:00:00. > :01:00.Now, if you're suffering from a mid-week slump,
:01:01. > :01:02.don't fret because we have a Strictly brilliant line-up
:01:03. > :01:08.Fresh from receiving their highest scores of the series,
:01:09. > :01:15.APPLAUSE Hello, beauties.
:01:16. > :01:18.My former dance partner-in-crime and the only man I trust to analyse
:01:19. > :01:21.the week's training footage, it's Ian Waite!
:01:22. > :01:25.Plus, where has she been all my life?
:01:26. > :01:27.The gorgeous Karen Clifton is here to give me,
:01:28. > :01:30.and you lot at home, a master class in the art
:01:31. > :01:34.APPLAUSE I can't wait.
:01:35. > :01:37.So clear some space in your living room and get your dancing
:01:38. > :01:42.But first up, it's taken 14 series and over 1,500
:01:43. > :01:44.dances but on Saturday night, one man did the unthinkable,
:01:45. > :02:08.Toxic! Addictive! Horribly fabulous! That bottom of yours was moving
:02:09. > :02:12.spasmodically. I did not know where it was going next. Halloween is
:02:13. > :02:17.about the supernatural. It wasn't super and it wasn't all that
:02:18. > :02:30.natural. But, your best dance. APPLAUSE
:02:31. > :02:36.Spreading so much joy. Everybody across the nation beaming with
:02:37. > :02:37.smiles after that. It was a dance of wonder. Congratulations for not
:02:38. > :02:46.being on the bottom! APPLAUSE My goodness me. Was it a joy to
:02:47. > :02:50.dance, you look like you are having so much fun? It was so unexpected
:02:51. > :02:54.because at the beginning of the season I thought Latin I would find
:02:55. > :02:58.impossible, the cha-cha-cha was the dance I was most afraid. It was my
:02:59. > :03:03.favourite one, we loved it. We loved it from the day we started. Much
:03:04. > :03:07.more intuitive. Really funny that even this week, we kept singing it
:03:08. > :03:12.and dancing it, sometimes we would break out from the quickstep start
:03:13. > :03:16.dancing it. I know, we will never ever forget that. LAUGHTER
:03:17. > :03:21.That would make such a good gif. You gave Katya a potion to help her
:03:22. > :03:24.dance better on Saturday, do you think she's starting
:03:25. > :03:29.to pull her weight She thinks I need a double dose!
:03:30. > :03:34.LAUGHTER It is not county that needs the
:03:35. > :03:38.potion. It was amazing. The funniest thing, she had to be a bad dancer,
:03:39. > :03:42.drink the potion and then become good. Catty's bans dancing was so
:03:43. > :03:43.much better than anything I could do.
:03:44. > :03:54.Everything is good. Just your bass dancing is not bad. Not bad enough.
:03:55. > :03:56.-- bad dancing. It must be that you can't dance badly. What an amazing
:03:57. > :04:00.score. Were you surprised with
:04:01. > :04:12.just how well it went? It was amazing to get it from Bruno.
:04:13. > :04:17.He did say it might be the first and the last one but it did not matter.
:04:18. > :04:23.We worked so hard and every week we try so hard. We are doing so well,
:04:24. > :04:28.we love it, we want to deliver the joy. It was also the first dance
:04:29. > :04:33.where, on the night, we did it the best we've ever done it. We've never
:04:34. > :04:35.done it that well. Some of your little... Some of your Vettel moves!
:04:36. > :04:47.Which we will come to in a moment. My God! That was a shock to all of
:04:48. > :04:53.us. Do you think he has warned to you? Very premature to say that. He
:04:54. > :04:56.was trying to keep his face very stiff and he talked about my
:04:57. > :05:02.spasmodic hip movements and then I gave him one. You could see him try
:05:03. > :05:07.not to burst... Craig is a tough critic and I'm listening to what he
:05:08. > :05:09.says. You will take it on board? There is one move that I feel we
:05:10. > :05:12.will all like to see again. Here it comes and there he goes. We
:05:13. > :05:31.needed it. I was supposed to be Michael Jackson
:05:32. > :05:35.and suddenly it became Beyonce. LAUGHTER
:05:36. > :05:40.It was so spontaneous. The natural dancer coming out. Afterwards I
:05:41. > :05:44.said, what was I doing? How did it happen? He was so in the moment and
:05:45. > :05:51.so in control of it. That little run I did, that was supposed to be
:05:52. > :05:54.Katya... Anyway... It was still in time. It fitted in so perfectly. We
:05:55. > :05:56.would never know you hadn't choreograph that for him.
