:00:12. > :00:18.Where is everyone, we are about to go live for our Hallowe'en special.
:00:19. > :00:25.I have no guests. What am I going to do. Hello love. Thank goodness
:00:26. > :00:36.you're here. Can I help save your show. Round the cauldron we shall go
:00:37. > :00:44.and magic up some guests. Great Ore and Joanne. Paso and toe of tango.
:00:45. > :00:55.Lovely Anastacia and Brendan. I love it. A sprinkling of glitter to make
:00:56. > :01:01.the cauldron bubble. A few more guests would be nice. What about me?
:01:02. > :01:06.As well as you Russell. Double, double, toil and trouble, save this
:01:07. > :01:16.it takes two from the rubble! Wait and see. This should be it, my love.
:01:17. > :01:21.It will be... Oh fantastic. And Elaine Paige and Lisa Snowdon. The
:01:22. > :01:27.show is saved. Oh, I think I have gone too far with this one. What do
:01:28. > :01:29.you mean? Hi darling. I'm here for the show. Where is my dressing room?
:01:30. > :02:23.No! Live from London, this is Strictly
:02:24. > :02:29.Come Dancing - It Takes Two. CHEERING AND APPLAUSE
:02:30. > :02:41.Here we go. Thank you. Hello, welcome to it takes two. There are
:02:42. > :02:45.only 24 hours and 41 minutes and 54 seconds to wait until Strictly's
:02:46. > :02:49.Hallowe'en special. We may have got a bit carried away, but don't be
:02:50. > :02:59.afraid, because we have a good show in store for you tonight. I told you
:03:00. > :03:06.about that. Can I say thank you for ah amazing set. First up for most of
:03:07. > :03:11.today the class have been at Strictly HQ putting the finishing
:03:12. > :03:15.touches on tomorrow's ghoulish delights and Gethin Jones was there
:03:16. > :03:22.to preview some of the horrors they have in store. Welcome to the
:03:23. > :03:29.Strictly rehearsals. Thank you. Natalie Lowe. Thank you. Get off me.
:03:30. > :03:38.How is it going. It is going well. They're very busy preparing for hall
:03:39. > :03:45.piano. -- Hallowe'en. Get back to work. I need to find the couples.
:03:46. > :03:49.More tricks and treats later. For our first guest of the night who had
:03:50. > :03:55.our hearts racing on Saturday, tomorrow they do it again, but not
:03:56. > :04:03.before we sink our teeth into them. It is Claudia and AJ.
:04:04. > :04:14.I wanted to join in so much! The bounce action suffered, because of
:04:15. > :04:18.the speed of it. You are a beautiful dancer. I enjoyed the party spirit.
:04:19. > :04:39.Young hearts run free! Welcome and congratulations on that
:04:40. > :04:44.speedy samba last weekend. It was spectacular. How was it for you, you
:04:45. > :04:49.looked like you were loving it? Absolutely, I was loving it. I was
:04:50. > :04:54.smiling all the time. I just enjoyed every second of it. It was very
:04:55. > :04:59.fast. So I couldn't breathe towards the endches I was ill at the start
:05:00. > :05:06.of week. You did all of that in two and a bit days. She is ray mazing.
:05:07. > :05:10.And you started up on desk, sort of above the noses of all the judges.
:05:11. > :05:16.Was that quite scary, what was going through your head at that point? I
:05:17. > :05:26.don't know. Well, I was just... I was stood there and I was like don't
:05:27. > :05:31.fart. Not on Len Goodman. Very nerve-racking. Great point from the
:05:32. > :05:36.judges. It is a Hallowe'en show and we have already had a fart. Perfect.
:05:37. > :05:41.Great points from all the judges and a nine from Bruno. That is so good.
:05:42. > :05:48.Bruno loved our speed. I was chuffed. It was amazing she did it
:05:49. > :05:53.in two and a half days. She had been throwing up all week and starting on
:05:54. > :05:58.the judges' tables gave me a heart attack thinking of it. Len did feel
:05:59. > :06:04.that perhaps a bit of technique was sacrificed, because of the speed of
:06:05. > :06:09.it. What did you think? We gave him a slow walk just to show our hip
:06:10. > :06:15.action and then we ran around the room very quickly doing our samba.
:06:16. > :06:21.We did the slow part to see she would dance and then we just smashed
:06:22. > :06:25.it around the wall. We had a six fo glitter ball. You couldn't have
:06:26. > :06:32.given it any more than that could you? It was amazing. She did me so
:06:33. > :06:41.proud and it was just... Starting on the judges' table, she was shaking
:06:42. > :06:46.it. Amazing core yolk if ing choreography as well. You closed the
:06:47. > :06:50.show. You're a competitor and you have that amazing drive, or is it
:06:51. > :06:53.more pressure to close the show. I do like starting at the start.
:06:54. > :06:58.Because it is out of the way and I can watch everyone. I was stressing
:06:59. > :07:06.and I was like, OK, when am I going. He said not yet. The legs were
:07:07. > :07:13.shaking. But then I enjoyed all of it. I must say happy birthday for
:07:14. > :07:19.Monday. Happy birthday. 19. You a baby. Did AJ get you a present and
:07:20. > :07:26.givist gave you a day -- and give you a day off. Yes and he got me
:07:27. > :07:40.perfume and body cream. So obviously I smell or something. I think you're
:07:41. > :07:48.a Yumpik, a -- Yumpkin, a yummy pumpkin. Now how has it gone in
:07:49. > :07:54.training? Amazing. The lifts are epic. They're going to be insane and
:07:55. > :07:59.it is a special finish. We hope it goes to plan. We were struggling on
:08:00. > :08:04.the technique and we had to change it a few times. Hopefully on
:08:05. > :08:08.Saturday it will go to plan. With you two, the lifts could be
:08:09. > :08:13.ridiculous and how are they even doing that? How many Liverpools have
:08:14. > :08:22.you got? -- how many lifts have you got. We have three, but the last one
:08:23. > :08:29.goes into, two, into three. She is in the air for the last 30 seconds.
