:00:00. > :01:13.Live from London, this is Strictly programme Max -- It Takes Two!
:01:14. > :01:33.Please welcome your host, Zoe Ball! CHEERING AND APPLAUSE
:01:34. > :01:35.We have got a very busy night tonight, rest your legs.
:01:36. > :01:38.Welcome to our It Takes Two double bubble of fun.
:01:39. > :01:41.We're with you for the next hour, and our green room is chock full
:01:42. > :01:43.of beautiful faces tonight, my friends.
:01:44. > :01:53.Harry Judd, Sophie Raworth and Richard Osman.
:01:54. > :02:00.That is one very good-looking green room.
:02:01. > :02:03.Of course, tonight is also Children In Need night,
:02:04. > :02:06.and Pudsey is our very special guest of honour.
:02:07. > :02:11.Throughout the show we will be looking back at some classic
:02:12. > :02:13.Children In Need Strictly moments and teasing you with exclusives
:02:14. > :02:30.So excited about it, I really am! We can't wait!
:02:31. > :02:32.Classic Children In Need fun and frolics.
:02:33. > :02:35.And we have the ravishing Joanne Clifton at Elstree Studios.
:02:36. > :02:45.This week I'm going to be your pro in the know here at Elstree.
:02:46. > :02:52.If you take a close look behind me, you will see Jeremy and Karen
:02:53. > :02:58.rehearsing. Tomorrow they are dancing the quick step to Going
:02:59. > :03:10.Underground by The Jam. I think we have everything in place for a full
:03:11. > :03:13.-- fun filled night, Helen, Aljaz, Georgia, the stars of the Children
:03:14. > :03:18.in Need Strictly special. We are all set, back to you for now, Zoe.
:03:19. > :03:20.Now, Sunday night was the first time in weeks
:03:21. > :03:38.It's onwards and upwards for Jamelia and Tristan!
:03:39. > :04:05.# The only way is up... # Work it, you too might! Welcome to
:04:06. > :04:13.the show, they are a lively bunch! No dance-off at the weekend! What a
:04:14. > :04:17.relief! How happy were you? I was surprised, because you were like,
:04:18. > :04:23.hang on, we are not in the bottom two? I have to tell you something
:04:24. > :04:29.that happened, we could see the band, and the guy who was the head
:04:30. > :04:33.of the band, David Arch, he had the music for Trouble up on his piano,
:04:34. > :04:41.so we were like, oh well, he is getting ready. Even the band thought
:04:42. > :04:47.you were going! When they said our name, we were like, what?! It must
:04:48. > :04:52.be so brilliant, do not have to do that again. It was such a lovely
:04:53. > :05:00.feeling, I think it is more the fact that people voted for us to stay.
:05:01. > :05:05.Yeah, right? Thank you! Your second highest score that you have had, 28,
:05:06. > :05:15.a really moving Viennese waltz, and you looked quite surprised when the
:05:16. > :05:20.judges gave you the lovely sevens. I fell during the middle of the dance,
:05:21. > :05:29.I forgot half of the routine, but they didn't notice, so it is fine!
:05:30. > :05:37.We kind of blank it from here. Who left the kids are lying there?!
:05:38. > :05:41.Tristan, was that your body? -- the guitar. Three times in the
:05:42. > :05:47.dance-off, that must be hard, so it is good to have a boost, put you in
:05:48. > :05:52.a better frame of mind. I suppose so, do you know what? That was the
:05:53. > :05:57.one... It sounds a bit bad, but that was the one that I did want to do,
:05:58. > :06:03.the one dance-off, because the scores were great, I don't know how
:06:04. > :06:08.we got them, to be honest with you, but the scores were great, the stuff
:06:09. > :06:13.we worked on was good. But in terms of the dance itself, I really wanted
:06:14. > :06:20.to do it again. I think we both did, which is really weird. Don't wish
:06:21. > :06:26.for it too much! About this week is the samba, we're looking forward to
:06:27. > :06:30.that. And being voted through! The judges were very complimentary as
:06:31. > :06:35.well. The only thing was they said more arch in the back, and obviously
:06:36. > :06:40.the guitar case scenario. Did you feel a bit of a boost? Do you feel
:06:41. > :06:44.your confidence growing on the dance floor? Apart from falling over, I
:06:45. > :06:49.just genuinely feel that the fact that we are still here, it is mind
:06:50. > :06:56.blowing, I really thought I would be gone by week three. My gosh, maybe I
:06:57. > :07:00.am meant to be here! You wait, Jamelia, when you win... You first
:07:01. > :07:05.came to our attention as a performer, as a pop star. When you
:07:06. > :07:07.look back at your music videos, there was a lot of impressive
:07:08. > :07:38.choreography. Check this. What?! That is like looking at an old
:07:39. > :07:45.school photo! If you watch that video, I am out of time there as
:07:46. > :07:51.well! Brilliant! Tristan, you remember that? I remember the video,
:07:52. > :08:00.I didn't know that was you. Jamelia, Tristan, can you do that and move?
