:00:46. > :00:48.VOICEOVER: From London, this is Strictly Come Dancing.
:00:49. > :00:52.Please welcome your host, Zoe Ball.
:00:53. > :01:01.It may be the final of The Great British Bake Off tonight,
:01:02. > :01:05.but Mary Berry and Paul Hollywood aren't the only ones
:01:06. > :01:08.with some showstoppers ready to come out the oven.
:01:09. > :01:18.Here to tickle your fondant fancy, it's Judge and Oksana!
:01:19. > :01:21.Is CHEERING AND APPLAUSE
:01:22. > :01:23.And hoping to rise to the top after a dramatic week,
:01:24. > :01:30.Joining them, a man who never sugar coats his dance critique,
:01:31. > :01:40.Which of our pros will be transporting us to Spain
:01:41. > :01:48.But first, their high energy jive had everyone jumping out their seats
:01:49. > :01:52.Frankly, I was exhausted just watching it!
:01:53. > :02:12.You weren't just dancing, you were erupting. You dance with tempestious
:02:13. > :02:17.aband done. How of, for me, it was a little flat-footed. Your enthusiasm
:02:18. > :02:21.takes over and gets a little carried away. But I loved it!
:02:22. > :02:36.I never know if I'm doing the right hand. Well done on Saturday. Opening
:02:37. > :02:46.the show. It's so joyous to watch you. The enthusiasm, energy. Tempest
:02:47. > :02:53.ewous abandon? He meant joyious abandon. I I know you adored this
:02:54. > :02:56.dance? Loved it. It was so much fun. That's the thing, honestly, when
:02:57. > :03:02.you're dancing to the music and enjoying it, it's like nothing else.
:03:03. > :03:05.That's why I thanked Oksana at the end of it. I got an opportunity for
:03:06. > :03:11.a minute-and-a-half to have so much fun. It was exactly that. It was an
:03:12. > :03:17.in twingely eruption. My favourite kind! All the people watching at
:03:18. > :03:22.home adored it as well. Especially Louise from Belfast. She wrote in
:03:23. > :03:27.saying she wants to go out for a night out with Judge Rinder. She
:03:28. > :03:32.says you've kipper hips. I'm assuming that's a good thing? I
:03:33. > :03:37.don't know. Anyway, she loves you. We know how fit you are. Last week
:03:38. > :03:42.you impressed us with your pressups. We've seen the torso and energy.
:03:43. > :03:49.Then you pull out the one-handed cartwheel. I know. Have you done it
:03:50. > :03:54.before? I've been paying for it afterwards. I've been walking around
:03:55. > :04:00.like John Wayne as a result this week. When did he tell you he could
:04:01. > :04:04.do that? He likes to surprise me. Pleasantly surprised. Plus, putting
:04:05. > :04:09.that in the routine straight away. I can't wait to see what else you'll
:04:10. > :04:13.pull out of the bag. Congratulations, finally you break
:04:14. > :04:18.the curse of 27. You got 29 points. You looked a little bit, you know,
:04:19. > :04:25.were you pleased with that or a little disappointed? We'd like to
:04:26. > :04:33.have broken the 30 barrier. And in my life! I know, I can't wait to be
:04:34. > :04:37.30! I don't think he could find the right badle. So much going on. I
:04:38. > :04:41.thought that was a little low scoring of Craig. I thought we'd
:04:42. > :04:46.improved that week. I thought it was a bit unfair. We wanted to break 30.
:04:47. > :04:52.What do you think about Craig. He's giving you 6 all the time. I think
:04:53. > :04:56.it's out of place. We had our best week emotionally and quality of our
:04:57. > :05:00.dancing. I'm so proud of the way he danced that jive. He knows how to
:05:01. > :05:07.count it. He's improved in my eyes so much. Exactly. Also, listen to
:05:08. > :05:12.Len. He gave you an 8. He said it was like the history of the jive.
:05:13. > :05:15.How much fun did you have putting it together, Oksana? I know he loved
:05:16. > :05:21.that song so I really tried to do a good job. I can see it in his eyes
:05:22. > :05:27.he enjoyed it a lot. That means a lot to get a comment like that from
:05:28. > :05:32.Len. The reason he is who he ises he's such a breadth of knowledge.
:05:33. > :05:36.Our teachers and dance partners also choreograph the numbers as well.
