:00:50. > :00:56.Live from London, this is Strictly It Takes Two. Please welcome your
:00:57. > :01:05.host, Zoe Ball. CHEERING APPLAUSE
:01:06. > :01:13.Hello and welcome to it takes two, we are still recovering from the
:01:14. > :01:20.drama, we had tears from Ore, two nines from Craig and the biggest
:01:21. > :01:28.plot twist came when... Tameka and Gorka words eliminated but like
:01:29. > :01:32.every good soap storyline there is a comeback, they are here tonight,
:01:33. > :01:39.show them love. Joining them are whole accused of duties including
:01:40. > :01:50.Anastacia and Brendan, Daisy and Aljaz are here and the Queen of
:01:51. > :01:53.choreography Karen Hardy. They were in hot pursuit of the Garter Ball
:01:54. > :01:58.trophy but after a high-speed chase their tangle sadly stopped their
:01:59. > :02:00.Strictly journey in its tracks. Before we say goodbye here is Tameka
:02:01. > :02:39.and Gorka's last dance. Going out as she came in, Tameka and
:02:40. > :02:44.Gorka! Thank you. I tell you what, not a dry eye in the house or indeed
:02:45. > :02:50.in my house last night during your last dance. So emotional. Very
:02:51. > :02:55.emotional, I didn't know it would be this emotional. I knew it would be
:02:56. > :03:00.but not this emotional. And I don't think anyone expected you to go so
:03:01. > :03:07.soon. It feels so soon, I have got a lot more to give. I keep it inside.
:03:08. > :03:16.He is even talking you through the come down, it is great. On Saturday
:03:17. > :03:21.night, Len said you give it plenty of intent and focus, Bruno said you
:03:22. > :03:25.gave a brilliant performance, look at you in those outfits as well! I
:03:26. > :03:30.hope you got to keep them! How surprised where you to find
:03:31. > :03:34.ourselves in the bottom two. I was surprised to be honest, not being
:03:35. > :03:39.big headed but I really thought I'd put in the right moves, did not put
:03:40. > :03:43.a wrong. Just really being in that character, I had some pain in my
:03:44. > :03:50.back but at the end of the day I used it to really... Drive-through.
:03:51. > :03:57.Drive-through! I was driving through it. How impressed were you with her
:03:58. > :04:01.performance Gorka? Every week she was impressing me more and more and
:04:02. > :04:07.getting better and better. The first time we did the routine it was
:04:08. > :04:11.amazing, I was more impressed about all the energy she takes from her,
:04:12. > :04:16.she gives everything she has like it was the last dance and sadly it was.
:04:17. > :04:20.She gives everything, I was very impressed with her attitude. I did
:04:21. > :04:24.not think you could give any more and then you did give it more, so
:04:25. > :04:34.much love for you online, in the street and the studios, Lawrence for
:04:35. > :04:37.example says what, Tameka? She was a firecracker. Another scene that
:04:38. > :04:41.Saturday night have now lost their sparkle now that Tameka has gone and
:04:42. > :04:50.another saying the world was infinitely brighter with Tameka on
:04:51. > :04:57.it. I love the process and love to learn different dances, now I can
:04:58. > :05:05.fling Dhoni paso doble -- fling down a paso doble. I am going to try and
:05:06. > :05:10.put something in. What sort of dances were you looking forward to?
:05:11. > :05:23.I was looking forward to the cha-cha or the cha-cha-cha? I was looking
:05:24. > :05:27.forward to that one. And also the Rumba, that was going to be another
:05:28. > :05:32.challenge for me. The ballroom was always going to be most difficult
:05:33. > :05:36.for me. What did you find most difficult about it? The framing,
:05:37. > :05:42.getting the frame rate and the back and a posture. It's quite a lot.
