:00:00. > :00:12.I don't know why we don't go to the movies more often.
:00:13. > :00:28.Well, in approximately one minute's time,
:00:29. > :00:30.eight people were trying to find themselves?
:00:31. > :00:45.Daisy and Aljaz, plus Ore and Joanne,
:00:46. > :00:52.this is It Takes Two - The Movie.
:00:53. > :01:52.Live, from London, this is Strictly - It Takes Two. Please welcome your
:01:53. > :02:02.host, Zoe Ball. # For one night only...
:02:03. > :02:07.# One night only...#
:02:08. > :02:15.Oh, was that a total disaster? Was I out of time? Welcome to It Takes
:02:16. > :02:21.Two. Thank you to the ladies, Hot Clips, Clifton and Jo Clifton. It is
:02:22. > :02:27.Friday night. And I can confirm we are 24 hours, 42 minutes and 44
:02:28. > :02:32.seconds away from the Strictly Movie Week Special.
:02:33. > :02:35.And to celebrate the first theme week of the series, we thought we'd
:02:36. > :02:38.have our own Hollywood makeover here at It Takes Two.
:02:39. > :02:45.It's the day we get to have a sneak peak
:02:46. > :02:49.So, back by popular demand, my favourite Welsh wing-man
:02:50. > :02:58.Gethin Jones spent the morning getting all the gossip,
:02:59. > :03:05.I'm at the Strictly ballroom where rehearsals are under way for Movie
:03:06. > :03:11.Week. Now practising is Judy Garland and Fred Astaire, also known as
:03:12. > :03:17.Lesley and Anton. Have a look, a sneak peek. Go on.
:03:18. > :03:24.She is loving T he has never been worked so hard in all his life.
:03:25. > :03:29.Whilst rehearsals continue, I'll quickstep my way around he will
:03:30. > :03:32.stree studios, catching up with the other couples. Zoe, I will not let
:03:33. > :03:39.you down. Thank you. More exclusives later on.
:03:40. > :03:41.But now, from one bit of hot stuff to another.
:03:42. > :03:44.Our next guest has played such prestigious roles as The Geek
:03:45. > :03:46.Who Lost His Bicycle and the Fire Fighter with Frilly Hands.
:03:47. > :03:49.I'm sure his next role as Man Sat On Sofa
:03:50. > :04:01.APPLAUSE MUSIC: Hot Stuff For me it looked
:04:02. > :04:05.stiff. Particularly in the hips department. You have to be confident
:04:06. > :04:09.to produce those moves. It was very impressive. An excellent performance
:04:10. > :04:26.and better than last week, so, well done.
:04:27. > :04:37.Go wild for Ore and Joanne. Hello. Look at you in leopard skin. Remind
:04:38. > :04:41.me - I should say, last weekend, Mr No sleeves, the guns were out.
:04:42. > :04:46.Weren't they mighty. I got shimmered and everything, Zoe. Was that the
:04:47. > :04:51.first time that has happened to you? It was. It won't be the last. Was it
:04:52. > :04:55.scary, opening the show? It was nerve wrecking. He was more scared
:04:56. > :04:59.than or right. I couldn't let him know that. I had to give him
:05:00. > :05:04.encouragement. I think it was me who was shaking We, as you will know,
:05:05. > :05:07.incorporated a fireman's pole into the routine. Not many people know
:05:08. > :05:12.this but it wasn't attached at the top. So I was attached to a pole
:05:13. > :05:19.with no top, just hanging for dear life at the top. My nervous little
:05:20. > :05:25.foot at the top going - Eeeek. You knew if you had lent slightly
:05:26. > :05:30.wrong... It could have gone wrong. In your wild he is's dreams could
:05:31. > :05:35.you have imagined you would be on national TV, dressed as a fireman
:05:36. > :05:42.with a pole. It was a dream. A lot of people's fantasy I'm glad we
:05:43. > :05:45.could deliver that. I never in my wildest dreams and I don't think in
:05:46. > :05:52.Strictly history we have had one. Has there been? No. I'm glad we can
:05:53. > :05:58.do that. You had 27. Were you happy with the comments and score? I was
:05:59. > :06:02.happy that Len's score went up one. There was the same score, Craig went
:06:03. > :06:05.down but Len went up. I was happy with that because it was Len who
:06:06. > :06:08.said about the comments the week before, bad comments the week
:06:09. > :06:14.before, so we impressed him, didn't we? Yes, we did. I think when you
:06:15. > :06:19.impress Len you can feel better about yourself. Craig said you were
:06:20. > :06:24.a bit stiff in the hip department, I have to say I totally agree I have
:06:25. > :06:27.more hip action - do you want to see some hip?
:06:28. > :06:34.CHEERS Look at this.
:06:35. > :06:41.Oh... Stop it. Stop T Family show. So sorry. How much work have you
:06:42. > :06:45.done on the hips? We We did some. He has had a bit naturally. We had
:06:46. > :06:49.three-and-a-half days to do it. You have to pryer advertise what you
:06:50. > :06:52.want to do. I was working on the no heels, because that can send people
:06:53. > :06:57.home doing heels in a cha-cha-cha and straight leg. We worked on the
:06:58. > :07:02.hips but maybe on the night... . There was a lot to think about. And
:07:03. > :07:08.a pole that wasn't attached. . Talk about hazards. I know, one man was
:07:09. > :07:13.very, very excited, the charming David Ephgrave from London. Evening.
:07:14. > :07:16.He tweeted you were finally bringing back braces choreography to
:07:17. > :07:21.primetime TV. Rock on Tommy. Loved this move. I'm imagining this took
:07:22. > :07:29.ages to master. Look at that. Come on! Thank you. Thank you for the
:07:30. > :07:33.whoo. As soon as Jo knew I was going to be
:07:34. > :07:36.wearing braces she wanted immediately to put into the routine.
:07:37. > :07:46.More hazards, not only the pole but we had a couple of pings. You know,
:07:47. > :07:51.els a particular. You have - elasttic. You know the pain barrier,
:07:52. > :07:58.we went through that. This weekend, you are dancing to Manmohan Singh.
:07:59. > :08:03.I'm - you are dancing to Singing In The Rain.
