:00:08. > :00:09.Helen, I absolutely loved your routine at the weekend.
:00:10. > :00:12.Especially that bit with all those Helens on stage with you.
:00:13. > :00:17.But don't bring it up with Aljaz. I think he was a bit jealous.
:00:18. > :01:13.Live from London, this is Strictly Come Dancing: It Takes Two. Please
:01:14. > :01:15.welcome your host, Zoe Ball! Tonight, Len Goodman is right here
:01:16. > :01:27.to talk about the show We will also have a good old
:01:28. > :01:31.chinwag with Helen and Aljaz. And I'll even squeeze in some
:01:32. > :01:36.Ian Waite for you. Now, sadly Blackpool is nothing but
:01:37. > :01:38.a distant memory but our couples have well and truly
:01:39. > :01:40.moved on. So let's see how Anita and Georgia
:01:41. > :01:53.are getting on in training. The rumba is really tough. The first
:01:54. > :02:01.step that I do where I have to roll down his arm... The pressure on my
:02:02. > :02:06.arm. He looked at me and said, yes, it's super difficult. The challenge
:02:07. > :02:13.this week is to pick up the rumba technique. That's a lot of content.
:02:14. > :02:19.Don't bend! He can shout and scream... None of it affects me.
:02:20. > :02:25.Just teach me to dance the rumba. I love it. I'm excited about the paso
:02:26. > :02:31.doble. Similar to the tango, where it's got to be quite sharp. Every
:02:32. > :02:43.move has to be really strong. Chasse. The training's going really,
:02:44. > :02:50.really well so far, but we need to focus. I'm slightly intimidated that
:02:51. > :02:52.the pasos on Strictly so far have been so good, but I love a
:02:53. > :02:54.challenge. Looking good, ladies. There's been a lot of chatter online
:02:55. > :02:57.about this weekend's shows, and lots of you have contacted the
:02:58. > :03:05.BBC about the Blackpool dance-off and the way the judging works
:03:06. > :03:08.on the show. So, I'm pleased to say
:03:09. > :03:10.Head Judge Len Goodman is here Now before we chat, Len,
:03:11. > :03:15.let's remind ourselves of the two dances Jamelia and Peter performed
:03:16. > :03:58.in the weekend's dance-off. Quite a few of our viewers really
:03:59. > :04:02.didn't agree with the outcome of the dance-off this week. And have raised
:04:03. > :04:08.some important questions. Let's remind ourselves of the scores for
:04:09. > :04:13.Jamelia and Peter on Saturday night. 31 there, and Peter and Janette with
:04:14. > :04:18.29. I have a election of comment from our viewers. Jamelia was voted
:04:19. > :04:21.off despite a very good quickstep performance and receiving higher
:04:22. > :04:26.marks than Peter in the first round, says one viewer. Another said, on
:04:27. > :04:30.the night of the dance-off, Jamelia and tryston danced a good quickstep
:04:31. > :04:35.which was significantly better than Peter and Janette's jive and yet
:04:36. > :04:39.they were eliminated from the competition Firstly, I didn't think
:04:40. > :04:45.it was significantly better. And you can tell from the marks, there was
:04:46. > :04:50.two point in it, so Bruno and I gave them both 8s. Darcey was one point
:04:51. > :04:54.different and so was Craig, so it wasn't a clear-cut thing. It was
:04:55. > :04:58.close. When it comes to the dance-off, we are told before we
:04:59. > :05:04.good on by the producers, just mark on what you see with this dance. It
:05:05. > :05:07.is nothing to do with expectations of what's going to happen or how
:05:08. > :05:13.they've been in the past. It is just about the dance-off. And that's what
:05:14. > :05:18.we all do. But to say it was clear-cut, it wasn't. I, because I
:05:19. > :05:23.was coming here, I video it. I don't often watch it, but I thought, I'll
:05:24. > :05:26.have a look just to get my head around it. I thought Peter in the
:05:27. > :05:31.dance-off did dance a little bit better. I thought his kicks and
:05:32. > :05:37.flicks were a little bit sharper, so I can well understand that the other
:05:38. > :05:42.judges went for Peter and I still felt Jamelia was on that dance-off a
:05:43. > :05:46.little better, but that doesn't make me right and it doesn't make them