:08:01. > :08:05.No. I have since found out that that is not dancing, definitely not. Did
:08:06. > :08:10.all those moves come naturally to you? What I've found is that a lot
:08:11. > :08:14.of my dancing and experience that I thought I had was all top half of
:08:15. > :08:19.the body, nothing to do with footwork. We found that out in the
:08:20. > :08:28.worst way possible, live to the nation. Getting better, though! It
:08:29. > :08:31.is a prom night samba, I have been told, can you give us a little
:08:32. > :08:44.teaser of what we might expect? That! Kind of that, look at my
:08:45. > :08:54.socks, exactly. What sucks?! -- socks. Our PA hates it when Jay
:08:55. > :09:02.wears socks with shorts. Why is one rolled up, one trouser leg? I kept
:09:03. > :09:09.tripping on it. I kept tripping up over it. It looks a bit weird. When
:09:10. > :09:15.it is rolled up, it kind of looks like leggings. It is Friday! Would
:09:16. > :09:20.you say you preferred the Latin to the ballroom, Jamelia? Definitely,
:09:21. > :09:25.because of that reason, because you get to use your top of a little bit
:09:26. > :09:31.more. With the ballroom it is all... Rigid, uncomfortable. Are you
:09:32. > :09:39.liking the samba? I am loving it, loving the theme, prom night, it is
:09:40. > :09:48.fun, I love it. And how is the bouncing? I don't know! It is good.
:09:49. > :09:51.We learned yesterday from your tete-a-tete with passion that your
:09:52. > :09:58.past jobs have included being a landscape gardener, working in
:09:59. > :10:01.banking, and he was an electrician. Have any of them inspired anything
:10:02. > :10:09.in your dancing or in any routines are along the way? No. In the bank,
:10:10. > :10:14.I had to sell life insurance, so that doesn't really count. I had to
:10:15. > :10:21.dig deep in the garden, probably digging deep a little bit now. I am
:10:22. > :10:29.only joking! Do you know what? I loved all them jobs. You are good at
:10:30. > :10:33.this one. He is very good. And I am loving it even more now. Why do some
:10:34. > :10:40.people sued ballroom more than Latin? And do you have a
:10:41. > :10:44.preference? No, not really. For me, certainly, all the songs, if I hear
:10:45. > :10:48.a song I do not know, I know if I like it or not. When you are
:10:49. > :10:55.starting with someone that you really enjoy, not that you try
:10:56. > :10:58.harder, but you are already in a good mood, and with the Latin ones,
:10:59. > :11:03.you have a chance of dancing on your own, like you do at home. When it
:11:04. > :11:09.comes to ballroom... You are saying you can dance without me. This is
:11:10. > :11:21.going well! If you get through this weekend, hopefully you will be on
:11:22. > :11:28.your way to Blackpool, how exciting! To reach Blackpool would be
:11:29. > :11:32.amazing, I would probably burst. That may well happen, best of luck
:11:33. > :11:37.this week, we love you, Jamelia and Tristan!
:11:38. > :11:40.follows an array of different love stories.
:11:41. > :11:51.But will the course of Strictly love run smoothly, I wonder?
:11:52. > :11:59.This will definitely pull at your heartstrings, it is romantic, it is
:12:00. > :12:03.about chance, fate and love. There is a lot of different types of
:12:04. > :12:10.dancing, salsa, mambo, American smooth. We are trying to mix it up,
:12:11. > :12:15.do something different, tell a different story, that is the
:12:16. > :12:23.difficulty. Karren Brady likes her co-worker, Brendan, but he is
:12:24. > :12:29.proposing to Oti. Apparently she is in love with me, but I am in love
:12:30. > :12:34.with Oti. I am sad that you are proposing to somebody else, we are
:12:35. > :12:39.both married! It is getting complicated. Love can mean some
:12:40. > :12:44.different things to different people. Love is all-encompassing. It
:12:45. > :12:50.is the way that somebody makes you feel. Just sitting on the couch
:12:51. > :12:55.watching TV. A hot cup of tea with my wife next to me. Love is so many
:12:56. > :13:04.things, that is why dancing is the best way to express it, you cannot
:13:05. > :13:07.put it into words. Tune in this weekend to see if we have a love
:13:08. > :13:15.story on our hands or a Shakespearean tragedy. Shall we take
:13:16. > :13:20.a peek behind the velvet curtain of the Strictly rehearsals? Yes, I
:13:21. > :13:27.spied Joanne Clifton. Thanks, Zoe. Earlier today I saw Jay and Aliona
:13:28. > :13:32.practising in the studio, they are doing a foxtrot to Sam Smith's Lay
:13:33. > :13:38.Me Down, and there is a lot of basic steps, which is quite difficult. He
:13:39. > :13:45.looks very cool, very smooth and collected, I am looking forward to
:13:46. > :13:49.it. Now, with me I am joined by the gorgeous George and Giovanni, Helen
:13:50. > :13:56.and Aljaz. Nice to see you with your clothes on! OK, so, Helen, OK,
:13:57. > :14:02.earlier this week Aljaz said that the tango was one of the easiest to
:14:03. > :14:06.teach, but how about learning it? It hasn't been that easy to learn,
:14:07. > :14:12.because he has put all the tango steps that exist into our downs.
:14:13. > :14:16.Invented some new ones as well. I will be interested to see that.
:14:17. > :14:21.Yours includes a lot of hats, tell us a little bit about that, what is
:14:22. > :14:25.it like? It has not been easy, it has fallen off a few times this
:14:26. > :14:35.week. Still good. O'Dell Giovanni any good? I think I am better. Why
:14:36. > :14:49.don't we give it a go? Take this hat, not the actual had... Nice! Is
:14:50. > :14:54.that it?! There you go, that is much better, that is much better. Aljaz,
:14:55. > :15:02.OK, last week there was a bit of a shock, Kevin and Kellie in the
:15:03. > :15:07.dance-off, what has that done to the mood? It can happen to anyone, and
:15:08. > :15:11.we know it was a massive shock, because they did a brilliant job
:15:12. > :15:16.with the waltz. We were close to them on the leaderboard after the
:15:17. > :15:20.judges' scores, so before we were called, I was a little bit petrified
:15:21. > :15:24.that we might be joining them, but it shows you that we have to do our
:15:25. > :15:33.best and, you know, just hope for the best. If we don't get through,
:15:34. > :15:40.smash it in the dance-off. It means nobody's safe. We are safe here.
