:00:51. > :00:57.From London, this is Strictly, It Takes Two. Please welcome your host,
:00:58. > :01:00.Zoe Ball. I'm very excited tonight
:01:01. > :01:04.because the most wonderful time of the year is just
:01:05. > :01:06.around the corner. Yes, Strictly Halloween
:01:07. > :01:09.is four days away, people! And to celebrate, we've got
:01:10. > :01:12.an exclusive first-listen to this Saturday's songs
:01:13. > :01:14.and a preview of a particularly Plus, if that wasn't enough,
:01:15. > :01:21.later on tonight, I'll be exclusively revealing the line-up
:01:22. > :01:23.for this year's Children But first, let's see who we have
:01:24. > :01:33.in our green room tonight. It's Daisy and Aljaz and Greg
:01:34. > :01:36.and Natalie. Plus, Strictly legend
:01:37. > :01:39.Camilla Dallerlup will be back But first up, their Charleston
:01:40. > :01:46.at the weekend to Happy Feet resulted in four Happy Judges
:01:47. > :01:49.and an incredibly rare sighting But it wasn't enough
:01:50. > :02:11.to save them from a shock That was just heaven. The style
:02:12. > :02:19.really suited you. Clever, full of joy. Very, very smart concept.
:02:20. > :02:25.Slightly late end. You were just a little bit tired but I loved it,
:02:26. > :02:28.brilliant. Daisy and Aljaz, everyone.
:02:29. > :02:32.It was brilliant. I totally agree with krachlingt can I just say -
:02:33. > :02:35.look, you are wearing matching outfits tonight. Well. You dance
:02:36. > :02:40.together, you start to look like each other. You were in your element
:02:41. > :02:45.doing this dance. I know you were so excited about this one from the off.
:02:46. > :02:49.How much fun? I did. I had one of the best weeks of my whole life. I
:02:50. > :02:54.have never giggled and smiled so much. It was just brilliant. I loved
:02:55. > :03:00.performing it. It was just the results show! We will talk about
:03:01. > :03:05.that in a minute. I think this is your joint highest scores of the
:03:06. > :03:10.series. Craig gave us an 8. I know! Love you, Craig. Were you encouraged
:03:11. > :03:15.by the judges' comments? Completely. I was blown away by them. For Craig
:03:16. > :03:19.to be lovely to us was lovely and everyone was really... I mean the
:03:20. > :03:24.energy level, to be honest, my body has never been through so much
:03:25. > :03:29.strain in my life, ever. There was a lot of moving. There was so much
:03:30. > :03:35.moving but your timing, together, I thought it was an absolute joy. How
:03:36. > :03:38.heart broken were you then? I know how much you hate waiting for the
:03:39. > :03:42.results anyway. To be in the bottom two when you have worked that hard
:03:43. > :03:47.on a dance you loved? You know, it was one of my worst fears realised
:03:48. > :03:51.and weirdly it was the calmest I have ever been through a results
:03:52. > :04:00.show, it was almost like - thank goodness I was calm. Yes, thank you.
:04:01. > :04:04.Thanks angels. I was genuinely pleased I got another shot at
:04:05. > :04:10.dancing T I was annoyed I didn't make that last timing. - at dancing
:04:11. > :04:15.it. We got to do it again. We got to see it again, a win-win for us. How
:04:16. > :04:19.did you encourage daisy, I mean are you scared when you have to do a
:04:20. > :04:22.dance off, you don't want to go home, either? How do you talk each
:04:23. > :04:27.other down? Of course you are scared but I always say it Daisy whenever
:04:28. > :04:32.we go on and perform - it is just the two of us. Do exactly what we
:04:33. > :04:36.did in rehearsals. No more, if we didn't practise anything, don't do
:04:37. > :04:41.it. But she did such a good job in the show. Doing Charleston in the
:04:42. > :04:46.dance off is always tricky. You get to the parts of choreography where
:04:47. > :04:50.it is side-by-side, if you do ballroom or Latin, if something goes
:04:51. > :04:54.wrong, there is a way to fix it but Charleston when you are standing
:04:55. > :05:00.next to each other, it is so exposing, Secretary of State I was
:05:01. > :05:03.generally impressed that Days - so I was genuinely impressed that Daisy
:05:04. > :05:09.got through that, if anything. She did it better than she did in the
:05:10. > :05:14.show. Well done. I can only imagine how emotional you were. The judges
:05:15. > :05:18.unanimously saved you. Hooray and then boo because you have to say
:05:19. > :05:24.goodbye to Lesley. It was bitter sweet. I felt awful. She has been
:05:25. > :05:29.such an inspiration to all of us. Regardless of her age, she's also
:05:30. > :05:34.been working every morning at 5.00am and performing incredibly and being
:05:35. > :05:40.so enthusiastic all with a big smile on her face. I'm going to miss her.
