:00:47. > :00:51.Live from London, this is Strictly; It Takes Two. Please welcome your
:00:52. > :01:00.host, Zoe Ball. CHEERING AND APPLAUSE.
:01:01. > :01:07.Hello and welcome to It Takes Two. What a weekend! Greg Bench pressed
:01:08. > :01:12.Natalie above his head, Ed Balls slayed a dragon. Amazing. And Ore
:01:13. > :01:17.scored the highest week full marks in the history of Strictly when he
:01:18. > :01:22.got three 10s from the judges for an unbelievable jive. Amazing stuff.
:01:23. > :01:28.What the judges giveth with one hand they take awayth with the other. On
:01:29. > :01:33.last night's results show they opted to send home the love Li Na goo and
:01:34. > :01:39.Pasha. But it's OK because they are here with us today. Naga and Pasha.
:01:40. > :01:44.Also with us tonight after sizzling rumba, Daisy and Aljaz join us. And
:01:45. > :01:50.how good were they with the quickstep, Laura and Giovanni are
:01:51. > :01:54.here. Over in choreography corner this week we have the lovely Chloe
:01:55. > :01:59.and Neil, the new byes, double trouble. First, their mermaid themed
:02:00. > :02:02.charleston had us hook line and sinker, sadly though it wasn't
:02:03. > :02:05.enough to blow the rest of the competition out of the water. Before
:02:06. > :02:07.we say our final goodbyes and have cuddles, this is Naga and Pasha's
:02:08. > :02:40.last dance. Give it up and show some love for
:02:41. > :02:43.Naga and Pasha. APPLAUSE.
:02:44. > :02:48.My darlings, I'm so sorry that your Strictly add venture is over. You
:02:49. > :02:51.looked so devastated, your little face there, I really felt that. How
:02:52. > :02:58.are you feeling today, the day after the day before? Pretty bad.
:02:59. > :03:02.Sweetheart! Bit heart broke, gutted. Use that word a lot gutted today.
:03:03. > :03:07.But that's fine. Have there been some tears? No. Because if it starts
:03:08. > :03:14.it won't stop. So there's just no point. No point in starting to cry.
:03:15. > :03:18.Have you cried Pasha, are you OK? They're there if you need them! I
:03:19. > :03:22.have to say, your charleston was so much fun, it was brilliant. You did
:03:23. > :03:25.everything the judges asked you to do, brought that character into it
:03:26. > :03:29.and worked so hard. It was your absolute favourite. Is it good to go
:03:30. > :03:37.out on a good dance like that, one you loved? Absolutely. I had so much
:03:38. > :03:41.fun, we had so much fun in rerehearsals during the week, I went
:03:42. > :03:46.out and enjoyed it. They said they hadn't been seeing that I had looked
:03:47. > :03:52.unnervous or confident, I just went out and enjoyed it and loved it. I
:03:53. > :03:56.was really, really happy. Pasha, how happy were you with her performance?
:03:57. > :04:00.Amazing, the thing was always let's get out there and have fun and if
:04:01. > :04:04.that's happening, like yeah! You want to join in at home with your
:04:05. > :04:08.broom and stuff like that. How surprised were you to be in the
:04:09. > :04:12.bottom two? You never really know. Always when you are standing and
:04:13. > :04:19.waiting for your name or somebody else's name you're like, please, no,
:04:20. > :04:24.no, no. Breaking finger time. Nail marks. You've always got a smile on
:04:25. > :04:28.your face. I know you'd really worked on your confidence here
:04:29. > :04:32.because the judges had said that every week and it is terrifying, the
:04:33. > :04:36.whole experience and, did you feel much more confident when you went
:04:37. > :04:40.out and did the dance on Saturday? Yes, I knew the steps, I really had
:04:41. > :04:44.enjoyed doing it and yes, felt confident. I felt not confident we'd
:04:45. > :04:47.get through, you just can't tell what is going to happen, but I knew
:04:48. > :04:52.that we were going to go out and do it and do it well and I think we
:04:53. > :04:56.did. Absolutely. You really, really did. So much love for you online.
