:00:53. > :01:02.We're the show that makes dreams come true, and have we got a fairy
:01:03. > :01:09.So, plasma, plasma on the wall, who's the sparkliest of them all?
:01:10. > :01:11.Is it the enchanting Lesley and Anton?
:01:12. > :01:22.Or the dazzling Judge Rinder and Oksana?
:01:23. > :01:33.And, he's my Knight in Shiny Shoes, Ian Waite returns to give us
:01:34. > :01:41.But first, they charmed the judges with their Waltz on Friday
:01:42. > :01:43.and like birds of a feather they stick together,
:01:44. > :01:59.I have to say, great control, through art. Just watch you don't
:02:00. > :02:05.get lost in Anton's chests. It was so well felt, you acted very nicely.
:02:06. > :02:08.Your posture was a bit high but you are a lovely lady and I thought you
:02:09. > :02:08.danced beautifully. APPLAUSE You were a vision
:02:09. > :02:19.in fuschia on Friday. Pink is my favourite colour, I love
:02:20. > :02:23.it. You looked glorious. What was it like stepping
:02:24. > :02:30.onto the floor for the first time? I found it slightly traumatic. Such
:02:31. > :02:33.a strange animal, you do not know what you will feel like until you
:02:34. > :02:38.get out there. I love it, I wanted to correct all my mistakes and do it
:02:39. > :02:45.again. There weren't many mistakes, were there? Of course. None! Perfect
:02:46. > :02:50.in every possible way. Hello, Anton du Beke, I've missed you! 23 points.
:02:51. > :02:53.You received a respectable 23 points from the judges.
:02:54. > :02:57.Bruno said he "found it very touching and almost moving" -
:02:58. > :03:08.Doing it to that song, which I've known and lived with for 25 years,
:03:09. > :03:15.it was emotional. Linda Robson was in the audience, also in tears. It's
:03:16. > :03:21.part of our lives. Incredibly special, my first time on Stricker
:03:22. > :03:26.come dancing, to be doing to me Birds of a Feather theme song. I was
:03:27. > :03:40.moved. I was in pieces when I saw Linda crying.
:03:41. > :03:52.Lesley, you didn't manage quite as well.
:03:53. > :04:01.I don't like to brag but it is a hell of a chest. Three weeks you
:04:02. > :04:04.were waltzing during one of the hottest Septembers we ever had. You
:04:05. > :04:11.were training on the hottest day ever known to man, in 100 years.
:04:12. > :04:17.Anton du Beke, never does the tie or shirt come off. Yes it does! Hang on
:04:18. > :04:22.a minute! It doesn't. The other day I got him training in tracksuit
:04:23. > :04:28.bottoms and a T-shirt. Goodness. I haven't got it here. Scandalous.
:04:29. > :04:35.Therefore, he made me do one of my BT 's with no make-up on, not a
:04:36. > :04:42.stitch my face. You are so cruel! You have the photographs? Bring them
:04:43. > :04:51.with you. There he is, in a shirt and tie. That is what he did to you.
:04:52. > :04:57.How hard is he working you? Very hard but I am working him harder.
:04:58. > :05:06.Man alive! By 5:30pm I am still raring to go and he is like, "Can I
:05:07. > :05:09.go home, let me have a tea break". Really, straightaway? Another go? I
:05:10. > :05:14.am loving how in control you are of him. I have never seen this before.
