:00:00. > :00:11.I guess it's just the winter blues getting me down.
:00:12. > :00:13.Well, lucky for your Kev-ster, it's a Tuesday,
:00:14. > :00:17.which means I have brought my portable jukebox into work.
:00:18. > :00:19.I have just the thing to cheer you up.
:00:20. > :01:18.MUSIC: Everybody Dance Now.
:01:19. > :01:31.Tonight, we're bringing you a cocktail of dance delights, with
:01:32. > :01:38.Following their first dance-off of the series, I'll be catching up
:01:39. > :01:43.APPLAUSE They need some love.
:01:44. > :01:46.And the lady who separates the foxtrots from the fox-nots, critique
:01:47. > :01:54.But, before all that, they survived their first dance-off two weeks ago
:01:55. > :01:56.and, this weekend, they quickstepped up the leader board, receiving
:01:57. > :02:17.Hello, and welcome, Kellie and Kevin!
:02:18. > :02:20.Kevin, you couldn't visit us last week because you were poorly.
:02:21. > :02:40.You are all better. Well done at Blackpool, credible work. Closing
:02:41. > :02:45.the show. It was absolutely epic. It was so fast, this quickstep. How
:02:46. > :02:53.tough was it to make it look so easy? We worked a lot on my
:02:54. > :03:03.technique. Last week. And being in hold. The quickstep, a lot of the
:03:04. > :03:08.dances like this, keep the top half really still. But effortlessly
:03:09. > :03:13.still. That is the word. But the bottom half, the legs are going
:03:14. > :03:20.still. That is the word. But the times ten. Kevin said I want you to
:03:21. > :03:25.be a wardrobe. OK. Right. Just one unit, no shoulders. Lots of work on
:03:26. > :03:30.the shoulders after my right shoulder getting hurt. A lot of
:03:31. > :03:33.attention. It was the first ballroom number we had done since the
:03:34. > :03:38.attention. It was the first ballroom off and that was the waltz. I felt I
:03:39. > :03:45.had a lot to prove. It was like that. I loved our routine. Kevin is
:03:46. > :03:50.a genius. So good. APPLAUSE You make it look good.
:03:51. > :03:54.Choreography, there was everything in that. Do you ever think my
:03:55. > :04:00.goodness me. It is Blackpool, it has to be huge. Did you think I went
:04:01. > :04:05.this far, she will never get it or do you ever doubt that? I never want
:04:06. > :04:10.to hold back with Kellie. There is no point in playing safe,
:04:11. > :04:10.to hold back with Kellie. There is Blackpool in the competition
:04:11. > :04:13.everyone is amazing. Blackpool in the competition
:04:14. > :04:17.point in thinking Blackpool in the competition
:04:18. > :04:21.does well, we will stick to that. I want to push Kellie to the best she
:04:22. > :04:27.can be. I doubt what to hold back, go big or go home. So exciting. You
:04:28. > :04:31.had desks, four lovely handsome men. They were amazing. Brilliant, the
:04:32. > :04:36.extra dancers. The fact that They were amazing. Brilliant, the
:04:37. > :04:41.to dance with five boys instead of just one... Lucky you. It was
:04:42. > :04:43.amazing. It was a dream come true. It really was. It could not have
:04:44. > :04:48.done better -- gone better for us It really was. It could not have
:04:49. > :04:53.Saturday night. They were all in a line and it was so good. Well done.
:04:54. > :04:56.I loved it so much that we just laughed at each other when
:04:57. > :04:57.I loved it so much that we just doing that. All week, Kellie
:04:58. > :05:04.couldn't do it, the head doing that. All week, Kellie
:05:05. > :05:11.side. I kept going like that... I just kept... No, no, this is, this!
