:00:00. > :00:17.It's all happening tonight, folks, we've critique. We have fashion. We
:00:18. > :01:02.have glitz. We have glamour. And now, we have you! Welcome.
:01:03. > :01:08.Live from London, this is Strictly It Takes Two. Please welcome your
:01:09. > :01:15.host, Zoe Ball. CHEERING AND
:01:16. > :01:23.APPLAUSE Hello. Welcome to it takes two. In our glamorous green room we
:01:24. > :01:29.have Katie and Anton. Lovely teeth. Ian Waite is back to cast his eye
:01:30. > :01:36.over our couples in training. Plus, our very own frock star, Vicky Gill
:01:37. > :01:39.is here to give us a sneaky peek inside this week's Wardrope. On
:01:40. > :01:49.Saturday night, they proved they were not afraid of no ghosts they
:01:50. > :01:59.tang owed their way to the top. It's Georgia and Jee. -- Joffe an.
:02:00. > :02:05.Giovanni. They are here. Thank goodness. You cheeky ghost-chasers.
:02:06. > :02:10.You were fantastic on Saturday night. It was one of my favourite
:02:11. > :02:14.dances of the night. Top of the heap. The number one. At last. How
:02:15. > :02:19.does it feel, Georgia, to final which be up there top on the judge's
:02:20. > :02:25.leaderboard? I don't think it's sunk in. It's amazing. We've worked so
:02:26. > :02:30.hard. It's all I've been wanting and hoping for. To do it, amazing. Did
:02:31. > :02:35.you have a feeling at the end of it, that went really, really well? Yeah,
:02:36. > :02:40.we looked at each other. I got this cockiness about me. Yeah. Then, I
:02:41. > :02:43.don't know. I got to the judges and thought that might have been amazing
:02:44. > :02:49.but they might not have liked it. But they did. You never know,
:02:50. > :02:53.though. Len loved it so much he crowned you the Queen of
:02:54. > :02:58.Halloweenment were you hysterical with glee. What were the best thing
:02:59. > :03:03.the judges said? Do you remember? I was hysterical. I was awful. Like a
:03:04. > :03:08.little kid. Did she calm down the rest of the night? I've been like
:03:09. > :03:16.that all week. Still like that. Were awe a little bit like that on the
:03:17. > :03:22.inside Giovanni? Yes, a little bit. That cool Italian exterior. Three
:03:23. > :03:28.9s. Your highest score. Can you keep that stand card up? I hope so. I try
:03:29. > :03:33.to do my best. Carry on like this. Keep focus on the competition. Work
:03:34. > :03:37.hard. We will be fine. Fantastic. Do you feel like something's changed a
:03:38. > :03:44.bit, doing that well? Last week was so much fun. It was probably the
:03:45. > :03:48.best opportunity to have that fun with it being Halloween. I was like,
:03:49. > :03:53.go out there and enjoy yourself. Something did change. I'm in good
:03:54. > :03:58.spirits. Carry that on into the weekend. Are you starting to feel
:03:59. > :04:05.competitive now? Has that changed at all? You are. The pros are really
:04:06. > :04:10.competitive. They are natural competitors. Want to do really well.
:04:11. > :04:15.Sportsmen are often competitive. Are you like, hang on, I want to get to
:04:16. > :04:20.Blackpool, the final. I would love to get to Blackpool and the final.
:04:21. > :04:24.I'm not going to lie. Not competitive in a bad way. ?
:04:25. > :04:28.Confident. This is the most amazing opportunity I've been given. I just
:04:29. > :04:35.want to get as far as I can. That's my aim. To just get as far as I can.
:04:36. > :04:39.So, so good. Were your family proud of that performance? So proud. I
:04:40. > :04:49.rang them all. They were all dressed up for Halloween. I was like, who's
:04:50. > :04:53.that? Shrek? Mum, dressed as Shrek. The judges commended you on the
:04:54. > :05:00.speed and content, Giovanni. You must have been chuffed. How excited
:05:01. > :05:07.does it make you to see Georgia's ability be so good? To be honest,
:05:08. > :05:10.when you work with somebody like Georgia what can Cannes, she really
:05:11. > :05:17.works hard in the training room every day, every week. It's easy.