:04:57. > :05:01.Lots of people are very sad that you have left the competition. Daniel
:05:02. > :05:06.rich ahhedson said he was seriously impressed with your lifts. Did you
:05:07. > :05:12.enjoy them, the legs in the air? I'm wearing bruises as badges of honour
:05:13. > :05:15.at the moment. Lily Olivia called you an actual goddess. Oh, thank
:05:16. > :05:20.you. It must have meant a lot to have that support? People have been
:05:21. > :05:24.so kind and so supportive and really generous with their comments on
:05:25. > :05:28.social media and texts. Loads of friends have been texting me all
:05:29. > :05:32.weekend, it's been brilliant. Here it is, sorry it's so soon, but it is
:05:33. > :05:38.your Strictly story. Breaking news. Your partner is
:05:39. > :05:42.Pasha! Really, really excited. I just hope Pasha is ready forwhat he
:05:43. > :05:48.has to deal with. First dance you will be dancing is the waltz. This
:05:49. > :05:55.is the dance I was dreading. That's me being elegant. I think I'm
:05:56. > :06:00.getting there. Lyrical, elegant. You're such a beautiful girl, you
:06:01. > :06:05.have a wonderful, wonderful potential.
:06:06. > :06:15.This week we are doing cha-cha-cha. It's all about the hips. Hips, hips,
:06:16. > :06:20.hips. I like the feel of it. I would have just liked you to have nailed
:06:21. > :06:27.the routine better. You look absolutely stunning. I'm dizzy. I
:06:28. > :06:36.think the tango is going to be really exciting. A whole new world
:06:37. > :06:44.to discover. I loved the concept and I loved the drama to it. I think
:06:45. > :06:49.that's your best dance to date. Good job. This week we are doing the
:06:50. > :06:52.charleston. I love every moment where I'm learning something new and
:06:53. > :06:59.I cannot tell you how much I'm enjoying it. Fun under water, a bit
:07:00. > :07:04.slippery on dry land. You came out and gave it a good go. Well done.
:07:05. > :07:11.The coupled I would like to save is Anastacia and Brendan. Anastacia and
:07:12. > :07:15.Brendan. Anastacia and Brendan. Getting to know and work with Pasha
:07:16. > :07:17.has been amazing, I've loved every minute of it, thank you so much for
:07:18. > :07:20.being the best teacher I've ever had.
:07:21. > :07:25.APPLAUSE. Stop, stop. You said you weren't
:07:26. > :07:31.going to cry. She's so cool. So cool. What are you going to miss
:07:32. > :07:35.most about this one? Everything. You can go over for tea, dance around
:07:36. > :07:40.the living room. Ian and I if we ever go to a wedding or anything, we
:07:41. > :07:45.do a little foxtrot because we miss that. We'd have to set up the
:07:46. > :07:49.suspension. Couple of dressing gown belts, it will be fine!
:07:50. > :07:54.Was there a dance that you really wanted to do that you haven't had
:07:55. > :07:58.the chance to do? Every dance get bolter every week so I knew whatever
:07:59. > :08:02.dance we were going to do the next week, I loved the dance we were
:08:03. > :08:06.doing and I knew that when we started the training I would fall in
:08:07. > :08:10.love with that dance a bit more. We did the tango which was amazing, I
:08:11. > :08:14.wanted to do the charleston, I knew I could show my cheeky side a bit
:08:15. > :08:19.more. We'll do that in the dressing room later. Would you persuade
:08:20. > :08:24.Charlie Stayt or Dan Walker to have a go, continuing the Breakfast
:08:25. > :08:27.theme? Of course. Who would you like to see the trophy, who are you
:08:28. > :08:32.rooting for? All of them, everyone's working so hard and trying their
:08:33. > :08:36.best and it's so unproductible? Everyone's going to keep fighting
:08:37. > :08:40.and working and training hard. I've loved seeing you get better and
:08:41. > :08:47.better and build up your confidence. Thank you. Everybody, Naga and
:08:48. > :08:50.Pasha. I hate goodbyes. Now, as these two will tell you, Saturdays
:08:51. > :08:54.on Strictly can be a highly stressful time. Couples need
:08:55. > :08:59.complete peace and quiet to get their heads ready for the dances.