:05:12. > :05:20.And then you got it. At last, three 9s. And your first ten. Was it worth
:05:21. > :05:27.the wait? My goodness. I didn't know at ten could feel so good, Zoe. It
:05:28. > :05:32.was brilliant, could not have asked for more. If we had got four 9s I
:05:33. > :05:40.would have been blown away. It was so lovely. We loved that routine. We
:05:41. > :05:46.really enjoyed it. For people to love watching it and the judges, a
:05:47. > :05:49.brilliant bonus. Massive credit to Kellie for keeping cool under that
:05:50. > :05:56.pressure of going last at Blackpool. Yes. I completely messed
:05:57. > :06:01.up the dress rehearsal in Blackpool, people don't know that. Well done,
:06:02. > :06:06.Kevin Clifton. I went into the wrong bit of the routine, I got confused,
:06:07. > :06:11.I blanked, I went wrong. It was a tiny thing that he beat himself up
:06:12. > :06:14.about it enormously. I said, you wouldn't be cross with me. He said I
:06:15. > :06:20.am the professional, I should get it right. Even the pros get it wrong.
:06:21. > :06:25.But not on the night. She kept it cool and together and did me proud.
:06:26. > :06:31.You fly on whether upwards. This week, salsa. The amount of speed you
:06:32. > :06:34.can deal with in a dance, I'm thinking this could be tough. I
:06:35. > :06:44.think this could be such a good dance, how are you finding it? I'm
:06:45. > :06:51.really enjoying it. It is fast. I go upside down quite a lot. It is a
:06:52. > :06:57.whole new thing. We haven't done many lifts. We did a couple in the
:06:58. > :07:01.Charleston. 100 years ago. It is a whole new... I know that at this
:07:02. > :07:06.stage, you cannot afford to have any... It has got to be perfect
:07:07. > :07:10.going in, not just the left. Going in and coming out. The judges say
:07:11. > :07:16.that, the transition up and down. Is that a word? Absolutely. You need to
:07:17. > :07:21.make it look effortless, easy. You can't show that you are preparing
:07:22. > :07:26.for a lift or you can't fall out of it. The whole thing has to be
:07:27. > :07:32.perfect. Really controlled. I love it, but it is our hardest routine.
:07:33. > :07:39.Yeah. I'm very excited. Are you going upside down? No. Just you.
:07:40. > :07:48.That is only the dress rehearsal. Kevin and Kellie! CHEERING
:07:49. > :07:50.Now for the lady who has the honesty of Craig,
:07:51. > :08:00.elegance of Darcey, technicality of Len, and flamboyance of Bruno.
:08:01. > :08:11.Let's begin with Peter and Janette. In the dance off, 29 points for
:08:12. > :08:16.their jive. Talk about Peter's weight being in the wrong place,
:08:17. > :08:22.explain what they meant. His weight in the wrong place. I will start
:08:23. > :08:24.with this bit of demonstration. Honestly, I was lost with the
:08:25. > :08:30.performance in general because I want to see nice pics. Craig was
:08:31. > :08:35.picking up on it. If his weight is too far back, could it because there
:08:36. > :08:41.were a lot of dancers, lots to think about. Basically, a small
:08:42. > :08:45.presentation first, not a big one, don't get excited. Just a tease.
:08:46. > :08:51.Samba and jive, the body weight has to be on the balls of your feet
:08:52. > :08:55.because your knees are soft. If I lock my legs back, you can see my
:08:56. > :09:02.weight moves backwards. Ron Vlaar, chat show, Samba, jive. -- rumba.
:09:03. > :09:07.Keep that feeling in the dance. For me, you just want to say, passed
:09:08. > :09:13.that by, move on. He is still here, and to the next dance. From here on
:09:14. > :09:17.in, credible couples, we will have an upset every week, who is in the
:09:18. > :09:22.bottom two and it could be choreography, technique, anything.
:09:23. > :09:28.We must hold tight, all of us. Jay and Aliona's salsa, 36 points. Craig
:09:29. > :09:32.was happy at the facial expressions coming out and he loved he was
:09:33. > :09:37.spotting, where you impressed? I loved it. From boy to man. At the
:09:38. > :09:43.beginning he was sweet and kind but I looked at this and he has his eyes
:09:44. > :09:48.on Aliona. Two girls and he says, move out of my way. It wasn't just
:09:49. > :09:52.the brush with his arms, he used the body as he did it. We talked
:09:53. > :09:57.previously, he was quite deadpan and flat with his dancing. He used his
:09:58. > :10:02.body as he moved them out of the way. I love that. His whole
:10:03. > :10:05.performance, the whole production, I fell in love without dance and I
:10:06. > :10:10.fell in love with them as a couple. The choreography was well balanced.