:05:57. > :05:59.Improvisation. Your bottom also got a lot
:06:00. > :06:01.of attention on Saturday. You had a rough two weeks
:06:02. > :06:04.with the Paso Doble enjoyed it although the judges had a
:06:05. > :06:16.hard time. You enjoyed doing it, you've got
:06:17. > :06:20.great scores, how did you enjoy it? We could play safe, be a bit dull
:06:21. > :06:24.and just do the dance steps and that would be bad for us, we need to take
:06:25. > :06:28.risks and we took a risk in the American Smooth and it did not take
:06:29. > :06:31.off. We did not go backwards, we would try to do better with the
:06:32. > :06:36.cha-cha-cha, more risks and it worked. There is a formula we have
:06:37. > :06:39.got. Katya is so brilliant at the choreography, makes such a
:06:40. > :06:44.difference. The way she can get the music and the movement. The balance.
:06:45. > :06:47.And get me into it, it is amazing. The choreography was so superb. Well
:06:48. > :06:54.done. So good. We don't normally read out mean
:06:55. > :06:57.Tweets on this show, but there was one particular
:06:58. > :06:59.exchange we couldn't help Lord Sugar said and I quote,
:07:00. > :07:03."Ed Balls dances with the grace of a drunk giraffe,
:07:04. > :07:09.give it up mate!" Bone! Lord Shobha! But the thing I
:07:10. > :07:13.love about it, you didn't take this lying down, you are in fact
:07:14. > :07:17.challenged him, didn't you? If launch of the things he can teach me
:07:18. > :07:21.to do it better, that's fine. Any night he wants to come on It Takes
:07:22. > :07:25.Two I would challenge an -- if Lord sugar thinks he can. We could do a
:07:26. > :07:29.New York a charleston spin. If you can do better than me I will back
:07:30. > :07:34.down. Until then, but you money where your mouth is! Show us the
:07:35. > :07:37.colour of your money, sir. We could make dreams come true.
:07:38. > :07:40.Moving on to this Saturday, you're dancing a quick step
:07:41. > :07:43.to Help by the Beatles, how much help does Ed actually need?
:07:44. > :07:52.You are pulling a face. It is quick. The clue is in the title. It is
:07:53. > :07:57.really good. He's good at timing. He's got the rhythm. Everything that
:07:58. > :08:02.is fast pace suits you. I was really surprised how quickly you picked up
:08:03. > :08:08.the whole choreography. Lots of quick feet. The hard thing is
:08:09. > :08:11.keeping the frame. You go in and out of the steps, you do a fast spin and
:08:12. > :08:15.then we are trying to make sure we have some fun and acting in the
:08:16. > :08:20.middle but then you need to come back into frame. Getting back in is
:08:21. > :08:25.fine. But the danger is you start to droop. Don't droop! You have got to
:08:26. > :08:29.keep it firm. I know that because Katya says "Don't troop!" I know.
:08:30. > :08:37.You really don't want someone shouting that at you, do you? The
:08:38. > :08:41.nation waits with bated breath. How far did you think you are going to
:08:42. > :08:45.get when you started? I did not want to go out the first week. You are
:08:46. > :08:49.former a former politician and you have lost an election, you do not
:08:50. > :08:55.want to lose a vote -- if you are a former politician. We are almost
:08:56. > :09:00.halfway. Blackpool! Two weeks to blackball. Final, can you imagine?
:09:01. > :09:05.Katya has won lots of championships in blackball, to be able to go back
:09:06. > :09:07.there and dance with me would be amazing. -- Blackpool. Only a couple
:09:08. > :09:10.of weeks. Good luck with training,
:09:11. > :09:12.Ed and Katya everyone! We know what you've been up
:09:13. > :09:19.to in the training room this week and I've got a man here ready
:09:20. > :09:42.to give those routines APPLAUSE
:09:43. > :09:47.Did you have a happy Halloween? I did after I got that make up off
:09:48. > :09:52.after last week in my tutu. I kept the title. Still wearing them today.