:08:30. > :08:36.You have got your gym coaches coming to watch you. Does that excite you
:08:37. > :08:39.or scare you? Both. It does excite me, because the only reason why I'm
:08:40. > :08:47.here and doing everything is because they have worked me so hard to get
:08:48. > :08:51.there, to do everything for my best of my possibilities and they have
:08:52. > :08:55.helped me so much. For them to watch me will be amazing. But when I see
:08:56. > :09:01.them, I will be up straight, all like this with my wrists when I
:09:02. > :09:05.shouldn't. You said you have never dressed up for Hallowe'en. Never.
:09:06. > :09:15.What an initiation it is going to be. It will be awesome. The studio
:09:16. > :09:22.is out of way. We can't wait to see you. Good luck this weekend. Claudia
:09:23. > :09:26.and AJ! Now as the competition heats up the stakes have never been
:09:27. > :09:33.higher. This weekend Hallowe'en will claim its next victim and time for
:09:34. > :09:39.the stars to face their demons. I wake up in the morning and I feel so
:09:40. > :09:48.sick with nerves. And it gets worse and worse all the way through day.
:09:49. > :09:51.The scariest part of weekend for me is just when we are about to be
:09:52. > :09:57.called down the stairs. It is terrifying. The scariest thing is
:09:58. > :10:02.knowing in advance it might go wrong. That sense you have got to
:10:03. > :10:08.deliver, you have taken a risk and it goes wrong you have got to get
:10:09. > :10:16.out of it. It is not always lrts on the night. -- all right on the
:10:17. > :10:20.night. I'm nervous. I assume everything is going to go wrong. I'm
:10:21. > :10:26.so completely terrified. There is nothing like it. I think the
:10:27. > :10:34.scariest part is before the dance. Because it is just one shot that you
:10:35. > :10:43.get. When I'm actually dancing I just try and be in that moment and
:10:44. > :10:50.to enjoy it. It gives me a real rush of adrenaline and this desire to do
:10:51. > :10:55.well. When I'm actually dancing, I'm usually lost in the music and
:10:56. > :11:02.hopefully letting my body do what it knows how to do. You don't have a
:11:03. > :11:10.lot of time to think. Normally when the song comes on, it comes
:11:11. > :11:24.automatically. It is getting emotional. I Del -- delved into my
:11:25. > :11:37.phone book to get some panelists but who did I call? I called Russell
:11:38. > :11:44.Grant and Elaine Paige. Oh foxy! Love you darlings. What an entrance
:11:45. > :11:52.Lisa Snowdon, jealous of boots. Russell, you look divine. Look, I
:11:53. > :11:57.love that. We are the shoe people. Talk about a squad of ghouls. It is
:11:58. > :12:06.Hallowe'en, Lisa, do you get excited about the Hallowe'en show? I'm just
:12:07. > :12:12.excited about Saturday. The costume, the drama. The wigs. And Russell,
:12:13. > :12:18.does it bring back lovely memories when you danced on Hallowe'en? Let's
:12:19. > :12:25.reminds ourselves. Oh, no! You little devil. I know. Better the
:12:26. > :12:33.devil you know. It was a great number and when I came off Kylie
:12:34. > :12:37.gave me a Twitter and you got a message from her on the Mondays.
:12:38. > :12:44.Elaine Paige is here. She is a goddess. You're in the middle of a
:12:45. > :12:48.tour. Tell us about it. It is wonderful it is like Strictly, I'm
:12:49. > :12:53.only performing at weekends. The only thing is I'm going all over the
:12:54. > :12:59.country every weekend and ends up in London in December and it's taken me
:13:00. > :13:05.two and a half months. You're still keeping up with Strictly. Just
:13:06. > :13:09.about. I have to tape it. I have to make sure I avoid anybody that might
:13:10. > :13:14.tell me what's happened. Monday, sit down, toes up on the sofa, glass of
:13:15. > :13:25.wine and Strictly fest. I love that image. Now our ladies, and Daisy and
:13:26. > :13:31.Aljaz. Can they avoid the bottom two? It was a shocker last week. I
:13:32. > :13:35.didn't see that coming. How is she looking? I think she is a beautiful
:13:36. > :13:47.dancer and I think their partnership is good. They're gorgeous and need
:13:48. > :13:56.that spice for the paso doble. She has the drama and that kind of
:13:57. > :14:02.attitude. Aljaz is just divine whatever he does. Whatever he does,
:14:03. > :14:08.that man is special. He is special. People are agreeing there. Anastacia
:14:09. > :14:18.and Brendan have the jive. Brendan is back! He is back! They're doing a
:14:19. > :14:20.jive. Here they are in training. What do you think Russell? Loving
:14:21. > :14:33.Brendan's get up. Salmon shorts. Whenever I see Anastasia, I think of
:14:34. > :14:38.that great number of hers, Out of Love. Whenever I see her I think of
:14:39. > :14:43.drama, and fabulousness and everything and whenever I see
:14:44. > :14:52.Brendan, I think why are you wearing pink shorts? It just works. They
:14:53. > :14:58.gave us a sneaky peak. He is your boy, you got to the final, he rolled
:14:59. > :15:02.you on the ground. It was amazing. Don't talk about that moment! How is
:15:03. > :15:07.he doing? Are you enjoying watching him? I love watching him. Yes, I got
:15:08. > :15:11.scared when I heard he wasn't very well, I was panic, it is so good he
:15:12. > :15:16.is back. He is on form, they both are, it will be really special. She
:15:17. > :15:24.has done lots of fun dances. So this is going to be more dramatic. Yes,
:15:25. > :15:34.Anastasia. Anastasia I mean. You are off on one of your tours. Grantham!
:15:35. > :15:38.It is a lovely lovely place. Claudia and AJ are doing the American
:15:39. > :15:41.smooth. The judges gave them a hard time about their rapid samba
:15:42. > :15:44.American smooth, this could be a classic for them. Have a look at
:15:45. > :15:49.them in training Elaine, tell us what you think. I think she is
:15:50. > :15:59.rather lovely. I am backing the short people, you see. I think she
:16:00. > :16:05.is marvellous, everyone though she is little. Littler than me, she has
:16:06. > :16:09.a beautiful line about her, and lovely arch to her back and all that
:16:10. > :16:14.kind of thing, think you know, it could be a first, we could see a
:16:15. > :16:19.somersault first time ever in the American smooth. Oh my goodness. She
:16:20. > :16:27.is very loose. Are you allowed do that? You can do lifts in American
:16:28. > :16:35.smooth. She will by a amazing. It is going to be good. Somersault lift:
:16:36. > :16:41.That sounds like juggling. Louise and Kevin are doing the Charleston,
:16:42. > :16:46.could this be the dance Len is looking for. They are harping on
:16:47. > :16:49.about how she doesn't give enough or something, I think this is clearly,
:16:50. > :16:54.look you can see she is going to do it this week, she will show she has
:16:55. > :17:02.that fire in her belly. Incredible outfits as well. Comic super
:17:03. > :17:07.villains. Len has not seen one of Louise's greatest hits called Naked.