:05:41. > :05:47.I was gutted and you feel it was your fault. My dad was watching it,
:05:48. > :05:56.and he said you were so upset and he wanted to give you a cuddle. You had
:05:57. > :05:58.so much praise for your dance. The internet was going crazy, Jenny a
:05:59. > :06:14.Eclair, a fan of the show, she said: I love her so much. I didn't see
:06:15. > :06:20.that. That's amazing. I'm obsessed with her. More of that coming N and
:06:21. > :06:24.paso doble. Now it is Hallowe'en. I can't do that. I wasn't good at
:06:25. > :06:30.that. Tell me what you have learned so far? Well, only one day of
:06:31. > :06:35.training so far. Lots of shaping and resistance. Well, look at that. Your
:06:36. > :06:40.body has to be very strong. Well, look at that, nice. She is the
:06:41. > :06:43.perfect student. Can you tell me about the character you are going to
:06:44. > :06:50.play? It is Hallowe'en, there is lots of dressing up but just more
:06:51. > :06:55.joy? Well, it is going to be just really, hopefully a good paso doble.
:06:56. > :07:00.I love doing it, it is a strong, passionate dance, a perfect story
:07:01. > :07:03.between a man and woman. It is a huge resemblance to the bull fight
:07:04. > :07:08.there. Has to be a tension between me and Daisy the whole time. But
:07:09. > :07:12.because Daisy is so sweet and, it is Daisy, and paso doble is so strong,
:07:13. > :07:17.so we need to put those two together. I'm looking forward to
:07:18. > :07:22.seeing that fiery senorita come out of you. Me too. I'm hoping the
:07:23. > :07:26.bottom two last week will help that. I think hopefully that won't happen
:07:27. > :07:30.again next week. It is a hard thing to go through, but you did it
:07:31. > :07:35.brilliantly. Don't lose heart. You are amazing. Good luck this week,
:07:36. > :07:38.Daisy and Aljaz. Now, with Strictly's
:07:39. > :07:40.own Fright Night fast approaching, I find myself wondering what songs
:07:41. > :07:42.the likes of Daisy and Aljaz But rather than ask them myself -
:07:43. > :07:47.too easy - I'll be using my very This Saturday, our ten remaining
:07:48. > :08:00.couples will be hoping to pull out every trick or treat in the bag
:08:01. > :08:03.in order to stay in the competition. So, let's have our first horrifying
:08:04. > :08:06.tune of the night. Hopefully this old
:08:07. > :08:11.thing still works. This is Bat Out of Hell
:08:12. > :08:16.by the brilliant Meatloaf! The Bat Out Of Hell album spent
:08:17. > :08:20.an incredible 474 weeks on the UK album chart, that's over
:08:21. > :08:26.nine years and almost half the life-span of your
:08:27. > :08:39.average bat outta hell. a recent study at Sussex University
:08:40. > :08:42.found that Meatloaf's music was an excellent stimulant
:08:43. > :08:54.for plant growth. Let's see who will be dancing to? .
:08:55. > :08:57.Give me an Oh. Ooooohhh!
:08:58. > :09:05.They'll be taking on the jive to this absolute classic
:09:06. > :09:07.but will they be flying up that leaderboard?
:09:08. > :09:09.Right, what's next on the jukebox tonight?
