:00:00. > :00:00.It's Friday and we've all the big names coming into our
:00:07. > :00:21.And our Friday Panel: Alexander Armstrong,
:00:22. > :00:44.I'm on the list. Alan Ball, Johnny Ball, your name isn't on the list.
:00:45. > :00:54.Let's not kick off, where you go. This is outrageous! Not in those
:00:55. > :01:40.trainers, and all right, love. Please welcome your host, Zoe Ball.
:01:41. > :01:47.CHEERING Hello and welcome to
:01:48. > :01:53.Friday's It Takes Two. We may be half way through
:01:54. > :01:55.the series, Have a look at our VIP area,
:01:56. > :02:04.it's crammed. I'll be speaking to that lot in a
:02:05. > :02:15.bit so don't tire yourselves out. There's definitely
:02:16. > :02:17.a party atmosphere here tonight, but how are things over at the
:02:18. > :02:30.Strictly Studios in Elstree? Hi, it's Vanessa. I am back here for
:02:31. > :02:34.the first time since 2013, I can't believe it. Peter Andre dancing in a
:02:35. > :02:36.You will see Jeremy and Karen rehearsing.
:02:37. > :02:38.Tomorrow night they're dancing the Tango to Go West
:02:39. > :02:53.Stick with me, baby. I will be talking tango with Jeremy and Karen
:02:54. > :02:58.tanning with Ali Ash and tailoring with the lovely Vicky Gill. Lovely
:02:59. > :03:00.to have her back. Right, first up tonight they gave
:03:01. > :03:02.their Harry Potter-themed paso everything they had on Saturday
:03:03. > :03:41.night, Hogwarts and all. Welcome Kellie and Kevin. Princess
:03:42. > :03:48.Leya, Hermione, you are having far too much fun. I am. Unbelievable,
:03:49. > :03:55.how was your paso? I loved it, we had the best time. We had a blast. I
:03:56. > :04:03.was pleased we managed to negotiate fireworks and a table and we had an
:04:04. > :04:10.explosion. You couldn't have had any more in there. Was dancing on top of
:04:11. > :04:14.the scary? It was narrow. The first time we rehearsed with the table was
:04:15. > :04:20.the day before on Friday and they set it up in a tent, next door to
:04:21. > :04:25.the studio. It was that table, but we have two benches that were quite
:04:26. > :04:29.narrow on two legs either end. The first time we went through it, I
:04:30. > :04:35.stepped off onto the bench and the bench went from under me and broke
:04:36. > :04:42.and I landed on my bottom. Have we got it on video? No! Sadly it was
:04:43. > :04:46.only Kevin and I in the win but I have never seen Kevin Clifton look
:04:47. > :04:49.so worried in my life -- in the room. I was expecting tens for that
:04:50. > :04:56.dance. LAUGHTER I don't mean to cry laughing but did
:04:57. > :05:00.you hurt yourself? Luckily my bottom cushion the blow. There is nothing
:05:01. > :05:05.on that bottom. So skilled, how was last week, perfecting the paso? I
:05:06. > :05:12.will be we honest, I wish I had more time. To practice. I really felt, I
:05:13. > :05:16.loved it, we had a great time but I feel like if I had a bit more time
:05:17. > :05:21.to actually get to grips with the dance itself, I probably could have
:05:22. > :05:24.done a better job. You need to stop sleeping! LAUGHTER
:05:25. > :05:31.Honestly, she is not taking it seriously enough. Kevin, Star Wars,
:05:32. > :05:34.Harry Potter. We are working our way through your favourite films, what
:05:35. > :05:40.is your next fancy dress up? We are excited. I am lucky that Kellie goes
:05:41. > :05:46.along with my crazy ideas. I have told him I will not be a wrestler.
:05:47. > :05:55.She said no to that. Star Wars and Harry Potter. I have always dream of
:05:56. > :06:01.dressing up as the fresh Prince. The Carlton dance. Can you work that
:06:02. > :06:03.into musical week? 28 points, 7 from the judges, were you disappointed,
:06:04. > :06:12.it is not a terrible score but after working, did you think he is? It is
:06:13. > :06:16.a difficult one. For me, I felt disappointed, slightly disappointed,
:06:17. > :06:20.for Kevin more than myself. I felt like because he is the paso king and
:06:21. > :06:27.all of that. I thought, I have let you down. Did she let you down? That
:06:28. > :06:30.is ridiculous, she was amazing. You were absolutely amazing. He is
:06:31. > :06:40.loving dancing with you. CHEERING Let's talk about this, we absolutely
:06:41. > :06:42.loved it, this week you are slowing it down, two very fast dancers, paso
:06:43. > :06:46.and the jive. As it been quite nice it down, two very fast dancers, paso
:06:47. > :06:51.to do a waltz and take down the pace, not that it is easy because it
:06:52. > :06:58.is not? It is not easy, it is difficult. I have really enjoyed it
:06:59. > :07:05.until last night. O no. Classic Take That. Hang on. What do we think, it
:07:06. > :07:10.looks good. What happened last night? I struggle. I had a run of
:07:11. > :07:15.training sessions where I felt like... Everything went wrong. You
:07:16. > :07:18.know when you feel you have learned it and then it all goes out the
:07:19. > :07:24.window and you have forgotten everything. I did not get in the
:07:25. > :07:28.right position, my pivots was awful. I felt frustrated and really sad.
:07:29. > :07:36.But that's good because it is out I felt frustrated and really sad.