:05:37. > :05:41.Yeah. She loves the jive, Oksana but knows so much about it. You don't
:05:42. > :05:47.just learn how to dance but a history of where it comes from and
:05:48. > :05:51.why. That's why this is amazing enriching and fantastic. Ian was
:05:52. > :05:55.trying to teach me a little move earlier on. I was shattered. I
:05:56. > :06:01.needed oxygen at the end of it. That was one move. The adrenalin gets you
:06:02. > :06:07.through. We'd done it a few times in rehearsal. I was gasping for breath.
:06:08. > :06:13.When we did the Flint stone bong owes, I could barely walk for an
:06:14. > :06:17.hour. Bring those back. Not sure they'd work in a rumba. But after
:06:18. > :06:23.this, I could run around the block 50 times. I was so energised by the
:06:24. > :06:29.fun. That's very infectious when you're watching it. Paso doble this
:06:30. > :06:35.week. Matador or what's the matter you, hey, why you looking so sad?
:06:36. > :06:40.Are you loving this? Go with me! Are you loving the paso doble or is it
:06:41. > :06:44.being your friend? It's a challenging one. You have to be so
:06:45. > :06:50.specific. Look at us! The hands really do matter. I think my facial
:06:51. > :06:53.expressions, which emerge completely organically, I can't control them,
:06:54. > :07:00.are perfect for this dance. We'll see. Yes. I think, I'm definitely
:07:01. > :07:07.going to channel my inner bull fighting butch. OK. He's bringing
:07:08. > :07:12.the butch. I can't wait for this. It's Halloween. We have a theme.
:07:13. > :07:18.Each dance tells a tale. What's your tale? Are we allowed to tell? We can
:07:19. > :07:22.tell you. I'll be a butterfly. He'll be a moth. A male version of the
:07:23. > :07:26.butterfly. A male version of the butterfly. I think they might be
:07:27. > :07:32.slightly different. It's not that. I told her that earlier. But never
:07:33. > :07:38.mind! Yes, yes, I don't think that. That's not true. If we get too near
:07:39. > :07:42.the lights, it won't end well. That's the only thing. It could be
:07:43. > :07:48.horrific. You've been working on the face. We can see from training. Have
:07:49. > :08:03.we? My paso face is sort of like this. I'm serious. Then this? You're
:08:04. > :08:07.confused. You look confused. I have a solution. We'll put a full mask on
:08:08. > :08:14.your face! CHEERING Funny. Not. That was a
:08:15. > :08:19.couple of days ago. Can you give us the paso face now. Give us the
:08:20. > :08:26.butch? I try to do smouldering but it turns out to be angry. Angry's
:08:27. > :08:29.matador. Angry works. Hold on! Is that working for people? It's
:08:30. > :08:35.working for Paul, our floor manager. That's good. I love it. As mar rye
:08:36. > :08:40.ya said, spread your wings and prepare to fly. You have become a
:08:41. > :08:45.butterfly. Good luck this weekend with your moth and butterfly
:08:46. > :08:46.routine. Judge Rinder and Oksana. I love that face.
:08:47. > :08:49.Now Mr Rinder here might be in charge in the courtroom,
:08:50. > :08:52.but when it comes to the training room there is only one person
:08:53. > :09:04.The Waite is over - it's time for Waite's Warm-up.
:09:05. > :09:14.Thank goodness we can breathe out and relax.
:09:15. > :09:16.So we're gearing up for Halloween at the weekend.
:09:17. > :09:18.Are you going be nice about our couples this week?
:09:19. > :09:34.Another dramatic weekend. Lesley went out. Were you sad about that?
:09:35. > :09:39.Yeah, I was sad about that. I thought Lesley brought a great
:09:40. > :09:42.enrichness to the show. She gave it sprightliness. Those really
:09:43. > :09:48.difficult steps. I thought she was great. Such a shame she went. OK.
:09:49. > :09:54.Onwards we go. We'll start with Greg and Natalie. The judges said cha-cha
:09:55. > :09:59.wasn't his dance. Not his favourite. He's doing a rumba this week. He
:10:00. > :10:03.likes this dance. Do you? I like this song very much. There are good
:10:04. > :10:09.and bad parts. He does good lines, which is great. He does very good
:10:10. > :10:13.partnering. When he's lifting Natalie, it's fantastic. But, there
:10:14. > :10:18.are places where from A to B he forgets to dance. He'll do the lines
:10:19. > :10:23.good. From A to B doesn't keep it moving. That continual movement
:10:24. > :10:27.rumba. It has to be continual movement. He needs to keep those
:10:28. > :10:39.feet turned out. There's a couple of places. Hold on a sec! It's out.
