:00:17. > :00:19.On tonight's show, we've got some of the best costume designer in the
:00:20. > :00:22.We also have Anita and Gleb somewhere in the building.
:00:23. > :01:17.Live, from London, this is Strictly It Takes Two. Please welcome your
:01:18. > :01:17.host, Zoe Ball. APPLAUSE
:01:18. > :01:21.# Hello and welcome to your Thursday
:01:22. > :01:22.edition of It Takes Two. Tonight, we have the man behind the
:01:23. > :01:25.magic, choreographer extraordinaire, And after that Paso Doble,
:01:26. > :01:32.we've got the king and queen Plus, Vicky Gill has the keys to
:01:33. > :01:41.this week's dressing up box and But first, we would like to
:01:42. > :01:48.pick your brains, dear people. Just for fun, we would like to know
:01:49. > :01:52.who has been your favourite female There are six gorgeous ladies to
:01:53. > :01:57.choose from. 1. Natasha Kaplinsky
:01:58. > :02:00.2. Jill Halfpenny 3. Alesha Dixon
:02:01. > :02:01.4. Kara Tointon 5. Abbey Clancy
:02:02. > :02:08.6. Caroline Flack by heading online to
:02:09. > :02:13.bbc.co.uk/ittakestwo The vote closes at 6.45pm tonight,
:02:14. > :02:20.so you've only got 15 minutes. We'll reveal the results at the end
:02:21. > :02:23.of the show. Now, he is the grand master of the
:02:24. > :02:26.ballroom and is responsible for some of the most breathtaking moments of
:02:27. > :02:56.the series so far. Welcome back to Jason Gilkison. We
:02:57. > :03:02.must say congratulations, because you are engaged. I know, finally.
:03:03. > :03:09.Off the market. Officially off the market. It is the year of love. Next
:03:10. > :03:13.year is going to be very, very busy for frocks and hats. Splendid work
:03:14. > :03:19.up in Blackpool. Such an incredible show. Did it live up to expectation
:03:20. > :03:23.for you? I think it was the best Blackpool we have done. On Pape ter
:03:24. > :03:28.looked like it would be amazing but when we got there, the dress runs
:03:29. > :03:38.and everything came to life. I was very happy. -- on paper. The Lindy
:03:39. > :03:42.hop, upstairs Downstair was phenomenal. Where do you begin
:03:43. > :03:47.choreographing a moment like that? It took a long time, we have Lindy
:03:48. > :03:51.hop dancers, the extras, the pros, even the celebrities coming in in at
:03:52. > :03:55.the end, when they first saw that number and only stepped into it that
:03:56. > :03:57.week, so they had little time to learn it but the pros have been
:03:58. > :04:16.putting this together since August. How do they remember it. Who forgets
:04:17. > :04:20.and who is the noughtiest? Aljaz is pretty naughty but he doesn't
:04:21. > :04:26.forget. They are all good. Well done to the celebrities, to come in on
:04:27. > :04:31.that routine, they did brilliantly. Who was your star pupil? This group,
:04:32. > :04:35.the most driven, focussed lot I came across. They were all in the other
:04:36. > :04:39.room, the pros were working on the routine, they went away. I went to
:04:40. > :04:43.check on them 30 minutes later and they were like - we've got it. And
:04:44. > :04:47.all having a group hug. Three weeks to the final. That could all change.
:04:48. > :04:54.We have asked some viewers to send in questions for you. This is from
:04:55. > :04:58.CaitliN how long have you been dancing? Oh, since I was four,
:04:59. > :05:05.that's going to give away my age, so, 46 years now. Nice maths there.
:05:06. > :05:09.What did you start dancing with, pop dabsing or tap? My grandfather
:05:10. > :05:14.opened the first ballroom studio in Australia. He was from Scotland. I
:05:15. > :05:19.started in his studio. When I came over to London, like when I was 18,
:05:20. > :05:24.I started ballroom dancing here and my first teacher here was Len
:05:25. > :05:28.Goodman. I was a student of Len's. It comes full circle. When you said
:05:29. > :05:32.your age - you look amazing. The secret.