:17:08. > :17:13.Do you remember that. Yes. She gave everything then. And so she needs to
:17:14. > :17:27.do something naked. That would be a first! What is this about Russell
:17:28. > :17:31.Grant? I am just so envious. I didn't get to do a Charleston, I am
:17:32. > :17:37.jealous. Shall we just do one. Can we be in the greatest hits show? I
:17:38. > :17:43.wasn't a greatest hits. Shall we do happy number. Number. They will be
:17:44. > :17:46.like Zoe who? Laura and Giovanni, they are doing a tango, she count
:17:47. > :17:53.perform last week because of her ankle. I love Giovanni. He loves you
:17:54. > :17:58.too. Can they get back in the running with this dance? I want to
:17:59. > :18:05.see how she is getting on. I love the number. Rolling Stones. This is
:18:06. > :18:09.great. How does this look to you Lisa? It looks good. I mean it is
:18:10. > :18:13.trick Chris when you have injuries, that does happen, it is the nature
:18:14. > :18:17.of the beast. You are working so hard and using muscles you are not
:18:18. > :18:22.used to using. It is shame she is not training in her shoes, when you
:18:23. > :18:27.do, or perform it feels so different and you get a bit stuck sometimes. I
:18:28. > :18:32.danced for five-weeks with a knee brace and I know what it is like.
:18:33. > :18:37.You have to keep wearing it, you have been rehearsing. You get used
:18:38. > :18:42.to it. You have to have the right feels. Let us talk about the boys in
:18:43. > :18:43.a little bit, our Friday Panel ladies and gentlemen.
:18:44. > :18:50.APPLAUSE . Another slice of gossip from
:18:51. > :18:54.Gethin who earlier today heard some strange noises in Strictly star bar
:18:55. > :19:01.and went off to investigate. You two behave. Only would you hear talk
:19:02. > :19:07.like how is your right foot swivel doing and where is my cape? Let us
:19:08. > :19:13.see what they have to say before the Hallowe'en show. Here we are. Chloe,
:19:14. > :19:18.Pasha and myself with the beautiful one, so, I have to do my questions.
:19:19. > :19:24.Chloe, how are you feeling ability Hallowe'en? This was the one I was
:19:25. > :19:28.most looking forward to the most, everyone get dressed up and changes
:19:29. > :19:31.character. You are getting good at this. We saw yesterday you were
:19:32. > :19:36.dressed up and with the make up as well. You looked like you were
:19:37. > :19:40.enjoying it too much. Way too much. Hopefully they may do it for my this
:19:41. > :19:45.weekend. Why is Hallowe'en so exciting? Everyone gets so pumped
:19:46. > :19:49.up. It is such an exciting show It is complete transformation, you can
:19:50. > :19:54.be anything, and every year, well, for me it is number six, you become
:19:55. > :19:58.something else, last year I was a Frankenstein, it was fun. Where else
:19:59. > :20:02.I would become a Frankenstein for one day. The best looking
:20:03. > :20:09.Frankenstein I have ever seen. Don't you agree? I totally agree. Gorka,
:20:10. > :20:16.how are you after last week? How did you enjoy dancing with Anastasia. I
:20:17. > :20:21.was happy to be back on the dance floor. I am happy to be back. It is
:20:22. > :20:25.just the three of us, it is quiet. Who is looking good, has come on,
:20:26. > :20:29.don't sit on the fence who is looking good. Everyone is pushing
:20:30. > :20:35.hard for a special Hallowe'en, so it will be great. Sitting on the fence?
:20:36. > :20:42.The once I saw are very good. Anyone else? No. Not giving any way. Would
:20:43. > :20:47.you like to say goodbye and hand back to Zoe. This is everything from
:20:48. > :20:52.Elstree Studios, see you next week. I think we might be out of a job.
:20:53. > :20:56.Last week with Brendan taken ill Gorka stepped in to dance with
:20:57. > :21:02.Anastasia, she is back in Brendan's arms once more, but before we
:21:03. > :21:03.welcome them to the sofa, let us relive that romantic quickstep one
:21:04. > :21:17.more time. I love the verve, the renewed
:21:18. > :21:22.energy, light on your feet, great musicality. You performed it
:21:23. > :21:27.brilliantly. Light and bright. Fun and frivolous.
:21:28. > :21:45.I don't want to upset Brendan but your best dance.
:21:46. > :21:55.Darlings, welcome. I can't believe you played that in my presence. I
:21:56. > :21:58.know. I had to cheat on him. At least you are back together,
:21:59. > :22:03.marriage guidance, that is great. Are you feeling better? I am getting
:22:04. > :22:06.much better. I had a tough week but back in the game and looking forward
:22:07. > :22:13.to being back in the studio with this one tomorrow. I love your
:22:14. > :22:17.salmon shorts tomorrow. Your 16 step was dream like. It was like you were
:22:18. > :22:22.walking on air, it was such a favourite, it was a real favourite
:22:23. > :22:29.of mine. Did you love dancing that? I truly did, my grandfather being he
:22:30. > :22:34.was from Chicago, Frank was his guy, it was so much more oaf a connection
:22:35. > :22:38.I had with the song, doing something cheeky and cute and what I think
:22:39. > :22:43.Strictly is about, is just the glamour and the West End of it all.
