:00:48. > :00:55.Live from London, this is Strictly: It Takes Two. Please welcome your
:00:56. > :00:58.host, Zoe Ball! Saturday's show is still fresh
:00:59. > :01:04.in our minds, but we've got And we're excited to announce that
:01:05. > :01:09.Ask the Pros is back! We could be asking your
:01:10. > :01:11.very question later Also on the show tonight,
:01:12. > :01:18.we've got the Gene Kelly and Fred Astaire of Strictly -
:01:19. > :01:20.they're great rivals, maestro is back for another
:01:21. > :01:32.warm-up, it's Ian Waite! we must ExTENd our congratulations
:01:33. > :01:39.to this conTENder. His dance won't be forgotTEN
:01:40. > :02:01.in a hurry, let me tell you! Well, Ed Balls show stopping,
:02:02. > :02:13.jaw-dropping, eye-popping jive. A star is born. You are the one to
:02:14. > :02:17.beat in this competition. -- it was show stopping. Man alive, it's the
:02:18. > :02:24.king of jive. Ore and Joanne, welcome! APPLAUSE
:02:25. > :02:28.I still cannot get over your ace nurse at the weekend. You were
:02:29. > :02:34.overwhelmed. Did you see it on the face? That was one of the best
:02:35. > :02:38.nights of my life. I'm still in a state of shock at just what
:02:39. > :02:43.happened. It's just all a blur. I don't know what's going on. The
:02:44. > :02:45.greatest thing I think about it is that there were some in a great
:02:46. > :02:53.dancers throughout the show, and we were like, yes, here comes Ore,
:02:54. > :02:57.she's quite good, and then bang, it our minds.
:02:58. > :03:00.Claudia said it was better than her own wedding.
:03:01. > :03:11.Why would you ask that? I haven't cried as much since my own wedding.
:03:12. > :03:18.I thought I cried a lot last week, singing in the rain, but I cried
:03:19. > :03:24.even there. So no tears this week? You know what I'm like! Don't start
:03:25. > :03:28.him off again! Jo, you must have known in training this is a little
:03:29. > :03:32.bit good, but could you have ever imagined he would have been echoed
:03:33. > :03:37.on a night? The thing about Ore is that in practice he is always good
:03:38. > :03:40.and I can see he is enjoying it, but when we get to Elstree, it is a
:03:41. > :03:44.little bit better and get to the performance every week and he just
:03:45. > :03:50.steps up a gear, and I can see it in his eyes. Before the dance starts,
:03:51. > :03:54.and they say" dancing the jive..." I can see it in his eyes, he really
:03:55. > :04:02.wanted it. At one point in the routine, he shouts "Come on!". And
:04:03. > :04:07.it's like, all right! I'm trying to keep up, love, but that's what you
:04:08. > :04:10.need, that spirit inside you. You need something. We tried to do it
:04:11. > :04:13.through watching it, and the shattered. Obviously a feud tears,
:04:14. > :04:17.as mentioned. Ore, you couldn't hold back
:04:18. > :04:19.the tears - though we've noticed a little habit you have to stop
:04:20. > :04:22.yourself from completely losing it. The old thumb between
:04:23. > :04:27.the teeth technique... Look at your little face! Oh no,
:04:28. > :04:32.that's terrible. And look at his bendy some! It is called something
:04:33. > :04:35.in particular and Icardi member we will look it up.
:04:36. > :04:38.The online response was amazing.
:04:39. > :04:40.Former Strictly star and tennis pro Andrew Castle
:04:41. > :04:49.#Murray has another three or four years on the court...please take
:04:50. > :05:02.ACE, what is he on about? The thing is, it does lead to the question,
:05:03. > :05:10.how did you manage to do those flicks and kicks so quick? And have
:05:11. > :05:15.you picked up a racket? I am never far away from a racket, obviously.
:05:16. > :05:21.Now, do you know what I have dreamt of doing that night, I said it on
:05:22. > :05:24.Saturday, I have dreamt of doing the jive on Strictly. But I never dreamt
:05:25. > :05:30.it as good as I did it last Saturday. It was beyond my wildest
:05:31. > :05:34.dreams, not to get all cliche, but I could not have imagined it. I am
:05:35. > :05:42.still a little bit like, did that happen? I'm with you there.
