:00:47. > :00:53.From London, this is Strictly, It Takes Two! Please welcome your host,
:00:54. > :00:57.Zoe Ball! CHEERING AND APPLAUSE. If you're missing Halloween already,
:00:58. > :01:02.we've still got a few tricks up our sleeve,
:01:03. > :01:03.including an exclusive listen to what our couples will be
:01:04. > :01:06.dancing to this weekend - And from the Jukebox
:01:07. > :01:11.to the Booth of Truth, But first, it's time to reveal who's
:01:12. > :01:21.in our green room tonight. Plus, he's the busiest choreographer
:01:22. > :01:37.on the planet, it's dance Jason will be answering some
:01:38. > :01:42.of your questions later in the show! But first, they danced
:01:43. > :01:45.like it was the Day of the Dead on Saturday and ended
:01:46. > :01:47.up in the bottom two Luckily, the judges gave them
:01:48. > :02:05.a lifeline and they and live It is really lovely to see that
:02:06. > :02:09.dramatic, stronger Daisy now, in really nice rounded performance.
:02:10. > :02:14.Hit and miss, sometimes full of aggression and attack and another
:02:15. > :02:17.bit, it would just loosen out a bit. The choreography was great, you
:02:18. > :02:23.looked fantastic and I adored the dance!
:02:24. > :02:27.I get really emotional watching that again.
:02:28. > :02:38.Dramatic paso and you both looked divine. The skulls were beautiful.
:02:39. > :02:43.The brief was pretty skulls. They did an incredible job. The dress.
:02:44. > :02:48.The hair and make-up. Just incredible. For everyone, they go
:02:49. > :02:53.over and above. It is so exciting, the dance itself, did you enjoy it?
:02:54. > :02:57.I loved that paso, such a passionate dance. It was really difficult
:02:58. > :03:00.coming to terms with being aggressive and tough like that
:03:01. > :03:05.because I'm just not like that naturally. Once I got my head around
:03:06. > :03:10.it, I loved it so much. And I had the best time. When it got the
:03:11. > :03:16.Saturday night, I felt like I didn't do it as well as I had done in
:03:17. > :03:20.rehearsals. No! Aljaz, you do not look like you agree. Where then
:03:21. > :03:24.nerves because you had been in the dance of the week before, was more
:03:25. > :03:31.nerve wracking? Yes, of course, and wanting to prove I deserve to be
:03:32. > :03:35.there as well. More than anything, just saying I'm still really
:03:36. > :03:41.enjoying it and I can do the steps, I promise! Bless you! And you can do
:03:42. > :03:47.them well! I know, and we really enjoyed it. And bottom two again,
:03:48. > :03:53.that is heartbreaking, Aljaz? Especially as you had such great
:03:54. > :03:57.scores. It is always tough. And as soon as we finished, I did know, on
:03:58. > :04:03.the Saturday, Daisy did an incredible job. Again, yet again, I
:04:04. > :04:07.was not easy on her with the steps and choreography. There was really
:04:08. > :04:13.tricky footwork within that routine. And to stay in character and the
:04:14. > :04:18.make-up was incredible, so the whole thing, I loved the look and the
:04:19. > :04:23.dance, it was won of my favourite dances I have ever done in Strictly.
:04:24. > :04:28.See! And a lot of love and support for you online.
:04:29. > :04:30.Well, you got lots of support online.
:04:31. > :04:33.Carol Rafferty tweeted: "Daisy Lowe - shocked you were in the dance-off
:04:34. > :04:36.this week, but so pleased you're through to dance another week.
