Episode 1

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:00:08. > :00:13.You'll never guess what, they've only gone and let me choose my own

:00:14. > :00:18.team this year. I know! As I always say, you want a job doing properly,

:00:19. > :00:21.do it yourself. How do I look? Just a little bit of this and you'll be

:00:22. > :00:28.good to go. Perfect. I've got your coffee. Just

:00:29. > :00:29.like you like it, extra hot, extra foam, stirred three times anti-clock

:00:30. > :00:47.wise, aren't you sweet. Thank you. How's everything going? Everything's

:00:48. > :00:51.great. The team is phenomenal. I've got a really good feeling about this

:00:52. > :00:57.year. Stand by everybody. Goes live in three... Two... One... Roll

:00:58. > :01:01.titles. Why aren't the titles rolling? You

:01:02. > :01:48.pressed the wrong button. It's that one.

:01:49. > :01:53.Live from London, this is Strictly It Takes Two. Please welcome your

:01:54. > :02:03.host, Zoe Ball. Hello and welcome to a brand

:02:04. > :02:06.new series of It Takes Two! And don't worry, there's just

:02:07. > :02:08.the one of me for now, Strictly returned to our screens

:02:09. > :02:13.this weekend and wasn't it glorious? Anastacia did the splits,

:02:14. > :02:26.Judge Rinder blew our minds, Over the next 12 weeks,

:02:27. > :02:29.right here on It Takes Two, we'll be bringing you all

:02:30. > :02:31.the Strictly news and exclusives So shall we meet our star studded

:02:32. > :02:35.line-up for tonight? Coming up, the gorgeous

:02:36. > :02:41.Anastacia and Brendan.... Plus, former Strictly

:02:42. > :02:54.champ and dance legend, Dame Karen Hardy's back

:02:55. > :03:00.in her Choreography Corner. But first, she's got the biggest

:03:01. > :03:06.pipes in pop and I feel like... To have her on the It

:03:07. > :03:13.Takes Two sofa. Let's hope she and her partner have

:03:14. > :03:15.some decent cha-cha chatter. It's Anastacia and

:03:16. > :03:27.Brendan, everyone! You are certainly a supple chick on

:03:28. > :03:32.that dance floor. Based on this, I'm expecting fantastic dance next week.

:03:33. > :03:37.What I loved is that cheeky, sexy attitude. If you can do that with

:03:38. > :03:45.the cha-cha, I can't wait for the Argentine tango. It's Anastacia and

:03:46. > :03:51.Brendan! Welcome to It Takes Two. Give us a flash of the bling. Come

:03:52. > :03:58.on! Yes, a little bling, just for today. I can't show you mine. No,

:03:59. > :04:04.please, we'll see that later. How did you enjoy your Strictly debut? I

:04:05. > :04:10.enjoyed it tremendously. After that I got extremely emotional. I was

:04:11. > :04:13.overwhelmed by the moment. It's not surprising because you build up and

:04:14. > :04:18.build up and psych yourself up and then you do it and then you are a

:04:19. > :04:24.nervous wreck afterwards. Yeah, I'm trying to come to terms with my own

:04:25. > :04:28.womanhood after a lot of health things. Doing that in the outfit,

:04:29. > :04:32.doing that dance to that song. I felt like I'd come into my teenage

:04:33. > :04:38.years in front of the whole UK. So it was very interesting! We

:04:39. > :04:42.absolutely loved it. We have to say Brendan, Craig got the eight paddle

:04:43. > :04:47.out in week one. He had obviously been drinking. That's unheard of!

:04:48. > :04:51.Very nice. Normally, you know, you are expecting flor from Craig. A

:04:52. > :04:56.great way to start. We had the six from Bruno, still not a bad mark. A

:04:57. > :05:00.nice way to start. Ease us in gently. I'm sure it will be

:05:01. > :05:03.different next week. Everybody will be like scores start down here.