:07:37. > :07:42.the way. I'm all good, today. We are not -- we love a story with a happy
:07:43. > :07:46.ending. Is it a tear-jerker, I am already on the edge? I hope so. I
:07:47. > :07:53.hope people won't cry because it is bad. It is lovely. I don't want to
:07:54. > :07:55.go down the really sad root of IR Megyn Kellie sad apparently. We
:07:56. > :08:01.tried to put a Megyn Kellie sad apparently. We
:08:02. > :08:09.than love, hate, we are breaking up. We are moving house. Love Ain't Here
:08:10. > :08:14.Anymore. Just going down the road. We are still together. You obviously
:08:15. > :08:19.thought about me. We noticed how you deal with Kellie's training room
:08:20. > :08:20.frustrations very well, he showered her with smiles and happiness.
:08:21. > :08:35.Enjoy. LAUGHTER I don't think I should be on the
:08:36. > :08:41.television, any more. Gosh! Let me see that happy face. I want to get
:08:42. > :08:47.it right. Don't give me that grumpy face. LAUGHTER
:08:48. > :08:53.And again. LAUGHTER APPLAUSE
:08:54. > :08:59.He is amazing I have to tell you, last night, when I really felt like
:09:00. > :09:03.it was all going wrong, the song is Take That Love Ain't Here Anymore.
:09:04. > :09:07.Kevin sang to me, Take That Love Ain't Here Anymore.
:09:08. > :09:20.dance, Kellie is awesome at the How can you not smile when that is
:09:21. > :09:21.happening? We cannot wait. Good luck tomorrow night, Kellie and Kevin.
:09:22. > :09:41.APPLAUSE APPLAUSE
:09:42. > :09:46.Sorry, Kellie. Norman, I hope you don't mind. LAUGHTER
:09:47. > :09:49.Thank you. I'm getting quite hot. Now, so far our couples have
:09:50. > :09:51.performed six routines, but there's no rest for
:09:52. > :10:11.the wicked as Georgia and Jeremy are This week, Samba. Bouncy. Hips.
:10:12. > :10:16.There are quite a few part I am struggling with because it is so
:10:17. > :10:20.fast. That was really throwing me, the direction. It is about having
:10:21. > :10:25.the energy on the night to keep it until the end. I am 24 and I feel
:10:26. > :10:27.50. I have bruises on my arm, wounds. My legs are killing, but it
:10:28. > :10:42.will be worth it, I am sure. This week we are dancing the tango.
:10:43. > :10:47.God. Karen has got a really nasty, lost her voice, thing. She has given
:10:48. > :10:52.me a film of my part. Does this look bizarre? I bet it is really funny.
:10:53. > :10:55.It is quite hard to dance while holding a phone. There is a lot of
:10:56. > :10:59.work that needs to go into the technical aspects of the tango. You
:11:00. > :11:04.look a bit frail, you need to be rock solid. I am pushing for Jeremy
:11:05. > :11:09.to keep that frame absolutely impeccable. Look up. There is a lot
:11:10. > :11:10.of responsibility. If I started to sag here, there is nothing she can
:11:11. > :11:13.do. Let's head back to the Strictly
:11:14. > :11:24.studios to see what mischief Vanessa Here I am in make up work right a
:11:25. > :11:32.lot of the magic of strictly happens. I am with Jeremy and Karen.
:11:33. > :11:37.Hello, how are you? I am doing fine. I have watched you rehearse. I had
:11:38. > :11:40.been sworn to secrecy. You are halfway through Strictly, did you
:11:41. > :11:44.think this would happen? No, I didn't and it is down to my
:11:45. > :11:49.teacher. Making small improvements and I am loving it so much, I am
:11:50. > :11:55.loving learning. This dance that we are doing is a tango, hard to show
:11:56. > :11:59.joy in a tango. I wonder what that facial expression was, maybe you can
:12:00. > :12:05.edit files, what were you trying to convey with that face? Stern. You
:12:06. > :12:12.don't want to brood in a couple of times. He has to be proud. Give me
:12:13. > :12:18.proud. That's right. Proud. We saw you attempt at the tango face. It
:12:19. > :12:23.was a bit... Slightly misfired last time. Could you show us how it has
:12:24. > :12:29.improved. Last time I was trying to do a news face and this time it is
:12:30. > :12:33.like that, is that working? Did me a smile with the tango face. We want
:12:34. > :12:41.to bring that smile in. But then a stern face. LAUGHTER
:12:42. > :12:48.It doesn't work if you laugh. We will do it together. I'm impressed.
:12:49. > :12:53.That is completely different on a level from last time. Normally, we
:12:54. > :12:56.are supposed to be serious journalists. If you are interviewing
:12:57. > :13:00.yourself at this point in your journey because this is an epic
:13:01. > :13:04.odyssey you are making, what would you ask yourself? You are wearing a
:13:05. > :13:08.cowboy costume and I famously did a graphic some years back when I was
:13:09. > :13:13.in a cowboy hat and I got panned for it in an election. I was thinking
:13:14. > :13:16.this is awkward for me and Karen said to me I will give you something
:13:17. > :13:22.to do, I guarantee you had never done it before, where a cowboy hat
:13:23. > :13:26.on TV and I'm afraid I had. This is bringing back that graphic. It is
:13:27. > :13:30.wonderful to see the set and the lights and everything working
:13:31. > :13:34.together, in service of the dance. It is stuff I have never done
:13:35. > :13:40.before. Has he got the true grit to make something magical out of the
:13:41. > :13:43.tango? He is an absolute legend. Everything I choreographed he always
:13:44. > :13:49.brings out the best of it. Every time it is a home run for me. With
:13:50. > :13:52.Jeremy. When I did Strictly, you could feel fine until you are right
:13:53. > :13:56.for the Jets rehearsal and see what the people rehearsing, have you seen
:13:57. > :14:00.anyone else rehearse? Karen has advised me not to look too closely.