:05:15. > :05:19.I crack the whip a lot. Good work, he loves it. How is the cha-cha-cha
:05:20. > :05:24.coming? You said you were looking forward to some of these dances. I
:05:25. > :05:28.can't watch myself! I am loving it but I am finding it hard, like I
:05:29. > :05:33.found the warts hard, the strictness, precision of it. He
:05:34. > :05:38.keeps making me do it again. Ie The forget my bottom or my head up, my
:05:39. > :05:41.chest out, the heels all the toes. So much to remember. There's lots to
:05:42. > :05:59.do. I am liking your straight leg. 27 centimetres, the height
:06:00. > :06:05.difference, that is the size of an adolescent penguin. How is she
:06:06. > :06:12.coping, daddy-longlegs? Yes, I hadn't noticed. Every time he dances
:06:13. > :06:16.he is holding me like I am that much off the floor. I hugged her the
:06:17. > :06:17.other day but I completely missed her. Doing brilliantly, we can't
:06:18. > :06:21.wait to see it, Leslie Well we've heard how these two have
:06:22. > :06:27.been getting on in training but how Here's a look at Ore and Joanne,
:06:28. > :06:38.Melvin and Janette, The cha-cha-cha is a Latin dance. We
:06:39. > :06:43.have just trained for the tango, which is a ballroom dance. It is
:06:44. > :06:48.quite the opposite. For weeks on end, we had our hold out here and
:06:49. > :06:52.our knees bent. Now I've got to have straight legs. My arms are all fluid
:06:53. > :06:54.and free, basically, I don't understand. I have been looking at
:06:55. > :07:08.Joe all day with just a blank space. I don't know a lot about the tango,
:07:09. > :07:12.to be honest. I'm stepping on the heel instead of the toe, there's a
:07:13. > :07:16.lot of action going on here, my posture isn't the greatest. I've
:07:17. > :07:21.choreographed it so that we begin steps sometimes on the two and he
:07:22. > :07:24.keeps trying to step on the one. Because I am the DJ, I am so used to
:07:25. > :07:34.hitting the first beat, anything that doesn't start on the one
:07:35. > :07:39.confuses me straightaway. Yet! -- yeah! It's a totally different dance
:07:40. > :07:44.we are doing from the Serena waltz into a wild and energetic
:07:45. > :07:48.Charleston, we just got to go for -- serene waltz. We did a lot of
:07:49. > :07:52.run-through is from beginning to end, which is really important,
:07:53. > :07:57.knowing he can do it in terms of stamina. It's quite high energy, I
:07:58. > :08:00.can hardly speak at the minute. It's tough. But I'm looking forward to
:08:01. > :08:04.it. It's time now to welcome
:08:05. > :08:08.our next couple. On Friday night they gave
:08:09. > :08:28.new meaning to the term "courtroom That was the wildest surprise I
:08:29. > :08:34.think I've ever had. Those looks could sink a thousand ships. If
:08:35. > :08:36.entered -- entertainment's is a crime, you're guilty.
:08:37. > :08:44.Now, before we begin I must ask that you both place your right hand
:08:45. > :08:50.Do you promise to tell the truth, the whole truth and nothing
:08:51. > :08:52.but the truth during my next line of questioning?
:08:53. > :09:09.Your cha-cha-cha is the most viewed Strictly clip ever online with over
:09:10. > :09:20.That's extraordinary. More views than penny Strictly dance ever. I'm
:09:21. > :09:22.having fun. It's splendid. -- than any.
:09:23. > :09:25.Did you have any idea that this legal eagle would turn out
:09:26. > :09:34.That he would be that good, once you got him in the training room? I had
:09:35. > :09:37.an idea but a lot better than what I was thinking. Really? Did he say
:09:38. > :09:41.that until he got out on the floor or could you see him being that
:09:42. > :09:46.brilliant? I've seen all of it and more. LAUGHTER
:09:47. > :09:50.Lucky girl. We saw quite a bit. I am not sure that's what you meant.
:09:51. > :09:55.Both Craig and Darcey appreciated your chaine turns.
:09:56. > :09:59.The opening to that dance was ridiculous.
:10:00. > :10:01.A classic Revel-Horwood move - was that intended as
:10:02. > :10:11.I'm not sure, but you know what you say, the first thing you do is to
:10:12. > :10:13.admire them, copy them, ignore them if you like them. You are so cruel,
:10:14. > :10:26.he will hate you for that. 25 points? Was that enough? Can we
:10:27. > :10:31.complain when we receive so much love on social media. A lot of
:10:32. > :10:36.people thought it was under marked. Sixs. Always somewhere to go. You
:10:37. > :10:41.need a journey. Yes, that's the first time. Facial expressions. I
:10:42. > :10:49.didn't know that happened until I watched it back. This is just a
:10:50. > :10:53.Little competent -- compilation. Will they be back? We have an
:10:54. > :10:57.American Smooth, next, I am trying to control it. Good lord. We will
:10:58. > :10:59.print that out and you can take that home.