:05:33. > :05:35.When you are putting together a huge big number, how does it all come
:05:36. > :05:42.together? Where does the influence come from? Well, I mean when we all
:05:43. > :05:46.get together earlier in the year, we watch so many old videos, different
:05:47. > :05:50.movies, themes that have been done in different countries. We get great
:05:51. > :05:57.ideas also off the other franchises of Strictly. You know, Dancing with
:05:58. > :06:02.the Stars. The Indian and French one, they all do incredible stuff.
:06:03. > :06:06.We think - how can we do that, or how can we do it better? The thing
:06:07. > :06:09.we have here, we have incredible professional ballroom dancers in our
:06:10. > :06:14.show, more than any other country. We are lucky. We really R we are
:06:15. > :06:21.able to bring the technique to the forefront. -- we really are. We
:06:22. > :06:25.throw out ideas and throw things at the pros. I'm so proud of the pros
:06:26. > :06:30.this season, they have stepped up more than ever before. And what
:06:31. > :06:34.about the three new business? The choreography those three are coming
:06:35. > :06:40.up with is off the chart. It is probably the best start we have ever
:06:41. > :06:48.had. Gleb is well chuffed. Except Gleb. No, I'm joking.
:06:49. > :07:00.The trailer you z it was spectacular. Let's remind ourselves.
:07:01. > :07:06.# Swing your hips now # Come on baby number jump up, jump
:07:07. > :07:11.back # Well I think you've got the
:07:12. > :07:18.knack...# Go Craig. Craig comes in It was so
:07:19. > :07:21.much fun. We have never done an on-location shoot for the launch
:07:22. > :07:26.show. We thought it was a great way to start the season a big train trip
:07:27. > :07:31.to Elstree. You are already thinking about next year. I haven't actually.
:07:32. > :07:37.I bet Craig has plans. Another question from Nathan - why have we
:07:38. > :07:41.not had an Argentine tango-based pro dance yet? We were in the midst of
:07:42. > :07:45.doing that or a Lindy hop number this year. We went with the Lindy
:07:46. > :07:49.hop for Blackpool. I think next year the thing we'll probably do is an
:07:50. > :07:54.Argentine tango group number. We have never done it B I think all the
:07:55. > :07:59.pros now have done it on the show, including Anton. -- done it before.
:08:00. > :08:06.No excuse. It is going to be good. Have you seen it? Yes, it is pretty
:08:07. > :08:11.good. You joined the judging panel of So You Think You Can Dance in
:08:12. > :08:15.Australia alongside Paula Abdul. How is it to judge rather than
:08:16. > :08:22.choreograph? It is different. I feel it is like what I do each day, I'm
:08:23. > :08:25.giving feedback to the dancers. I prefer being behind the camera. It
:08:26. > :08:30.was different. Paula was lovely. She is incredible. A great question from
:08:31. > :08:35.Emma - how do you auditions work for pro dancers? Is there a global dance
:08:36. > :08:39.audition and how do you find the new pro dancers? We are all always on
:08:40. > :08:45.the lookout, all over the world. We go and visit the other countries and
:08:46. > :08:50.see good pro dancers. Oti coming out of South Africa. Her big centre is
:08:51. > :08:54.the judge in Germany and she has been on our radar. She said - you
:08:55. > :08:58.know I have a younger centre who is good. She auditioned. We knew Gleb
:08:59. > :09:08.from the US one and also Australia, that's when I ran into him and
:09:09. > :09:13.worked for him. Giovanni we found just wandering around Soho. No,
:09:14. > :09:18.bless him. I'm the first person he met on the show. He still calls me
:09:19. > :09:22.boss, I think he thinks I run the BBC. Any pro dancers out there,
:09:23. > :09:26.shall they send their videos to you? Yes, put them on YouTube. What are
:09:27. > :09:31.the exciting pro dances still to come? My favourite is the one we do
:09:32. > :09:37.in the finale when everybody comes back. I love that one. We don't put
:09:38. > :09:40.that together until the week of the show. I can't wait to see Jamelia,
:09:41. > :09:45.Carol, everyone come back again, and Jeremy. Jeremy, a big starring role.