:10:40. > :10:43.Wondered where that was. A couple of places, here, he does two heel
:10:44. > :10:49.leads. No heel leads in rumba. Stroke the floor? You have to keep
:10:50. > :10:56.the the toe on the flow when you do the steps. Daisy and Aljaz, shocker,
:10:57. > :11:04.bottom two. They Sir pride. -- survived. Paso doble for them? You
:11:05. > :11:11.can see she's using her skirt, only about 10 seconds of footage. Like a
:11:12. > :11:17.flamenco dancer, I would like to see her... Going into the death drop.
:11:18. > :11:22.Love that. I would like her elbows up and more resistance in the arms.
:11:23. > :11:26.It is about resisting in the arms. Like you're pushing through quick
:11:27. > :11:30.sand, basically. Quite strong and powerful. You keep the arms curved
:11:31. > :11:35.as well with those spiky fingers on the end. I'm liking where their
:11:36. > :11:41.atraining. Maybe it's her living room or something. Let's hope so.
:11:42. > :11:45.Louise and Kevin. The judges say they want the wow factor. It's
:11:46. > :11:50.Halloween and they've got the charleston. This looks ace. It looks
:11:51. > :11:55.so good. Lots of side-by-side stuff. I think this suits her. She looks
:11:56. > :12:00.really comfortable. All these moves looks like she's been doing it
:12:01. > :12:06.forever. I think she's coming from a bit of a hip-hop background. Hip-hop
:12:07. > :12:11.background? Like street jazz sort of stuff. It suits that charleston. I
:12:12. > :12:16.noticed with her, this is the first time we've really seen her engage
:12:17. > :12:20.with her face. Lovely, happy face. She's naturally quite shy. I think
:12:21. > :12:24.it takes a while to bring that out on the dance floor? We're week five
:12:25. > :12:29.or six. It's starting to come out of her. I think this will be their best
:12:30. > :12:36.dance and top of the leaderboard. He's just saying that. Putting
:12:37. > :12:41.myself out there. Danny and Oti, Len described him as being consistently
:12:42. > :12:46.excellent. Can he maintain his high standards with this foxtrot this
:12:47. > :12:53.week? Dancing to hoar's Take Me To The Church. It goes in and out. The
:12:54. > :12:59.hold's all over the place. His footwork's inconsistent. He does
:13:00. > :13:03.some lovely steps. See that, look at the way he uses his feet there.
:13:04. > :13:08.Beautiful foxtrot. That should have been a heel. Misses that. Then goes
:13:09. > :13:13.into pivots here if you watch. Pivots! He should do a heel lead
:13:14. > :13:18.there. It is like two heels he's missed there. You know, it's
:13:19. > :13:22.foxtrot. It's very precise with the footwork. When you do a heel, you
:13:23. > :13:26.should do a heel not a toe. There are places where he's missing that.
:13:27. > :13:32.His frame is all over the place. I'm sure... We've torn him apart now...
:13:33. > :13:38.He likes a challenge, though. It's great to see this. When you see him
:13:39. > :13:42.on Saturday, I'm sure Oti will have got that brilliantly. Anastacia and
:13:43. > :13:46.her highest score with her quickstep with Gorka. She's back in the
:13:47. > :13:51.training room with Brendan. She does appear to have a new vigour, I feel,
:13:52. > :13:57.in her dancing. Wouldn't we all if we could swap our partner for one
:13:58. > :14:03.week. Really light on her feet. Nice bounce with a good energy. I think
:14:04. > :14:10.she's, this will suit her, this dance. She's a new-found energy. I
:14:11. > :14:16.did notice she gets a little wide in the leg action when she's doing a
:14:17. > :14:24.chassis. It starts to look a little Country and Western. Like a ho down?
:14:25. > :14:29.OK. What she needs to do is make sure those legs veer in towards each
:14:30. > :14:36.other. You have this feeling of veering in with the knees. You never
:14:37. > :14:46.get that wide, I'm gonna jump on my horse! Good work from Anastacia. Or
:14:47. > :14:54.aand Joanne are doing a charleston to I Want Candy by bow wow wow. They
:14:55. > :14:59.are doing a bouncy, kicky charleston. It is very similar to
:15:00. > :15:04.the jive. I think it will suit him down to the ground. He did jive two
:15:05. > :15:09.weeks ago. He was brilliant at it. I see that step where they do this.
