:00:00. > :00:07.Look at this plush sofa, and all the glitter.
:00:08. > :00:15.Tonight on It Takes Two, we've got everything you need to
:00:16. > :00:21.We're bringing you high kicks, quick flicks and top tricks straight
:00:22. > :00:32.I'm at the helm of this Strictly ship.
:00:33. > :01:36.Live from London. This is strictly It Takes Two. Please welcome your
:01:37. > :01:57.Here we go. Take it away! Loving his work.
:01:58. > :02:02.Well done to Andy Murray. Good luck to Team GB tomorrow.
:02:03. > :02:04.And it looks like we're not the only ones.
:02:05. > :02:09.We've got the gorgeous Georgia and Giovanni, and the ever-elegant
:02:10. > :02:21.Katie and Anton getting in some last minute practice.
:02:22. > :02:25.And I spy tonight's Friday Panel, Eamonn, Ruth and Kimberly Wyatt
:02:26. > :02:31.They'll be reporting back to us later.
:02:32. > :02:34.Now, there's definitely something "in the air" tonight - maybe it's
:02:35. > :02:37.because Aled Jones has spent the day over at the Strictly Studios
:02:38. > :02:52.Thank you. I am so excited to be back here in Strictly. I have my
:02:53. > :02:57.fake tan on especially, but over there, more fake tan than you have
:02:58. > :03:02.seen in your life. The pros are putting the finishing touches to the
:03:03. > :03:11.group dance, they will perform to Peggy Lee I'm A Woman. Looks good.
:03:12. > :03:15.Aljaz there, he modelles himself on me by all accounts! If you believe
:03:16. > :03:21.that you will believe anything. We will go to wardrobe first. It is
:03:22. > :03:27.noisy, isn't it P Watch your step. You are not as young as you used to
:03:28. > :03:34.be. Lovely autocue lay lady. Hello my love. All right. She is gorgeous.
:03:35. > :03:40.It is not as glamorous as you would imagine. That is the nerve centre.
:03:41. > :03:45.That is what the bosses hang out. Nice gentleman holding the door for
:03:46. > :03:53.us as well. Come on through. It is all a bit purple. Do you think I
:03:54. > :03:56.clash? Yes, I would say so. Right, in wardrobe, Gleb and Anita, they
:03:57. > :04:02.should be having their final costume fitting. Shall we go in. I'm a
:04:03. > :04:11.gentleman. Come on, let's go. Hello. Hello wardrobe. Where is she? There
:04:12. > :04:17.she is. The vision. How you? Nice to see you, you have swapped partners.
:04:18. > :04:23.I am dancing with Anton. Are you OK? Not too bad. Final costume fitting.
:04:24. > :04:27.I see the genius that is Vicky and her team. This is the first time I
:04:28. > :04:34.have tried on my outfit for tomorrow. It is elegant. Simple.
:04:35. > :04:41.Angelic. Like you. Perfect for the sexy rumba. Just what you need. It
:04:42. > :04:47.is gorgeous. It really is. How long has this been going on for? About 20
:04:48. > :04:50.minutes. It is hard for Anita, we will have skirts where we say we
:04:51. > :04:55.might put it here or here or here. She is there going, I don't know
:04:56. > :05:00.where to put it. Please. Longer I used to say. That is funny, they
:05:01. > :05:03.know how I have changed. They have seen our shapes change and they have
:05:04. > :05:07.seen our personalities change as well. It does happen. At the
:05:08. > :05:11.beginning the first outfit this brilliant woman put on me, my launch
:05:12. > :05:17.outfit. I remember looking at it thinking no way am I wearing that
:05:18. > :05:26.and today I was like, do you think we can... Does Gleb play a part? He
:05:27. > :05:31.was round, has he gone? He is getting his trousers on. This is
:05:32. > :05:37.what we want to see. This is the boys' changing room. Get out you
:05:38. > :05:42.weirdo. You get used to seeing everybody in their pants. That is
:05:43. > :05:46.the best bit. Why did I say that? The pros are passionate about what
:05:47. > :05:51.they are been doing all week. We are passionate about trying to deliver
:05:52. > :05:54.the show on a Saturday. Everybody is putting their thoughts and wishes
:05:55. > :06:00.forward but everybody has best intention and want just, you know
:06:01. > :06:07.for the show to be. Gleb has a say. We will be there like that. Do you
:06:08. > :06:12.find the celebs lose weight. I lost two-and-a-half stone. Wardrobe hated
:06:13. > :06:18.me. Lilia called me Shrek and Five Bellies the first day. Then I was
:06:19. > :06:24.slimmer than the pros. It is hard to believe! We have been talking about
:06:25. > :06:31.today, we feel people change in terms of length and tone. I think
:06:32. > :06:36.you look lovely. You really do. Positive thinking. Back to you Zoe,
:06:37. > :06:41.I will help Anton get into his costume. If you could be quick, that
:06:42. > :06:42.would be great. The American smooth on Saturday was smoother than Len
:06:43. > :06:46.Goodman on a night out. And believe me,
:06:47. > :06:47.he is one smoooooth operator! MUSIC: "Smooth Criminal"
:06:48. > :07:17.by Michael Jackson APPLAUSE
:07:18. > :07:23.Welcome my lovely glamour pusses. They are lovely. How did you change
:07:24. > :07:28.so quickly? The magic of television. There wases a glimpse of ankle.