:09:46. > :09:49.Hopefully there will be a horse involved. You are going to be
:09:50. > :09:51.telling us about the quickstep-a-thon later. But for now,
:09:52. > :09:54.Jason Gilkison. Fridays on It Takes Two kick off
:09:55. > :10:10.at the earlier time of 6pm. We are back stage with Aled Jones at
:10:11. > :10:16.Elstree as the Magnificent 7 rehearse for Saturdays show. And the
:10:17. > :10:22.ever-entertaining Eamonn and Ruth air their views. And Karen Hardy
:10:23. > :10:26.visit Denmark to see how they do Strictly Scandi-style.
:10:27. > :10:27.It Takes Two, live on Fridays, at 6.00pm.
:10:28. > :10:31.Thank you Peter. Their passionate and fiery
:10:32. > :10:33.paso doble had the entire nation Well, feel free to exhale...
:10:34. > :10:52.it's Anita and Gleb. APPLAUSE
:10:53. > :10:59.Anita and Gleb. Ole! Well done. You were just incredible.
:11:00. > :11:04.It was a proper hashtag wow moment your paso doble on Saturday. How did
:11:05. > :11:08.it feel out on the floor when the whole of the Tower Ballroom erupted.
:11:09. > :11:14.I have never heard anything like that? It was like an outer body
:11:15. > :11:17.experience. It took me a minute to process it and register what
:11:18. > :11:23.happened. We did our ending and moment. And we walked off and it was
:11:24. > :11:26.Gleb who said - look, they are still on their feet. It was amazing,
:11:27. > :11:32.amaze, overwhelming. And your mum and dad there as well. Did they get
:11:33. > :11:38.really emotional? For us, I think all of us felt - we are in week 10
:11:39. > :11:42.now, so we are in t I'm totally consumed for the world of strikly.
:11:43. > :11:45.For them, it was like, they are in Blackpool, with the hottestk tickets
:11:46. > :11:47.in town, ringside seats and then their daughter came out and
:11:48. > :11:54.performed that, they were delirious. They can't believe it. Delirious is
:11:55. > :11:58.a word. We were delirious in our household watching you. You were
:11:59. > :12:02.like a different Anita Rani. Look at you on the floor. Bruno said you
:12:03. > :12:09.commanded the proceedings. Where did the confidence come from? That's
:12:10. > :12:13.you. I can't believe it. LAUGHTER
:12:14. > :12:17.Gleb is like - you know what,'s he quite good that guy. Where did the
:12:18. > :12:23.confidence come from? We trained. We trained hard. She worked so hard.
:12:24. > :12:27.She worked so many hours a day. I tell you, for a person who has never
:12:28. > :12:29.danced before, with zero experience, coming out and doing that, is just
:12:30. > :12:34.unbelievable. APPLAUSE
:12:35. > :12:39.Exactly. Oh my goodness. He is a brilliant
:12:40. > :12:45.teacher. We work hard together and now, absolutely Gleb knows how to
:12:46. > :12:49.get me going and what buttons to push. Do it again, do it again,
:12:50. > :12:55.straighten the legs. That made me fall off the sofa. Let's talk about
:12:56. > :13:00.that moment at the end, the dance to an end, you go to stand up, Gleb
:13:01. > :13:04.told you, no, no, stay. What were you doing, you were like, take the
:13:05. > :13:08.applause? We rehearsed that moment. When we finished the dance, you
:13:09. > :13:12.still have to stay a little bit of a moment to let the audience enjoy
:13:13. > :13:16.that and feel that energy and power of the dance. You don't just come
:13:17. > :13:20.out of it like this because you put yourself into it before you go on
:13:21. > :13:25.the floor, even walking on the floor in the paso, you have to walk
:13:26. > :13:29.already in the zone. And when you do a dance, just don't come up like -
:13:30. > :13:34.oh my God, everything is happy. So it was great. We rehearsed that
:13:35. > :13:40.moment. I was like - just stay. Stay. He said it again.