:08:04. > :08:08.How has your week been? Couldn't have been more fantastic, going from
:08:09. > :08:14.classy cool to Gene Kellie. Jo loves this dance and this old school music
:08:15. > :08:21.even better. Can I exclusively reveal - she cried during... Jo
:08:22. > :08:27.Clifton cried. Don't tell. It is that good! No, it was. Good luck
:08:28. > :08:33.tomorrow. I know it is going to be amazing. Ore and Jo an.
:08:34. > :08:39.APPLAUSE You are getting wolf whistles.
:08:40. > :08:42.So we know how Ore and Joanne are getting on but how
:08:43. > :08:45.are Louise and Kevin, Tameka and Gorka and Greg and
:08:46. > :08:55.It is a different dance for Louise. There is nothing similar apart from
:08:56. > :08:59.keeping in time to the music. We spent last weak, trying to hammer
:09:00. > :09:03.in, getting into the knees, now she's used to that we have to change
:09:04. > :09:07.and go in a different direction. It is the straight legs and hips, the
:09:08. > :09:11.problem. The more we do it the better. I don't moan about
:09:12. > :09:20.re-running it at all. Yeah, yeah, yeah. That's great. !
:09:21. > :09:25.Gorka and I, we are dancing the tango. It is very dramatic It is a
:09:26. > :09:31.very passionate energetic dance. I think I will be very good at my
:09:32. > :09:36.character in this routine. Tameka has a strong woman character. So
:09:37. > :09:40.she's going to bring it out and be amazing. I really want to do well.
:09:41. > :09:47.It's so early in the competition now and I'm not ready to go home.
:09:48. > :09:53.Beautiful. Greg is really, really good at the American smooth You are
:09:54. > :09:57.in my good books today. We have been working a lot on technique and moves
:09:58. > :10:03.being very precise. Big, small, big, small. Greg is really embracing foot
:10:04. > :10:09.work and the rise and fall in his frame. Oh happy days. Is that nice?
:10:10. > :10:13.Lovely. ! It is about holding the poses properly and making it look
:10:14. > :10:20.really, really good. I think this is possibly the dance for me.
:10:21. > :10:31.Greg looks good. The force is strong with them -
:10:32. > :10:49.it's Sam Nixon, Mark Rhodes I'm loving your outfit, Sophie.
:10:50. > :10:53.You look divine. When Karen Hardy was on Choreography
:10:54. > :10:58.Corner on Tuesday, she said last week was possibly the best week 2
:10:59. > :11:01.ever on the show. Are we in agreement with the Hardy? The
:11:02. > :11:07.standard is impressive, really, isn't it? They are all so good. I
:11:08. > :11:13.have seen some contestants here this evening and they said I have been
:11:14. > :11:18.watching over older things, I think don't, I feel their dances are more
:11:19. > :11:22.complicated than anything I did. I watched your Charleston and it is
:11:23. > :11:26.still amazing. Let's look at this week's dances. Mr Ed Balls. Last
:11:27. > :11:31.week he was incredible with his Charleston. This week a samba. A
:11:32. > :11:38.notoriously difficult dance, can he bring the performance like he did
:11:39. > :11:42.last week? Have a look. He will be Cuban Pete from The Mask. Can he
:11:43. > :11:47.bring it, Sam, what do you reckon? Just look at him there. He is like
:11:48. > :11:51.proper going for it. With Ed, what is lovely, you can tell he is
:11:52. > :11:53.enjoying it and you can tell he is giving it everything. Which I think
:11:54. > :11:58.is really endearing and especially to the public watching. You watch
:11:59. > :12:03.that and think - he is giving his best, I will vote for him. He got a
:12:04. > :12:07.standing ovation. He deserved it, he was really, good. I have a lot of
:12:08. > :12:12.time for Ed Balls. I know, I have a lot of time for him, too. Louise and
:12:13. > :12:17.Kevin. Now there are girls and boys around the country of a certain age,
:12:18. > :12:20.in their late 40s like me who would have danced in their bedrooms to
:12:21. > :12:24.this track for years. I'm so jealous. It is Flashdance What a
:12:25. > :12:29.Feeling. Legwarmers, there is Kevin Clifton. How good is this going to
:12:30. > :12:35.be, Sophie, what is her technique like? I think she is's brilliant.
:12:36. > :12:41.She is so lovely but also an incredible dancer. Really precise.
:12:42. > :12:47.I'm really impressed with her. I think she's going to do well. Sam
:12:48. > :12:53.what are you thinking? I love how you are concentrating. Calm down!
:12:54. > :12:57.She looked wicked. The leg work was awe so. Incredible. Zblunt seen the
:12:58. > :13:02.outfit yet. Wait until you see that. We are moving on to your old
:13:03. > :13:09.partner, Sophie. Brendan and Anastasia are doing a Viennese waltz
:13:10. > :13:13.this weekend, to - 1,000 Years from Twilight. Let's look at them
:13:14. > :13:20.rehearsing. You know this man well. He is very good in the ballroom. He
:13:21. > :13:23.is brilliant all round. I think his choreography is superb. I think they
:13:24. > :13:27.are having a lovely time. I can tell they are getting on which is nice.
:13:28. > :13:30.They had a tough weekend last weekend. So I think they'll be
:13:31. > :13:34.relieved to be out There I think she deserves to have a good run at it.
:13:35. > :13:39.Now we'll look at Will and Karen. They are doing a salsa, everybody,
:13:40. > :13:46.to Jai-Ho from Slumdog Millionaire. Here they are. Check out Will's
:13:47. > :13:50.trousers. Brilliant Brilliant When you can come right out of bed, there
:13:51. > :13:55.we are. Straight into the dance studio. This looks brilliant,
:13:56. > :14:02.doesn't it? Really good. I don't know what that is called. What do
:14:03. > :14:06.you reckon? He looked like Aladdin. I think he is wicked. I think Craig
:14:07. > :14:13.particularly has been really harsh on Will. Come on, Craig! I know he
:14:14. > :14:20.is the harsh judge. Is that his name, the harsh judge? Harsh judge.
