:00:07. > :00:12.Here it It Takes Two HQ we like to give our couples time away from the
:00:13. > :00:18.stress and tension. No running away tonight however.
:00:19. > :00:23.Oti, keep that hand up. Looking good. Every last second counts
:00:24. > :00:29.because somebody is going home at the weekend. What are you doing with
:00:30. > :00:34.my shoes? ! Cheeky work on those hips, Pasha Kovalev. Nobody wants to
:00:35. > :00:39.be left behind. Giovanni, shoulders down! That looks comfy Laura.
:00:40. > :00:50.Otherwise they'll face the wrath of this one! Ready? ! But it's not all
:00:51. > :00:51.serious around here. Isn't it right, Friday panel? !
:00:52. > :01:44.CHEERING AND APPLAUSE. Live from London, this is Strictly
:01:45. > :01:54.It Takes Two. Please welcome your host, Zoe Ball.
:01:55. > :02:02.# Bang, bang, into the room... # Thank you. Thank you!
:02:03. > :02:07.I could get used to that. Pasha and Giovanni, everyone!
:02:08. > :02:13.Welcome to It Takes Two. It's Friday, I can confirm we are only 24
:02:14. > :02:16.hours, 18 minutes and 37 seconds away from the next live Strictly
:02:17. > :02:21.show! Which could mean only one thing. Our
:02:22. > :02:26.first couple will be leaving the competition.
:02:27. > :02:30.Sad times indeed but let's not feel dragged down, we've got a show to
:02:31. > :02:32.get on with. Definitely got the Friday feeling, a good bunch in
:02:33. > :02:35.tonight. CHEERING AND APPLAUSE.
:02:36. > :02:43.What was the mood like earlier this morning? Only one man capable of
:02:44. > :02:48.covering such a job, the Welsh wonder himself and Strictly's Gethin
:02:49. > :02:53.Jones. Let's see how he was Gethin' on! Sorry.
:02:54. > :02:57.So good to be back in the Strictly ballroom, all the memories come back
:02:58. > :03:03.and how I've missed that smell of hair spray. Will and car reason
:03:04. > :03:09.dancing to Rock Around the Clock. Week two, he's looking good, he's
:03:10. > :03:16.absolutely loving this. Let's have a look.
:03:17. > :03:22.So that's Will and Karen's jive. Will will need a sit down after that
:03:23. > :03:26.routine. I'm going to be clocking up some miles around the Elstree studio
:03:27. > :03:32.catching up with some of the other couples before the first elimination
:03:33. > :03:37.night tomorrow. I'll see you later. Will looking good there!
:03:38. > :03:41.Plenty more exclusives from Gethin. First, jaws dropped to the floor
:03:42. > :03:49.during the explosive cha-cha-cha last Saturday and Bruno said wham
:03:50. > :03:55.bam thank you mam. It's Danny and Oti.
:03:56. > :04:00.That was fast, packed full of absolutely everything and more.
:04:01. > :04:05.100%, you are the contender, I've got to tell you that. I love the
:04:06. > :04:12.Michael Jackson moves you put in there. They were absolutely
:04:13. > :04:21.brilliant and no lack of action. Wambam thank you mam.
:04:22. > :04:30.# Return of the Mac... # Oh yes! Danny and Oti. Welcome to
:04:31. > :04:35.the show. Team Doti, loving that title! Talk about a Macattack last
:04:36. > :04:38.week, goodness me, where's the energy coming from, Danny, it was
:04:39. > :04:43.incredible. How much did you enjoy yourself? I had THE best time. It
:04:44. > :04:49.was sheer adrenaline. I've never been so nervous my entire life.
:04:50. > :04:53.Never ever? No, never ever and I've had a lot of reasons to be nervous.
:04:54. > :04:59.I was sick almost literally to vomiting that day. Sick with nerves.
:05:00. > :05:03.Pass the bucket, yes. He said, I think everything's coming out. When
:05:04. > :05:07.you're that nervous, the pay off once you get to tend of it was
:05:08. > :05:11.absolutely amazing. Joint second on the leaderboard in week one with
:05:12. > :05:15.Louise and Kevin, audience on their feet, absolutely going crazy. I mean
:05:16. > :05:21.your heart must have gone boom. It was, yes. That end position when I
:05:22. > :05:28.had Oti's head in my hand and it was like "done! " I was like, that is,
:05:29. > :05:32.it was just nuts, absolutely nuts. Such an incredible routine though.
:05:33. > :05:36.Oti choreographed it, so massive respect and credit to her for that.
:05:37. > :05:44.Then it was just three weeks. He's a good boy. Trained him well. Yes.
:05:45. > :05:48.Three weeks of whipping me into shape to get that done. It's 90
:05:49. > :05:54.seconds but you spend eight to ten hours every day doing that. Darcey
:05:55. > :06:02.was completely shocked, wasn't she, saying, a man who can actually move
:06:03. > :06:08.hips, how hard did you have to work on getting him to do that right? It
:06:09. > :06:12.took for ever. I was asking him to move his hips and he was like no,
:06:13. > :06:19.no, no. Then he did it but it was amazing. He worked so hard. We have
:06:20. > :06:24.fun in training. There was a moment in week two where I genuinely begged
:06:25. > :06:28.Oti, I said it's week one can we just make it simple and clean and
:06:29. > :06:32.you should have seen the look I got from her. I know that look - how
:06:33. > :06:37.dare you! She was disgusting that I suggested
:06:38. > :06:42.it. I think also when you ask them to make it easier, I asked Ian Waite
:06:43. > :06:47.once and he made it harder, so watch it! We saw this from your Twitter
:06:48. > :06:48.feed, this is what happened in rehearsals just beforehand, it
:06:49. > :07:06.wasn't all easy. Oh, no! Took that well. The way you
:07:07. > :07:10.styled it out by lying on the floor. Like as if you meant to do that. I
:07:11. > :07:15.wish I could say it was the first time. Takes a lot of these to get it
:07:16. > :07:19.right. He got that step in. He was just playing the mirror and spinning
:07:20. > :07:24.and he was like, oh, my gosh, did you see the judge was turning, and
:07:25. > :07:29.it was like, we are doing that, we are keeping that. The Viennese waltz
:07:30. > :07:34.for the two of you this week, a completely different feel. How is it
:07:35. > :07:40.going, Ian Waite is very impressed with your posture, young man.
:07:41. > :07:47.Really? Oh, yes. A rumbling of happiness, they approve. See the
:07:48. > :07:52.pinches there. Pinching, slapping, arguing. Don't
:07:53. > :07:58.get me wrong, I adore here, she's fantastic but she's a beast!