:14:01. > :14:05.I saw Peter Andre rehearsing and I could tell it was going well and I
:14:06. > :14:09.looked away. This dance doesn't have a lift and one of the things that I
:14:10. > :14:13.find the scariest and you are probably the same, is when you get
:14:14. > :14:17.lifted all you have to lift the person. We had a death drop last
:14:18. > :14:22.time and I said to Karen, why is it called that and she said if you drop
:14:23. > :14:25.me I am dead. No lift, this time. Reassurance in that. I had some
:14:26. > :14:33.quickfire questions because a bonfire night, Jeremy, who is the
:14:34. > :14:39.loudest celebrity this year? Iwan always talking in a lovely way. Who
:14:40. > :14:48.is the most competitive couple? Oh! That's hard. They hide it well. Not
:14:49. > :14:50.sure. Too diplomatic. If you could listen to just one album for the
:14:51. > :14:58.rest of your life, would you Peter Andre The Platinum Collection
:14:59. > :15:05.or Daniel O'Donnell The Inspiration choose Green you don't even mention
:15:06. > :15:13.the wanted. Peter, because he is still in. That was so diplomatic.
:15:14. > :15:15.Now, we're halfway through the series, and with some classic
:15:16. > :15:20.routines already in the Strictly history books, it's time to preview
:15:21. > :15:23.what is coming your way this weekend with my Friday Panel.
:15:24. > :15:34.Please welcome, Alexander Armstrong, Lisa Faulkner and Rufus Hound.
:15:35. > :15:42.Calmed down. The exciting thing this year, Alexander, and you looked
:15:43. > :15:47.delightful. I am hosting a snooker tournament! Is that they are taking
:15:48. > :15:57.turns at the top. Does it make it more exciting that there is no clear
:15:58. > :16:06.favourite? Do you look at trends. Anita, having a fantastic time. It
:16:07. > :16:14.is hard to call. It is. We have the Argentine tango. The first. Do you
:16:15. > :16:20.Argentine tango? No? What a shame. I imagine you and Richard doing an
:16:21. > :16:27.Argentine tango. He would rose. What has been your highlight? One of my
:16:28. > :16:34.highlights was Helen being Marilyn Monroe. She was beautiful. She
:16:35. > :16:42.danced to I want to be loved by you. She was beautiful. I sat there
:16:43. > :16:51.and... She is one to watch. She is very good. At the top a lot. We have
:16:52. > :16:58.a trained dancer among us. APPLAUSE. Cheryl Cole is now a thing
:16:59. > :17:09.of legend. Brilliant. As a professional dancer, Rufus, who has
:17:10. > :17:14.impressed you this series? The God's honest truth, we are at that
:17:15. > :17:18.stage when we know the rubbish ones and we know the good ones and I have
:17:19. > :17:22.not decided which of the good ones is my favourite but there are
:17:23. > :17:27.rubbish ones I was fond of who bit the dust early. He went to soon? I
:17:28. > :17:35.quite fancy to seeing more of Ainsley Harriott. I would like
:17:36. > :17:39.somebody you can see the joy of dancing in their eyes. Coming
:17:40. > :17:45.through in their performances. Technically it was all over the
:17:46. > :17:51.place. Dancing is the vertical expression of horizontal desire and
:17:52. > :18:04.you felt that with Ainsley Harriott. Kellie and Kevin, feast your eyes.
:18:05. > :18:12.They are doing a waltz to Take That. Beautiful frame. Lovely. Waltz.
:18:13. > :18:19.Katie had a brilliant week with hers. It can sometimes awaken the
:18:20. > :18:29.Viennese in people. If anybody has seen my fear -- Viennese. With a
:18:30. > :18:34.bite mark edit, I will have it later! It could be a good week for
:18:35. > :18:39.them. I love Kellie and Kevin. Last week and they were amazing. Believe
:18:40. > :18:41.my daughter was watching because it was all Harry Potter and she was
:18:42. > :18:57.excited. -- Billy. What do you was all Harry Potter and she was
:18:58. > :19:04.of Katie, this is her quickstep? 42nd Street. If you cannot excel
:19:05. > :19:13.with Anton du Beke in a quickstep, get off the show. If you are doing a
:19:14. > :19:17.Latin dance with Anton du Beke, you are not necessarily entirely
:19:18. > :19:22.responsible for the outcome. But in the hands of Anton du Beke, a
:19:23. > :19:26.quickstep... And you can tell it is all the things a quickstep should be
:19:27. > :19:31.to be pleasing. That will be smashing. You have not got to worry
:19:32. > :19:33.to be pleasing. That will be about that. Top
:19:34. > :19:38.to be pleasing. That will be will go as far as saying probably
:19:39. > :19:47.top two. Remember that, ladies and gentlemen. Jamelia and Tristan
:19:48. > :19:53.having an interesting time. Viennese waltz. Will she stay out of the
:19:54. > :19:59.bottom two? Do you think it will be a repeat performance? I feel for
:20:00. > :20:04.Jamelia. She is doing well, she looks beautiful. Being in the bottom
:20:05. > :20:09.two for two weeks must knock your confidence and I do not know how on
:20:10. > :20:16.Monday you think, I must start again. I feel sorry for her because
:20:17. > :20:25.she is doing well. People love a waltz. The viewers at home love a
:20:26. > :20:31.waltz. Will you be voting? Yes! They say that now... What would it
:20:32. > :20:38.do to your confidence, Alexander? I don't know what you do to get around
:20:39. > :20:49.that because it is about boys, is it there, or there, I forget -- poise.
:20:50. > :20:55.Helen and Aljaz. A rumba, this week, which can be a bit weird. They are
:20:56. > :21:01.dancing to Adele and she is pretty amazing. I think it will be
:21:02. > :21:05.special. Are you moved? I am moved. Helen dances so well. Look at this.
:21:06. > :21:10.This I think is a Helen dances so well. Look at this.