:09:10. > :09:15.This track topped the UK charts last year and was a top ten hit
:09:16. > :09:20.The accompanying music video for this song is loosely based
:09:21. > :09:23.on horror film The Craft and features the girls as geeks
:09:24. > :09:26.who find an old book that suddenly transforms them into popular girls
:09:27. > :09:44.APPLAUSE. Looking good, girls, incredible.
:09:45. > :09:47.But which of our couples will be turning to Black Magic to conjure up
:09:48. > :09:54.Nice work, ladies. I'll clear up, don't you worry.
:09:55. > :09:57.They'll be dancing an American Smooth to this.
:09:58. > :09:59.Right just enough time for one more tune.
:10:00. > :10:11.It's Born This Way by Lady Gaga - whose real name is Stefani Joanne
:10:12. > :10:22.How are you doing? Are you all right Good. No idea who this is.
:10:23. > :10:29.She refers to her fans as Little Monsters
:10:30. > :10:32.This song sold more than one million copies in its first five days
:10:33. > :10:35.on sale but was written by Gaga in only ten minutes.
:10:36. > :10:44.Although she has said she believed close friend Alexander McQueen
:10:45. > :10:46.helped her write the track from beyond the grave.
:10:47. > :10:48.But, who will be dancing to it at the weekend?
:10:49. > :11:03.They'll be performing a Paso Doble to this.
:11:04. > :11:05.But will they be able to Out-Gaga Gaga?
:11:06. > :11:11.If you want to find out what songs the rest of our couples
:11:12. > :11:13.are dancing to this Halloween, head to the Strictly
:11:14. > :11:20.Now, it's time to find out what our pros have in store for this
:11:21. > :11:34.This week, it's Hallowe'en. It's fair to say, there's something
:11:35. > :11:39.spooky in the air tonight. Whoooh. It's Hallowe'en this week, we have a
:11:40. > :11:46.vampire-themed performance for the pros. They are very much in love and
:11:47. > :11:51.at bred night Brendan comes to capture Karen and take her to the
:11:52. > :11:58.dark side. I love doing it, because you get to do things you don't
:11:59. > :12:02.normally do. It just feels great. So we are dancing to In The Air
:12:03. > :12:08.Tonight. It is a different version. It is a lot darker and quiteery. The
:12:09. > :12:12.movements that goes with it, is very sort of strange, perfect for
:12:13. > :12:15.Hallowe'en Hallowe'en is fun because we get to play dress-up. The whole
:12:16. > :12:18.show feels like a massive production. I actually really don't
:12:19. > :12:23.like Hallowe'en. I get really, really scared. One, I'm scared of
:12:24. > :12:29.the dark and two, if somebody puts a face mask on, I just scream and run
:12:30. > :12:32.awane nearly faint. The most challenging part is that Karen does
:12:33. > :12:37.have to fling herself towards the pack. It is scary because you have
:12:38. > :12:41.to do it for quite a distance. She just has to trust that they are
:12:42. > :12:45.going to catch her I'm so delighted to be back and to be back first
:12:46. > :12:52.thing, for this number. Goodness me, how did I ever have a week off? OK,
:12:53. > :12:57.the clock is ticking, you guys need to go, you don't want to ruin the
:12:58. > :13:03.surprize. Tune in on the weekend. It's going to be scarily good.
:13:04. > :13:07.I can't wait to see that. The way Karen throws herself at them.