:10:11. > :10:16.Everything great, onto next week. Good work Jay and Aliona. Anita and
:10:17. > :10:19.Gleb 's paso doble, moment on Saturday night. 37 points,
:10:20. > :10:21.condiments from Darcey. On her arms. Talk me through the whole thing --
:10:22. > :10:30.complement from Darcey. We will start here, beautiful use of
:10:31. > :10:35.the arms. Not just her arms, she is using her body. When she uses her
:10:36. > :10:42.arm, she shakes her body as well. The ocean through her. I am just
:10:43. > :10:49.overflowing here. Stand up. I've only done this once before. I'm
:10:50. > :10:55.sorry, that is the best paso doble I have ever, ever seen on Strictly
:10:56. > :10:58.Come Dancing. The emotion, attention to detail, the use of her arms. I
:10:59. > :11:06.will demonstrate very quickly about the arms. A bit of homework on the
:11:07. > :11:10.hands. One finger at a time, let's see if our cameraman is being good
:11:11. > :11:19.today. One thing at a time. Bring the wrist up. One at a time, release
:11:20. > :11:24.each finger. Dramatic. Four finger roll around. Practice this in the
:11:25. > :11:32.audience. Roll, extend, release. Repeat. Put that into your body. How
:11:33. > :11:39.powerful is that? There's more. Very, very quickly. Something must
:11:40. > :11:42.have got Gleb excited, Anita must have done something amazing. There
:11:43. > :11:51.is a clip, these are the things I want to show. To you watch this.
:11:52. > :11:59.Listen carefully to the words, now. Stay! Did you hear him. That's made
:12:00. > :12:03.me go all funny. These are the little things that would normally
:12:04. > :12:07.happen on the cob addition floor. She would have said, I've done it,
:12:08. > :12:13.I've done it. He was in the moment. -- on the competition floor. Stay, I
:12:14. > :12:20.want the applause. My gosh, did they get it. It was fabulous. I love the
:12:21. > :12:26.details. Katie and Anton's American Smooth, stunning work. 35 points.
:12:27. > :12:30.Craig said some issues with the take offs and landings of the lifts. The
:12:31. > :12:35.beginning. Amazing number, performance. Look at this, quite a
:12:36. > :12:39.few errors. We need to pick it up for one simple reason, she must
:12:40. > :12:44.learn to recover. This has all gone wrong. Maybe that wasn't even the
:12:45. > :12:48.lift they were meant to do, I don't know. It continues to go wrong. What
:12:49. > :12:52.I want to say to the celebrities, if you make a mistake now, learn to
:12:53. > :12:56.sell your performance. You cannot let it keep running along and
:12:57. > :13:00.running along. Even if it goes wrong and you were talking about it, the
:13:01. > :13:05.professionals make mistakes, sell it. Last few weeks now. It could be
:13:06. > :13:08.a little thing that makes it go wrong. George and Giovanni's
:13:09. > :13:15.American Smooth on the highest score of the night -- Georgia. 38 points,
:13:16. > :13:19.were you happy? The dancing, absolutely. We have to look at this,
:13:20. > :13:23.look at the top line she has perfected, head position, connection
:13:24. > :13:28.of the body. Just one little thing I have to point out to Giovanni. I
:13:29. > :13:35.know he said he was doing a Viennese Waltz, American Smooth. He did a
:13:36. > :13:39.Viennese Waltz. The American Smooth, they broke away, under an
:13:40. > :13:48.terms, lunges, more Fred and Ginger approach -- underarm turn. The
:13:49. > :13:54.quality of dancing, amazing. Very interesting. Well done to them both.
:13:55. > :13:58.Helen and Aljaz show Charleston. The judges loved it but Craig wanted
:13:59. > :14:02.more from her, she was quite upset after her performance because she
:14:03. > :14:05.gave it her all. A stumble on the stairs, what did you think? The
:14:06. > :14:12.performance, I have to pick up on this, beautiful. It is classy,
:14:13. > :14:17.elegant. Coming down to whether you like a Picasso or a monarchy. It is
:14:18. > :14:23.still fabulous but it is styling. -- Monet. Do you like the controlled,
:14:24. > :14:30.perfected style, the more go free? I am a carefree style Charleston.