:07:29. > :07:33.Showing them on television. Well done at the weekend. You said last
:07:34. > :07:36.week how excited you were about taking your American smooth to
:07:37. > :07:39.Blackpool with this lovely man, was it all like a dream Katie? It was
:07:40. > :07:45.like a dream. I am not going to lie. It was just lovely. It was the sort
:07:46. > :07:54.of perfect dance, I thought, to do in Blackpool with Anton, it went
:07:55. > :08:04.rather well. It did. Wow. Here she goes and boom. Look at it all
:08:05. > :08:09.together. I love that. That is Fred and Ginger doing movies. Was it
:08:10. > :08:13.lovely to be back in your spiritual home? It was a joy. We got the best
:08:14. > :08:18.I think the best dance to do at Blackpool. You get the extra dances
:08:19. > :08:23.as well, so all the boys in the top hats, and the, the Art Deco screens
:08:24. > :08:29.and Katie looking gorgeous, and coming off rather well. That is is a
:08:30. > :08:38.bonus, you can never guarantee that. Very true. What was a joy, it was
:08:39. > :08:42.watching you choreograph the boy, it was lovely. It was really special,
:08:43. > :08:48.to be there watching that come together. So well trained. Karen
:08:49. > :08:57.Hardy was here this week, she said there might have been a whoopsy, was
:08:58. > :09:03.there? I call make itting my own. A little bit there may be. What
:09:04. > :09:07.happened. Well I missed a little kick, but you know. Look at that
:09:08. > :09:14.lift and recovery. Your highest score of the series.
:09:15. > :09:21.APPLAUSE. 35 points. Three nines. Three whole
:09:22. > :09:25.nines. We should have saved one of them! Wasted them all on one night.
:09:26. > :09:28.Were you celebrating until the early hours? There might have been a
:09:29. > :09:36.certain amount of celebration going on. Who went home, you or Jeremy
:09:37. > :09:41.Vine? He came back to the hotel but we were leaving so he came to the
:09:42. > :09:45.party with us. It sounded like a good night out. Please tell me you
:09:46. > :09:52.got a kebab. There is a graph to show you, Jeremy, not that jer MiF,
:09:53. > :09:58.our Jeremy is showing Anneton how far he has got with Strictly --
:09:59. > :10:06.Anton how far he has got. We start you off here, and Jan Ray general.
:10:07. > :10:12.Gillian Taylforth only lasted to two weeks and 2009, Laila Rouass, you
:10:13. > :10:19.got to 12th week quarterfinal. Ann Widdecombe. You could well be on
:10:20. > :10:24.your way to doing the best you have done in five years Anton. What, tell
:10:25. > :10:29.us what, what inspires you about Katie? How does she inspire you? Be
:10:30. > :10:34.really careful. She says nice things, that is a help. The thing
:10:35. > :10:37.about Katie, is firstly, she is lovely to be with. She is a joy to
:10:38. > :10:41.spend time with in the studio. That is important, because you spend a
:10:42. > :10:47.lot of time together. You know, it has to work well. It does, so that
:10:48. > :10:51.is really easy, she is easy to choreograph for, she looks amazing,
:10:52. > :10:58.all lovely legs and that sort of thing. So, when I am choreographing
:10:59. > :11:01.for Katie, I sort of fit things on her and she does So, when I am
:11:02. > :11:04.choreographing for Katie, I sort of fit things on her and she does
:11:05. > :11:07.things and I am like "I like the way you do that, let us do that
:11:08. > :11:11.instead." A lot of it is inspired by Katie. It is a joy and she looks so
:11:12. > :11:16.lovely. This week it is the Argentine tango. And the first that
:11:17. > :11:23.you have done in competition Anton, are you nervous? No. I am excited. I
:11:24. > :11:29.am excited. They used to do this in the semifinal but they have moved it
:11:30. > :11:34.down a bit which is a bit of luck because I never got to do it. Look
:11:35. > :11:39.at that. Ooh, I am excited about this. Because it is first time I
:11:40. > :11:45.have done it it is like the first time doing it together. That is the
:11:46. > :11:49.first time for both of you. He probably picks it up faster than I
:11:50. > :11:54.do but we started in the same sort of place at the beginning of the
:11:55. > :11:58.week. Have there been injury, I never really got a chance to do it.
