:00:59. > :01:00.Please welcome your host, Zoe Ball...
:01:01. > :01:04.It might be gloomy outside, but we've got plenty of Strictly
:01:05. > :01:09.Well, take a look at the stars we have brightening up
:01:10. > :01:12.It's the radiant Anastacia and Brendan!
:01:13. > :01:19.Plus, they're back for a second round of Choreography Corner,
:01:20. > :01:24.our newest Strictly pros - the illuminating Chloe and Neil!
:01:25. > :01:27.But first, their foxtrot saw them graduate Strictly College
:01:28. > :01:31.at the weekend, with headmaster Len calling their footwork "terrific".
:01:32. > :01:33.In the words of Bruno, they're our "teenage dream team" -
:01:34. > :01:49.I was not expecting you to be able to travel and create that glide, and
:01:50. > :01:56.what's also stunning is your top line. It lacked for me grace and
:01:57. > :02:01.elegance, it wasn't for me I'm afraid. I thought your footwork was
:02:02. > :02:09.terrific. Overall first rate, well done. It is our high school
:02:10. > :02:17.sweetheart! Welcome, Claudia and AJ. Was your foxtrot fun? Yes, I really
:02:18. > :02:22.enjoyed it. I was stressed at the beginning of the week because of the
:02:23. > :02:27.footwork and I got confused with it but I was so pleased to nail it. I
:02:28. > :02:36.know, the footwork for the foxtrot is so... The rise and fall, the heel
:02:37. > :02:41.turns, the three stab, the finishes. And you didn't hold back with that,
:02:42. > :02:49.AJ. She's learning so fast so I thought we can get more and more.
:02:50. > :02:53.The thing is, the judges really liked it, but Craig said it
:02:54. > :03:05.misrepresented the foxtrot and he was grumpy. What did you make of
:03:06. > :03:14.those comments? I loved Len's, Darcey's and Bruno's comments. Nice
:03:15. > :03:20.for the charleston to get a six from Craig, do you take it on the chin?
:03:21. > :03:27.How do you cope with it? I obviously focus on the negative is more than
:03:28. > :03:34.the positives! I did think I tried my absolute best. Obviously I only
:03:35. > :03:39.had three or four days to learn the whole dance. For him to give me
:03:40. > :03:44.that, I was like, it's all right. Concentrate on the positives, he
:03:45. > :03:48.says. It is difficult when people say negative things, it doesn't
:03:49. > :03:54.matter what positive things people say, but anyway we loved it. You had
:03:55. > :04:02.a lot of love online, you are so popular, you two.
:04:03. > :04:05."You're a power-house at gymnastics but such a graceful performer
:04:06. > :04:17.Thank you, that's so nice. Have you found the transition from gymnast
:04:18. > :04:22.the ballroom dance are an easy one? When I started off and I did the
:04:23. > :04:27.walls I found it so hard, but doing the foxtrot is so much easier now
:04:28. > :04:41.and I'm starting to get the move of everything now. As soon as AJ says
:04:42. > :04:49.he'll turn, I know what that is. -- heel turn. I'm looking forward to
:04:50. > :04:55.seeing your gymnastics incorporated and a further finish. For me I can
:04:56. > :05:00.start to talk to her in my dance language. She says it is like alien
:05:01. > :05:07.but she starting to understand my alien language now. Have you taught
:05:08. > :05:11.him any gymnastics? When he came to my gym, he learnt the free
:05:12. > :05:22.cartwheel, which is a cart wheel with no hands. He can do a
:05:23. > :05:26.butterfly. What is that? You are basically in this position, in
:05:27. > :05:33.struggle, and you go around like a butterfly. It looks very pretty
:05:34. > :05:40.doing it. She looks pretty, I attempt it. Next week we will get a
:05:41. > :05:45.crash mat in and you can show us. In the routine on Saturday, AJ,
:05:46. > :05:53.admiring yourself, I'm wondering is he that vein off the dance floor?
:05:54. > :05:59.Yes! I said to you, you look in the mirror more than me. He said, my
:06:00. > :06:10.hair is all over the place! So he gets his hair band and ties it up in
:06:11. > :06:17.a man bun. Look at him now, squirming! You have very strong sofa
:06:18. > :06:25.skills, so we did some digging on your social media and it seems you
:06:26. > :06:34.mastered your pose. Here he is! It is the head tilt and the lovely
:06:35. > :06:45.grin. Amazing! Look, you are doing it now. We are all adopting the AJ.