:13:08. > :13:10.Amazing. It's time now to reveal the line-up
:13:11. > :13:13.for this year's BBC Children Past Children in Need editions
:13:14. > :13:17.of the show have featured the BBC Newsreaders,
:13:18. > :13:20.the cast of Call the Midwife and once even pitted the legendary
:13:21. > :13:25.Sir Terry Wogan against Tess Daly. This year, it's going to be
:13:26. > :13:28.an Olympic effort for Pudsey, as four Team GB medallists from Rio
:13:29. > :13:31.take to the Strictly dance floor. But who's swapping their
:13:32. > :13:35.tracksuits for the lure First up is Taekwondo
:13:36. > :13:42.star, Lutalo Muhammad. He recently became the most
:13:43. > :13:45.successful male in British Taekwondo history having won
:13:46. > :13:47.a Silver medal in Rio. But can he win Gold
:13:48. > :13:50.on the Strictly dance floor? He's going be paired up with hot
:13:51. > :13:54.lips Karen Clifton, so the odds could be
:13:55. > :14:01.in his favour. It's queen of the Hockey
:14:02. > :14:05.field, Hollie Webb. She, of course, won Gold
:14:06. > :14:08.with her team this year in Rio and will be hoping to repeat that
:14:09. > :14:11.success with Strictly newbie, Third up is Joe Clarke,
:14:12. > :14:16.who took home a Gold medal this summer in the Slalom Canoe
:14:17. > :14:18.event becoming the first He'll be dancing with the lovely,
:14:19. > :14:27.Janette Manrara. And, finally, we have Helen Glover,
:14:28. > :14:29.two-time Olympic champion and current number one
:14:30. > :14:31.female rower in the world. She'll be dancing with former champ,
:14:32. > :14:35.Pasha Kovalev. Will she have the dance moves
:14:36. > :14:44.to match her oar skills? What a brilliant bunch,
:14:45. > :14:46.but who will be lifting You'll have to wait until Children
:14:47. > :14:50.in Need night on Friday, We'll have more details on that
:14:51. > :14:56.special nearer the time. Now to another of my
:14:57. > :14:58.own personal heroes. Her crowning achievements include
:14:59. > :15:03.representing the UK in the Eurovision Dance Contest,
:15:04. > :15:06.coming first on an episode of Pointless Celebrities
:15:07. > :15:07.and lifting the Strictly But it was her star turn
:15:08. > :15:11.on Choreography Corner - a mere 24-hours ago -
:15:12. > :15:37.that truly won the nation's hearts. We shall continue what we started
:15:38. > :15:41.yesterday. Lovely to have you back. Kicking off with Ed and Katya's
:15:42. > :15:44.American Smooth. We have to talk about that lift. What do you think
:15:45. > :15:49.happened here dochl you think nerves got the better of him? Do you think
:15:50. > :15:54.it was too ambitious or was it it brilliant? Before we talk about that
:15:55. > :15:59.lift. Can we acknowledge the fact he did two amazing lifts before that
:16:00. > :16:03.one. Yes. Here, as we see, he eases her on to the floor with amazing.
:16:04. > :16:08.He guides her around and takes his time. That was lovely. Here, this
:16:09. > :16:12.was over ambitious. Katya did something, she decided to take a
:16:13. > :16:17.gamble. It could have gone well and got good scored. Shall we do the
:16:18. > :16:24.lift? Shall we do the lift now? I'll be Ed.
:16:25. > :16:29.Each week we see him attempting more and more difficult and precise
:16:30. > :16:32.moves. What does he particularly need to work on to impress the
:16:33. > :16:37.judges, especially Craig, who is always very hash on him? He needs to
:16:38. > :16:41.do what he did here. He improved the actual foxtrot he was doing in the
:16:42. > :16:50.American Smooth, the basics and keep doing that. The judges love the
:16:51. > :16:55.proper basic. Keep it up. Ed. Louise and Kevin's Rumba. Len said she was
:16:56. > :16:59.plateauing a little bit and needs a bit more wow. Did you think this was
:17:00. > :17:04.wow or did you know what he meant? Yes. I know exactly what Len meant.
:17:05. > :17:09.That maybe Kevin has made a choice here and go for the softer,
:17:10. > :17:15.emotional kind of romantic version because the melody was so soft. If I
:17:16. > :17:19.can demonstrate. Please do. There are a couple of ways. With a soft
:17:20. > :17:24.tune you can walk away. You can just, sort of, softly turn and use
:17:25. > :17:32.the bringing in the partner. If you want, wow, you could turn. Oh, wow.
:17:33. > :17:36.Then go soft. That would bring... That was the wow he was looking For.