:05:04. > :05:07.Little scared that they were nice this week. Sometimes you dance and

:05:08. > :05:13.you don't even hear what they're scoring you. I had to watch it back

:05:14. > :05:17.to know what they said. I thought they just said, "Horror... " I

:05:18. > :05:21.didn't know. I wasn't sure he talked about some of my mountains and I

:05:22. > :05:27.didn't know what he meant. That line, yeah, that was interesting You

:05:28. > :05:32.knew. Let's talk about the face at the end. That was incredible. What

:05:33. > :05:39.is the mood in that face there, so good. A four-letter word was

:05:40. > :05:47.newspaper there. Yeah I was just feeling like, because she goes,

:05:48. > :05:52.Yeesss-aahh. You said it was your show and you wanted many eout of

:05:53. > :05:57.shot. I did say it was all about me at that moment. In the song you're

:05:58. > :06:04.saying, do you want to be with me and very romantically and it's like

:06:05. > :06:10.yes-ahhh. I love that. You have previous form with Popstars on this

:06:11. > :06:19.show Brendan. The governous Michelle Williams and of course, Lulu. Don't

:06:20. > :06:25.mention... And Sophie Ellis Bexter. Lovely girl. You can't compare them.

:06:26. > :06:30.Every single partner on the show, 14, I've had about 25 - they're all

:06:31. > :06:35.very, very different. I love this girl. We're excited. We talk a lot

:06:36. > :06:43.in training. We need to do more dancing. Yeah, we really do. He says

:06:44. > :06:48.that we're like two old women and I think we're like a bromance. We talk

:06:49. > :06:54.too much. Great thinking about the show. Great - she just loves being

:06:55. > :06:57.on here. There's no agenda here except for being here and dancing.

:06:58. > :07:01.Except to dance and maybe win. And learn. And learn the dancing

:07:02. > :07:09.quality. I'm only a performer and ape singer. When -- a singer. It

:07:10. > :07:13.literally has nothing do with dance moves and techniques. The good news

:07:14. > :07:21.is you are not going to give up the singing, are you? You never know. I

:07:22. > :07:27.know there's a lot of singing in training. Cha-cha ticked off, what

:07:28. > :07:31.are you doing next? Salsa. Normally one extreme to the other. Similar in

:07:32. > :07:34.terms of pace and speed and we get to do a few lifts, which is very

:07:35. > :07:39.exciting. How are you feeling about the lifts? I'm so excited. That's

:07:40. > :07:44.what I mean, people go, "I'm terrified, don't touch me." I'm

:07:45. > :07:50.like, "Bring it on. Make me go around your head and flip twice."

:07:51. > :07:53.OK, slow it down. I'm over eager, he will say do something and I punch

:07:54. > :07:56.him in the face when I'm trying to do it, maybe you can't do that. It

:07:57. > :08:02.won't be the first time. Or the last. We can't wait to see it.

:08:03. > :08:06.Anastacia, you're fantastic, Brendan you know how I feel about you.

:08:07. > :08:10.Anastacia and Brendan! APPLAUSE

:08:11. > :08:13.If there is one thing we love here it's a behind-the-scenes action, we

:08:14. > :08:20.sent our cameras along to the studios to capture every single

:08:21. > :08:25.second, you are welcome. Hey, it takes two, I am here. The

:08:26. > :08:36.sun is shining, let's get this party started. Leave your nerves at the

:08:37. > :08:41.door. This is Strictly Come Dancing, for crying out loud. If you can't

:08:42. > :08:46.enjoy it, you're on the wrong show. We are on the right show? Right?

:08:47. > :08:56.Incredible. Like the band bring it to a whole new level. I want

:08:57. > :09:04.something real subtle. What do you think? You're opening the live shows

:09:05. > :09:16.of Strictly 2016. Good luck, yeah. Good luck. No pressure. I'm not

:09:17. > :09:22.worried. I'm fine. Bit nervous actually. Very excited, it's going

:09:23. > :09:25.to be hot. See you later. First live show, yay. I can't believe this is

:09:26. > :09:33.happening right now. Less than a minute away. Pleased I can sit back

:09:34. > :09:37.and watch everyone else but it will make me more nervous tomorrow night

:09:38. > :09:42.because I will have seen how brilliant everyone is. I'm

:09:43. > :09:49.petrified. I don't know where Anton is. Anton... I'm ready. Can't be any

:09:50. > :09:57.more ready than I am now. Live from the BBC, this is Strictly come

:09:58. > :10:00.dancing. Last night was nice. Tonight, we're

:10:01. > :10:13.bringing the house down. Watch this space. Keep dancing! It wasn't the

:10:14. > :10:21.best it could be, but hopefully... On the night. We'll smash it. By the

:10:22. > :10:35.time we get to 6. 30pm, it might be all right. Come on, let's go.