:14:31. > :14:32.Handshaking, faces, go for it. We have seen those successful
:14:33. > :14:36.Charlestons in the past. It is not the things that the judges and
:14:37. > :14:41.audience are looking for. We have to think of these details. Kellie and
:14:42. > :14:46.Kevin and their quickstep. Len filed at Ndoumbe for brilliant, where
:14:47. > :14:49.would you file it? -- file it under the.
:14:50. > :14:58.F for fantastic. Love it! Stop doing that to me! I
:14:59. > :15:02.loved this, they just got the balance right. The backing dancers
:15:03. > :15:08.were beautiful. The choreography was beautiful. The whole connection of
:15:09. > :15:12.the whole thing. It closed the show beautifully. Just one little thing,
:15:13. > :15:17.small details. We always talked about the bouncing off the floor at
:15:18. > :15:21.Blackpool. This choreography was great. Look at the floor. You can
:15:22. > :15:25.see how much it is bouncing. It really demonstrates to the public
:15:26. > :15:29.the celebrities do not have this. All we can practice, they don't have
:15:30. > :15:32.it on the normal set and yet they arrive at Blackpool and they have
:15:33. > :15:38.to... This thing to deal with, suddenly. They all dealt with it
:15:39. > :15:42.well. Blackpool was insatiable. Production, everything. Beautiful.
:15:43. > :15:46.Just like your good self. Karen Hardy everybody! APPLAUSE
:15:47. > :15:59.Well, I don't go anywhere without my jukebox.
:16:00. > :16:03.Right, let's see what my trusty juke box has chosen for us this week.
:16:04. > :16:08.Ah, I Get The Sweetest Feeling by Jackie Wilson.
:16:09. > :16:10.Kevin, you always give me that sweetest feeling.
:16:11. > :16:15.This song was a UK top 10 hit in 1972,
:16:16. > :16:18.and has since been covered by Will Young, Jamie Cullum, and none other
:16:19. > :16:33.Let us find out. will be dancing to this?
:16:34. > :16:36.Yes, it's Peter and Janette who are doing an American Smooth!
:16:37. > :16:43.We'll be getting all the gossip from you in just a minute.
:16:44. > :16:50.MUSIC: When Doves Cry, by Prince.
:16:51. > :17:06.He also played all of the instruments.
:17:07. > :17:15.It's only Jay and Aliona, and they're doing a tango.
:17:16. > :17:26.MUSIC: The Final Countdown, by Europe.
:17:27. > :17:30.Interestingly, the iconic keyboard riff was composed by lead singer
:17:31. > :17:34.Joey Tempest five years before the track was recorded.
:17:35. > :17:50.It's Georgia and Giovanni, and they will be doing a paso doble!
:17:51. > :17:54.Now, our professional dancers make us tingle when they're
:17:55. > :17:58.But do they make each other's taste buds tingle when they're
:17:59. > :18:12.Welcome to Strictly Come Dining where three of our professional
:18:13. > :18:17.dancers get to know each other better by cooking their signature
:18:18. > :18:24.dish before crowning one lucky lady the winner.
:18:25. > :18:28.I am hoping to get to know the other dancers on a different level. I
:18:29. > :18:31.would like to think there is a big chance of me winning.
:18:32. > :18:35.I am excited to see what they will produce. I have heard they maybe
:18:36. > :18:43.can't cook. First up, this South African
:18:44. > :18:46.vegetable and bean dish served with rice.
:18:47. > :18:49.Sounds incredible, can't wait to try it.
:18:50. > :18:54.Here goes. My mum taught me how to cook when I
:18:55. > :18:59.was 15. With my other sisters. Somebody makes the rice, somebody
:19:00. > :19:04.makes a salad, I am in charge of this but I don't always do it right
:19:05. > :19:07.will stop on with the rest of the vegetables and she is feeling
:19:08. > :19:12.confident. At the end of the day we will see
:19:13. > :19:17.why I am a dancer and not a chef. This is not working. Looks like she
:19:18. > :19:20.has lost her spark. She has got it.
