:00:48. > :00:55.From London, this is Strictly It Takes Two! Is welcome your host, Zoe
:00:56. > :00:58.Bird Alex Mack Hello and Mack welcome
:00:59. > :00:59.to It Takes Two! If you're after all the latest
:01:00. > :01:02.Strictly news and gossip, congratulations - you have come
:01:03. > :01:04.to just the right place. So let's see who we have gracing our
:01:05. > :01:08.green room tonight... APPLAUSE
:01:09. > :01:15.Hello, darlings. Plus, here to preview this
:01:16. > :01:19.weekend's fabulous frocks, it's Strictly costume designer Vicky
:01:20. > :01:25.Gill! Our favourite with the naughty
:01:26. > :01:27.giggle. But first up, it's time to check in
:01:28. > :01:30.on our couples' training progress. All I need is a little help
:01:31. > :01:53.from my friend and yours. Thank goodness you are here. Right,
:01:54. > :01:56.let's Vinesh will be started yesterday.
:01:57. > :02:07.It's all you want before, isn't it? Ben Corbett is a naughty boy.
:02:08. > :02:10.Let's start with Ore and Joanne - who blew the competition away
:02:11. > :02:11.at the weekend with their incredible Jive.
:02:12. > :02:16.There will be high expectations for their Waltz -
:02:17. > :02:25.The bogey, Zoe, as you know when you arrive at the Leader Board you have
:02:26. > :02:31.to maintain it because otherwise it is like where can you go otherwise
:02:32. > :02:37.-- there will be, Zoe. His flow is good and he has quite a nice frame,
:02:38. > :02:41.which is what I expect from Joanna's teaching. But sometimes he drops his
:02:42. > :02:45.hips slightly back, and here there are two places I want to talk about.
:02:46. > :02:51.So if he is in promenade position, he should really be looking towards
:02:52. > :02:55.his hand, not towards Jo at all. So every time he's in promenade
:02:56. > :03:00.position towards the hand. And then, with the hips, he needs to make sure
:03:01. > :03:02.those hips stay facing his partner, rather than opening up. OK, nice
:03:03. > :03:03.tips. On Saturday the judges said
:03:04. > :03:07.he can actually dance - does that include this Jive
:03:08. > :03:17.we're seeing here? How are his skills this week? Do you
:03:18. > :03:22.know what he is very, very light on his feet, as you can see. He is
:03:23. > :03:27.bouncing, locks of flicks and kicks. I would say to me it looks more like
:03:28. > :03:32.a rock'n'roll jive. I don't know whether that is what they are going
:03:33. > :03:38.for. Dancing the Bugle boy from company B, that one. So will be 40s
:03:39. > :03:46.swing thing. But his legs are going out rather than underneath him. Now
:03:47. > :03:52.the that is obviously to pick up the hitch, picking up from the Tanni,
:03:53. > :03:55.picking up from behind, and then you can see that actually you can flip
:03:56. > :04:01.down rather than flick out, you see what I mean? Even with your length
:04:02. > :04:02.Ealing is and long shoes. That would actually make you get on the balls
:04:03. > :04:05.of his feet. They slipped down the rankings
:04:06. > :04:15.a little with their Foxtrot This weekend it is a samba, how's it
:04:16. > :04:21.going? Pinzi they are just walking through it. I love these two, a nice
:04:22. > :04:24.dynamic, a cute couple, and she has bags of talent and I think she is
:04:25. > :04:34.slowly getting it. The only thing she is not doing is this forward and
:04:35. > :04:41.back action in the stationary samba. We have close and back, close and
:04:42. > :04:46.back. The hips should swing. There's never feels any natural, it always
:04:47. > :04:50.feels a bit strange. You just have to feel that the hips swinging
:04:51. > :04:55.forward and back. You have to go forward, sideways. It is more
:04:56. > :04:58.forward and back, the other dances like Cacic and rubber side to side
:04:59. > :05:05.were samba is forward and back. Just saying. And Louise and Kevin, Darcey
:05:06. > :05:09.said last week she wants to see Kevin push Louise even more. They
:05:10. > :05:15.have got a rumba this week, so is that really the dance to do that? I
:05:16. > :05:19.can understand why, and no matter what dance it is you have to push
:05:20. > :05:25.your celebrity to the limit. She produces gorgeous lines and her arms
:05:26. > :05:29.are very lyrical and expressive. What I have doubts about is her leg
:05:30. > :05:33.action and foot action. Her feet are nice, as you can see, pointed here,
:05:34. > :05:37.but I would like to see her straighten her leg more often.