:06:46. > :06:52.Huge scores at the weekend for Ore and Danny, are you feeling like the
:06:53. > :06:58.competition is hotting up? I felt it was fierce from the beginning, the
:06:59. > :07:02.standard is so high. You come in, and at the beginning of the week it
:07:03. > :07:06.is so hard and when it comes to the live show you are like, where did
:07:07. > :07:13.that come from? Everyone is so competitive. Of course you love it
:07:14. > :07:19.because that's what you do. She says I will take it all in and attack it
:07:20. > :07:29.on the night. It looks like you are pretty tough on her in training. AJ,
:07:30. > :07:40.have a look at this. It is a fine line to getting it right or going
:07:41. > :07:49.very wrong. Yes! No. I'm always wrong! I just want to get it right.
:07:50. > :07:57.No, I'm wrong, so it is all good. Apology accepted! I'm just taking a
:07:58. > :08:02.picture of myself! Samba for you this week, what does she need to
:08:03. > :08:06.master? She will have to be very quick on her feet. It is quite
:08:07. > :08:17.extreme, we are travelling around the room quite a lot. Some
:08:18. > :08:22.surprising props. Surprising props? Yes, an interesting start. I cannot
:08:23. > :08:29.say too much but she's all on her own, but she's going to smash it,
:08:30. > :08:34.she will go crazy. She always does. Good luck. Claudia and AJ!
:08:35. > :08:36.Well, from one dream team to another.
:08:37. > :08:39.They did such a good job critiquing our couples' dances
:08:40. > :08:41.yesterday that we thought it was only right to invite them
:08:42. > :08:53.It's time for Choreography Corner, with Chloe and Neil.
:08:54. > :09:06.We did half the couples yesterday, it's only fair we do the other half
:09:07. > :09:07.now. Last week they found themselves
:09:08. > :09:12.in the bottom two with their salsa - do you think their quickstep
:09:13. > :09:20.was an improvement? For me, I don't believe they should
:09:21. > :09:24.have been in the bottom two. They came back fighting, a lovely
:09:25. > :09:30.quickstep. I want to bring up her top line, it is out of this world.
:09:31. > :09:41.How she gets into this position, and she just days... Is this nice? It is
:09:42. > :09:46.getting their! She gets into this top line and she stays there, she
:09:47. > :09:51.doesn't move and that is very difficult. You will see in a minute,
:09:52. > :09:59.she comes out of that top line and go straight back into it again. He's
:10:00. > :10:04.training her well. It is hard for a girl to stay in that position for a
:10:05. > :10:11.long time, just the neck ache. Try it at home and hold it until the end
:10:12. > :10:21.of this chat! You are biased because your lovely wife is dancing with Ed.
:10:22. > :10:28.The paso doble, lots of fun. Their medieval-themed paso doble,
:10:29. > :10:30.Craig said it was "riddled with mistake after mistake",
:10:31. > :10:32.but for Darcey, it was "the armography that
:10:33. > :10:41.was most upsetting" - I think maybe him trying to be manly
:10:42. > :10:48.and take control got to him a little which is a shame because in
:10:49. > :10:53.rehearsal it went so well. Darcey's comment about the arms, I would have
:10:54. > :11:02.to agree. If I demonstrate for you... Here we go. What we talk
:11:03. > :11:08.about is the roundness through the arms, like you are holding a beach
:11:09. > :11:15.ball. Very nice. What happened for me is it got very straight. No
:11:16. > :11:21.beachball, the beach ball was nonexistent. So I just wanted that
:11:22. > :11:27.curve, it was a little straight for me. But we still love Ed.
:11:28. > :11:30.Daisy and Aljaz had a rumba this week, and Len said he loved
:11:31. > :11:43.I think we are going to have a little picture, see how it looks.
:11:44. > :11:49.Daisy has got the most amazing legs that go from here to Blackpool. This
:11:50. > :11:55.is the moment he's talking about. Her action is outstanding, it is
:11:56. > :12:05.good. That is the figure of eight we have been talking about. Whenever
:12:06. > :12:07.you start talking about these things, I find myself writhing! It
:12:08. > :12:09.is so off-putting! The judges awarded them
:12:10. > :12:21.their highest score yet I would agree with the judges.