:11:59. > :12:08.If you time it wrong it could be painful. It have only injured
:12:09. > :12:13.myself, kicked myself. I put my foot in the wrong place with the
:12:14. > :12:21.choreographer. You have a nice bruise? An aching this rob. Steady
:12:22. > :12:26.on! Anton and Katie, before Jay and Aliona did the first Argentine tango
:12:27. > :12:32.of the series Len explained what he hopes to see. See. In the Argentine
:12:33. > :12:36.tango you can be together Chinook the cheek, wide apart. You want to
:12:37. > :12:44.see passion, flair, emotion so it is a bit more, you know, you can go to
:12:45. > :12:49.town in the Argentine tango. Have you got your lips of all the
:12:50. > :12:55.ticky boxes? Is Len going to be a happy man? He will be ecstatic. I
:12:56. > :12:58.have a feeling this could be the best dance we have ever done
:12:59. > :13:05.together. That is it. He has said it. You weren't expecting that, were
:13:06. > :13:10.you? We really weren't. Four week, four shows from the final, Katie do
:13:11. > :13:14.you dare to dream? Oh, dream a little dream. Well, it would be
:13:15. > :13:17.lovely. Wouldn't it be lovely to be there on the last show. I am happy,
:13:18. > :13:21.I know everybody says this, every dance is a joy to do and it is
:13:22. > :13:29.lovely to be here, if people want to see us dance again, they know what
:13:30. > :13:33.to do. You have got their votes. We cannot wait for your drama. It will
:13:34. > :13:38.be amazing, Katie and Anton, good luck.
:13:39. > :13:40.Now, this time tomorrow our couples will be preparing to
:13:41. > :13:50.Let's see how preparations have been going for Helen and Aljaz.
:13:51. > :13:59.The Viennese waltz is one of the simpler dunces when it gets to the
:14:00. > :14:02.steps. Sometimes it cannot look entirely impressive, you can't do
:14:03. > :14:06.high lifts or the splits. It's about getting the technique right and
:14:07. > :14:11.doing as much as you can within the framework. We need to make it seem
:14:12. > :14:16.like we just glide across the floor without any effort. At the moment,
:14:17. > :14:19.we are not there yet. That is going to be the biggest thing to conquer
:14:20. > :14:27.this week, to make all of those simple steps even simpler. He has
:14:28. > :14:32.faith, let's go with that! I can see the light. And there is a light. I
:14:33. > :14:36.wasn't ready yet! What was I thinking? That looks pretty good.
:14:37. > :14:40.Now, one of my Friday panel is known for high kicks, one for loose lips,
:14:41. > :14:44.I'll let you decide which is which - it's my Friday Panel.
:14:45. > :14:53.Please welcome, Ruth Langsford, Eamonn Holmes and Kimberly Wyatt!
:14:54. > :15:11.Here is the king of high kicks. My duties, -- beauties, Ruth, whatever
:15:12. > :15:14.you enjoyed most? Everything, by week three, you can't tell the
:15:15. > :15:19.professional dancers from the celebrities. I always like to watch
:15:20. > :15:22.the partnerships. The dancing, you know they have to be taught, and
:15:23. > :15:28.they grow, but watching the partnerships develop. She just
:15:29. > :15:47.watches, what is that man you are watching? Eamon, who is your
:15:48. > :15:55.favourite? I look at Jade, and he's inspirational. He's from The Wanted,
:15:56. > :16:00.you don't expect him popping up on a show like Strictly, which should be
:16:01. > :16:04.full of middle-aged people like me. And I'm not even middle-aged! I
:16:05. > :16:08.think he has impressed me, his enthusiasm and natural ability, the
:16:09. > :16:18.fact he is not formally trained. I think he looks happy to be there. He
:16:19. > :16:29.killed the salsa. But that is a good thing? Have you any highlights? Jay
:16:30. > :16:35.is a highlight, as well as Helen. Sometimes she gets a bit too much
:16:36. > :16:42.gas behind it, in the blue dress, she lost her thighs, she had nothing
:16:43. > :16:48.left. I'm desperate to lose mine! She misses the last step. He catches
:16:49. > :16:54.her. I'm going to watch again in slow motion. She is incredible.
:16:55. > :16:58.Let's look at Katie and Anton, the Argentine tango, so exciting. Here
:16:59. > :17:04.they are in training. Last week, 35 points, the highest score. Are you
:17:05. > :17:08.excited to see this? She has the most amazing legs, hasn't she? I
:17:09. > :17:24.can't wait to see the outfit. Black, the kicks the flicks. Are you
:17:25. > :17:27.impressed? I'm impressed that Anton is in the competition still! But I
:17:28. > :17:32.am impressed, because he has a partner that complement him
:17:33. > :17:41.beautifully. They make a lovely to some. Helen and Aljaz, your
:17:42. > :17:47.favourite, the Viennese waltz, to Etta James. Could they be heading to
:17:48. > :17:53.the top of the Leader Board with this number? A classic to dance to.