:14:21. > :14:24.He will love that. We'll move on to a couple of swells. Lesley and
:14:25. > :14:27.Anton. Again, she's really wowing people at home. They are loving this
:14:28. > :14:32.week. Being Fred Astaire and Judy Garland. Here we are, it is a quick
:14:33. > :14:37.ste. What do we think, Mark? I think Anton will be in his element there.
:14:38. > :14:40.And Lesley, she looks really good in hold. They look really, like
:14:41. > :14:45.powerful together. I think they are a great couple, actually. Are we
:14:46. > :14:50.liking Anton's Beard, he has grown one, he is playing a tramp. Well it
:14:51. > :14:56.is a little bit... A bit of stubble. He needs to work on it more. I think
:14:57. > :15:01.it looks dashing. OK, Tameka and Gorka next. I know everybody looks
:15:02. > :15:08.forward to watching them dance. They are doing the tango to The Heat Is
:15:09. > :15:12.On from Beverly Hills Cop. Here we are, here they are in action. Why do
:15:13. > :15:17.people love them? I really love her. I like them both. Well, look she's
:15:18. > :15:22.really getting into it now. The first week she found it hard not to
:15:23. > :15:27.laugh, wasn't she? She's releasing her inner dancer. She has a bad knee
:15:28. > :15:30.and tango is down in the knees, so it is tough. You would never tell
:15:31. > :15:46.from that, would you? Definitely not, no. And you like Gorka? There
:15:47. > :15:53.was a lady who loves Gorka! One of our new dancers. Treat me! He seems
:15:54. > :15:58.like a lovely lad! That is the right response! Onto the judge, and
:15:59. > :16:06.Oksana. They are going to be the even stones. It is the stuff that
:16:07. > :16:16.dreams are made of. He would go. He is hilarious. He is wearing a nude
:16:17. > :16:24.show. He is so popular. How is this going to be? Very entertaining. His
:16:25. > :16:30.facial expressions, everything he does, it's just wonderful. This is a
:16:31. > :16:37.perfect dance for him and he is a Da calls to win the competition, I
:16:38. > :16:42.really do! -- a dark horse. What do you think? Does that look like a
:16:43. > :16:49.Charleston to you? I am particularly happy with that. Like Mike said, he
:16:50. > :16:53.got criticised for his facial expressions and stuff like that, I
:16:54. > :17:02.think he can really explode with his facial expressions, which will be
:17:03. > :17:04.great. Ya bet that do! Give it up for our Friday panel!
:17:05. > :17:06.But now, earlier today I gave Gethin Jones a microphone
:17:07. > :17:09.and a highly skilled camera crew and said "do your worst".
:17:10. > :17:12.Here's who he found hanging around in an empty dressing room
:17:13. > :17:25.I found a very posh dressing room to catch up with this lovely four.
:17:26. > :17:34.Thank you for joining me so early. Danny, the passe by Blake, how is it
:17:35. > :17:41.going? Idol: the Cape, I have had it since we walked offstage last week.
:17:42. > :17:45.-- I do actually. I know you complain about how hard she works
:17:46. > :17:54.you but by and even only done about an hour, had even cracking the whip
:17:55. > :17:58.since? I don't complain. I'm not bossy at all! I know what I want and
:17:59. > :18:03.I know what I want him to look like. And you know what you want to give
:18:04. > :18:11.the viewers! What more could you ask for? Nothing else! Just do what you
:18:12. > :18:16.have to do, that it! What about the elastic, you have been giving him
:18:17. > :18:23.some elastic? That was just resistance training for his elbows.
:18:24. > :18:28.It's a dance competition, not interval training! We have to get
:18:29. > :18:34.into the stage where he looks like a dancer. He's fantastic. Louise, help
:18:35. > :18:39.you feel on a Friday? Are you excited and nervous? I wasn't in the
:18:40. > :18:45.well heard these guys have been training with resistance bands! --
:18:46. > :18:53.until I heard these guys. Where is mine? I was feeling great until that
:18:54. > :18:56.moment! Friday morning, you always apprehensive because you get to see
:18:57. > :19:01.what everyone else is doing and you start driving yourself mad about
:19:02. > :19:04.your own dance. But it's great to get back with everybody, we all sit
:19:05. > :19:09.and drink tea all day. That's the only time you see everybody, on
:19:10. > :19:17.Friday. Look at the other routines and thing, not so good, all we have
:19:18. > :19:21.a chance? Constantly. There was one move in a routine last week and I
:19:22. > :19:25.said, we're changing the routine! We did change it, even for this
:19:26. > :19:32.interview, I was wearing a hat before and I took it off! This won't
:19:33. > :19:34.do! Competition is real. You have not just been choreographed and
:19:35. > :19:39.Louise, you have been bringing in some of your own moves. He thought
:19:40. > :19:47.it would be a good idea to do a bit of the Naked video, which was 23
:19:48. > :19:54.years ago! I did try and teach him the step apart and wipe the face.
:19:55. > :19:59.Point the finger, slingshot. He keeps getting on well! That has a
:20:00. > :20:02.four from Craig written all over it! Next up, she's the Robin to his
:20:03. > :20:05.Batman, the Bonnie to his Clyde, I've run out of movie duos sorry -
:20:06. > :20:25.it's Laura and Giovanni. So silky smooth! It was like
:20:26. > :20:32.watching the dancers, combined into one. It was absolutely gorgeous,
:20:33. > :20:49.that routine. The emotion, the elegance, stunning.
:20:50. > :20:59.So cheeky! Giovanni! He does make a very good at putting women. You
:21:00. > :21:08.looked like Veronica Lake, the actress. Your hair is stunning. You
:21:09. > :21:12.didn't look so bad either! It was a stunning alts, whether you cock up
:21:13. > :21:19.at the end? I really enjoyed doing it. I was so nervous from the first
:21:20. > :21:22.week, I had to just work on the nerves, and not think about what the
:21:23. > :21:27.judges were going to say, just be in the zone of the sun. So I forgot and
:21:28. > :21:34.we had to get remarks that that was going to happen! Latterly they were
:21:35. > :21:42.amazing. 32, which was seven points up from your cha-cha-cha. I really
:21:43. > :21:51.enjoyed the dance. It was a beautiful one, shouldn't really,
:21:52. > :21:54.really well, so done. The whole thing was, it was the nerves and you
:21:55. > :22:01.were saying, just work on the nerves, be confident and enjoy it.
