:00:53. > :00:59.Live from London, this is Strictly: It Takes Two. Please welcome Zoe
:01:00. > :01:01.Ball. The race is underway
:01:02. > :01:05.and after a couple of hurdles, the Strictly Glitterball is in sight
:01:06. > :01:08.for our remaining 12 couples. But we're not trailing
:01:09. > :01:10.behind on 'It Takes Two', in fact we're racing ahead and have
:01:11. > :01:13.loads of exclusives So let's not waste a single
:01:14. > :01:17.second and find out who's It's the super speedy
:01:18. > :01:26.Judge Rinder and Oksana! And the fast and furious
:01:27. > :01:30.Ore and Joanne! Plus, she's raced over
:01:31. > :01:32.here tonight - let's hope It's Strictly's costume
:01:33. > :01:39.designer Vicky Gill! But first, Bruno complained
:01:40. > :01:43.that the timing in their Flintstones themed Charleston was
:01:44. > :01:45.extinct - harsh. Personally we thought
:01:46. > :01:47.it was a Strictly moment that 'was a page right out of history'
:01:48. > :02:01.Yabba Dabba Doo! You entertained, you made us all
:02:02. > :02:08.smile, but you made a few mistakes along the way. I loved the energy. I
:02:09. > :02:13.love the routine. And I loved the handstand. You never fail to give us
:02:14. > :02:23.a fabulous performance. It is brilliant. Show some love to Judge
:02:24. > :02:27.Rinder and Oksana! Did you have a gay old time being Fred and Wilma
:02:28. > :02:35.out there? It was so good, I loved it! It was definitely fun. I love
:02:36. > :02:39.that routine. I just wish we had had a chance to have another go at it.
:02:40. > :02:44.It was our weakest run and I love that Dan is so much. We really loved
:02:45. > :02:48.it and we wanted to give it our all. -- I loved that dams. We wanted to
:02:49. > :02:53.give it a crash and wallop before we did the final routine. Sometimes
:02:54. > :02:56.that can make you a little edgy. You see the first trick, I caught her,
:02:57. > :03:00.and we have had an accident which Oksana will tell us all about,
:03:01. > :03:04.although you probably do not want to relive it! After the first trip,
:03:05. > :03:11.there was a moment when I thought, you're alive! You were so relieved!
:03:12. > :03:16.Tell me what happened. You were worried that he would drop you last
:03:17. > :03:24.week. On Friday, I am grateful that it did not happen in the show, so I
:03:25. > :03:28.had time to change the trick. We had an accident but I realised that
:03:29. > :03:33.could have happened, and it could've been worse. Were you in any pain?
:03:34. > :03:40.War you all right? I was just shocked. She said, let's carry on,
:03:41. > :03:48.don't worry. I have never been dropped before. You are joking? In
:03:49. > :03:55.all the tricks? How privileged! It was a happy moment at first for both
:03:56. > :04:05.of us to. I said at first, graduate and you will be fine. The scores, 20
:04:06. > :04:11.points, two weeks in a row. -- count to eight. You were disappointed? It
:04:12. > :04:17.is frustrating because if you had come to the rehearsal, you would
:04:18. > :04:22.have given us more. We forgot some of the steps, so that was
:04:23. > :04:27.reasonable. The legroom, in the second half of the dance, I was
:04:28. > :04:32.tired. You want to go up to the judges and say, look, I can really
:04:33. > :04:35.do it! But the great thing is it is not a bad score and you still
:04:36. > :04:40.entertained everybody. We all absolutely loved it. Do you know, we
:04:41. > :04:44.are having so much fun this week. It is so much fun. Such fun!
:04:45. > :04:49.Well, Smokeytoes76 from London loved your dance - hi Smokeytoes76!
:04:50. > :04:52.'Judge Rinder's Charleston was brilliant.
:04:53. > :05:03.Lets see it again. We love this move. Teach me how to recreate it.