:05:43. > :05:47.It's a lot to take on board, it's hard for people at home to sometimes
:05:48. > :05:52.comprehend, it is quite uncomfortable. Yes, all the Latin
:05:53. > :05:56.moving, shaking about, but that is something else. But I enjoyed the
:05:57. > :06:02.process. Has it been everything, apart from the ending, that you
:06:03. > :06:05.hoped it would be? It was, I have always watched the programme and
:06:06. > :06:11.it's a great group of people. And this year is very strong. It's a
:06:12. > :06:17.good year for me to do it and it's nice to work with Gorka. Gorgeous
:06:18. > :06:21.boy. As you said, don't change, he is so adorable. We have loved having
:06:22. > :06:29.you on the show and I don't want to say goodbye but here is your story,
:06:30. > :06:33.Tameka. It's Gorka. I have always wanted to be on Strictly Come
:06:34. > :06:40.Dancing, it's blowing my mind. Welcome to your first day of
:06:41. > :06:49.rehearsals. Give me a few minutes to get it, do me a favour. Do me a
:06:50. > :06:59.favour. Isil love Gorka. Gorka, the corker. -- Isil love
:07:00. > :07:12.you have owned this stage, it goes without saying. Full of impact and
:07:13. > :07:19.fun. My face my face. I have always admired the charleston. But to do it
:07:20. > :07:26.like this? Ready? It's a different level. I love the fact it was
:07:27. > :07:38.completely character driven, I thought that was brilliant. The
:07:39. > :07:43.Queen of slapstick! Gorka and I are dancing the tango. It's so early in
:07:44. > :07:50.the competition and I'm not ready to go home. I thought the performance
:07:51. > :07:54.was brilliant, loved it. The thing which distracted for me was your
:07:55. > :08:07.posture, a bit over the top, but well done. Len, who are you going to
:08:08. > :08:10.save? Laura and Giovanni. I have enjoyed my time immensely, it's
:08:11. > :08:16.lovely to be part of it and I am grateful, thank you. CHEERING
:08:17. > :08:25.I am not surprised you're getting emotional. My mum said I looked bad
:08:26. > :08:30.when I cry so I shouldn't cry, sorry mum! What are you going to mess
:08:31. > :08:34.about training with this gorgeous Gorka the corker? I will miss you
:08:35. > :08:40.because you are a lovely guy, I have got to know you and I love how you
:08:41. > :08:44.work and as a person. But it's everything, learning the steps, the
:08:45. > :08:51.dance. I know I am not what you would call a dancer, a dancer type.
:08:52. > :08:55.But I put the work in, I thought I gave it my best shot and did not
:08:56. > :09:06.want it to be so short for you to be honest. It's alive! And you will
:09:07. > :09:12.miss Tameka as well? Yes, not just the dancing, I will continue
:09:13. > :09:15.dancing, it's what I'm going to miss about horror as a person and of the
:09:16. > :09:22.things she showed me in this month we have been together. More than by
:09:23. > :09:30.the dancing, the dancing was the way we get to know each other but I
:09:31. > :09:35.learned from her a lot of things. You are beautiful. It's like speed
:09:36. > :09:41.dating but with more dancing! We are never going to part! We are really
:09:42. > :09:48.going to miss you, do me a favour! Do me a favour! Tameka and Gorka!
:09:49. > :09:53.APPLAUSE I think we can all agree that movie
:09:54. > :09:56.week was an action packed blockbuster, here is a
:09:57. > :10:04.behind-the-scenes look at how all the movie magic became a reality, I
:10:05. > :10:13.love you both! I love you too! Good morning! Its movie week! Lights,
:10:14. > :10:19.camera, action! Movie week is fantastic because all your dreams
:10:20. > :10:24.come true. Hard to not get into character with this hair, I have
:10:25. > :10:30.always wanted hair like this, I want to keep it for a few days. I have
:10:31. > :10:34.just been giggling constantly. I think it such joyful music, I have
:10:35. > :10:43.been laughing in your face all the time. So tiny yet mighty. Right at
:10:44. > :10:50.the end of the routine we have a shower of glitter coming down, I
:10:51. > :10:56.managed to eat a lot of glitter. I'll be fine.