:22:02. > :22:05.Can you feel them settling? I said that to you last week, I was so
:22:06. > :22:11.nervous, just go out there and it's so much fun to dance it, I didn't
:22:12. > :22:16.care what the judges were going to say because I enjoyed it! We had a
:22:17. > :22:23.nice message saying, Laura made me cry last night, so beautiful,
:22:24. > :22:26.elegant and full of grace. I cried! You are crying, you are making
:22:27. > :22:33.people at home cry, any remorse for that! It was very emotional. I was
:22:34. > :22:38.like, I am not going to be one of those people who cry on telly! It's
:22:39. > :22:44.happening! She really embraced the whole mood of the dance, the music
:22:45. > :22:51.was amazing, the outfit, the hair, what does lower to first, is it
:22:52. > :22:58.easier to get the steps for the...? It depends, how she comes to
:22:59. > :23:04.rehearsal, sometimes she can... I have no idea what they are selling!
:23:05. > :23:10.He goes back and say, Maria, comeback. Sometimes I say, Laura,
:23:11. > :23:18.please come back, sometimes we do the steps to the music and then will
:23:19. > :23:25.do the technique it depends as she comes to the rehearsals. The mood.
:23:26. > :23:33.This weekend, movie week... Salsa. She has been crying all! But not the
:23:34. > :23:39.emotion. We saw you have a fuel bruises from him throwing you
:23:40. > :23:43.around, part of the dance. In the group, we have a few ( salsa has a
:23:44. > :23:46.few lifts and we practised them a lot and I didn't realise until
:23:47. > :23:52.Wednesday that they left a bit of damage! Will not go to show you!
:23:53. > :23:59.What has he done to you! They don't hurt, they are just holding them.
:24:00. > :24:06.And then he says, with the salsa, you have to be sexy. So he was like,
:24:07. > :24:11.be sexy, and already think was, it hurts! How can I be sexy when it's
:24:12. > :24:18.hurting so much! With sumo costume yesterday, which is so hot. -- we
:24:19. > :24:25.saw your question. We were interested to know, is going up?
:24:26. > :24:34.We're going to somehow use it at the beginning. Otherwise feather in the
:24:35. > :24:39.face! He has to see where he's going otherwise we are all in trouble. You
:24:40. > :24:55.don't want to choke on the feathers. How is your Irish accent coming on?
:24:56. > :25:03.It is brilliant. By the way, someone from Sicily just wanted to say you
:25:04. > :25:15.are her favourite. We will get subtitles for next week! Giovanni!
:25:16. > :25:20.Because it is moving, called upon a big screen legend.
:25:21. > :25:22.007 himself - Daniel Craig, to present a guide
:25:23. > :25:24.to the greatest Strictly Movie moments of all time.
:25:25. > :25:26.Unfortunately he said no, so we asked Ian Waite
:25:27. > :25:46.I honestly can't even tell the difference.
:25:47. > :25:54.I am on a very special mission, to infiltrate Strictly's most thrilling
:25:55. > :26:00.movie week performances. Our favourite agent is known for his
:26:01. > :26:06.sophisticated style, cool gadgets and of course 007 is never seen
:26:07. > :26:13.without a glamorous girl on his arm. So let's talk Bond girls first. We
:26:14. > :26:20.will remember the stunning rumba with Giovanni. Her genetic
:26:21. > :26:30.performance left many shaken and a little stirred. This inspired
:26:31. > :26:41.routine proved she has a licence to thrill. Theatrical magic! No
:26:42. > :26:50.surprise that she went on to lift the glitter ball trophy in 2010.
:26:51. > :26:55.Next up, my favourite category. Not just me, me and my fellow leading
:26:56. > :27:00.men. And one thing we know how to do well is make a big entrance. This
:27:01. > :27:06.funny looking spy certainly does. It is Matt Baker and his partner,
:27:07. > :27:14.performing the jive routine to Austin Powers. And the greatest hero
:27:15. > :27:22.of them all, James Bond himself, performed by Scott in 2010. Look at
:27:23. > :27:27.that party! We are so alike! -- body.
:27:28. > :27:35.We have to start with Princess Leia herself. The force was with Kelly
:27:36. > :27:41.and her partner as they performed their out of this world Charleston
:27:42. > :27:46.routine to Star Wars, no special effects required. Back on planet
:27:47. > :27:54.Earth, Anthony Ogogo and his partner, dancing to Rocky three. He
:27:55. > :27:58.put the good fight but sadly was knocked out of the that night. Then
:27:59. > :28:05.he should have opted for a can of hairspray! And of course there is
:28:06. > :28:09.always an evil genius on a mission to assume world domination, and no I
:28:10. > :28:20.don't mean this little cute penguin, I mean him. Disaster, I'm afraid.
:28:21. > :28:24.Yes, our very own beloved Berlin, Doctor know I didn't like it, Craig
:28:25. > :28:29.Revel Horwood. There was nothing happy about cha-cha-cha from MC
:28:30. > :28:36.Harriet, and who is he talking about this time? It was like a lobster on
:28:37. > :28:45.acid. It is Scott Mills and his partner Joanne Dodds in December to
:28:46. > :28:51.the Little Mermaid. -- dancing the samba. This failed to put a smile on
:28:52. > :28:56.his face. But what did other than think about this routine? It is Tim
:28:57. > :29:03.and his partner Natalie dancing the Charleston. No amount of money,
:29:04. > :29:12.darling, is going to change what just happened. It was complete and
:29:13. > :29:16.absolute disaster. Ouch. My mission here is complete. I put in some of
:29:17. > :29:20.the most spectacular movie week moments in Strictly history but if
:29:21. > :29:25.Craig asks, remember, I was never hear!
:29:26. > :29:30.Let's start the campaign right here - Waitey for Bond!