:05:04. > :05:13.And a roly-poly. It is just glorious. I hope the bum-bongos will
:05:14. > :05:16.live in Strictly legend. Would it work, with the two macrovascular I
:05:17. > :05:30.may need a mouth guard and some pillows. Craig said:
:05:31. > :05:31."Your 'ghastly, gawping, doll like expressions
:05:32. > :05:43.Is warming to us. What does he say, doll like? The expressions have
:05:44. > :05:51.become useful in the end. I think he loved you. And he scored higher than
:05:52. > :05:56.Glenn and Bruno. I think the other two work being fair. -- scored you
:05:57. > :06:00.higher than Len. And I love your hair. Lisa was telling the story of
:06:01. > :06:05.getting you into this gorgeous weight. You are, looking so cute as
:06:06. > :06:10.a brunette. I think I look like Edwina Currie!
:06:11. > :06:12.Well just for fun, we wanted to see what you'd look
:06:13. > :06:14.like with some of this series' most recognisable hairdos.
:06:15. > :06:16.First we've got you with the 'AJ Sweep'.
:06:17. > :06:25.Or maybe Natalie's flowing Maid Marion do?
:06:26. > :06:42.Definitely brunette. I like you as a blonde. I look like I have been
:06:43. > :06:48.mugged by status quo. This week, the Viennese waltz, and you have been
:06:49. > :06:52.enjoying this one. It is great, and I genuinely have the best teacher.
:06:53. > :06:58.When it works, you feel like you were gliding on a. When it doesn't,
:06:59. > :07:03.it doesn't feel so good. Oksana, how was he doing? I must say, he brought
:07:04. > :07:06.a whole new dance and attitude, and it was a good chance to work on the
:07:07. > :07:10.technique and the details. So hopefully we are going to show some
:07:11. > :07:15.serious improvements. Excellent. More than 27 this week, I know you
:07:16. > :07:21.can do it. You are gorgeous, both of you. Judge Rinder and Oksana!
:07:22. > :07:25.Right, time now to take a look at how Danny and Oti and Ed and Katy
:07:26. > :07:27.are getting along in training - from the looks of it Ed
:07:28. > :07:29.is channelling his inner bullfighter.
:07:30. > :07:42.I am really looking forward to learning the quickstep. I am having
:07:43. > :07:45.so much fun with this routine. Yes. The fieldwork seems pretty fast. We
:07:46. > :07:51.have done a little bit and it is going OK. He is catching on fast. I
:07:52. > :07:57.think he actually likes this dance so it is just all smooth sailing. I
:07:58. > :08:00.love it, I love it. I cannot wait to actually do this. I am more excited
:08:01. > :08:08.about this one than any of the others. Now then, we nailed it. With
:08:09. > :08:14.the Paso Doble, it is a performance, more than a dance. I am trying to
:08:15. > :08:20.bring out my inner bull-fighter. He has really got in front, working
:08:21. > :08:25.himself, the arms everywhere. I know you would rather dance with Danny
:08:26. > :08:30.Mac! Today is the first day I have ever world Kate around in the dance
:08:31. > :08:40.studio. I can already say that in a rudimentary way, I am a
:08:41. > :08:42.bull-fighter. Ed Balls needs to do a book of stocking filler gags.
:08:43. > :08:44.Time now to pay tribute to an incredible lady,
:08:45. > :08:47.who more than made her mark in the World of Ballroom.
:08:48. > :08:50.Peggy Spencer MBE was known to millions as a judge on Strictly's
:08:51. > :08:52.predecessor 'Come Dancing', but it was her passion
:08:53. > :08:54.and skill as a dancer that earned her legendary status
:08:55. > :09:07.To the British public, one name became synonymous with the world of
:09:08. > :09:14.ballroom dancing. We welcome Peggy Spencer. To me, Peggy Spencer was
:09:15. > :09:18.the most famous person in the ballroom dancing world. Peggy didn't
:09:19. > :09:22.start dancing until she was in her early 20s, during the Second World
:09:23. > :09:27.War. They were sheltering at night and noticed that a lot of the young
:09:28. > :09:33.people down there had nothing to do. And so she decided to try to teach
:09:34. > :09:37.the boys to dance. Peggy's dance lessons proved popular and after the
:09:38. > :09:40.war ended, she and the man who would become her husband and dance
:09:41. > :09:47.partner, Frank Spencer, set up the Royston ballroom in south London.