:04:37. > :04:41.Yes! Strike -- smiling! Good advice. When Tess said your name, you could
:04:42. > :04:44.not catch your breath and I was worried. I thought your knees had
:04:45. > :04:45.gone. What went through your head
:04:46. > :04:52.when you heard your name called out? I had just turned her Aljaz and
:04:53. > :04:57.said, I can't do that dance again. Then they called our name and I
:04:58. > :05:02.thought, well, I'm going to have two! But in honesty, I was really
:05:03. > :05:06.pleased I got an opportunity to do it better because I felt like I had
:05:07. > :05:11.not done it as well as I could have and I really went for it in the
:05:12. > :05:16.dance-off. You really went for it! You could feel the fire! Brendan
:05:17. > :05:21.said yesterday, nothing like a dance-off to go, right, I'm bringing
:05:22. > :05:25.it. You must have been like and again, with that make up, I did tell
:05:26. > :05:30.Daisy whenever in the routine you feel like you want to scream or
:05:31. > :05:38.shout, do it! There was 1.I looked at Daisy and she shouted and I said,
:05:39. > :05:44.make up! I got out of character! The judges saved you unanimously again.
:05:45. > :05:48.They are seeing the great stuff and you want the people at home to
:05:49. > :05:53.understand that is to vote. Aljaz, what is it people do not see at
:05:54. > :05:59.home? I don't know. Daisy comes in every single week and we got the
:06:00. > :06:06.best score this week, which proves she works so hard. And the steps I
:06:07. > :06:11.throw in, really difficult, every single week. And we just need to
:06:12. > :06:15.keep doing that. We've got some beautiful dancers left this week. I
:06:16. > :06:20.love the dance we are doing this week already, I just want her to get
:06:21. > :06:25.better every week. Which she is doing. And going back to how
:06:26. > :06:30.difficult the steps were, Len did say he had never seen a girl, I have
:06:31. > :06:34.to read it, it is so complicated, he'll turn into a twist turn step,
:06:35. > :06:39.you had worked so hard on it, did you know what he meant? I did
:06:40. > :06:42.because Aljaz had said to me previously, you have to make sure,
:06:43. > :06:47.you get the steps right, make sure you do that bit rate because that is
:06:48. > :06:57.important technical dance work. All right! I said it much more happily!
:06:58. > :07:01.I really would love you to... I was doing the paso face all day! That is
:07:02. > :07:07.a really tricky step to do because the timing is hard and paso is very
:07:08. > :07:13.fast, and to do a little he'll turn, yes, I loved it. I love it when he
:07:14. > :07:18.is happy and smiling, we do not see training Aljaz! That is not true!
:07:19. > :07:21.Now, viewers of a more sensitive disposition - or those
:07:22. > :07:23.eating their tea - may want to look away now.
:07:24. > :07:25.Daisy, here you are having a few moments of relief
:07:26. > :07:34.Oh, yes! One, two... Know, straight leg. I didn't want to bet in your
:07:35. > :07:42.face! # She's a lady!
:07:43. > :07:50.BURPING. Is that to put me in the right mood for a paso?
:07:51. > :07:56.Yes, yes! I love that! And when I got back in hold, I said, thank God
:07:57. > :08:04.I'm to the left! On his shoulder! Less onions! My grandmother will be
:08:05. > :08:07.modified! No, you are a lady! I really do burp! We all do that and
:08:08. > :08:09.we get wind from various places! We all do that and we get wind
:08:10. > :08:11.from various places! You're dancing the
:08:12. > :08:20.Viennese Waltz next. Back in the hold. Back in the hold,
:08:21. > :08:27.it is so comforting! It feels like being in the womb! All right! We
:08:28. > :08:31.haven't been able to be in hold the four weeks since our Quickstep and
:08:32. > :08:36.it does feel really good. I also forgot how painful it is to keep
:08:37. > :08:41.your arms up like this. All the time, and the head. And you are
:08:42. > :08:46.saying today that in the Viennese waltz, it needs to be even further
:08:47. > :08:54.backwards. Yes, every week, it needs to be further back. Goodness me! And
:08:55. > :09:01.a lovely smile. And I get the smile, yes! We love your smile, it is great
:09:02. > :09:02.to see that again. If we think back to your waltz...