:11:00. > :11:01.All this week we've been getting to know our new
:11:02. > :11:06.If dancing's a crime then l-Oksan-her up and throw
:11:07. > :11:25.Let's investigate a little further shall we?
:11:26. > :11:31.MUSIC Lights by Kanye West feat Rihanna
:11:32. > :11:36.I am Ukrainian champion as well as American champion. I have been on
:11:37. > :11:41.dancing with the stars in America but I am excited to be here on
:11:42. > :11:45.Strictly. I am a passionate dancer, I am a powerhouse on the dance
:11:46. > :11:50.floor, I like to whip my hair and I have a lot of fun when I dance. My
:11:51. > :11:54.partner is Judge Rinder and I absolutely love him. He is a very
:11:55. > :11:55.talented dance and he will surprise everybody. I am positive we are
:11:56. > :12:10.going all the way to the finale. We move on to the American Smooth,
:12:11. > :12:16.how is it going? I don't answer any questions without referring to Mike
:12:17. > :12:22.dancing partner. -- my dancing partner. Your legal aid. It is going
:12:23. > :12:26.well, there are tricks involved. A lot of responsibility. She wants me
:12:27. > :12:31.to dance like Anton in rehearsal. A wasted jacket. Working up a sweat,
:12:32. > :12:36.working very hard. It is exhausting. You are allowed three lifts, is that
:12:37. > :12:39.going to be happening? Absolutely. The risk is pretty big, apparently
:12:40. > :12:42.if you break them, you buy them. Well, someone who is in agreement
:12:43. > :12:55.is none other than Gary Barlow, That made my year, pretty much. Good
:12:56. > :13:03.luck. Gary Barlow? Yes? Yes... We love you already.
:13:04. > :13:05.Well I've got to wrap this case up, now.
:13:06. > :13:09.So lovely to see you both and good luck on Saturday.
:13:10. > :13:11.With 15 couples back in the ballroom this weekend there's a whole
:13:12. > :13:19.Here's a look at Greg and Natalie and Daisy and Aljaz.
:13:20. > :13:25.Go, go, go! The tango is difficult because you are holding positions
:13:26. > :13:28.that are very unnatural, locking in muscles and holding them for a long
:13:29. > :13:34.period of time that you wouldn't normally. I am trying to keep you in
:13:35. > :13:39.a frame. I have to work on his feet, the legs, the head. It's coming
:13:40. > :13:41.together, now. Loving your work. It is a matter of repetition, drilling
:13:42. > :13:54.the routine. So good! This week, we are dancing the
:13:55. > :13:59.cha-cha-cha to Forget You by Cee-Lo Green I am. Looking forward to doing
:14:00. > :14:02.a barn dance this week. -- I am looking forward. Daisy is picking up
:14:03. > :14:07.steps really well, a lot of technique. We take a lot of time to
:14:08. > :14:11.perfect them. There is so much to think about. It's literally the
:14:12. > :14:17.opposite of the ballroom. Is that better? Yeah. Can you get any more
:14:18. > :14:19.beautiful than Daisy and Aljaz. Now, have we got
:14:20. > :14:21.a once-in-a-lifetime While our couples are training hard
:14:22. > :14:24.to make it past week two, one of you lucky folk at home
:14:25. > :14:28.could get your hands on a pair of money-can't-buy tickets
:14:29. > :14:42.to the final of Strictly Come Calling all Strictly super fans,
:14:43. > :14:46.have you ever wanted to experience the excitement, glamour and drama of
:14:47. > :14:50.the Strictly ballroom first-hand? Now is your chance, we are giving
:14:51. > :14:54.you the opportunity to win two tickets to the biggest night of the
:14:55. > :14:56.year, strictly 2016 grand final. All you need to do is answer the
:14:57. > :15:05.following question correctly. In week three, last year, Jay and
:15:06. > :15:10.Aliona performed a pulp fiction themed jibe but what was the total
:15:11. > :15:16.score they received from the judges? -- jive.