:05:43. > :05:46.are you sure you haven't danced before this competition?
:05:47. > :05:54.You've never been to a barn dance anything? I'm trying to get it out
:05:55. > :05:57.of him as well. It is the nicest compliment, people have been asking
:05:58. > :06:01.on social media as well. I have never trained to dance before. Thank
:06:02. > :06:04.goodness we are seeing it all come out of you.
:06:05. > :06:08.Bruno said you're now in the "holy trinity of Jives".
:06:09. > :06:11.With Jay and Jill (McGuinness and Halfpenny of course).
:06:12. > :06:19.He has put you with those three. That's amazing. When they mentioned
:06:20. > :06:23.these two, that's when I went. I said before the show started that
:06:24. > :06:28.the two people I have always looked up to our Gill and Jay. I just
:06:29. > :06:33.wanted to try, and then to put me in the same sentence as them, it is
:06:34. > :06:39.when things started to break down in here. He'll go again! Strictly stats
:06:40. > :06:45.speak for themselves, you have broken all the records for Weekley.
:06:46. > :06:49.Prior to your Jive, the highest ever Week 4 score
:06:50. > :07:10.I love you, Chelsea, we miss you! Look at that, 39, ladies and
:07:11. > :07:14.gentlemen! Worth noting that the Royal ballroom, except for Ore's.
:07:15. > :07:16.Moving on to this weekend and you're slowing things down with a Waltz.
:07:17. > :07:23.A very different feeling, I saw you having a practice with Paul, our
:07:24. > :07:26.floor manager. How is it going? It's going right. It is so different from
:07:27. > :07:32.what we did last week and we have had a couple of days to learn it.
:07:33. > :07:37.I'm making the same mistakes all the time. And that's just frustrating. I
:07:38. > :07:41.then think there's real pressure after we did last week, but all I
:07:42. > :07:46.wanted to do on this show is just improved and not get the steps right
:07:47. > :07:50.at this stage. She is trying to keep the positivity. Because I'm a
:07:51. > :07:54.northern girl at heart, so I really drill you on the technique, don't I
:07:55. > :08:00.rushed and not so I'm drooling him a little bit, it is a little bit hard.
:08:01. > :08:05.If it was easy, it would be boring. You have got to really try and it
:08:06. > :08:10.has been hard, I'll be honest. But hopefully we will have something to
:08:11. > :08:14.show on Saturday. We can't wait now. We are all like that, my goodness
:08:15. > :08:17.me. Jo, you have been complimented on your choreography because it is
:08:18. > :08:24.beautiful to watch, week after week after week. What does he need to
:08:25. > :08:28.watch with the belts? Said today, didn't we? Frame, mainly. We have
:08:29. > :08:36.done a lot of footwork. Otherwise happy with this boy? Very. Good luck
:08:37. > :08:40.this weekend. I think you are incredible, the two of you, aren't
:08:41. > :08:45.they gorgeous? For now, Ore and Joanne.
:08:46. > :08:48.Now, Strictly has made the long list for a National Television Award,
:08:49. > :08:51.so if you love it as much as these two, head to the Strictly website
:08:52. > :08:57.Now, as the nights grow colder we need a warm-up more than ever.
:08:58. > :09:16.Please welcome the human hot water bottle that is Ian Waite!
:09:17. > :09:27.Ian Waite, everybody! APPLAUSE Now let there be one the! Or you
:09:28. > :09:32.want me to get it out. Oh! Lovely. Last week we had a lovely tribute
:09:33. > :09:39.the key to the great Peggy Spencer, and you might recognise this very
:09:40. > :09:44.useful dancer who made a cameo. We had to show it! I look like Crystal
:09:45. > :09:50.Carrington with those shoulder pads! With the hair as well. So different,
:09:51. > :09:54.you look absolutely bonkers. I was in the moment. Melanie Walker, I
:09:55. > :09:59.danced with her the ten years, we were European champions together.