:13:41. > :13:49.Congratulations. Your first 10. Your highest score. And so deserved. How
:13:50. > :13:56.did it feel? Amazing. A 10 from Darcey but a 9 from Craig.
:13:57. > :14:00.Effectively a 10. Basically a 10. So spectacular and brilliant and for it
:14:01. > :14:04.to happen in Blackpool, in the North in the incredible ballroom. The
:14:05. > :14:11.whole thing was magnificent. It couldn't get any better, could it?
:14:12. > :14:17.You have huge fans, Mel goad roik on the fan was saying how he loved you
:14:18. > :14:23.and Dan Walker and Karen Hardy had this to say about you. I've only
:14:24. > :14:31.done this once before. Stand up, Karen. I'm sorry, that is the best
:14:32. > :14:33.paso doble I have ever, ever seen on Strictly Come Dancing. Wow.
:14:34. > :14:39.Wow. How does that feel? Unbelievable.
:14:40. > :14:46.Unbelievable. For Karen to say that? She is a World Champion. She is
:14:47. > :14:52.amazing, a goddess. I love, Gleb, he is so cool. What did you think of
:14:53. > :14:57.the scores? Were you happy? Some people thought she was under-marked
:14:58. > :15:02.and should have got 10. ? Do you know what I'm happy with the scores,
:15:03. > :15:05.it doesn't matter if it is 8 or 6. It is about the progress, the dance,
:15:06. > :15:09.the performance, how you feel. I felt great, you felt great. We felt
:15:10. > :15:14.great. You felt great. Everything came together. It was great. Rumba
:15:15. > :15:19.this week, the rum barks not always the favourite with the celebrities.
:15:20. > :15:27.Gleb did a big sigh, how has it been going? -- rumba. Really difficult.
:15:28. > :15:33.The choreography Gleb's brought to this has a lot of content. It's so
:15:34. > :15:38.different to the paso. But every week is difficult for me. Every week
:15:39. > :15:43.is hard. Every week we go on the same journey together. But there's
:15:44. > :15:49.something about the rumba that is so exposing and so sensual. As a woman,
:15:50. > :15:56.I think... Show me hands. Come on, do it! You have to breathe into it.
:15:57. > :16:03.It's not just... It's like... Perfect, when he tells you to do
:16:04. > :16:11.something you're like... We had a peek at your training yesterday.
:16:12. > :16:15.Emotions are high. Don't bend. Up. He can shout, scream, flutter his
:16:16. > :16:20.eyelids. None of it affects me. Just teach me to dance the rumba. Yeah,
:16:21. > :16:26.how tense does it get? I've done if. I remember me and Ian falling out.
:16:27. > :16:30.Me crying saying, I can't do this. I haven't cried. The whole of the
:16:31. > :16:36.Strictly experience is tough though, isn't it? Just learning to dance.
:16:37. > :16:41.Yet now, this is my personality anyway. If I'm going to do something
:16:42. > :16:45.I do it and give it my best shot. I don't want to let myself down or
:16:46. > :16:51.Gleb. There's a lot of hard work going into it. You know you're not
:16:52. > :16:55.letting me down. Oh, God, you're going to make me emotional. What
:16:56. > :17:00.kind of teacher are you, Gleb? Quite tough? I'm just honest. Straight to
:17:01. > :17:08.the point. I don't want to mess around. Waste time trying to
:17:09. > :17:14.explaining and maybe please the person and say no, everything's
:17:15. > :17:19.good. I do encourage you but I want to explain to her what the real
:17:20. > :17:24.dancing is like. We're well matched. We're both hard working, a grafter.