:09:53. > :10:00.That is quite like a Star Trek top. Beam me up Scotty. Who's surprised
:10:01. > :10:04.you out of our dancers? I loved it. Ed was brilliant, entertainment
:10:05. > :10:06.value all the way, I enjoyed it so much. Lots of good dancers. So many
:10:07. > :10:07.good dancers. Right, it's time to start looking
:10:08. > :10:24.at this week's routines. How is our Olympian doing with a
:10:25. > :10:30.Viennese Waltz? He has some really nice movement across the floor. Very
:10:31. > :10:34.good rotation. With a Viennese there is always a struggle to get round
:10:35. > :10:39.your partner but he is doing a good job. Nice Contra Check. As you can
:10:40. > :10:44.see, he is likely over the top of her. He needs to maybe get his chest
:10:45. > :10:47.forward and look over the top of her head and he will be able to show
:10:48. > :10:55.those shoulder blades down. Roll those shoulders back. He needs to
:10:56. > :11:01.push, slightly more with his hips. I love it when he does this. Look at
:11:02. > :11:05.him go! Ever beautiful thing. He has his hips tucked under com he have a
:11:06. > :11:10.lovely bottom but he needs to use it to drive. -- tucked under, he has.
:11:11. > :11:15.Drive from the hips. I have played this next bit. I have done it in
:11:16. > :11:20.slow motion. He does a lovely flat, with lovely footwork. Cross at the
:11:21. > :11:25.front? And then six steps, turnout, side cross in front, behind and
:11:26. > :11:32.twists. Simple as that! That wasn't even rehearsed! Lovely little flag.
:11:33. > :11:36.Only been doing it for 45 years! Sorry, 40! Get me!
:11:37. > :11:48.I will get you back, you are older than me. How is it going with Laura
:11:49. > :11:54.and Giovanni's samba? A bit fast and frantic at the moment. Samba is a
:11:55. > :11:59.difficult dance. If it is quite fast, you have got to make sure that
:12:00. > :12:03.those lines and everything are finished off. Do you see what I
:12:04. > :12:08.mean? If it is too fast you don't finish. Lines won't be finished. For
:12:09. > :12:13.instance, as you can see, she is bending into... That is the wrong
:12:14. > :12:18.way. She is bending but if she can bend more, she can stretch her back
:12:19. > :12:22.foot more. Promenade run. She can get on the board of her foot and
:12:23. > :12:24.stretch that leg. The trackball of her foot. She needs to bring her
:12:25. > :12:36.arms forward. It is not easy. This week they are doing a jive and
:12:37. > :12:40.it looks pretty good to me. Really good drunken sailors. As you can
:12:41. > :12:45.see. Sometimes he picks his feet off the floor a bit too much. He needs
:12:46. > :12:51.to stay on the balls off his feet. A lovely chicken walk step. He is
:12:52. > :12:55.doing a lot of these sort of swing stuff in there, actually, Zoe. What
:12:56. > :13:03.he needs to do is lean back into the swing stuff. To create more speed.
:13:04. > :13:06.Shall I show you? Goodness me. There is this like a ride on the waltz?
:13:07. > :13:12.Back, replace and lean back. Create more speed. Got me on my knee. I
:13:13. > :13:16.need to get off the ride! Thank you! APPLAUSE
:13:17. > :13:19.It's not easy with slippery shoes on. Not easy. That was a thrill.
:13:20. > :13:22.Ore and Joanne next, who are dancing a salsa on Saturday.
:13:23. > :13:30.So many different dances. Look at this partnering. Brilliant
:13:31. > :13:35.partnering. Lovely backdrop. Turn over and under. Doing some sort of
:13:36. > :13:39.list which they haven't attempted just yet. I slowed this bit down.
:13:40. > :13:49.I wanted to show off his armography. Change of hands behind the back,
:13:50. > :13:55.double turn under the arm and then a crossover handhold into a turn. And
:13:56. > :14:00.Ben lovely hip action. Hip roll, nice. -- and Ben lovely. So many
:14:01. > :14:04.intricate moves and he has them fluids. Everything else like that.
:14:05. > :14:08.Very good. What I would like to see is show himself off as well as Joe.
:14:09. > :14:15.He is doing a good job with partnering. But he needs to shine.