:07:59. > :08:06.Can you say a woman is a beast, I'm not sure? ! Len was talking about
:08:07. > :08:09.too stagey, it would be brilliant for charleston stuff, for the
:08:10. > :08:13.Viennese waltz, you have less than that anyway don't you? Sort of, we
:08:14. > :08:19.have a really intense story that we kind of want to tell because it's
:08:20. > :08:24.usually such a romantic dance. We'll just twist it up a bit this time and
:08:25. > :08:30.tell what happens before the romance comes, so we kind of have like a
:08:31. > :08:37.discussion. The song hints towards it as well. Yes. It's a rock song
:08:38. > :08:41.and it's got this gritty thing, it's not a lovy-dovy Viennese waltz. We
:08:42. > :08:49.want some grit! Good luck. You are both incredible. Danny and Oti!
:08:50. > :08:55.CHEERING AND APPLAUSE. They've both got such lovely teeth!
:08:56. > :08:59.The Strictly dream will sadly be over for one of the celebrities, one
:09:00. > :09:04.couple must leave and nobody wants to go first, but if you are going,
:09:05. > :09:16.you may as well do it in style. With that in mind, we have been looking
:09:17. > :09:24.at the archives through some of the, let's say, note worthy ones who've
:09:25. > :09:27.been memorable. We are asking you at home to let us know what you
:09:28. > :09:32.thought. Quentin Wilson managed to score eight points for his
:09:33. > :09:37.cha-cha-cha which remains to this day Strictly's lowest ever scoring
:09:38. > :09:44.dance. I loved it, frankly. Next, Edwina Currie from series 9
:09:45. > :09:48.partnered with legend Vincent Simone. She scored 17 points and,
:09:49. > :09:56.I'm sorry to do this, because obviously I love and adore him.
:09:57. > :10:01.Could it be Johnny Ball? ! My dad, series 10, I thought he was
:10:02. > :10:07.brilliant. Here he is with the gorgeous Yvetta. Cha-cha-cha 17
:10:08. > :10:12.points. I thought he was good. Final choice, Greg Wallace with Strictly
:10:13. > :10:20.champion Aliona, the cha-cha-cha in series 11. 18 points for his
:10:21. > :10:25.gastro-themed routine. That's funny. On graph layingses to
:10:26. > :10:38.Yvetta because she's had a little baby, gorgeous!
:10:39. > :10:41.-- Don graph layingses to Yvetta -- congratulations.
:10:42. > :10:47.How many professional dancers does it change to change a light -- take
:10:48. > :10:53.to change a light bulb? I don't know but I know how many it takes to put
:10:54. > :10:59.on a show-stopper, look at this. It's 17.
:11:00. > :11:06.Welcome back to the group rehearsals. We have an incredible
:11:07. > :11:11.group of routine this is series starting here. We haven't done a
:11:12. > :11:16.group number that's been a tango for a long time so we wanted to gather
:11:17. > :11:20.all the flavours that encompass this beautiful dance, the Argentine
:11:21. > :11:23.tango, the competition tango and a bit of flamenco and Spanish dance as
:11:24. > :11:27.well. The story of this Argentinian tango
:11:28. > :11:31.that we are dancing together is kind of like a Romeo and Juliet
:11:32. > :11:40.situation. Playing that part, I thought it would be nice to use the
:11:41. > :11:44.two new pros, so we have Gorka and Oxanna. He is strong and throws me
:11:45. > :11:48.around really good. Important quality.
:11:49. > :11:52.Two gangs of people trying to keep Romeo and Juliet away from each
:11:53. > :11:58.other. These guys are fantastic when they do drama so I can't wait to see
:11:59. > :12:01.this unfold. One more time... I think it wouldn't be a Strictly
:12:02. > :12:11.group number without quite a few props. Using tambourines and fans.
:12:12. > :12:18.There's glitter! It's amazing. There are a lot of lifts that Oxanna has
:12:19. > :12:24.to do which can be dangerous. Being thrown around and it's so much fun
:12:25. > :12:29.flying around. Gorka throws her in the air, does a 360 flip and she
:12:30. > :12:35.lands in Brendan's arms. It's scary, but we are practising so we are used
:12:36. > :12:42.to doing it. I think Oxanna is fearless. It feels right at home and
:12:43. > :12:46.I love it. Tune in this weekend to see if Romeo and Juliet get their
:12:47. > :12:51.happy ending. Thank you. Doesn't that look
:12:52. > :12:54.incredible. She's so brave. Almost as lovely that lot as our
:12:55. > :13:00.next guest. Will they be as sweet when they get their teeth into this
:13:01. > :13:04.year's couple though. Here, to voice her opinions on all things Strictly,
:13:05. > :13:08.Alison Hammond, Daniel O'Donnell and Sarah Pascoe!
:13:09. > :13:23.# Last Friday night... # Welcome back to you two naughty ones
:13:24. > :13:27.and you too! I remember your cha-cha-cha. It's
:13:28. > :13:31.the only thing I can remember. Daniel O'Donnell, we adore you,
:13:32. > :13:35.singing at the end of the show. Sarah, welcome to your first It
:13:36. > :13:41.Takes Two. What are we thinking of this year of everybody so far? They
:13:42. > :13:44.are amazing, so good. Week one, I was really surprised, every person
:13:45. > :13:49.out and it's like, they are going to win it. Picking a final four is
:13:50. > :13:54.impossible. We'll start at the top of the leaderboard with Daisy and a
:13:55. > :13:59.gentleman you know very well, your gorgeous Aljaz, fantastic opening
:14:00. > :14:03.with their waltz last week. Have a look at their cha-cha-cha and tell
:14:04. > :14:07.me what you think, Alison? Do you know what, oh, I did that move!
:14:08. > :14:12.LAUGHTER. She's only got three! I think I did
:14:13. > :14:16.that as well. He just puts them all together in a different way. Do you
:14:17. > :14:20.know what, obviously Aljaz is at the top of the leaderboard but I just
:14:21. > :14:26.think Daisy was just beautiful. When I watched her. Her story, the way it
:14:27. > :14:30.was, it was so natural and innocent, just beautiful. She's one to watch.
:14:31. > :14:39.I'm not being biassed. Sara, you are nodding in agreement. Some times is
:14:40. > :14:43.I find the slow dances Borg then I couldn't take my eyes off her. I
:14:44. > :14:47.watched it again on iPlayer straightaway. She's stunning. It's
:14:48. > :14:52.very hard to make the slow dance look as she did because you can see
:14:53. > :14:58.the faults. If it's a quick dance you can hide. And disguise things.