:05:47. > :05:52.wrong. Another viewer said it was clear that Peter Andre did a peer
:05:53. > :05:56.dance with the jive. Even the judges said he didn't do the flicks and
:05:57. > :06:00.kicks and they criticised his dancing, and in the dance-off he
:06:01. > :06:04.didn't improve. There you go, I thought he did improve, and I
:06:05. > :06:11.watched it back specific lip to see if I was wrong or right. I've got to
:06:12. > :06:15.be honest with you, I'm passionate about Strictly Come Dancing and I'm
:06:16. > :06:20.passionate about the judging and the marks. And there has been times over
:06:21. > :06:25.the 10 or 11 years we've been doing it and I've looked back and given
:06:26. > :06:31.someone a 7 and thought, I could have given him an 8. You haven't got
:06:32. > :06:35.loads of time to react and think... It's an instant thing and you have
:06:36. > :06:39.to go with a gut feeling. All of us, if you take Craig, from the world of
:06:40. > :06:45.theatre. Darcey from the world of ballet. Bruno's from the world of
:06:46. > :06:49.pop videos and choreography. And I'm from the world of ballroom, so you
:06:50. > :06:53.are going to get different opinions, but it doesn't make me right. Many
:06:54. > :06:58.times on the show we argue. Craig, what are you on about?! Because we
:06:59. > :07:03.all look at dance from the eyes of our experiences. OK. Another
:07:04. > :07:07.Strictly viewer said, in this situation there's been no offered
:07:08. > :07:11.explanation by the BBC tore judging panel as to why the decision was
:07:12. > :07:15.made to Dave Peter there. Had been no comments by the judges to suggest
:07:16. > :07:21.Jamelia's dance standard had dropped. Even after being instructed
:07:22. > :07:26.by Bruno that Peter's had improved. Well, I can only reiterate what I
:07:27. > :07:32.said. In the dance-off I did think Peter's dance did come up a bit, and
:07:33. > :07:37.so... It is not as though one had 36 and one had 26. There was
:07:38. > :07:41.so... It is not as though one had 36 in it. It was very, very close. OK.
:07:42. > :07:45.so... It is not as though one had 36 So no, I can't accept that. It was
:07:46. > :07:47.so... It is not as though one had 36 close, and I totally
:07:48. > :07:50.other three judges for their opinions, and I hope they respect me
:07:51. > :07:53.for mine Will the judges opinions, and I hope they respect me
:07:54. > :07:57.their reasons from now? opinions, and I hope they respect me
:07:58. > :08:00.from negatives you get positives, so opinions, and I hope they respect me
:08:01. > :08:07.henceforth when it comes to the dance-off and they say, Craig,
:08:08. > :08:08.henceforth when it comes to the because I thought blah, blah, blah,
:08:09. > :08:12.this and that, because I thought blah, blah, blah,
:08:13. > :08:19.down the line and we will explain ourselves as to why we are going to
:08:20. > :08:23.save the dancer. OK. One final viewer comment. Darcey looked
:08:24. > :08:27.embarrassed and I wonder if the judges were instructed to vote the
:08:28. > :08:31.way they did by the producers. I realise the producers are trying to
:08:32. > :08:37.provide us with an entertaining show but the British public like fair
:08:38. > :08:42.play and this was anything but. 11 years I have done this so, never has
:08:43. > :08:47.a producer, I promise you, has ever come up to us and say, mark so and
:08:48. > :08:50.so a bit higher, we would love them to say in. Never. They never
:08:51. > :08:55.interfere with our integrity. They never tell us what to say. We are
:08:56. > :09:00.not scripted to say this or say that, we just come out, say what we
:09:01. > :09:06.see and give a score. I totally understand sometimes I will give
:09:07. > :09:11.somebody a seven, and there'll be millions of people watching at home
:09:12. > :09:16.saying seven?! That was worth a nine. We've all got opinions. It is
:09:17. > :09:21.about taste. I love Brussels sprouts, you don't. It is not right
:09:22. > :09:24.or wrong. Thank you Len. The other thing that's caused a bit of
:09:25. > :09:29.confusion and hit the press this week is about the standing ovation.