:05:38. > :05:43.Rumba, you have got almost straight in the leg before you even stand on
:05:44. > :05:48.it. -- straighten. You make it look so beautiful. LAUGHTER
:05:49. > :05:53.Yes! APPLAUSE That's how you do it. Now I need
:05:54. > :05:59.somebody to pour my trousers down because they have all written out.
:06:00. > :06:02.Anastacia was saved by the judges on Saturday, she is dancing at the
:06:03. > :06:08.moment with Caulker. Caulker. Lucky thing. How are they getting on?
:06:09. > :06:13.Brendan is obviously recuperating. In practice mode, but I feel likes
:06:14. > :06:22.she has a bit of a spring in her step answering with Caulker. It must
:06:23. > :06:27.be nice -- dancing with Gorka. They have a bit of a gap going on between
:06:28. > :06:31.them, and I know they are in practice followed, so just kind of
:06:32. > :06:37.walking through it. But I do think they are very compatible because
:06:38. > :06:42.they have similar sort of proportions, and the leg length and
:06:43. > :06:46.everything matches. If they can get that together they will be very
:06:47. > :06:47.good. We will catch up with Brendan later on the week to see how he
:06:48. > :06:55.feeling. Ian Waite, everyone! Ian, because it's time now for me
:06:56. > :07:00.to open up one of the most important Halloween is fast
:07:01. > :07:05.approaching and every Halloween is fast approaching
:07:06. > :07:07.and every year Mr Waite here loves This year, however, we want you lot
:07:08. > :07:12.at home to have the final Would you like to see your options,
:07:13. > :07:16.Ian? Well, I would have liked to have
:07:17. > :07:20.been asked! LAUGHTER So we've short-listed three costumes
:07:21. > :07:23.that are all guaranteed to make you look sophisticated and suave -
:07:24. > :07:26.don't you worry. as a Ballerina gone bad -
:07:27. > :07:32.inspired by Black Swan. If you've always wanted to see Ian
:07:33. > :07:35.in a tutu and tights, The second choice here is for Ian
:07:36. > :07:41.to become the legendary Just don't say his name three
:07:42. > :07:48.times or we can't be Ian Waite, Ian Waite,
:07:49. > :07:53.Ian Waite. I look like that on a regular
:07:54. > :07:58.occurrence. And finally, last week whilst
:07:59. > :08:01.watching Anastacia's Rumba training, you said you've always wanted
:08:02. > :08:04.to dress up as Barbara Streisand. Well, we could make that
:08:05. > :08:06.dream come true. Your third option is dressing
:08:07. > :08:08.as a cross between a Zombie More like that guy from the Rocky
:08:09. > :08:25.horror show, isn't it? Kinder. Let us know how you'd like to see
:08:26. > :08:30.Ian dressed up this time next week by heading online
:08:31. > :08:31.to bbc.co.uk/ittakestwo The winning costume will be revealed
:08:32. > :08:39.live on the show next Thursday. Which one is taking your fancy at
:08:40. > :08:44.the moment? I'm not going to say anything. I don't want to say the
:08:45. > :08:46.vote, you see. I can imagine a more wanting to see me in tights, I can
:08:47. > :08:48.imagine it, yes, I know. The vote closes at seven tomorrow
:08:49. > :08:52.evening, so you haven't got long. It's time now to get our first
:08:53. > :08:59.guests on the sofa. On Saturday night, he had the judges
:09:00. > :09:02.gasping at his energy, Natalie bench-pressed
:09:03. > :09:03.high above his head, and viewers at home were wrapped up
:09:04. > :09:21.around his fingers. Hurricane Greg hits the salsa, and
:09:22. > :09:26.shakes it for all it's worth! It was tasty, mostly, but a little bit
:09:27. > :09:30.sticky in at work. I love your enthusiasm, your energy, and that