:14:59. > :15:07.Aljaz probably would have replayed some of my dances and she would have
:15:08. > :15:13.got an influence. Yes. Ed and Katya, they move to a charleston. That
:15:14. > :15:20.makes me very excited indeed for Ed. Here they are, look at Ed! Go on!
:15:21. > :15:25.I think we have discovered a new Ed! We have a new Ed. I love him. I did
:15:26. > :15:30.the cha-cha in the second week and I was terrified doing it but it gives
:15:31. > :15:34.you a chance just to have a bit of fun because that's what the cha-cha
:15:35. > :15:41.is supposed to be. Is it a charleston? It's a charleston, I
:15:42. > :15:45.know what you mean, but... It's a bit of fun but apparently I didn't
:15:46. > :15:50.have enough fun when I did it because they told me that I didn't
:15:51. > :15:54.have enough fun. I was dreading it. I said to Christina, I hope I don't
:15:55. > :16:10.get the charleston. Really? ! I love it. Let's have a look at AJ and his
:16:11. > :16:15.partner. This week a waltz, little Romeo and Juliet, Sarah, what do you
:16:16. > :16:18.make of these two? I'm glad she's got this dance, she showed off her
:16:19. > :16:23.gymnastics last week, this is showing herself as a dancer so I'm
:16:24. > :16:30.really excited for this one. Sara's shoes, can we look at those, those
:16:31. > :16:34.are great. Thanks, guys! Greg and Natalie doing a tango this
:16:35. > :16:39.week. Let's observe. Alison, has he got the command? Yes, the energy.
:16:40. > :16:42.Last week was phenomenal. Look at him, he's proper into it and
:16:43. > :16:50.Natalie's such a good teacher. He's going to be great.
:16:51. > :16:53.Go on Greg. Louise and Kevin are doing a Viennese waltz. Thank you
:16:54. > :16:58.very much over there. Let's have a look at them in training. Look at
:16:59. > :17:03.her arms! Isn't she good? ! Daniel, what do you think of Louise?
:17:04. > :17:11.Terrific last week and obviously you see there she's taken to it. Kevin
:17:12. > :17:15.is magnificent too. Yes. Kevin, his enthusiasm when you meet him, he
:17:16. > :17:19.gives that to his partner. Louise was super and I expect nothing less
:17:20. > :17:23.this week. Sara what do you think? I think she's one of those performers
:17:24. > :17:31.you can't take your eyes off, she's a God else. Are you liking that?
:17:32. > :17:40.ALL: Yes. A lot of Louise fans in. Ore and Joanne follow on from their
:17:41. > :17:44.cheeky tango last week to Donna Summer's hot stuff. How excited are
:17:45. > :17:48.we about this? Look at him in his little braces. He's doing the move.
:17:49. > :17:54.That's definitely the look we must go for now. Daniel, will you be
:17:55. > :18:00.rocking that look? Yes. Has he got the cha-cha moves, is it all working
:18:01. > :18:08.for you, Daniel? I found the cha-cha very difficult. The straight knees?
:18:09. > :18:14.Do they call it sticato? I don't know what it is. Doesn't look right
:18:15. > :18:19.when you are doing it. But it's not about how it looks, it's about how
:18:20. > :18:23.it feels. How does it feel? Last year there was nights I thought I
:18:24. > :18:28.was fantastic. Yes. Then when I look back at it, I wasn't fantastic. So I
:18:29. > :18:31.decided after that I would never look back again. I think that's the
:18:32. > :18:38.best thing. So feel it then forget it. Then it's gone. Moving on to
:18:39. > :18:43.Danny and Oti. Len said their dance routine was too stagey last week, we
:18:44. > :18:49.thought it was epic. I thought he looked like a professional. Dan you
:18:50. > :18:53.Zuko. Sudan yell O'Donnell, remember them? Them?! Viennese waltz this
:18:54. > :19:01.week, he's enjoying it and looking good. What do we think? Sexy this
:19:02. > :19:06.dance. Them two together is just so electric anyway and to be honest his
:19:07. > :19:12.looks are just too much for me. One of them people, don't look at me, go
:19:13. > :19:16.away! He's brilliant. Looks like a professional dancer, great. How
:19:17. > :19:20.impressed are you, Sara? Very and I love the pairing. I was clapping
:19:21. > :19:35.last week when they started like, yes please! Great fun. Finally,
:19:36. > :19:41.judge Rinder. Oh my goodness. He was all out. I mean when you looked at
:19:42. > :19:47.him, he was going to enjoy it no matter what and I think that's what
:19:48. > :19:54.Strictly is, you know. The people that go on it are not dancers, so to
:19:55. > :19:58.speak, but he went out there and he was just going to do it. It was
:19:59. > :20:03.fantastic. We can have a look at this. He's doing the American smooth
:20:04. > :20:07.this week. Look at his little face. Wait for
:20:08. > :20:11.it. Wait for it. Here he goes! LAUGHTER.
:20:12. > :20:16.Is he practising in the courtroom. Look at that! Looks like it. He's
:20:17. > :20:20.great. Obviously that's wonderful, but
:20:21. > :20:24.Graham Hunter has tweeted to say his four-year-old would like to know if
:20:25. > :20:31.somebody can do the conga this week. Not sure if they can do that on the
:20:32. > :20:43.main show, but we can do it. Come on then. Cue the music. Come on.
:20:44. > :20:53.CONGA MUSIC. Let's see if Gethin was having as
:20:54. > :20:57.much fun today. Lot of rushing around for final preparations
:20:58. > :21:02.tonight. I feel like a bit of an autograph hunter. But look who is
:21:03. > :21:07.arriving in glamorous style in the golf buggy, Ore and Jo, nice to see
:21:08. > :21:12.you. How are you? I'm good. Looking fresh. Here for your cha-cha
:21:13. > :21:19.rehearsals. How are you feeling? Pretty good. Quite achy generally,
:21:20. > :21:26.she's pushing me hard making sure I'm OK, I've not bent my legs.
:21:27. > :21:32.Everyone's talking about bent and straight legs Jo, it's taking over
:21:33. > :21:38.the nation. Straight legs in Latin and bent in ballroom. Stop whacking
:21:39. > :21:44.my thighs. So you've got here in one piece, that is a good start. You are
:21:45. > :21:47.clumsy this week? Everywhere I go I'm tending to bump into something.