:09:30. > :09:35.It's been claimed in some papers that Peter didn't get a standing
:09:36. > :09:39.ovation in his dance. It Takes Two has asked the production team what
:09:40. > :09:43.happened. If you want to know the details, go to their block, where
:09:44. > :09:48.Strictly's director explains what happens. In short, the production
:09:49. > :09:54.team have confirmed that Peter DID get a span townous standing ovation,
:09:55. > :10:12.as did Jamelia, as soon as he finished his dance.
:10:13. > :10:18.I hope that helps answer our viewers' concerns. Len, what can we
:10:19. > :10:25.look forward to this weekend? I do hope that we can draw a line under
:10:26. > :10:27.this now, because it is such a fantastic series. Any one of them
:10:28. > :10:35.can win it. fantastic series. Any one of them
:10:36. > :10:39.Yes! I love the way you say that, quickstep-a-thon. Seven of them all
:10:40. > :10:44.on the floor at the same time. All dancing the quickstep, trying to
:10:45. > :10:50.duck and dive and from that we'll get a different result maybe,
:10:51. > :10:55.because whoever is the winner gets seven points, the second six, five
:10:56. > :10:59.and so on. Those points are added to their score, so it could all change
:11:00. > :11:02.around. It could create utter havoc. Thank you Len for coming to see us.
:11:03. > :11:06.Len Goodman. Thank you. This week three of our professional
:11:07. > :11:08.dancers have ditched the dancefloor for the kitchen, as they take it
:11:09. > :11:12.in turns to whip up a tasty treat. Yesterday, Oti dodged a rice
:11:13. > :11:14.disaster with her chakalaka starter and, tonight, it's Natalie Lowe's
:11:15. > :11:28.turn, hoping to win the coveted Welcome back to Strictly Come
:11:29. > :11:37.Dining. After everyone survived Oti's South African starter it is on
:11:38. > :11:41.to Natalie's main. An Australian seafood arabiata served with
:11:42. > :11:48.linguine. I've never had it. What is linguine? And Natalie has brought
:11:49. > :11:52.another special ingredient. The gorgeous Ainsley Harriott. I've
:11:53. > :12:01.never been called that before. What's that? Quiet in the kitchen.
:12:02. > :12:08.The girls don't know you are here. You can't help me with my cooking
:12:09. > :12:12.but you can help me looping the way. I used to fish with my dad, go
:12:13. > :12:18.pounding together, shine a torch into the water to see if the prawns
:12:19. > :12:23.are out. Would you still do that at home? I absolutely would. Time to
:12:24. > :12:27.get that seafood sizzling. Are you missing they? Of course I am,
:12:28. > :12:39.Natalie. You were quite firm at times but I like that. The nail
:12:40. > :12:42.marks are still in the shoulders. With things getting steamy in the
:12:43. > :12:54.kitchen it is on with the sauce. Wow! Nice combination Natalie. Let's
:12:55. > :13:07.see what they're up to. You've been rumbled. It's Ainsley. That smells
:13:08. > :13:12.delicious. With the secret out and linguine in his mouth it is the
:13:13. > :13:16.moment of truth for Natalie. Bingo! I don't know what the girls served
:13:17. > :13:20.previously but this is going to be top of the leaderboard. We didn't do
:13:21. > :13:26.it at Strictly but you are going to do it in your dining room. Love you.
:13:27. > :13:33.See you soon. Thank you! With Ainsley's seal of approval Natalie
:13:34. > :13:40.serves her seafood spectacular. Over my God, look at this! Amazing.