:17:54. > :18:01.The music, I agree with you, I would forget a lot of mistakes, because
:18:02. > :18:07.the song would carry me. When you look at the detail, is her head in
:18:08. > :18:11.the right position? When I watch it, I think about the magic. When I
:18:12. > :18:15.watch a dance performance, I think that dance can be a sport when it is
:18:16. > :18:19.just about the steps, it becomes magic when it is more than that,
:18:20. > :18:24.when there is an ocean, connection, a story behind the eyes and the
:18:25. > :18:28.movement. When I see a rehearsal clip like that, they are getting the
:18:29. > :18:32.moves and getting there, but they don't have the magic yet. They have
:18:33. > :18:38.to turn it on. Hopefully that will come tomorrow night. Do you have
:18:39. > :18:45.faith? Definitely, she is going to kill it again! Jay and Aliona, let's
:18:46. > :18:53.observe them. Very closely, in the training room. Dancing to Prints. Is
:18:54. > :19:01.he in the right place, is the staccato good? How is boy wonder
:19:02. > :19:04.doing? When he's not into the music, or doesn't feel comfortable in and
:19:05. > :19:10.out of it, it shows. When she does something like the salsa, when she
:19:11. > :19:16.he is into it, he's amazing. But I don't know if he is quite into it.
:19:17. > :19:21.As a young man, it will be very alien to him, being a pop star. I
:19:22. > :19:24.get that, I felt that the judges were being harsh on him about the
:19:25. > :19:31.facial expression things. He's so busy learning the steps. What is the
:19:32. > :19:37.word? I don't know what the word is. Anyway... It is a sin to say this,
:19:38. > :19:46.basically, but I don't like all of that forced face. He doesn't have
:19:47. > :19:51.that pained expression. I am cool with that, understated. Sacrilege
:19:52. > :19:57.was the word I was looking for. Having one of those moments! Georgia
:19:58. > :20:02.and Giovanni, top of the Leader Board last week, three times they
:20:03. > :20:08.have been top. Paso doble for him, it could be pretty good. Does this
:20:09. > :20:18.excite you? Giovanni has forgotten to do up his top. Kimberly, what do
:20:19. > :20:22.you think? She is looking great. When she has a routine that has
:20:23. > :20:24.fierceness behind it, she's amazing. It, she's amazing. A routine that
:20:25. > :20:33.has fierceness behind it, she's amazing. H Alston was incredible. It
:20:34. > :20:45.was like Liza Minnelli, Betty Boop. The hair, was that hers? Wig! Friday
:20:46. > :20:47.night address at night! We will be back a little bit later, that let's
:20:48. > :20:51.hear it for the Friday panel. Right,
:20:52. > :20:53.let's head back to the Strictly Studios to see what mischief little
:20:54. > :21:03.Aled got up to earlier today. I've just been hanging in Bruno's
:21:04. > :21:10.dressing room, what a lucky boy I am. Earlier on I heard - and an
:21:11. > :21:16.Eton's rehearsal, doing the Rumba, to Read All About It. The words that
:21:17. > :21:29.came to mind, exciting, sensual, sexy, and that is just Gleb. If they
:21:30. > :21:36.perform like tomorrow, we could be seeing Len's ten paddle come out. We
:21:37. > :21:44.don't see that very often. This is one of the most important people in
:21:45. > :21:50.the team, the physio. You are obviously Welsh? Very Welsh! From
:21:51. > :21:58.Cardiff. This is where you hang out? My special room. Tell me a bit about
:21:59. > :22:01.the role of the physio. The main duty is to manage injuries that the
:22:02. > :22:05.celebrities or professional dancers my top ten. On the side of that, we
:22:06. > :22:10.help prevent any that might occur. Or that we might see potentially a
:22:11. > :22:16.caring. Do you get a lot of injuries? Kind of, kind of not, it
:22:17. > :22:23.depends on the week. And the celebrities are usually used to it?
:22:24. > :22:29.Sometimes, yes. Are some of them more difficult than others? Not
:22:30. > :22:33.necessarily, but they will have different injuries, if they have to
:22:34. > :22:38.hold people up for a long time, we get a lot of shoulder and neck
:22:39. > :22:43.tension, injuries to the laid-back, anything that is a bit more jumpy
:22:44. > :22:48.like a jive, you might get strains in tendons. I actually have a niggle
:22:49. > :22:52.in my calf, if I come in here, not as a professional dancer, as a
:22:53. > :22:56.celebrity, what would you do? We would look at your function, to make
:22:57. > :23:02.sure there is no tearing. Just looking at your calf raising, how
:23:03. > :23:05.you use the area, how you are walking back and forth, what is
:23:06. > :23:10.aggravated by jumping and dancing. Then we get you onto the bed, feel
:23:11. > :23:16.what is going on. Can I keep my clothes on? You definitely can!
:23:17. > :23:22.Thank goodness for that, the first thing you ask at my age. We look at
:23:23. > :23:27.the soft tissue, if there is any tension, we would help by releasing
:23:28. > :23:35.that. Who moans the most? I can't share that! Who is in here most? I
:23:36. > :23:39.can't share that either! Nothing worse than a professional physio.