:09:00. > :09:02.Each week we send the cameras to ask them loads of questions about how
:09:03. > :09:08.they are feeling. Take a look at this. Another glorious Saturday
:09:09. > :09:19.morning. Show time! Hello. I'm late. Shall we go in and
:09:20. > :09:21.rehearse? Come on then, love. I'm taking him indoors now, put him in a
:09:22. > :09:32.cupboard somewhere. Help, help, where's my hero? !
:09:33. > :09:37.Katya, no, I'm not saving you any more.
:09:38. > :09:42.You did exactly what you did in rehearsals and that's all I could
:09:43. > :09:46.wish for. I was hoping I could be better today. Yes yeah, you were
:09:47. > :09:51.better... We had a secret hand shake that we do. Yes. And everything's
:09:52. > :10:01.going to be OK. That jive is not for humans. OK.
:10:02. > :10:07.What you have created is inhumane and that was just the rehearsal!
:10:08. > :10:14.Hi, guys, come on in, I'll give you a Tour of My dressing room.
:10:15. > :10:19.It's not huge but it's home for me on Saturday. They were my first tap
:10:20. > :10:24.and ballet shoes from when I was four or five years of age. These
:10:25. > :10:36.just remind me of loving to dance when I was a little girl.
:10:37. > :10:41.It's week four and I think it's getting more difficult. Everyone is
:10:42. > :10:47.so amazing and we all get on so well. I don't want to go home and I
:10:48. > :10:54.don't want anybody else to go home. Anybody seen a cow here? Where's my
:10:55. > :11:09.cow? I need to wear my high heels, look, she's really tall. Perfect. Is
:11:10. > :11:13.it aneering? Look at that. Honestly. I'm not being funny, do you know
:11:14. > :11:19.what you are wearing today? No. Guys, we need to go, please, live in
:11:20. > :11:24.four minutes, folks. I'll tell you what I want, what I
:11:25. > :11:36.really, really want. More of the same, a great show! Goodbye.
:11:37. > :11:40.Last minute stitching. Never ready, always to the pyre wire, all the
:11:41. > :11:44.teams are normally at the bottom of the stairs stitching everybody in
:11:45. > :11:49.making sure it's secure. We always make the live. Wait, I'm going to
:11:50. > :11:56.dance in front of millions of people. Uh-oh. Three, two, one,
:11:57. > :12:03.zero... Live from the BBC, this is Strictly Come Dancing!
:12:04. > :12:09.Our next guests set the floor on fire on Saturday with her rumba. I
:12:10. > :12:20.didn't know a woman could do that. The candles burnt out and no-one got
:12:21. > :12:25.hurt. So hot, Daisy and Ali! Your intent in the dance was just
:12:26. > :12:31.spectacular. Long, languid moves. Very difficult to control and
:12:32. > :12:34.sustain. Very impressive. Terrifically difficult dance and I
:12:35. > :12:40.thought you did a terrifically good job.
:12:41. > :12:47.Oh, Daisy and Aljaz, welcome! The rumba so difficult. I've always
:12:48. > :12:52.loved the rumba, I have to say, but you smashed it and then some. It was
:12:53. > :12:56.utterly delicious. Thank you. How much did you love this one? I loved
:12:57. > :12:59.this one, the rumba was always something I really wanted to learn
:13:00. > :13:06.how to do and actually it meant that last week I was in quite a state of
:13:07. > :13:11.panic because I want I wanted to do it well. Great choreography and I
:13:12. > :13:16.have the best teacher. I know. Look at his little face there. Absolutely
:13:17. > :13:20.gorgeous. Everybody out there loving it, the studio audience loving it.