:05:18. > :05:24.Really easy. Thanks. But... There's always a but. I do whinge a lot. I'm
:05:25. > :05:28.always tired. I just want to say I'm really proud and really happy to
:05:29. > :05:34.dance with you. After week 7, I'm really happy to dance with you.
:05:35. > :05:40.Timy. He finally gives in. You must be missing your family? I enjoy the
:05:41. > :05:45.show. I miss my family but loving every minute on Strictly. After the
:05:46. > :05:51.final, we've time for family. We thought it would be nice to see your
:05:52. > :05:55.family. Hopefully, we can say, come in Sicily.
:05:56. > :06:00.CHEERING CHEERING
:06:01. > :06:05.That's your family? My sister and Mahela Jayawardene. Choi!
:06:06. > :06:22.ALL: Choi. There's a lot of woman in your life,
:06:23. > :06:51.Giovanni. You want to speak to your sister or mother? SPEAKING ITALIAN
:06:52. > :06:57.We're all going! Were they saying how proud they were of you? They are
:06:58. > :07:02.proud of me. That's so lovely. You have a hanky in your pocket. You can
:07:03. > :07:07.use that. Will you say thanks to them for coming on the show. I don't
:07:08. > :07:16.speak Italian. They are really proud of me. Give them lots of love from
:07:17. > :07:31.everybody on it takes two. It's difficult to say. SPEAKING ITALIAN
:07:32. > :07:39.Choi! Wasn't that a nice thing to do. Next week, they'll all be here.
:07:40. > :07:45.Tell me about your samba? What's the concept behind your samba this week?
:07:46. > :07:50.She pretends to be an actress. This is awful. This was at the beginning.
:07:51. > :07:56.It is the beginning of the week. Please don't show this. It gets much
:07:57. > :08:05.better. There's the horse. How are you finding the samba technique? Any
:08:06. > :08:14.samba rolls? Yes, special samba work. A lot of content. I don't know
:08:15. > :08:17.why, I love content. It's very fast. We nearly keep hitting the pillars
:08:18. > :08:22.in the training room. They are not in a very handy place. Good luck
:08:23. > :08:26.this weekend. Keep up the brilliance. Really lovely seeing
:08:27. > :08:32.your mum and sister and family. Georgia and Giovanni. I was going to
:08:33. > :08:38.try to say something in Italian. I chickened out and said, see, see!
:08:39. > :08:43.Imagine if you will, the Teletubbies doing Strictly. Imagine no more.
:08:44. > :09:39.Have a look at this. , Lala, Po, Tinky Winky and Dipsy.
:09:40. > :09:44.If you can do he better than the Teletubbies, send in your attempt
:09:45. > :09:48.and possibly win tickets to Strictly in Blackpool. Shall we talk garments
:09:49. > :10:05.around garbs? The divine Vicky Gill is here. Well
:10:06. > :10:08.done last weekend. Halloween was an absolute spectacular. Did you have a
:10:09. > :10:15.personal favourite? A little look at the end? I thought Helen. I liked...
:10:16. > :10:21.The mummy. I liked what we achieved. With bandages. Return to normal this
:10:22. > :10:28.week if that ever happens. Is if ever normal? It's bonkers, we very
:10:29. > :10:33.dates where we think it'll be fine. But it's never ending November, I
:10:34. > :10:37.need an add vented calendar for every day in November. Let's look at
:10:38. > :10:42.Katie's dress. She's doing a quickstep. 42nd Street is the music.
:10:43. > :10:48.Looks like you're going old school here. This is stunning? Absolutely.