:15:17. > :15:40.Thank you to the gorgeous Allan. It's the moment we have all been
:15:41. > :15:54.Waite-ing for, here to warm us up for the first time this series, it's
:15:55. > :15:58.the legend that is Ian Waite. APPLAUSE AND
:15:59. > :16:03.CHEERING Ian Waite everybody! I have missed you, my darling. As my mum
:16:04. > :16:07.says the leg-end. Evening to Ian's mum. It's been hidden away all year,
:16:08. > :16:14.it's time to dust it off, do the honours. I have been warming it up
:16:15. > :16:18.all summer. Has it shrunk in the wash? I asked for it to be two
:16:19. > :16:22.inches bigger but they wouldn't give it to me. What did you think of the
:16:23. > :16:25.couple's first weekend? I loved it. Full of loads of surprises and
:16:26. > :16:31.surprisingly good. Judge Rinder, I had to wind it back so many times I
:16:32. > :16:36.nearly missed the next programme. You love Casualty, don't you. We are
:16:37. > :16:40.going to look at half the couples and starting with Claudia and AJ. A
:16:41. > :16:44.cha-cha-cha and now a waltz this week, how is it looking? So cute,
:16:45. > :16:49.aren't they? You know, it's OK. She's got a lot of content in there.
:16:50. > :16:57.Difficult content. Falling away from each other a little bit. If I go and
:16:58. > :17:02.reverse it back. Then pause it here. You can see that they're getting a
:17:03. > :17:07.little bit of a gap there. That's probably because she's dropping her
:17:08. > :17:10.hips back. Also she needs to make contact higher up in the rib cage.
:17:11. > :17:15.They have a height difference. When you have a height difference. Come
:17:16. > :17:19.forward a little bit. You have to connect in this zone here where the
:17:20. > :17:25.rib cage is. If we are high like we are, we are sort of in the middle.
:17:26. > :17:30.She's lower than the contact would have to be higher. Lower on me,
:17:31. > :17:36.higher on you. Yes, OK. Imagine if I was down here. Right. Fascinating.
:17:37. > :17:42.Higher in the rib cage for her. Next up top of the leaderboard, didn't
:17:43. > :17:48.they do brilliantly, Daisy and Aljaz. This week how are they
:17:49. > :17:54.looking? The character last week was shy and demure. Cha-cha is more in
:17:55. > :17:59.your face dance, going for it. For me, she needs to make sure this leg
:18:00. > :18:04.action is very strong. As you can see here, Aljaz has a lovely
:18:05. > :18:09.straight leg. She's got a bent leg there. She needs to be stronger on
:18:10. > :18:13.those legs. That's what they're going to be looking at. Cha-cha is
:18:14. > :18:19.always exposing as far as that is concerned. On to Melvin and Janette.
:18:20. > :18:23.This week they're doing a tango. What do you think? I love Melvin.
:18:24. > :18:28.Little pocket rockets, aren't they? For me, it's a little bit forceful.
:18:29. > :18:33.He is using - obviously he has mixed up. Janette's probably said to him
:18:34. > :18:38.it needs to be forceful and sharp and attacking. But he is using it
:18:39. > :18:42.too much. He needs to hold that position and not force it too much.
:18:43. > :18:48.There is three points I want to make. We have one, two and three.
:18:49. > :18:54.The first point is when he does get forceful, the lead and the arm of
:18:55. > :19:01.the left arm comes forward. Janette's being overpower by his
:19:02. > :19:06.left arm. He needs to get the hips under. Tucking everybody, that nice
:19:07. > :19:12.position. This will help three, which is the head position. At the
:19:13. > :19:17.moment his head is in front. If he gets the tail tucked under they can
:19:18. > :19:20.lift the head. Perfect. Now then they launched the entire series
:19:21. > :19:25.brilliantly with their cha-cha-cha, this week is a romantic chats for
:19:26. > :19:31.Laura and Giovanni, what do you think? -- waltz. Doesn't she look
:19:32. > :19:35.gorgeous in that outfit. Gorgeous long legs. She looks like your
:19:36. > :19:41.sister. Don't you mean daughter! Thank you. Your younger sister. I
:19:42. > :19:48.wish. They had a wonderful contact throughout this little piece. As you
:19:49. > :19:55.can see here, she is slightly off balance. Her head is not actually
:19:56. > :20:00.over her feet. I want her to get those hips forward in a throw away
:20:01. > :20:06.so that her head, if I can draw it here, so that her head is more over
:20:07. > :20:09.the foot. You see what I mean? She's doing more of a back bend. If she
:20:10. > :20:16.can get those hips forward she will actually be able to create more hip.