:15:41. > :15:44.Helen your Call The Midwife stars are taking to floor in the Children
:15:45. > :15:50.in Need special. Have you given them any advice. I don't knowly I could.
:15:51. > :15:55.They have done so well. They have done so well. I'm proud. Really
:15:56. > :15:58.proud. We are excited to see it. Good luck tomorrow. Back to you,
:15:59. > :16:02.Zoe. More from Joanne a little later on.
:16:03. > :16:05.Over the years, Children in Need and
:16:06. > :16:07.Strictly Come Dancing have waltzed together many a time to create some
:16:08. > :16:19.truly golden TV moments. Welcome to Children in Need Strictly
:16:20. > :16:26.come dancing. It is nice to see you to see you... Nice! If they can do
:16:27. > :16:33.anything on the dance floor, the girl is a genius. I want to beat
:16:34. > :16:43.Terry. Put them up. It was fantastic. That was a fantastic
:16:44. > :16:54.performance for radio! Strictly Come Dancing Children in Need champions
:16:55. > :17:00.are... Tonight one of McFly takes on one of the Saturdays. No, this is a
:17:01. > :17:04.disaster. It is Children in Need. They can't be too harsh. They will
:17:05. > :17:21.be harsh will they? It was smooth and you did a wonderful job. Well
:17:22. > :17:34.done. Pudsey Bear. The winner is... Harry and Ola. For their top news
:17:35. > :17:46.reader. I can't work out which one is Huh Edwards. All girls, have I
:17:47. > :17:59.got news for you, you really are hot! Fabulous. Fantastic backbend,
:18:00. > :18:08.but stick darling to your day job! Suzanna and robin. Ann Widdicombe,
:18:09. > :18:14.Russell Grant head-to-head. Oh, come on. They're like boomerangs, we
:18:15. > :18:24.chucked them out and back they have come! King Kong and Godzilla of
:18:25. > :18:32.dance. Horrendously entertaining. A complete dance disaster. It was an
:18:33. > :18:45.excuse for seeing you again. You are the champions 2012. There we are.
:18:46. > :18:53.We have Olympic royalty on the dance floor. I can't believe you're on
:18:54. > :18:59.this dance floor. You were nice on ice, be I tell you, you're good on
:19:00. > :19:15.wood. My Children in Need champions are... Chris and Aliona. Jane and
:19:16. > :19:23.James. Jane and James. Tonight team Glitter will take on Team Sparkle. #
:19:24. > :19:35.You make me feel so young # Disyour professionals keep up with you? Just
:19:36. > :19:48.about! Who is your winner. Team Sparkle. My winners are Team
:19:49. > :19:56.Glitter. Team... Giving. Amazing. Amazing. I would love to say get
:19:57. > :19:59.well soon to Sir Terry Wogan if he is watching.
:20:00. > :20:03.? Stay tuned as later on we will be giving you an exclusive preview
:20:04. > :20:05.of this year's Children In Need Strictly special featuring
:20:06. > :20:10.Now, you may have recognised some of our Friday panel amongst those
:20:11. > :20:13.Please welcome Harry Judd, Sophie Raworth and Richard Osman!
:20:14. > :20:30.I never heard so many. Congratulations our it takes Two
:20:31. > :20:36.viewers voted you best male winner ever. What does that mean tow yo? It
:20:37. > :20:42.means a lot. Thank you. See you there at Children in Need, dancing
:20:43. > :20:46.with Ola, that is where it began? Yes, my journey was Strictly. It was
:20:47. > :20:51.terrifying to look back and see myself looking awkward and trying to
:20:52. > :20:57.perform and dry mouth. It was the beginning and a lot of happy
:20:58. > :21:05.memories. You went on to win and come peopled under water for under
:21:06. > :21:11.water strictly, that was surreal. Sophie, some funny memories for you,
:21:12. > :21:17.the news readers dancing. Everyone says who frightening sfribgt live
:21:18. > :21:21.it. -- Strictly it. I have never been so frightened. Ian said I can
:21:22. > :21:25.feel your heartbeating. We only had four days to practice and they
:21:26. > :21:30.didn't tell us until the day before they were going to judge us
:21:31. > :21:38.individually. That was mean. Suzanna Reid went on the win. You have not
:21:39. > :21:44.spoken since! Richard, watching that go on, are you tempted to take the
:21:45. > :21:51.dance floor yourself? Come on Richard. I would say to give you a
:21:52. > :21:55.percentage, maybe zero. They both told you how terrifying it was. I
:21:56. > :21:59.was talking to Harry, I said if I did it I would want to win and I
:22:00. > :22:05.don't think there is any possibility that would happen. So I would feel
:22:06. > :22:12.gutted. Who would you dance with? Anton. He is very good. Natalie
:22:13. > :22:20.always has the... You talk about strictly a lot on seeshl media --
:22:21. > :22:24.social media what do you love about it. Is competitive, but everyone
:22:25. > :22:29.enjoys themselves and there doesn't seem to be any back-biting and it is
:22:30. > :22:35.glamorous and you see people getting better and better. But I love
:22:36. > :22:39.watching people like Jeremy Vine. I can't care that people can't dance.