:10:49. > :10:54.Anton is our ballroom superstar. King of ballroom. He will be
:10:55. > :10:59.delighted if Katie had a more treadationle ballroom dress. It is a
:11:00. > :11:04.long line. Eight panels. Eight to ten metres of boa running through
:11:05. > :11:08.the hem. We've broken the boa, different colours through the
:11:09. > :11:13.panels. Katie's in the house tonight so even if she hates it... I'm
:11:14. > :11:23.trying to gauge the look an other face. Give her more wine! It's a
:11:24. > :11:28.goday. Haven't haven't seen one of those in ages. Everyone loves the
:11:29. > :11:32.crystals but we will apply more once we get to studio. Once we've met
:11:33. > :11:38.with Katie, talked about it, we'll decide where that will happen. She's
:11:39. > :11:43.going to be our own Ginger Rogers. You'll rock that, Katie. An always,
:11:44. > :11:53.longer than this usually. Gone short. Why? This isn't a traditional
:11:54. > :11:59.ballroom dress. Katie's -- Kellie's had shorter lines. I'm getting
:12:00. > :12:06.confused.ility I don't help. Kellie is very petite. This is the reverse
:12:07. > :12:11.bluff, thanks, Vicky. Shorter length. Because she's petite, I
:12:12. > :12:16.don't want long lines and feathers. They may happen at some point. It's
:12:17. > :12:19.really fun, very light. I think it's pushing the boundaries a bit.
:12:20. > :12:24.Hopefully it will make it to live. Sometimes we watch the show and that
:12:25. > :12:29.dress is on someone else. This is Georgia's samba. They're doing an
:12:30. > :12:37.Italian Riviera number with the samba feel. You've brought that out
:12:38. > :12:41.in the designs. A flamenco vibe. Use polka dot to embrace that. Not
:12:42. > :12:46.traditional red and black. Just a nod to it. All the gaps within the
:12:47. > :12:51.polka dot will be crystalled in topaz and crystal ab. It will be
:12:52. > :12:56.sparkly with the polka dot base. Nice interesting detail on the back.
:12:57. > :13:02.Looks low on the sketch. There will be a basque. No bums. Family show.
:13:03. > :13:07.An elastic detail running down the back. We made add more on Friday.
:13:08. > :13:13.See what Giovanni says. Great movement when she does her lovely
:13:14. > :13:20.hips. That's it, really. Finally, we have Helen's rumba. Dancing to
:13:21. > :13:27.Adele. We all keep going into a bad rumba, singing it constantly. This
:13:28. > :13:33.is unusual for rumba? It is. It's a very modern trackment Helen embraces
:13:34. > :13:42.lots of different styles. Long line, a shirt dress vibe. Had George the
:13:43. > :13:47.so sheer. -- George yet, with crystalled ab. Shorts and a crop top
:13:48. > :13:52.with a see # Through shirt over the top? Kids,
:13:53. > :13:57.I say kids, they're kids to me. Young people are wearing things like
:13:58. > :14:03.that at the moment? They are. It is unusual. We may see it on Saturday?
:14:04. > :14:12.If Helen's comfortable, I hope we do. We always have a skirt in the
:14:13. > :14:18.background. The emergency skirt. Always giggly and gorgeous Vicky
:14:19. > :14:21.Gill. The Strictly dresses are adorned with thousands and thousands
:14:22. > :14:34.of sparkly gems. How do you do that by hand? Shall we find out? ? My
:14:35. > :14:37.name is Vicky I work in the stoning department. Everyone likes sparkle
:14:38. > :14:42.and each dress contains up to 9000 stones. All of your dresses are
:14:43. > :14:47.passed through Ash, putting the finishing touches to the dresses. We
:14:48. > :14:50.use beeswax. You attach it to a stick which enables us to pick up
:14:51. > :14:57.the stones and place them on to the dress. It is sticky enough to pick
:14:58. > :15:00.up the stone, but not too sticky so that you can't place it on the
:15:01. > :15:08.dress, that is my trick of the trade. Thank you Becky and Ash from
:15:09. > :15:10.the stoning department. The weight is over, he is back for more, thank
:15:11. > :15:31.goodness. Ian Waite is here. Happy bonfire
:15:32. > :15:39.night. Fantastic. Watch this. Oh. Amazing. You and your clever tools.
:15:40. > :15:43.With all of the pyrotechnics, I thought I should have it. Can you
:15:44. > :15:48.imagine if he sets everything on fire? Second knock of couples,
:15:49. > :15:52.Jeremy and Karen. They are doing a tango for the first time. He was not
:15:53. > :15:56.the bottom of the leaderboard for the first time in weeks. Very happy.