:15:10. > :15:14.Like a lindy hop step. OK. As you can see on the ends there, they're
:15:15. > :15:18.sort of doing a flexed foot. I think that's a decision they've made to do
:15:19. > :15:24.a flexed foot. I thought we should try it. Can you do it in those
:15:25. > :15:30.boots? We can give it a shot. Kick down, in, out, kick out, up down.
:15:31. > :15:39.Fast Faster, faster. Oh, my Lord. I'm going to have an attack. Ian
:15:40. > :15:47.waits! I till you what, that's hard workful
:15:48. > :15:53.Because it is almost Halloween, we get to dress at the inn. Are you
:15:54. > :15:58.excited to find out what you're going to be wearing? Ago Breivik
:15:59. > :16:02.cited! You voted for it, people, you will be dressed up for your delight
:16:03. > :16:04.tomorrow. My goodness. Our couples are gearing up for this
:16:05. > :16:06.week's Strictly Spooky Spectacular. But are they finding
:16:07. > :16:08.training horrifying? Let's see how Greg and Natalie
:16:09. > :16:19.and Daisy and Aljaz I am actually loving the rumba. I
:16:20. > :16:25.have never got this far through a dance on a first session. I am not
:16:26. > :16:31.saying it looks good yet, but I am really enjoying it.
:16:32. > :16:37.Might challenge this week for Greg is to make sure that he is on great
:16:38. > :16:42.form. Push with the right footwork and some lovely hip action. He could
:16:43. > :16:46.do really, really well. I need to wake the legs of properly and get
:16:47. > :16:52.them ready for what will hopefully be a happy rumba.
:16:53. > :16:57.Paso doble is very strong, as I knew, but in practice it is a lot
:16:58. > :17:03.stronger. Daisy is learning the steps very quickly. Lots of elbow is
:17:04. > :17:07.up, it is really sore. The strength in your arms and having resistance
:17:08. > :17:13.against them is the most important in this particular dance. Going
:17:14. > :17:17.through the motions is quite easy, doing them with intention and
:17:18. > :17:20.resistance is really hard. That was perfect! Perfect.
:17:21. > :17:23.Now, I don't know about you, but watching all that dancing
:17:24. > :17:26.has put me in the mood for a bit of a boogie.
:17:27. > :17:45.Let's find out who's on my dance card tonight.
:17:46. > :17:52.Please welcome the one and only Pasha Kovalev! Hello, my darling.
:17:53. > :17:57.Welcome back. What have you been doing, we have missed you. I missed
:17:58. > :18:02.you, but I have been practising hard for Children in Need. With Helen
:18:03. > :18:06.Glover. Good luck with that. You will be my first dance card, you
:18:07. > :18:13.will tell me about a particular dance, one of your favourites. It is
:18:14. > :18:19.Pasha... I mean paso doble. Why do you love it so much? It is so strong
:18:20. > :18:24.and masculine, always you have to be in character, that is what I love,
:18:25. > :18:30.being in character. What are the origins of the paso doble? Lots of
:18:31. > :18:33.people will be surprised but it originated in France. They used
:18:34. > :18:39.Spanish music, but it was a social dance where people would march to
:18:40. > :18:44.the Spanish music that they would use in the bull fight. Eventually it
:18:45. > :18:51.spread out around the world, now you see it in every country on Strictly
:18:52. > :18:55.Come Dancing. All over the world. A nice Strictly statistic, Pasha holds
:18:56. > :19:00.the record for being the only professional to score a perfect 40
:19:01. > :19:08.with a paso doble, that was in 2011 with a gorgeous Chelsee Healey. I
:19:09. > :19:13.remember that outfit. Good evening, Chelsee, we miss you. What makes the
:19:14. > :19:19.perfect paso doble? Strength, character and a good partner in
:19:20. > :19:24.front of you. Shall we take to the floor? If you are at home, take to
:19:25. > :19:31.the floor and you can join in. Basic steps, what do we need? It is all
:19:32. > :19:38.about marching. Start marching with your right vote. Look at those arms.