:22:44. > :22:47.The transformation you looked beautiful out there. The whole
:22:48. > :22:52.setting was perfect. He was like, your hair was amazing. Your hair
:22:53. > :22:59.looked good, yes. I didn't say your hair was amazing. He did. He was
:23:00. > :23:04.very cute about it. It was your choreography there, Brendan, how did
:23:05. > :23:08.she do? Incredibly well. It was very difficult sitting at home watch, I
:23:09. > :23:12.won't lie. It was hard being away from the show but seeing you in
:23:13. > :23:17.another man's arms, dancing a quickstep, my quickstep, I don't
:23:18. > :23:21.have a Spanish accent and he is quite good looking, I was very proud
:23:22. > :23:25.and I think they did a very good job. We stayed in. You stayed in.
:23:26. > :23:31.You stayed in, with more' a score than I could get for you, but that's
:23:32. > :23:35.OK. I am not bitter. He is not at all bitter about it. Len did say
:23:36. > :23:41.your best dance yet. What did you make of that? It has to give you a
:23:42. > :23:45.huge confidence boost. It gives me a good staple to come from. The song
:23:46. > :23:50.was such a passionate song I felt good. This week I am excited about
:23:51. > :23:55.the song and Hallowe'en. Are you kidding me? I'm an American, I know
:23:56. > :23:59.Hallowe'en. I am Hallowe'en. In America it is massive. We have kind
:24:00. > :24:04.of adopted it from you. Like I would love to show you American
:24:05. > :24:10.massiveness, I can't believe you guys don't have candy corner here.
:24:11. > :24:16.What is candy corn? I am so upset. I will show you one time soon, and...
:24:17. > :24:21.I forgot to mention, something I loved in your routine, was the
:24:22. > :24:27.little imaginary dog, look, let us sit back, there he s Ruffles, as he
:24:28. > :24:35.called him and Gorka pets him. That is very lovely. Hang own a minute.
:24:36. > :24:41.What happened to him? It is not an imaginary dog. I have a a dog. It
:24:42. > :24:46.was a very big collar so I wasn't sure if it was for a dog or
:24:47. > :24:52.something. But it was good, listen, our props department does well, they
:24:53. > :24:55.do well. They are amazing. Give them a hand!
:24:56. > :25:01.APPLAUSE And of course, no sign of being in
:25:02. > :25:13.the dance off. Hurrah! And I loved the fact you were so subdued
:25:14. > :25:18.listening to the results. Anastasia and Gorka.
:25:19. > :25:24.APPLAUSE That is so cute. When I said it out
:25:25. > :25:29.there it felt so much bigger and enthought I am probably killing
:25:30. > :25:32.their TVs at home. I was very scared I was ruining people's eardrums.
:25:33. > :25:41.Such a joy not to have to do the dance off again. I loved it. OK, so
:25:42. > :25:45.this week Hallowe'en, jive, it looks great, Bat Out of Hell. It is so
:25:46. > :25:48.fast and I have had a glimpse of what your costume might look like,
:25:49. > :25:53.what can you tell me? How has it gone? It has gone really well. I am
:25:54. > :25:57.superimpressed with Brendan coming back and coming back with a jive,
:25:58. > :26:02.are you kidding me? You shouldn't have shown Tuesday when I was
:26:03. > :26:10.wearing jeans It is the shorts and trainers.
:26:11. > :26:14.So classy. Also you were working on, you have had a chest infection and
:26:15. > :26:19.the jive is so serious. The pro dance this week for the result show,
:26:20. > :26:24.is epic. I love it. I had to be back for that, without doubt and my lungs
:26:25. > :26:29.were bursts during that, I finished that and went into rehearsals and I
:26:30. > :26:33.was like... I was like are you OK? I was coughing up a lung. I am looking
:26:34. > :26:38.forward to this jive. Jive. It is good to get the lungs working, it is
:26:39. > :26:44.a lung infection, that is all. The people in the audience are like...
:26:45. > :26:50.He is here. Let us have a look at some of Brendan's looks in
:26:51. > :27:01.Hallowe'en over the years. Rocky Or Rash you do do a bald cap well. Were
:27:02. > :27:06.you a zombie? Yes. I love Dracule at the end. Rocky horror, that was
:27:07. > :27:09.good, with Michelle William, it was one of my favourite dances for the
:27:10. > :27:14.look and everything. Hallowe'en is one of the best shows you do on
:27:15. > :27:18.television, we love it. You get so involved. Everybody, hair, make up,
:27:19. > :27:21.costume, everybody comes together to make a phenomenal show production
:27:22. > :27:28.and I am looking forward to this. I cannot wait. The speed is incredible
:27:29. > :27:33.and your outfits look brilliant. I am looking forward to the size of
:27:34. > :27:34.your wings. Anastasia and Brendan back together again.
:27:35. > :27:38.-- APPLAUSE
:27:39. > :27:43.. While we have been preparing for Hallowe'en all week, for some people
:27:44. > :27:44.it is is a lifestyle, it is time to welcome the dark Lord of Strictly
:27:45. > :27:56.himself. Craig Revel Horwood. Complete and absolute disaster
:27:57. > :28:18.darling. They love you really. Get them out.