:12:22. > :12:25.Louise is such a lovely person to watch, when she performs she has a
:12:26. > :12:30.warm smile on her face and it makes people want to watch her from start
:12:31. > :12:40.to finish. One thing I would have loved to have seen, the usage of
:12:41. > :12:44.their heels and toes. But an amazing performance, and as you can see from
:12:45. > :12:51.the clip that I picked, her arms were so grateful and fluid. I love
:12:52. > :12:54.her. I love her footwork, I think it is beautiful. That's fine, we can
:12:55. > :12:56.have a scrap and everything. Greg and Natalie opened
:12:57. > :13:00.the show with their salsa. Craig said it "needed a lot more
:13:01. > :13:04.figure eight rotation in the hip department" -
:13:05. > :13:16.what do you think? I kind of agree and also disagreed
:13:17. > :13:21.with Craig. When people are dancing salsa, it depends what area you are
:13:22. > :13:34.from how you might dance it, so you might dance it with a rotation or up
:13:35. > :13:42.ulceration. Up ulceration! -- pulsation. Can you put them all
:13:43. > :13:50.together? I don't think I can take that! I just think, maybe where Greg
:13:51. > :13:59.comes from, that's how they dance salsa. The one thing they missed
:14:00. > :14:06.out, great leading. So in control of her body. There he goes, even with
:14:07. > :14:13.the painful wrist. I think only redheads could do that! As soon as
:14:14. > :14:18.he got her up there he was like, yes, I have done it!
:14:19. > :14:20.Finally, let's talk about Judge Rinder and Oksana
:14:21. > :14:23.There were mixed reactions from the judges about getting
:14:24. > :14:25.the right balance between comedy and dance technique,
:14:26. > :14:35.I think slightly, he's coming across as the comical one but he's taking
:14:36. > :14:41.this competition so seriously and this is no comedy act for him so
:14:42. > :14:51.he's likely being misjudged... Did you get that? So slightly he's just
:14:52. > :14:55.being underrated for that little. Just one tip I would like to have
:14:56. > :15:00.seen more of, just more of a finish from the hands. The clip I picked
:15:01. > :15:09.here, there it is beautiful, then it goes to what I call spatula hands,
:15:10. > :15:15.and he just needs to finish it off a little bit more. But he is a
:15:16. > :15:21.contender. And with the competition heating up like this, the score is
:15:22. > :15:27.getting better, how excited are you for next Saturday? I am super
:15:28. > :15:36.excited. I feel like we will see more turn is coming up. I want to
:15:37. > :15:42.see 20 ten is! I think that could happen. You two are an absolute joy.
:15:43. > :15:45.And as a further treat for you all, former Strictly star
:15:46. > :15:52.Camilla Dallerup will be taking on Choreography Corner next week!
:15:53. > :15:58.It's safe to say, it is going to be a real Caulker.
:15:59. > :16:00.Now we've only got 68 sleeps until the Strictly final,
:16:01. > :16:04.but from the way the series has played out so far, it's safe to say
:16:05. > :16:09.Here's your last chance to win tickets to TV's hottest
:16:10. > :16:18.We are giving you the opportunity to win two tickets for the biggest
:16:19. > :16:24.night of the year, the 2016 Grand Final. All you need to do is answer
:16:25. > :16:31.the following question correctly... In week three last year, J and
:16:32. > :16:33.Aliona did a pulp fiction themed jibe, but what was the total score
:16:34. > :16:41.they received from the judges? To enter, please head to our
:16:42. > :16:56.website. Now, the Strictly jukebox really
:16:57. > :16:59.is the gift that keeps on giving. We've had all the greats -
:17:00. > :17:01.Barbra Streisand, George Michael, But what bangers will our couples be
:17:02. > :17:06.dancing to this week? There's only one way to find out -
:17:07. > :17:18.it's time for Tunes on Tuesday! Load's of amazing tunes this week -
:17:19. > :17:23.let's see what's up first. Is This The Way To Amarillo,
:17:24. > :17:29.by Tony Christie! This song is the third best-selling
:17:30. > :17:44.single of the noughties, and geography fans might
:17:45. > :17:48.like to now that Amarillo It was chosen because it was
:17:49. > :17:57.the only place that songwriter, Neil Sedaka, could
:17:58. > :17:59.think of that rhymed So let's find out
:18:00. > :18:09.who's dancing to it. They'll be taking on the American
:18:10. > :18:17.smooth, but will they find their way Right, what's next
:18:18. > :18:29.on the jukebox tonight? Oh, my god! Yes, it's a Ginger
:18:30. > :18:37.Elvis! Always On My Mind, by The King
:18:38. > :18:41.himself, Elvis Presley! Elvis has sold over 1 billion albums
:18:42. > :18:45.and it's estimated there are over 85,000 Elvis impersonators around
:18:46. > :18:47.the world - that's roughly the same A lot of people, right,
:18:48. > :18:53.Elvis? But which of our couples will be