:10:00. > :10:02.Please tell me you still have that outfit at home. Now, I bent it! It
:10:03. > :10:04.is a shame. would have taken their foot off
:10:05. > :10:09.the pedal after movie week but no. How much did you enjoy
:10:10. > :10:16.the weekend's dances? Danny just blew me away, and Ore,
:10:17. > :10:26.just the icing on the cake. Unbelievable, so good. This weekend,
:10:27. > :10:32.Daisy and Aljaz follow with a charleston. How is she looking? It
:10:33. > :10:37.is about good side-by-side movements and character., and as you can see,
:10:38. > :10:41.she has got the swivel, inside and outside. There's some funny quirky
:10:42. > :10:46.looking steps, the bird thing that you do, flying out with the arms. I
:10:47. > :10:51.notice here that they have got this ice skating step. I think Aljaz
:10:52. > :10:57.needs to step up a bit because he's not quite as hard as her. The arms
:10:58. > :11:01.not quite matching there, that a thing for this early stage, she
:11:02. > :11:05.looks really good. She is turning into a dancer. I would not have said
:11:06. > :11:11.that at the beginning necessarily. She's surprisingly. I love the way
:11:12. > :11:15.she is matching her outfit with the surroundings. I have heard about the
:11:16. > :11:31.conflict -- the concept of what they are doing, it is amazing. Danny and
:11:32. > :11:36.Oti, a rumba. At the moment he is just testing it out. What he needs
:11:37. > :11:42.to do is have a lot more resistant in the body and in the arms. He is
:11:43. > :11:45.kind of doing arm movements but there is no actual resistance in the
:11:46. > :11:48.arm. You know when you finish something off, you have to finish it
:11:49. > :11:55.off right to the end with resistance. Sometimes he uses his
:11:56. > :11:59.arms and they flail around a bit. It is a very small thing because he is
:12:00. > :12:05.so good in other places as well. And also the rumba, I would like to see
:12:06. > :12:13.him a little bit more, oh, actually... What have you done with
:12:14. > :12:17.your tools? This one, OK, he is into a line, but when he is doing his
:12:18. > :12:22.strong rumba belts, he needs to have a bit more pressure, I can't do it
:12:23. > :12:29.in these trousers, they are a bit tight. No one is complaining about
:12:30. > :12:32.the trousers! Laura and Giovanni impressed with the very quick
:12:33. > :12:37.quickstep, giving up the pace, a jive this week, can they keep the
:12:38. > :12:41.points up? She has a nice little action and there is lots of jive
:12:42. > :12:47.content in there, basic jive content, which will please learn.
:12:48. > :12:54.He'll be happy. And American spin, and then they did a lovely whip.
:12:55. > :13:01.Here she does a backward place. Like a war one, obviously. You should
:13:02. > :13:06.make sure that effort, the ball of that foot, stays on the floor. If
:13:07. > :13:09.you are doing jive kicks, then I would say you can get them off the
:13:10. > :13:14.floor, but other than that keep them on. Balls of the feet on the floor
:13:15. > :13:20.of the time. Balls on the floor. Girls, all the time. As Greg and
:13:21. > :13:24.Natalie are dancing a cha-cha-cha, the judges were so impressed with
:13:25. > :13:28.his energy. Bruno was a bit worried that he lost a bit of time with
:13:29. > :13:33.that. How has it been? As you can see from this footage, Natalie is
:13:34. > :13:36.really working on his action. Straightening his legs nicely, but I
:13:37. > :13:40.would say the back total needs to push off a little bit more. And when
:13:41. > :13:44.I say push off a little bit more, I've started here, because as you
:13:45. > :13:50.can see from Natalie, she's using the inside edge of the toe. Whereas,
:13:51. > :13:54.actually, oh, that's the wrong one, whereas actually great is pushing
:13:55. > :13:58.from the outside of his toe rather than the inside like Natalie, and
:13:59. > :14:03.then the front foot needs to be turned out a little bit more. Just a
:14:04. > :14:09.little bit more. Small degrees, but they can make you look not quite so
:14:10. > :14:22.natural. Ed and Katya, we love aired so much, and Katya 's genius -- we
:14:23. > :14:25.love aired. American Smooth. Who probably would have done a good
:14:26. > :14:29.dance last week he just went wrong and could not pick it up again. He
:14:30. > :14:33.was trying to match her and he was trying -- she was time to pull him
:14:34. > :14:38.back on but it wasn't happening. In this, as you can see, a lovely bit
:14:39. > :14:43.of foxtrot. Not a lot of foxtrot in ballroom hold, but when he gets hold
:14:44. > :14:51.of her in shadow, he needs to keep the others up. My elbow? Your elbow.