:13:21. > :13:26.How crushed were you when Craig said he didn't think there was much
:13:27. > :13:31.chemistry? I was shouting at the television. I did think there was a
:13:32. > :13:36.lot of chemistry and it was actually one of those dances that to me
:13:37. > :13:40.rarely happens that you start it and then you're so into it so you're
:13:41. > :13:44.pretty much realising that it's done. I thought we were in it the
:13:45. > :13:48.whole time. I think Daisy played the romantic character to the whole
:13:49. > :13:53.thing. But yes, maybe... There can always be more, yes. I have to say,
:13:54. > :13:57.I couldn't take my eyes off you and quite often I can't take my eyes off
:13:58. > :14:01.him. Sometimes with the dancers, you watch the boy or the girl or the
:14:02. > :14:08.celeb and you were absolutely brilliant. Were you upset about the
:14:09. > :14:14.comments? I was, but then also while training we were saying that I'm
:14:15. > :14:19.much better at dancing when I'm not so nervous, so then maybe I thought
:14:20. > :14:23.I've not done a proper job. No, but it's true, you do things better when
:14:24. > :14:28.you are not nervous. I was quite nervous, it's natural. It's a rumba
:14:29. > :14:33.and we had a little circle around us, we call it the circle of trust.
:14:34. > :14:37.It actually literally felt like we were in that little bubble, the
:14:38. > :14:42.Strictly bubble doing a rumba. All rumbas should be like that. Bruno
:14:43. > :14:48.said that every single step in there that you would want in a rumba was
:14:49. > :14:52.there and you did it so brilliantly. Obviously she can do it all can't
:14:53. > :14:56.she? Yes, that was my plan at the beginning of the week. I came with
:14:57. > :15:01.the choreography and was thinking, we are going to take a cupful of
:15:02. > :15:06.things out but we didn't. I didn't forget all the steps, I did all the
:15:07. > :15:12.steps. Yes, I struggled to find any more. The it's such a slow dance and
:15:13. > :15:19.you are so exposed and dog so much basic, so many proper rumba steps,
:15:20. > :15:23.it can be a tricky situation -- doing so much. Daisy handled it so
:15:24. > :15:26.well. I'm so, so proud because it was a difficult dance to do. Utterly
:15:27. > :15:30.gorgeous. You said that you were having the time of your life. Was
:15:31. > :15:43.there anything that could make that better? If I could stop panicking.
:15:44. > :15:53.This week no more panic is allowed. OK. It is the charleston. You said
:15:54. > :15:55.your ankles already hurt. I've got charleston ankles, yes! Walking down
:15:56. > :16:02.the corridor in heels was quite tricky. It's so happy and up and so
:16:03. > :16:07.much fun and we had such a laugh today. I love it. Can you tell us
:16:08. > :16:15.anything about what you have in store? It will be very dark at the
:16:16. > :16:19.beginning. Oh, yes. I love the idea and concept. It sounded really cool
:16:20. > :16:23.in my head so I hope it looks cool on the camera. We hope it
:16:24. > :16:28.translates! Lots of things seem cool in alias should's head! Top of the
:16:29. > :16:32.Leader Board in week one. It is getting quite busy at there. How
:16:33. > :16:36.keen are you to get back up at the top or is it all right to be sort
:16:37. > :16:46.of...? I'm just grateful I'm still here. I mean, everyone is so
:16:47. > :16:50.brilliant that aiming for the top is slightly impossible. You know what,
:16:51. > :16:56.I don't think it's bad to berate you are. Then there is always a few
:16:57. > :17:00.weeks' time... We shall see. Go week by week. It's going to be the
:17:01. > :17:07.charleston. I love the fact that when you hear this music it's one of
:17:08. > :17:11.the worst bits about the show. Can I hide under the chair? We will scoop
:17:12. > :17:23.you up later! Is the Results Show getting any easier? No. My hands are
:17:24. > :17:26.getting clammy. I feel for you. Instant reaction. Everyone is so
:17:27. > :17:29.brilliant and it's so incredible learning a new dance each week I
:17:30. > :17:34.don't want to go home and also don't want anyone else to go home. We'll
:17:35. > :17:39.just want to stay. We all want to be winners!