:10:57. > :11:05.Everything you're seeing is bigger this week. Hair is bigger, make up
:11:06. > :11:08.is bigger, the routine is bigger. A little bit of this going on because
:11:09. > :11:17.this is Strictly so it has to have some bowling. I am turning myself
:11:18. > :11:24.into Robin Hood, I look the part now I had to dance the part. There will
:11:25. > :11:34.be a few arrests. I secretly fight crime at night but don't tell
:11:35. > :11:40.anybody. Stop! Somebody stop me! He is under arrest. Sorry, what is
:11:41. > :11:55.your? Keep walking. Five minutes! We are going to cut to the magic of
:11:56. > :12:19.the movies just for you. Good luck! Where is Anton? We are on
:12:20. > :12:26.air in one minute everybody. Have a great show everybody. Lights,
:12:27. > :12:33.camera, action! Its movie week on Strictly Come Dancing!
:12:34. > :12:40.Prize for anyone who spotted the floor manager seven times, it's like
:12:41. > :12:43.our own version of where's Wally. If I could I would spend a thousand
:12:44. > :12:49.years watching our next couple dance but that's a long time so let's put
:12:50. > :12:57.that down to 30 seconds of highlights instead. It's Anastacia
:12:58. > :13:05.and Brendan. It had a beautiful quality from beginning to end. It
:13:06. > :13:14.was understated and it had class. Very, very nice my darling. Very,
:13:15. > :13:17.very sweet. Very correct. You have come back with an enormous sense of
:13:18. > :13:23.confidence and I think that is great.
:13:24. > :13:28.Anastacia and Brendan! CHEERING APPLAUSE
:13:29. > :13:33.Tangling, I love that Craig was saying you had come back with an
:13:34. > :13:38.enormous sense of confidence after a tough week, how did it feel to be
:13:39. > :13:42.back out on the dance floor? It felt amazing, nice to have a new moment
:13:43. > :13:47.and a new fresh memory, not the memories that were last week. That
:13:48. > :13:53.is what life is about, moving on. Let's not look back at it remind you
:13:54. > :14:04.terrible moments. 27 points, Brendan, look at you. I have to make
:14:05. > :14:08.sure he stays dapper. Thank you. 27 points, are you happy? It was great,
:14:09. > :14:13.it was nice to go out and deliver a performance she could be proud of
:14:14. > :14:17.and we did that, it felt lovely, I love the emotional ones where you
:14:18. > :14:24.can get into the story. He is a softy. He is such a softy. He hates
:14:25. > :14:30.people knowing it. He is a gentle giant. Where are you worried the
:14:31. > :14:35.week before, in the Results Show that you might have been bottom two.
:14:36. > :14:40.Might? I totally thought we were going to be, I said what do I have
:14:41. > :14:47.to do, we work the bottom feeders, let's just do it. It just felt like
:14:48. > :14:50.it was who we were. There was a moment when we were waiting for the
:14:51. > :14:56.results and we were thinking it is ask, get on with it. What a great
:14:57. > :15:02.feeling to be saved. And it gives you confidence and you could feel
:15:03. > :15:09.that. It was great people voted for us, I thought oh my god there are
:15:10. > :15:14.people out there that like us. Your Viennese waltz went worldwide,
:15:15. > :15:18.Daniela from Germany said on Twitter that it was made for you, it touched
:15:19. > :15:25.me and you looked beautiful like a real princess. We touched Germany.
:15:26. > :15:34.Did you feel regal as you danced around? I did. I felt like the head
:15:35. > :15:39.of the princesses. The Glam squad and it really was one of those
:15:40. > :15:43.moments where the Glam squad, the costume, everything, I did not wake
:15:44. > :15:48.up looking like a princess, I can tell you that. Yes you did. You
:15:49. > :15:56.don't know what I woke up looking like! This is not live, we can cut
:15:57. > :16:02.that, right? No one will ever know! You were rocking the vampire look.
:16:03. > :16:05.Twilight is about vampires, it's not the normal look for the dance but I
:16:06. > :16:10.like characters and really getting involved. And earlier on, look at
:16:11. > :16:21.this. George and Bryony from glamour squad
:16:22. > :16:25.did this for you. This is the transformation, how long did it
:16:26. > :16:29.take? About an hour and a half, I loved it, I had so much attention.