:21:48. > :21:53.We have a pole in our routine and the first time I met that pole we
:21:54. > :21:57.didn't get on very well. Can you give me something on the
:21:58. > :22:00.cha-cha? I don't know, show us at home what might be in store for us
:22:01. > :22:10.tomorrow night? Give you the pole? Yes. What are they called? The Cuban
:22:11. > :22:15.brace. I'm learning. Two and three and four and one, and two and three
:22:16. > :22:19.and four and one... That's a very good straight leg and
:22:20. > :22:23.a very good bent leg. On that note, all the very best for rehearsals.
:22:24. > :22:33.What else are you going to be doing? Eating, make-up wardrobe and just
:22:34. > :22:38.making sure that I'm, yeah... Get going, good luck. Off with the bent
:22:39. > :22:44.and straight leg and I'll be back with more of some of that later, Zo.
:22:45. > :22:50.From one ray of sunshine to another, she brightens our mornings on BBC
:22:51. > :22:54.BBC Breakfast and has already illuminated the Strictly floor with
:22:55. > :22:59.the waltz, rise and shine, it's Naga!
:23:00. > :23:03.Naga is with Pasha. You are such a beautiful girl. You
:23:04. > :23:08.really have a natural actual poise for ballroom. That was largely due
:23:09. > :23:20.to your rise and fall which was a bit bumpy. I love the potential and
:23:21. > :23:28.the elegance. So well done to you. # Wake up it's a beautiful
:23:29. > :23:33.morning... # Naga and Pasha, everyone!
:23:34. > :23:37.Don't fall over yet. Loving your outfits tonight. You compliment each
:23:38. > :23:45.other beautifully. Well done at the weekend, Naga. You looked absolutely
:23:46. > :23:50.petrified. How did you enjoy your first experience out there in front
:23:51. > :23:55.of millions? I loved it. I absolutely loved it. I was petrified
:23:56. > :23:59.but who would. But it was just wonderful. It was really, really,
:24:00. > :24:04.really lovely and I get to dance in the arms of this man, who wouldn't
:24:05. > :24:08.be happy. Who ever would complain. Any Pasha fans in tonight?
:24:09. > :24:12.ALL: Yeah! CHEERING.
:24:13. > :24:15.The judges were all in agreement that you have got natural elegance.
:24:16. > :24:22.Such a lovely thing to hear. A shocking thing to hear. Jason
:24:23. > :24:25.Shirgold from Birmingham said not only the Queen of television, you
:24:26. > :24:29.are now the belle of the ball room. I like Jason, have you got his
:24:30. > :24:35.number. I will pass that on. Thank you. How have the responses been
:24:36. > :24:41.from people on BBC Breakfast? It's so lovely. You go in in the morning
:24:42. > :24:45.and everyone's Bleary-eyed and everyone's like loved the dress and
:24:46. > :24:52.everything and everyone's been so exciting and online everyone's been
:24:53. > :24:56.so kind. So much love for the show. Darcey said there might have been a
:24:57. > :24:59.couple of mistakes but she was talking about Naga's beautiful neck
:25:00. > :25:04.which is perfect for ballroom. What did you make of the judge's comments
:25:05. > :25:09.and how pleased were you with those? The judges nailed it. Naga has so
:25:10. > :25:13.much potential and we really turned her into a Princess. As much as she
:25:14. > :25:14.doesn't like to hear that, she was a Princess, right?
:25:15. > :25:19.CHEERING. Yes. You looked absolutely
:25:20. > :25:23.beautiful. It's so strange what this show does to you. It almost made me
:25:24. > :25:29.a lady, sadly not quite! It's your fourth week of training.
:25:30. > :25:34.Are you starting to feel that it's coming any more naturally, the whole
:25:35. > :25:39.process of learning, Naga? Yeah. Yeah, really natural. How are you
:25:40. > :25:45.finding it all? It's really hard. It's fabulous. Honestly, I wake up
:25:46. > :25:49.every day and really look forward to training. It's very pleasurable and
:25:50. > :25:53.enjoyable but it's really, really difficult. One thing I've learnt is
:25:54. > :25:57.that so I take in lots of information every morning and night
:25:58. > :26:04.before the programme, take it all in then it drops out as soon as the
:26:05. > :26:09.programme's finished. You tame it, as well as the muscle movement, my
:26:10. > :26:14.brain is not used to that. He explained that to me and I was like
:26:15. > :26:19."yeah". You are a golf fanatic, he's been trying to explain things to you
:26:20. > :26:28.in golf swings. Yes, we've stopped that.
:26:29. > :26:33.Did Carol give you, Carol Kirkwood did the show last year. Amazing. Did
:26:34. > :26:39.she give you any tips on how to handle or charm him? Handle me! ?
:26:40. > :26:47.Fierce? No, she said listen to everything he says. Exactly. OK,
:26:48. > :26:52.this week it's the cha-cha-cha. How's it toing, Pasha? It's going
:26:53. > :27:00.well. It's all about hips and steps. Here you are. You haven't seen
:27:01. > :27:03.yourself do it yet. She has to be quite moody in that dance because
:27:04. > :27:07.she doesn't like me there. I haven't been really good. Naughty Pasha.
:27:08. > :27:13.Yes, I'm telling him off. That should be fun. Goes off with another
:27:14. > :27:18.woman. Only week four! We have seen your frock, by the way.
:27:19. > :27:22.Tina Turner, it's incredible. Your frock absolutely rocks. I only saw
:27:23. > :27:25.it today. It was quite long and we were wondering is it going to get
:27:26. > :27:37.shorter with the fringing? I think so. They are snipping.
:27:38. > :27:42.Everything else goes, yes. You will be Simply the Best. Nurse great
:27:43. > :27:47.hands, Naga. I see what you did there! ? It's good. Thank you.
:27:48. > :27:51.APPLAUSE. Now, some things in life require
:27:52. > :27:56.blood, sweat and tears, like hosting this show, for instance. No, it's a
:27:57. > :28:01.dream! The same can't be said for our couples training. Don't believe
:28:02. > :28:05.me? Take a look at this. Viennese waltz is a big change from
:28:06. > :28:08.the jive we did but because everyone is so good, I feel like we can't
:28:09. > :28:12.play it safe. There are so many elements that I've got to get right.