:09:48. > :09:52.You could talk to many couples that became British champion, World
:09:53. > :10:02.Champion, that started their days in the Royston ballroom. In 1949
:10:03. > :10:06.television producer Eric Morley approached Peggy with his idea to
:10:07. > :10:14.bring competitive ballroom dancing to a wider audience. Later that
:10:15. > :10:21.year, Come Dancing was born. The first set of Marx, please. Peggy's
:10:22. > :10:24.became a regular judge and well-known to viewers at home and
:10:25. > :10:32.the dancers competing. To get a good score from Peggy is what it was all
:10:33. > :10:35.about. She was a voice of authority, a voice of experience. If she said
:10:36. > :10:40.something to you, you listened. I remember once Peggy coming up to me
:10:41. > :10:44.and saying, congratulations, Ian. And I was so shocked that she knew
:10:45. > :10:49.my name, I thought, how can she know my name, because I am nobody
:10:50. > :10:53.compared to her. I remember one day my mum came running over and said,
:10:54. > :10:56.Peggy has just told me you have got to lift your head a little bit
:10:57. > :10:59.higher and smile a little bit more. And she said, you must listen to
:11:00. > :11:05.what Peggy says because she is right. Yes, ma'am... But do you know
:11:06. > :11:12.what is funny, I find myself saying that no to my students. Keep your
:11:13. > :11:16.head up and smile! Peggy Spencer's name became known not just for
:11:17. > :11:22.judging but also for her choreography. In the formation
:11:23. > :11:25.competition, frank and 80 Spencer team that became tough opponents. I
:11:26. > :11:29.thought they danced a blinder. I was very, very pleased. The score in
:11:30. > :11:38.this come dancing final this evening... Peggy's formation team
:11:39. > :11:45.won nearly every competition they entered and that is what made them
:11:46. > :11:47.so famous. But Peggy was not just passionate about professional
:11:48. > :11:55.dancing. Her belief was that dance is for everyone. And everyone
:11:56. > :12:01.condemns. Go forward on your left foot and turn and do a step kick. --
:12:02. > :12:04.and everyone can dance. That needs to be balanced. She wanted to show
:12:05. > :12:08.everybody that it didn't matter if you had two left feet, you just have
:12:09. > :12:12.to find somebody with two right feet. Peggy retired from
:12:13. > :12:16.professional ballroom in 1997 and moved to Norfolk to be closer to her
:12:17. > :12:20.daughter, but that did not mean that she had left dancing behind her. She
:12:21. > :12:31.danced until she was able and then she taught from her wheelchair until
:12:32. > :12:34.she was 91. We were the legs and we were showing the steps, but mum was
:12:35. > :12:37.still the boss and her voice could still be heard from the top to the
:12:38. > :12:39.bottom of the room. When Strictly Come Dancing launched in 2004, Peggy
:12:40. > :12:43.loved seeing ballroom dancing back on the TV and was a massive fan of
:12:44. > :12:47.the show. Saturday night was sacred. Mum would be sitting in the chair
:12:48. > :12:51.with her notebook. She would mark over competitors and she would say,
:12:52. > :12:58.there you are, you got the same mark as Len. Fantastic. Peggy was
:12:59. > :13:03.thrilled to see her old friend, Len Goodman, chosen to sit in the head
:13:04. > :13:07.judge's chair. The first letter I got what I got the news was from
:13:08. > :13:11.Peggy Spencer. She said, you were doing a great job, keeping the
:13:12. > :13:14.integrity of ballroom dancing alive. You have to maintain this fixed hold
:13:15. > :13:21.throughout the dance. We communicated right up until maybe a
:13:22. > :13:25.month before she passed away. Earlier this year, Peggy sadly died
:13:26. > :13:29.at the age of 95. But while she may no longer be with us, her legacy
:13:30. > :13:34.will remain in ballroom is all over the world. She was just one of those
:13:35. > :13:38.special, special ladies. And what a bit of luck for me that I got to
:13:39. > :13:44.know her, and we became good friends. I don't know who else has
:13:45. > :13:49.touched ballroom dancing the way that Peggy Spencer has touched
:13:50. > :13:55.ballroom dancing. She is sadly missed. She was a true legend and
:13:56. > :14:06.she will be remembered in the history books forever. Peggy, a very
:14:07. > :14:10.special lady. And wonderful footage they are of a very young Anton Du
:14:11. > :14:12.Beke, Ian and Karen, which will have enjoyed.