:16:30. > :16:33.Normally the boys in the make-up chair are like, get out. I had a
:16:34. > :16:39.great day. A lot of women were touching him, was happy. How quickly
:16:40. > :16:47.did you get it off? I pretended I was in a movie and I was like... .
:16:48. > :16:56.We could have done with that, a Scooby Doo reveal. Moving on, this
:16:57. > :17:02.week it is the rubber. -- it is the rumba. The dance of love. Have you
:17:03. > :17:06.had any training, what do you know about this dance, Anastacia? I know
:17:07. > :17:15.it is a very passionate dance. I feel like because our first dance
:17:16. > :17:18.was the cha-cha I feel like it's a slow but passionate cha-cha. Will go
:17:19. > :17:25.with that! I'm not a dancer, apparently. Looks like you have a
:17:26. > :17:29.very natural action for it. We've only done an hour today but it was
:17:30. > :17:35.fluid and lovely and I'm expecting nice things. He's so good. Never
:17:36. > :17:45.tell him that! I don't, in fact, I didn't say that. Good luck with the
:17:46. > :17:48.rumba, the dance of love. APPLAUSE While the weather is getting colder,
:17:49. > :17:53.the competition is hotting up. Which of our couples are red-hot and who
:17:54. > :17:57.are a little tepid only one way to find out, col grew -- choreography
:17:58. > :18:13.Karen. CHEERING
:18:14. > :18:19.This sizzling Karen Hardy. Twist the light bulb move. Look at you! We did
:18:20. > :18:24.see you in the audience on Saturday night. Everyone in my house was
:18:25. > :18:29.like, Karen! Did you enjoy it? I loved being back there, waves from
:18:30. > :18:34.the camera crew. And the smell, don't laugh, of lights, camera,
:18:35. > :18:40.action. What is that film, Norma Desmond? When she goes back? Not
:18:41. > :18:46.that I'm saying you're Norma! Being there, watching the energy and the
:18:47. > :18:50.passion, the celebrities on the dancers, the judges, magical, very
:18:51. > :18:55.lucky to be there during Movie Week. Laura and Giovanni, shocking bottom
:18:56. > :18:59.two, week three, you don't see it coming and there it was. They came
:19:00. > :19:03.out and oh boy, did she looked amazing. She gave it everything she
:19:04. > :19:08.had. Craig thought perhaps she had thrown a bit too much in that, what
:19:09. > :19:11.did you think? You know what? We're going to go technical from the
:19:12. > :19:17.beginning. This is a competition. We don't want this dance to be
:19:18. > :19:23.disciplined and clean, it's meant to be earthy and edgy. She mastered
:19:24. > :19:28.those hips, look at the energy between a two of them. This to me is
:19:29. > :19:34.what salsa should be about. I always teach perfect balance gives you zero
:19:35. > :19:38.energy. These two were edgy. Just a bit spicy, and that to me is what
:19:39. > :19:43.this competition is all about, and especially assaults. But one magical
:19:44. > :19:48.thing in the dance-off, there was a moment when Giovanni could see Laura
:19:49. > :19:52.was struggling with what the decision had been an Iran across,
:19:53. > :19:58.gave her that big hug and said, let's go for it, come on. -- he ran
:19:59. > :20:02.across. That was magical for me and beautiful, shouldn't have been in
:20:03. > :20:15.the bottom two, for the record. Danny Mac and Oti, universal praise
:20:16. > :20:20.from the judges. Bruno loved the flamenco elements, did he pretty
:20:21. > :20:24.much? It was brilliant. Again, the competition hot from the beginning.
:20:25. > :20:28.The choreography I loved, the changes of direction, the actions,
:20:29. > :20:32.and what they were talking about, the flamenco. I've chosen a piece
:20:33. > :20:38.here. Beautiful use of the arms, the elbow has pimpled behind the ears.