:14:16. > :14:19.-- as well with Jo. You have had in incident with your puppy. -- with
:14:20. > :14:26.your poppy. We should do this again, what are
:14:27. > :14:29.you up to this time tomorrow? Until then, give it up
:14:30. > :14:31.for Ian Waite, everyone! Time now for a dance
:14:32. > :14:34.lesson with a difference. Last week, Pasha taught us
:14:35. > :14:36.the basics of the paso doble. Tonight, it's the turn
:14:37. > :14:39.of Hot Lips Clifton, who's here to show
:14:40. > :14:41.us the-all important moves from her favourite dance,
:14:42. > :14:58.the Charleston. Please welcome Karen Clifton! You
:14:59. > :15:03.could have won something lovely that you look amazing in! We have really
:15:04. > :15:07.missed you around here, what have you been doing? Sleeping! Actually,
:15:08. > :15:13.I have been doing rehearsals for Children In Need and I have been
:15:14. > :15:19.rehearsing with Lutalo Mohammad. He does tae kwon do, has he taught you
:15:20. > :15:24.any? No, he is afraid I might use it on Kevin. Kevin is wincing at the
:15:25. > :15:29.idea. You have chosen to teachers charleston, why is it one of your
:15:30. > :15:34.favourite dances? It is so character driven, I love the fact that you can
:15:35. > :15:37.make faces and the swivel action in the dance, the lifts and I love the
:15:38. > :15:43.flappers, I get to watch acrylate where stuff like this. It is
:15:44. > :15:48.amazing. -- I get to where stuff like this. Where does it come from?
:15:49. > :15:56.Sums it originates from ancient African tribes, which is quite cool,
:15:57. > :16:00.but in the 1920s is when it became popular, in the ragtime jazz era.
:16:01. > :16:06.And the thing is it was kind of racy, people looked upon it as, that
:16:07. > :16:10.is quite... It was actually banned from a lot of holes because it was
:16:11. > :16:17.so it's you brand and scandalous. Two of my favourite words. -- it was
:16:18. > :16:24.so exuberant and scandalous. The charleston didn't appear on the show
:16:25. > :16:27.until 2009, first performed by eventual champions Chris Hollins and
:16:28. > :16:31.Ola Jordan, still considered to be one of the most iconic featured ever
:16:32. > :16:35.on the show and he got a perfect score for his charleston in the
:16:36. > :16:40.final when he went on to win. It wasn't on the show when I did it,
:16:41. > :16:45.would you fancy teaching me a few moves? Yes, but before that, I
:16:46. > :16:51.wanted you to wear this. Don't tell me I look like eem you. Clear the
:16:52. > :16:56.furniture at home. You can do this at home. Relax your knees, go on the
:16:57. > :17:02.Balls of your feet and I want you to bring your heels in and out. This is
:17:03. > :17:11.the all-important, what are they call it...? Swivel! Keep the knees
:17:12. > :17:15.nice and soft, a little bounce. A bit quicker.
:17:16. > :17:21.# Dorothy wants to go home # Dorothy wants to go home... Now we
:17:22. > :17:27.are going to go into the actual basics Savic, which is just forward
:17:28. > :17:33.and back and forward and back. And making sure that you keep that
:17:34. > :17:39.swivel going. I can sort of do one swivel and the other leg doesn't
:17:40. > :17:43.swivel. It is the sparkly shoes. Always blame the shoes. We have the
:17:44. > :17:50.swivel, imagine I have mastered it. What do we do next? Now the arms. It
:17:51. > :17:56.is all about the up position and keeping the swivel going. I am
:17:57. > :18:00.having a lovely time. Now the charleston is all about the comedy,
:18:01. > :18:12.so what do we want to do with the face? Look at me and smiled. Do I
:18:13. > :18:23.love demented? And may a parrot? -- may be pout. I am shattered. And the
:18:24. > :18:34.bird, it is one of Craig's favourite moves. Flappy bird, flappy bird,
:18:35. > :18:42.step, step. Step, step. Flappy bird, flappy bird. This is actually quite
:18:43. > :18:49.tricky. Stop it, you do it. OK, well, that's lovely. I think I am
:18:50. > :18:53.doing that marvellously. What are you laughing at, you lot? In the
:18:54. > :18:56.charleston, you do lots of lips. To lift me, I think we probably need
:18:57. > :19:09.some equipment, so let's not bother, so shall we show something? I have
:19:10. > :19:13.someone. Kevin! Super Kev. I'll show you what we do at home before we eat
:19:14. > :19:23.dinner. A quick little flip you will see in the charleston. My go, Kevin!