:09:31. > :09:36.left at the end was absolutely brilliant. CHEERING
:09:37. > :09:41.I love that bit, Greg and Natalie are here! Well done! Natalie
:09:42. > :09:46.actually shrieked watching that back, she was so pleased with you,
:09:47. > :09:51.and you did all of that with a very injured wrist, and did a floral
:09:52. > :09:55.shirt, Greg, congratulations. How was it for you? It was amazing, we
:09:56. > :09:58.had so many worries about that final lift and the whole performance
:09:59. > :10:02.because of what had happened with the wrist. So much so that about two
:10:03. > :10:06.hours before, people were saying are you sure you should do the lifts,
:10:07. > :10:10.maybe remove them entirely? So it was a bit now backing, so you can
:10:11. > :10:15.see how happy I was at the end of it because we got through it. That face
:10:16. > :10:21.like, Champion, I did it, it was like a rocky moment, I thought. How
:10:22. > :10:25.is your wrist, is it healing nicely? It is feeling a lot better, partly
:10:26. > :10:27.why when I went to see the specialist last week and asked for
:10:28. > :10:32.the injection because I knew it would help. I have had similar
:10:33. > :10:34.injuries with my foot and ankle, so it's happening. APPLAUSE
:10:35. > :10:39.Fingers crossed everything is great. We can all relax. I'm just clapping
:10:40. > :10:44.everything today, sorry, I'm getting carried away. The judges were really
:10:45. > :10:48.impressed with the lift, Greg was saying lots of things you had to
:10:49. > :10:51.change, how much did you have to change? There was a lot going on
:10:52. > :10:55.last week, we adapted the lifts may be three different times. So we have
:10:56. > :11:01.got some fantastic lifts for the future. Whether that charleston,
:11:02. > :11:07.Argentine tango or maybe show dance. We have locked up our sleeve. We did
:11:08. > :11:10.have to adapt a lot, even in the canteen upstairs, literally
:11:11. > :11:15.rehearsing the night before, going, what can we do next? It's just not
:11:16. > :11:21.quite working. And that so hard for you as well to adapt it and remember
:11:22. > :11:24.it last minute. Yes, incredibly difficult. I'd take a long time to
:11:25. > :11:28.learn things, and we are finding that out especially this week. And
:11:29. > :11:32.last week we probably had five or six hours to learn and perfect the
:11:33. > :11:38.routine. I lost two days with the stupid wrist. It's ridiculous, but
:11:39. > :11:41.it meant last week was very pushed. But you did it, and we got sevens
:11:42. > :11:44.across-the-board, some really positive comments and you're trying
:11:45. > :11:48.to get more hours in this week, doing really well, the Cacic at
:11:49. > :11:55.which is quite intricate. Guess, we will talk about it in a minute, have
:11:56. > :12:00.you got over Olly Murs popping in? Absolutely not. We have met quite a
:12:01. > :12:07.few people this week, Phil Collins. You met Phil Collins! I'm so excited
:12:08. > :12:11.committees back on tour. I'm definitely having to go see him. He
:12:12. > :12:17.was such a nice guy, as well. You've got a book coming out next month, so
:12:18. > :12:21.we have met all those people. It's like I sat next to Phil Collins but
:12:22. > :12:30.I still love Olly Murs. Phil wait, there is a bit of a cure. The judges
:12:31. > :12:38.were loving all of your energy as well, that Olympian stamina must be
:12:39. > :12:42.helping. We have terrible rehearsals and then as soon as the music starts
:12:43. > :12:47.and I am in a crowd environment, this different side of me clicks,
:12:48. > :12:51.and it is about performance, similar to when I compete. It really helps.