:28:13. > :28:17.Make sure your close your feet. Couldn't be more out of my comfort
:28:18. > :28:22.zone. Having so many rules, get my head back, I'm finding it more of a
:28:23. > :28:32.challenge. I've just got to relax. I've got to push Louise. It's high
:28:33. > :28:37.pressure. OK. The thing about the American smooth is it captures all
:28:38. > :28:45.the joy of Fred Astaire and Gene Kelly and all the films that I
:28:46. > :28:50.really love. More like Fred Flintstone than Fred
:28:51. > :28:55.Astaire yet. This is crazy, who stands like this. Like a homage to a
:28:56. > :28:57.statue. Really needs to be elegant. He can
:28:58. > :29:11.do better. Almost. Cha-cha-cha, loving it. Hard work.
:29:12. > :29:16.In the heels, I'm not finding it that easy to be precise and to be
:29:17. > :29:24.tight and to be on time. I keep grabbing Anton. What can I say? !
:29:25. > :29:26.The cha-cha-cha is going very well. I won't deny I'm very excited about
:29:27. > :29:36.this dance. Yes! Boom. Never seen Anton with a bit of
:29:37. > :29:40.shadow. Nice! Time to chat to our final couple, they opened the series
:29:41. > :29:45.with a sensational cha-cha-cha that left Bruno so hot he wanted a fire
:29:46. > :29:49.extinguisher to put him out. Somebody call a Fire Brigade. Not
:29:50. > :29:55.now! It's the smoking Laura and Giovanni!
:29:56. > :30:02.# She's got it, yeah baby she's got it... #
:30:03. > :30:07.The love goddess toying with the boy, you little tease. You can toy
:30:08. > :30:10.with me any time. I enjoyed the upper body, you worked that really
:30:11. > :30:31.well. Lovely content. First class well done.
:30:32. > :30:39.Lovely bit of Irish dancing there! Kind of. The one thing that I can
:30:40. > :30:43.do. May need to work on that a little bit. Not as epic as your
:30:44. > :30:48.skills, opening the whole series Laura on Friday. Didn't she do
:30:49. > :30:53.brilliantly? ! Incredible. How was it to have that task? I have never
:30:54. > :30:59.been more nervous or petrified in my whole life. I can't even... Like you
:31:00. > :31:05.saw me beforehand. There is no fear like it, is there? ! I couldn't talk
:31:06. > :31:14.and beforehand I was just like... Help me. And no-one can except your
:31:15. > :31:18.lovely partner. I was petrified too. It was reassuring to see his face
:31:19. > :31:23.before you go out there. And he says maybe not, you would get
:31:24. > :31:26.worried. Not only did you have to go out first, you did a lot of your
:31:27. > :31:30.dance facing the judges. We can see you doing a bit here. How scary was
:31:31. > :31:34.it to see their faces? There was one bit where I know I have to turn and
:31:35. > :31:39.face and I was thinking, I'm going to look them in the eye and I was
:31:40. > :31:45.trying to aim for Darcey and her lovely face. I looked at Craig and
:31:46. > :31:50.smile and he just looked at me like, it's a lovely face but I would have
:31:51. > :31:54.liked a smile. I forgot where I was and I was like, wait, I need to
:31:55. > :31:58.finish this dance. Don't look at the face. Just look above Craig or
:31:59. > :32:03.below. Colleen on Twitter said it's not easy to go first. You did a
:32:04. > :32:06.fabulous job, you both looked gorgeous. Come on the Irish! Thank
:32:07. > :32:10.you. Are you getting lots of support at
:32:11. > :32:16.home? Yes, it's brilliant, it's lovely. I come from a place where I
:32:17. > :32:22.have lots of cousins, all my cousins are basically all of Ireland. It's
:32:23. > :32:26.really nice. Even just walking down the street like, it's like Strictly
:32:27. > :32:30.is any age, guys, girls, everyone loves the show and it's crazy the
:32:31. > :32:34.reaction from just being on the show one week, the reaction you get. It's
:32:35. > :32:38.lovely. Everyone's like well done for opening the show. Giovanni
:32:39. > :32:43.welcome back, looking very dapper there. You both have delightful
:32:44. > :32:48.accents. Any communication confusions along the way? Just a
:32:49. > :32:57.little bit different accents. What are you talking about? The only
:32:58. > :33:07.thing I can say is cuppa tea. Is that an Irish accent? Yes. And tanks
:33:08. > :33:14.a million. Yes. Possibly the cue to that. You have all the right moves
:33:15. > :33:16.but what do you think this man has the voice to match -- would you
:33:17. > :33:29.think this man has the voice to match? I can sing, you dance.
:33:30. > :33:34.# And I will always love you... # Good morning, good morning! Talent.
:33:35. > :33:45.Make it stop! Can I borrow them? ! Yes. It's
:33:46. > :33:50.called talent. Thank goodness really. This week you have a waltz
:33:51. > :33:59.and it's looking very good. How's the training been? It's been really,
:34:00. > :34:03.really good. I was surprised. I've never danced before and people saw,
:34:04. > :34:08.Latin or ballroom and I don't have any idea between the two and I'm
:34:09. > :34:14.surprised I like waltzing. Good contact. Never ever stops, of
:34:15. > :34:20.course. You got to the final with Georgia, what does Laura need to
:34:21. > :34:24.focus on to get to that final? She's been really good, waiting for the
:34:25. > :34:29.waltz is going to be really, really beautiful. It's going to be
:34:30. > :34:36.beautiful. Look another that faith, it's wonderful! Oh Giovanni, we
:34:37. > :34:41.adore you. Good luck tomorrow, you gorgeous couple, Laura and Giovanni.
:34:42. > :34:47.CHEERING AND APPLAUSE. So, as we know, this weekend we'll
:34:48. > :34:51.be waving goodbye to our first couple. And everyone's been training
:34:52. > :34:55.so hard to avoid it. Let us see how they've been doing.
:34:56. > :35:02.We are doing the cha-cha, it's a great routine. I've just got to get
:35:03. > :35:06.it right. Two. Yes, sorry. Naga's training to get as -- trying to get
:35:07. > :35:10.as much as she possibly can in her head and sometimes things get a
:35:11. > :35:15.little confusing. Back and now... So Pasha says I've got to be a bit more
:35:16. > :35:17.relaxed, show a bit more sass. Easier said than done. Naga still
:35:18. > :35:32.has to find a way to loosen up. The Viennese waltz is 100% alien to
:35:33. > :35:38.me. Soft knees, not bent knees. Not up. Not up. You are just not down.
:35:39. > :35:42.You can't just mess up one thing. You would be surprised. There are a
:35:43. > :35:49.whole set of new challenges for me, the posture, the walking. One... The
:35:50. > :36:01.perfect... We have our work cut out for us. Woo... Stay positive. Ah...