:21:11. > :21:19.The rumba, you can get good points for the rumba. Yes, it is hard to
:21:20. > :21:21.remember a good rumba. That looks like a gold standard. They might be
:21:22. > :21:35.looking at top marks. like a gold standard. They might be
:21:36. > :21:42.the bottom of the leaderboard, but like a gold standard. They might be
:21:43. > :21:48.why. Why is she so high up in the people'shearts? Because she goes for
:21:49. > :21:53.it. I saw her earlier and said, do you feel sick on a Friday night,
:21:54. > :21:58.thinking about Saturday? She said yes, but I love it. It is so nice to
:21:59. > :22:07.see how everybody is excited by it and she goes for it. Go, Carol. If
:22:08. > :22:12.you like the music the couples are dancing to, go to the website for
:22:13. > :22:21.these Strictly playlist. The panel will be back later. And singing, as
:22:22. > :22:32.well. Finally. The BBC received my letters. In green pen! When, oh when
:22:33. > :22:33.well. Finally. The BBC received my Strictly It Takes Two? I pay my
:22:34. > :22:36.licence fee! Now, our pros have been working
:22:37. > :22:52.on something very special to mark I am at group dance training and we
:22:53. > :23:02.are taking a trip into the 1940s. It is a jive, really fast, feet going
:23:03. > :23:11.at 1 million mph. What you will see is flicks and kicks and to do that
:23:12. > :23:20.you have to lift your thigh and flicked back foot. A lot of basic
:23:21. > :23:26.step. Once it starts, it is full on. They really go for it in this
:23:27. > :23:36.number. They are at home with this dance. They know this dance. I have
:23:37. > :23:43.no idea what is happening. Kick and drunken sailor.
:23:44. > :23:46.In this dance me and my friends have been flown in to entertain the
:23:47. > :23:53.troops and I am actually going to sing. That is it for group dance
:23:54. > :23:59.training. Make sure you tune in on Sunday I cannot wait for you to see
:24:00. > :24:03.it. Thank you very much and well done to kneel the choreographer with
:24:04. > :24:06.the red hair, he is the world professional American show dance
:24:07. > :24:09.champion. APPLAUSE. Nice work.
:24:10. > :24:11.Next up, Craig said their rumba was more like
:24:12. > :24:47.Hello, my darlings. Welcome, welcome. Can I say top marks on your
:24:48. > :24:54.outfits on Saturday, they were incredible. You were smiling
:24:55. > :25:02.throughout the dance. How much fun was it? You've got a bit shy with
:25:03. > :25:08.the rumba. It was brilliant doing the dance. The costumes were
:25:09. > :25:16.awesome, as always, but particularly during Halloween. How heavy was that
:25:17. > :25:25.how? Very heavy. The judges were less than kind. Two from Craig.
:25:26. > :25:29.Naughty Craig. Carol, it does not matter what, you smile throughout.
:25:30. > :25:39.Is there a little bit of you inside thinking, oh, no? Sometimes I wish
:25:40. > :25:46.it was a 12 rather than a two. 12! That would be nice. It is good fun.
:25:47. > :25:54.Learning to dance with Pasha, what a privilege. I love it. You can feel
:25:55. > :26:02.it. All the ladies in the front row saying yes, also. The judges were
:26:03. > :26:10.harsh on Carol, do you feel protective? Yes, she is doing so
:26:11. > :26:15.well and improving so much and when somebody says otherwise, they had
:26:16. > :26:22.better deal with me. I like the idea may be in the bar later it is Len
:26:23. > :26:33.Goodman, could you step outside? If you make it to the bar! Len was
:26:34. > :26:37.harsh on you, as well. Pasha, have you ever mention to
:26:38. > :26:41.Carol you must not step forward on the heels during the time you have
:26:42. > :26:50.been trading her this week? It is my fault. It is totally forbidden. You
:26:51. > :26:58.cannot walk on your heels. It is ball flat. That was in the coffin,
:26:59. > :27:02.the footwork, for me. You do teach about the footwork. I thought it was
:27:03. > :27:09.gracious of you to say it was your fault. People have to realise that
:27:10. > :27:15.as Carol said, when she came to Strictly she had two left feet. Now
:27:16. > :27:23.she has left and right. A great improvement. Now we start learning
:27:24. > :27:28.and using the fact there is a heel and toe. It is so good to see you.
:27:29. > :27:37.This week we move onto the American smooth. Shania Twain. Shall we
:27:38. > :27:48.hear... How much fun are you having this week? It is such good fun.
:27:49. > :27:58.There are ups and downs. There is plenty of this. Show us, Carol. That
:27:59. > :28:05.is your best move. Do it the whole routine. Could this be Carol's
:28:06. > :28:10.dance? Absolutely, yes, it is a strong character. Carol gets into
:28:11. > :28:17.it. No one can stop her. I am excited. Christmas is only 48 days
:28:18. > :28:30.away. You have given a new meaning to the term Carol singing. Grab your
:28:31. > :28:45.copy of Carol's hotly anticipated Warm Front. Groove on down to
:28:46. > :28:51.Carol's tunes. SHE SINGS. Whatever the forecast, this will
:28:52. > :29:08.brighten up your day. Carol Kirkwood's Warm Front.
:29:09. > :29:12.Twerky with Kirkie! Can you sign this? Even though you are at the
:29:13. > :29:18.bottom of the leaderboard, the public love you. That must fill your
:29:19. > :29:23.heart with pride. Thank you so much to everyone voting for us. It is
:29:24. > :29:28.brilliant. Anybody in the audience voting?