:17:40. > :17:41.Good luck with training - Daisy and Aljaz, everyone!
:17:42. > :17:44.Now, when Karen Hardy announced she would be taking a three-week
:17:45. > :17:47.break from Choreography Corner, It Takes Two HQ was in crisis.
:17:48. > :17:50.But there's no need to worry because this week we've lined up
:17:51. > :17:52.a duo with more dance trophies between them than could
:17:53. > :17:56.He is an undefeated four-time British National Champion
:17:57. > :18:00.and three-time World Amateur Latin Champion.
:18:01. > :18:03.She has won almost every National, British, and European Youth
:18:04. > :18:26.It's two of Strictly's newest pros - Chloe and Neil.
:18:27. > :18:31.Give it up for Chloe and Neil, everyone!
:18:32. > :18:39.Are you having a wonderful time on your first year in a Strictly?
:18:40. > :18:44.Loving it. What did you think the quality on Saturday night of the
:18:45. > :18:47.dancing? The quality this year is such a high standard and everyone is
:18:48. > :18:52.so competitive this year so everyone wants to beat everyone and make sure
:18:53. > :18:58.they get the glitter ball at the end so it's exciting. It is an exciting
:18:59. > :19:01.year. We will look at half of our performances. Anastacia and Brendan
:19:02. > :19:08.with the rumba, they did an outstanding job. Craig felt that
:19:09. > :19:12.fluidity was lacking. To the layperson like myself, what did he
:19:13. > :19:16.mean by lacking fluidity? I did agree with the fluidity side that he
:19:17. > :19:20.pointed out. The one thing I picked up on this video was the straight
:19:21. > :19:25.legs and flat feet at times for me. With the rumba as a woman your legs
:19:26. > :19:28.and feet are on show all the time so it's crucial to get that right. I
:19:29. > :19:33.just felt that lacked slightly. She needed a bit of a strut? More
:19:34. > :19:37.straightening of the lake at the not so much of a flat foot on the floor,
:19:38. > :19:47.more use of defeat, would you agree? Totally agree. She looked absolutely
:19:48. > :19:50.amazing. Gorgeous. Onto Danny and Oti's quickstep, I thought it was
:19:51. > :19:57.amazing and I was surprised he didn't get some tens. Darcey praised
:19:58. > :20:01.him for leading Oti so well. How difficult is that for a celeb
:20:02. > :20:04.dancer? I've been dancing for years and I still don't think I've got it
:20:05. > :20:08.right and I'm sure Katya would tell you I haven't got it right yet. It
:20:09. > :20:14.shouldn't be possible but as you can see it is clearly possible, he is
:20:15. > :20:17.leading her. I'm going to tell you, this is how it works, first he needs
:20:18. > :20:21.to make sure he knows all of his own steps and movements and then needs
:20:22. > :20:25.to be aware of Oti's movements and steps and then he can start leading
:20:26. > :20:31.her. This is not easy. This is how I look at it. Demonstration. Some
:20:32. > :20:36.encouragement please. I'm going to show you. If I'm the car, you are
:20:37. > :20:43.going to be the caravan. She is a modern caravan with all of the mod
:20:44. > :20:49.cons, she is amazing. Car and caravan, it's all about the body
:20:50. > :20:56.moving the caravan, the car. Detach me where ever. I could be in
:20:57. > :21:00.trouble! So you don't even need your hands, your body would guide her.