:36:02. > :36:09.Smashed it? Smashed it. Smashed it! I know that salsa has rhythm and
:36:10. > :36:14.Latin flavour. A lot of turns and twists and flips and things, I don't
:36:15. > :36:22.even know what they are called. She can dance salsa so well. See that's
:36:23. > :36:28.nice. But it's a fast routine, I want her to be really on top of it
:36:29. > :36:33.and in it. Sorry, I thought you were going to keep holding on.
:36:34. > :36:37.Looking good. I don't know about you but I could do with another portion
:36:38. > :36:42.of behind-the-scenes gossip from the Strictly Towers. Let's see what
:36:43. > :36:46.Gethin has to serve? It's Friday, the day before the Big Show. This is
:36:47. > :36:52.where people find food. Let us see who is about. Danny is here, at the
:36:53. > :36:57.coffee machine. Is that yours? Don't mind if I just take that, thanks, I
:36:58. > :37:05.just need the energy. No idea who that person is. Come with me over
:37:06. > :37:11.here, Natalie and Greg... Ana is here in her dressing gown too.
:37:12. > :37:18.You were just chilling out on your phone. How's it going, it's Friday
:37:19. > :37:25.before first elimination night? Yes, pretty good, two amazing runs, then
:37:26. > :37:31.one where my leg wasn't working so we had to cut it short. My inside
:37:32. > :37:35.leg muscle, one of them got a bit tight and sore. It's just all of
:37:36. > :37:39.this checking and pulling away and all this sort of stuff. At that
:37:40. > :37:48.point do you get nervous and worried? I do, because he's a
:37:49. > :37:53.fantastic piece of... He is beautiful, I'm not going to lie!
:37:54. > :37:58.You've got to go and rehearse, you've been told. If he's injured
:37:59. > :38:04.that concerns me so we need to make sure he's in fine form. Goned a try
:38:05. > :38:07.and get your breath back. Go and try and get your breath back.
:38:08. > :38:18.Go, go. I'm coming. Now time to talk about
:38:19. > :38:24.the rest of this year's couples. Their cha-cha is top notch. Welcome
:38:25. > :38:29.back to Daniel and Sara. Let's pick up with Will and Karen. This week
:38:30. > :38:38.it's a jive and tell me what you think. I love the outfit. Brilliant.
:38:39. > :38:43.Alison, what do you reckon? Firstly, making me laugh the way you want me
:38:44. > :38:47.to comment like an expert. Little hole between his legs in his
:38:48. > :38:51.trowelers. I notice that but the rest looks great! You are supposed
:38:52. > :38:57.to be looking at his feet. He had a hole. What are you making of Will's
:38:58. > :39:01.skills? Very good. I was looking at his flicky kicks there, you are
:39:02. > :39:05.supposed to flick, I never did get as far as the jive, you know, just
:39:06. > :39:08.the charleston. Or was it the cha-cha-cha? I don't know but it was
:39:09. > :39:13.brilliant whatever it was. Lesley and Anton. For this week they are
:39:14. > :39:18.picking up pace with the cha-cha-cha which Lesley is really enjoying.
:39:19. > :39:22.Look at her. Shake it around. What do we think, Sara? She looks like
:39:23. > :39:27.she's doing this fantastically well. I think this is going to improve
:39:28. > :39:31.week on week if she stays, she works so hard. I think she's loving the
:39:32. > :39:39.whole experience. Absolutely. That just helps. Melvyn and Jeanette who
:39:40. > :39:44.we adore. Air, Got a soft spot for him, I really have. Doing a tango to
:39:45. > :39:51.M People. He looks a bit like he's wearing the skirt.
:39:52. > :39:57.LAUGHTER. Melvyn, what do we make of him? Look
:39:58. > :40:09.how serious he is taking it, I love that. There's something about him,
:40:10. > :40:13.he's like a little munch kin. What do you have to remember about the
:40:14. > :40:18.tango? Your face has to be very... That's it. Check that face, Melvyn,
:40:19. > :40:35.can you do that? ! I love this man so much. Like that. Let's have a
:40:36. > :40:40.look at Tameka and Gorka. They were great last week in the paso doble.
:40:41. > :40:46.This week it's a charleston which is a joy. What are we thinking? This is
:40:47. > :40:50.totally her dance, isn't it, Tameka. I mean, last week she was doing
:40:51. > :40:55.serious dancing and I was just laughing. I can't help but just look
:40:56. > :40:59.at her and laugh so this is perfect for her. What about the skills.
:41:00. > :41:04.They've got a match a lot in charleston? Yes. It looked really
:41:05. > :41:08.good for rehearsals. She's my mum's favourite, by the way, my mum's like
:41:09. > :41:18.she's the nation's sweetheart. What is your mum's name? Gail. Get her to
:41:19. > :41:21.come on the show. Sara, we are trying to get her on the show. We
:41:22. > :41:27.have been watching her backstage. She can move. Who would you dance
:41:28. > :41:36.with if you could choose? All of the boys at once.
:41:37. > :41:40.I like that a lot! Anastacia and Brendaner, for them
:41:41. > :41:46.it's a salsa this week. Here she is in training with Brendan. Oh, my
:41:47. > :41:50.gosh, Brendan. How is this looking, Alison? Well, I can see the salsa
:41:51. > :41:55.moves coming through there. They are great, they can get on, you can see
:41:56. > :41:59.they really get on and really love each other. She's in safe hands with
:42:00. > :42:03.Brendan. I don't know if he is in safe hands! That's always a concern.
:42:04. > :42:08.What do we want from the salsa, Daniel, when you are watching? Many
:42:09. > :42:12.my humble opinion I don't really know what you need from the salsa, I
:42:13. > :42:18.would imagine it's a lot of hip action, you know. If only I had to
:42:19. > :42:27.get to do the salsa last year, I would have been so good at it. Let's
:42:28. > :42:32.get Christina back in here. It's a party dance, Sara? Yes, Anastacia is
:42:33. > :42:36.very competitive and she's been open about that so I think she's going to
:42:37. > :42:42.nail it. I saw the mistakes last week, so she'll be focussed. Naga
:42:43. > :42:46.and Pasha, we had a lovely chat with them. This week, the judges were
:42:47. > :42:50.going on about her having natural poise which is wonder. How do you
:42:51. > :42:55.reckon she's looking in her cha-cha-cha? Lovely leggings, very
:42:56. > :43:03.jazzy outfit there. She's got the straight leg. Aljaz never even said
:43:04. > :43:07.that to me, I just did the cha-cha-cha, I don't think he was
:43:08. > :43:14.even bothered, he was just like, just do it. I didn't know about the
:43:15. > :43:21.straight leg. I just had the vibes I think. Was it just natural? Can
:43:22. > :43:24.people go back into Strictly? If we had a time machine, yes. So
:43:25. > :43:28.understand you have done it you can't go back. They've never let me
:43:29. > :43:38.back but we could set up our own show, do a puppet show. An All-Stars
:43:39. > :43:41.show. I don't think we'd be there. If there was an All-Star show we
:43:42. > :43:48.wouldn't be in it. Maybe you would but...