:10:36. > :10:45.Multitasking. Come here now. Here we go. 10 million, 12 million people

:10:46. > :10:53.and Craig Revel Horwood. I just lose everything. My mind. Stand by, five,

:10:54. > :11:06.four, three, two, one... A little film featuring Frosty, our

:11:07. > :11:10.floor manager. He's here tonight. Is it true that eight times you're

:11:11. > :11:13.getting fees for that. Judging by the reaction on the World Wide Web

:11:14. > :11:18.at the weekend you went wild for the return of Strictly. You were not the

:11:19. > :11:21.only ones. So did a few of our celebrity pals. Miranda Hart tweeted

:11:22. > :11:41.this: EastEnders star Ricky Norwood, Fat

:11:42. > :11:52.Boy said: Like that. Very clever. I think that means he liked it. Slay

:11:53. > :11:58.is good. Jenny asked this: Our next guest was on the world stage as part

:11:59. > :12:04.of Team GB in Rio this summer. All that pales in comparison to the

:12:05. > :12:11.nerves she must have felt on her dance floor debut, it's Claudia and

:12:12. > :12:17.AJ. You are absolutely adorable to watch, you two. I loved all the acro

:12:18. > :12:21.movements and doing that in heels, I thought would be virtually

:12:22. > :12:24.impossible. A little bit placed in some parts, but lovely. You've got

:12:25. > :12:31.great coordination. You're going to do great. Welcome, Claudia and AJ.

:12:32. > :12:38.APPLAUSE Well done. Absolutely amazing. How

:12:39. > :12:43.much did you enjoy your first turn around the Strictly floor? I really

:12:44. > :12:50.enjoyed it. Just getting out there and you know, I was like smiling and

:12:51. > :12:53.like walking, as soon as I went into competition mode like gymnastics. I

:12:54. > :12:58.was thinking, that you are trained to win as a gymnast. I imagine your

:12:59. > :13:01.mind is brilliant. How did it differ performing out there than it would

:13:02. > :13:04.say performing in the Olympics? Were the nerves different? Yeah,

:13:05. > :13:07.definitely. Because I'm very comfortable when it comes to

:13:08. > :13:11.gymnastics, been training all these years to do that. Then to be able to

:13:12. > :13:16.go out, do it in heels, I can't even walk! Then having to do all that and

:13:17. > :13:20.you know, dancing, trying to remember it all, smile and looking

:13:21. > :13:25.to the cameras... You did it so brilliantly, though. Such a pro. I

:13:26. > :13:29.have to say, doing a back flip in heels, all your gym trainerers

:13:30. > :13:35.going, no, that's really bad! Were you a natural at doing that. It was

:13:36. > :13:39.tricky in the heels. Quite a few attempts in the studio. He wanted me

:13:40. > :13:46.to do a cart wheel with no hands. No, no. I will do this and let's see

:13:47. > :13:51.how that goes. We've got to do that. Have you tried doing a back flip

:13:52. > :13:56.walkover in high heels? I tried doing it in flats and it didn't go

:13:57. > :14:01.well. A hand stand, can't do it. 26 points as well, two sixes, two

:14:02. > :14:05.sevens. How did you feel about that? I was really pleased just to go out

:14:06. > :14:10.there and enjoy it, whatever the scores were. To be able to get what

:14:11. > :14:16.score, I didn't know how to add six or seven... Neither do I! I wasn't

:14:17. > :14:21.good at maths. Very good at gymnastics though. Let's talk about

:14:22. > :14:24.Lennie took a bit of issue with the gymnastics in the routine. Then

:14:25. > :14:30.Craig at the opposite scale who absolutely loved that. Moving

:14:31. > :14:33.forward, what will you do, more gymnastics, put it away for a bit?

:14:34. > :14:37.Our next dance is completely different, so take a bit out ready

:14:38. > :14:43.to stick it all back in. A bit of both. A little tease. Take it away,

:14:44. > :14:50.put it back in. We'll talk about your next dance in a bit. I think as

:14:51. > :14:52.AJ is one of our new pro dancers, we thought we should get to know you

:14:53. > :15:21.better. I am AJ Prichard and I'm from Stoke.