:12:52. > :12:56.We enjoy the performance. The build-up to it is nerve wracking.
:12:57. > :13:02.Ruud a bit hairy. How is the cha-cha-cha going? Not a favour
:13:03. > :13:08.then, Greg? Natalie, what can you tell me? Ruud this looks good. Look
:13:09. > :13:12.at the intensity on my face, I am really struggling with a lot of it.
:13:13. > :13:17.It looks better than I thought it did. We've had jive, tango, a lot of
:13:18. > :13:21.different dancers. All of the first five dances up until this week are
:13:22. > :13:25.so different. So it's not like the cha-cha-cha leads into the rumba or
:13:26. > :13:29.the walls leads into the Vinnie Zwart is, whether Pasadena -- into
:13:30. > :13:38.the Vienna is welts. You have definitely been drawn into
:13:39. > :13:46.the pen. He has not left the building.
:13:47. > :13:48.Good luck for Saturday - Greg and Natalie everyone!
:13:49. > :13:51.Now, with the weekend fast approaching, the class of 2016
:13:52. > :13:53.are busy preparing for it with blood, sweat and tears.
:13:54. > :14:02.And Danny and Anastacia are no exception.
:14:03. > :14:10.So the rumba, apparently, is all about precision, balance and
:14:11. > :14:14.emotion. And... It is all up about it is very difficult, it is not an
:14:15. > :14:19.easy dance and I want Danny to looked really good in it, so I'm
:14:20. > :14:22.really going into all the details. I do feel slightly more relieved there
:14:23. > :14:26.are no other guys who have done it yet but now it is my time next. So
:14:27. > :14:39.far, we're doing all right. Smile. We have Gorka coming in until my
:14:40. > :14:46.Brendan is healthy and ready to go back. I'm sweating, I'm working.
:14:47. > :14:52.It's hard. I actually like the fact that he's bossing me everywhere. And
:14:53. > :14:56.he's just saying, go here, go there, and I'm like, OK. I'm very busy with
:14:57. > :14:59.Anastacia, she is getting more confident, enjoying the steps,
:15:00. > :15:06.moving around all the floor and having fun. Keep moving. Very good!
:15:07. > :15:14.Anastacia having fun. Who's going to win? We will fight at the weekend.
:15:15. > :15:19.We have seen their training room outfits but what will the couples be
:15:20. > :15:35.wearing this Saturday? I've lined up the lady with the answers.
:15:36. > :15:42.We are all better off for Vicky being here. Amazing weekend. So many
:15:43. > :15:47.great costumes and something exciting happens, although a bit
:15:48. > :15:52.dramatic and down to the wire. This is Claudia's outfit that she wore
:15:53. > :15:59.for her lovely dance, her foxtrot, but this wasn't what she was wearing
:16:00. > :16:01.in the dress run. Because of the concept, they were university
:16:02. > :16:04.students so we thought we go for a high street version this week. They
:16:05. > :16:12.started doing their number and we thought, no, she can't do that, she
:16:13. > :16:15.can't move, not big enough. So we were in the skirt rails, trying to
:16:16. > :16:22.find thrills, the same colour. Immediately. You did that in pretty
:16:23. > :16:27.much an hour. Incredible, well done to everybody in wardrobe. It just
:16:28. > :16:34.shows you how things change. Onto this weekend, she is dancing to
:16:35. > :16:41.Young Hearts Run Free buy candy statin. This is beautiful. They've
:16:42. > :16:48.had lots of different concepts. I think it will be exciting for her.