:29:29. > :29:33.Yes! They say that now... Can you give us
:29:34. > :29:38.a weather run down for the weekend. Tomorrow during the day, wet and
:29:39. > :29:43.windy, but by the time the bonfires are unlit and fireworks displays, it
:29:44. > :29:47.should be clear. Maybe a breeze in the North and Scotland, but beyond
:29:48. > :29:53.that, it should be fine. But nobody will be going to these, they will be
:29:54. > :29:56.watching Strictly. How are you feeling at the halfway point, are
:29:57. > :30:06.you pleased with Carol's progress? The progress is amazing stop if it
:30:07. > :30:10.is only halfway I cannot wait. Good luck tomorrow with your American
:30:11. > :30:13.smooth. Gorgeous, as always, Carol and Pasha.
:30:14. > :30:16.Now, let's see how preparations are going for tomorrow's show back
:30:17. > :30:27.Vanessa, are you there, hallow my darling. There is one thing
:30:28. > :30:28.everybody involved in struggling Mac is used to.
:30:29. > :30:31.That smell of biscuits can only mean one thing, fake tan!
:30:32. > :30:34.I'm here in the Strictly tanning room with our
:30:35. > :30:38.Michaella, how does someone become a tanning expert?
:30:39. > :30:45.I trained as a beauty therapist and then did some training in tanning
:30:46. > :30:50.and here I am, four years on. It is almost a religious obligation, you
:30:51. > :30:56.cannot not get one. Not really. We are here for body confidence. What
:30:57. > :31:00.does that mean? They get a second skin so they look healthy and with a
:31:01. > :31:04.globe. Do you have to persuade some celebrities, it is a bit shy, you
:31:05. > :31:09.have to take off pretty much all your clothes. Yes, the pros do a
:31:10. > :31:14.good job, they persuade the celebs it is OK and it makes them feel
:31:15. > :31:19.safe. Rumour has it, some celebs and pros have one dip, some double-dip
:31:20. > :31:24.and some go even further. In my year, Susanna Reid went for the
:31:25. > :31:28.quadruple dip. It is about skin tones, we go with what they look
:31:29. > :31:31.like naturally and enhance the natural colour. There are different
:31:32. > :31:38.towns with different names including O'Reilly? Yes, Ecuador and result.
:31:39. > :31:44.Light, medium and dark. Brazil is pretty dark to have a tan.
:31:45. > :31:47.Absolutely. You get to see virtually everyone in the nude.
:31:48. > :31:55.Unfortunately, I have the miserable job of seeing Aljaz show... Show us
:31:56. > :32:00.what you will do. Brazil and I want to smell like cookies. Let me move
:32:01. > :32:06.back while she does this a little bit. This view
:32:07. > :32:13.back while she does this a little am enjoying it. It is cold. Are you
:32:14. > :32:21.suffering or enjoying it? I tend to love it now. INTERFERENCE when Streb
:32:22. > :32:28.is not on, I don't do it normally. -- when Strictly. You feel pampered
:32:29. > :32:33.and lovely? Yeah. You look pampered and lovely. I can't wait to smell
:32:34. > :32:38.like cookie. Give me your arm. He does!
:32:39. > :32:50.It's freezing! What do you think? You look like burnished mahogany in
:32:51. > :32:56.the best possible way. INAUDIBLE I love it. Even the camera was
:32:57. > :32:59.melting down during that. At the sight of Aljaz half naked. I hate
:33:00. > :33:00.you. Craig liked the story telling.
:33:01. > :33:03.my next guests Maleficent-themed Darcey thought it was
:33:04. > :33:09.incredibly enjoyable. It's like a wedding! Anita and Gleb,
:33:10. > :33:45.Wellcome. It's like a wedding! Anita and Gleb,
:33:46. > :33:50.astounding, your performance. Flying down in your wings. How difficult is
:33:51. > :33:52.astounding, your performance. Flying it to dance with little horns on
:33:53. > :33:55.your head? It is hard enough to learn the waltz and then the amazing
:33:56. > :34:02.make-up and costume people stitched them into my hair. They are made out
:34:03. > :34:04.of chicken wire, with fake hair. Georgia stitched them into my hair,
:34:05. > :34:08.they were Georgia stitched them into my hair,
:34:09. > :34:09.my head and there was one move I had to do that and the horns just took
:34:10. > :34:15.my head and there was one move I had me around. Like a demented
:34:16. > :34:21.fairground ride. You had to go on your tip toes to get your arms. The
:34:22. > :34:29.homes kept the posture. Horns every week. Stapled onto the head. Len
:34:30. > :34:32.aside, he gave you a good score even though he said he didn't understand
:34:33. > :34:35.the story, the judges were entranced by the character and theme, that
:34:36. > :34:42.must help in getting into a performance? Halloween is a real
:34:43. > :34:46.moment in Strictly, everybody is excited weeks before it has even
:34:47. > :34:51.started. I will always have that Maleficent moment, I will always be
:34:52. > :34:56.Ryder on Strictly and coming down in those wings was brilliant -- the
:34:57. > :35:01.Maleficent. The Prince with the hair extensions. At first I wasn't sure
:35:02. > :35:08.and in the end, I said yes, I like that. Anything. 29, great scores but
:35:09. > :35:13.six from Craig, what do you need to get more from Craig? What did he not
:35:14. > :35:17.see, what did he want? I liked the fact that he liked the character and
:35:18. > :35:23.that Anita stayed in the character, that was the most important thing
:35:24. > :35:26.for Halloween. When Len said we did a beautiful waltz, she did a
:35:27. > :35:34.beautiful waltz are combining those two opinions together makes a
:35:35. > :35:39.perfect score. That's great. I have this weird, kind of, positive filter
:35:40. > :35:43.in my year. I don't mind the critique. I am learning. It is a new
:35:44. > :35:52.thing for me, I will never turn up and be perfect. You will. You will!
:35:53. > :35:59.Positive. I remember Craig saying you are capable. I thought, yes, OK.