:15:22. > :15:26.The European Championship, British National Championships, pretty much

:15:27. > :15:30.everything in England. I'm going to bring awesomeness, youthfulness and

:15:31. > :15:35.excitement to the show. I'm ecstatic to be dancing with Claudia. Her

:15:36. > :15:39.gymnastic skills are amazing. Training is a blast. I'm very

:15:40. > :15:48.competitive and pretty much I'll do anything to win. A day, give me a

:15:49. > :15:55.ride home in that car! Are you old enough to drive? Very flash. This

:15:56. > :16:05.week, probably no gymnastics because you are doing...? The waltz. How did

:16:06. > :16:08.you feel about doing that because it is quite extreme? Very nervous

:16:09. > :16:12.because you have two hold positions and be elegant which I find

:16:13. > :16:19.difficult because I'm more of a powerhouse. Being elegant. Being

:16:20. > :16:24.calm, died rushed. That's the other thing, the judges said quite a lot,

:16:25. > :16:29.it is quite slow, making it difficult -- don't rush. The control

:16:30. > :16:37.must be difficult. Some kind of control! Not really, though! How is

:16:38. > :16:44.it going so far? It is going good, yeah. Good! A lot to do before

:16:45. > :16:50.Saturday. There is a long check list to do first. Your dad, Paolo, who

:16:51. > :16:55.has his own online fan club after the show, is he going to be giving

:16:56. > :17:01.you another ten? Hopefully, probably even if I trip, he'll give me a good

:17:02. > :17:05.ten. My friends will put the watch me which is really nice. We love him

:17:06. > :17:10.and you guys are fantastic, good luck with the waltz, it's going to

:17:11. > :17:16.be so different. Claudia and AJ! APPLAUSE

:17:17. > :17:19.Time to welcome back eight Strictly legend, the judges may have had

:17:20. > :17:22.their say over the weekend but there is only one opinion I'm bothered

:17:23. > :17:30.about, it is time for the choreography corner.

:17:31. > :17:45.let's hear it for Karen Hardy. APPLAUSE

:17:46. > :17:51.I've missed you. How was your son and how are you? Fabulous, amazing

:17:52. > :17:59.summer, not much sun, but enough -- your summer. How good were they?

:18:00. > :18:02.Amazing, from those gorgeous little children who opened up for us, to

:18:03. > :18:08.the beautiful new professionals, to the ending of the celebrities

:18:09. > :18:13.stepping into the great ballroom. You know me can I get excited! We

:18:14. > :18:19.are slightly hysterical! We are going to talk about Friday's dances.

:18:20. > :18:25.We must start I think with Judge Rinder, because my goodness, and

:18:26. > :18:29.Oksana, the cha-cha, I was expecting greatness but nothing as good as

:18:30. > :18:36.what he came out with. Facial expressions, did you like them or

:18:37. > :18:38.not sure? Slightly disturbed me. A sickly we are dancing which means

:18:39. > :18:45.communicating through the body. So if I do this, I'm saying hello, but

:18:46. > :18:51.look how good he is. Actually very good, apart from the little slip at

:18:52. > :18:57.the end he is very good. I love this! The faceless potions, maybe he

:18:58. > :19:01.was nervous. But in something into the ballroom hold, where he's going

:19:02. > :19:05.to be limited, with that -- with that ability we may seek some great

:19:06. > :19:11.things and welcome to the new bombshell. Oksana, she is so hot.

:19:12. > :19:15.Ore and Joanna, 27 points, the brilliant tango. Batsmen, I was

:19:16. > :19:27.watching and I thought he was going to moan -- Len. I am more towards

:19:28. > :19:35.Glenn, I like seeing them dancing together. -- Len. It is the

:19:36. > :19:39.partnering of two people together. Look at the body contact. Normally

:19:40. > :19:45.we have gaps. This is the first week! A dynamic duo when two bodies

:19:46. > :19:51.become one. The more I see, the stronger they will be later on. It

:19:52. > :19:58.is the first week, a bit of fun. I like his kicks. Natalie and the

:19:59. > :20:04.jive, 26 points, loving the energy. Bruno mentioned, not a paragon of

:20:05. > :20:09.precision, how precise do you have to be with the jive considering it

:20:10. > :20:14.is the first week? Week one, but I like the danger zone, I like it to

:20:15. > :20:19.be a bit vibrant. I love this, we get the jump and this is his thing,