:13:41. > :13:48.Amazing indeed. From far you could smell it. Here's your linguine. Well
:13:49. > :13:55.done Oti. You've got it. It is a really nice taste, not too spicy,
:13:56. > :13:59.not too salty. Is it nice? I get so nervous when other people eat my
:14:00. > :14:04.food. I loved what she did with it. I was quite surprised at how well my
:14:05. > :14:09.dish went. Sometimes my dishes are hit or miss but I'm really happy
:14:10. > :14:14.with the way it turned out. Success! While everyone tucks in, talk turns
:14:15. > :14:19.to dance. I started when I was 3, and my neighbours got me into it. I
:14:20. > :14:24.represented Australia at 8 in Taiwan. Danced with my brother for
:14:25. > :14:34.five years. And you won Strictly in Australia? Yes, once. Don't forget
:14:35. > :14:37.Ola. Anyway, on with the scores. For Natalie's dish I would give it a
:14:38. > :14:43.nine, because it was the best dish and Select she brought Ainsley, the
:14:44. > :14:51.best gift ever. I give a 10 from Ola. I loved it. I loved it, I could
:14:52. > :14:57.had more of it. Amazing. Natalie is top of the scoreboard with a
:14:58. > :15:05.sensational 19. Tomorrow, suspicions as Ola makes her dish elsewhere. The
:15:06. > :15:08.girls open up about Strictly. Yes, I do get nervous.
:15:09. > :15:10.OK, it's time to talk to a man who loves nothing more than a
:15:11. > :15:13.cheeky nibble on a seafood platter to give him energy for his warm-up.
:15:14. > :15:32.Hello, sailor. Ian Waite's here. CHEERING.
:15:33. > :15:40.Dressing like that! My goodness me. As Len says, all a matter of taste!
:15:41. > :15:45.I saw Jay's salsa on Saturday. I thought, I've that in my wardrobe.
:15:46. > :15:51.I'll bring it out on a cold November night. You've cheered us all up.
:15:52. > :15:57.Thank you very much Stay back, madam! Let's go into the training
:15:58. > :16:00.rooms. Katie and Anton first. Doing an Argentine tango. This is his
:16:01. > :16:05.first on the show. Very exciting indeed. How's it looking? It is. It
:16:06. > :16:13.is normally later on in the competition. He never quite made it.
:16:14. > :16:18.Bless him. I'm so pleased for him. She needs to keep these steps a
:16:19. > :16:25.little smaller. Argentine tango is all done a sixpence. Here, as you
:16:26. > :16:34.can see... Hold on one sec. Here it comes. Book 'em Danno! She's too
:16:35. > :16:39.wide a base there. The lovely Flavia, small steps. Needs to keep
:16:40. > :16:42.it more compact. Georgia and Giovanni have been top of the
:16:43. > :16:48.judge's leaderboard for the past two weeks. With their paso doble, could
:16:49. > :16:52.they make it a hat-trick? Beautiful American smooth last week. A very
:16:53. > :16:57.different type of dance this week. More dramatic, intense a powerful.
:16:58. > :17:02.They've got that. What it doesn't have, let me show you here, she's
:17:03. > :17:06.going up in the shoulders in a lot of places. She's taken her arms up
:17:07. > :17:10.but her shoulders up too. She needs to keep those down. Long neck.
:17:11. > :17:15.Create the positions but let's see that neck. Otherwise it disappears.
:17:16. > :17:19.Such a pretty neck. She has to be careful with her footwork. Sometimes
:17:20. > :17:23.she doesn't articulate her feet. What does that mean? Stretchy toes.
:17:24. > :17:28.When they're loose or when she's dancing through, stretch them. Kelly
:17:29. > :17:33.and Kevin are doing a salsa this week. I think this could be rather
:17:34. > :17:40.good? Another amazing performance last week. She never fails to give
:17:41. > :17:45.you 100% commitment and 100% attack and energy. This is no exception.