:28:19. > :28:23.Get them all out. Welcome back. We have missed you. I have missed you
:28:24. > :28:26.too. Thank you for coming to see us. How excited are you about
:28:27. > :28:32.Hallowe'en? I do love to dress up, darling. I with know. It's a very
:28:33. > :28:36.good excuse to put a bit of make up on, a bit of eye liner and I do like
:28:37. > :28:41.that. I am looking forward to myself doing that, I don't care about the
:28:42. > :28:46.dancing, but... It is about the dressing up All about me. Can you
:28:47. > :28:49.give us a clue as to what you will be dressing up as tomorrow night. We
:28:50. > :28:53.don't want to ruin it. I have no idea. I did ask Len and he said that
:28:54. > :28:59.he was wearing a cape, and refused to wear the make up. I said I want
:29:00. > :29:04.everything. Give me his make up. I am having all hair of their make up
:29:05. > :29:09.put on me. I don't know what it is going to be. It is possibly divine
:29:10. > :29:14.and possibly ugly. As it is Hallowe'en, I thought maybe we
:29:15. > :29:20.should mention the fallen. The casualties of strickly who have left
:29:21. > :29:24.us. Anybody gone you felt too soon perhaps? There is always people from
:29:25. > :29:30.the beginning I think, you know, you don't want to lose anyone. We have
:29:31. > :29:37.had such an amazing eclectic and wonderful group, I didn't want to
:29:38. > :29:40.lose any of them, because they all had personality, Tameka is someone I
:29:41. > :29:43.wanted to stay, because I loved her personality, I want to see her do
:29:44. > :29:48.really well and get, you know, through. But you can't, I guess you
:29:49. > :29:52.can't as a judge say that, I mean I can in hindsight but it, they have
:29:53. > :29:54.all done so brilliantly well, and of course, you know, I wish them luck
:29:55. > :30:05.in the world of dance. Somewhere in the dance gutter I
:30:06. > :30:10.suspect. I got a nice message from Tameka. The celebrities will be
:30:11. > :30:15.listening, what are you looking for, we have the wigs and the hair and
:30:16. > :30:20.the concept. What are you looking for. People being able to shine
:30:21. > :30:24.through being able to release themselves through mask. Because you
:30:25. > :30:29.get dressed up, you become someone else and that frees you and become
:30:30. > :30:35.less nervous, put on a mask, no one can reck nice me and you can go --
:30:36. > :30:40.reck nice me and you go out and it does release a lot of tension. I
:30:41. > :30:44.hope they go with the flow of Hallowe'en and enjoy wearing the
:30:45. > :30:49.masks, because it is the last time they will get to. So I would
:30:50. > :30:58.encourage them to go full out and not worry too much about, express
:30:59. > :31:04.themselves through the characters. It is definitely there? I saw it
:31:05. > :31:11.once. In the final last year, what was your favourite Hallowe'en
:31:12. > :31:20.routine? I like anyone who can look good green. Franke Bridge was great
:31:21. > :31:25.when she did Defying Gravity. I have never seen anyone look great green.
:31:26. > :31:30.I was shocked, I said you look gorgeous green, I would stick with
:31:31. > :31:35.that face darling for day wear. She came and did that dance and the
:31:36. > :31:40.character... It gave her strength. She didn't get a perfect score. But
:31:41. > :31:45.the point is she got her character over and committed to it. Ed Balls,
:31:46. > :31:50.you have given him 2s the last two weeks, what can he do to improve the
:31:51. > :31:57.scores with you, he is trying hard? Well, not get it wrong! To begin
:31:58. > :32:07.with. He is trying hard and I know that he is determined. I love that
:32:08. > :32:11.in people. I loved it in John Sergeant and Ann Widdicombe. He does
:32:12. > :32:16.try hard. It is just what happens on the night. He may have a wonderful
:32:17. > :32:24.rehearsal and once you're in front of 12 million people it can be a
:32:25. > :32:27.disaster. It is about timing, not strength, the lifts, if you throw
:32:28. > :32:37.somebody up, you need to catch them. Ideally. While you're here we
:32:38. > :32:45.thought we would play a game I like to call the Horrible Histories. The
:32:46. > :32:49.game is simple, we are going to play some of your most horrible
:32:50. > :32:56.one-liners and you need to tell us which star you were referring to.
:32:57. > :33:02.This will be terrible. Craig's first brutal put down. I You are an
:33:03. > :33:08.exception to the rule that anyone can learn to dance. That could be
:33:09. > :33:17.ten people. It could be anybody. I remember saying it. I can't remember
:33:18. > :33:25.who to? No idea. Judy Murray. It was actually Scott Mills. Here he is. It
:33:26. > :33:31.was and Joanne's American smooth in 2014 and you gave him the great
:33:32. > :33:41.score of 2. Bless him. It probably wasn't his best. Next it is this
:33:42. > :33:44.zinger. Lifeless, lack lustre, laboured, the only good thing about
:33:45. > :33:56.that was the end. That is funny. Any idea. Julian Clary. Let's find out.
:33:57. > :34:04.No. It was Heather Small in 2008. Their samba. A 4 points from you.
:34:05. > :34:11.That is a good score. These are nice comments. Time for one more. You
:34:12. > :34:23.have had this bizarre sort of vacant look on your face that resembled
:34:24. > :34:28.someone that had just been lobotomised. That was Judy Murray.
:34:29. > :34:35.Yes it was. You scored her a 4 for this tango. We loved Judy. And you
:34:36. > :34:42.got one out of three correct. Thank you. Craig Revel Horwood, or Craig
:34:43. > :34:57.Devil Horwood. Have a great show tomorrow. This couple have had more
:34:58. > :35:05.suspence than Psycho. It is Ore and Joanne.
:35:06. > :35:14.It was quiet, it was calm and it was sophisticated. You have a connection
:35:15. > :35:19.between the end of music that is outstanding. It is wonderful to see.
:35:20. > :35:35.It was delicious. You're just incredible.
:35:36. > :35:45.Come on. Look, they love you. Welcome, loving the outfits. Happy
:35:46. > :35:51.birthday Joe. It was your birthday this week. Did he spoil you? He got
:35:52. > :36:03.me a mug with Mr Tickle on, because that is what I said he look like in
:36:04. > :36:08.the waltz. It was wavy at first. Waltzing to Whitney was great. Was a
:36:09. > :36:13.it a moment for you? Right at the end, I, and this won't surprise you,
:36:14. > :36:18.I had to keep the tears in. Come on, that song, that dance. This one in
:36:19. > :36:23.your arms. I nearly went a again and that would have been three weeks in
:36:24. > :36:28.a row and that would have had me off the show for a man who can't hack
:36:29. > :36:33.it. We like a man who cries. The men are know, what you talking about?
:36:34. > :36:37.Great feedback from the judges and Craig said you're just incredible.
:36:38. > :36:44.Craig Revel Horwood said that about you. What? Dud that even compute. He
:36:45. > :36:53.is here. I mean, I love Craig. He is just... I was worried, we went on
:36:54. > :36:58.after Ed and Katya's lift. And he tore into them. I was worried if we
:36:59. > :37:05.put a step wrong we may have got the Craig treatment. To have him say it
:37:06. > :37:08.was incredible was mind-blowing. Bruno was talking about the
:37:09. > :37:13.connection between you. Is that something you have to work on, or
:37:14. > :37:18.that is something that just comes naturally? Definitely with us it
:37:19. > :37:24.comes naturally, but all my partners, Russell who is here
:37:25. > :37:32.tonight, we still have sleepovers and watch Barbra Streisand on a
:37:33. > :37:36.clear day. I don't get invited. We got on from the beginning, the dance
:37:37. > :37:47.we did towards each other. We connected. It was perfect. Top of
:37:48. > :37:52.the leader board two weeks in a row! How is it up in the heady heights.