:20:39. > :20:44.The attention to detail with these two, so early on, I just loved it.
:20:45. > :20:48.So much so, let's have a go at that action. CHEERING
:20:49. > :20:58.Everybody at home, we are going to have a bit of the old swatting
:20:59. > :21:05.mosquitoes. We elevate the elbows. Elevate. Elbows behind the ears,
:21:06. > :21:10.shoulders nice and relaxed. The camera crew are all having a go
:21:11. > :21:19.here! You use the back of the arm and create a lovely curve and
:21:20. > :21:25.recover. And again. APPLAUSE Producer Chris looked very good
:21:26. > :21:30.doing that. Sorry, just very quickly, looking at technique here.
:21:31. > :21:36.We have to watch this young man's Postiga. Really? I'm getting a bit
:21:37. > :21:46.of this and it's annoying me. Will and Karen's Bollywood themed salsa.
:21:47. > :21:52.Brilliant from Will Len concerned there wasn't enough south, Will try
:21:53. > :22:00.to put his point across, what did you make of it? I looked back over
:22:01. > :22:05.it, of course. The salsa steps were there, but where there was such a
:22:06. > :22:09.gamble with the Bollywood theme, the concentration he would have to have
:22:10. > :22:16.had would have an did distract away from what we talk about, we want hip
:22:17. > :22:20.action, and the energy. That's what Len was more going towards. The
:22:21. > :22:24.actual content was there, but the techniques were missing. Fabulous
:22:25. > :22:33.number, however, great gamble by the two of them. You win or lose with a
:22:34. > :22:39.gamble. Naga and Pasha's tango. Her highest score yet. Craig felt she
:22:40. > :22:42.might need a stronger and cleaner line. Yes, when she does it well,
:22:43. > :22:47.and I've chosen this piece, she's driving across the dance floor,
:22:48. > :22:51.lovely top line, look at that extension. Then we always get this
:22:52. > :22:57.little shuffles and wiggles. She's got to nail the choreography. We are
:22:58. > :23:01.about to see from here on in all the bells and whistles have gone, Movie
:23:02. > :23:09.Week is out of the way, we're going to look at the nitty-gritty now.
:23:10. > :23:13.That body contact, topline, she has to now the choreography. That is my
:23:14. > :23:20.only concern. But what an entrance. Did you see that? I know, brilliant.
:23:21. > :23:23.Great choreography. I have about 25 seconds, Greg and Natalie with their
:23:24. > :23:27.American Smooth, which was wonderful. Darcey was a bit
:23:28. > :23:31.concerned about the lift, that it was too powerful? I loved it, the
:23:32. > :23:36.American Smooth is all about being dramatic and over the top and we
:23:37. > :23:40.exaggerate everything. For me, without music, fabulous left, loved
:23:41. > :23:46.it. We will talk more about everyone tomorrow. Karen Hardy! You look
:23:47. > :23:50.stunning tonight, by the way. Our final couple gave us just a spoonful
:23:51. > :23:54.of sugar on Saturday night, but we will take a whole bowlful if that
:23:55. > :23:59.dance is anything to go for, Daisy and Aljaz.
:24:00. > :24:09.Lovely hold, great Postiga and gorgeous movement down the floor. --
:24:10. > :24:13.gorgeous posture. So light on your feet, like you were floating on air.
:24:14. > :24:23.Anita 's footwork I've seen. You've danced so well together. Daisy and
:24:24. > :24:28.Aljaz are here. You look amazing, that dress. Aljaz, you look lovely
:24:29. > :24:32.too, darling. No problems, what an amazing performance, opening the
:24:33. > :24:37.show, the outfits, the set and it was brilliant and greatest cause.
:24:38. > :24:41.How much did you enjoy, Daisy? I loved being Mary Poppins, one of my
:24:42. > :24:45.all-time favourite films growing up. To embody her was quite a lot of
:24:46. > :24:50.pressure, but we just had such a laugh, didn't we? I was thinking
:24:51. > :24:54.that, when you are given such an iconic character, does that make it
:24:55. > :24:59.harder or does it make it easier? I think it was hard. It was big shoes
:25:00. > :25:04.to fill, but I tried to dress like her all week. We noticed! And
:25:05. > :25:10.telling him. Very successful, actually! I was like your nanny,
:25:11. > :25:16.making sure you drank plenty of water. And cleaned your teeth.