:17:46. > :17:50.She's giving it all the energy, even in this early stage. What I did
:17:51. > :17:55.notice is here. Sometimes the legs go a little bit apart from each
:17:56. > :18:04.other. You can't be in this situation where your legs go open.
:18:05. > :18:07.No bandy legs. In-legs. Try thinking about using the inside edges of your
:18:08. > :18:13.feet and the knees will come in themselves. You won't look at though
:18:14. > :18:17.you're... Anyway! Riding a horse? Good work other than that. Peter and
:18:18. > :18:20.Jeanette survived the dance-off at the weekend. Now, for them, an
:18:21. > :18:28.American smooth foxtrot. Am I right? Yes. How is this looking? Is he back
:18:29. > :18:33.on form? Its a foxtrot. It needs a nice smooth action. Unfortunately,
:18:34. > :18:39.some of the transitions are a little lumpy. I think that's because of the
:18:40. > :18:44.footwork. Sometimes, here, if I just emphasise that, you can see he is
:18:45. > :18:48.really trying to do it. He's releasing his toe. But he's sort of
:18:49. > :18:50.doing it like that instead of releasing it like that. Stick the
:18:51. > :18:54.toes up in the air as you go releasing it like that. Stick the
:18:55. > :18:59.backwards. Lady over there's very imhe is wered. You're released the
:19:00. > :19:04.toes. If you can get the footwork right, the whole action of the
:19:05. > :19:10.foxtrot will be better. I'm finding it hard to concentrate because of
:19:11. > :19:14.your outfit. I was going to wear Helen's outfit but couldn't get my
:19:15. > :19:19.toe in it. Your fashion hero. He's doing a tango. And he's wearing
:19:20. > :19:24.another lovely high Wye an shirt. What can I say? Yes, he was so great
:19:25. > :19:31.last week. I have to mention that. You loved the salsa? He was relaxed,
:19:32. > :19:33.rhythmic cal and professional. Here, a lot of partnering. Holding her in
:19:34. > :19:39.a lot of places. He does a lot of partnering. Holding her in
:19:40. > :19:43.brilliantly well. I don't see a lot of tango in there. Interesting to
:19:44. > :19:48.see how his hold is. It's more compact. The back foot there, he
:19:49. > :19:53.needs to stretch that. If he's going in there, let's get the stretching
:19:54. > :19:57.fully. His weight moreover the front foot to give him that lovely
:19:58. > :20:01.stretched back leg. Good work Jay. Anita and Gleb got their first 10
:20:02. > :20:03.this weekend. CHEERING
:20:04. > :20:11.Well deserved paso doble. Extraordinary. This week, they've a
:20:12. > :20:15.rumba. Is it oozing with romance? Is there undulation aplenty? I was
:20:16. > :20:20.really looking forward to her paso doble last week. She did not fail to
:20:21. > :20:25.please me. She had the lovely arm Spanish and flamenco fingers. Here,
:20:26. > :20:29.her hands are lovely. Nice hip undulations there. What I will say,
:20:30. > :20:34.it has to stay smooth and continue yewous. It is a rumba. Now, I just
:20:35. > :20:39.wanted to zoom in here. As you can see, the foot, she has a slightly
:20:40. > :20:43.turned in foot there. Never should you turn your feet in. Especially in
:20:44. > :20:48.a rumba. They should always be slightly turned out at all times.
:20:49. > :20:53.When she puts her feet together, make sure you Bev he will. Make sure
:20:54. > :20:55.you Bev he will at all times. Bev he will like a devil! A bit of a tip
:20:56. > :21:01.there. will like a devil! A bit of a tip
:21:02. > :21:05.weekend, brilliant performance from them. Their charleston was, wow!
:21:06. > :21:11.Viennese waltz for these two this week. How's it looking? As you said,
:21:12. > :21:16.an amazing charleston last week. This is flowing nicely. I saw some
:21:17. > :21:20.nice heel leads in there. Go girl! What I feel is they are getting
:21:21. > :21:27.round each other but it could improve if her position gets better.