:14:13. > :14:15.Now last week was a real fashion fest - we saw Judge Rinder
:14:16. > :14:17.draped in leopard print, Naga rocking a sassy catsuit
:14:18. > :14:20.and Ed Balls shimmying away in that bright yellow suit
:14:21. > :14:23.But what will our couples be wearing this week?
:14:24. > :14:40.It's time to find out in Puttin' on the Glitz!
:14:41. > :14:43.It's Strictly's costume designer, Vicky Gill!
:14:44. > :14:48.We all got quite emotional watching a film about Peggy Spencer.
:14:49. > :14:57.Did all the costumes come together as you had planned? We always got
:14:58. > :15:02.there in the end but last week was definitely a week where all the team
:15:03. > :15:12.worked really hard. So a massive thumbs up. Thank you. One of many
:15:13. > :15:18.highlights. Let's talk about Oti's dress. What changed since you showed
:15:19. > :15:22.us a sketch? Last week we wanted a dress from the hip but we knew it
:15:23. > :15:26.was not going to be there because she needed lots of movement through
:15:27. > :15:31.her skirt. Probably two circles will go into the fullness of this skirt.
:15:32. > :15:35.I had hoped. But we agreed to let it go, and allowed the dress to move,
:15:36. > :15:40.as you can see. That movement as well. It's stunning. So we added the
:15:41. > :15:45.Basque, and we did everything we had intended but little tweaks along the
:15:46. > :15:50.way. Let's have an exclusive look at this week's outfit. First of all,
:15:51. > :15:56.Oksana's milkmaid. When they say we want Oksana to be a milkmaid, how do
:15:57. > :15:59.you go about making that? It is quite difficult and I'm sure that
:16:00. > :16:04.Peggy would be amused. What is this?! Well, I am always thinking
:16:05. > :16:08.about the amount of skirt, the volume, how it is going to dance,
:16:09. > :16:11.and all of those things. All of the elements that we need for it to be
:16:12. > :16:15.true to the dance, hopefully they still remain. However it is quite
:16:16. > :16:19.difficult to think, how am I going to make a Viennese milkmaid? But you
:16:20. > :16:25.have done it and it is beautiful. Look at the layering under this.
:16:26. > :16:29.First of all, it is lace. The top skirt is quite easy to cut and make
:16:30. > :16:36.so we have not painted this fabric. It came like this. Sometimes we do.
:16:37. > :16:40.The upper body, we have a stretched base underneath, you can see where
:16:41. > :16:44.we have attached the long stretched lace to the waist. When we fit its
:16:45. > :16:47.tomorrow, we'll decide how much we need and then we will secure the
:16:48. > :16:51.skirt and secure everything back down. I am sure it will be crystals.
:16:52. > :17:04.This is what happens on this show. This looks incredible. Quite cool,
:17:05. > :17:08.quite edgy. That is why I came to the black over the pink, so it is
:17:09. > :17:11.still soft for ballroom. I would like to see more underskirts
:17:12. > :17:14.tomorrow. It is quickstep. We have four at the moment. Again, we will
:17:15. > :17:18.see. Sometimes the skirts can overtake a little bit. At the moment
:17:19. > :17:26.it is sleek and stylish. We will see. If we are to put crystals on,
:17:27. > :17:30.we may use a dark red, almost looks black. That will work with the pink.