:14:52. > :14:57.He needs to keep them up so she has a shelf to hold onto. You always
:14:58. > :15:05.need a shelf to hold onto. You know what I mean. Lesley and Anton, she
:15:06. > :15:11.is just a joy. Every week she blows me away this lady, tango for them
:15:12. > :15:19.this week, it will be good. Do you know what, he is throwing so much
:15:20. > :15:22.content at her. Because it's fast, obviously, there's lots of intricate
:15:23. > :15:28.choreography, it's amazing that she's actually picking it up. I did
:15:29. > :15:30.here that if you look here, she's doing a bit of a tell lead.
:15:31. > :15:44.Everywhere she has done heels. The only thing I want her to do is
:15:45. > :15:48.show her neck and have a longer neck, the only way to do that is
:15:49. > :15:52.bring their chest up and push it forward because she tends to lose
:15:53. > :15:58.the chest and then she loses the Mac. Push the chest up and you will
:15:59. > :16:04.get a long back. See that? Very nice too. Until tomorrow give it up for
:16:05. > :16:14.this gorgeous man, Ian Wade! Will of the trousers.
:16:15. > :16:17.quickstepped to the Sinatra classic "I Won't Dance".
:16:18. > :16:25.They're a class act, it's Danny and Oti!
:16:26. > :16:33.One of the best quick steps I have ever seen. You are on fire darling.
:16:34. > :16:37.You look good, you dance good and by golly you did me good, well done!
:16:38. > :16:47.Danny, you are such a superstar, that was one of my favourite quick
:16:48. > :16:53.steps ever, it was incredible. How much are you in love with strictly
:16:54. > :17:00.now? I can't explain how much I am enjoying it! That was the most fun I
:17:01. > :17:06.have ever had. To get through that, it is the most enjoyable dance we
:17:07. > :17:10.have done so far. It was just stunning. Oti, you looked so
:17:11. > :17:16.beautiful. And you were compared to Fred Astaire. The don of dance. How
:17:17. > :17:22.does that feel? The most amazing compliment but I let it go over my
:17:23. > :17:26.head because you can't really... It's incredible. Absolutely
:17:27. > :17:31.incredible. And you said you had always wanted to dress and dance
:17:32. > :17:37.like that but had been scared to perhaps not having the opportunity
:17:38. > :17:44.to. Any fear on Saturday before this one? No. He was excited! I was
:17:45. > :17:48.excited. We had messed a vision muck things up in the dress rehearsal but
:17:49. > :17:52.I knew I had enjoyed it and when you go out there what can you do but
:17:53. > :17:56.your best? What ever happened was going to happen, it was the best I
:17:57. > :18:04.had ever done it. I was so pleased with that at the end. He won't stop
:18:05. > :18:13.talking about it! Everyday! The quickstep! Next week 's coming
:18:14. > :18:17.years, but what about the quickstep! You should do that every week, we
:18:18. > :18:27.would all be happy. Expectations were so high because you had scored
:18:28. > :18:33.49s the week before. At home we were going, tens! Oti, I thought it
:18:34. > :18:37.deserved and ten. Every week when we go out we tried to do the best dance
:18:38. > :18:42.we can. We don't really do it for the marks, we just try to do an
:18:43. > :18:47.amazing dance. The points are like, you did well, you did well but what
:18:48. > :18:51.we want to do is a really good stance. But they know what they are
:18:52. > :18:56.looking for and it is beyond what we can really comprehend. You do your
:18:57. > :19:00.best and it is up to them what they see. 49s are amazing, I'm not
:19:01. > :19:03.complaining! Len said you had
:19:04. > :19:05."a bit of sway going, How impressed we you with it? How
:19:06. > :19:24.difficult was it? I always say, on Monday it is the
:19:25. > :19:32.worst day but Danny works really, really hard. We put in a lot of
:19:33. > :19:37.hours. We really work hard and every little step we do with repeated like
:19:38. > :19:42.50 times, and we make sure it is really, really good, we put in a lot
:19:43. > :19:47.of hard work so everything you see is 100% hard work. It is nice
:19:48. > :19:51.because I think they make those comments towards Oti, because all
:19:52. > :19:55.the professionals choreograph the routines, so I just go where I am
:19:56. > :20:05.told to go. When Len says, you put in that and you put in this and it
:20:06. > :20:06.was lovely... Good impression! I am oblivious but Oti... You were making
:20:07. > :20:08.it look pretty good. Bruno asked if you missed something
:20:09. > :20:11.and quickly said "Forget it". What might he have
:20:12. > :20:26.been referring to? I did the choreography a little bit
:20:27. > :20:29.differently than it was meant to be! You did it differently? Just like my
:20:30. > :20:35.partner did another downside indifferently! We both did is
:20:36. > :20:40.different choreography. We will leave it there, ladies and
:20:41. > :20:43.gentlemen! I love that, Oti has just admitted she went wrong!