:09:03. > :09:07.Your Week One Waltz to Unforgettable was -
:09:08. > :09:14.Will we see something like that again? I think so, the waltz was
:09:15. > :09:19.beautiful and the Quickstep, I loved the Mary Poppins Quickstep. And I
:09:20. > :09:25.could not wait to get back to ballroom because I know that's Daisy
:09:26. > :09:29.loves it. Yes, it is a song that is very self-explanatory. Eating
:09:30. > :09:34.everybody is going to love it. But I always love a Viennese waltz on the
:09:35. > :09:39.show, a beautiful feeling of a ball in Vienna and doing it on Strictly
:09:40. > :09:43.is always special. I'm excited to dress up like a Princess! We can't
:09:44. > :09:46.wait and keep the faith, we love you!
:09:47. > :09:50.Now, like us, the pro dancers enjoy a good old gossip,
:09:51. > :09:52.so we built them a photo-booth of truth especially!
:09:53. > :10:23.Which professional is always late? Well, I have noticed Anton has been
:10:24. > :10:32.late quite a few times. Anton. Well, it's not me, it's definitely not me.
:10:33. > :10:38.The lovely Anton du Beke does waltz in whenever he likes. The other pros
:10:39. > :10:43.get in early. Some people might say it is me, Pasha. Always ten, 20.
:10:44. > :10:49.Half an hour late. I have never seen him on time, ever. We are waiting
:10:50. > :11:00.for you, Pasha. They think I'm late. They are early, I'm on time, it is
:11:01. > :11:03.just. Early. Who is the clumsiest professional? That is easily
:11:04. > :11:07.Brendan, he is always doing tricks and flipping around and jumping of
:11:08. > :11:14.tables and he falls. I'm very clumsy, I do a lot of stupid things.
:11:15. > :11:18.100% Brendan Cole. I often fall and I trip. Brendan, he is just really
:11:19. > :11:23.fearless and he just jumps off things and does a roly-poly.
:11:24. > :11:30.Stumble, break. Any time you hear something falling, you don't have to
:11:31. > :11:33.even ask, it is Brendan. Yes, it is one way of dancing.
:11:34. > :11:35.Clumsy Brendan! We love an excuse to get our groove
:11:36. > :11:38.on in the It Takes Two studio. And you may have noticed
:11:39. > :11:41.we regularly do it on a Tuesday. Yep, you guessed it,
:11:42. > :11:44.it's time for Tunes on Tuesday! With just nine couples
:11:45. > :11:51.left in the competition, Let's find out what's
:11:52. > :12:03.on the jukebox tonight. # I don't tell you what to say...
:12:04. > :12:07.It's the 2015 hit You Don't Own Me, by Australian singer Grace.
:12:08. > :12:09.The song was produced by the legendary Quincy Jones,
:12:10. > :12:12.who also produced the Lesley Gore version way back in 1963.
:12:13. > :12:14.Both singers were just 17 years old when they recorded this
:12:15. > :12:22.You may also recognise it from a famous Christmas ad.
:12:23. > :12:24.That's right, folks, Halloween is so yesterday!
:12:25. > :12:35.Let's find out who'll be hoping to "own" their
:12:36. > :12:50.They'll be performing a Viennese Waltz to this!
:12:51. > :12:53.Right, what's next on the Jukebox tonight?
:12:54. > :12:58.It's 'Long Tall Sally', by Little Richard!
:12:59. > :13:00.This 1957 hit's been covered by Elvis Presley,
:13:01. > :13:11.By the way, nice dress, Daisy, lovely! And you don't look so bad,
:13:12. > :13:13.And you don't look so bad, Ore!
:13:14. > :13:16.In fact, Little Richard was such a big influence on The Beatles that
:13:17. > :13:25.Let's find out who's going to be wooing along to this
:13:26. > :13:47.It's 'Bamboleo' by the brilliant Flamenco band Gipsy Kings!
:13:48. > :13:57.Believe it or not, this iconic song never made it into the UK charts,
:13:58. > :14:00.but it certainly stood the test of time as - 28 years later -
:14:01. > :14:04.Trust me, you'll be Bamboleo-ing for the rest of the night!