:15:57. > :16:01.Is he on the up, this is looking good? He had a nice, compact frame.
:16:02. > :16:12.Sometimes he's missing his heel leaves, a must in Tango, because you
:16:13. > :16:19.are down and you need the heel leads. I am pointing out the fact
:16:20. > :16:25.that there is quite a big gap. It is created because he has opened his
:16:26. > :16:29.left side. That means his right shoulder is going forward.
:16:30. > :16:37.How should he correct that? He needs to bring his left side forward in
:16:38. > :16:44.the promenade position which will get his right shoulder back. Then he
:16:45. > :16:47.will be in the right position. His body will turn around and be flat
:16:48. > :16:55.against Karen's. Looking promising, I am liking the look of that. George
:16:56. > :17:01.and Giovanni are doing a Samba. So lovely. -- Georgia. There has been a
:17:02. > :17:04.funny discussion between Anton and Ian and Giovanni, there is no double
:17:05. > :17:10.bounce, does not exist, it is a single bounce? Whatever
:17:11. > :17:17.interpretation you want to mate. Craig made it up. Have a look at
:17:18. > :17:23.this, how is their bounce, single? There is some really great voltas in
:17:24. > :17:28.their, lovely action into the floor. Sometimes she doesn't lower her
:17:29. > :17:34.foot. As you can see. Sometimes it has just got to go... Down. Her heel
:17:35. > :17:40.has to go flat. The ball of her foot has to go flat. There has to be a
:17:41. > :17:54.straightening at some point. If we do a shadow Botafogo. What is that?
:17:55. > :18:01.One, two. One and two. Never look at me for tips. It's so confusing. You
:18:02. > :18:07.were so much better in the hustle. I was so much better 58 years ago! I
:18:08. > :18:11.have seized up in my old age. She needs to make sure she finishes it
:18:12. > :18:16.off. Argentine Tango, first of the series. It is very exciting and it
:18:17. > :18:23.goes to Jay and Aliona. Potential for a while? Not so sure? Not at the
:18:24. > :18:27.moment. This is only Tuesday's footage. It is not quite beefy
:18:28. > :18:34.finesse we expect from Jay. Early days. -- not exactly the. He needs
:18:35. > :18:39.to create a lot more drama in this dance. Looking like he is walking
:18:40. > :18:43.through the steps. There has to be that sort of emotional contact. It
:18:44. > :18:49.has to be very dramatic. Quite moody. Very moody and intimate. It
:18:50. > :18:53.is almost done just between the two of you, you cannot show off to the
:18:54. > :18:58.audience, it is about you two. You look at the lady or look away? There
:18:59. > :19:02.are times when you look at her. But it is more about feeling that she is
:19:03. > :19:08.there, you look down your nose. I can feel her. Like you can smell
:19:09. > :19:11.her. Hopefully she smells good and she has brushed all her teeth.
:19:12. > :19:23.Kellie and Kevin dancing a waltz. Vintage take that. Love Ain't Here
:19:24. > :19:29.Anymore. How is it looking? Kevin has stolen Anton's look, he can't
:19:30. > :19:35.find his own identity! He does a lovely double reverse then. They do
:19:36. > :19:40.three double reverse bins, absolutely perfect. Not a lot wrong
:19:41. > :19:44.with this. -- reverse spins. As a standing spin, she's doing sideways
:19:45. > :19:50.steps. Really, it would be nice if she did forward steps. Forward
:19:51. > :19:55.steps. Like a run forward? Try and do it. That it. She ran forward and
:19:56. > :20:03.then it would be more efficient and you would go faster. Do you see what
:20:04. > :20:14.I mean? Yes. You can't trot. Was that aimed at me? Anita and Gleb
:20:15. > :20:19.dancing the drive -- jive. I love the purple socks from Gleb,
:20:20. > :20:23.particularly nice. Lots of energy, great. Basic action is quite good.