:25:17. > :25:19.Aljaz, no rules broken, well done. APPLAUSE
:25:20. > :25:23.I was so proud of myself. I know it's not easy. Ouch after were you
:25:24. > :25:28.with the comments from the judges? I loved it, every comment. It was such
:25:29. > :25:33.hard choreography to get through and the quick step is always difficult.
:25:34. > :25:37.Daisy got through every single step. Darcey said the footwork was
:25:38. > :25:43.immaculate. Yes, and neat. I loved it. You are not the only one, Alex
:25:44. > :25:58.from Essex said Daisy Lowe, looks like Julie Andrews in her outfit.
:25:59. > :26:03.Legit. A slight gear change this week, because... First of all, let's
:26:04. > :26:07.go back, I have some stats for you, Aljaz. We have combined your first
:26:08. > :26:11.week's scores for each of your previous dance partners and we are
:26:12. > :26:20.going to do some comparison. Daisy took at deep breath! 90 points in
:26:21. > :26:25.the first three weeks with Clancy. With Alison, 76 in the first three
:26:26. > :26:30.weeks. Last week with Helen George, 90 weeks in the first three weeks.
:26:31. > :26:34.And finally, are we going to go higher or lower ladies and
:26:35. > :26:42.gentlemen? With Daisy you have scored 93 point! Yes! So pleased.
:26:43. > :26:50.Daisy, that's great, she looks pleasantly surprised. I was quite
:26:51. > :26:58.scared. Well... This week a gear change completely, the rumba, the
:26:59. > :27:02.dance of love, have you learned anything yet? I only had an hour
:27:03. > :27:07.today, we did the basics today. We started learning the steps a little
:27:08. > :27:11.bit. We didn't get far. No! Physically we had about an hour, but
:27:12. > :27:18.mentally we are still going through steps. You never actually stop! You
:27:19. > :27:22.have had mixed scores with your rumbas over your time, Aljaz. Sorry,
:27:23. > :27:31.I feel like I'm giving you a hard time. With Abbey you got 24 but you
:27:32. > :27:36.are in the dance. How do you avoid that this weekend? I always blamed
:27:37. > :27:42.that on Halloween. I don't add much to do with the rumba, it was
:27:43. > :27:47.Halloween. Today is the Halloween fault. I don't like being scared...
:27:48. > :27:54.When there are so many scary things around me... Genuine jumpy. Your
:27:55. > :27:59.little sister Betty came into the show on Friday. She loved it. What
:28:00. > :28:04.is she thinking about your journey? She's so excited, she's loved the
:28:05. > :28:09.show, ever since you won Abbey Clancy. She used to make me sit down
:28:10. > :28:13.and watch those dancers, so she was so happy to meet on Friday. She's
:28:14. > :28:18.over the moon. She loves it all. She's just got a cheese too young to
:28:19. > :28:23.come and watch it. I know. I think around children in need... You are
:28:24. > :28:27.getting around swimmingly. Is it fun, fun, fun in the changing room
:28:28. > :28:33.Mark Tullo it's fun and then I get frustrated and then it's fun again
:28:34. > :28:38.we do get on really well. What does swimmingly mean? We're going
:28:39. > :28:44.swimmingly. Another ridiculous bit of language. We love you both, good
:28:45. > :28:48.luck with rumba. Daisy and Aljaz! I just want to stand up and sit down
:28:49. > :28:53.again. That is it for tonight, a big thank you to all of my guests. Join
:28:54. > :28:59.us tomorrow at 6.30 when we will speak to Naga and Pasha, Laura and
:29:00. > :29:01.Giovanni. And we revealed the songs are dancers will be dancing to next
:29:02. > :29:02.weekend. Good night.