:14:05. > :14:09.Ever wondered what 'Bamboleo' actually means?
:14:10. > :14:13.After a quick online translation, we can tell
:14:14. > :14:23.# Porque mi vida, yo la prefiero vivir asi #.
:14:24. > :14:27.CHEERING AND APPLAUSE. Ole!!
:14:28. > :14:32."Roll, roll, because I prefer to live my life this way".
:14:33. > :14:36.I think I prefer to live my life this way too!
:14:37. > :14:51.Let's find out who'll be rolling along to this song on Saturday.
:14:52. > :15:03.They will be going the Samba. If you want to find out... Thank you. If
:15:04. > :15:04.you want to find out what songs are couples are dancing to this weekend,
:15:05. > :15:07.head to the website. Talking of this weekend,
:15:08. > :15:10.it's time to take an exclusive look at how rehearsals are coming along
:15:11. > :15:13.for the next big group number. And this time, our pros
:15:14. > :15:30.are bringing Cuba to Elstree. This week we are taking the ballroom
:15:31. > :15:36.to South America. This time it is to Fiesta Strictly style. It is from
:15:37. > :15:44.Cuba, it is energetic. OT is playing this character the men want and it
:15:45. > :15:49.is them competing for her attention. Bits of Salsa, bits of Samba in it.
:15:50. > :15:55.The girls are sexy and the men are looking match show. I love this
:15:56. > :16:01.dance. I am at the front for half of it until Anton du Beke comes along
:16:02. > :16:05.and pushes me out of it again. I am the Lothario, the one who ends up
:16:06. > :16:10.with the girl. The others are all fighting over the girl and she
:16:11. > :16:18.catches one side of me and that basically does it. This dance, we
:16:19. > :16:24.are using loads of props, hats on, all we can put in. Love it. Imagine
:16:25. > :16:28.you are on the streets of Cuba, everyone having fun. Lots of hips
:16:29. > :16:33.going on, it will get the audience going. The end of the number is
:16:34. > :16:37.going to be fantastic. Going to have a bit of a surprise in store with
:16:38. > :16:42.special effects, so I am looking forward to that. That is all you can
:16:43. > :16:48.see by now, June in this weekend to join the party. You are all invited.
:16:49. > :16:50.It looks wild. It's time now to meet
:16:51. > :16:52.the Dance Mastermind behind so many of the group numbers
:16:53. > :16:54.you see on Strictly. Please welcome Choreography god
:16:55. > :17:09.and all-round lovely We just got a flash of the weekend
:17:10. > :17:18.group dance is coming up, Cuban Fiesta with choreographer Matt
:17:19. > :17:26.Flint. He is so lovely. That looks fantastic. It is one of the fastest
:17:27. > :17:32.routines we have done so far. Halloween weekend, both group dance
:17:33. > :17:41.is where epic. Ghost train, brilliant opening and then the
:17:42. > :17:45.results show, Clock Strikes 12? Yes, that does Halloween firs every year,
:17:46. > :17:53.but this was phenomenal. The storytelling, in that short space of
:17:54. > :17:58.time to tell this incredible story, it is great. Brendan possibly played
:17:59. > :18:06.the best evil character we have ever had. One of our viewers has asked,
:18:07. > :18:11.how do you choose which pro has two lead the different group dance is?
:18:12. > :18:16.It is easy because every pro dance gets featured. By the end of the
:18:17. > :18:23.season we have seen every single pro take the lead in a number. Some of
:18:24. > :18:29.the choreographers like Beth Honan, she knew what she wanted for her
:18:30. > :18:34.routine this time. For my routine, I pretty much featured all of them.