:21:28. > :21:30.As you can see here, she's not really over to her left-hand side.
:21:31. > :21:35.Aljaz's right side. This dress really over to her left-hand side.
:21:36. > :21:39.very tight. I can't raise my arms. It could be indecent. When we do a
:21:40. > :21:47.natural turn, she needs to stretch her head as she does it. I never
:21:48. > :21:52.knew my neck went like this. E.T. . She's dancing her head away from
:21:53. > :21:56.him. Beautiful. I cannot wait to see what you're wearing next week, Ian
:21:57. > :22:02.Waite. A favourite. Ian Waite everybody.
:22:03. > :22:13.CHEERING. Could you knock me up a virgin Mo
:22:14. > :22:14.heat owe. Tomorrow, the director of choreography will be here. If you
:22:15. > :22:24.want to ask him something, tweet us. All right, I ran out
:22:25. > :22:48.of words beginning with V! Len I heard a little yelp then. So
:22:49. > :22:53.cute. Hello you gorgeous two some. Well done, did the Tower Ballroom
:22:54. > :22:59.live up to all expectations, Helen? Amazing. Such an incredible space to
:23:00. > :23:03.perform in. Look at us. So theatrical. With the theme of our
:23:04. > :23:08.dance, it felt right for the sense of occasion and the hall it was in
:23:09. > :23:13.We've been going mad singing Anything Goes. If I hear that song
:23:14. > :23:17.one more time... I thought it was like a festival of delights. So many
:23:18. > :23:21.things in there. Anyone who ever wanted to be a dancer when they were
:23:22. > :23:26.little will have wanted to do that. Tap dancing. Upside down splits.
:23:27. > :23:33.Whose idea was it to put those in? Look at that. Amazing. That looks
:23:34. > :23:37.dangerous. Not that flattering. The tap bits, yeah, it was just
:23:38. > :23:42.something that happened naturally. There was a tap break in the song.
:23:43. > :23:48.It felt natural to do a bit of that. I have to say, it came more
:23:49. > :23:54.naturally to you than it came to me! Aljaz swore he'd never do tap on
:23:55. > :23:59.Strictly. I made him. You're a dancer But tap dancing is tricky? It
:24:00. > :24:04.is such a specific. You need to have your feet really loose in order to
:24:05. > :24:08.do the correct tap. In ballroom and Latin, it is about keeping your feet
:24:09. > :24:13.in control. You never have loose feet in Latin or ballroom. New
:24:14. > :24:18.talents for you as well, Aljaz. Great. At one point, you were
:24:19. > :24:24.dancing on the stage with 27 Helens. Is that how many? 27? Was it a
:24:25. > :24:31.little scary? It was an absolute dream. In that massive ballroom,
:24:32. > :24:35.that was the perfect place to mutt in 26 Helens next to beautiful
:24:36. > :24:42.Helen. So scary. I found it really weird. If I'd seen it, it would have
:24:43. > :24:46.put me off the dance. They were all perfectly sinked. You had them
:24:47. > :24:51.trained so brilliantly. Of course, it was a true spectacle. We all
:24:52. > :24:56.loved it. Craig did say, of course, he had to ruin it, he wanted to to
:24:57. > :25:01.be let controlled. Len said he wanted more in-hold. What do you say
:25:02. > :25:06.to that? Control, it is a little difficult for me as a teacher. You
:25:07. > :25:10.want to go into rehearsals and perfect every single move. You spend
:25:11. > :25:14.so much time to make everything look clean. Side by side choreography,
:25:15. > :25:18.especially in the charleston, it is one of the hardest things to do. You
:25:19. > :25:23.need to match two people. One is professional and you know, you need
:25:24. > :25:27.to try to make it look the same standing next to each other. Our
:25:28. > :25:33.charleston was all that. So, for Helen to be able to go from
:25:34. > :25:37.beginning to the end, in the side by side, looking the way she did,
:25:38. > :25:43.Craig's comment was more of a compliment. It was too clean. Yeah,