:19:21. > :19:27.With the rice in, time for the entertainment.
:19:28. > :19:34.London African drummers have been invited to accompany the traditional
:19:35. > :19:38.African dish. Don't forget the rice. The African drummers came, it was
:19:39. > :19:44.like home. She did a bit of dancing for us.
:19:45. > :19:49.I have so much fun. Finally, Oti adds the baked beans and chillies,
:19:50. > :19:53.very posh. And the chillies, fiery.
:19:54. > :19:56.My mum will be so proud. Your mum is on the phone, you have ruined the
:19:57. > :20:00.rice. It is meant to look like that.
:20:01. > :20:04.If you say so. The food is ready.
:20:05. > :20:10.Something went really wrong with my dish but I didn't tell everyone.
:20:11. > :20:18.It smells lovely. I overcooked the rice, it was like a paste.
:20:19. > :20:27.I called it past rice. Like soft porridge. I love porridge.
:20:28. > :20:31.This looks yummy. I love it. It was absolutely delicious. So
:20:32. > :20:37.different. Her dish was spicy.
:20:38. > :20:43.Spicy as anything. I just had a whole chilli in my mouth. I like
:20:44. > :20:47.spicy but that got me too much. Whilst they polish off the South
:20:48. > :20:50.African dish, the girls question Oti on her background.
:20:51. > :20:55.How did you start? I started when I was four. During
:20:56. > :21:03.the week we had sports like swimming or netball, athletics.
:21:04. > :21:09.We kept dancing. Now I am here. Strictly is popular in South Africa.
:21:10. > :21:16.I have two other sisters, they both have done Strictly. I am the last
:21:17. > :21:23.and doing Strictly in the UK. Amazing. Your mum must be so proud.
:21:24. > :21:28.Cheers, girls. A beautiful starter from Oti.
:21:29. > :21:31.She has got away with it, time for the spores.
:21:32. > :21:38.It was great, I love the entertainment. I give her a nine.
:21:39. > :21:41.I give her a nine, I love starting something new.
:21:42. > :21:48.That puts her at an impressive 18. Still to come, Ola gets homesick. I
:21:49. > :21:54.miss my mum and dad so much. A familiar face is back.
:21:55. > :21:58.Ainsley Harriott. And Natalie dishes up. Oh, my God.
:21:59. > :22:01.They jived their little socks off on Saturday night to stay
:22:02. > :22:03.in the competition, and it certainly paid off!
:22:04. > :22:14.Hello, and welcome, Peter and Janette!
:22:15. > :22:31.Hello, my darlings. I want something to eat. I have
:22:32. > :22:34.never had that. It sounds yummy. Janette, incredible boots.
:22:35. > :22:42.What a wonderful weekend at Blackpool.
:22:43. > :22:44.The Leader Board, how was that as an experience?
:22:45. > :22:55.Three times I have been at the top. You had to experience both sides. At
:22:56. > :23:00.the time, of course no one wants to be at the bottom. But it is great. I
:23:01. > :23:05.have to do dancers I thought I fitted in, and some I clearly
:23:06. > :23:07.haven't grasped. How did you feel about your jive?
:23:08. > :23:11.I thought your jive was full of energy, and it looked like you
:23:12. > :23:21.I sent a text to Jeannette saying I felt heavy footed. It is a slightly
:23:22. > :23:26.different with them to the charleston where you might be
:23:27. > :23:27.performing down. This is up. It is a rhythm I have never done. I still
:23:28. > :23:29.loved it. How shocked were you to be bottom
:23:30. > :23:43.of the judges' leader board? Well, I will be honest, I deserved
:23:44. > :23:47.to be in that dance-off. I did. I have to say I don't think Jimmy you
:23:48. > :23:52.should have been there I felt for her. She did her best dance. I did
:23:53. > :23:59.my worst. I deserved to be in that dance-off.
:24:00. > :24:04.I felt really bad for Jeannette. You don't want to let her down. It was
:24:05. > :24:10.Blackpool. But we made it through, we are here.