:19:39. > :19:44.Ian was talking about strong arms. Hands coming down. I assume I am
:19:45. > :19:52.just walking around. I look silly. I hope you are doing this at home!
:19:53. > :19:59.Oh, hello! I like that! What do I need to wire, as the lady?
:20:00. > :20:05.I am glad you asked. Just in case, I have a little skirt for you that you
:20:06. > :20:12.can swish around. Can you please put it on? Yellow is so my collar, I
:20:13. > :20:18.think you will agree. I usually don't do it on Wednesday, but just
:20:19. > :20:23.for you. Pasha is in a skirt! Teach us what we need to do. You could do
:20:24. > :20:29.this with a tablecloth at home or a tea towel. This gate is very heavy.
:20:30. > :20:34.You want to open its wide and make sure that you swish it with as much
:20:35. > :20:38.energy as you can. You have to be swishing it and be proud at the same
:20:39. > :20:50.time. You are proud, you are swishing. What about the fan? Do we
:20:51. > :20:56.need a fan? Of course. Every self-respecting Spanish lady has a
:20:57. > :21:00.fan. How did you do that? CHEERING
:21:01. > :21:05.Nice, very well done. You hide behind that. When you don't want any
:21:06. > :21:12.extra attention. And then put it away when you are ready. I am ready!
:21:13. > :21:18.That is the lady, what about the gentleman? I am getting excited! I
:21:19. > :21:25.need to get into character. The matador, he does it so well. Marion
:21:26. > :21:30.has just passed out watching this. You need your cake? Absolutely. I
:21:31. > :21:43.will clear an area, you get quite carried away. Oh, my! Look at that!
:21:44. > :21:47.That is something! Wow! If we are going to put this all
:21:48. > :21:53.together, shall we do a little dance and join in at home, if you don't
:21:54. > :22:01.have a partner, use the dog. How do we start? Here is the music. Paso
:22:02. > :22:05.doble face, paso doble a strange position. Then we started walking
:22:06. > :22:13.around. We do not trust or know one another yet. And switch. OK. What do
:22:14. > :22:24.I do now? You'd walking around you and keep looking at you? Keep going,
:22:25. > :22:28.keep going. Oh! Is that it?! Is that the paso doble?! That is how it is
:22:29. > :22:34.done. Excellent! CHEERING
:22:35. > :22:37.Pasha, you are adorable, thank you so much.
:22:38. > :22:40.Pasha Kovalev, everyone. We will do that again, I hope you enjoyed that,
:22:41. > :22:41.another dance card. I think I'm going to need
:22:42. > :22:43.a lie down after that! Hopefully Danny and Oti
:22:44. > :22:54.and Anastacia and Brendan I love this jacket on you.
:22:55. > :23:02.Getting started with the foxtrot, it is good fun, it is slow and focused.
:23:03. > :23:06.Bend your knees, it is not a charger! It is really enjoyable once
:23:07. > :23:12.you get it, but it is fighting with the routine for the first few days,
:23:13. > :23:18.so frustrating. Danny is really good at the pivots, I think he enjoys it,
:23:19. > :23:23.he enjoys the rotating and spinning. I remember that from the waltz. I am
:23:24. > :23:30.looking forward to it, the Halloween element will be pretty fun.
:23:31. > :23:36.We are going into the jive this week, which I am so excited about. I
:23:37. > :23:43.have been seeing a few jibes on the show, it makes me really excited to
:23:44. > :23:48.want to do one myself. I think I could do the jive onstage a show. A
:23:49. > :23:55.little bit of it, maybe one kick, then I would be out of breath. It is
:23:56. > :24:01.go from start to finish. I love the energy, she will be perfect.
:24:02. > :24:06.Now, on Saturday we saw a very upset Laura announce that due to a bad
:24:07. > :24:08.ankle, she couldn't perform her jive with Giovanni.
:24:09. > :24:11.and I'm glad to say she's joining us tonight.
:24:12. > :24:24.Oh, we missed you! I missed you guys. It was another proper shocker
:24:25. > :24:29.moment. No one told me! How upset were you? You worked so hard? Even
:24:30. > :24:33.just watching Anastacia talking about doing the jive, the one we
:24:34. > :24:37.were really looking forward to doing. You spend a while learning a
:24:38. > :24:41.dance, you choreograph it and then we really did not know right until
:24:42. > :24:53.the day whether I could dance or not. A horrible feeling. I feel like
:24:54. > :24:56.there are no tears left to come out any more. It was not easy. But Joe
:24:57. > :24:58.was great, thanks to everyone as well. All the other contestants have
:24:59. > :25:02.given me so much support. All the crew and everyone behind-the-scenes,
:25:03. > :25:06.if it was up to me I would be on the dance floor. She really wanted to
:25:07. > :25:12.dance. She was like, I really want to do the jive. I'm totally fine!