:37:53. > :37:57.Are you worried about coming down again? You're always worried about
:37:58. > :38:01.coming down. Because there is only one way to go. I was more stunned to
:38:02. > :38:05.have the scores that we did, you know what was that two weeks in a
:38:06. > :38:09.row? I started the show, because I love it and wanted to get the chance
:38:10. > :38:14.to dance. For us to be leading the way was just like... Well it's taken
:38:15. > :38:18.me some time to get me head around it. We have had the talk that we are
:38:19. > :38:22.going to carry on doing the same thing and not think about top of the
:38:23. > :38:26.leader board or results and letting that get us to. We have said we are
:38:27. > :38:30.going to go out and practice as hard as we do and just dance the best we
:38:31. > :38:36.can. Everything else is out of our drol. -- control. You like the
:38:37. > :38:44.lecture. I get that most days. I could get you to call me each day
:38:45. > :38:49.and say it will be brilliant. Now in the battle of Cliftons, you might
:38:50. > :38:55.like to know your scores and how they're measuring against your big
:38:56. > :39:03.brother. He and Louise have so far scored 160. I can reveal you and Ore
:39:04. > :39:08.have scored 164! Yes. I hope he is watching. Are you watching. Can you
:39:09. > :39:16.hear that? Remember when you said every week... We are nearly half way
:39:17. > :39:21.through, did you realise you would fall so hard for dance? No, I think
:39:22. > :39:26.I always knew I would feel like this about dancing. I never knew I would
:39:27. > :39:31.be able to do it. My wife is probably the most stunned, she is
:39:32. > :39:36.like, who are you? I have been with him five and a half year and I have
:39:37. > :39:40.never seen this. I wake up and that is the problem, I wake up every
:39:41. > :39:45.morning and go, I'm dancing today, she goes, I'm going to the office.
:39:46. > :39:51.I'm fallen in love with it and to do it with someone you really get on
:39:52. > :39:58.with. Will I come to the sleep over? We will ask Russell. Charleston next
:39:59. > :40:03.for you this weekend. I want candy by bow wow wow, you probably weren't
:40:04. > :40:11.alive when that was out. How has it gone? Well, it was... Rocky to start
:40:12. > :40:15.off with, you couldn't swivel. I thought Craig always says about it
:40:16. > :40:21.in the charleston. We just, we had a tough time getting the swivels in.
:40:22. > :40:27.You seem to have picked it up. It is the hardest dance to learn. I have
:40:28. > :40:31.never been more frustrated, but had the same hilarity to have the two
:40:32. > :40:38.worlds. But it has been frustrating. But I think what it comes together,
:40:39. > :40:45.because bit hold on, swivel top half, bottom half, hopefully it will
:40:46. > :40:49.be spectacular. And you have outfits and everything, we adore them. Good
:40:50. > :41:01.luck this weekend. Ore and Jie wan. -- Joanne. PHONE RINGS. Hello. Do
:41:02. > :41:06.you like scary dances? Yes. Will this take long, I'm in the middle of
:41:07. > :41:17.a live show. I know I'm watching you. Sorry it's a fan. What is your
:41:18. > :41:21.favourite Hallowe'en routine. I liked Ghostbusters and you go and
:41:22. > :41:32.enjoy your guide to Hallowe'en with Karen. I have heard it is good. What
:41:33. > :41:38.were you say something -- what were you saying. Put your fake blood on,
:41:39. > :41:42.because it is time to organise a killer Hallowe'en party. What better
:41:43. > :41:47.way the find ideas than to look back at some of the most magical
:41:48. > :41:49.Hallowe'en performances Strictly has ever seen. Welcome to my spooky
:41:50. > :42:07.selection. Whether you're into ghosts or
:42:08. > :42:16.goblins you need an outfit. So first costume and make-up. We need to
:42:17. > :42:22.start with this zombie dancing to a Michael Jackson classic, it is
:42:23. > :42:26.Jeremy Vine performing with... Hang on a second, it is me. This a
:42:27. > :42:34.transformation even impressed the judges. It was all a big treat. Next
:42:35. > :42:42.up a pair of sexy yummy mummies dancing the samba to take your
:42:43. > :42:45.mamma. It is Helen George and her partner that could bring the dead
:42:46. > :42:49.back the life. Make sure you surprise your guests with a big
:42:50. > :43:00.entrance. And flying in would be my preferred option. Look at this
:43:01. > :43:10.spectacular landing, it is Strictly's Mark Benson. He could
:43:11. > :43:22.easily get any party started. How you start this thing. Who is this
:43:23. > :43:28.friendly witch? It is Lulu and Brendan performing to Highway to
:43:29. > :43:31.Hell. She needed to witchcraft to deliver a spine-tingling
:43:32. > :43:43.performance. The magic of Hallowe'en party is bad. You can use magic.
:43:44. > :43:54.Kelly was under the spell of her partner Harry Potter. This routine
:43:55. > :44:04.took over like a nimbus 2,000 and Kelly went on to become a finalist.
:44:05. > :44:08.Back to the dark side and Scott Mills as Uncle Fester. But his moves
:44:09. > :44:12.were not magical enough for the judges and this was the nail in the
:44:13. > :44:19.coffin for Scott and he was eliminated that very weekend.
:44:20. > :44:31.Of course, if you want to have a truly amazing party, let go and
:44:32. > :44:34.dance like nobody's watching. Michel Williams knows how to let loose and
:44:35. > :44:51.this is the Time Warp from 2010. This may have been the best Brendan
:44:52. > :44:57.has ever looked. That is it for now, I hope I have inspired you can the
:44:58. > :44:58.most magical moments in Strictly's history, have a smashing Hallowe'en
:44:59. > :45:17.party. Bye. Brendan in a that half wig, genius.
:45:18. > :45:24.Welcome back Elaine, Russell and Lisa. Our Friday pack. Love the
:45:25. > :45:32.sounds of the Barbra Streisand sleep overs. Did you know about that? They
:45:33. > :45:37.had a bit of a fright night last week when Ed nearly dropped Katya.