:29:31. > :29:33.Moving on, our next guest has starred in high-profile campaigns
:29:34. > :29:36.for some of the biggest names in fashion but right now
:29:37. > :29:39.each Saturday night she's just a girl, standing in front
:29:40. > :29:41.of four judges, asking them to love her -
:29:42. > :29:59.Oh, Daisy always serves a hot dish. You lost a bit of straight leg on
:30:00. > :30:09.occasion but I really enjoyed it. You are such a natural mover. Sassy
:30:10. > :30:10.and flirty, you are going to go far. # Take my breath
:30:11. > :30:23.away...# Aw! My darlings. Oh, you fruity
:30:24. > :30:27.cuty. You were so amazing last weekend.
:30:28. > :30:32.Honestly, when you look back at, that can you believe that's you out
:30:33. > :30:39.on the floor? It is incredible. I was so nervous. It was just - I am
:30:40. > :30:42.quite pleased I got through it. It was actually quite well getting
:30:43. > :30:47.through. She wasn't bad, actually. The thing is, you can't tell you are
:30:48. > :30:52.nervous at all. I think you look incredibly confident. It is quite an
:30:53. > :30:58.achievement. No, no. "I want my mum." Your mum is here tonight,
:30:59. > :31:02.actually. And your little centre and Danny is here. The nerves not
:31:03. > :31:08.getting any better but Aljaz, 30, I know you were a happy boy. I was
:31:09. > :31:11.very happy. Still am. To do the first Latin dance and dance like
:31:12. > :31:19.that and cha-cha is not the easiest dance to do. You have to straighten
:31:20. > :31:26.the knees, do the hips. Driving... And so it is not an easy dance. And
:31:27. > :31:29.the routine was full of steps, hard steps and Daisy smashed it. She did
:31:30. > :31:32.smash it. APPLAUSE
:31:33. > :31:36.Absolutely. Now, we do have to mention there was
:31:37. > :31:40.a little quibble with the judges about an illegal lift.
:31:41. > :31:45.SIREN All right, don't draw attention. Len
:31:46. > :31:51.wasn't happy. Was that suppose to happen, explain? It was suppose to
:31:52. > :31:57.happen, wasn't it? It was supposed to be higher, I didn't do it well. I
:31:58. > :32:01.actually got a will the further off the floor. I love it, you are such a
:32:02. > :32:06.rule-breaker Aljaz, getting yourself into trouble. Did you know you were
:32:07. > :32:12.committing a crime against dance, Daisy? I did not! Oh,al yas!
:32:13. > :32:16.He can get away with anything, that boy. I know, with this face. You
:32:17. > :32:21.know I love that step. At that point in the music I was like - we have to
:32:22. > :32:26.do something that's really strong. And it was that.
:32:27. > :32:36.He is so naughty. Now, this weekend, you get to be Mary Pop yins Actual
:32:37. > :32:40.Mary Poppins. It is so exciting. A quickstep to A Spoonful Of Sugar.
:32:41. > :32:46.Look at you here. We were watching this saying you already look like
:32:47. > :32:51.Mary Poppins. I thought I'd dress in character to help. It does help.
:32:52. > :32:55.We've had such a giggle. Week 3 feels like my body knows the abuse
:32:56. > :33:03.it goes through. And I can actually... The dance abuse. Let's
:33:04. > :33:07.get that right. And actually the song is so joyful, I have just been
:33:08. > :33:11.laughing in your face all week. He is not taking it personally at all.
:33:12. > :33:15.Is it nice to be back in hold. Obviously cha-cha you are out on the
:33:16. > :33:19.floor on your own? I remember talking to Abbey before she started
:33:20. > :33:23.and saying she loved the ball rchl. I thought - I'm quite excited about
:33:24. > :33:28.having fun in Latin. I don't know about ballroom and as soon as I was
:33:29. > :33:33.holding him I was like - we are home, don't let G Your family were
:33:34. > :33:40.telling me when you were little you were clumsy. I still am. You are so
:33:41. > :33:45.graceful. Never clumsy. Not once. What have you found trickiest with
:33:46. > :33:50.this routine? The first ballroom we did is waltz, it was slow. There is
:33:51. > :33:54.a lot of time to think about steps, what comes up. Although it is very
:33:55. > :33:57.exposed but quickstep it is completely opposite. So it was
:33:58. > :34:01.keeping the posture and there is a lot of steps and they are restick.
:34:02. > :34:08.Everyone always says that every year. The clue is in the title,
:34:09. > :34:12.really, isn't it? Now we have lost Melvin and Janette this week, you
:34:13. > :34:16.are betrothed. She is here tonight. They are all N does this make it
:34:17. > :34:22.scary and more real, people are going home? Totally. That results
:34:23. > :34:24.show was by far the most nerve wrecking experience I have ever been
:34:25. > :34:28.through. Horrible, when you are waiting for the light. You don't
:34:29. > :34:31.want it to be red because I just want it learn another dance. Please.
:34:32. > :34:37.Well, I don't think there is any danger of you going anywhere. I
:34:38. > :34:41.can't wait to see you tomorrow as Mary and Bert.
:34:42. > :34:42.Daisy and Aljaz, good look my darlings.
:34:43. > :34:50.APPLAUSE Competition time now and have we got
:34:51. > :34:52.a once-in-a-lifetime Here's how you could bag
:34:53. > :35:05.yourself a pair of tickets Calling all Strictly super fans.
:35:06. > :35:08.Have you ever wanted to experience the excitement, glamour and drama of
:35:09. > :35:11.the Strictly ballroom first hand? Well now's your chance. We are
:35:12. > :35:15.giving you the opportunity to win two tickets for the biggest night of
:35:16. > :35:19.the year, the Strictly 2016 grand final. For your chance it winners
:35:20. > :35:24.all you need to do is answer the following question correctly:
:35:25. > :35:32.In beak 3 last year, Jayne Aliona performed a Pulp Fiction theme jive.
:35:33. > :35:40.But what was the total score they received from the judges. Was it, A,
:35:41. > :35:46.39 points, B, 38 points or C, 39 points.
:35:47. > :35:52.You must be aged 16 or over to enter. The terms and conditions
:35:53. > :36:00.apply. Good luck, remember Keep Dancing.