:36:00. > :36:02.Take that! Len said your footwork was fabulous, that is the best
:36:03. > :36:10.condiment apart from a tan from Len, which I think you will get. -- best
:36:11. > :36:15.complements. The Lord God of ballroom said that my footwork was
:36:16. > :36:20.great in the waltz. That will be on his card, Lord God, Len Goodman.
:36:21. > :36:25.This week, Gleb onto the fast and the furious. Tell me how she is
:36:26. > :36:32.doing in the jive. She is doing great. We need a bit more speed. And
:36:33. > :36:36.her knees, lift them all and keep the bounce throughout the whole
:36:37. > :36:44.routine. It is a character, we are playing a character. We are both
:36:45. > :36:52.Strictly cleaners. Very glamorous. Cleaning service. I get it, washing
:36:53. > :36:57.up. The Boy Does Nothing. It will be fun. How is the jive, it is
:36:58. > :37:01.brilliant, but exhausting? You need to do it again and again. Just when
:37:02. > :37:07.you thought you knew what payment, the jive comes along. Really? It is
:37:08. > :37:13.really difficult -- pain meant. This will be Maestri Ki experience every
:37:14. > :37:17.week. Gleb gets a lump of clay and turns it into something together and
:37:18. > :37:22.we moulded into a performance on Saturday night. The jive is super
:37:23. > :37:29.difficult, knees up. I love it. I love the energy and the music. Good
:37:30. > :37:32.energy in training. Alesha Dixon. What is Gleb's training technique
:37:33. > :37:40.question might yes sir. How honest should I be? Seriously honest. He is
:37:41. > :37:44.Russian, he is strict. He is a strict teacher, but we work well
:37:45. > :37:48.together, we have good energy. When we are in the training room, we both
:37:49. > :37:56.train hard together, we have too. I don't have the option of resting,
:37:57. > :38:01.their week... We have to. I reward you with water sometimes. She is
:38:02. > :38:07.allowed to use the bathroom. And I can get coffee. I love rewards like
:38:08. > :38:12.that. We will now see exactly how much you have retained your dance
:38:13. > :38:17.knowledge, Anita with a little quiz. You have to sit over here next to
:38:18. > :38:23.me, Gleb, just there. I arranged this is especially. How are you? It
:38:24. > :38:28.is quite simple. It is gratuitous now.
:38:29. > :38:33.You have to person some headphones on and she will do some dancing and
:38:34. > :38:38.you will have headphones on with music and you have to guess what
:38:39. > :38:46.dance that she is doing. That you have done. Do you remember them?
:38:47. > :38:47.Let's see. S Club seven. Here is your first dance. The music is
:38:48. > :38:51.coming. Charleston. He has taught her so
:38:52. > :39:20.well. We got it. Waltz. I can never tire of that
:39:21. > :39:30.move. Here's another one. Keep your headphones on. Cha-cha. So good.
:39:31. > :39:36.Love this game. One more is that it? The last one.
:39:37. > :39:53.Not bad at all. How impressed? My girl! I was taught by the best. I
:39:54. > :39:55.give you a ten. Good luck tomorrow, you are amazing. Anita and Gleb!
:39:56. > :39:57.CHEERING Now, time for Robin Windsor to
:39:58. > :40:12.continue his jaunt through the Hi, history fans, I will show you
:40:13. > :40:18.some of the best moments from strictly. We have already seen great
:40:19. > :40:25.moments from the show with letters A-I. Let's get cracking with the J.
:40:26. > :40:31.J is for the judges' entrances, and they know how to make an entrance.
:40:32. > :40:37.They have stormed into the Strictly ballroom, strutting their stuff for
:40:38. > :40:39.a few years now. Just showing us they still have the moves in their
:40:40. > :40:49.lockers. K is for Casey Casey. There has been a lot of love shared
:40:50. > :40:53.on the strictly dance for and a lot offered. Who can forget the cheeky
:40:54. > :40:58.passions between Gavin Henson and Bruno? And then Ben Cohen and Craig.
:40:59. > :41:11.Who also got to kiss Mark Wright. Of course, husband and wife, Kevin
:41:12. > :41:16.and Karen. They are so loved up. Get a room!
:41:17. > :41:22.L is for Len, he's the king of the one-liners. I haven't seen movement
:41:23. > :41:27.like that since the film sea biscuit. It had more polished than
:41:28. > :41:32.another ten front door. Shut up, close the door and call me Mary!
:41:33. > :41:36.Here's what he looks like on the very first show. He hasn't aged a
:41:37. > :41:43.day. You have the right attitude, bit of fun, marvellous.
:41:44. > :41:51.M is the malfunction. Wardrobe malfunction. Do you ever when Alison
:41:52. > :41:53.Hammond's dress covered Ali Ash's face in last year's special? She
:41:54. > :41:58.could not stop laughing. LAUGHTER
:41:59. > :42:11.Nor could I. N is for Natasha Kaplinsky. She was
:42:12. > :42:15.our very first winner of Stricker, dancing.
:42:16. > :42:25.The house. You are crying. There is no way I thought I was going to cry,
:42:26. > :42:28.but I blew it so much. You are honestly amazing.
:42:29. > :42:40.Mark, you got me totes emosh. I'm having a moment. Back to you, Zoe.
:42:41. > :42:46.Don't set me off. Alexander Armstrong,
:42:47. > :42:56.Lisa Faulkner and Rufus Hound. We must discuss the rest of the
:42:57. > :43:02.couples, let's have a look at Anita and Gleb. They are doing rather
:43:03. > :43:06.marvellously, they are doing a jive, Strictly cleaners they have
:43:07. > :43:12.exclusively revealed, how is this looking? Alexander? That looks just
:43:13. > :43:17.beautiful, look at Anita, fabulous, having fun. The jive you need the
:43:18. > :43:22.technique. Once you have mastered that, which incidentally I think she
:43:23. > :43:27.has, you can then really just throw your weight into it and have fun. A
:43:28. > :43:37.deep intake of breath. The jive sued the small people. They always excel.