:25:44. > :25:48.I can't tell Helen on the Thursday, now, all you've learned we're going
:25:49. > :25:54.to roughen that up. Make mistakes. So, I'm happy. If you're a happy
:25:55. > :25:58.boy, we're all happy. On the Sunday results show, we saw you were a
:25:59. > :26:03.little upset, Helen. I'm not surprised. I really wanted them to
:26:04. > :26:07.enjoy the dance in the way I was hoping they would. I can't dance any
:26:08. > :26:13.harder or do anything else. Come here. Big hug. I really do
:26:14. > :26:17.sympathise. I went through that. You're trying to hard and you're
:26:18. > :26:22.working all these hours. It is not what you do normally. When you do an
:26:23. > :26:28.incredible performance, everyone's shattered, it is no surprising you
:26:29. > :26:34.get emotional. It is embarrassing. I'm not a pretty crier. Yes, it's
:26:35. > :26:37.such, people don't realise the studio days, when we start working
:26:38. > :26:41.on a Saturday we start so early. We do the dance so many times. By the
:26:42. > :26:46.end, I didn't have the energy to sprint up the stairs. I had a slight
:26:47. > :26:52.trip which Bruno picked up on. Fair dues. I was just tired. I was really
:26:53. > :26:57.tired, a bit teary. Embarrassed I did that on national TV. I think it
:26:58. > :27:01.shows at that point in the competition how hard you're working.
:27:02. > :27:06.How it starts to get to you. You get annoyed for the smallest of things.
:27:07. > :27:10.You just care because you want to do your partner proud. Above anything,
:27:11. > :27:15.you want them to do well in the competition. Because, it's their...
:27:16. > :27:21.And you do that every single week. You are just incredible. Both of
:27:22. > :27:24.you. Also, you always say every week you're worried about being in the
:27:25. > :27:30.dance-off? I was really worried this week. This week, you were down the
:27:31. > :27:34.bottom of the judge's leaderboard. You've never really been there. Were
:27:35. > :27:38.you terrified? I was. But the positive I took from it, although I
:27:39. > :27:43.was down the bottom end of the leaderboard we got the same score,
:27:44. > :27:47.34, as we have for some of the dances which have been the judges'
:27:48. > :27:52.favourites. It was still a positive. It just goes to show, there are lots
:27:53. > :27:57.of higher Martian, of course, that's only natural that will happen. I was
:27:58. > :28:00.very nervous. I'd convinced myself I was going to be in the dance-off. I
:28:01. > :28:05.think everybody thought we might be in the dance-off. No, not everybody.
:28:06. > :28:11.You weren't you're saved and you're here. The public love you. Now, it's
:28:12. > :28:16.Viennese waltz. Can you tell me in 30 seconds... 30 seconds? Yeah, how
:28:17. > :28:23.good is it going to be? Well, I'm going to need one second.
:28:24. > :28:30.Incredible! Yeah! It's a ballroom dance. I love Austria. I love
:28:31. > :28:35.Viennese waltz. I'm a massive fan of Viennese waltz. It is not that hard
:28:36. > :28:40.when it gets to steps. A natural turn, a reverse turn. A fleckerl. I
:28:41. > :28:44.can see the fleckerl. It will be incredible. Keep the faith, Helen.
:28:45. > :28:45.You're brilliant. Helen and Aljaz. CHEERING.
:28:46. > :28:49.A big thank you to all of our guests.
:28:50. > :28:51.Tune in tomorrow when I'll be chatting to Anita and Gleb.
:28:52. > :28:53.Plus Strictly's director of choreography, Jason Gilkinson,
:28:54. > :28:57.And Vicky Gill will be giving us an exclusive look
:28:58. > :29:05.This week, everybody's been loving The Great Pottery Throw Down...
:29:06. > :29:08.a little bit too much. But who isn't potty for clay?
:29:09. > :29:15.You were so nervous, and you've just excelled yourself.
:29:16. > :29:18.This is a good sign, by the way, when he reacts like this.