:18:35. > :18:36.For my second, I wanted to feature some of the new ones who have been
:18:37. > :18:43.in this show this year because nobody has got to know the new one
:18:44. > :18:50.yet. So I used Gorka and Oksana. That was Romeo and Juliet. Yes, and
:18:51. > :18:56.I got to know them really well with just working with them. It was a
:18:57. > :19:06.lovely experience. Was this the first group Argentine Tango? I
:19:07. > :19:16.couldn't work out why we hadn't used an Argentine Tango is a group number
:19:17. > :19:23.before. At week one, when everybody did the Waltz to What The World
:19:24. > :19:28.Needs Now. It was beautiful. Not just in the room, the rehearsal room
:19:29. > :19:33.was a beautiful experience. Bringing all these people from all over the
:19:34. > :19:38.country together, the kids were from all over London. The other people
:19:39. > :19:41.that joined us, the social dances were from up north. They had never
:19:42. > :19:47.seen each other, they had been rehearsing separately all over the
:19:48. > :19:53.country. So they only get to rehearse together on the day? Yes,
:19:54. > :20:00.it was like having 5000 people on the floor at once. We have more
:20:01. > :20:04.questions Angela would like to know who are your heroes in the dance
:20:05. > :20:10.world? I am a bit old school so I like Fred Astaire, Ginger Rogers,
:20:11. > :20:17.Gene Kelly, Anton du Beke. The biggest of the dance world. I love
:20:18. > :20:25.old movies from the 30s and 40s and I get a lot of my inspiration from
:20:26. > :20:29.them. We have seen some beautiful influences this year with Ore doing
:20:30. > :20:37.singing in the rain. What are the top three elements that make a good
:20:38. > :20:41.dance? You have to have a simple concept, a good, technical base, but
:20:42. > :20:46.then the most important thing is a great performance because then that
:20:47. > :20:49.will hit it home. If you don't have that performance, you will not
:20:50. > :20:56.connect with anybody watching. As much as you can work on technique
:20:57. > :21:00.over and over again, if you don't work to the performance, it can flat
:21:01. > :21:04.line. Performance above everything. I love the group numbers, there are
:21:05. > :21:19.so many different dances you want to watch.
:21:20. > :21:27.Now Halloween is out of the way, Blackpool is almost here. We have
:21:28. > :21:30.done a Waltz so far, we have done a Tango and this group number, I think
:21:31. > :21:38.the F would be nice to open the show. I love getting the celebrities
:21:39. > :21:40.excited to open the show. So we will do something special for the
:21:41. > :21:41.celebrities this year. Our final couple of the night turned
:21:42. > :21:47.the Strictly Ballroom into their very own sweet shop and -
:21:48. > :22:12.apart from the mess they made - You don't get tired at all, you make
:22:13. > :22:20.everything look easy, so well done. You're right but never swivels, so
:22:21. > :22:28.it is not a Charleston. Overall, I thought it was great. But the lift
:22:29. > :22:40.was a bit dodgy. Ore and Joanne. I was hoping you would keep the beard.
:22:41. > :22:46.I wanted him to keep the wart. You couldn't see it on TV, but they
:22:47. > :22:52.stuck eyelashes on the wart, so it was hairy. This is the detail they
:22:53. > :23:05.go to, so good. When you saw it in the mirror, what? ! What did we look
:23:06. > :23:16.like, silly. I felt like I was channelling Tom Hanks in castaway. A
:23:17. > :23:22.bit of Ron Burgundy on a bad day. We have Craig giving you a six and then
:23:23. > :23:28.getting nines. But your lower score since the second week, but 32 is
:23:29. > :23:34.still great. How are your feelings? You cannot complain having 32, it is
:23:35. > :23:39.an amazing score. For me, it was the first time we'd had a six since week
:23:40. > :23:45.too, so it felt like we had gone back a bit. But it was so nice and
:23:46. > :23:50.the judges around the table realised there were some good bits and we did
:23:51. > :23:57.do some of the Charleston well. He did a lot of it well. What happened
:23:58. > :24:03.with the lift, Joanne because you could see something had gone
:24:04. > :24:10.Askwith. It was definitely squiffy. We didn't time it right together. It
:24:11. > :24:19.wasn't Ore's faults, it was us as a team, together. We were supposed to
:24:20. > :24:24.do... Back, replace, jump, bend and go over at exactly the same time.