:24:11. > :24:14.And I am still buzzing. I do feel bad for Jamelia, I don't think she
:24:15. > :24:19.should have been there. What did you make of the whole
:24:20. > :24:23.dance-off situation? It is never fun to be in the
:24:24. > :24:29.dance-off but I agree with Peter. That was properly one of our worst
:24:30. > :24:35.dancers, but not in a bad way. Some will be easier. This was one which
:24:36. > :24:41.never sat naturally with Pete. It is OK.
:24:42. > :24:47.If you look at our reaction, we felt it was coming. It is all right. It
:24:48. > :24:50.felt OK to do it in the end. It is funny, sometimes you do a
:24:51. > :24:55.dance and think, I could have done it better. Then you do it again and
:24:56. > :24:59.you know if you had another chance you would be brilliant. I said to
:25:00. > :25:04.Jeannette, even if I did it tomorrow, I would still not quite
:25:05. > :25:08.get it. It is the up by them. It might take me a bit of time. I was
:25:09. > :25:14.child it at home. It is.
:25:15. > :25:23.The great thing is you are here. You get to fight another day.
:25:24. > :25:28.Has it... Feel the love. Has it changed your outlook being in the
:25:29. > :25:34.dance-off, do feel a different man? Yes. Again, Kellie said, two weeks
:25:35. > :25:39.ago she was in the bottom two, and this week she got her first ten.
:25:40. > :25:45.Certain dancers will suit certain people. If I had the opportunity to
:25:46. > :25:55.eventually get to the salsa, I might just shake that booty the right way.
:25:56. > :26:03.Can you even imagine it, ladies! Len, would you like to prove to Len.
:26:04. > :26:08.Len is brill than he gave me the first ever ten on this series. And
:26:09. > :26:12.he gave me a standing ovation. And he said, when you do something
:26:13. > :26:17.worthy of a ten, I will give it to you. You can't be so happy when he
:26:18. > :26:25.gives you a ten, then when he says he didn't do well, complain. Happy
:26:26. > :26:28.faces. Now, Peter,
:26:29. > :26:30.we don't want to be too downcast, and one thing I like about you is
:26:31. > :26:43.that you can turn any situation into I did have a great time, we had a
:26:44. > :26:47.ball. A ball room. Boss Pasha the one who had the
:26:48. > :26:52.things here. Frankenstein. If he doesn't improve, he will get it in
:26:53. > :26:58.the neck. Jack Sparrow, the whole book?
:26:59. > :27:08.When she told me, I said, are you serious.
:27:09. > :27:14.Neater than your normal hairstyle. The
:27:15. > :27:17.And, so you never forget any of your puns, here's your very own Peter's
:27:18. > :27:26.We revealed your song earlier, I Get The Sweetest Feeling!
:27:27. > :27:35.How are you feeling about this dance?
:27:36. > :27:41.That good? It has actually been really good. I really liked it
:27:42. > :27:45.because it had elements of different things we have done.
:27:46. > :27:51.Providing it can flow and again, getting in and out of lists which we
:27:52. > :27:54.do this week. We did that in charleston.
:27:55. > :27:57.do this week. We did that in It should be a nice experience, I
:27:58. > :28:02.hope. What can we expect? I want it to be
:28:03. > :28:06.happy, uplifting, a breath of fresh air.
:28:07. > :28:10.We had a rough week in Blackpool, I want to put that behind us and be
:28:11. > :28:17.grateful to be here incredible condition.
:28:18. > :28:19.Instead of being an Australian rough, I've got to be an American
:28:20. > :28:23.Smooth! A big thank-you to all
:28:24. > :28:34.of our guests. Tune in tomorrow when I'll be
:28:35. > :28:36.joined by Helen and Aljaz. And Ian Waite will be giving us
:28:37. > :28:39.his weekly warm-up. Plus, we're off to Copenhagen with
:28:40. > :28:41.Karen Hardy, as she goes behind the scenes of Denmark's very
:28:42. > :28:54.own version of Strictly. This week, everybody's been loving
:28:55. > :29:01.The Great Pottery Throw Down...