:16:49. > :16:54.Lots of bugle beads. I know you like statistics, there are about 1250
:16:55. > :16:57.bugle beads approximately five packets of stones, about 5000
:16:58. > :17:06.crystals. AQ sequins in there to some sparkle. We may have a feather
:17:07. > :17:10.boa by Saturday, because it's a samba. She will look red hot in
:17:11. > :17:14.that. Anastacia, her romper dress at the weekend was incredible. This
:17:15. > :17:19.weekend, she might be dancing with Brendan. We shall see. It's a
:17:20. > :17:26.quickstep to Frank Sinatra, a classic. I wanted her to have lots
:17:27. > :17:32.of froth in the end. But she sued longer lines. At the moment, this is
:17:33. > :17:38.too midcalf. We may have an overlay to the floor. I particularly like
:17:39. > :17:43.the apricots stones on this dress. It doesn't look like there are lots
:17:44. > :17:49.of stones but there probably 8000. This upper body will change after
:17:50. > :17:57.tomorrow. It's almost a signature for her, the low plunging neckline.
:17:58. > :18:02.That's the proper terminology. Over here, Joe dancing with the jive
:18:03. > :18:11.King. This weekend, back double room, waltzing to Whitney. This
:18:12. > :18:16.dress is very simple. It's a white dress, sequinned fabric, then into a
:18:17. > :18:21.white mesh, a white top skirt and a pale blue lining. It's very light, a
:18:22. > :18:27.contemporary waltz, so it isn't going to get in the way. No problem
:18:28. > :18:33.negotiating the skirts. What is Ore going to wear? He comes in on a
:18:34. > :18:37.Friday with time to digest what he's been working on and he tells us what
:18:38. > :18:46.he's feeling. He chooses what to wear. We have repaired wonderful
:18:47. > :18:57.stuff. Ezra, the wardrobe goddess, we love you. Classic colours, black
:18:58. > :19:00.and white. Head and Katya, how do they follow the night and the
:19:01. > :19:06.damsel? They are doing an American Smooth, a classic. He worked very
:19:07. > :19:13.hard on his dancing in the week and his choreography. He gives 150%.
:19:14. > :19:19.Needless to say, we have had lots of fun in wardrobe. It becomes a bit
:19:20. > :19:22.dress up. Hopefully, that fun and light-heartedness will work. This is
:19:23. > :19:29.what Katya will be wearing, a choice. There was lots of lifts.
:19:30. > :19:33.Negotiating her skirt would be difficult. Jason told us on Tuesday
:19:34. > :19:38.that there could be lots of lifts. We've got a trouser. It's really a
:19:39. > :19:48.skirt that has been cut into a trouser. It is so clever, what you
:19:49. > :19:52.do. Katya is excited. You helped Ed get ready today. More on that later.
:19:53. > :19:57.Vicky, she is brilliant and we love her. If you ever wanted to look
:19:58. > :20:03.glamorous as one of our stars, pay attention. You can't follow one of
:20:04. > :20:11.-- borrow one of these frocks, but we have lined up some fantastic
:20:12. > :20:18.make-up tips from Lisa. It is her guide to the perfect Hollywood look.
:20:19. > :20:24.IMB hair and make-up designer for Strictly. Today I will be recreating
:20:25. > :20:29.of my one former -- favoured ballroom looks. It is sophisticated
:20:30. > :20:36.and very glamorous. This is Chloe. We have already prepared her hair.