:17:31. > :17:35.Again, you know what it is like. What we see tonight... I love doing
:17:36. > :17:42.a that. Oh, look what she's done to it! Naga is going from the amazing
:17:43. > :17:48.catsuit. This week she is a mermaid doing the charleston. How do you do
:17:49. > :17:56.a mermaid? It is a challenge. We have a lot of fringe on the skirt,
:17:57. > :17:59.which is always needed. We have multicoloured sequin, metallic
:18:00. > :18:05.working through the skirt. The upper body is tan mesh. We have
:18:06. > :18:11.multicoloured crystals over the top. My team laugh at me. I will scribble
:18:12. > :18:15.one side... And they are like, completely sheer on the other side?
:18:16. > :18:19.That is brave. We have Lesley doing the charleston this week. Show the
:18:20. > :18:27.colour of this. It is incredible. Emerald green. She will look great
:18:28. > :18:31.in these colours. It is on a nude, flesh base, so it is not too heavy.
:18:32. > :18:36.The green will go from the waist to the hip. Then we'll have panels of
:18:37. > :18:42.beading on nude running through the skirt. There'll be a lot of
:18:43. > :18:47.movement. It looks amazing. And then fading up from emerald green into
:18:48. > :18:52.pale green into gold. Lesley has been amazing. I hope she'll have a
:18:53. > :18:58.lot of fun. We love all of the outfits. Looking good, everyone.
:18:59. > :19:03.It is not just the brilliant wardrobe department which make our
:19:04. > :19:10.celebrities and pros look beautiful, also in the wings looking to primp
:19:11. > :19:16.and preen our couples are the award make-up team. Here is Lisa Armstrong
:19:17. > :19:20.to explain. Hi, I'm Lisa Armstrong, the hair and
:19:21. > :19:26.make-up designer for Strictly Come Dancing. Today I will show you how
:19:27. > :19:30.to get the perfect Latin look. It is fun, flirty, most importantly it is
:19:31. > :19:35.all about the sparkle. Here I am with Chloe, who will help me out
:19:36. > :19:39.today. She's had her hair done, which is big, bouncy, sexy curls.
:19:40. > :19:45.Perfect for any of the Latin dances. I start with a paint pot. We will
:19:46. > :19:49.use that across the eyelid. No higher up than the socket line. A
:19:50. > :19:53.nice wash of colour. Now straight in with the glitter. With the brush,
:19:54. > :19:58.tap, glitter all over, where you have based the primer. Look how
:19:59. > :20:05.glittery that looks. So cool! Nowly do the eye line and you just fan it
:20:06. > :20:10.up. See how much that sparkles even moving slightly. We will stick on
:20:11. > :20:14.fluffy, full-on lashes now and put some highlighter under the brow
:20:15. > :20:17.here. Now we will wipe up underneath. This is when you can see
:20:18. > :20:23.exactly why it is so important to start with the eye make-up.
:20:24. > :20:29.Cleansing water on some cotton pads. Wipe away all your mess from
:20:30. > :20:33.underneath.ly do some concealer underneath Chloe's eye. I will use
:20:34. > :20:37.my egg to blend, so it gets underneath the corner of the eyes.
:20:38. > :20:41.On to the foundation, with a flat brush. All over the face. A nice
:20:42. > :20:46.circular motion, making sure there's no streaks. How lovely that looks
:20:47. > :20:51.already. I will powder the skin, down the T zone. This is especially
:20:52. > :20:55.important on Strictly because all of the bright light, the set and
:20:56. > :20:59.obvious they are dancing, so they will get hot and bothered. It is
:21:00. > :21:04.very important that we set the make-up. I have matted the skin
:21:05. > :21:08.down. I will now highlight it. Go up the cheekbone and blend it up into
:21:09. > :21:13.the eyebrow so it gives it some connection. We go with a nice pot of
:21:14. > :21:20.pink on the cheeks. How lovely that colour is. Then you can blend it all
:21:21. > :21:23.in and make it look gorgeous. I will get the gold glitter pen, so you can
:21:24. > :21:28.draw it in here. Look how gorgeous that is. It really opens the eye.