:20:24. > :20:29.She has to be careful that she doesn't... But she looks a bit weak
:20:30. > :20:37.in places, she needs to create a strength. I wanted to highlight this
:20:38. > :20:41.area. Feet. In order to do that, she needs to pull up from here and tuck
:20:42. > :20:44.her tummy in. That will get her weight over the balls of her seat
:20:45. > :20:50.and she can pick up her knees more and shaped like this. And we get the
:20:51. > :20:54.lovely action. She is getting her heels down, which is part of the
:20:55. > :20:58.technique of the drive. Very quickly, we are losing more and more
:20:59. > :21:02.couples at the end of this weekend, nine couples left, who is in danger
:21:03. > :21:09.of losing their legwarmers? I can only go by who, for me, is not the
:21:10. > :21:13.strongest answer, Carol and Jeromy. The public love them. Until we meet
:21:14. > :21:19.again, our dear friend in pink trousers, Ian Waite. CHEERING
:21:20. > :21:25.Friday's are now super-sized and this is your super-sized reminder.
:21:26. > :21:29.Huge. We mark Remembrance Day by celebrating the story of one amazing
:21:30. > :21:33.dancing couple. Robin Windsor continues his journey through the
:21:34. > :21:36.Strictly dictionary. Boy do they know how to make an entrance.
:21:37. > :21:47.Alexander Armstrong will be performing live in the It Takes Two
:21:48. > :21:51.studio. Live every Friday at 6pm. Thank you, JB werewolf. The Phantom
:21:52. > :21:55.of the Opera paso doble may have got mixed reviews from the judges but
:21:56. > :22:03.they will always get a standing ovation from us. Katie and Anton.
:22:04. > :22:19.Here they are, welcome. Hello my beauties, your performance on
:22:20. > :22:25.Saturday, opening the show, full of drama and the tricks, how did you
:22:26. > :22:29.feel in that mysterious lovely, long flowing wig? Coming through the
:22:30. > :22:37.mist? I was there a bright and as I live and breathe. -- Sarah
:22:38. > :22:41.Brightman. I loved opening the show. We had a gondola! It was tremendous
:22:42. > :22:45.from start to finish, I say from start to finish comment of the
:22:46. > :22:49.judges started is big. Until then we had a lovely time. Were you any more
:22:50. > :22:54.nervous opening the show and it being Halloween or do you always
:22:55. > :22:58.feel that way? I was quite nervous, always am. It was quite an honour to
:22:59. > :23:03.be asked to open the show on Halloween, I was quite chuffed. And
:23:04. > :23:06.you were. I was thrilled, excited, I don't think I have ever opened the
:23:07. > :23:13.show before. I have never once started it off. How dare they? The
:23:14. > :23:17.judges did give you quite a hard time. I am imagining... I thought
:23:18. > :23:21.this must be upsetting and if it had been me, I would have cried, you
:23:22. > :23:24.were very brave. Darcey said there were positives, she is seeing
:23:25. > :23:31.improvement. And you are working in the right direction. She's yet you
:23:32. > :23:35.look nice. That's what she said. Improvement. You look nice. I have
:23:36. > :23:40.been in your position, when you are working that hard and it is very
:23:41. > :23:43.emotional, it is very hard and you are working hard, you do need to
:23:44. > :23:49.hear some positives from the judges. Bless you that you did
:23:50. > :23:57.mention the one little glinting straw of positivity in the rough of
:23:58. > :24:02.gloom. How was that for you? To finish that dance and hear those
:24:03. > :24:07.comments. I felt a bit deflated. Is that the right word to describe my
:24:08. > :24:10.mood? Yeah. We worked hard and we enjoyed it and the audience were on
:24:11. > :24:14.their feet and everybody said nice things before. It was going to be
:24:15. > :24:17.great. I was feeling perky going over there as I approached the
:24:18. > :24:24.judges. And then I looked at their faces. You know when you just go,
:24:25. > :24:30.oh. It really is Halloween. Their faces never change. Anton, did you
:24:31. > :24:35.have a cry? I would have. I was behind the mask, it was quite nice.
:24:36. > :24:41.It wasn't great, need to be honest but it was so damning. The comments,
:24:42. > :24:44.after the cells as well, you don't mind a comment like make sure you
:24:45. > :24:54.stating your leg --. After salsa like Ian says. Your shadow Botafogo
:24:55. > :25:00.is great. But you don't like it when they said it is rubbish. All of it?