:18:54. > :18:57.hoping to deliver a memorable We Found Love by Bajan
:18:58. > :19:26.pop goddess Rihanna! The music video for this song
:19:27. > :19:30.was meant to be shot However, the owner had a change
:19:31. > :19:38.of heart at the last minute after seeing her raunchy outfits,
:19:39. > :19:43.and told her and the crew Right, everyone, can
:19:44. > :19:47.we stop with all this I'm on tenterhooks here -
:19:48. > :19:52.who could it be? They'll be performing
:19:53. > :20:01.a cha-cha-cha to this! If you want to find out what songs
:20:02. > :20:05.the rest of our couples are dancing Here's what happened when we sent
:20:06. > :20:19.Pasha, Oti and Giovanni to It Takes Two's photo booth
:20:20. > :20:43.of truth - keep it snappy! Who is the best looking pro? I mean,
:20:44. > :20:49.seriously, are we even going to ask the question? I'm surprised.
:20:50. > :21:01.Ridiculous! I mean, the Italian stallion. Definitely Aljaz, come on
:21:02. > :21:10.now. That mouth, the teeth, and when you speak civilian! He's really...
:21:11. > :21:17.Which Rowell has the most shoes? Me. I think every week I order a new
:21:18. > :21:21.pair of shoes. I think it's Giovanni, every single time he comes
:21:22. > :21:42.in, it's a new pair of shoes. Mate, I've got new shoes! Just everywhere!
:21:43. > :21:43.When was the last time I told white lie? It was just the other day. Yes,
:21:44. > :21:51.it's a beautiful colour! If it works for you...! The last time was
:21:52. > :21:53.yesterday and I told him he was amazing.
:21:54. > :21:55.Time now to catch up with our final couple.
:21:56. > :21:58.They were "outta points" at the weekend, when their rumba
:21:59. > :22:02.But thankfully they weren't "outta love", as the judges
:22:03. > :22:16.It was like watching a series of movie stars. I felt it became
:22:17. > :22:22.somewhat stilted choice I would have liked at had more rumba content in
:22:23. > :22:26.there. I liked the speed of the privet - stop... And then move on.
:22:27. > :22:27.Lovely jobless. Lovely jubbly indeed -
:22:28. > :22:37.it's Anastacia and Brendan ! A second time for you two in the
:22:38. > :22:41.bottom ready. Did you feel it was coming or not? I thought it was
:22:42. > :22:47.coming the week before. So I was like... And then it didn't. And I
:22:48. > :22:53.guess you just, when you're that low, and there's a few of you there,
:22:54. > :22:58.you're just, get me out of here! Brendan, how are you feeling, by the
:22:59. > :23:01.way, because you have not been very well this week? I have got a little
:23:02. > :23:04.chest infection going on. I was actually hold in my microphone and
:23:05. > :23:10.coughing. That's very thoughtful of you! Thank you! You should be
:23:11. > :23:17.wearing a vest! Give the man a scarf! Obviously, you went home,
:23:18. > :23:22.were you sent to see them go? I think it's very difficult to be in
:23:23. > :23:26.the bottom, for the artist, and also for the pro as well. For me as an
:23:27. > :23:31.artist, being next to another person who is trying to stay in this
:23:32. > :23:36.competition, you don't want to dance better than them for them to go. But
:23:37. > :23:42.you have to. So it's really ridiculously like two separate
:23:43. > :23:45.world's. The shame for Naga and Pasha is that she found her mojo,
:23:46. > :23:54.she did a really good dance on Saturday. I like the dance-off, in a
:23:55. > :23:59.weird way. Once you get voted into it, its fight or flight mode. You
:24:00. > :24:04.either want to stay all you want to go. I like the feeling you get, once
:24:05. > :24:08.you're in bed. Not getting into it, it's horrible. You can really feel
:24:09. > :24:14.the fight. All the judges say to you in the dance-off, and Bruno was
:24:15. > :24:18.saying, it was cleaner, it was slicker, great words to hear from
:24:19. > :24:25.them. What words of encouragement did you give to Anastasia, before
:24:26. > :24:29.the dance-off? For me, it's just about making sure that everything is
:24:30. > :24:33.how it should be. I did not want anything to be different to what we
:24:34. > :24:37.had done in training and what we had fun on Saturday. I wanted her to do
:24:38. > :24:41.herself proud. You don't want to leave knowing that you could have
:24:42. > :24:45.done more. And she did it. And also last time, you did not get to do the
:24:46. > :24:51.dance-off, so did you feel you had something to show? I think I may
:24:52. > :24:56.have been a bit excited to be at the bottom at first! They are like, OK,
:24:57. > :25:00.slow down, girl, this means you could be leaving! But it was because
:25:01. > :25:05.I did not get to do the dance-off and I felt guilty about that for
:25:06. > :25:09.weeks. I did not love being at the bottom but at the same time, I was
:25:10. > :25:19.like, I can dance! OK, API should be a little...