:17:37. > :17:40.Yes, OK. I actually really loved the softness. I think we saw a new side
:17:41. > :17:44.to her. I think the chemistry between them was brilliant. They
:17:45. > :17:48.were kind in their own bubble. You will be trying that over the
:17:49. > :17:52.spaghetti, coming in like that. It never works. They have the
:17:53. > :17:58.Charleston next week. That is a fun dance. Maybe that could be her wow
:17:59. > :18:01.moment? It could be the one. She owns it and confident and do amazing
:18:02. > :18:07.lift. That would be awesome. She can do it. Claudia and AJ and their
:18:08. > :18:10.Samba. Despite high scores all around, Len felt that the speed of
:18:11. > :18:15.the music, it was quite difficult for her to keep up. Would you agree?
:18:16. > :18:19.Yes. I totally agree. When the tune came on I thought - wow, this is
:18:20. > :18:25.fast, even for a professional. She did a really good job up until this
:18:26. > :18:30.moment. Then I thought this started becoming sort of steppy and runny. I
:18:31. > :18:33.felt sorry for her because it was fast, very, very fast. I think they
:18:34. > :18:37.have gone for the high energy. The energy is there. You either have the
:18:38. > :18:40.speed and the energy or you have it slow and maybe it would have been
:18:41. > :18:43.more boring. Could you do it like a record and turn it on to the other
:18:44. > :18:49.speed and slow it down like that? No, you can't. Bruno said that AJ
:18:50. > :18:53.had tried to fit in every possible Samba move then. Content, content.
:18:54. > :18:56.It seems to be very important? It is important to get the high scores.
:18:57. > :19:02.Equally, technique is important too. Maybe a little bit of both. All
:19:03. > :19:06.right. Moving on to Anastacia and gourd can's Quickstep which was such
:19:07. > :19:11.a moment. Loved this. Were you impressed at how well she adapted to
:19:12. > :19:16.a new partner? So impressed. When she came on I thought - hello, I
:19:17. > :19:19.haven't seen this lady before. She looked relaxed and at home in this
:19:20. > :19:22.dance until they got into the hold. I noticed a lot of gapping
:19:23. > :19:26.happening. You will see it in a moment here. That could be a up
:19:27. > :19:33.could of things. The fact she has just met this man and maybe like
:19:34. > :19:38.Gethin in Series 5 he would giggle when I got close. Awkward. A new
:19:39. > :19:43.partner. Maybe she felt it's a bit awkward. Maybe they haven't had the
:19:44. > :19:47.time to spend on the leg action and technique to get close. It's
:19:48. > :19:51.difficult for the man to lead the lady without getting close. He would
:19:52. > :19:55.have to lead with the arms, it's not ideal. As a female pro how do you
:19:56. > :20:00.get that getting close. Ian says you have to get this part of your body
:20:01. > :20:04.to where ever... Match, right side to right side. You ease in with the
:20:05. > :20:08.basic steps, walking around the floor in the waltz and the beginning
:20:09. > :20:14.and get use used to each other's bodies. Then you can get the
:20:15. > :20:20.closeness. Judge Rinder and Oksana's jive. He is so popular. A lot of
:20:21. > :20:27.people in our stud Yeo audience who love Judge Rinder. Their highest
:20:28. > :20:30.score yet. Did they impress you, they impressed the judges? When he
:20:31. > :20:35.was doing the kicking he was getting his knees together. When Then he was
:20:36. > :20:41.more like. This I would like to see him keep the closeness. He got too
:20:42. > :20:47.excited. Got carried away. There he is. Off he goes. Super. So tight in
:20:48. > :20:51.the legs here by the knees. You see the big gap. OK. What I love about
:20:52. > :20:59.watching him. He seems like a natural. He is a joy to watch.
:21:00. > :21:02.Darcey said that sometimes his enthusiasm takes over a little bit.
:21:03. > :21:09.What you agree? What advice would you give him to stop that happening?