:43:49. > :43:58.LAUGHTER. Laura and Giovanni and their
:43:59. > :44:01.waltzing. Here they are. The contact is really good here.
:44:02. > :44:09.Have they got rise and fall, Sara? They seem to have it, yes. She just
:44:10. > :44:15.did the heel situation there. That's what we like to call it. Heel
:44:16. > :44:21.situation. An over-sway is that? The over-sway is very important. Very
:44:22. > :44:25.important. That was my first dance with Christina, forgot it all on the
:44:26. > :44:33.night. Congratulations to Christina as well because she's had a baby.
:44:34. > :44:38.Yes, gorgeous. She was the best, she was fantastic. She really is and we
:44:39. > :44:42.are missing her. I hate to do this to you but, we must. Going down the
:44:43. > :44:48.line, who do you think is in danger of going home in weekend, Alison? I
:44:49. > :44:52.don't want to say anyone. Go on, I'll have to push you? I'm only
:44:53. > :44:57.saying it because... Lesley maybe. You can say Lesley, it's fine.
:44:58. > :45:02.Daniel? I feel for Ed. You fear for Ed. Sounds like a band!
:45:03. > :45:06.If Ed doesn't go home, democracy isn't working.
:45:07. > :45:12.What a brilliant Friday panel. Thank you so much.
:45:13. > :45:17.I love Lesley, I love her. I know you love her. Who are you rooting
:45:18. > :45:22.for at home? If you want to vote on Saturday night you can do it via the
:45:23. > :45:31.Strictly website, head over there to find out how. THUNDER CLAP!
:45:32. > :45:38.We were having a lovely time. That can only mean one thing. I'm going.
:45:39. > :45:42.It's the return of the man whose biting critique can make the most
:45:43. > :45:49.experienced dancer and Alison Hammond break down in tears. I don't
:45:50. > :46:02.know why he's such a pussycat. It's the one and only Dame Revel Horwood!
:46:03. > :46:09.Complete and utter absolute disaster, darling.
:46:10. > :46:18.# I'm affected by the dance floor... #
:46:19. > :46:22.Hello, darling, lovely to see you. So lovely to be back. They can boo
:46:23. > :46:26.you because you were so lovely last week. I was. That was last week! Oh,
:46:27. > :46:30.dear. Easing everyone in. How are you
:46:31. > :46:35.feeling generally about the class of 2016? I think they're really
:46:36. > :46:38.talented and I think they are over-achievers and that might let
:46:39. > :46:43.some of them down a little bit. We are going to get a lot harsher. I
:46:44. > :46:48.was lenient on their first dance because I did this year after, you
:46:49. > :46:57.know, it's the 14th series, I felt a little sorry for them. The feeling
:46:58. > :47:06.is fading fast. He's back! We were slightly concerned. You have been
:47:07. > :47:11.doing this 12 years. Are you not sick of it? I know, that's not
:47:12. > :47:16.possible with the money they give me. Are you not excited about the
:47:17. > :47:22.new batch coming in as you were then? Absolutely. We know the show
:47:23. > :47:26.now so we know what to look for. The celebrities know exactly what they
:47:27. > :47:30.are becoming involved in and they know the whole process of how
:47:31. > :47:35.difficulties so people secretly are rehearsing at home, you know, two
:47:36. > :47:41.years before the call comes in. Just in case. Yes, just in case they
:47:42. > :47:45.get the call, but certainly we have some amazing, amazing talent from
:47:46. > :47:51.week one, I've just been gobsmacked really. Utterly brilliant. Last
:47:52. > :48:01.week, you gave the most 8s you have ever given in week one. Facts. You
:48:02. > :48:05.will never see that again. Oh, no! I like to lull everybody into a false
:48:06. > :48:09.sense of security and then slap them down. It's the British thing to do
:48:10. > :48:14.isn't it. It's going to be very exciting. Throwing the 8, 9 and 10
:48:15. > :48:20.panels out the window now. It's wonderful. I'm scared. We didn't get
:48:21. > :48:23.to hear what you thought of Danny and Oti last week because we ran out
:48:24. > :48:29.of time. What did you think of his opening dance? I was very surprised
:48:30. > :48:34.to see a double pencil tone to the knee. I love to see that. That is
:48:35. > :48:38.when you whip the foot in and schum. I thought that was amazing. I was
:48:39. > :48:42.thinking technically it wasn't completely correct and I know that
:48:43. > :48:47.he still has a lot of work to do. He might be wowing people with
:48:48. > :48:55.ex-trainious moves that don't belong, but I think...
:48:56. > :48:59.ALL: Ooh... Just saying. Yes, just saying, hashtag! Len will be a
:49:00. > :49:05.stickler for that, particularly with people that have had any sort of
:49:06. > :49:10.dance experience or are naturally gifted, we tend to then hone in on
:49:11. > :49:16.the real nitty-gritty and the finer details of it. He's going to have
:49:17. > :49:21.difficulty with the hip action, he's going to find it difficult to do
:49:22. > :49:26.heel leads and rise and fall. He's going to find it difficult to do the
:49:27. > :49:37.swing. See, he's back, he's back! Apart from that!
:49:38. > :49:42.Apart from that, he's fantastic. Your critique of how Judge Rinder
:49:43. > :49:45.did with the turns? I really liked what he did with them, however he
:49:46. > :49:50.did accidentally throw himself too much into it. He lost his centre and
:49:51. > :49:55.he started going in an ark and a curve which is not correct. It
:49:56. > :50:01.should be a straight line and whip, whip, whip, whip, whip of the head.
:50:02. > :50:07.I do that every week live for this wonderful nation. You judges dance
:50:08. > :50:12.every Saturday night. He's stolen the move, can you do a different
:50:13. > :50:16.one? I could do something else that might thrill and delight those at
:50:17. > :50:21.home. I have no idea. We literally make it up! You could never tell.