:21:29. > :21:33.Then finish off the look with a little bit of brown eye shadow to
:21:34. > :21:39.blend it out. That creates that sexy, hot, salsa look. We will now
:21:40. > :21:45.line the lip and then put a hot pink in the middle to finish off the
:21:46. > :21:47.look. There you go. A really hot, sexy salsa look. Full of glitter,
:21:48. > :22:00.full of colour and I love it. Thank you very much Lisa and Chloe.
:22:01. > :22:05.Time now for a fact. We have 1560 hours until the Strictly final.
:22:06. > :22:10.Hardly any time at all. Our couples better get training. Let's see how
:22:11. > :22:15.Gregg, Natalie and AJ and Cloudia have been doing. The salsa, it is so
:22:16. > :22:18.outside of my comfort zone. I have never done it before. I am
:22:19. > :22:21.struggling the most with co-ordinating arms and hips
:22:22. > :22:28.together. I think I have got long everything. It feels clunky to me.
:22:29. > :22:32.Gregg is learning the sal sarks which is nothing like anything he's
:22:33. > :22:37.ever learnt before. He has to be really relaxed in the body, in the
:22:38. > :22:42.legs, really try and find the rhythm of the dance. That was almost it! I
:22:43. > :22:46.will work all week trying to get the steps right.
:22:47. > :22:52.This week we are doing the foxtrot. And I don't know anything about it.
:22:53. > :22:56.Sorry. Cloudia is going to find the foxtrot more challenging because it
:22:57. > :23:01.is slower. I know Cloudia likes to go very, very, very fast. So we will
:23:02. > :23:06.have to slow her done. I get dragged to places. Learning a new dance,
:23:07. > :23:10.every week is really hard. You want to have nice footwork. Feather
:23:11. > :23:17.finishes. There's a lot of technique in there. Good!
:23:18. > :23:21.Nice footwork. Well done. Superstitious amongst us might think
:23:22. > :23:25.performing a routine indoors with an open umbrella would be asking for
:23:26. > :23:28.trouble. They would be wrong. The judges showered their American
:23:29. > :23:32.smooth with prize. It is Ore and Joanne.
:23:33. > :23:37.-- with pride. It is Ore and Joanne.
:23:38. > :23:41.I think Gene Kelly himself would be proud.
:23:42. > :23:46.You have certainly captured the sophistication of that dance.
:23:47. > :24:00.I'm astounded how good that was. # Singing and dancing in the
:24:01. > :24:06.rain It is Ore and Joanne. I can't even look at you. It is
:24:07. > :24:10.dusty in here. We are getting leaky eyed. You were incredible on
:24:11. > :24:14.Saturday night. Oh, my goodness me, Len was astounded at how good you
:24:15. > :24:19.were. Are you still on a high, the two of you? My word, that whole
:24:20. > :24:24.night was like a dream sequence. It beggared belief. I mean, the judges'
:24:25. > :24:28.comments were astounding. We finished the routine and we knew we
:24:29. > :24:32.had done all right, and then the judges started talking. You can see
:24:33. > :24:38.from our faces, I couldn't keep it in. I had been crying all week. We
:24:39. > :24:43.would film ourselves on a film and watch it back and see how well we've
:24:44. > :24:48.done. Don't start me off again! It was such an emotional night for both
:24:49. > :24:53.of you. And particularly that dance routine. Singing in the rain makes
:24:54. > :24:58.me well up anyway because it is a classic and means a lot to you.