:22:40. > :22:45.He could win. You don't know. Then he will be tempted. Here are our
:22:46. > :22:51.couples in training and first Anita and Gleb and their quickstep.
:22:52. > :22:57.They're dancing to The Pretenders. That is what I dance to for my
:22:58. > :23:03.quickstep. I never heard this song, but I love it. It is a great song to
:23:04. > :23:09.dance to. They're looking great and very in time. It is a hard dance.
:23:10. > :23:15.You're bigging yourself up. It is really hard. You have got to be a
:23:16. > :23:18.pro to do that. It was the one I'm scared about, it can feel weird
:23:19. > :23:23.running about and hopping and kicking. But I love it. You know
:23:24. > :23:27.people talk about the frame has to be solid and you're doing this jazzy
:23:28. > :23:32.stuff. Yes. So I was glad to have it later on in the competition. But
:23:33. > :23:37.they're looking great. She is brilliant. I think they're both very
:23:38. > :23:43.good. I'm not going to go there. I won't fall for that. They're both
:23:44. > :23:48.good and anoo that has done well. -- Anita has done well. She has got
:23:49. > :23:55.better and better. She looks so confident. I'm happy to except on
:23:56. > :24:02.Gleb. He is unbelievable isn't he? He is kind of annoying. Your
:24:03. > :24:08.favourite Gleb move? He can do anything. A slow blink. George and
:24:09. > :24:13.Giovanni. They're doing a Charleston. If you look at this you
:24:14. > :24:17.will agree it is going to be brilliant. Great swivel going on
:24:18. > :24:21.there. Sophie, what do you think about them? They have been brilliant
:24:22. > :24:30.from the start. Every week they have been fabtastic. I -- fantastic. A
:24:31. > :24:36.combas A gasp from the injury and she is doing it in her slippers. I
:24:37. > :24:41.like the underdogs more. They look very impressive. When you get back
:24:42. > :24:46.down the the last four, you think, they're amazing. I'm looking for
:24:47. > :24:59.entertainment at the moment. I will deal with them in a few weeks time.
:25:00. > :25:04.I know they're staying in. Peter and Jeanette have a Viennese waltz to
:25:05. > :25:10.Cilla Black. Peter look at him. Harpry what do you think? He is
:25:11. > :25:16.solid, Peter. He is not short of a great performance. That kind of rise
:25:17. > :25:21.and fall needs to be a bit smoother. In my opinion. He is a champion. He
:25:22. > :25:29.knows his stuff. Peter is solid and he is a great performer and you can
:25:30. > :25:32.expect good stuff from him. He has topped the leaderboard. I agree with
:25:33. > :25:39.the underdogs. I was going with Carol. I had a bet with her and I
:25:40. > :25:44.lost it. We miss her already. She was wonderful and I was supporting
:25:45. > :25:50.her and she did it with such good grace. I bet her she would be in to
:25:51. > :25:57.midway through. That is why she got knocked out to get the money. Now
:25:58. > :26:02.Jamelia and Tristan, they will be doing a Samba to Erasure. You
:26:03. > :26:07.probably know that move. I have no idea. The Samba was terrifying. I
:26:08. > :26:14.found it really hard. It is so technical and lots going on. I
:26:15. > :26:19.should let Richard take over. You're a massive Jamelia fan. You said you
:26:20. > :26:28.love her so much and if she gets quicked out I will console her. How?
:26:29. > :26:32.I may have been drinking. I'm a huge fan, but having met Tristan he is
:26:33. > :26:38.lovely. Now they're very much my favourites. You have got the Osman
:26:39. > :26:48.vote tomorrow, Jamelia and Tristan. Let's look at Jeremy and Karen.
:26:49. > :26:51.They're diamond miners... Doing a quickstep to Going Underground by
:26:52. > :26:57.The Jam. What do you think of your mate. I have known him for such a
:26:58. > :27:01.long time. I never knew he had such long legs. I want him to stay until
:27:02. > :27:05.the end. I would love him to win. It would be brilliant. He is enjoying
:27:06. > :27:09.it. That is what I love is people who go on and doesn't matter how
:27:10. > :27:14.well or badly they do, they are loving it and he is loving it.