:25:01. > :25:06.Lovely smoke! There was a boat! And a cape! It wafted off on its own.
:25:07. > :25:12.That's worth something, nothing. Nothing at all. Would miss me. What
:25:13. > :25:18.do you say to the judges? Can you say later in the bar say, could you
:25:19. > :25:23.just... Not really, because they say it wasn't very good. You don't get a
:25:24. > :25:27.chance to speak to them. The problem is that you get in a situation where
:25:28. > :25:32.you disregard the comments a bit, because they are sort of so
:25:33. > :25:37.unhelpful. And then you say, fair enough and then I say it was good,
:25:38. > :25:41.this, that and I don't think it was too bad, that was quite good. Let's
:25:42. > :25:46.put that to bed and work towards the quickstep and you move on. It is
:25:47. > :25:50.nice to have each other. It's all you've got sometimes. You will
:25:51. > :25:56.always be there for him and him before you. Let's move on to the
:25:57. > :26:02.quickstep. I am thinking it is going to be a cracker. You are dancing to
:26:03. > :26:06.42nd street, I'm so jealous. How is it going? Look at this. It looks
:26:07. > :26:15.good. Flowery leggings and everything. Beautiful. Go, go, go,
:26:16. > :26:19.go, go. Oh! Ian said you have crammed it full of intricate
:26:20. > :26:24.choreography. Is she picking it up fast? It is coming together nicely,
:26:25. > :26:28.today was good, coming together. As the week goes, as you know, you
:26:29. > :26:31.start to learn it and realise you don't know it and then you have to
:26:32. > :26:37.do it to music and it is Thursday already. Panic. Then you get it up
:26:38. > :26:43.to speed and then you say I feel it, now. Feel it. We were there, today
:26:44. > :26:47.and it is great. I have a thing with a hat and a cane. The dress will be
:26:48. > :26:52.incredible. You are always delightful as there is a lot of love
:26:53. > :26:57.for us, for you. Katie and Anton! Thank you. 42nd St. It is safe to
:26:58. > :27:01.say the training gets tougher the longer you stay in the competition,
:27:02. > :27:06.sorry Katie let's see. How some of our couples are handling that
:27:07. > :27:12.stress. I am enjoying the number. We are trying to find the emotion of
:27:13. > :27:17.it. -- the Rumba. This will be a rough, emotional love story. Look at
:27:18. > :27:19.me. I don't want to. It is very dramatic and lots of moments when
:27:20. > :27:24.you come together and pull apart, I keep hitting him very hard. That's
:27:25. > :27:31.OK. There are a lot of times we have come together and one of us needs.
:27:32. > :27:40.Yes and no moves. Yes, no, no, no, yes. Yes, no, maybe, who knows? That
:27:41. > :27:43.feels good, doesn't it? Yeah. This week is the Charleston. Robbie the
:27:44. > :27:48.most fun I have had since the beginning of this competition. Boom,
:27:49. > :27:53.boom, bang, bang. It is really sitting into this style. It is
:27:54. > :27:56.almost in his blood. I feel like I am working for my dollar. I have
:27:57. > :28:01.been too nervous and focusing on the steps in the past to really enjoy
:28:02. > :28:06.the performance. I want to do that. There are three really big lifts. It
:28:07. > :28:10.is my first ever attempt of doing a lift. I am scared, but if I do it
:28:11. > :28:18.right, it will be a real show stopper. Sorry, I get excited.
:28:19. > :28:33.It Takes Two studio with views of London city. You only have one glove
:28:34. > :28:38.on. Our couples are safely enjoying their sparklers and eating their
:28:39. > :28:47.apples. Let me tell you what we have in store tomorrow. What time do we
:28:48. > :28:52.start? 6pm! 6pm. Are you on fire Anton du Beke? I will serve up
:28:53. > :28:54.Kellie and Kevin, Anita and Gleb, Carol and Pasha and Alexander
:28:55. > :28:59.Armstrong will sing. Good night!