:25:13. > :25:19.You can't walk... I don't need to walk, it is a jive! Was it weird to
:25:20. > :25:22.be watching at home? My best friend, the biggest Crewe fan from Dublin,
:25:23. > :25:27.had flown over to sit in the audience to watch, so I had to be
:25:28. > :25:32.like, how do you feel sitting at home with me, while I will probably
:25:33. > :25:38.be crying, eating Chinese takeaway? Which I did. Crispy duck makes
:25:39. > :25:43.everything better. How is the ankle now? We are being extra cautious. We
:25:44. > :25:48.only just started training again, we are a little bit behind. I am
:25:49. > :25:52.wearing lovely flat boots. I just passed Rob and he said, I know you
:25:53. > :25:58.have heard your ankle but there is no excuse for those boots! Thank
:25:59. > :26:04.you! We are taken care, that is what we aim to do. Giovanni, it is your
:26:05. > :26:10.favourite. Stop it. How devastated were you? Really upset, because she
:26:11. > :26:15.was looking forward to learning the jive. We did a little bit in the
:26:16. > :26:19.beginning and, again, really upset but, for me, my priority is her
:26:20. > :26:25.health. Maybe it is better like this. If we were in the final,
:26:26. > :26:32.that'll be our show dance. Really?! That is my thought. I'm just trying
:26:33. > :26:39.to get through Saturday, to be honest! If not, just do it anyway.
:26:40. > :26:43.You can do it now, do it in here. Let's move on from the jive to the
:26:44. > :26:48.tango this week. You have only done a little bit, how has it gone? Yeah,
:26:49. > :26:54.I mean... I really, really love the tango. Every time I am on the right
:26:55. > :27:00.leg, you can see me wince. The good thing is, I am trying to think
:27:01. > :27:04.positive, the tango is quite a stern face, it is Halloween, I can work
:27:05. > :27:09.with the emotions and use it to my advantage. You have choreographed a
:27:10. > :27:15.great dance. Thank you. You have. And sometimes we say I wonder if we
:27:16. > :27:19.could do that on the left leg rather than the right, it is very painful.
:27:20. > :27:23.It will be painful on Saturday but the doctors have decided that it
:27:24. > :27:29.will not do any damage. Dance through the pain and use it, like
:27:30. > :27:36.you say. Have you had to adapt it much, Giovanni? Not much. I know
:27:37. > :27:40.that she is in pain, it is not an easy routine, it is still a
:27:41. > :27:45.competition. And we don't want to think about the injury or use it as
:27:46. > :27:51.an excuse. It is still bad, so we need to make sure... It is making my
:27:52. > :27:59.uncle heard talking about it. It is Halloween, everybody has characters,
:28:00. > :28:05.tell me who you will be? Mr and Mrs Death. Of course exhalation not even
:28:06. > :28:08.better for the painful face. You are dancing to Paint it Black by the
:28:09. > :28:14.Rolling Stones, does Mick Jagger approve? The dog, not the lead
:28:15. > :28:19.singer? He does, it is one of his favourite songs. He did the
:28:20. > :28:23.choreography with me. All the best to you on Saturday. Dance through
:28:24. > :28:28.the pain. We cannot wait to see do, you must be excited? I was
:28:29. > :28:35.devastated to miss out, even being back here again, I just missed
:28:36. > :28:38.hanging out with everyone. It is a family, I know we keep saying that
:28:39. > :28:43.but it is, just to get back there and seeing your face on TV by
:28:44. > :28:44.yourself, I was really jealous. Good luck this weekend, Laura and
:28:45. > :28:46.Giovanni. I'll be back here tomorrow at 6:30pm
:28:47. > :28:52.with Louise and Kevin Plus Ian Waite is back with part two
:28:53. > :28:57.of his warm-up, and Vicky Gill will be giving us an exclusive first
:28:58. > :29:00.look at her creepy creations for this weekend's
:29:01. > :29:02.Halloween special.