:27:15. > :27:20.Couldn't believe when he said he was doing it. When he told me I was
:27:21. > :27:26.worried. Do you want to do it? He has been a raef lacing. "--
:27:27. > :27:29.revelation. You have got to be somebody representing the people who
:27:30. > :27:32.can't actually dance and all the lovely show from everyone else. So
:27:33. > :27:37.fingers crossed he gets through. What do you think of Jeremy? Yes,
:27:38. > :27:41.the show is about fun and family and everyone having a good time and
:27:42. > :27:47.Jeremy brings that kind of light-hearted nature to it. I met
:27:48. > :27:51.him at the training room. He lives around the corner. It is great to
:27:52. > :27:57.see people enjoying themselves. It is a great show and he sums up that
:27:58. > :28:01.fun side. Thank you so much. If you like the music you're hearing, check
:28:02. > :28:13.out the Strictly play list on the web-site. More from our panel later
:28:14. > :28:18.on. Show them sov love. Now for a real treat. While rummaging through
:28:19. > :28:24.the Children in Need archives, we came across this little gem. Keep
:28:25. > :28:28.your eyes peeled for Sophie over there, Miss Carol Kirkwood and do
:28:29. > :28:36.not miss Jeremy Vine. This is brilliant. I remember this. # Listen
:28:37. > :28:43.closely. But not for very much longer # Let's do the time warp
:28:44. > :28:50.again! # It's just a jump to the left and then a step to the right #
:28:51. > :29:00.Put your hands on your hips # Bring your knees in tight # Don't judge a
:29:01. > :29:14.book by its cover # I'm not much of a man, by the light of day, but my
:29:15. > :29:20.Newsnight I'm one hell of a lover! Jeremy Vine! That was quite
:29:21. > :29:29.incredible. Well done Sophie. So brilliant. It was Sophie, Carol and
:29:30. > :29:33.Jeremy in 2002. I was loving to Pudsey that our celebrities and
:29:34. > :29:39.dancers are humans and like to air their thoughts on social media. This
:29:40. > :29:46.was a bit like top of the popsing. Top of the Pops. And Kellie said
:29:47. > :29:55.guess who I found in my house. Kevin Clifton chilling in The Vic. Ally
:29:56. > :30:00.shared a photo of them saying tired of dancing inside. And don't forget
:30:01. > :30:08.Children in Need tonight. What is in store? Thank you very much. You can
:30:09. > :30:18.catch all of this tonight on BBC1. Rod Stewart, One Direction, see Lena
:30:19. > :30:27.Gomez and Dame Heren Mirren and a Star Wars special. For volunteers
:30:28. > :30:33.from the musics kinky boots, Beautiful and Bend it Like Beckham
:30:34. > :30:39.and stepping into Terry Wogan's shoes, Sir Dermot Leary. And the
:30:40. > :30:41.cast of Call The Midwife are the latest stars to take to the ballroom
:30:42. > :30:49.and here is a peak. will be dancing in Call The Midwife
:30:50. > :31:03.Does Strictly, and I believe she is with
:31:04. > :31:08.some of the guys now. Here with me now are two of the
:31:09. > :31:11.Call The Midwife stars competing for the Pudsey Glitter Ball trophy,
:31:12. > :31:26.Laura Main and Jack Ashton. Hello, guys! Tell me all about it,
:31:27. > :31:30.how was your Strictly experience? My goodness, it was so exciting, this
:31:31. > :31:37.is my fiver and show, so to have a little go at it was just superb.
:31:38. > :31:40.Were you nervous? It was absolutely terrifying, but you have got to
:31:41. > :31:45.remember why you are doing it, Children in Need, so we just tried
:31:46. > :31:51.to put on a good show. I was absolutely petrified, I have to say.
:31:52. > :31:55.What was your favourite thing about it, the practising, the costumes,
:31:56. > :32:00.the tanning? Definitely the tanning! It is the first time I have ever had
:32:01. > :32:04.a spray tan, I promise, and I went in, and they said, it is very
:32:05. > :32:09.discreet, they will tell you what to do. I went in, and Aljaz was in
:32:10. > :32:18.there with Vanessa Feltz and a whole film crew doing a live spray tan. I
:32:19. > :32:22.was standing in my pink pants, in my manly pants, yeah, and the door was
:32:23. > :32:27.open the whole time, because people were coming and going, it was pretty
:32:28. > :32:33.embarrassing. Well done for getting through that. How inspired were you
:32:34. > :32:38.by your co-star, Helen George? She is amazing, and week after week, she
:32:39. > :32:42.is just absolutely brilliant, a total inspiration, and she has been
:32:43. > :32:47.so encouraging, giving us loads of tips, nice to be in her world. We
:32:48. > :32:53.are all massively behind her, we think she is going to do very well,
:32:54. > :32:57.and she deserves it. The Strictly audience for the special were all
:32:58. > :33:02.children, tell me about that, how was it? It was amazing, I do not
:33:03. > :33:08.think they were allowed to see the main show, for them, they are
:33:09. > :33:13.massive fines were just around the building all day, so excited. --
:33:14. > :33:17.fans. They were asking us to sign stuff, you could see them running up
:33:18. > :33:23.to their favourite dancers, it was awesome. Thank you for answering my
:33:24. > :33:27.questions, watch all the action tonight on BBC One. Thank you, Jo,
:33:28. > :33:34.good luck to Jack and Laura, I can't wait! Lets hope they all deliver.
:33:35. > :33:36.Now, with Blackpool just around the corner,
:33:37. > :33:37.rehearsals have become ever more intense.
:33:38. > :33:42.Let's see how Jeremy and Peter are getting along.
:33:43. > :33:51.This Viennese waltz was so graceful, so beautiful, I have got goose
:33:52. > :33:55.bumps. When we get into that, oh, my God, beautiful! He is really feeling
:33:56. > :34:00.the emotion that he needs to feel to do a lovely and big romantic
:34:01. > :34:05.Viennese waltz. I understand. Perfect. I am allowed to smile and
:34:06. > :34:07.give that a lovely and big romantic Viennese waltz. I understand.
:34:08. > :34:21.Perfect. I am allowed to smile and give that emotion hop! In the sense
:34:22. > :34:24.of picking up woodwork, you should be OK. I know I can do that, it is
:34:25. > :34:26.driving me nuts. I really want to perform this, not just get these
:34:27. > :34:30.steps right. We always have apps and downs, but
:34:31. > :34:42.the upside getting longer than the downs. -- the ups are getting longer
:34:43. > :34:48.than the downs. I have listened very closely to the judges. It is easier
:34:49. > :34:54.than I make it look. Absolutely! The key things I need to work on my arms
:34:55. > :34:58.and legs. If it feels comfortable, you are doing it wrong. We are
:34:59. > :35:02.making sure his steps are nice and small so that everything will be
:35:03. > :35:07.there, just the way that the judges want. I love that, if it is
:35:08. > :35:11.comfortable, it is not right. Their stylish 42nd Street
:35:12. > :35:13.quickstep oozed so much glamour and sophistication,
:35:14. > :35:41.it almost caused a traffic jam. # Oh, heaven is a place on earth...