:17:25. > :17:28.I don't need to be told brilliant. If it's not, don't tell me. Until
:17:29. > :17:31.I've done it on the night then we can talks about how well it's gone.
:17:32. > :17:35.Until that point, you just never know. Good luck this weekend. I'm
:17:36. > :17:38.imagining it will be quite special. Anita and Gleb.
:17:39. > :17:39.CHEERING Now, she may have saved a few
:17:40. > :17:41.pennies last weekend by convincing our Gleb to dance topless,
:17:42. > :17:44.at least for half the performance, but let's see if she's blown
:17:45. > :18:08.the wardrobe budget this week? Vicky's here. Hello. A big hug from
:18:09. > :18:12.all of us to all of you for such a brilliant weekend of costumes. There
:18:13. > :18:15.were so many up in Blackpool. We lost count. We had a great time.
:18:16. > :18:19.Everyone was tired but we had a great time. A bit of a shindig
:18:20. > :18:26.afterwards. Everyone had a few dance. All deserved. On to this
:18:27. > :18:31.week. We start with Georgia's paso doble. This looks stunning.
:18:32. > :18:35.Inspiration? Slightly different to the normal paso doble dress. We've
:18:36. > :18:39.lots of ribbons going on in different bands to mirror the
:18:40. > :18:46.bodice. We'll have a look. On a Friday they get chopped up. I don't
:18:47. > :18:50.like it, it might change. Talk about the bodicing. The colour of the
:18:51. > :18:55.crystal on the bodice is cobalt. One of my favourites. And jet. Not as
:18:56. > :19:03.many as we think on this one. About three packets. So about 3,000
:19:04. > :19:09.crystals. Giovanni. A rock theme, will Giovanni be rocked up? He will.
:19:10. > :19:15.He'll try to persuade me he'll be going topless. Does anyone want to
:19:16. > :19:22.see that? Mixed reaction. Go for it! This belongs to Helen. She's doing
:19:23. > :19:28.Viennese waltz. A white overlay over a pale Turk wise base. The hemline
:19:29. > :19:33.of this I love. Three different #wi9eds of crin. About 65 metres
:19:34. > :19:37.goes into the bottom of this one. 65 metres. You've gone mad, woman.
:19:38. > :19:42.Amazing. I love the gold and blue over the white on top. This may
:19:43. > :19:49.change a bit. It may be too heavy. We'll see. This is Anita's, a sketch
:19:50. > :19:55.for her rumba dress. What can you tell us? As you can see, it's very
:19:56. > :19:59.simple, light and fluid. With white dresses, sometimes you can put too
:20:00. > :20:04.many crystals and it becomes silver. For tomorrow's #3ur purposes we've
:20:05. > :20:09.kept it plain and it's white. We've lace embellishment over the shoulder
:20:10. > :20:13.and down the back. Gleb will decide whether we want more Georgette or
:20:14. > :20:17.less. If it's Motherwell' embellish the bottom heavily so it comes
:20:18. > :20:23.through. Gleb will look at that and say it will work for the moves or
:20:24. > :20:30.not? We'll discuss it and fight and then decide. Thank you. This is
:20:31. > :20:34.Katie's Argentine tango? It is. Unusual colour choice for Argentine
:20:35. > :20:38.tango. Kate did the rumba a couple of weeks ago. I felt we couldn't go
:20:39. > :20:43.back into the glycs and dark colours. Anton will be in a deep
:20:44. > :20:50.green velvet waste coat and trousers. Very on trend! Green
:20:51. > :20:57.velvet. That sounds special. This is my sketch. A bit bright. Once the
:20:58. > :21:00.emerald AB crystals are all over it, it will take the colour back a bit.
:21:01. > :21:05.We'll have to work with the colour tomorrow. Hopefully, it will be OK.