:20:44. > :20:46.Well, as you know we love a stat here at It
:20:47. > :20:48.And Strictly loves its Hollyoaks stars.
:20:49. > :20:51.But how do you measure up against them?
:20:52. > :20:56.We've taken all your scores for the first four weeks
:20:57. > :21:08.and added them together, so let's look at the individual totals...
:21:09. > :21:13.Ali Bastian had scored 124 by this stage.
:21:14. > :21:19.Ricky was very good. This is what Ashley scored but how do you
:21:20. > :21:26.compare? Look at your! That's all right, isn't it!
:21:27. > :21:39.Everyone says, a tricky dance, how are you finding it? I am actually
:21:40. > :21:44.really enjoying it. It is very hard not to look like a girl doing it.
:21:45. > :21:52.Apparently I have got wide hips, they like to go off on their own! --
:21:53. > :21:56.wild hips. You feel that if you are moving them you're doing the right
:21:57. > :22:02.thing, and Oti will look at me and say, no. Don't take my job, that is
:22:03. > :22:08.my role! You have to use your hips in a masculine way in the stands.
:22:09. > :22:11.And it is slow so it is exposed in terms of technicalities so I get
:22:12. > :22:16.hung up on where does this needs to be exactly and why. When you are
:22:17. > :22:21.moving arms, head, hips, head, that slowly and gets a bit much. We are
:22:22. > :22:27.working with that. I am enjoying it much more than I thought I would. No
:22:28. > :22:33.we had a moment when I thought, that was really good. If anyone can dance
:22:34. > :22:35.the rumba, this man can. Good luck, we are enjoying the work. Danny and
:22:36. > :22:41.Oti! Now it's not just luck
:22:42. > :22:43.that gets you top Here's how Judge Rinder
:22:44. > :22:52.Oksana, Louise Kevin and As it is a foxtrot American smooth
:22:53. > :22:57.it will be important to get the gliding right across the floor. I've
:22:58. > :23:05.never glided in my life. Casio has been trying to get me to dance like
:23:06. > :23:07.Fred Astaire. As much as the technical side is important the
:23:08. > :23:14.storytelling and performance will bring it all together.