:35:42. > :35:47.# .
:35:48. > :35:58.Hello! The Queen of the Proms, the king of ballroom! I loved your 42nd
:35:59. > :36:04.St, frock of the week last week, come on! She is very kind to you,
:36:05. > :36:09.Vicky, she likes you. Was it a dream, did you have fun? Yes, the
:36:10. > :36:14.hat and cane, I have always wanted to do that, I have always wanted to
:36:15. > :36:21.be in a musical, it was lovely. Really enjoyed it, loved it. Did you
:36:22. > :36:27.enjoy it, Anton? Enormously, it is such a great number to do. I cannot
:36:28. > :36:38.talk while I am watching! I always look good! I know it is me! The hat
:36:39. > :36:45.and a cane, I love a bit of that, and it was so great to pull it off,
:36:46. > :36:53.or attempt to pull it off, I knew I could do it! -- or attempt to pull
:36:54. > :36:58.it off. But I was so pleased, you are standing there, and the most
:36:59. > :37:06.nervous thing is the beginning, dancing the quickstep, Katie Derham,
:37:07. > :37:11.oh, my goodness! Then the music comes in, and because it was so
:37:12. > :37:15.musical and really timed and accented, and everything had to be
:37:16. > :37:19.together, you can get a bit nervous. It was so good, I was so thrilled
:37:20. > :37:25.with it when I watched it back, it looked so clean, I was thrilled,
:37:26. > :37:33.well done, well done. The judges praised you, Katie, saying how good
:37:34. > :37:39.you were at taking on the complex choreography. That was not easy, was
:37:40. > :37:43.it difficult to learn? It was very complicated, but we enjoyed every
:37:44. > :37:48.minute. As I said on the night, it did not all go according to plan,
:37:49. > :37:53.but there was a lot to pack in. What went well, I loved doing it, I did
:37:54. > :37:58.enjoy it, and I enjoyed learning the routine, and I would quite like to
:37:59. > :38:04.do it again! That is what Tristan was saying, he was disappointed
:38:05. > :38:07.about not being in the dance-off. I didn't understand a word of that!
:38:08. > :38:13.There were some dancers I never wanted to do again. You did give a
:38:14. > :38:19.really complex choreography, you have great confidence in Katie's
:38:20. > :38:24.capability? I do, because I think she is amazing, and she looks
:38:25. > :38:31.amazing. And the thing about the choreography is that you get one go
:38:32. > :38:35.to do it on the night. Sometimes you can go a bit wrong, and I do not
:38:36. > :38:39.think that is the end of the world, really, as long as the performance
:38:40. > :38:44.is good, and Katie's performance was great. Do it again and you will not
:38:45. > :38:54.go wrong, so there is a lot going on. But I knew she could pull it
:38:55. > :38:57.off, and she did. Gorges. -- gorgeous.
:38:58. > :38:59.In your newspaper column last week you said that,
:39:00. > :39:02."Dancing your heart out in public is an emotional business,
:39:03. > :39:04.and I refuse to get downhearted." How emotional does it get?
:39:05. > :39:10.Yes, because I have worked in this funny old business for a while, I
:39:11. > :39:14.have done quite a lot of live telly, I knew would would be no
:39:15. > :39:24.bragging, but I did not know how much we care. -- I knew it would be
:39:25. > :39:28.nerve wracking. It is such a treat being on the show that sometimes you
:39:29. > :39:34.get giddy when it goes well and you get down when it doesn't. Quite
:39:35. > :39:40.surprisingly emotional. But that is all part of it. Have you had a
:39:41. > :39:49.little cry, Anton? Can't stop weeping! The thing is, when you are
:39:50. > :39:54.doing news, you have got great composure, Katie Derham, and do you
:39:55. > :40:00.ever have moments when you just think, I want to let it all out?
:40:01. > :40:05.Definitely, doing news stories with children, but that is not your job.
:40:06. > :40:09.This, we have to show emotion, you are expressing lots of emotion, so
:40:10. > :40:15.it is a new world, but it is lovely, it is good for us. Good to let it
:40:16. > :40:19.all out, everybody should be able to have a go with Anton, frankly! That
:40:20. > :40:21.might have come out, everybody should be able to have a go with
:40:22. > :40:28.Anton, frankly! That might have, slightly wrong! Your dance last week
:40:29. > :40:47.did cause quickstep fever in the training rooms, check this out.
:40:48. > :41:27.That is it! That is it. Genius! If you need some rumba... Learning from
:41:28. > :41:34.the master! Or duty to anyone to quickstep? I think I had a head
:41:35. > :41:43.start with Gleb, he is sort of handy, do you know what I mean? Come
:41:44. > :41:48.on, Sue, into the arms of Anton du Beke. Now, you're going to start
:41:49. > :41:51.with this foot over here, and you are going to go, one, two, three,
:41:52. > :42:24.four... CHEERING
:42:25. > :42:32.Thank you very much! Thank you, Katie, it is the rumba for you two
:42:33. > :42:36.tomorrow. She might have vertigo! How has training gone? We have had a
:42:37. > :42:47.lovely week, I sort of surprised myself, I really enjoyed this. I
:42:48. > :42:51.know... He says you have definitely got the legs for a rumba. You are
:42:52. > :42:57.pleased with this one. It is a really classical rumba, it is not
:42:58. > :43:01.all bump and grind, we went for something classy and sophisticated.
