > :50:12.so keep sending in your version Right, let's head back to
:50:13. > :50:29.the Strictly Studios to see where As it is Halloween, the pyrotechnics
:50:30. > :50:33.and special effects teams have been working overtime. This is the lady
:50:34. > :50:37.in charge of it all. What is your job? I am the special effects
:50:38. > :50:43.supervisor. I am in charge of all the pyrotechnics, the confetti, all
:50:44. > :50:51.of the added extra sparkles. Literally my dream job. What is this
:50:52. > :50:52.in your hands? This is one of the glitter guns that will be featuring
:50:53. > :50:58.on the show. Georgia and Giovanni will be using them in the dance. Do
:50:59. > :51:10.you want to have a look? I would love to. I better stand back. Three,
:51:11. > :51:18.two, one. That is amazing! A pretty cool toy. And tell me about dry ice.
:51:19. > :51:23.What is that? This is a low smoke effect. It provides clouds of smoke
:51:24. > :51:29.on the floor in the studio. And you will get a spooky effect? Not ideal
:51:30. > :51:35.outside because it is very affected by the wind. In the studio, we are
:51:36. > :51:40.very aware of the air conditioning, and making sure that the doors are
:51:41. > :51:46.closed. Just one dance tomorrow? Two. And we can't let you go without
:51:47. > :51:50.mentioning these beautiful flames. These are part of the effect as
:51:51. > :51:54.well. These are gas lamps that will be used in the group dance tomorrow.
:51:55. > :52:00.Brilliant. You have literally got my dream job. I think that deserves a
:52:01. > :52:09.round of applause. We love your work, Jenny. Back to you, Zoe.
:52:10. > :52:12.Lovely to have you back, Rav, making things explode, what a fun job.
:52:13. > :52:14.Now, there's been some pretty memorable Halloween performances on
:52:15. > :52:18.Strictly over the years and if you were wondering how our pros conjure
:52:19. > :52:29.up the perfect bloodcurdling routine, wonder no more.
:52:30. > :52:36.I was wondering when you would arrive. Welcome to the Strictly
:52:37. > :52:45.spooky lab. I am creating an yearly potion to make the perfect Strictly
:52:46. > :52:50.Halloween. Halloween should be here raising the hellish. First into the
:52:51. > :53:01.mixture, Heyer from Pixie and Trent's Tango from last year. --
:53:02. > :53:10.Heyer. Fire in the disco, fire in the tackle bell. Halloween is the
:53:11. > :53:32.perfect time for fun and this fiery performance did not disappoint. Next
:53:33. > :53:38.into the mixture, a shimmy of grant. Our portion need some wicked wings
:53:39. > :53:42.to take flight on Halloween night. This, in the form of Hollywood
:53:43. > :53:59.lands, the bill which the audience with her American smooth. -- Holly
:54:00. > :54:06.Valance. And we must add an essence of the most terrifying of all
:54:07. > :54:10.performances. Nothing is scarier than the lowest scoring dance in
:54:11. > :54:12.Halloween history. It is Nancy Dell'Olio's stiff as a corpse
:54:13. > :54:39.performance with Anton. No Halloween would be complete
:54:40. > :54:48.without a witch. In goes the cruel and bloodcurdling critique of Craig.
:54:49. > :55:01.Haphazard... Appalling... Basic, an absolute disaster... At least he
:55:02. > :55:08.knows how to make an entrance. My creation is complete. The perfect
:55:09. > :55:10.Strictly Halloween in a bottle. There is only one thing for it.
:55:11. > :55:31.Bottoms up. As it worked? I don't feel anything.
:55:32. > :55:35.Oh, well. Thank you, Karen Hardy. Who are you most looking
:55:36. > :55:46.seeing tomorrow? Which performance? I had to pick from so many fabulous
:55:47. > :55:53.people. Ali Anna and Jay. -- Tabak. I'm going to go with Kirsty. I want
:55:54. > :55:54.to see what she was doing. I want to see Kirsty. A big thanks to all my
:55:55. > :55:55.lovely guests. Make sure you watch Strictly
:55:56. > :55:58.tomorrow at 6.35 on BBC1. I'll be back
:55:59. > :56:00.on Monday with the unlucky couple to To play us out,
:56:01. > :56:06.from their debut album out today, it's the frightfully good Jack Pack,
:56:07. > :56:11.with I Put A Spell On You. # I put a spell on you
:56:12. > :56:48.because you're mine. # You better stop
:56:49. > :56:53.the things that you do. # The way you're
:56:54. > :57:10.always running round. # I just can't stand it,
:57:11. > :57:16.the way you always put me down. # I put a spell on you
:57:17. > :57:43.because you're mine. # You better stop
:57:44. > :57:51.the things that you do. # The way you're
:57:52. > :58:08.always running round. # I just can't stand it,
:58:09. > :58:16.the way you always put me down. # I put a spell on you
:58:17. > :58:32.because you're mine.