:21:10. > :21:13.I agree. I was worried it would come across he is taking it as a joke,
:21:14. > :21:17.not serious. He is a good dancer. I would like him to be contained and
:21:18. > :21:23.do the moves and not have to always the fun with it. OK. Hallowe'en
:21:24. > :21:27.week. It's next weekend. How much would you love to be on that dance
:21:28. > :21:31.floor in all the costumes and he get up. Maybe that is what you are doing
:21:32. > :21:35.at home? I would rather sit and watch them all. I shall enjoy doing
:21:36. > :21:39.that. I love Hallowe'en. It's the best. I hope you will be dressed up
:21:40. > :21:41.with your fell latch lovely to see you. Of course. Don't stay awith a
:21:42. > :21:46.too long. Camilla Dallerup. Our final couple of the night
:21:47. > :21:49.were hoping to find love from the judges on Saturday,
:21:50. > :21:52.but all they got were their lowest Forget about the judges though,
:21:53. > :22:14.we found it all en-cha-cha-chanting! I always love your heroic muscular
:22:15. > :22:18.stance. Sadly, it looked very stiff. You're very pigeon toed. The walks
:22:19. > :22:22.look awkward. You did a good job. Be proud of yourself. Well done. It's
:22:23. > :22:32.Greg and Natalie everybody. APPLAUS. You look devine. Last week you
:22:33. > :22:38.weren't a massive fan of the cha-cha-cha. Are you glad it owes
:22:39. > :22:43.over and done? Yes. It was a hopeless place we found ourselves.
:22:44. > :22:47.No. I tried to be positive all week. I was really struggling. I was
:22:48. > :22:51.saying - had is wonderful, we are doing well. She puts together
:22:52. > :22:57.wonderful dances. I was thinking - I'm the worst dancer who has stepped
:22:58. > :23:02.on to the strictly dance floor. I remember that feeling. For me it was
:23:03. > :23:06.the pass low Kobe blah and the cha-cha-cha. You have to concentrate
:23:07. > :23:11.to remember the steps when it's not coming naturally? Most people noted
:23:12. > :23:15.that I looked like I wanted to murder Natalie during the dance. A
:23:16. > :23:19.tense look. I'm trying to think - What's coming next. It was coming at
:23:20. > :23:24.me so fast. All week I couldn't retain the dance. It was driving me
:23:25. > :23:32.up the wall. So I'm very pleased that, hopefully, I don't have to do
:23:33. > :23:36.that again. We may need to, actually, in the future, I'm sorry
:23:37. > :23:43.to tell You have to you. Get on and do it again. Do another one now. I
:23:44. > :23:49.think that with the cha-cha-cha if we had more days, like the jive.
:23:50. > :23:55.Two-and-a-half weeks to learn the jive, it's intricate. Cha-cha-cha is
:23:56. > :24:00.the same. If we had a couple more days we nailed it that morning. You
:24:01. > :24:04.were fantastic. That annoyed me more, to be honest. We have a
:24:05. > :24:08.practice in the studio on Friday. I didn't finish it once. We went in
:24:09. > :24:11.back into the studio, we practiced for three hours, we got it together.
:24:12. > :24:20.Went in the following morning, I completed it. I was thrilled. You
:24:21. > :24:25.were loving i I was founsing off the balls because -- bouncing off the
:24:26. > :24:30.walls because I completed the dance. I blew it We got fast entirely. With
:24:31. > :24:38.the foot work. It catches up. Bless you. Oh! Move on from it. The lowest
:24:39. > :24:43.score you had so far. What did you think about the judges' comments?