:43:02. > :43:06.I wanted to work very strongly on technique and leg action, because
:43:07. > :43:12.you have got the best legs. Feeling a little exposed now! I think it has
:43:13. > :43:16.come off wonderfully, Katie has done a tremendous job, it is really
:43:17. > :43:25.stylish, showing strong technique in the rumba. Fingers crossed! Can't
:43:26. > :43:37.wait! It will be emotional. Fingers crossed you get to go to Blackpool,
:43:38. > :43:39.Katie and Anton! Are you all right, Sue? She has just about pulled it
:43:40. > :43:41.back! The EastEnders cast
:43:42. > :43:43.have always given their all when it comes to a super
:43:44. > :43:46.Children In Need dance. This year they have a humdinger
:43:47. > :43:59.in store for you. Today we are housing the big dance
:44:00. > :44:05.for Children in Need by the cast of EastEnders. -- we are rehearsing. It
:44:06. > :44:11.is like Fred Astaire and Ginger Rogers. It is very glitzy and
:44:12. > :44:19.glamorous, you do not see that much an EastEnders. I am so excited about
:44:20. > :44:25.it, I really am! Shona is a dark horse, she has got some tricks up
:44:26. > :44:31.her sleeve. They are saying, graceful, arms, head, not popping
:44:32. > :44:43.and locking. Seeing Harry dancing is hilarious, he has been doing it in a
:44:44. > :44:48.bobble hat. I think Bonnie is just fantastic! It is lovely to get to
:44:49. > :44:52.dance with some people that I don't even do seems with. I love this
:44:53. > :45:02.routine, because I get the chance to be lifted in the air by some lovely
:45:03. > :45:09.men! Trying to get the move right and my feet right is difficult.
:45:10. > :45:18.These guys do it so easily and I'm, no, I can't do it. I've a cheeky tap
:45:19. > :45:24.number. I get flipped upside down! You're the final piece that is going
:45:25. > :45:29.to look pretty spectacular. To do something for Children in Need is
:45:30. > :45:39.fantastic opportunity. I'm looking forward to it. Looks incredible. I
:45:40. > :45:43.can't wait. It has been back to Elstree where Joanne is putting on
:45:44. > :45:48.the glitz in wardrobe. This week we're puttin' on
:45:49. > :45:50.the glitz live from Vicky's Gill's
:45:51. > :45:52.second home here in wardrobe. What have you got in store
:45:53. > :46:01.for us this week? This is Jeanette's dress. I'm so
:46:02. > :46:09.jealous of this dress I wanted to get married in it. Janet sees it as
:46:10. > :46:18.a princess dress. It looks like one. I love the skirt. Obviously Jeanette
:46:19. > :46:23.is so petite we have to be careful it doesn't take her over. I'm taking
:46:24. > :46:31.that dress. This is Karen's dress for their quickstep. It is so full
:46:32. > :46:37.of crystals. The pros are getting their fair share of crystals. It is
:46:38. > :46:44.jam packed. Is it to do with the dance? Yes they're Going
:46:45. > :46:51.Underground. They're in a diamond mine. Very serious. I can't... What
:46:52. > :46:58.is Zoe wearing? I don't know. What do you want? All right let's move on
:46:59. > :47:05.to this. This is stunning. This is Katie's dress for her rumba. Yes.
:47:06. > :47:11.Tell me about the fabric. This is one of my favourites. We have smooth
:47:12. > :47:16.velvet on the base and lots of stretch so it there be lots of
:47:17. > :47:23.movement. We have crystals around the bust and the neck and we have
:47:24. > :47:28.red running down the back. We may have crystals tomorrow. It is the
:47:29. > :47:36.kind of Latin dress I like. Very high split. And very classy. Hello.
:47:37. > :47:41.We have Jeanette here. I'm jealous of your dress. I love my dress. It
:47:42. > :47:46.is so beautiful. I love my dresses every week. Let's look at it again.
:47:47. > :47:54.I think I get to be lucky every week. I love my dresses. I walk in
:47:55. > :47:59.every Friday and I go, I love it! I'm letting you know that you're
:48:00. > :48:04.going to dance once in that and I'm going to take it home. That is fine.
:48:05. > :48:07.I will take it back. Thank you so much. I can't wait to see the show.
:48:08. > :48:14.Back to you Zoe. Thank you, Jo. If you're hungry for more
:48:15. > :48:16.backstage gossip, then click on our website
:48:17. > :48:19.and sign up to the Strictly Mail. Harry Judd, Sophie Raworth
:48:20. > :48:44.and Richard Osman! This week their doing a tango. Harry
:48:45. > :48:49.you were brilliant at it. Is Helen good? Yes, she is one of my
:48:50. > :48:55.favourites and looking like she is nailing it. Sharp lines. Is she down
:48:56. > :49:01.in the knees enough? I won't get too technical, but she is looking great
:49:02. > :49:06.and she is one of my favourites. Sophie do you watch Call The
:49:07. > :49:14.Midwife? A bit. A bit? It is the opening titles and then... The end
:49:15. > :49:17.titles. What do you think of Helen? She has been beautiful from the
:49:18. > :49:24.start and she is so e-Gant and a fan it is a is the -- elegant and a
:49:25. > :49:30.fantastic dancer. Richard is she a dark horse and could she win. Harry
:49:31. > :49:35.said she is doing a modern song Hold Back the River. You said a votes
:49:36. > :49:41.went down with a modern song. We were never aware of how many votes
:49:42. > :49:46.we got. But I felt the music was important in connecting with the
:49:47. > :49:50.dance and the audience. You're hearing it all week and you have got
:49:51. > :49:56.to enjoy the experience. That comes across. Are you a traditionalist? I
:49:57. > :50:02.found out I was. I didn't know. It first I thought I wanted to do the
:50:03. > :50:08.Latin stuff. Do you think doing a tango to modern music is difficult?