:20:20. > :20:23.he needs the crowd, getting the Olympic Stadium going, but his

:20:24. > :20:29.delivery was fabulous. There was a little bit of a wobble. Why am I

:20:30. > :20:34.looking at that in week one? Bless their cotton socks, they've just

:20:35. > :20:39.started! I thought it was fabulous. Well done, that boy. Leslie and

:20:40. > :20:46.Anton, the waltz which was classic, Sheila very demure. Craig brought up

:20:47. > :20:51.posture, she's going to be nervous, so the shoulders came up -- she

:20:52. > :20:55.looked very demure. Her flair and gracefulness were stunning but what

:20:56. > :21:00.was a challenge for her, the clip I've got here, she has to dance into

:21:01. > :21:05.the hole from the turn and straight into the action. To be honest,

:21:06. > :21:12.that's very hard to do. As we carry through, the choreography, the

:21:13. > :21:17.movement is great but Leslie, first impressions, you want the glorious

:21:18. > :21:21.elegant top line, elbows in front of the body, shoulders relaxed and

:21:22. > :21:26.allow Anton to come down to her. Bring Anton down to you! Sheela

:21:27. > :21:31.Gowda like a monkey hanging in a tree. I like that -- she looked like

:21:32. > :21:36.a monkey. The unenviable task of opening the show, it must have been

:21:37. > :21:41.terrifying. A couple of judges mentioned about her legs. This is a

:21:42. > :21:55.cha-cha thing, you've got to lock them stop. Shall I do it? It would

:21:56. > :22:03.be rude not to. Mums, dads, children, very quickly, which

:22:04. > :22:09.Camara? Take your pick. A very simple step. I always say that hip

:22:10. > :22:18.and knee our family. They must be working together. We do a little

:22:19. > :22:22.move from side to side, straight, bend, straight, Ben, straight,

:22:23. > :22:30.straight, bend. Have we got that, everybody? That is why she is a

:22:31. > :22:35.master. Giovanni must be careful, a lot of the choreography is needed to

:22:36. > :22:43.be danced on Bent legs. He must get the balance right as well. Point

:22:44. > :22:50.taken. Nagger and Pasha earning 23 points for their waltz -- Naga.

:22:51. > :22:55.There was an error halfway through, what happened. A tiny incident, she

:22:56. > :23:01.is going down the middle of the floor and she slightly missed the

:23:02. > :23:06.fall away action just there. Sadly she let the judges know that it went

:23:07. > :23:13.wrong. What I would encourage Naga to do, you must make the judges down

:23:14. > :23:19.themselves. I am wearing red today, Zoe. Of course you are! I didn't go

:23:20. > :23:25.wrong with my choreography, I was fabulous, walking confidently to the

:23:26. > :23:32.judges. And they say that you are up wearing red. It is like Jedi mind

:23:33. > :23:39.business. Karen will be back tomorrow for Saturday night's

:23:40. > :23:44.performances. She is wearing red! Our final guest made have lost his

:23:45. > :23:56.seat in the Commons but he has gained a seat on the It Takes Two so

:23:57. > :24:01.far, it is Ed and catty. -- so far -- and Katya. It was a bit

:24:02. > :24:10.pedestrian. Glimmers of a nice elegant gentleman and by the end...

:24:11. > :24:19.I was pleasantly surprised and I congratulate you. Well done, Ed and

:24:20. > :24:22.Katya. Ed Balls, as I live and breathe, something I never thought I

:24:23. > :24:26.would see happen and it is lovely to have you here. I never thought it

:24:27. > :24:31.would happen either. A lot of balls in the room. How was it, the first

:24:32. > :24:35.time out on the floor, did you enjoy it? In retrospect I loved it, and

:24:36. > :24:43.the time it was totally terrifying! I know the feeling, Ed. I have to

:24:44. > :24:46.say, so many people watching at home were pleasantly surprised, don't be

:24:47. > :24:52.upset, but I think we all thought it could go one way but you were great.