:24:44. > :24:45.Craig is amazing. He has constructive criticism. The things
:24:46. > :24:49.that weren't right, the feet, we will work on this week, very much
:24:50. > :24:53.so. Thank you Craig for that. It makes us work even harder. Maybe it
:24:54. > :24:56.was a bit harsh because you partner me so well. You allowed me to do
:24:57. > :25:01.everything I needed to do on the night. Thank you for that. You
:25:02. > :25:04.allowed me to shine still. There was nothing there that I didn't feel
:25:05. > :25:10.like you couldn't enable me to do make the dance work. That is an
:25:11. > :25:15.amazing quality. We do watch you. You always look... I'm not looking
:25:16. > :25:19.at your feet. I'm watching the two of you on the dance floor. You are
:25:20. > :25:23.great. When you get to the results, when your name, they left it until
:25:24. > :25:28.quite late. You had to wait a long time. When you through your faces
:25:29. > :25:32.were absolutely priceless. You both looked gobsmacked not to be in the
:25:33. > :25:37.Dance-Off? Before that, when it was us and Daisy and Alijaz I just
:25:38. > :25:43.nudged Nat, one more dance, it's OK. I will do it better. They announced
:25:44. > :25:48.it. The look of shock is genuine. I was really mentally prepping. You
:25:49. > :25:51.have to get out there, don't do that bit wrong, don't do that bit am I
:25:52. > :25:57.wasn't thinking about my name not being called. Then it wasn't. It was
:25:58. > :26:02.- how on earth did that happen? It was down to people being wonderful
:26:03. > :26:06.at home and voting to keep us in. That is hugely important at this
:26:07. > :26:11.stage. We thank every single one of you. A massive kiss from us. As an
:26:12. > :26:14.athlete, you must have performances sometimes where it doesn't go
:26:15. > :26:17.according to plan and you psych yourself up and get back in the
:26:18. > :26:21.arena again. How do you do that as an athlete, that is what you have to
:26:22. > :26:25.do this week? It's remembering, for me, it's easier in jumping terms
:26:26. > :26:30.because I have had good days before, very good days. You sort of think
:26:31. > :26:33.about those more and you remember and go over video footage, in my
:26:34. > :26:37.case, of why it was good. You reassess and go at it. We had a
:26:38. > :26:41.couple of good days. . Yes I'm trying to remember that. The
:26:42. > :26:48.American Smooth. I loved it. So amazing. I'm trying to remember
:26:49. > :26:53.those sensations. And the Jive. The American Smooth leads nicely to the
:26:54. > :26:55.dance this week. You have the Rumba, remembering the partnership. There
:26:56. > :26:59.is a connection between the two of you. You told that love story
:27:00. > :27:04.beautifully. It's with a you have to do in a Rumba had? This week's theme
:27:05. > :27:10.is about man and woman. A great song. We had an awesome rehearsal
:27:11. > :27:14.today. Rumba is technically difficult. With the choreography
:27:15. > :27:19.that we're creating together, he's really helping with some of the
:27:20. > :27:25.movements. Aren't you? Yeah? You are. Am I. He's applying himself.
:27:26. > :27:30.You can tell this week is going to be a good week. I'm relieved to hear
:27:31. > :27:36.it. Your whole demeanour seems more positive? I have to try hard because
:27:37. > :27:39.sometimes you can get down and think - this is terrible, I'm awful at
:27:40. > :27:44.this. But the day we had today, it was wonderful. The first day ever,
:27:45. > :27:48.even American Smooth, we went through to the dance. We got to the
:27:49. > :27:51.end. I saw the end. Tweaking the end to make it more animated and
:27:52. > :27:54.everything else. To be in that position already is a really good
:27:55. > :28:01.feeling. I'm super keen to keep pushing. I thought you were
:28:02. > :28:06.twerking! At the end of the Rumba - tweaking! Hallowe'en so much fun.
:28:07. > :28:10.You will be dressed up. Scared the dear life out of me. How much will
:28:11. > :28:15.you enjoy it this weekend? I can't wait. Looking forward to the outfit.
:28:16. > :28:18.There is a special opening. The start of the dance will be really
:28:19. > :28:23.cool, I Think. Yeah. I cannot wait to see the beginning of the dance.
:28:24. > :28:25.It sounds fabulous. Believe! Greg and Natalie.
:28:26. > :28:29.CHEERING AND APPLAUSE. That's all we have time
:28:30. > :28:32.for tonight, I'm afraid. But don't worry, we're back tomorrow
:28:33. > :28:35.at 6.30pm when Laura and Giovanni will be here to fill us
:28:36. > :28:37.in on what happened last week, and I'll also be catching up
:28:38. > :28:40.with Judge Rinder and Oksana. Plus, Ian Waite is here
:28:41. > :28:43.for his Wednesday Warm-Up.