:23:40. > :23:42.Back to you. I'm having the time of my life. Do you do foot rubs? I do,
:23:43. > :23:44.but they hurt. This weekend's group dance has got
:23:45. > :23:48.an air of girl power about it, Let's take a sneak peek at what
:23:49. > :24:10.our professional dancers have The Group Dance is all about the
:24:11. > :24:18.launderette. Let's see what comes out of this Strictly wash. The Group
:24:19. > :24:25.Dance is a 60s launderette inspired number. It is really bubble gum, a
:24:26. > :24:33.little bit saucy. A lot of elements of cha-cha, salsa. Props, washing
:24:34. > :24:37.baskets, newspapers, washing machines. It is forlorn. It's a
:24:38. > :24:42.great dance, the girls are all together. I find being in the
:24:43. > :24:48.laundry a lot of fun, especially when I have a hot guy dancing with
:24:49. > :24:54.me. We have the girls giving it real girl power, female dominance. They
:24:55. > :24:58.are taking to this power very well. We have one featured a gentleman,
:24:59. > :25:01.Tristan. We have two other male surprises for you. Actually, three,
:25:02. > :25:11.don't we? An extra surprise. Tune in this weekend for a special
:25:12. > :25:14.routine to see if we have cleaned up or we get hung out to dry.
:25:15. > :25:16.My next guests are often known simply as GG.
:25:17. > :25:20.And just like a real geegee, they have been racing ahead
:25:21. > :25:23.of the competition for two weeks now - and both have lovely manes.
:25:24. > :26:06.What an entrance! Hello, gorgeous! Well done, my little darling, last
:26:07. > :26:10.weekend you looked like a Little Princess, you looked like a handsome
:26:11. > :26:16.prince. It was perfect. Did you enjoy it? Absolutely loved it, I
:26:17. > :26:20.felt like a Disney Princess. Flowers in your hair, is that one of the
:26:21. > :26:26.favourite addresses you have one? Every week she makes the most
:26:27. > :26:39.beautiful dresses, I'm so lucky. Did everything go according to plan?
:26:40. > :26:43.Apart from the lifts. What happened? As I was getting into it, the dancer
:26:44. > :26:48.grabbed my leg, but grabbed my dress. As he went to lift me up, the
:26:49. > :26:54.material went and my legs stayed there. I was thinking, no, no, no!
:26:55. > :27:00.Nice recovery, I wasn't aware of that at all. Where you panicking?
:27:01. > :27:06.No, I was on the opposite side, I didn't see it. I can't see, in that
:27:07. > :27:11.moment. All I could see was the beautiful ceiling! You did so well.
:27:12. > :27:19.Giovanni, how was your first experience of Blackpool? You mean
:27:20. > :27:24.the dance floor, or Blackpool? A bit of everything. It was a dream come
:27:25. > :27:28.true, because I have never been there. But it was not really what I
:27:29. > :27:33.was thinking of before. It is too cold. It is not always that cold in
:27:34. > :27:41.Blackpool. In August, it is about 93. A lovely place. Maybe 94? If you
:27:42. > :27:45.are lucky. Top of the Leader Board, three times you have been up there,
:27:46. > :27:49.more at the top than anybody in the competition. How does that feel?
:27:50. > :27:58.Well, at the minute we are doing a great job. Yes. Second, as well?
:27:59. > :28:04.Three times first, one-time second. How do you feel about that? I never
:28:05. > :28:09.thought I would get top of the Leader Board once, never mind three
:28:10. > :28:16.times. I love it when you get excited about everything. Just keep
:28:17. > :28:24.focused! Is he always like this? Of course, it is paso doble this week.
:28:25. > :28:30.You are dancing to The Final Countdown. Let's hear it...
:28:31. > :28:34.Eventually, there it is! How is the training going? Fine committee wants
:28:35. > :28:40.me to growl at him and it feels really weird! -- fine, he wants me
:28:41. > :28:45.to growl at him. It just makes me laugh. Tomorrow night you will be in
:28:46. > :28:48.the moves and that will be fine. For those that don't know, it is
:28:49. > :28:57.supposed to be like a bull fight. The man is the Matador, the woman is
:28:58. > :29:20.often the Cape. We've seen a lot of attempts at Capel -- cape-ography.
:29:21. > :29:27.APPLAUSE Chris Parker, who could forget that.
:29:28. > :29:32.I have dug out my cape hoping for a show stopping demo, Giovanni is
:29:33. > :29:38.here, so, here is the cape, can you show us, how it should be done. OK.
:29:39. > :29:45.Thank you. Encouragement from the floor, always welcome. I just need
:29:46. > :30:12.some light, if you can. Oh, look. Some music as well. Here we are.
:30:13. > :30:13.Oh...! And over. APPLAUSE
:30:14. > :30:18.how could you not want to grow at him. John, I believe John is going
:30:19. > :30:24.to have a go. This lovely lady is going to have a go. Is John, John
:30:25. > :30:30.can have a go. Go on, it's a man's job. Here we go. Sorry lovely lady.
:30:31. > :30:36.You are the matador, she is the bull. Be careful with your shape.
:30:37. > :30:42.Come over here. You be the lady. Get your hands up like that. That is it.
:30:43. > :30:52.Beautiful. Come on, John. Here we go.
:30:53. > :30:56.Don't fall off the stage Madame. This is just unbelievable.