:25:20. > :25:24.Afterwards, you were speaking to Claud in the Clauditorium, and she
:25:25. > :25:30.was like, are you happy? I felt like I had done more dancing arms than I
:25:31. > :25:34.had ever done. I really concentrated, because that is where
:25:35. > :25:40.my injury was. I was really trying to be giving it to everybody, with
:25:41. > :25:48.my arms. I was trying to make it happen. But they are going
:25:49. > :25:52.technical, I hit it. It's very difficult, there are obviously a lot
:25:53. > :25:56.of high scores this year and you want to be in the mix. Adding that
:25:57. > :26:00.low score, it does not fill you with, come on, let's do this next
:26:01. > :26:05.week. It would be nice for us to get a slightly higher score, so we feel
:26:06. > :26:10.we are going in the right direction. For all your hard work to be
:26:11. > :26:15.rewarded as well? But if the technical stuff was not in there, I
:26:16. > :26:17.get it and I understand that. We will bring it, we will bring it! So
:26:18. > :26:19.excited! Jonathan from Northumberland
:26:20. > :26:23.wrote online, saying... "I enjoyed that rumba from Brendan
:26:24. > :26:26.and Anastacia - Probably her most confident
:26:27. > :26:38.and assured routine to date." Thank you, Jonathan, that's very
:26:39. > :26:41.nice. Onto the quickstep, you're not very well, Brendan, how is this
:26:42. > :26:50.affecting your training? I will let you into a little secret - we have
:26:51. > :26:54.someone stepping in for me for a few days whilst I try to recover. I
:26:55. > :26:59.don't know how happy I am about it. He's Spanish, he's got a body that's
:27:00. > :27:04.pretty much the best on the show. I hadn't noticed that! It was awful
:27:05. > :27:08.today, I had an awful rehearsal. I kind of get the feeling it's going
:27:09. > :27:13.to be going downhill for me. She is like, he did not do that! When will
:27:14. > :27:17.you know if you're well enough to dance? I will see the doctor again,
:27:18. > :27:22.he said take off until Thursday, Friday at least. He did the
:27:23. > :27:28.choreography, it's his whole routine. We should have a link to
:27:29. > :27:33.the hospital! For the record, I was not rushed to hospital, I just took
:27:34. > :27:38.myself there. That's no story! You took yourself! I know, that's so
:27:39. > :27:48.much more dramatic, right? I did not know that! What does she need to
:27:49. > :27:52.focus on for the quickstep, Brendan? What does she need to focus on? I'm
:27:53. > :28:00.one of these dancers, I really like somebody who moves around the floor.
:28:01. > :28:09.I do not like this... I want her to really dance it with real passion
:28:10. > :28:14.and drive. If we get that, great. I'm not sure, his legs are a bit
:28:15. > :28:21.short, but... I love it! He's never got lower than 30 on a quickstep,
:28:22. > :28:27.Brendan. Full marks in the final in 2008, with Lisa Snowdon. But that's
:28:28. > :28:35.a good omen, surely? Well, if he's not dancing with me, it'll be great!
:28:36. > :28:40.Listen, good luck. Enjoy dancing this weekend with your other
:28:41. > :28:43.partner. We love you both. Anastacia and Brendan!
:28:44. > :28:48.But don't worry, we'll back tomorrow at 6.30 getting all the gossip
:28:49. > :28:50.from the weekend's highest-scoring couples,
:28:51. > :28:54.Plus, Ian Waite is back for another Wednesday Warm-Up!