:43:38. > :43:43.And she is diddy. She can get that speed. Flicks and tricks and kicks
:43:44. > :43:48.and twirls. She is built for it. Speroni legs. Do you like Gleb?
:43:49. > :43:52.and twirls. She is built for it. was told on the way in that these
:43:53. > :43:57.women would rip me limb from limb if I said he was of the most handsome
:43:58. > :44:02.man on earth. He is the most handsome man on earth. APPLAUSE
:44:03. > :44:08.Let's talk about Jeremy Vine and Karen Clifton. Dancing at tango to
:44:09. > :44:16.The Village People. It does not get more camp than this. Look at his
:44:17. > :44:22.face. I love him! I love him. Are you feeling the love for Jeremy,
:44:23. > :44:23.like the nation? I love Jeremy. He is a real trier. I can't believe
:44:24. > :44:30.that he is doing it. is a real trier. I can't believe
:44:31. > :44:34.you hear Jeremy Vine will be in Strictly and I want to listen to him
:44:35. > :44:36.every day and I was like, my God, really because I could not imagine
:44:37. > :44:48.him dancing and he is That is what you have to love. Every
:44:49. > :44:50.time he dances, it is extraordinary. It is like Gujarat giving birth.
:44:51. > :44:54.Part of you thinks It is like Gujarat giving birth.
:44:55. > :45:05.away but the other half is fascinating, to see what those limbs
:45:06. > :45:16.end up becoming -- giraffe. And now, Volare, Georgia and Giovanni.
:45:17. > :45:21.Here is the pocket rocket. She is bouncy, up and down.
:45:22. > :45:26.Here is the pocket rocket. She is rehearsal, let alone the bells and
:45:27. > :45:31.Here is the pocket rocket. She is tend to go out,
:45:32. > :45:33.Here is the pocket rocket. She is what dance you get and some
:45:34. > :45:36.Here is the pocket rocket. She is are not your dance and
:45:37. > :45:41.Here is the pocket rocket. She is that is her dance. They are smiling
:45:42. > :45:48.all the way through. Do you like the samba? I know lots about the samba
:45:49. > :45:48.all the way through. Do you like the and I fancy doing it. Only last week
:45:49. > :45:54.I spotted Georgia and thought, and I fancy doing it. Only last week
:45:55. > :45:57.she is a real contender. Suddenly, and I fancy doing it. Only last week
:45:58. > :46:10.it is the time for people to pop out and I am looking forward to her
:46:11. > :46:13.dance. She looks ace. Let's move on to Jay and Aliona. The first
:46:14. > :46:22.Argentine tango. They hold back a to Jay and Aliona. The first
:46:23. > :46:26.for Jay. We remember Simon and Kristina last year and there is, it
:46:27. > :46:31.was excellent. Looking at this footage, has he got what it takes?
:46:32. > :46:41.Look at the smoulder. It is very restrained. I am in furthering
:46:42. > :46:47.something from this. I think a lot of footwork will be going on, I am
:46:48. > :46:54.guessing. I think they are deliberately not unleashing
:46:55. > :46:57.something. Do you know what I mean? That has been edited because
:46:58. > :47:05.something very special is going to happen tomorrow. I do hope you are
:47:06. > :47:09.right. We will be so disappointed! Those are the actual outfits they
:47:10. > :47:16.will be wearing! Are you impressed with Jay? I probably should not say
:47:17. > :47:22.this but to be honest, hairdressers up and down the country should be
:47:23. > :47:26.grateful to Jay. You looked at him on week one and thought, you are
:47:27. > :47:31.finished. He had the haircut and you thought, why are you so handsome?
:47:32. > :47:37.Where have these beautiful arms come from? He has incredible poise, and
:47:38. > :47:44.it comes from the core. The movement is driven by the heart. He is
:47:45. > :47:51.exquisite to watch. With that hair, previously, all you were doing was
:47:52. > :47:56.looking at the hair and going, no. I think he is getting more handsome
:47:57. > :48:01.every week. I feel we are watching him become a man. I think I am
:48:02. > :48:08.watching a woman who wants to watch him becoming a man. You do not even
:48:09. > :48:15.know! Peter and Janette doing the Charleston to Basement Jaxx, Do Your
:48:16. > :48:24.Thing. Lovely Peter Andre. You are a huge fan of beta, Lisa. I love
:48:25. > :48:31.Peter. I think he is brilliant. He has only been top of the leaderboard
:48:32. > :48:39.once. Week one. I think the judges know he is really very good and so
:48:40. > :48:46.they are saving him. Last week I think Len said you have this street
:48:47. > :48:52.dance thing. Not everything is a street dance. And suddenly you have
:48:53. > :48:59.the popping a locking cupboard this is his dance. Chop, chop. You need
:49:00. > :49:08.to give me a name. We have got to the stage when you cannot separate
:49:09. > :49:13.the front runners. I hope it is not Jeremy, but... I hope it is not
:49:14. > :49:20.going to be Jamelia. I hope for her she will not be at the bottom two.
:49:21. > :49:25.You have to go with form. You have knocked on the door twice, the third
:49:26. > :49:31.time, they are going to open it! Haven't they been wonderful? Find
:49:32. > :49:38.out how our couples do tomorrow 6:30pm, with Tess and Claudio. Let's
:49:39. > :49:39.hear it for Lisa, Alexander and Rufus.
:49:40. > :49:46.Right, for the final time, let's head back to the Strictly studios
:49:47. > :49:58.I am back in the Strictly bubble and do not want to leave. Earlier I
:49:59. > :50:16.watched Jamelia and Tristan rehearsing.