:21:01. > :21:04.That is what would guide her around and that is what he has just shown
:21:05. > :21:11.as. Have you ever been called a caravan before, Chloe? Never. Moving
:21:12. > :21:15.on to Lesley and Anton's charleston. She is amazing, she blows as every
:21:16. > :21:20.week, the judges said her stamina and timing was good and those high
:21:21. > :21:25.kicks, Len said it was the best dance to date. Is there room for
:21:26. > :21:29.improvement? She is so great. Lesley impressed me from day one and there
:21:30. > :21:33.is always room for improvement but I was so impressed with her swivels in
:21:34. > :21:39.the charleston, they are a key point in the charleston style. She
:21:40. > :21:43.executed them brilliantly and I was impressed. One tip I would like her
:21:44. > :21:46.to do is lift her head a bit more because at times it can get a bit
:21:47. > :21:52.down which lacks confidence. I would dance with her. The way this year is
:21:53. > :21:59.going you might be dancing with her, if somebody leaves out a banana
:22:00. > :22:02.skin. Claudia and AJ's foxtrot, another great performance. Three of
:22:03. > :22:05.the judges loved it but Craig said he felt it lacked grace and elegance
:22:06. > :22:13.and misrepresented the foxtrot entirely. This is tricky water,
:22:14. > :22:19.isn't it? I have to disagree because they are dancing to I Really Like
:22:20. > :22:23.You which is fun and modern and bubbly so they are dancing to that
:22:24. > :22:27.type of music. If they were dancing to something like Fly Me To The Moon
:22:28. > :22:31.I would agree but at that moment I don't. I would have to agree on one
:22:32. > :22:36.moment and that is the sequence of lines. A little bit too many
:22:37. > :22:39.positions. If there was a little more flour and energy between like a
:22:40. > :22:45.flower blooming then I would agree with Craig straightaway. I love it.
:22:46. > :22:53.Ian always says that, flour in a vase. And finally, Ore and Joanne.
:22:54. > :22:58.The highest scoring dance of this series, three tens. Bruno says the
:22:59. > :23:05.star is born. Bruno says Ore is the one to watch. Was it worthy of the
:23:06. > :23:09.hype? I would say so, or read is a huge contender. His flicks and
:23:10. > :23:14.kicks, he knocked it out of the park, for sure. -- Ore is a huge
:23:15. > :23:18.contender. I would like to see more finish from the lake into the foot,
:23:19. > :23:24.on his flicks and kicks they can be floppy on the end, I needed a bit
:23:25. > :23:30.more tilt through to the toe. That would have been four tens. Can we
:23:31. > :23:34.add to that, kickball changes downstairs, I don't even know if I
:23:35. > :23:40.could do that. Could you do that if you trained for years? Maybe I
:23:41. > :23:43.could, I will try it later. Try down those stairs and let me know how you
:23:44. > :23:50.get on later. Will you come back tomorrow? Of course! We will.
:23:51. > :23:53.Now, our final guests of the evening bounced back from last week's
:23:54. > :23:55.dance-off with a fast and furious Quickstep that tore up
:23:56. > :24:11.I think I felt they sonic boom. That was so fast, so complicated, it was
:24:12. > :24:16.fantastic. You covered the floor well in the charleston section and
:24:17. > :24:18.it was a standout -ish. If you are in the bottom two this week I will
:24:19. > :24:33.pickle my walnut! Laura and I were comparing shoes,
:24:34. > :24:43.having shoe chat. They are lovely, so shiny. No dance-off for you.