:36:01. > :36:04.the lovely Gethin Jones. can't buy, to another -
:36:05. > :36:07.As a former Blue Peter presenter, he's no stranger to a high-stakes
:36:08. > :36:09.challenge but how did he get on rounding up Strictly stars
:36:10. > :36:11.for an off-the-cuff backstage chat earlier today?
:36:12. > :36:16.I'm in the Star Bar hanging out with the boys, Brenda and Paddy
:36:17. > :36:20.Ashdownia. Finishing his breakfast. How was it? Amazing. Tango on
:36:21. > :36:28.Saturday. How are you feeling about it? Very, very strong. Are you doing
:36:29. > :36:34.a tango t looked like a waltz? Oh, fighting talk. How do you do a tango
:36:35. > :36:40.face, I know you are kings at doing it. I see why he is confused. How is
:36:41. > :36:43.an staysia, incredibly brave to be taking this on, is she all right for
:36:44. > :36:47.tomorrow? Looking good. A Viennese waltz we are doing. We haven't had
:36:48. > :36:52.to change anything, we are keeping her arms down, lovely. A Mission
:36:53. > :36:56.Impossible theme tune tomorrow, I'm expecting something dramatic. Is she
:36:57. > :37:00.getting on board with the drama? Yes, really cracking on, we have a
:37:01. > :37:04.dramatic entrance, you are going to love it. Brendan, movie week, to do
:37:05. > :37:07.a theme week is fun? It is. We always get involved in the theme
:37:08. > :37:12.weeks. We like to get a great concept and a lovely feeling in the
:37:13. > :37:17.dance. I think the audience at home can then relate to your performance,
:37:18. > :37:21.they can see what you are trying to portray, rather than guessing, that
:37:22. > :37:25.they do most of the times. Thank you boys, you have to rush off to group
:37:26. > :37:31.rehearsal. Finish with tanning yes face, tango face. He still has to
:37:32. > :37:36.work with it. He looked like Michael Crawford.
:37:37. > :37:38.Now, our final guests of the night are members
:37:39. > :37:40.of a very exclusive club - Jive Club.
:37:41. > :37:42.I didn't know much about it but apparently the first rule
:37:43. > :37:48.The second rule of Jive Club is you don't talk about Jive Club.
:37:49. > :37:51.And the third rule, it's totally gone - sorry.
:37:52. > :37:56.# Rock around the clock tonight # We're going to rock, rock,
:37:57. > :38:03.rock...# Classic rock 'n' roll. I like that
:38:04. > :38:08.style. You looked at ease. Your performance level and value is
:38:09. > :38:11.always brilliant. What I loved was your energy. You came out and went
:38:12. > :38:28.for T Well done. Get your face out of the popcorn.
:38:29. > :38:32.What is she like? I know, not very good at sharing. Look at her body,
:38:33. > :38:39.look at the amount she eats, incredible. Will and Karen everyone.
:38:40. > :38:45.Mane live I'm digging your jive. It was so good, Will? Really, I wasn't
:38:46. > :38:53.so sure for myself. Why not? Why? Well, I missed a move, a few moves.
:38:54. > :38:58.Just one. Was it just one. I felt it could be more nor zwretic. Can you
:38:59. > :39:04.keep playing this, I can watch it. Karen Hardy said you were amazing.
:39:05. > :39:10.Did she? And you recovered brilliantly. Oh, I love Karen.
:39:11. > :39:14.Anyone called Karen, we adore them. How much of an impact did the muscle
:39:15. > :39:20.injury V you hurt yourself somewhere, didn't you? I heard my
:39:21. > :39:27.left glute. I was saying my left "bum" then I realised I only have
:39:28. > :39:33.one. The left cheek. Yes, thank you, madam. Cheek!
:39:34. > :39:39.Heckled with body parts. It's better now. It did impact. I
:39:40. > :39:45.probably said it for a bit of sympathy. It worked a treat. We all
:39:46. > :39:52.liked that. I believed you. You did. And because he almost took my head
:39:53. > :39:58.off. Yes, I almost squashed Karen. Not on live TV. Let's talk about the
:39:59. > :40:03.judges scores. You got an 8 from Len and a 5 from Craig. Sometimes you
:40:04. > :40:08.are like - what is going on here? That's what I feel when I get a 5
:40:09. > :40:12.from Craig. I want to eat. I don't understand the 5. We had plenty of
:40:13. > :40:17.content. He had great bounce. You know, I think it was only because of
:40:18. > :40:20.that little mishap, but the fact that he recovered was the best
:40:21. > :40:22.thing. Because that's how - that's what a true professional does.
:40:23. > :40:29.Exactly. Thank you Karen.
:40:30. > :40:36.And he is a good worker. Feel the love. I knew something had gone
:40:37. > :40:41.wrong. But I I was like - whatever, but he continued and picked it up. I
:40:42. > :40:46.just think Craig has it in for us. I'm going to send him a scented
:40:47. > :40:50.candle. I think I can turn it around. Jai-Ho tomorrow. Oh, it is
:40:51. > :40:57.going to be so good. Firstly, outfits. So good, Will I did it for
:40:58. > :41:03.you. I know, we love them. I get so excited. How are you liking this?
:41:04. > :41:10.Karen you are a Sal at that sensation. Am I? How has Will taken
:41:11. > :41:15.to this dance? Great. A very natural mover. I love the flow of the pants.
:41:16. > :41:19.I think the costumes really come alive when - you know he comes alive
:41:20. > :41:24.when he has the right costumes. ! It really does. It does with the
:41:25. > :41:29.salsa. The tricks, there are a lot of tricks and everything. There is a
:41:30. > :41:37.lot of Bollywood. Is there some twists? Oh, yes. I am taking all the
:41:38. > :41:40.light bulbs in my house. We have eyes and ears obviously everywhere,
:41:41. > :41:47.wherever we are in the next 12 weeks. They are in the training
:41:48. > :41:51.rooms. We caught this classic. Boom, boom, we will work on this.