:50:17. > :50:24.How gorgeous. I am in wardrobe with Vicky Gill. How you? What is that
:50:25. > :50:29.beautiful dress? We had sketches of this last night and so in the flesh.
:50:30. > :50:33.Georgia was the first fitting and we were jumping for joy because it fit
:50:34. > :50:38.perfectly and she liked it and the executives passed it. We are really
:50:39. > :50:46.happy. This is for the samba. This is it in the flesh. They can see how
:50:47. > :50:53.tiny it is, just like her. She is tiny. Gorgeous. What is this
:50:54. > :50:58.peculiar looking thing? We have been busy. We ran out of time on Gleb and
:50:59. > :51:04.we just had to buy a boiler suit and that hat to do! I do not believe
:51:05. > :51:09.you, that never happens on Strictly. Their concept requires this kind of
:51:10. > :51:16.look. I am not sure I am allowed to say. That is why we have a boiler
:51:17. > :51:23.suit. I think the clue is The Boy Does Nothing, isn't that the clue?
:51:24. > :51:30.There is something that says men's pants. May I? I have led a sheltered
:51:31. > :51:36.life. Use those? They are huge! , I take those own? They are quite
:51:37. > :51:41.remarkable. There are little ones. And socks. It has been great hanging
:51:42. > :51:48.out. And Q for having me. Lovely to see you, also. Zoe Ball, I have had
:51:49. > :51:55.a ball. Big kiss. Now, dance plays a major part
:51:56. > :51:57.in many people's lives, In a special film for Remembrance
:51:58. > :52:02.Day, our very own Natalie Lowe took a trip to meet a special couple who
:52:03. > :52:22.have kept dancing through Remembrance Day marks a sacrifice
:52:23. > :52:25.that service men and women all over the Commonwealth has made since the
:52:26. > :52:30.First World War and subsequent conflicts. I am in Coventry, which
:52:31. > :52:37.was one of the most heavily bombed cities in Britain and today I will
:52:38. > :52:44.introduce you to a wonderful couple who have been married for 71 years,
:52:45. > :52:51.Ron and Gladys, who have lived through it all. You were in Coventry
:52:52. > :52:57.in the 1940s. How was that? It was horrible. Everywhere you went,
:52:58. > :53:02.devastation. People gathered what they could and got a trolley,
:53:03. > :53:09.bicycle, that is about all they had. What a state they were in. In the
:53:10. > :53:14.years following the bombings, Ron volunteered for the RAF as a Eric
:53:15. > :53:18.Garner for the coastal guard. Our mission was to keep German
:53:19. > :53:22.submarines under the water, or shoot any on the top, if you could see
:53:23. > :53:29.them. Tell me about your brothers, who were part of the war. One was in
:53:30. > :53:40.the Army, the other in the Davie, another in the Marines -- in the
:53:41. > :53:46.Navy. It was a sad time for his mother. Ron was away six months?
:53:47. > :53:53.Yes. That was the hardest part. Wondering if he would come back. It
:53:54. > :53:58.was during his time in the RAF that Ron met Gladys. Tell me how you met.
:53:59. > :54:05.I was home on leave and went to the pub with my friend and I said look
:54:06. > :54:10.at that blonde, fantastic! I got up and asked her to come out with me
:54:11. > :54:15.and she came and that was it. It was love at first sight. We have been
:54:16. > :54:21.together ever since. You like to dance? We do like dancing. The dance
:54:22. > :54:30.halls in those days used to be full. I bet! Live bands. Do you like slow
:54:31. > :54:40.dancing? The quickstep. We did it years ago. I cannot move as fast as
:54:41. > :54:43.I used to. After 71 years, the couple are still dancing every week
:54:44. > :54:52.at their tea dance, when they meet old friends, learn new moves and
:54:53. > :54:56.reignite their lifelong passion for dance and each other.
:54:57. > :55:03.What is the key to 71 years of marriage? Looking up to each other.
:55:04. > :55:09.And going out dancing. Willing to accept your differences, that is the
:55:10. > :55:14.most important. Gladys, what does Remembrance Day
:55:15. > :55:21.mean? The end of the war, all the people we knew coming back all
:55:22. > :55:25.right, that was the main thing. Ron and Gladys are an amazing couple and
:55:26. > :55:35.an inspiration to us all. Through love and war.
:55:36. > :55:38.A special thanks to Ron and Gladys for being part of that film
:55:39. > :55:42.Now, to play us out with the wartime favourite,
:55:43. > :55:47.A Nightingale Sang In Berkeley Square is Alexander Armstrong.
:55:48. > :56:00.# When two lovers meet in Mayfair So the legends tell
:56:01. > :56:07.# Songbirds sing And winter turns to spring
:56:08. > :56:17.# Every winding street in Mayfair Falls beneath the spell
:56:18. > :56:30.# I know such enchantment can be Cos it happened one evening to me
:56:31. > :56:34.# That certain night The night we met
:56:35. > :56:45.# There were angels dining at the Ritz
:56:46. > :56:57.# And a nightingale sang in Berkeley Square
:56:58. > :57:13.# That when you turned and smiled at me
:57:14. > :57:26.# A nightingale sang in Berkeley Square
:57:27. > :57:31.# The moon that lingered over London town
:57:32. > :57:42.# How could he know We two were so in love
:57:43. > :58:01.# The whole darn world seemed upside down
:58:02. > :58:24.# Homewood step was just a slight. # And like an echo far-away # A
:58:25. > :58:29.nightingale sang in Berkeley Square.
:58:30. > :58:46.# I know because I was there. # That night in Berkeley Square.
:58:47. > :59:04.Join us on BBC One for a truly epic night of entertainment,
:59:05. > :59:08.featuring your favourite stars and shows.