:19:24. > :19:28.No, you have got to dance and Argentine tango this weekend. Kevin,
:19:29. > :19:41.everyone. So we want to put all that together. So we have one, two,
:19:42. > :19:55.three. And the faces. I love it. Flappy bird, flappy bird. Karen
:19:56. > :19:59.Clifton! I love it. I love you, Hot Lips. That is pretty tough going, I
:20:00. > :20:04.hope you enjoy that at home. Now let's have a look at Daisy and Aljaz
:20:05. > :20:09.and Judge Rinder and Sanaa getting on in training. Can we do that every
:20:10. > :20:15.week? -- Oksana. I love the Viennese waltz because it conjures up imagery
:20:16. > :20:20.of all these Balls in Vienna and women dressed up like princesses. It
:20:21. > :20:24.is going to be most important to keep the shape, to keep the timing
:20:25. > :20:31.going and make it look easy and effortless. The first time being
:20:32. > :20:35.back in hold for four weeks. And it is quite tough on the old shoulders.
:20:36. > :20:47.Nice. The quick is fast-paced and really
:20:48. > :20:52.furious. It is the quickest of the dances, so you have to be super
:20:53. > :20:57.light on your feet. It is very easy for it to go from the quickstep into
:20:58. > :21:00.something quickly horrible. Judge Rinder can get frustrated when
:21:01. > :21:05.things are not working out but it is a good thing, because he just cares
:21:06. > :21:10.so much. It doesn't make sense. I don't get frustrated, it is more
:21:11. > :21:17.volcanic. I am quite optimistic about this week, I think we are
:21:18. > :21:21.going to do a good job. Hello, baby! Looking good, Judge Rinder. I'm
:21:22. > :21:26.still recovering from the flappy birds. You probably saw a lot of
:21:27. > :21:30.Harley Quins and jokers roaming the streets in Halloween this week, but
:21:31. > :21:34.one pair put them all to shame, swivelling their way to the best
:21:35. > :21:41.marks this series. It is the nicest villains in town, Louise and Kevin.
:21:42. > :21:51.# Your love Scotney looking so crazy right now... It was a charleston as
:21:52. > :21:55.pop art. The details and carefree but you have pulled out all the
:21:56. > :21:58.stops and it paid off. I thought the routine was dandy, you were a marble
:21:59. > :22:07.and it was more fun than the Beano. It was absolutely spot on. You
:22:08. > :22:12.marvellous capers, so brilliant. A cracking charleston at the weekend,
:22:13. > :22:16.loved your heath ledger joker and loved you as Harley Quin. Did you
:22:17. > :22:22.feel like a different person out there? It was nice playing a
:22:23. > :22:26.character and all week, Kevin had been saying you need to not be you
:22:27. > :22:30.and pull faces at the judges and I thought I would not be able to do
:22:31. > :22:34.it, I just felt so embarrassed. But when you are in all the get up, does
:22:35. > :22:37.that help? It definitely helped being in a clothes and make-up, I
:22:38. > :22:41.didn't feel like me, so it definitely helped on the night and
:22:42. > :22:48.without that, I was struggling to pull faces at the judges. You are
:22:49. > :22:52.doing all of that as well. And when you can't breathe! Did you enjoy the
:22:53. > :22:56.dance, it was so brilliant? I loved it and to be part of the Halloween
:22:57. > :23:00.show on Strictly, it is the one I always watch and think it must be
:23:01. > :23:04.amazing to be involved in that, to play it and be Harley Quin and Kevin
:23:05. > :23:11.as the Joker and do the charleston, it was perfect. That was your goal,
:23:12. > :23:18.wasn't it, to make Halloween? You have achieved that. What did your
:23:19. > :23:21.boys make of the outfit, mum in the hair and that? I have been the
:23:22. > :23:27.coolest man this week, a lot of the other weeks, they don't say anything
:23:28. > :23:32.and this week, "Where are your pigtails? Where is the outfit?" I
:23:33. > :23:38.was the coolest mum and I have the coolest dance partner. It is so
:23:39. > :23:44.true. And your highest scores of the series, Kevin. That is amazing, 39s
:23:45. > :23:50.and and eight. How proud where you Louise? It is difficult to tell when
:23:51. > :23:53.you are as the Joker. I was so proud to so many different reasons, the
:23:54. > :23:57.judges had said the week before that we were worried -- they were worried
:23:58. > :24:01.we had plateaued and wouldn't be able to make that next step up to
:24:02. > :24:05.the ones above us. We said we cannot get the same score this week, we
:24:06. > :24:09.have got to go harder and obviously, the routine was jam-packed full of
:24:10. > :24:13.stuff and having to pull of the character as well. But Louise just
:24:14. > :24:16.went for it all week, going for it and going through it and so I was so
:24:17. > :24:22.pleased when we did get past our highest score. Really proud of her.