:20:17. > :20:19.Now let's look at Will and Karen. We are loving Will's wardrobe. He
:20:20. > :20:30.promised he was going for it this week. I love that tank top. How is
:20:31. > :20:33.the jive looking? Slightly off-putting - distracting his
:20:34. > :20:36.outfits. Looks very bouncy, very light in the feet. He looks natural
:20:37. > :20:40.doing the jive. I have slowed this down because as you see they do
:20:41. > :20:43.these pivots and there is lots of sway in there and he's already doing
:20:44. > :20:54.it. Also swinging the hips. I thought we could try it out. OK. You
:20:55. > :21:01.have to give weight into the arms. And swing around. That's fast! Oh!
:21:02. > :21:14.My weave will come out! Goodness me. OK, on to Brendan and
:21:15. > :21:21.Anastacia. She's a strong character and she's able to show that. She did
:21:22. > :21:25.a brilliant job in the cha-cha-cha. There's some fantastic armography as
:21:26. > :21:31.you can see. Fancy! They do it without any hitches really. I would
:21:32. > :21:38.like to see from her a little bit more body action and hip action.
:21:39. > :21:44.Salsa is a rhythmical dance. You have to look and go wow, that was
:21:45. > :21:49.rhythmical. Not just steps and arms, but body. All of that, perfect!
:21:50. > :21:54.Bruno said Greg could go all the way after his jive last week. He was so
:21:55. > :21:59.impressed. They're doing a tango, what say you? At the moment it's
:22:00. > :22:04.looking a little bit ploddy. As you can see, he is sort of stepping it
:22:05. > :22:09.out. It's not smooth. First of all, he needs to soften into the knees,
:22:10. > :22:13.which will help him get him into the ground. When you say that I
:22:14. > :22:17.automatically do that. Do you do that at home? As you can see here,
:22:18. > :22:25.if I highlight this area here, you can see that he is picking up his
:22:26. > :22:28.feet. That's a big no-no in tango nr any ballroom dance, unless you are
:22:29. > :22:33.doing flicks in the air or whatever. You can do flicks in tango as well,
:22:34. > :22:38.but this is not a flick. It's a step and should stay on the floor. That's
:22:39. > :22:42.how it is done. Feet down. Towards the floor, don't pick up the feet so
:22:43. > :22:47.much because you will get that ploddy look. You can do it, Greg.
:22:48. > :22:51.Finally Ore and Joanne. The judges agreed he has the makings of a great
:22:52. > :22:57.dancer this boy. How are they looking with their cha-cha-cha? He
:22:58. > :23:03.is a very good dancer. He has rhythm and style. He's speed, all the
:23:04. > :23:10.elements. For me, again, it's always that cha-cha action. It's so
:23:11. > :23:15.difficult. I will say, that will help him, if you look at Jo's heel
:23:16. > :23:19.there, as she does this step she gets the heel down which then
:23:20. > :23:25.creates the straightened leg. If he was to get his heel down, as you can
:23:26. > :23:30.see, then I think this will straighten, as well. Show us
:23:31. > :23:33.quickly. Karen was trying to show us.
:23:34. > :23:38.I just love making him do that! He is so good. I am making a little bit
:23:39. > :23:44.of noise but it straightens the leg. Perfect. There we go. Ian will be
:23:45. > :23:48.casting his little magic wand over the rest of our couples tomorrow.
:23:49. > :23:52.Not long to wait. Good to have you back. Give it up for Ian Waite!
:23:53. > :23:56.APPLAUSE AND CHEERING
:23:57. > :24:01.Love you. Now they were flying the flag for Spain on Saturday night
:24:02. > :24:11.before we say ola to Tameka and Gorka let's take a tapas-sized look
:24:12. > :24:16.at their passionate paso. You certainly owned the stage, my
:24:17. > :24:20.darling. That goes without saying. Actually loved that little run at
:24:21. > :24:24.the end. You were just going like the clappers, I loved it! It was
:24:25. > :24:39.full of impact. You came out, it was a corker. I am telling you!