:21:06. > :21:11.Stunning work. You're doing amazing work. Three weeks left. Three weeks.
:21:12. > :21:12.7,000 more costumes, Vic I Vicky. Thank you to gorgeous Vicky Gill.
:21:13. > :21:16.Now, let's check out another trick of the trade
:21:17. > :21:25.from our friends in the Strictly wardrobe department.
:21:26. > :21:31.Hello, I'm the design room supervisor for Strictly. I work
:21:32. > :21:34.closely with the design team to make sure their vision comes to life
:21:35. > :21:39.every Saturday night. A trick of the trade I like to use is a
:21:40. > :21:44.disappearing pen. I use this pen because it's much more accurate than
:21:45. > :21:48.chalk. It doesn't leave any unwanted Martian on the fabric. It disappears
:21:49. > :21:54.after a few hours. That is my trick of the trade. The disappearing pen!
:21:55. > :21:57.Thank you Alesia. On tomorrow's show we have Katie and Georgia on the
:21:58. > :22:01.sofa and we want you to get involved. Simply send in your
:22:02. > :22:03.questions for the girls using the #Ask I-T-T.
:22:04. > :22:06.Now, they've been busy in the kitchen all week
:22:07. > :22:08.and today Ola Jordan plays host, but who will win?
:22:09. > :22:15.It's the final instalment of Strictly Come Dining.
:22:16. > :22:22.Welcome back to Strictly come dining. After two successful dishes,
:22:23. > :22:28.it's on to Ola's dessert. One dancer will be crowned the winner of the
:22:29. > :22:34.Strictly sparkly spoon. Today, I'll bring a lot of cake to the Strictly
:22:35. > :22:41.come dining party. Croissants with bakery delights. I've never tried
:22:42. > :22:45.Polish desserts. SAS far as I know, Ola does not know how to cook. I
:22:46. > :22:54.think that's why she went for the dessert? Ola's headed back to her
:22:55. > :23:00.routes, the master baker. My grandma used to do that. Your turn. Not very
:23:01. > :23:05.good at this. He looks like my dad. Keep it steady. Ola needs practice.
:23:06. > :23:15.I used to help my grandma doing things like this. What? You've done
:23:16. > :23:21.this before? SPEAKING POLISH Basically, we have to put it in the
:23:22. > :23:26.oven. Anyway, it's out of the oven, a bit of icing and a sprinkling of
:23:27. > :23:31.nuts. I'm getting other bits and pieces and pretend I've made them
:23:32. > :23:36.too. Cheeky! Back to the kitchen. Those look amazing. The girls worked
:23:37. > :23:39.really hard in the kitchen but I think I did a good job at the
:23:40. > :23:47.bakery. They'll be the judge of that. There we are. Did you make
:23:48. > :23:54.this? Yes, I did, this morning. Oh, my goodness. All of them? Yes where,
:23:55. > :24:02.all of them. Every dessert under the sun came out. Oh, my goodness. What
:24:03. > :24:08.are they called? Cheesecake. How did you make them? This is with apple.
:24:09. > :24:15.You've got pastry on the bottom, apples and pastry on the top. Good
:24:16. > :24:19.work! Are you sure you made this? I don't even think of the names when I
:24:20. > :24:27.do them. I just mix things together and it comes out. Is this rhubarb?
:24:28. > :24:33.She has no idea! He yeah. Whoever made it, it was such a good dish. I
:24:34. > :24:39.couldn't speak. Do we think she got away with it? Whilst I taste these
:24:40. > :24:44.yum gentlemen desserts tell me about your world. Do you miss home? I miss
:24:45. > :24:50.my mum and dad. The older I get I miss my mum and dad in Poland. Ola,
:24:51. > :24:55.how long have you been doing Strictly? Ten years. Wow! A long
:24:56. > :25:00.time. The nerves don't get any better. I do get nervous. I want to
:25:01. > :25:06.do well. I want my partner to do well. What's been your highlight?