:24:53. > :24:56.Your bottom of the leaderboard but Len said you are the kind of

:24:57. > :25:00.contestant that Strictly is all about. Was it good to get his

:25:01. > :25:03.approval? Yes, we wanted to do a proper waltz and there was no

:25:04. > :25:07.surprise that I'm at the bottom because clearly I'm a novice but

:25:08. > :25:12.Strictly is about trying hard, having a go, learning and doing your

:25:13. > :25:21.best. We will do that this week as well and see what happens. I like

:25:22. > :25:29.your attitude! I am Zoe Ball and you are Ed Balls, confusing! What did

:25:30. > :25:34.you think of his performance? What I said, people don't see the whole

:25:35. > :25:37.process from day one until the performance, they just see the

:25:38. > :25:41.performance. I said, the man who walked into the studio on day one

:25:42. > :25:47.and the one who danced with me on Saturday, two different people. Ooh.

:25:48. > :25:52.Such a transformation, which I appreciate and I felt it. Yes, some

:25:53. > :25:57.things didn't go right but he is an amazing leader. Follow him around,

:25:58. > :26:02.whatever happened, I just followed because he's really good. I hear you

:26:03. > :26:07.have been practising with your wife, Yvette Cooper, MP, at home. What did

:26:08. > :26:10.you make of your performance? She was in Liverpool with a room with 70

:26:11. > :26:16.people in the conference hall watching. I spoke to her and I said,

:26:17. > :26:20.I really sorry, I messed it up and she said they thought it was

:26:21. > :26:23.fabulous and didn't notice. The point Karen was making come inside

:26:24. > :26:27.you know you made a mistake but everyone else is seeing the good

:26:28. > :26:30.bits. They don't see where you go wrong and afterwards I found out

:26:31. > :26:35.that people loved it. I guess I loved it too. You have learned the

:26:36. > :26:41.trick, if it goes wrong, you just smile and wave. I was disappointed,

:26:42. > :26:45.I thought I was better in rehearsals but now I realise that was a silly

:26:46. > :26:53.thing to say. He is learning already, Katya. Now to another power

:26:54. > :26:55.woman. Welcome, Katya, lovely to have you. We want to learn a bit

:26:56. > :27:18.more about Mrs Jones. I am Katya Jones, from Russia, I am

:27:19. > :27:21.a professional show dance champion. I'm very dedicated to everything so

:27:22. > :27:27.I'm sure I'm going to bring a lot of fire, energy and passion to Strictly

:27:28. > :27:32.and the best thing is that I get to share my knowledge. All want to do

:27:33. > :27:37.is to give Ed the best experience. I'm quite a strict teacher. Ed and I

:27:38. > :27:42.both know who's in charge in the classroom and that's why he calls me

:27:43. > :27:48.the bus. We can go all the way -- the boss. I love the fact that you

:27:49. > :27:53.are very strict with him, that is good for him. We have some

:27:54. > :27:57.statistics for you. Following other politicians who have been on the

:27:58. > :28:04.show. Let's find out how they did in the first week. 2010, series eight,

:28:05. > :28:14.and Widdicombe, getting 17 points. 2011, Edwina Currie, 17 points and

:28:15. > :28:22.Ed, you got 21, very nice work! And now you have the Charleston. How is

:28:23. > :28:26.it going? Well, the energy, the intensity, it is really hard, it is

:28:27. > :28:29.a bit wild but actually, to do it well you must be disciplined and I

:28:30. > :28:40.think we will have some surprises in the routine. This is good, it is

:28:41. > :28:45.very different to the waltz. It is going to come through. In the studio

:28:46. > :28:52.she is vicious! I can imagine. Darcey said that to get into your

:28:53. > :28:55.character, Charleston is great for character. Can you tell us a bit

:28:56. > :29:00.about the character you are going to play? What Darcey said is great

:29:01. > :29:06.advice, it may be think of the TV show from the 80s, Worzel Gummidge,

:29:07. > :29:15.his sad head and his funny head and I'm going to put on my Charleston

:29:16. > :29:19.head. It is going to be Charleston -tastic. As long as you aren't

:29:20. > :29:23.dressed as Worzel Gummidge! That's all we've got time for. Thanks to my

:29:24. > :29:28.guests. Tomorrow, Karen Hardy will be back. Thanks for watching, we'll

:29:29. > :29:33.see you tomorrow. Good night. Unparalleled talent,

:29:34. > :29:36.unprecedented access. BBC Two takes a sneaky peek

:29:37. > :29:39.behind the celebrity curtain. Go out there, grab it with both

:29:40. > :29:44.hands and stick it in your mouth. Easy peasy, get yourself

:29:45. > :29:48.a catchphrase.