:24:23. > :24:26.Your fitness levels must be unbelievable right now. It doesn't
:24:27. > :24:30.feel it right now! We will learn more about that in a minute. Craig
:24:31. > :24:35.said it was a bit controlled. I'm like, hang on? It is too controlled?
:24:36. > :24:40.How hard is it really let go, you are putting your all in and out
:24:41. > :24:43.there. I was cautious all week and Kevin had said throw yourself at
:24:44. > :24:46.this, give it everything and I really tried hard with the faces but
:24:47. > :24:53.then at the same time, I was really aware I was doing the charleston and
:24:54. > :24:59.if I didn't have the swivel, that thing, I needed to have that and no
:25:00. > :25:03.matter what I'm doing, I like to technically do the best I can, so it
:25:04. > :25:09.was a little bit of fighting with my trying to go crazy and do the steps.
:25:10. > :25:16.But I did my best and Craig still gave me a halfway decent score. She
:25:17. > :25:21.growled at me halfway through! Totally in character. And you had to
:25:22. > :25:25.perform facing the judges, you are so cruel, Kevin. They can't see you
:25:26. > :25:30.any more clearly at that point. And Kevin said I wanted to face the
:25:31. > :25:38.judges and go... And, really, must I? I am a woman, you know? A mother
:25:39. > :25:43.of two! And then on the night, I did do it and Len Goodman just looked at
:25:44. > :25:47.me and went... He was taken aback. There have been some quite funny
:25:48. > :25:57.faces. In the training room, that is.
:25:58. > :26:05.# Express yourself # Express yourself don't frown at
:26:06. > :26:08.me! # It's not what you look like
:26:09. > :26:12.# When you're doing what you're doing...
:26:13. > :26:20.That position there, did you just make your face? You look so cute! I
:26:21. > :26:25.love that phase. Clearly not worrying about what I look like when
:26:26. > :26:29.the cameras are there. Just what you need when you are training and
:26:30. > :26:33.sweaty, the cameras capturing every moment. So this week is the
:26:34. > :26:39.Argentine tango, how is it going in training? I am so excited. This far
:26:40. > :26:44.back Fleet week has been the most intense week of training we have
:26:45. > :26:48.had. -- this week has been. We are really aware that is is the first
:26:49. > :26:52.chance for Louise to show the fierceness and fire because all of
:26:53. > :26:56.the dances so far have been sweet and romantic or fun. So we haven't
:26:57. > :26:59.had this opportunity yet to show this Bierce, fiery side of Louise
:27:00. > :27:06.and bring this character out. -- fears. I have to say, in the
:27:07. > :27:12.training, that looks so good. This is a dance of flicks and kicks and
:27:13. > :27:17.ganchos and gauchos, I'm not sure which is which. I know in the past
:27:18. > :27:26.you have trodden on Kevin's feed. Any instances in training? Oh, yes,
:27:27. > :27:31.I have maybe ruined it for Kevin and Karen for live! Today, Kevin said to
:27:32. > :27:33.me, really be aggressive. So I was like, I'm going to be really
:27:34. > :27:41.aggressive. Maybe slightly too aggressive. I took a kick boxing
:27:42. > :27:43.combination to an area I would rather not mention! I thought you
:27:44. > :27:49.were speaking in quite a high voice when you came in. When he rolled
:27:50. > :27:54.across the floor, I thought, maybe I might have hurt him. You are the
:27:55. > :27:59.first ones to do this dance, it is a fan's favourite. It must be good to
:28:00. > :28:02.do it before anyone else has done it, do you think? It is a good
:28:03. > :28:06.opportunity to be the first ones in the to do it but it does bring a lot
:28:07. > :28:10.of pressure with that, obviously, because I think people expect with
:28:11. > :28:15.the Argentina tango, a lot of drama and passion, so we have to bring it,
:28:16. > :28:20.we have no option but to bring it on Saturday night. Louise, are you
:28:21. > :28:33.ready to bring it? Yes, I am finding my in a -- my inner... Who am I?
:28:34. > :28:37.Valentino. And I am Santiago. Enjoy it, I think it will be a great
:28:38. > :28:42.dancer U2. Louise and Kevin! That is all we have time for tonight. If you
:28:43. > :28:49.remove the fan, you can catch me later on BBC One at 11:15pm for Film
:28:50. > :28:52.2016 with Danny Lee. I will be back here tomorrow with Danny and Oti,
:28:53. > :28:59.Ian Wade is back with another warm up and Vicky Gill looks at this
:29:00. > :29:02.weekend's costumes. Good night. -- Ian Waite.