:25:07. > :25:09.Winning but just taking someone who never danced before, taking them a
:25:10. > :25:13.long way in the competition and them enjoying the experience. That's it
:25:14. > :25:19.for me. ALL: Cheers. That's nice. But who's
:25:20. > :25:26.the winner. Before the last dish Natalie was top of the scoreboard. I
:25:27. > :25:31.will give it a 9. It could be a 10 but I'm not sure who made this. I'm
:25:32. > :25:38.going to give Ola... Hang on, don't give away the winner yet. The moment
:25:39. > :25:44.of truth. In third place is... Ola. It's been a great night with the
:25:45. > :25:52.girls tonight. In second place we have, O'Ity. Tonight has been a lot
:25:53. > :25:58.of fun -- Otti. I got to know the girls a little bit more. Giving Ola
:25:59. > :26:04.an 8, Natalie wins. Tonight has been filled with lots of fun, good food.
:26:05. > :26:08.Amazing company with my Strictly pro girlfriends and I get to take home
:26:09. > :26:18.the Strictly spoon. What more could a girl want? Well done Natalie Lowe.
:26:19. > :26:19.Jason and I are popping round later for linguine.
:26:20. > :26:21.Now, earlier in the show we asked you to vote for your favourite
:26:22. > :26:32.I can now reveal that your winner is...
:26:33. > :26:42.Kara Tointon. She'll be very happy with that. Thank you for taking
:26:43. > :26:45.part. Lord of Strictly manor Jason Gilkison has joined us to talk about
:26:46. > :26:52.this week's stepathon. What will be happening? Absolute carnage, we
:26:53. > :26:56.think. Hopefully. All seven couples on the floor at the same time. 90
:26:57. > :27:01.seconds of quickstep. Probably no set routine. Like a ballroom
:27:02. > :27:05.competition. I love this. This is like proper ballroom competition.
:27:06. > :27:10.They have 27 couples on the floor. How will the judges score that? What
:27:11. > :27:14.they end up doing is putting them in an order of one to seven after
:27:15. > :27:17.they've seen them dance at the same time. But the couples have to dodge
:27:18. > :27:22.each other. Avoid crashing into each other. Keep their routine going.
:27:23. > :27:26.It's crazy. Some of them haven't done quickstep since week two or
:27:27. > :27:30.three. Some did it last week. Those who did it last week are home and
:27:31. > :27:35.dry. Do you get the tap on the shoulder from the judges or do they
:27:36. > :27:41.hold your name up? They'll save it until the end. Keep them all on the
:27:42. > :27:47.floor. What will the judges be looking for? It is about keeping
:27:48. > :27:51.cool and calm when you're in that crazy quickstep atmosphere. Keep
:27:52. > :27:55.your footwork going. Not letting all the stress of the couples around you
:27:56. > :28:01.get to you. I'm looking forward to this. We need to know more about the
:28:02. > :28:07.art of the quickstep. I've enlisted some help. I didn't write this item
:28:08. > :28:15.myself, I promise you. What are we looking for in the art... Thanks,
:28:16. > :28:20.hi. That's pretty good. A little turning chassis. Apparently it's
:28:21. > :28:26.about into are awareness? Sorry about the your foot, love! It's
:28:27. > :28:31.speed. A lot of speed involved. Hi, honey. Is this right? Are you
:28:32. > :28:38.worried about the quickstep-a-thon, Gleb? No, not at all. Thank you so
:28:39. > :28:41.much gentlemen. I think you two should dance together. Oh,
:28:42. > :28:47.And there we must leave it for tonight my lovelies.
:28:48. > :28:51.On tomorrow's show we catch up with Katie and Anton
:28:52. > :28:55.Aled Jones is backstage at rehearsals.
:28:56. > :28:59.Plus, Eamonn Holmes, Ruth Langsford and Kimberly Wyatt