:20:37. > :20:39.We have gone for a lovely froth at classic Hollywood wave, typical to
:20:40. > :20:43.the American Smooth. I will start with the eyes, a lighter brown and
:20:44. > :20:48.applying it to be laid and blending in the outer corner going up to the
:20:49. > :20:53.socket. That is when we go to the darker brown. That adds more depth
:20:54. > :20:58.to the eye and it really makes the eye pop. Making sure it is nicely
:20:59. > :21:03.blended. You don't want a stripey eyelid to a tiny bit of highlighter
:21:04. > :21:08.for the corner. Now we are going to do a gorgeous black lip that is
:21:09. > :21:13.integral to the Hollywood look. Starting from the middle of the eye,
:21:14. > :21:17.working your way down and coming out, making sure it is perfectly
:21:18. > :21:23.feathered at the end of the flick. Another top tip is to make sure you
:21:24. > :21:27.get right into the inner corner, because it emphasises the shape of
:21:28. > :21:34.the eye. Strictly would be Strictly without eyelashes. Attached to the
:21:35. > :21:38.outer corner and push into the inner corner. -- wouldn't be Strictly. Now
:21:39. > :21:44.we cleaned up and wipe away any bits of eye shadow all in I've dropped.
:21:45. > :21:48.Now we are applying the foundation. Making sure everything is nicely
:21:49. > :21:55.blended. This is what everybody is doing these days, contouring. Your
:21:56. > :22:00.dark shade, that goes underneath the cheekbone to create definition, and
:22:01. > :22:05.then we use our highlighter, which goes on top of the cheekbone, making
:22:06. > :22:09.sure the two merge together and blends nicely. Now we are onto red
:22:10. > :22:15.lip. A nice, sharp pencil going across the lip line. Never go out of
:22:16. > :22:22.the line. With your lipstick, sweep the brush along the lip. To top off,
:22:23. > :22:26.this is another trick of the trade, we take our bit of clear lip gloss
:22:27. > :22:32.and bang it in the middle, which really makes the lips pop. Chloe
:22:33. > :22:36.already has a beauty spot, so we are going to highlight that. Elegant,
:22:37. > :22:46.super chic and absolutely beautiful, the perfect Hollywood look. I love
:22:47. > :22:49.that, it really makes her lips pop. Thank you to Lisa and Chloe. From
:22:50. > :22:55.one pair of beauties to another. Time for a training update from
:22:56. > :22:59.Lesley and Anton and Laura and Giovanni. Let's see how they are
:23:00. > :23:03.getting on. To me, the tango seems different the
:23:04. > :23:09.other dances have done. I've got my head down too much. I stoop. I don't
:23:10. > :23:17.know what else she is looking for down there. I don't step out. The
:23:18. > :23:22.other foot. Everything that could be wrong is wrong. You look like you
:23:23. > :23:29.have been tasered. Wedge I've got a lot to work on. As far as I'm
:23:30. > :23:35.concerned, she is almost there. All I know about the jive is that Ore is
:23:36. > :23:41.very good at it. Following him will be difficult. It's very fast and
:23:42. > :23:46.there is a lot of energy. The jive is quite difficult. We are
:23:47. > :23:52.struggling with the kick and flicks. And a lot of stamina and energy. The
:23:53. > :23:59.jive is my favourite dance so I want to make sure it will be good.
:24:00. > :24:02.Looking good, Laura. Our next guest pulled off an incredible feat on
:24:03. > :24:08.Saturday night when he slayed an actual Dragon right in the middle of
:24:09. > :24:11.his paso doble. I'm sorry? Oh, we have found that it wasn't real. It
:24:12. > :24:19.looked really realistic. Next thing you will be telling me that Katya
:24:20. > :24:27.wasn't really a dancer. A true epic of tragedy, mostly
:24:28. > :24:34.because of the shaping. You were mincing around like an episode of
:24:35. > :24:39.Some Mothers Do Have Them. I was holding out for a paso doble. But, I
:24:40. > :24:48.tell you this, you won't lose it for lack of trying. You came out and
:24:49. > :24:55.gave it your all. Well done. Oh, he was a night of the realm and he is
:24:56. > :24:58.here with his dancer, Ed and Katya. You are always such a joy to watch
:24:59. > :25:04.on the dance floor, you too. And in chain mail! It's amazing. You said
:25:05. > :25:08.when you got up afterwards that you were a bit disappointed with how it
:25:09. > :25:15.had gone, and it had gone much better in rehearsals. Tell me more.