:41:52. > :42:04.BURP. Clfrnlts disgusting. You squeezed me
:42:05. > :42:09.too hard. You burped me. It's lake burping a baby. What are you like? I
:42:10. > :42:13.had just eaten some potato chips and we started practising dance and he
:42:14. > :42:22.squeezed me too hard, I'm sorry. And what happens? I burped. You forget
:42:23. > :42:25.they are filming. I never would have worn that top either. We thought you
:42:26. > :42:31.looked like the cookie monster. Thank you. Zmri don't know if it is
:42:32. > :42:38.a compliment. It is. Good luck tomorrow night. We will all be doing
:42:39. > :42:40.this. Enjoy. Will and Karen. - I don't know if it is a compliment.
:42:41. > :42:43.Winding the baby. So, Will and Karen are
:42:44. > :42:45.ready for Movie Week but what about the rest of the Class
:42:46. > :42:48.of Strictly 2016? It's time to check in on Naga
:42:49. > :42:51.and Pasha, Ed and Katya I know what is coming. I feel under
:42:52. > :43:01.fire. Tangos is our third davenlts we have
:43:02. > :43:05.to be precise and accurate with execution of our steps. - our third
:43:06. > :43:10.dance. What frustrates me is I learn new
:43:11. > :43:19.steps and I have forgotten the first part of the dance Two and one. Oh,
:43:20. > :43:24.sorry. I knew this bit yesterday. Genuinely, it falls out of my head
:43:25. > :43:27.like a sieve. I have to have a strong core. I can feel the neck
:43:28. > :43:32.muscles are going to get a work-out this week.
:43:33. > :43:37.Samba is really hard. I'm trying to piece it together. It is slightly
:43:38. > :43:42.flying all over the place. We have been working on the technical side,
:43:43. > :43:46.learning steps and trying to get the bounce, the main element to samba.
:43:47. > :43:50.Up, down, up... This is such a stupid movement. With this dance I'm
:43:51. > :43:54.totally outside my comfort zone. I'm doing moves I never thought I could
:43:55. > :44:01.do. I still don't know whether I can. Just keep going.
:44:02. > :44:05.The Viennese waltz is loving and gentle. A big part of this week was
:44:06. > :44:09.coming in with a really different feeling to what we have done so far
:44:10. > :44:15.which has been quite punchy, very Anastasia, if you like, to show a
:44:16. > :44:17.different side of her. I feel light and gentle and feminine, which is
:44:18. > :44:25.something I don't really show many people. I show them my strong side.
:44:26. > :44:28.I have a real desire to make this dance really... 10.
:44:29. > :44:42.Go on, Anastasia. Please welcome back it my delightful
:44:43. > :44:49.panel. We should talk about Claudia and AJ they are doing a scharlston
:44:50. > :44:53.to a song from Bugsy Malone. I'm loving the speed of this. Sophie we
:44:54. > :44:57.loved your Charleston. Still one of the favourites of all time. This
:44:58. > :45:03.looks fun. How are they going to do with this number? Well, looking good
:45:04. > :45:08.so far. For me the thing I love most about Charleston is the spirit. The
:45:09. > :45:12.scoot Gatsby era, the spirit where you slightly throw it away. That's
:45:13. > :45:16.what I love about watching them. They are crowd pleasers because you
:45:17. > :45:20.can do flips and tricks. Can you imagine. We have seen the footage
:45:21. > :45:24.but they stopped doing it whenever the camera is there. Really? Because
:45:25. > :45:29.they know it is amazing. It will be spectacular.
:45:30. > :45:37.A brilliant Viennese Waltz last week, I am imagining a Passat 88
:45:38. > :45:44.could be epic. What are you thinking? Danny looks like a film
:45:45. > :45:56.star to begin with, so that helps. He is playing as I wrote, I think?
:45:57. > :46:01.-- Zorro. You might have been too good to some, it has happened in the
:46:02. > :46:11.past, people like a journey. I love Danny, but I think my advice to him
:46:12. > :46:15.is, the worse. Maybe tripped over! And then come back next week.
:46:16. > :46:23.Advice! Break and Natalie, American Smooth. Is this can't be Robin Hood,
:46:24. > :46:29.Prince of thieves? Here he's practising. A lot of people are
:46:30. > :46:36.saying for a non-dancer, he is brilliant. He is really good. And of
:46:37. > :46:44.Thieves is already a winner, two of the best films ever made. I don't
:46:45. > :46:49.ever seen it! Lets not go into Kevin Costner's accent. But he looks
:46:50. > :46:54.great. It looks like it'll be a lovely, beautiful routine just from
:46:55. > :46:58.that. Laura and Giovanni, moving on from the welts, they have the salsa,
:46:59. > :47:07.she's covered in bruises but is still loving it. What are you
:47:08. > :47:11.thinking? I think Laura is great, she has gone a long rally in the
:47:12. > :47:16.competition, this looks lovely and when it comes to the journey thing,
:47:17. > :47:20.I think she will do a lot of that even though I find it cringeworthy!
:47:21. > :47:32.We have not managed to find a replacement for the word Jenny!
:47:33. > :47:41.Trip! OK, Naga and Pasha are going on Mission impossible, and that T.
:47:42. > :47:46.Here they are in training. They are saying she needs to act the part and
:47:47. > :47:54.look more confident. I might have to be a bit harsh here. I think this is
:47:55. > :47:57.quite generic and I think she is so petrified, bless her, because it is
:47:58. > :48:02.a terrifying thing, it comes across so much, maybe that will help with
:48:03. > :48:10.this dance because she has to be quite serious. But I don't know,
:48:11. > :48:19.think she might be in trouble. Sam! Sorry! I don't agree! I think should
:48:20. > :48:29.expect a full. Of course she looks beautiful! I am just giving my
:48:30. > :48:33.opinion. I am surprised how many of them have got dancer face already, I
:48:34. > :48:38.didn't get one until week six! So give her a chance. Some of them, it
:48:39. > :48:46.is frightening how confident they are. I couldn't that for ages! We
:48:47. > :48:53.could see her maybe go on a trip or a journey! Onto Ore and Joanne,
:48:54. > :48:58.singing in the rain, American Smooth, surely it is going to be
:48:59. > :49:05.incredible. I love this song. It's one of my favourite films, as well.
:49:06. > :49:11.How does he look to you? Look at his little face! He is great, isn't he?