:45:38. > :45:41.That was terrifying. The whole country was on the edge of the seat.
:45:42. > :45:44.He is the last one to do the cha cha cha this weekend, and I I know he
:45:45. > :45:51.has put in the hour, he is trying so hard. He was showing me his New
:45:52. > :45:58.Yorkers and they are very good. Will this be a good one? I saw last weeks
:45:59. > :46:08.on the Daily Politics with Andy -- Andrew Neil. I love Katya. You love
:46:09. > :46:14.Katya. You not sure about Ed He is doing very well. It will be tricky
:46:15. > :46:23.for a bloke, the cha cha cha. I loved it. Going on the second beat.
:46:24. > :46:26.That is right. He was very good at the cha cha cha, I remember Lisa,
:46:27. > :46:31.you were amazing at it. How tricky is it, you have learned it with
:46:32. > :46:36.Pasha. For a girl it is tricky. I don't know if it's the same for the
:46:37. > :46:42.guy, you had to keep straight knees and legs and all in the hip, Ed, he
:46:43. > :46:47.seems to kind when he does, he has his hands out, he minces about. He
:46:48. > :46:57.will be quite good with his hips. Russell is not convinced. He is not
:46:58. > :47:02.keen. Love Katya. You are terrible. Greg and Natalie. They had their
:47:03. > :47:06.lowest score last week, he is a bit heartbroken. It was the cha cha cha.
:47:07. > :47:11.This week it's a rumba and he is enjoying this. He is working very
:47:12. > :47:15.hard. Lice sparks what do you think, can they fare better with this? I
:47:16. > :47:20.hope so, the only problem for Greg is that the rumba has the same sort
:47:21. > :47:25.of technique as the cha-cha, it is the straight leg, it is this sort of
:47:26. > :47:29.thing, hopefully, week two of doing this style dance he may be better.
:47:30. > :47:34.Last week it wasn't his dance, he admitted to that and Craig was clear
:47:35. > :47:43.on that. We find that you Latin or ballroom. Absolutely. Wed did you
:47:44. > :47:51.prefer. I loved Latin but I got my highest marks on ballroom. It took
:47:52. > :47:57.so long, so tricky. On to Judge Rinder and Oksana. It's a paso
:47:58. > :48:04.doble. Here he goes, Elaine you are sounding hopeful. I am. He is very
:48:05. > :48:08.passionate isn't he. He gets a bit overexcited and everything. I think
:48:09. > :48:12.we will need, he has to call on his judge qualities this week. I think
:48:13. > :48:17.so if case you are wondering what he is wearing, he is being a moth. The
:48:18. > :48:28.male version of a butterfly Oksana said. Great number, Born This Way,
:48:29. > :48:37.Lady Gaga, I did that in panto. What was that? In Aylesbury. I am not
:48:38. > :48:46.there this year, I am at the Durie lane theatre. Ore and Joanne are
:48:47. > :48:53.doing a Charleston. Is he going to be... OK, Ore and Joanne, here they
:48:54. > :48:58.are, he has had trouble with his swivel. I think he has got it now.
:48:59. > :49:04.What do we think? I just love these two. I mean, Singin' in the Rain,
:49:05. > :49:10.the wonderful musical, I mean, it was just amazing, but Ore for me,
:49:11. > :49:14.even though Jo, she is my show business daughter, Ore for me is, he
:49:15. > :49:20.is just getting every week better and better. It is just, he is taking
:49:21. > :49:29.to it, and it is wonderful to watch. So He is a natural. Natural flair
:49:30. > :49:37.add -- flair and style. They are mischievous pixies. OK, Danny and
:49:38. > :49:43.Oti are doing a foxtrot. Lisa and Rachel Stevens are the only people
:49:44. > :49:47.to get full marks for a foxtrot. APPLAUSE
:49:48. > :49:54.Well done you. Here he is in training. Lisa, how does this look
:49:55. > :49:59.to you? Do you know what I think Danny dances beautifully, he hasn't
:50:00. > :50:04.got a ten yet. They are making him work really hard, that is good, you
:50:05. > :50:10.push yourself harder. He looks good. He is a natural. The way he holds
:50:11. > :50:14.himself. Absolutely everything. He was a bit like, hello with his
:50:15. > :50:21.rumba. I would have given him tens the last two week, it is that thing
:50:22. > :50:27.when they are holding out. Do you think it could be this week? Why
:50:28. > :50:36.not? You were good at foxtrot Russell. I don't know how the heck I
:50:37. > :50:43.did it. It was all to do the Flavia. Don't Rain On My Parade you are the
:50:44. > :50:50.Mrs Destroys sand fan club. It was a great number but Flavia was just
:50:51. > :50:56.divine. And remains so, we miss her and Vincent. We must discuss who is
:50:57. > :51:05.going home, who is going through the trap door on Sunday, Elaine Paige
:51:06. > :51:08.who is saying sayonara? I don't know, it is tricky, the standard
:51:09. > :51:16.this year is particularly high, isn't it. Yes. Give us a name EP. I
:51:17. > :51:23.don't like do that. I can't think. Don't worry. I will call sitting on
:51:24. > :51:32.the fence. Who is going home? Out of that lot I love Katya. Who is going
:51:33. > :51:35.home Lisa? I can't say until I have seen the whole evening.
:51:36. > :51:40.APPLAUSE It is time now to check in for an
:51:41. > :51:44.update on our couples training but who is going to be frighteningly
:51:45. > :51:50.good and who should be scared. They are so naughty. Here is how Louise,
:51:51. > :51:53.Ed and Claudia have been getting on. We are dancing the Charleston and I
:51:54. > :51:59.think it is completely different to anything we have done so far. It is
:52:00. > :52:04.incredibly fast, I am so tired already.
:52:05. > :52:08.Shattered. It is going to be about stamina and
:52:09. > :52:13.energy. There is loads of steps to remember, and you are doing them at
:52:14. > :52:18.such high speed. I am really feeling my age today.
:52:19. > :52:23.This week I am In It To Win It. Can if you can go out there and tear the
:52:24. > :52:30.roof off. I have to throw everything I have got at this.
:52:31. > :52:34.I am worried about the cha-cha. I thought this would be hard for me.