:24:59. > :25:03.Definitely. And the American smooth, I do the ballroom show dance, it is
:25:04. > :25:07.just my style, amazing musical. Amazing music. You did really,
:25:08. > :25:11.really well. I am really, really proud of you. I have not watched it
:25:12. > :25:17.since and not started almost welling up. I probably have not cried that
:25:18. > :25:20.much since my wedding day. I was... Like you say because it means so
:25:21. > :25:24.much to Jo, we put so much into it. I wanted to do her proud on the
:25:25. > :25:28.night. It was everything came out, it was like a big relief and
:25:29. > :25:34.release. And it just, the floods didn't stop. I know. Seeing a man
:25:35. > :25:38.cry on the telly, that is it. 35 points, so three nines and an eight
:25:39. > :25:43.from Craig. Were you pinching yourself? The truth is, we said it
:25:44. > :25:47.would be great to get a couple of eights and then the nines kept
:25:48. > :25:51.coming. We were looking at each other, going what is going on? Week
:25:52. > :25:57.three. It is when Craig brought out an eight to start with. I was like,
:25:58. > :26:01.OK, and then, nine, nine, nine. And the judges all praised your
:26:02. > :26:05.incredible choreography. Jo... It was beautiful. You must have
:26:06. > :26:09.particularly enjoyed putting that one together? I loved it. It is one
:26:10. > :26:14.of the quickest routinesvy put together because I knew which parts
:26:15. > :26:20.I wanted to do a nod to Gene Kelly and to the musical. I knew really
:26:21. > :26:25.which foxtrot bits I wanted you to do and hold - it seemed to work.
:26:26. > :26:29.People don't necessarily appreciate, Jo had a few numbers over the
:26:30. > :26:34.weekend. She had our routine. She was all over it and then on
:26:35. > :26:37.Sunday she's busy core re - graphing, in the studio trying to
:26:38. > :26:40.get into the routine for the next week. It was amazing that everybody
:26:41. > :26:44.was giving her the praise. The reaction has been unbelievable. You
:26:45. > :26:48.have all of that, everybody loves it, the judges love it and you get
:26:49. > :26:51.the incredible scores and then Gene Kelly's widow gets in touch with
:26:52. > :26:55.you. She's seen it and she has this to say. This is amazing. I thought
:26:56. > :26:59.it was a beautiful tribute to Gene. He never wanted people to imitate
:27:00. > :27:04.his work, he wanted them to take what he did and create something
:27:05. > :27:09.new, Ore and Joanne did this with style. I mean, it is just... He's
:27:10. > :27:14.off again. It was something so special.
:27:15. > :27:17.Actually because we were texting over the weekend when Patricia got
:27:18. > :27:26.in touch to say it for the first time and you could do it in omojis
:27:27. > :27:29.how excited we were. You are a dancer now, but any dancer who has
:27:30. > :27:33.grown up with dancing and done dancing, I think that is the best...
:27:34. > :27:38.It doesn't get better than that. It is the closest that you would get to
:27:39. > :27:43.a blessing from Gene Kelly himself. That is unfathomable. She said she
:27:44. > :27:47.wants to meet us. Later in the year.
:27:48. > :27:53.Trying to get in on the act... You are welcome to the party. All the
:27:54. > :27:56.time. The jive next. Ore, are you slightly concerned, Jo has never
:27:57. > :28:00.done a jive in the competition before. Are you nervoused? I am
:28:01. > :28:05.nervous, but excited. This is the one I wanted to do from the start of
:28:06. > :28:08.the series. I said I want to jive. The problem is Jamie went and
:28:09. > :28:12.smashed the jive last year. So we have set ourselves a high standard
:28:13. > :28:16.that we want to replicate. I would love it to be a memorable dance.
:28:17. > :28:22.We've put in so much sweaty hours into this work, trying to make it...
:28:23. > :28:28.Jo, you have ten seconds to give me a review. How is he doing, it is
:28:29. > :28:32.good When we look back at our video, he's having sweat dripping down in
:28:33. > :28:37.his eyes. There is a lot of energy. How attractive is that. You need a
:28:38. > :28:42.sweat band. Ore and Joanne... So wonderful.
:28:43. > :28:49.Don't forget to tune in tomorrow all of my guests.
:28:50. > :28:52.I'll be chatting to Lesley and Anton,
:28:53. > :28:54.Louise and Kevin, Greg and
:28:55. > :28:57.Plus, joining me on the Friday panel will be Jodie Prenger,
:28:58. > :29:00.Marian Keyes and the return of Jeremy Vine.