:25:16. > :25:19.The pressure and excitement of rescuing be Princess from the Dragon
:25:20. > :25:25.it got the better of me so I missed a whole step, and that meant that we
:25:26. > :25:34.were suddenly out of time and trying to hold it together. It was hard.
:25:35. > :25:38.Really difficult. I'm off there. She is saying, where are you going? I
:25:39. > :25:43.said, I don't know but I think we should carry on. We had this whole
:25:44. > :25:48.discussion, what do we do? Don't stop, don't stop. We carried on
:25:49. > :25:52.thinking, at some point, it will be OK. I made all of these steps up.
:25:53. > :25:57.There was one moment where we knew, if we spent our feet and started
:25:58. > :26:05.doing that, we were back into it. But you got back into it, that's
:26:06. > :26:12.amazing. Katya has lost her voice. From shouting at me all day. I've
:26:13. > :26:15.got a pack and a pen. Give your answers in drawings or words. Were
:26:16. > :26:23.you proud of him keeping going and carrying on? It's really hard to
:26:24. > :26:27.write down. Absolutely. I think his recovery was like a professional
:26:28. > :26:34.dancer. He covered it. It's so hard to get back into it but he did it. I
:26:35. > :26:39.thought the Dragon rescue was quite professional. Have you been taking
:26:40. > :26:45.tips from Game Of Thrones? Craig gave you two, the lowest score.
:26:46. > :26:54.Katya has something to say. This is for you, Craig. Did that hurt? I
:26:55. > :26:59.mean, he's quite cruel. The paso doble wasn't really my dance. We
:27:00. > :27:03.decided I would do this like a matador and not be camped at all
:27:04. > :27:07.and, when we came off in the rehearsal, the production team said,
:27:08. > :27:13.that was the most camp paso doble we have ever seen. I was trying to
:27:14. > :27:16.decamp. That wasn't supposed to be camped. If I had done it camp,
:27:17. > :27:22.imagine what it would have been like! There is so much love for you
:27:23. > :27:27.online, everybody watching at home the studio audience. National
:27:28. > :27:35.treasure Lorraine Kelly tweeted, God love Ed Balls, hilarious. So they
:27:36. > :27:39.love you. It's wonderful. Americans move for you next, a complete change
:27:40. > :27:46.of pace. How is it going? I hear that you love this one, Ed. Correct.
:27:47. > :27:54.It's good to get back to ballroom, but we can also done some lists. Ed
:27:55. > :27:58.is doing lifts! Exciting. It's a fabulous song so we can get into
:27:59. > :28:04.character. After last week, we have to show, as well as trying hard, but
:28:05. > :28:08.we are getting better. As long as we are making progress. We are loving
:28:09. > :28:16.watching you grow as a dancer and choreographer. Do your kick? And
:28:17. > :28:21.then we get to hear and we lived at the right place. I'm not sure she is
:28:22. > :28:27.fully appreciating my choreographic suggestions, but we'll get there.
:28:28. > :28:32.He's like, oh, my God, we've got this, we've got to do that and that.
:28:33. > :28:39.And then trying to throw all these terms that may for all the previous
:28:40. > :28:51.dances we've done. -- these terms at me. If we spin turn... No. And then
:28:52. > :28:57.we will go... Katya, I want to know, any of those moves make it into the
:28:58. > :29:04.routine this weekend? Yes, but not that one. We quite like that one.
:29:05. > :29:11.Now you know why Katya has lost her voice. Good luck with Amarillo. We
:29:12. > :29:16.are looking forward to this, Ed and Katya. That's all we have time for
:29:17. > :29:20.tonight. Thank you to all of my guests. Tune in tomorrow at the
:29:21. > :29:30.earlier time of 6pm for an hour-long special. We will have Kevin Simm and
:29:31. > :29:32.our Friday panel, including Helen Skelton and Sue pollard.