:49:12. > :49:16.You know him from your see BBC days. The thing is with Ore, he gives at
:49:17. > :49:20.100% all the time, whatever he does and you can tell he's loving it. I
:49:21. > :49:25.have been talking to him, he's having the best time ever. The thing
:49:26. > :49:31.with Ore, he will be going on the trip! He is one of the top ones but
:49:32. > :49:38.he has the potential to be, I think he has the potential to do well. It
:49:39. > :49:56.would "If he was rubbish. -- would have been awkward. Mary Poppins, the
:49:57. > :50:03.quickstep for Aljaz... And Daisy. I was Maria from the sound of music in
:50:04. > :50:07.musicals week, doing a few of my favourite things. If you have Julie
:50:08. > :50:10.on your side, you are asked in for a happy night because Julie Andrews is
:50:11. > :50:17.the most wonderful woman in the world! I have breast pumps! It is
:50:18. > :50:21.the time when I have to put you on the spot. I need to know who was not
:50:22. > :50:27.getting a Hollywood ending, who is saying goodbye. Who do you think? I
:50:28. > :50:35.just don't want it to be Anastacia so I hope everybody is kinder to her
:50:36. > :50:47.this week. I think it could be Naga. I am going to say... Leslie. Shut
:50:48. > :50:53.your face! It's early days but who would you like to win? I don't know,
:50:54. > :51:04.there are about seven people. Don't give me over seven! Ore. I think
:51:05. > :51:05.Ore. Not that they are biased or anything! Let's hear it for our
:51:06. > :51:16.Friday panel! Let's find it a bit more about our
:51:17. > :51:35.new additions Chloe and Neil. I am Neil Jones, from Hampshire. I
:51:36. > :51:40.have been dancing since I was three years old, I began with ballet. Nine
:51:41. > :51:46.years ago I started dancing with Katya and we went up to be world
:51:47. > :51:51.show chance champions. I'm amazed to be part of the Strictly family, I
:51:52. > :51:55.can't wait to get started. I'm a pretty quirky dancer, like to bring
:51:56. > :52:07.something different, fun, exciting, I don't take myself that seriously.
:52:08. > :52:13.I am Chloe Stuart, I am from Cheshire, I am 21 years old so you
:52:14. > :52:18.could say I am the baby of the group. I started dancing when I was
:52:19. > :52:25.seven and soon after, I have never looked back. We are the British
:52:26. > :52:29.open, European Latin American champions. Winds and the dancing in
:52:30. > :52:35.front of a big crowd but dancing on Strictly in front of millions is a
:52:36. > :52:41.whole other level. -- I'm used to dancing in front of a big crowd.
:52:42. > :52:48.Looking forward to having them on the sofa soon. In the meantime,
:52:49. > :52:53.Gethin caught up with them earlier. I am by the sparkly doors, this year
:52:54. > :52:59.2016, we have two new faces, new and Chloe! Good jazz hands coming
:53:00. > :53:06.through the door. Lovely to see you. What is it like being part of the
:53:07. > :53:10.Strictly family? Absolutely loving it, 110%, it's been a dream of mine,
:53:11. > :53:18.dream come true! I am older than you, I remember the original, I have
:53:19. > :53:20.been wanting to be on this show since the original. The outcast
:53:21. > :53:27.because you look like Greg Rutherford! I think I'm the third
:53:28. > :53:30.ginger on the show now! I know you are involved with the group dances,
:53:31. > :53:35.they get bigger and better every year, what can you tell us about the
:53:36. > :53:41.ones coming up? We have some big ones coming up, but have a fire
:53:42. > :53:46.hydrant one with glitter... Hats, it's going to get more difficult as
:53:47. > :53:50.they go on. I think props this year is a huge thing, they are taking it
:53:51. > :53:55.to a whole other level, which makes the show even better. So it's going
:53:56. > :54:00.to be great. It must take you a long time to choreograph these routines.
:54:01. > :54:05.We have been going since August in the studio, learning the routines
:54:06. > :54:09.and every Monday we come in and need to refresh. We are watching the DVDs
:54:10. > :54:17.before going, that small! What am I meant to do! Oh my God! A little bit
:54:18. > :54:23.nervous about the lifts, what advice can you give Claudia? The thing is,
:54:24. > :54:27.even when I was competing with AJ, we never did lift ourselves but I
:54:28. > :54:33.can see why she was nervous because it is a whole other thing, a girl
:54:34. > :54:37.being lifted up, I don't want to be heavy, then want to hurt him or
:54:38. > :54:42.anything like that so there is a bit of pressure but just trust him. He
:54:43. > :54:50.is very trustworthy. And don't look in the mirror! He is always on the
:54:51. > :54:53.phone! Have you been taking inspiration for yours? I have been
:54:54. > :54:59.watching Ed Balls and working out what to do. He has been teaching me
:55:00. > :55:05.a lot. Are you dressing as a cowboy? Yes, he has been shown we had to
:55:06. > :55:11.wear the cabaret hacked. He has been showing me some numbers! -- show me
:55:12. > :55:15.the cabaret hacked. Enjoy the Strictly experience!
:55:16. > :55:31.Who would you want as your partner if you ever did it? I love Karen.
:55:32. > :55:36.Would you dance with? Tricky, but Aljaz. I will fight you for him.
:55:37. > :55:38.Sadly that's all we have time for tonight.
:55:39. > :55:40.But if you liked what you've seen on It Takes Two tonight,
:55:41. > :55:42.don't miss tomorrow's Strictly Come Dancing
:55:43. > :55:47.I'll be back here Monday at 6.30 with the second couple
:55:48. > :55:51.But now, singing us out with the very first performance
:55:52. > :55:53.of her new single 'Crystallise', it's the wonderful
:55:54. > :56:12.# Like you're carved from the mountain
:56:13. > :56:25.# And when it comes, and what it does
:56:26. > :56:30.# Is nail you down, you cannot swerve
:56:31. > :56:36.# You're not the last, you're not the first
:56:37. > :57:28.# And when it comes, and what it does
:57:29. > :57:32.# Is nail you down, you cannot swerve
:57:33. > :58:45.# You're not the last, you're not the first
:58:46. > :58:52.# So crystallise love. #