:24:40. > :24:48.Viva Espana, it's Tameka and Gorka! You can have one too, Gorka. You get
:24:49. > :24:51.two. I have to say your alter ego Kim has nothing on you, I swear. You
:24:52. > :24:56.had so much passion out on that floor. It was incredible. How much
:24:57. > :25:05.fun was it to be the Spanish siren, Tameka? I loved every second of it,
:25:06. > :25:10.Zoe Ball. I loved it! We did too. Honestly, we were screeching
:25:11. > :25:14.watching that. How does it compare to giving birth live on television,
:25:15. > :25:18.obviously EastEnders, 30th anniversary? I love my daughter
:25:19. > :25:24.Pearl. I do love her and it was all live. But this was completely
:25:25. > :25:31.different. But equally as exciting. I enjoyed it all. When you hear the
:25:32. > :25:37.music, you know, you have to watch the music, you can't come under. Of
:25:38. > :25:43.course Gorka. Welcome Gorka The Corker as we have named him
:25:44. > :25:49.affectionately. It was your Strictly debut, was it everything you hoped
:25:50. > :25:52.it would be It was even more, more exciting and beautiful, I had an
:25:53. > :25:59.idea in my head but it was even more. Lucky you!
:26:00. > :26:06.Thank you. I have to say, also fact fans, that was, a lot of were saying
:26:07. > :26:12.it, it was the first ever week one paso doble. Ole! That is in honour
:26:13. > :26:17.of Gorka's debut, obviously. Thank you. Let's talk about Craig, he was
:26:18. > :26:22.saying something about Tameka being more than matador than the cape.
:26:23. > :26:28.What did you make of those comments? It's a positive comment. On our idea
:26:29. > :26:32.and plan of the choreograph was make her be the man and control the
:26:33. > :26:38.routine. Normally you see the matador has clin, we were like turn
:26:39. > :26:42.it around and make her the one control this. That was our idea. We
:26:43. > :26:46.wanted to do it. You totally commanded him, it was fantastic.
:26:47. > :26:51.Listen, like I said, you hear the music and the applause and feel the
:26:52. > :26:56.support. Of course, it being Gorka's first time, Spanish, as well. You
:26:57. > :27:00.have to do it. You have to give it. Gorka not only one of our new pros,
:27:01. > :27:08.the first Spanish dancer on the show. Let's get to know the man --
:27:09. > :27:25.man behind the matador. Take a look. I am Gorka, and I am from Spain. I
:27:26. > :27:33.have dancing around the world for the last 15 years. As a dancer I
:27:34. > :27:37.find myself elegant, masculine and sexy. When I found out I was
:27:38. > :27:42.partnered with Tameka I was super exciteded. She's the most funny
:27:43. > :27:45.positive person you can meet. As a ballroom dancer you always want to
:27:46. > :27:49.win, I am sure we can make it to the final and be the winners of this
:27:50. > :27:55.series. APPLAUSE Yes, Gorka, welcome. We all
:27:56. > :28:01.adore you. Charleston, tell me about it. How is it going? I thought the
:28:02. > :28:05.paso was fast and furious, now we have the Charleston and it's all up,
:28:06. > :28:12.up, up. You know what I mean? It's speedy. It's a lot of character.
:28:13. > :28:16.That's great for you, I think. It's perfect for you. I heard you were
:28:17. > :28:19.struggling to keep a straight face when you were doing the paso doble,
:28:20. > :28:24.which you did, you didn't crack at all. I think it's partly the nerves.
:28:25. > :28:28.Making sure you get the right foot in, you know, I am thinking of
:28:29. > :28:37.everything Gorka told me. So, it's just, I love the live. I love it. I
:28:38. > :28:41.can't hide it, guys. I love it. It's kind of, you can feel it, you are
:28:42. > :28:49.amazing. Brilliant. Isn't she brilliant. Good luck on Saturday,
:28:50. > :28:53.Tameka and Gorka. Thank you guys. We want to talk all night. That's all
:28:54. > :29:00.we have time for. A huge thank you to all my guests. Tomorrow I will be
:29:01. > :29:02.talking to Greg and Natalie, Daisy and Aljaz and Ore and Joanne.