:50:09. > :50:15.I would not have the first clue. Thank you for your honesty. Let's
:50:16. > :50:21.say yes. Now Katie and Anton who were very excited about their rumba.
:50:22. > :50:32.We have seen her out-Fitna looks stunning. -- her out fit, that looks
:50:33. > :50:40.stunning and they're dancing to Shirley Bassey. Never, never, never.
:50:41. > :50:43.It is a slow build up. She is brilliant and classy and beautiful
:50:44. > :50:46.and dances beautifully. It has got to happen. And in a dress like the
:50:47. > :50:53.one she is wearing tomorrow, I think tomorrow's going to be her night.
:50:54. > :50:57.Harry, did you like the rumba? It is a tough one for the men and Katie's
:50:58. > :51:03.obviously got the hip action. That is the hard bit. Also slowly,
:51:04. > :51:09.because it is under the microscope. If you're doing a fast dance you can
:51:10. > :51:15.kind of get away it. The slower the harder. She looks like she is on the
:51:16. > :51:24.way. Do you like the rumba Richard? I would have called rumba. I will
:51:25. > :51:30.take it on, if Harry says rumba I say rum banana I love Anton he has
:51:31. > :51:33.been a star on the show. He is to me like Fulham, he has never won
:51:34. > :51:46.anything, but I would love him to. Maybe this year. Now Jay and Aliona,
:51:47. > :51:51.a foxtrot to Sam Smith's Lay Me down. He has been consistent, but
:51:52. > :51:55.they want more emotion from him. What do you think? He looks fairly
:51:56. > :52:05.emotional there. It is hard to be in a boy band and come on Strictly.
:52:06. > :52:11.They never do well. You would have to be a spectacular human being to
:52:12. > :52:17.combine the two. He is very good and let's see in a while. I loved his
:52:18. > :52:24.nerves at st start. He was so scared. He has built on that. Harry,
:52:25. > :52:30.how do you get the emotion through. You're not used to doing that. I was
:52:31. > :52:34.always behind the drums. I found the nerves I could hide behind the
:52:35. > :52:39.character in the dance. That is my way of hiding the nerves and
:52:40. > :52:43.focussing on the performance. I think watching Jay, he looks
:52:44. > :52:46.effortless. It almost, that maybe come across like he is not
:52:47. > :52:52.performing as much as people are saying. I think he is effortless and
:52:53. > :53:00.brilliant to watch. How do you bring emotion out in a foxtrot? It is not
:53:01. > :53:04.like the Charleston and the tango. That was the hardest bit. The
:53:05. > :53:08.adrenaline and everything feels so slow and you're so aware of every
:53:09. > :53:11.movement and the audience are there and the judges and you're freaking
:53:12. > :53:17.out, but trying to concentrate on your steps and you feel Auk toward
:53:18. > :53:22.and your -- awkward and your lips get stuck in your mouth. Don't put
:53:23. > :53:29.Richard off. It sounds great. The timing it hard, but he likes like he
:53:30. > :53:42.has got it down. Anyone liking Jay in the audience? Quite popular.
:53:43. > :53:52.Kellie and Kevin are doing a Samba to Boom Boom Shame The Room. Watch
:53:53. > :53:56.him go, Kev. Go on Kev! They're embracing this whole theme and going
:53:57. > :54:01.from being in the one of two, do you think this could be a dance that can
:54:02. > :54:06.see them higher up? . It was a shocker they were in the bottom two.
:54:07. > :54:09.They're both very popular and the fact they're in the bottom two means
:54:10. > :54:14.people will vote for them. There is no way they will be in the bottom
:54:15. > :54:22.two this week. Richard Osman said so. What will you do if they're in
:54:23. > :54:30.the bottom two? He can do Strictly? Yeah. I will happily come back and
:54:31. > :54:35.two strictly it takes Two. That is me out of a job. What do you think?
:54:36. > :54:40.I am shocked they were in the dance off. I feel for them, they must be
:54:41. > :54:43.so nervous having to go back and do it again. But they're both
:54:44. > :54:50.brilliant. Were you in a dance off Harry? No, but I think... There
:54:51. > :54:57.wasn't a dance off in my year. They changed it. It can be a catalyst for
:54:58. > :55:02.some. Alina Dixon was in the dance off. First I am asking who is not
:55:03. > :55:10.getting on the bus to Blackpool and is going home on Sunday? Oh no. Such
:55:11. > :55:23.a horrible question. I will say they're all brilliant. Statistically
:55:24. > :55:31.Helen. Who will win? Harry? Jay and Aliona or Georgia. And Giovanni. I
:55:32. > :55:37.want Anton. Jamelia and Tristan. But if it doesn't happen I'm around.
:55:38. > :55:42.Harry, Sophie and Richard. This a almost it. Thank you to all our
:55:43. > :55:46.wonderful guests, enjoy Children in Need and give generously and watch
:55:47. > :55:55.Strictly tomorrow and I'm back on Monday. The couple to be Elim
:55:56. > :59:03.eliminated will be here. To play us out it is Il Divo.
:59:04. > :59:08.Tonight, BBC Children In Need and Star Wars
:59:09. > :59:13.are joining forces to take you to a galaxy far, far away.
:59:14. > :59:17.I just got word from the BBC. They have a task for you.