:30:57. > :31:03.APPLAUSE John, what is your name my love?
:31:04. > :31:07.Pauline. Pauline and John. That is obviously. That looks good. Look
:31:08. > :31:13.that the with a couple. Very good indeed. Is is this going to be a
:31:14. > :31:20.good dance for Georgia do you think? Yes. Ah. Yes. What has been the
:31:21. > :31:26.hardest thing to master apart from the growing? That is the hardest.
:31:27. > :31:35.The shape. That shape, that like. The Spanish. Look at those fingers.
:31:36. > :31:42.So good. Sorry. Have you... Stay. Is Is that to get you into character.
:31:43. > :31:49.Stay! That moment was quite... Don't you dare. That is too much. Have you
:31:50. > :31:55.tried your costume on? Yes, we tried it today. Well I did. You didn't. My
:31:56. > :31:59.skirt, I have been practising with a big skirt, it had to roll it over 20
:32:00. > :32:03.time, this dress was long at the moment, so there is a few little
:32:04. > :32:11.things that need to be done. Bits of work. I have a lot of the skirt in
:32:12. > :32:19.this dance. Are you wearing a vest tomorrow Giovanni? Yes. The people
:32:20. > :32:24.are devastated. He is wearing a top and jacket. OK, sometimes less is
:32:25. > :32:29.more or is it more is less? I have that the wrong way round. Which of
:32:30. > :32:33.your dances you have not done are you looking forward to? The
:32:34. > :32:37.Argentine tango I am looking forward to, even though I know it is
:32:38. > :32:41.difficult. Good luck tomorrow, with the growling and the cape and all of
:32:42. > :32:44.us. Georgia and Giovanni. Thank you.
:32:45. > :32:47.So far on our round the world tour of Strictly we've
:32:48. > :32:50.made a pit stop in India and this week we're touching down in
:32:51. > :32:53.the land famous for its pastries, bacon and The Little Mermaid.
:32:54. > :33:06.Oh please! # Calling out
:33:07. > :33:11.# Round the world... # Strictly appears on TV screens all
:33:12. > :33:17.over the world. It is on six out the seven continents. What has taken you
:33:18. > :33:21.so long Antarctica? I thought it would be great to check out how
:33:22. > :33:28.other members of the Strictly family do things.
:33:29. > :33:31.Welcome to Denmark. Denmark's version Vild med dans has
:33:32. > :33:40.been on Danish television since 2005. It is now in its 12th series.
:33:41. > :33:53.The show is so big, that 54% of the Danish TV audience tuned in for the
:33:54. > :33:57.series 12 premier. The band, judge, they are similar to
:33:58. > :34:01.the UK. All we need now are the stars of the show. Show. In this
:34:02. > :34:09.hugely popular current series viewers have seen a number of famous
:34:10. > :34:15.faces eliminated, including... A conservative MP. A basketball
:34:16. > :34:19.player. And a handball player who received
:34:20. > :34:30.two scores of just one in the same week. Didn't look that bad to me.
:34:31. > :34:33.Still in the competition is Ena, who stars in the Danish version of
:34:34. > :34:36.Fawlty Towers. Tell me about your experiences so far? It is
:34:37. > :34:41.intimidating at first, but I enjoy it. Very much. It is like, when I
:34:42. > :34:49.was a kid, I dreamed of flying. This is like I have learned how to fly.
:34:50. > :34:57.That has to be equivalent of Claudia's area. Claudia is Claus, a
:34:58. > :35:02.veteran of Vild med dans having presented over 100 shows I watch the
:35:03. > :35:07.UK show and I get irspied by watching other hosts, what is their
:35:08. > :35:15.role, how does it differ from them? He has the hips in this. Here comes
:35:16. > :35:19.the turn. We are doing a turn. We all know the best thing about
:35:20. > :35:30.Strictly is It Takes Two. I went to find out how they do it Danish
:35:31. > :35:34.style. We call it Step by Step. We only do the show on Wednesday and
:35:35. > :35:41.Friday and go behind the scenes always. How did you end up being the
:35:42. > :35:48.presenter? I was in the competition last year, 2014, and I did the win.
:35:49. > :35:53.You won it? Yes. Not sure whether Zoe won or not. I sat down with old
:35:54. > :35:57.friends to find out if the judging panel are as lovely as Len or cruel
:35:58. > :36:03.as Craig. What sort of character would you say you are? I am the
:36:04. > :36:11.strict one. Whatever we try to do we try to entertain people every Friday
:36:12. > :36:14.evening. You are our equivalent to our
:36:15. > :36:19.beautiful Tess back home in the United Kingdom. That is true. I am
:36:20. > :36:23.very privileged to have my job. I loved it before I got the job. The
:36:24. > :36:34.show is about to start. I will see you in there.
:36:35. > :36:44.Wow! That is really high scores. I think I would have been a bit
:36:45. > :36:48.tougher. What a show to be here at.
:36:49. > :36:53.Fantastic. It has been it is a naughting to see how Strictly as
:36:54. > :36:58.done here in Denmark. -- fascinating.