:50:22. > :50:26.Definitely I would crash into Bruno, then push him out the way, hopefully
:50:27. > :50:30.not on camera, but we only rehearse it once for camera, but we never
:50:31. > :50:36.know what we are going to do. I look forward to that. Gives it an edge.
:50:37. > :50:40.Quite scary. What do the couples have to do to impress you? You are
:50:41. > :50:45.going to get tougher. What do you need? Technique is the big thing and
:50:46. > :50:51.important thing and also performance skill because people that aren't
:50:52. > :50:56.used to performing, like for instance Ed Balls, I mean he's very
:50:57. > :51:09.good and performing and lying to the nation about politics possibly...
:51:10. > :51:14.ALL: Ohoh. Was that harsh? Yes. His technique at the moment is not
:51:15. > :51:20.brilliant. But certainly entertaining it will be.
:51:21. > :51:25.Celebrities, be afraid. Come and see us again soon, the gorgeous Craig
:51:26. > :51:29.Revel Horwood. For the final time, back to the Strictly studios to see
:51:30. > :51:34.what Gethin got up to earlier today. I'm in the make-up room, usually a
:51:35. > :51:39.hive of activity, but right now it's pretty calm and look, I've found for
:51:40. > :51:44.people just stood here ready for an interview. That happens on Strictly
:51:45. > :51:52.doesn't it. How are you doing? Yeah... Yes. Listen, before most
:51:53. > :51:55.people had their cereal this mornings, you had already been
:51:56. > :52:00.rehearsing the American smooth. How did it go? It felt like it was
:52:01. > :52:05.really early in the morning but I felt like it went really well. While
:52:06. > :52:10.we are in the make-up room they are covering the breezes. That is nasty.
:52:11. > :52:15.-- covering the bruises. They covered the one that was done on
:52:16. > :52:21.purpose! What are those trousers, by the way?
:52:22. > :52:26.Aren't they charming. I'm not sure any man in the world can pull off
:52:27. > :52:34.the jogging bottom with the posh shoes. Isn't it brilliant. You have
:52:35. > :52:38.got a few tricky injuries. I am high risk. High risk high outcome or I'll
:52:39. > :52:42.just drop her and that will be the end of the dance. I didn't mean
:52:43. > :52:49.that. That could be a disaster. That's not going to happen though.
:52:50. > :52:53.People ask are you nervous, they ask are you terribly worried and that's
:52:54. > :52:58.not going to happen, how do you feel about lifting your partner in front
:52:59. > :53:05.of ten million people and she might fall on your head. That's not going
:53:06. > :53:11.to happen. You are loving this, aren't you, Gorka? I'm loving it,
:53:12. > :53:16.loving it, loving it, I just can't stop loving it. You have got the
:53:17. > :53:21.charleston, Ghorka is she keeping up with you foul? Yes. The charleston
:53:22. > :53:28.is very fast. Next week it's maybe waltz, it's going to be really fast.
:53:29. > :53:34.It's just fast and furious and this is the new Vint Diesel and I'm the
:53:35. > :53:39.chic in the front. You are wearing your charleston shoes. That's right.
:53:40. > :53:45.You've got to feel it. Even though in making up the room, I'm making it
:53:46. > :53:49.up. Get used to the shoes. Yes. One quick thing. It's the first
:53:50. > :53:54.elimination. Don't talk about it. Don't wanna hear it. That's the big
:53:55. > :53:59.thing about Strictly, getting on really well, the camaraderie, how
:54:00. > :54:06.will it feel when someone leaves? People will be scratching each
:54:07. > :54:09.other's eyes out. Miaow. I shall write the entire British public a
:54:10. > :54:16.strongly worded letter if it goes wrong. That's about it then. Good.
:54:17. > :54:20.I'm going to do that thing you do. I'll do a sincere face. How is that,
:54:21. > :54:25.all right? Guys, thank you very much, good luck tomorrow night. I'm
:54:26. > :54:28.going to try and nick a place in the audience because it will be a great
:54:29. > :54:34.show tomorrow night. Zoe, back to you, thank you very much.
:54:35. > :54:42.APPLAUSE. Plenty more backstage got sip to
:54:43. > :54:48.come later. Memorable celebrities we talked about earlier. Quentin,
:54:49. > :54:52.Edwina, my dad and Greg and I can reveal that your winning loser with
:54:53. > :54:57.48% of the vote is... Greg Wallace!
:54:58. > :55:02.Well done, Greg! This is what Craig had to say about
:55:03. > :55:06.it at the time. I'm going to be absolutely nice and I'm going to
:55:07. > :55:12.tell you the truth, darling, you were like a wind-up toy out there.
:55:13. > :55:21.Unbelievable. Like a pressure cooker, about to explode. You
:55:22. > :55:26.manageded to get into the Samba, darling, with your bouncing. We
:55:27. > :55:30.would have had to show a clip of you look ing like if if Quentin won.
:55:31. > :55:36.Look at this picture. That's all we have time for tonight. Oh! Thanks to
:55:37. > :55:38.my guests and make sure you catch all the action tomorrow as it
:55:39. > :55:41.happens with Tess, Claude and this gentleman. I'm back on Monday with
:55:42. > :55:46.the first couple to leave the competition. Singing us out with a
:55:47. > :55:48.cover of the classic sweet Caroline from his new album out in October,
:55:49. > :56:08.Daniel O'Donnell! # All right, everybody
:56:09. > :56:16.# Where it began # I can't begin to know it
:56:17. > :56:24.# But then I know it's growing strong
:56:25. > :56:30.# It was in the spring # And spring became the summer
:56:31. > :56:33.# Who'd have believed you'd come along
:56:34. > :56:37.# All together now # Hands
:56:38. > :56:40.# Touching hands # Reaching out
:56:41. > :56:44.# Touching you # Reaching out
:56:45. > :56:57.# Touching me, touching you
:56:58. > :57:10.# Sweet Caroline # Good times never seemed so good
:57:11. > :57:16.# I've been inclined # To believe they never would but
:57:17. > :57:23.now I # Look at the night
:57:24. > :57:35.# And it don't seem so lonely # We fill it up with only two
:57:36. > :57:43.# And when I hurt # Hurt runs off my shoulder
:57:44. > :57:54.# How can I hurt when holding you # All right
:57:55. > :57:58.# Warm # Touching warm
:57:59. > :58:04.# Reaching out # Touching me, touching you
:58:05. > :58:13.# Sweet Caroline # Good times never seemed so
:58:14. > :58:28.good # I've been inclined
:58:29. > :58:32.# To believe they never would # Oh, no
:58:33. > :58:36.# Sweet Caroline # Good times never seemed so good...