:23:15. > :23:22.The Rumba definitely would have been a dance I looked forward to doing
:23:23. > :23:28.but know it is here I wish I had a few more weeks before I did it. The
:23:29. > :23:33.Rumba is known as the dance of doom. The judges are going to be really
:23:34. > :23:37.particular so I have to push Louise as hard as possible. I know it is
:23:38. > :23:47.tough, I don't want this to be the week that I don't pull it off. I am
:23:48. > :23:51.really scared of the Rumba! I am doing and jive this week, I'm not
:23:52. > :23:57.struggling with the steps, it is remembering them. The faster you go,
:23:58. > :24:05.the more steps, but we will get there. It is a challenge to dance
:24:06. > :24:10.such an active dance around a busy work schedule and often when you get
:24:11. > :24:11.tired you tend to be frustrated and I have been more frustrated this
:24:12. > :24:21.week than I have ever been. Don't lose heart, Judge Rinder, we
:24:22. > :24:24.love you. Now, like crop-tops,
:24:25. > :24:26.scrunchies and everything else you wore in the nineties, Ask
:24:27. > :24:29.the Pros is back for another outing, Please welcome back
:24:30. > :24:37.our pros Joanne, Oti Less of the old! I am still younger
:24:38. > :24:54.than some of them out there! Our lovely viewers
:24:55. > :24:55.have been tweeting and e-mailing all week
:24:56. > :24:57.so let's see what probing questions they have
:24:58. > :25:10.for you tonight... High, professional dancers. I am
:25:11. > :25:15.Leora and I would like to know what is your favourite meal to have
:25:16. > :25:22.before dancing. I like a peppered slice but I don't dance. I like good
:25:23. > :25:29.old sausage and mash, a bit heavy but I still like it. Has soon before
:25:30. > :25:33.you dance? A couple of hours. I cannot eat for at least three hours
:25:34. > :25:38.before I dance. I would have something like fish, something
:25:39. > :25:47.light. Having fish before you are dancing close to someone? Not
:25:48. > :25:56.McEnroe! Nothing strong. Oti? I get so nervous, to calm me down before,
:25:57. > :26:02.I have loads of chocolate. It gives the sugar. How close to the
:26:03. > :26:09.performance? Really close. Just before, I go into a corner. No
:26:10. > :26:14.wonder you are always liked... It's all the chocolate! The next question
:26:15. > :26:24.is from Vanessa Adams, and she asks, do the couples rehearse their last
:26:25. > :26:29.dance will is not planned? We did a dance, we needed all the time we had
:26:30. > :26:33.to practice the dance so we did not realise that. You never want to go
:26:34. > :26:40.into any assertion and say, in case we go out, this is the song. So I
:26:41. > :26:45.don't tell Danny. Last week I did by mistake. I said, this is our last
:26:46. > :26:48.dance. He asked, what do you mean? You don't tell them because you want
:26:49. > :26:54.them to do the best they can without this thing hanging over them. I have
:26:55. > :26:59.done quite a view last dance is! And I think sometimes you do lifts that
:27:00. > :27:04.you plan to do the week after or in a couple of weeks, we think, will
:27:05. > :27:10.try that out when we do the American smooth, so they say, this is our
:27:11. > :27:14.last chance to do it. Show off what they missed! Time another question.
:27:15. > :27:16.Time for another question, and this one is
:27:17. > :27:18.from mother and daughter combo, Eva and Megan.
:27:19. > :27:23.How do you teach your pupils to dance in a week?
:27:24. > :27:32.Well done, they are a great double act, Jo, how do you do it? We all
:27:33. > :27:36.have our different ways, I try to get through all the steps on the
:27:37. > :27:39.first days they have an idea of the routine and the second day going to
:27:40. > :27:45.the technique and keep going over and over it. On Wednesday and
:27:46. > :27:51.Thursday I will do ten a row. That is why everyone is so good. Oti? I
:27:52. > :28:01.always start with walking. It is important to start with that... That
:28:02. > :28:05.they can walk? You do the legs! The heels, the steps, so they are used
:28:06. > :28:10.to it already and then I do basic training. Also two different songs
:28:11. > :28:15.so that they learn how to count. Then on Tuesday are going into the
:28:16. > :28:22.choreography... Amazing, and that is how you do it in a week. I used to
:28:23. > :28:26.have you walking up and down for hours. Four hours.
:28:27. > :28:29.Thank you to everyone who sent in a question for our pros.
:28:30. > :28:32.And Ask The Pros will return, so keep them coming!
:28:33. > :28:34.And remember, if you're going to send in a
:28:35. > :28:40.You can tag us on Twitter using #ItTakesTwo or
:28:41. > :28:41.send them via email to
:28:42. > :28:45.That's it, we're out of time for tonight.
:28:46. > :28:50.I'll be back here tomorrow at 6:30 with Greg Natalie
:28:51. > :29:00.Plus Ian is back with another warm-up -
:29:01. > :29:02.And if that wasn't quite enough, Vicky Gill will be giving