:36:59. > :37:03.She is a tough judge, Karen, thank you.
:37:04. > :37:06.Now, let's see what other Strictly gossip Aled got for us earlier today
:37:07. > :37:13.It has come to something when you are have to feed yourself grapes.
:37:14. > :37:18.Where do you go if you want to hang out with the biggest names? You come
:37:19. > :37:21.to the star bar. I have this lot instead, there are no big names
:37:22. > :37:29.today. You were the only one that got the gag. You can have the grape.
:37:30. > :37:39.Are you glad to be back or missing Blackpool? I am glad to be back. Are
:37:40. > :37:46.you the spokesperson now? Was helping him out. Pete took a deep
:37:47. > :37:52.breath and you were in there. I go to say something and you interrupt.
:37:53. > :37:58.He's really happy. I thought he was.
:37:59. > :38:02.Are you nervous though? Yes, and the reason why is because, look, you, it
:38:03. > :38:06.is good in a way, humbling to be in the bottom two but you think oh, you
:38:07. > :38:11.have to step it up so I will do my best, I have a partner that has also
:38:12. > :38:14.been in the same place. I told him you have to let it go, come back and
:38:15. > :38:17.enjoy it. Dance like this is your last week, you just don't know, and
:38:18. > :38:24.to be fair everyone is brilliant now, so if you go now, you go now.
:38:25. > :38:32.No shame. I am so happen you you wouldn't believe. He is an emotional
:38:33. > :38:34.little fella isn't he. This quickstepathon, that means multiple
:38:35. > :38:40.couples on the dance floor at the same time. That will be murder. A
:38:41. > :38:46.bit murder on the dance floor. See what I did there? You are turning
:38:47. > :38:53.into Peter. Excuse me, I set up that gag! You nicked it. It is
:38:54. > :38:58.interesting. It will be interesting to see what happens. Runs an
:38:59. > :39:01.chassises at full speed, carnage. What happens if you see somebody you
:39:02. > :39:07.don't really like coming towards you, can you put your foot out? I
:39:08. > :39:11.have two tactic, if there is someone in the corner, I am going to dance
:39:12. > :39:15.right into there and start doing stationary choreography so they
:39:16. > :39:20.can't get out, or if someone comes within a metre of us, I am going to
:39:21. > :39:25.be like a Premier League footballer and hit the deck. I will pretend I
:39:26. > :39:29.have been elbowed in the face. You haven't thought about it at all.
:39:30. > :39:35.Hope everyone does well. I know the pros speak to the celebs a lot
:39:36. > :39:43.during the dancing, we can't hear, but, do you want to play Strictly
:39:44. > :39:56.Come Mumbling. Adopt your Strictly smiles. Here is your tonguening Tang
:39:57. > :40:03.her Pete. You have red fleckerl yell throw fleckerl. Red fleckerl yellow
:40:04. > :40:07.fleckerl. She's good. Wow. And your scenario, you are on the dance
:40:08. > :40:11.floor, you turn round and you go to him, that's not quickstep, that is
:40:12. > :40:18.slow. You go I'm getting a ten from Len, ten from Len. That's no
:40:19. > :40:26.quickstep that's a slow step. I'm getting a ten from Len. A ten from
:40:27. > :40:32.Len. Ten from Len. OK we will leave it there, back to Zoe Ball who is
:40:33. > :40:38.dancing a crawl, maybe because she is tall. Genuine clapping and
:40:39. > :40:40.laughter from the audience. Thank you.
:40:41. > :40:42.Being the only two male celebrities left in the competition, Peter
:40:43. > :40:51.Let's see how they're getting on in training.
:40:52. > :41:01.Side by side dancing. There is story telling. It is a beautiful dance.
:41:02. > :41:07.One, two, three. Sorry. I am having a meantle block. I don't want to
:41:08. > :41:12.feel that way this week. I will try and get as much of the technique in
:41:13. > :41:14.as possible. It is good. I I know he will deliver an incredible
:41:15. > :41:18.performance on the night. Almost sorry. I will get this. I know once
:41:19. > :41:27.I get it it will look amazing. I guess this is part of the processors
:41:28. > :41:32.isn't it. Tango training so far has been so fun. The most fun I have had
:41:33. > :41:37.He is getting into character, picking up his steps really well.
:41:38. > :41:42.The technique is there. Good. The technique is really hard. It is like
:41:43. > :41:46.a text book of things where everything has a position.
:41:47. > :41:51.Everything can be exaggerated. A good tango needs a lot of attack
:41:52. > :41:57.from the body. A lot of sharp movements. Like that. Not from a wet
:41:58. > :42:04.Please welcome back my fabulous Friday Panel!
:42:05. > :42:09.APPLAUSE OK, let's have a look at Peter and
:42:10. > :42:14.Janette. This week they are doing American smooth. Here they are,
:42:15. > :42:18.bottom two last week. Do you think this lovely positive song, do you
:42:19. > :42:23.think Peter can avoid the dance off this week? He is a positive person,
:42:24. > :42:27.and I think he is competitive. He wants to win this, but you know
:42:28. > :42:33.what, from a sports psychology point of view he will be rattled after
:42:34. > :42:39.what happened last week. I think, I do, I think anybody would be, he is
:42:40. > :42:42.shown to be vulnerable. That gives people fire in their belly.