:24:44. > :24:47.Condiments. Well done, you must have been so relieved. Yes but it is
:24:48. > :24:51.weird, and after last week you never know and everyone is so good in this
:24:52. > :24:55.competition so even though I went out and enjoyed you never know which
:24:56. > :25:00.way it will go. I really enjoyed the dance. That is good, that is only
:25:01. > :25:06.good. Giovanni, it was so fast-paced, you crammed the dance
:25:07. > :25:13.with... I did it on purpose. After the dance-off I just thought, just
:25:14. > :25:18.go there and smash it, do a quick routine, a fast routine. And
:25:19. > :25:21.difficult as well. It was so fast. When we were rehearsing the studio
:25:22. > :25:25.was quite small and we kept crashing into the wall and I was scared I
:25:26. > :25:29.would fly into some body in the audience or a camera. Which you
:25:30. > :25:33.didn't, thank goodness. We would love to have watched that on repeat
:25:34. > :25:36.if you had. Joint third on the Leader Board, your best score so
:25:37. > :25:41.far, great comeback from the week before. It was nice, you don't know
:25:42. > :25:44.if nerves will take over and I have been nervous so far but every week I
:25:45. > :25:49.feel I've been getting to grips a little bit better. It was so fast I
:25:50. > :25:53.didn't have time to think. Don't think about the scores, think about
:25:54. > :25:58.the dance, the comments and every week is different. Yes and you want
:25:59. > :26:03.the judges to give nice comments but you also want people at home to
:26:04. > :26:06.watch it and enjoy it. I've had some nice messages saying they enjoyed
:26:07. > :26:11.watching it and it was entertaining. Unibet. You also got the first
:26:12. > :26:17.pickled walnuts ferment of the season. I don't know what that
:26:18. > :26:20.means! I don't know either, he will eat his pickled walnuts, let's hope
:26:21. > :26:24.it doesn't come to that but when that comes out you know it means he
:26:25. > :26:28.loves you. That should boost your confidence going into this week and
:26:29. > :26:32.the next dance. I don't know because everybody is so good. It was fine if
:26:33. > :26:37.I was doing the quickstep again but now I've got to do another dance.
:26:38. > :26:43.Which is... The jive. Nice easy dance. Not like anyone has done that
:26:44. > :26:48.before brilliantly. Not like anyone has got 310 is doing a jive. No
:26:49. > :26:56.pressure! I thought the quickstep was fast but apparently that was a
:26:57. > :26:59.walk in the park. -- got three tens. I must talk about somebody who could
:27:00. > :27:04.not be here tonight, I'm talking about the one and only Mick Jagger,
:27:05. > :27:11.the dog, not the rock star. There he is in the picture, he is so cute.
:27:12. > :27:13.Lots of love for him online. More than for us. You should have
:27:14. > :27:17.incorporated him into the jive somehow.
:27:18. > :27:19.Stephen Poole said, 'Mick Jagger was such a star
:27:20. > :27:23.Erica James said, 'Mick Jagger the dog wins it for me!'
:27:24. > :27:28.How is he coping with his new-found fame? He must have a big head now. I
:27:29. > :27:33.asked him to come here tonight but he had something else on. You said
:27:34. > :27:38.you were scared of dogs. You don't really care about dogs much. We're
:27:39. > :27:46.not the best friends. Now he runs to Giovanni before he runs to me now so
:27:47. > :27:50.I'm not impressed with that one. We were like, come to me and he goes
:27:51. > :27:53.straight to Giovanni. You've got it whatever it is. I love that you are
:27:54. > :27:58.a big tough Italian and you are scared of dogs. I know you haven't
:27:59. > :28:03.had any time to train for the jive but what have you got in store for
:28:04. > :28:10.Laura? The jive is my favourite dance. So I will make sure it will
:28:11. > :28:15.be absolutely brilliant. It is difficult. But we've just got to
:28:16. > :28:21.enjoy it. He makes it sound like it's going to be so easy. It's not
:28:22. > :28:27.because he messaged me after he made up the routine. Hopefully it's going
:28:28. > :28:34.to be fine. It's going to be there and it's going to be here... Work on
:28:35. > :28:38.that. Your stamina is strong after the quickstep and it will be utterly
:28:39. > :28:44.brilliant. Bring in Mick Jagger some time. Laura and Giovanni! That is it
:28:45. > :28:48.for tonight and a big thank you to our guests. Join us tomorrow at
:28:49. > :28:57.6:30pm when I will talk to Anastacia and Brendan and Claudia and AJ and
:28:58. > :28:59.the gorgeous Chloe and meal will be back in Choreography Corner and we
:29:00. > :29:01.will exclusively reveal