:24:25. > :24:31.Watching it back it was the back, replace and it was the turn we
:24:32. > :24:39.didn't get in sync. I am with you now. It had a knock-on effect
:24:40. > :24:46.because we didn't have the next steps in time. I know how terrifying
:24:47. > :24:51.it is. Your brain starts to race. My brain went blank. It is the first
:24:52. > :24:54.time. It is quite scary because we are at the part in the competition
:24:55. > :24:59.where the pressure is rising. Every step that goes wrong, it can affect
:25:00. > :25:03.how you get on in the competition. It was scary because it had never
:25:04. > :25:09.happened before and I had never not done that lived right. You are very
:25:10. > :25:13.sweet because he felt like I was falling and the reason he was behind
:25:14. > :25:18.and not in sync afterwards, he was making sure I did not fall over. He
:25:19. > :25:26.helped me up and then missed the beat. The things you have to do for
:25:27. > :25:30.a lady. It is quite exciting, it means there is a reshuffle at the
:25:31. > :25:36.top of the leaderboard. It is so competitive. Are you feeling that
:25:37. > :25:43.competitiveness, the change amongst everyone? I don't know, we are
:25:44. > :25:48.trying not to think about it as a competition. When we go back to
:25:49. > :25:51.training on Monday it is nice to get into the safety tree of the
:25:52. > :25:56.training room and learn the routine. From being at the top of the
:25:57. > :26:00.leaderboard twice, which is incredible, I said last week there
:26:01. > :26:03.was only one way to go. We were prepared for the fact we would not
:26:04. > :26:12.be up there again, but it is about how you bounce back. Motivation,
:26:13. > :26:21.work hard. Exactly. Let's talk about the swivel issues, and I know you
:26:22. > :26:27.had worked hard. I had worked hard, she had been banging on about swivel
:26:28. > :26:31.all week. I thought there was some swivel and I was really trying. You
:26:32. > :26:35.know what it is like when you are trying so hard every day of the week
:26:36. > :26:40.and one of the judges picks up on the things you have been trying to
:26:41. > :26:46.do and says he didn't do it, it is a bit of a hammer blow. You did do it.
:26:47. > :26:52.When you were looking at your lollipop like that, you were
:26:53. > :27:00.swivelling. Craig's eyes would have been on that. It is a strange dance.
:27:01. > :27:04.I love doing the Charleston, but it is bizarre, it is like patting your
:27:05. > :27:10.head and rubbing your stomach at the same time. Just don't drop your
:27:11. > :27:20.partner. That is always a good thing. Let's move the Salsa for you
:27:21. > :27:24.two. You like this. Back to the Latin. What are you thinking, how
:27:25. > :27:33.has it gone so far in training? Very well. It has been all right. You
:27:34. > :27:39.look surprised! I have a different feeling from last week. You already
:27:40. > :27:44.love the Salsa, kind of way of dancing and you picked up the
:27:45. > :27:50.routine within the first two hours. We had done the whole routine. You
:27:51. > :28:00.have such low expectations. There is a boat... Still have lifts. We have
:28:01. > :28:09.to time them right. Let's not dwell on that. What is the important thing
:28:10. > :28:14.about the Salsa? We haven't got onto the lips, so that will come. It will
:28:15. > :28:21.be their hip action and it is going to be about light on your feet and
:28:22. > :28:31.not taking two larger steps. We have a list. Let me get my notepad. Most
:28:32. > :28:38.important thing, keep moving, don't stop. You make it look so easy.
:28:39. > :28:43.Don't do this... That is my idea of a Salsa. I think I will come to your
:28:44. > :28:45.salsa class. Good luck this weekend, we thing you are brilliant. Keep it
:28:46. > :28:46.up! But fear not, we're back tomorrow
:28:47. > :28:52.at 6.30 when I'll be joined Plus, we last saw him
:28:53. > :28:59.dressed as Black Swan, Ian Waite is back for
:29:00. > :29:02.a Wednesday Warm-Up!