:42:43. > :42:45.Sometimes you can turn it round He has to turn it round in the minds of
:42:46. > :42:49.the public as well. He has to fight that too. Do you think he can do
:42:50. > :42:54.that He is very popular, I think he can. That is a great song. It is
:42:55. > :43:00.elegant, the American smooth. He can smile. Think he can turn it round.
:43:01. > :43:05.He wants to be there. He will give it some welly. Give it welly. That
:43:06. > :43:10.is what it takes. On to Anita and Gleb and their rumba. I can see Ruth
:43:11. > :43:17.getting excited there about Gleb. I might have to make you a Gleb mask.
:43:18. > :43:22.I took my Aljaz mask home and made Norman wear it.
:43:23. > :43:32.LAUGHTER That's a bit pervy. Doing a rumba to
:43:33. > :43:37.Read All About It. How are they doing here? I am not looking at
:43:38. > :43:42.Anita. I love that song. It is so romantic. She is so elegant. How do
:43:43. > :43:48.they quickly get the beautiful hand movements as if they have done
:43:49. > :43:55.ballet. She has never had a lesson in her life. Ho she doesn't get
:43:56. > :43:58.distracted by him. People know her for her journalistic work, now
:43:59. > :44:09.people see her star potential. I think it has been a fantastic
:44:10. > :44:13.series. What do you think of any two as a dancer? I think she is
:44:14. > :44:20.beautiful, it serves well when she can tap into her fierceness. When
:44:21. > :44:25.she has fire in his belly, but I think she finds it harder to do the
:44:26. > :44:30.softer thing. Have that fire in your belly with the softer stuff, that is
:44:31. > :44:37.how it comes to life. , when you say that kind of stuff, it comes to
:44:38. > :44:44.life, I think Wembley could make me into a great dancer! -- Kimberly.
:44:45. > :44:49.Here they are, in training. They are doing the salsa, to the Jackson 5.
:44:50. > :44:54.This is going to be lots of fun. How do they get to the top spot, can
:44:55. > :44:59.they do it with the salsa? Yes, she is having so much fun with this. The
:45:00. > :45:04.song is fun, everybody is going to love it. She has to meet the pace of
:45:05. > :45:12.the song and meet that fun. Do you ever salsa at home when you are
:45:13. > :45:21.cooking? No. I salsa and cook, he doesn't! I eat quite a lot, though.
:45:22. > :45:25.What do you think about Kellie? I'm really disappointed she has been in
:45:26. > :45:29.the bottom two. People think she is great, she is fun, and they forget
:45:30. > :45:33.to vote for her. It proves to me, if you like somebody and you want them
:45:34. > :45:37.to stay, you have to pick up the phone. She is a bundle of energy, a
:45:38. > :45:40.bundle of fun. The two them together, even the size they are,
:45:41. > :45:47.they look perfect together. I love that song, so come on. Who do you
:45:48. > :45:55.think will be going home? I know it is difficult! I will tell you who is
:45:56. > :46:00.not, Jay is not going home, any two was not going home, Helen is not
:46:01. > :46:10.going home. Have I left anybody out? -- Anita. I think it could be
:46:11. > :46:16.anybody we have not mentioned. Who do you want to win? An easier
:46:17. > :46:24.question. Georgia, she is fabulous and I think she's a great girl. I
:46:25. > :46:36.think Anton du Beke. This may be his last series. He's very old, you
:46:37. > :46:39.know... May be. Kimberly? Helen, all the way! They have been glorious.
:46:40. > :46:52.We'll get you the mask and wait. For the final time, let's go back to
:46:53. > :47:01.Aled Jones at the studio. The calm before the storm, Claudia is going
:47:02. > :47:04.through her lines, Tess is going to the final script changes. You look
:47:05. > :47:10.at the dance floor, I really wish I was there giving the Ricky Martin
:47:11. > :47:16.moves again. I wouldn't inflict that on you again! It's been brilliant to
:47:17. > :47:19.be back here, with all the memories. Sweaty palms throughout. Seven
:47:20. > :47:22.couples remain in the greatest competition in the world. We also
:47:23. > :47:32.have the quick -athon, 14 people on the dance floor. In the meantime,
:47:33. > :47:35.back to you. Hasn't he done a marvellous job?
:47:36. > :47:38.A big thank you to all of my guests, and of course
:47:39. > :47:42.Make sure you watch Strictly Come Dancing with Tess and Claud,
:47:43. > :47:45.I'll be back on Monday with the unlucky couple to
:47:46. > :47:57.Who do you think it's going to be? I'm not asking you lot again! Good
:47:58. > :48:02.night. # There's nothing you can do that
:48:03. > :48:05.can't be done # Nothing you can say but you can
:48:06. > :48:10.learn how to play the game