:52:35. > :52:38.My hips don't move in this way. It is Hallowe'en and you have to go for
:52:39. > :52:45.it. Let us think about your bum cheeks. He has created some good
:52:46. > :52:54.lines today. When we do into the New Yorkers. Quite impressed. ? The
:52:55. > :53:02.thing for me will be to be as light and beautiful as Katya, that is not
:53:03. > :53:09.me. I have full trust in him and I am sure we can pull it out.
:53:10. > :53:13.Training is going great. The American smooth is going smoothly.
:53:14. > :53:18.The routine is coming together. Claudia is starting to understand
:53:19. > :53:23.it, which is always helpful. I am doing a lot of work in this. It is
:53:24. > :53:27.not just on AJ this time. It is is a mix of being really elegant this
:53:28. > :53:31.routine and being really vicious because I am a witch. It is hard to
:53:32. > :53:34.find that balance but I think I am doing well. We are working hard on
:53:35. > :53:39.the lifts because they are so difficult. I have to cling on for
:53:40. > :53:46.dear life and hopefully lit go right on Saturday night.
:53:47. > :53:51.Time for the final trip to Elstree. We sent Gethin on a mission to track
:53:52. > :53:56.down intelligence from the stars of strictly. Let us see what other
:53:57. > :54:02.horrors lie behind the doors at Elstree. Let us see who is in here.
:54:03. > :54:07.I think it is Daisy and Aljaz. Enjoying coffee and breakfast.
:54:08. > :54:15.Hello. What is for breakfast? I really enjoy cereal in a mug, now,
:54:16. > :54:20.in my Elstree Studio days. Strictly is glamorous. You seemed up-to-date
:54:21. > :54:25.and ready for the paso, how you feeling? I am excited to do it. I am
:54:26. > :54:29.excited to get dancing, get on the dance floor, and smash it out this
:54:30. > :54:36.week. Who is winning, the paso or the cape or Daisy? Daisy, we
:54:37. > :54:40.named... Don't you kind of win? I win from the floor. You win from the
:54:41. > :54:44.floor. You win from the floor. That is the story. I just decide I am
:54:45. > :54:50.going to change the end of the dance. Genuine? No. I would hate
:54:51. > :54:55.that. I know your family are loving this. You have family members this
:54:56. > :55:01.weekend. Grandma is this this weekend. She comes every week to
:55:02. > :55:04.rehearsals every Thursday to see how the dance is looking, but she also
:55:05. > :55:10.has been in the Green Room every weekend and so this weekend is, she
:55:11. > :55:14.said that she would only come in the audience if I made to it Hoon, so we
:55:15. > :55:19.made it and she is in the audience this week. What does she make of
:55:20. > :55:25.this man, there is no lifts allowed in the paso, you haven't put a lift
:55:26. > :55:30.in, have you. No. Thinking about it? No, on our first Latin dance you
:55:31. > :55:35.can't do lifts but there was a little sort of a swooshy up from the
:55:36. > :55:39.floor moment and Len did pick up on it, and out of all the people the
:55:40. > :55:45.one that was the least impressed was her grandma. She didn't want me
:55:46. > :55:50.partnered with Brendan, she said you can't have that Brendan because he
:55:51. > :55:56.does illegal lifts. So here I am doing illegal lifts. And she gave
:55:57. > :56:04.you a talking to. Did she really? She did. You have to be here for
:56:05. > :56:08.grandma. I am. No liftings grandma. Are you looking forward to it? I am
:56:09. > :56:12.looking forward to getting on the dance floor, the paso particularly
:56:13. > :56:17.is so strong and tough. I am not great at being tough, but I am
:56:18. > :56:23.learning, so... On Monday you were not but today you are. I know you
:56:24. > :56:28.will be fabulous, I will let you get back to breakfast. That is it for
:56:29. > :56:32.tonight. Don't mistomorrow night with Tess and Claud. I am back on
:56:33. > :56:39.Monday with the next couple to fall foul of the grim reaper. Now it is
:56:40. > :56:40.time for the overtones who are to start their Christmas tour, playing
:56:41. > :56:53.us out with the monster mash. # I was working in the lab
:56:54. > :56:57.# Late one night # When my eyes be held an eerie
:56:58. > :57:00.sight # For my monster on his slab began
:57:01. > :57:04.to rise # Then suddenly for to my surprise
:57:05. > :57:08.# He did the mash # He did the monster mash
:57:09. > :57:11.# The monster mash # It was a graveyard smash
:57:12. > :57:14.# He did the mash # And it caught oven in a flash
:57:15. > :57:19.# The monster mash # Oh yes, he did the monster mash
:57:20. > :57:22.# He did the mash # He did the monster mash
:57:23. > :57:26.# The monster mash # It was a graveyard smash
:57:27. > :57:31.# He did the mash # And it caught on in a flash
:57:32. > :57:38.# The monster mash # He did the monster hash
:57:39. > :57:42.# To the master bedroom where the vampires feast
:57:43. > :57:47.# The ghouls all came from hair humble abode
:57:48. > :57:51.# To get a jolt from my electrode # He did the monster mash
:57:52. > :57:55.# They did the monster mash # It was a graveyard smash
:57:56. > :58:03.# He did the mash # And it caught on in a flash
:58:04. > :58:11.# Yeah, they did the monster mash # The zombies were having fun
:58:12. > :58:17.# The party had just begun # The wolf man
:58:18. > :58:22.# Dracula and his son # It was rocking
:58:23. > :58:25.# Igor on the chains backed by his hounds
:58:26. > :58:30.# Strictly Come Dancing was about to arrive
:58:31. > :58:34.# With their vocal group The Overtones Five
:58:35. > :58:38.# They did the monster mash, we did the monster mash
:58:39. > :58:42.# Oh it was a graveyard smash # And it caught on in a flash
:58:43. > :58:49.# The monster mash # Oh we did the monster mash
:58:50. > :58:53.# Clap your hands now # We did the monster mash
:58:54. > :58:58.# It was a graveyard smash # And it caught on in a flash
:58:59. > :59:03.# The monster mash # We are we did the monster mash
:59:04. > :59:12.# We did the monster hash # Oh it was a graveyard smash
:59:13. > :59:17.# And it caught on in a flash # We did the monster mash
:59:18. > :59:25.# We did the mash. # APPLAUSE